oscholars.files.wordpress.com€¦  · web viewwe publish below a rough guide to productions of...

39
Special Issue On THE IMPORTANCE OF BEING EARNEST AUTUMN 2014 Some productions

Upload: others

Post on 06-Sep-2020

0 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

Special IssueOn

THE IMPORTANCE OF BEING EARNEST

AUTUMN 2014

Some productions

We publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections. The order is Title, Date, Director when known, Theatre,

Page 2: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

Place, arranged chronologically. Published 30.x.2014; updated 12.xi.2014.

AUSTRALIA

1. 1895 ?Bijou Theatre

Melbourne

2. 1896? Criterion

TheatreSydney

3. 1896 ? Opera House Brisbane

4. 1909? Criterion

TheatreSydney

5. 1912? Unley City

HallAdelaide

6. 1915? Unley City

HallMelbourne

7. 1915 ? Town Hall Perth

8. 1980 ? Town Hall Sydney

9. 2001 Travis Hooper

Brookman Street Theatre

Kalgoorlie

10. 2002 Barry Lowe

New Theatre, Newtown 1

Sydney

11.2009 Lara

Kerestes

Studio 1, University of New South Wales

Sydney

AUSTRIA

12. as Eine Triviale Komödie für

1905/6 ? Volkstheater Vienna

Page 3: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

seriöse Leute

13. 1971? Palais

Erzherzog Karl

Vienna

14. 1978? English

TheatreVienna

15. 1985? English

TheatreVienna

16.as Bunbury

2001Markus Felkel

Pfarrsaal der Kalvarienbergkirche

Vienna

17.as Ernst sein ist alles

2004 ?Vienna

BELGIUM

18. as Il importe d'être Constant

1952

Adaptation: Guillot De Saix ; Director: Raymond Gérôme

Théâtre du Résidence-Palace

Brussels

19. as Il importe d'être Constant

1952

Adaptation: Guillot De Saix ; Director: Raymond Gérôme

Antwerp

20. as Ernest est constant

D'après Anne Groswell, Lee Pockriss Adaptation & Director: Roland Ravez

Théâtre de Quat'Sous

Page 4: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

21. as Il est important d'être aimé

1976Adaptation: Jean Anouilh

22. as Il est important d'être aimé 1983

Adaptation: Jean Anouilh, Nicole Anouilh Director: Jacques Joël

Théâtre Molière

Brussels

23. as L'importance d'être constant

2001

Adaptation: Jean-Michel Déprats Director: Gérald Marti

Théâtre Royal des Galeries

Brussels

24. 2010 Julie Van Bogaert

Tinnenpot Theatre 2

Ghent

25.2013 Andrew

McIIroy

Palais Des Beaux-Arts Studio

Brussels

CANADA

26.1919 Players’

Club

University of British Columbia

Vancouver

27. 1976 Robin Phillips

? Stratford, Ontario

28. 1979 Robin Phillips

? Stratford, Ontario

29. 1993 David William

? Stratford, Ontario

30.1997 Terry

Hands

Princess of Wales Theatre

Toronto

Page 5: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

31. Four act version 2000 Richard Monette

? Stratford, Ontario

32. Four act Version2000 ?

University of British Columbia

Vancouver

33.2001 Susan

FerleyGlobe Theatre 3

Regina

34.2005 Ben

Barnes

Centre Saidye Bronfman

Montréal

35. 2009 Brian Bedford 4

? Stratford, Ontario

CZECHOSLOVAKIA/CZECH REPUBLIC36. as Jak je důležité

míti Filipa. Lehkovážná komedie pro vážné lidi

1983

J. Z. Novák (tr.); Eva Sadková (ed.); lyrics: Petr Kopta

Divadlo Jaroslava Průchy

Kladno

37. as Jak je důležité míti Filipa. Lehkovážná komedie pro vážné lidi

1998 ?

Divadlo na Vinohradech

Prague

CONGO, DEMOCRATIC REPUBLIC OF38. as Il importe

d'être constant1957

?Director: Roland Ravez

On tour, June to August

EGYPT

39.1937 Hilton

EdwardsEgyptian tour

Page 6: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

ENGLAND

40.1895

George Alexander

St James’ Theatre

London

41.1895

George Alexander

Theatre Royal

Brighton

42.1901

George Alexander

Coronet Theatre, Bayswater

London

43.1902

George Alexander

St James’ Theatre

London

44.1909

George Alexander

St James’ Theatre

London

45.1910

George Alexander

St James’ Theatre

London

46.1911

George Alexander

St James’ Theatre

London

47.1913

George Alexander

St James’ Theatre

London

48.1913

? Theatre Royal

Manchester

49. 1916 ? ? London

50.1919 Barry

JacksonBirmingham Rep

Birmingham

51.1923

Allan Aynesworth

Theatre Royal, Haymarket

London

52. 1930 Nigel Playfair

Lyric Theatre, Hammersmit

London

Page 7: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

h

53. 1934 Tyrone Guthrie

Old Vic London

54.1937 Peter

Bull

Perranpoth Summer Theatre

55.1939 John

Gielgud

Golders Green Hippodrome

London

56.1939 John

GielgudGlobe Theatre

London

57.1939 John

GielgudGlobe Theatre

London

58.1940 John

GielgudGlobe Theatre

London

59.1942 John

GielgudPhoenix Theatre

London

60.1944 Barbara

HutchinsQuestors’ Theatre

London

61.1944 John

MoodyBirmingham Rep

Birmingham

62.1946 John

Gielgud

Theatre Royal, Haymarket

London

63. 1955 ? ? Wanstead

64.1959 Arthur

PentelowBirmingham Rep

Birmingham

65. 1959 Michael Benthall

Old Vic London

66. 1964 Nuala O Faolain

? Oxford

Page 8: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

67.1968

Robert Chetwynd

Theatre Royal, Haymarket

London

68.1970 Alfred

EmmetQuestors’ Theatre

London

69.1974

Peter James

Shaw Theatre

London

70. 1975 Jonathan Miller

Greenwich London

71.1975 Nicholas

BarterBirmingham Rep

Birmingham

72. 1977 ? Old Vic Bristol

73. 1977 Denise Coffey

Young Vic London

74. 1979 Peter Dews

? Chichester

75.1980 Frank

HauserHaymarket Theatre

Leicester

76. 1980 Frank Hauser

Old Vic London

77.1981

Michael Attenborough

Palace Theatre

Watford

78.1982 Peter

Hall Palace Theatre

Manchester

79.1982 Peter

Hall Empire Theatre

Liverpool

80.1982 Peter

HallLyttelton Theatre

London

81.1982 Peter

Hall Theatre Royal

Nottingham

82. 1982 Peter Hall

Apollo Coventry

Page 9: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

Theatre

83.1982 Peter

Hall Theatre Royal

Norwich

84. The Musical Importance of Being Earnest

1984 ?Ambassador’s Theatre

London

85.1984 John

WilsonQuestors’ Theatre

London

86.1989 Yvonne

BrewsterBloomsbury Theatre

London

87.1989 Yvonne

BrewsterTyne Theatre

Newcastle- upon-Tyne

88.1992 ?

Beveridge Hall, Senate House

London

89.1993 Nicholas

HytnerAldwych Theatre

London

90.1993 - 1994

James Maxwell

Royal Exchange Theatre

Manchester

91.1994 Jonathan

ChurchThe Playhouse

Derby

92.1995 Nicholas

WrightThe Playhouse

Oxford

93.1995

Terry Hands

Birmingham Rep

Birmingham

94. 1995 Terry Hands

Old Vic London

95.1997

? Market Arts Centre

Bury, Lancs

96. 1997 ? West Yorkshire

Leeds

Page 10: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

Playhouse

97.1997

? Chapman Theatre

Salford University

98.1998

? Tabard Theatre

London

99.1999 Paul

KerrysonHaymarket Theatre

Leicester

100.1999

? Bingley Little Theatre

Bingley

101.1999

? Nottingham Playhouse

Nottingham

102.1999

? Octagon Theatre

Bolton

103.1999

? Town Hall High Wycombe

104.1999

? Theatre Royal

Windsor

105.1999

Christopher Morahan

Chichester Festival Theatre

Chichester

106.1999

Christopher Morahan

Theatre Royal, Haymarket

London

107.1999 Xavier

LeretBloomsbury Theatre

London

108.1999

? Bull Arts Centre

Barnet

109.2000

? The Orchard (open air)

Grantchester

Page 11: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

110.2000

? Berkeley Castle

?

111. 2000 ? Uppark NT ?

112.2000

? Ryedale Festival

?

113.2000

? High Lodge Forest Centre

?

114.2000

? Tonbridge Castle

?

115.2000

? Bodnant Gardens NT

?

116.2000

? Lacock Abbey NT

?

117. 2000 Robert Sayle

ADC Cambridge

118. 2000 Simon Woods

Playhouse Oxford

119.2000 Xavier

LeretCharter Theatre

Preston, Lancs

120. 2000 Xavier Leret

The Castle Wellingborough

121. 2000 ? Playhouse Norwich

122.2001

Christopher Morahan

Savoy Theatre

London

123.2001 Matthew

Smith

The Watermill Theatre

Newbury

124.2001 Lawrenc

e TillPalace Theatre

Watford

125. 2001 Lawrenc Library Manches

Page 12: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

e Till Theatre ter

126.2001 Richard

Aucott The Audotorium

Birmingham

127.2001 ?

Minack Theatre

Penzance

128.2001 David

Clarke

Yvonne Arnaud Theatre

Guildford

129.2001

Bruce Jamieson, Alice de Sousa

Greenwich Playhouse

London

130.2003 ?

Greenwood Theatre

London

131.2003 Betony

TaylorNorthcott Theatre 5

Exeter

132. 2005 David Fielding

Old Vic Bristol

133.

2005

? Moravian Church Gardens, Chelsea

London

134.2005

? New Wimbledon Theatre

London

135.2005

? Library Theatre

Luton

136.2005

Jude Kelly Octagon Theatre

Bolton

137.2005

Jude Kelly South Hill Park

Bracknell

138. 2005 Jude Kelly Lowry Salford

Page 13: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

Theatre

139.2005

Jude Kelly West Yorkshire Playhouse

Leeds

140.2005

Jude Kelly Brindley Arts Centre

Runcorn

141.2005

Jude Kelly Wyvern Theatre

Swindon

142.2005

Jude Kelly W.I. Hall Burton Bradstock

143.2005

Jude Kelly The Swan High Wycombe

144.2005

Jude Kelly Riverhead Theatre

Louth

145.2005

Jude Kelly Phoenix Theatre

Leicester

146.2005

Jude Kelly Gulbenkian Theatre

Canterbury

147.2005

Jude Kelly Theatre Royal

Winchester

148.2005

Jude Kelly Warwick Arts Centre

Warwick

149. 2005 Jude Kelly Riding Hall Nottingham

150. 2005 Jude Kelly Barbican London

151.2007

? Devonshire Park Theatre

Eastbourne

152.2007

John Risebero and Ben Horslen

Jermyn Street Theatre

London

Page 14: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

153. 2008 Michael Friend

Strawberry Hill House

Twickenham, London

154. 2008 Michael Friend

Shaw's Corner

Ayot St. Lawrence

155.2008 Michael

Friend Memorial Theatre

Broadstairs

156.2008 Michael

FriendGuildhall Theatre

Grantham

157.

2009 Irina Brown

Open Air Theatre, Regent’s Park

London

158.2010

John Risebero and Ben Horslen

Cochrane Theatre 6

London

159.2010 Bruce

JamiesonGreenwich Theatre

London

160.2011

? The Barn Theatre

Oxted, Surrey

161.2012

? Devonshire Park Theatre

Eastbourne

162.2014 Lucy

BaileyHarold Pinter Theatre 7

London

163.2014 Lucy

BaileyTheatre Royal

Brighton

164.2014 Lucy

BaileyWaterside Theatre

Aylesbury

165.2014 Lucy

BaileyRichmond Theatre

Richmond

166. 2014 Lucy Bailey

New Alexandra

Birmingham

Page 15: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

Theatre

FINLAND

167. as Ernest och ingen annan

1906? Svenska

TeaternHelsinki

168. as Bunbury1917

? Tampereen Teatteri

Tampere

169. as Bunbury1919

? Ida Aalberg Teatteri

Helsinki

170. as Bunbury1935

? Helsingin Kansanteatteri

Helsinki

171. as Sulhaseni Ernest

1957? National

TheatreHelsinki

172. as Sulhaseni Ernest

1959 / 60

? Lahden Kaupunginteatteri

Lahti

173. as Sulhaseni Ernest 1959

/60

? Hämeenlinnan Kaupunginteatteri

Hämeenlinna

174. as Sulhaseni Ernest

1960 / 1

? Imatran Teatteri

Helsinki

175. as Sulhaseni Ernest

1960 / 1

? Varkauden TyöväenTeatteri

Varkaus

176. as Mr Ernest1961

? Åbo Svenska Teater

Turben

177. as Sulhaseni Ernest

1963 /4? Tampereen

TeatteriTampere

Page 16: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

178. as Sulhaseni Ernest 1967 /8

? Kotkan Kaupunginteatteri

Kotka

179. as Sulhaseni Ernest

1968 / 9

? Turun Kaupunginteatteri

Turun

180. as Ernest och ingen annan

1970? Wasa

TeaternHelsinki

181. as Sulhaseni Ernest 1970

? Oulun Kaupunginteatteri

Oulu

182. as Sulhaseni Ernest

1972 / 3

? Rauman Kaupunginteatteri

Rauma

183. as Ernest och ingen annan

1984? Svenska

TeaternHelsinki

184. as Tärkeintä on olla Uno

1987? Ryhmäteatte

riHelsinki

185. as Tärkeintä on olla Uno 1996

? Helsingin Kaupunginteatteri

Helsinki

FRANCE

186. as Il importe d’être Constant

1942 Paul Raynal Théâtre de

l’Humour (now Comédie de Paris)

Paris

187. as Il importe d’être Constant 1952 Paul

Raynal

Théâtre Vieux Colombier

Paris

188. as Il est important d’être

1954 Claude Comédie des Champs

Paris

Page 17: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

AiméAdaptation de Jean Anouilh et Claude Vincent

Sainval Elysées

189. as L’Important, cest d’être fidèle Adaptation de Charles Cambillard

1954André Villiers

Théâtre en Rond(now L’Européen)

Paris

190. The Importance of being Earnest 1962 Gary

Belkin

Théâtre de la Gaîté-Montparnasse

Paris

191. as Il est important d’être aimé

1970 Jean Guichard

Abbaye de l'Épau

La Baule

192. as Il est important d’être aimé

1971 Jean Guichard

Abbaye de l'Épau

La Baule

193. as Il est important d’être aimé

1971 Jean Guichard

Maison de la culture Le Corbusier

Firminy

194. as Il est important d’être aimé Adaptation : Nicole et Jean Anouilh

1980 Jacques François

Théâtre Marigny

Paris

195. as Il est important d’être aimé

1981 Jacques François

France Télévision

Paris

196. as L’avantage d’être Constant

1982Pierre Boutron

Théâtre des Mathurins

Paris

197. as Il est important détre désiré

1994Samantha Wiggins

Bateau-théâtre Mistral

Paris

198. as L’Importance d’être Constant

1996 Jérôme Savary

Théâtre de Chaillot

Paris

Page 18: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

199. as L’Importance d’être Fidèle

1998 Jean-Luc Tardieu

Maison de la Culture de Loire-Atlantique ; puisComédie des Champs-Elysées

Nantes

200. as Il est important d’être Aimable

2000Astrid de Couvois, Ivola Pounembetti

Comédie de Paris

Paris

201. as Il est important d’être Aimable

2000Astrid de Couvois, Ivola Pounembetti

Déchargeurs Paris

202. as Il est important d’être Aimable

2000Astrid de Couvois, Ivola Pounembetti

Cinq Diamants

Paris

203. The Importance of being Earnest 2000

Karine Romer and Trevor Harris

Salle Thélème

Tours

204. The Importance of being Earnest 2000

April

Didier Braun & Andrew Wilson

Théâtre de Ménilmontant

Paris

205. The kaos Importance of being Earnest

2000Xavier Leret

Théâtre Silvia Montfort

Paris

206. The Importance of being Earnest

2000 Decem

berAndrew Wilson

Théâtre de Ménilmontant

Paris

207. The Importance of being Earnest 2001 Andrew

Wilson

Théâtre de Ménilmontant

Paris

208. The Importance of being Earnest

2001 Andrew Wilson

Théâtre de Ménilmontan

Paris

Page 19: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

t

209. as L’Importance d’être Constant

2006Guillaume Hlavacek

Essec Cergy

210. as L’Importance d’être Constant 2006

Guillaume Hlavacek

Cour du Palais du Tau

Reims

211. as L’Importance d’être Constant

2006Guillaume Hlavacek

La Comedia

212. as L’Importance d’être constant

2006/7 Pierre Laville

Théâtre Antoine ; en tournée du 8 Septembre 2006 au 22 Mars 2008

Paris

213. The Importance of Being Earnest 2007

Lucille O'Flanagan

Théâtre Silvia Monfort

Paris

214. The Importance of Being Earnest

2007 Benedict Wray

Présenté par le Droit au Théâtre – Collège Franco-Britannique et Fondation Biermans-LapôtreCité Internationale Universitaire

Paris

215. The Importance of Being Earnest

2008 Alain Bariou et Hélène Blasco

Présenté par le groupe de théâtre de la section britannique du Lycée Grand Air de la Baule.Maison des jeunes et de

La Baule

Page 20: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

la culture216. as L’Importance

d’être Constant2008 Astrid

Hauschild

Théâtre Pixel / Lucernaire

Paris

217. as L’Importance d’être Constant

2009 Fabien Escalona

Les Aériens du spectacle

Le Laussy

218. as L’Importance d’être Constant

2009 Mathieu Rousset

Théâtre de l’Anagramme

Lyon

219. as L’Importance d’être sérieux

2012Gilbert Désveaux

? Montpellier

220. as L’Importance d’être sérieux 2012

Gilbert Désveaux

Théâtre Ouest-Parisien

Boulogne-Billancourt

Voir aussi : http://www.oscholars.com/RBA/twenty-seven/27.13/OscarWilde.htm

GERMANY

221. The Importance of being Earnest

1906Viktor Barnowsky

Kleines Theater

Berlin

222. as Bunbury1907

? Kleines Theater

Berlin

223. The Importance of being Earnest

1985? ? Tübinge

n

224. as Bunbury oder Ernst sein ist alles 1996

Margit Schostok, Hanne Hett-Hein, Marlene Krämer

Volkshochschule Gundelfingen

Gundelfingen

225. as Bunbury1998 Wolfgan

g WirtzHorizont Theater

Cologne / Köln

Page 21: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

226. as Bunbury oder Wie wichtig es isternst zu sein

1998? Renaissance

TheaterBerlin

227. The Importance of being Earnest

2000 Duncan Law

English Theater

Frankfurt/Main

228. as "Bunbury" – Eine triviale Komödie für "ernst"

2001

? Ahrmuse-Kabarett

?

229. as Bunbury oder Ernst sein ist wichtig: Eine triviale Komödie für ernsthafte Leute 8

2008

?

Komödie Theatre

Augsburg

HUNGARY

230. The Importance of being Earnest

1907Max Reinhardt

Vigszínhaz Theatre

Buda-Pesth

IRELAND

231.?

Christopher Fitz-Simon

Lyric Theatre Belfast

232. ? ? Portora Royal School

Enniskillen

233.1901

Sir George Alexander

Grand Opera House

Belfast

234. 1906(before

)

? ? Dublin

235. 1933 Hilton Edwards

The Gate Dublin

Page 22: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

Theatre

236.1935 Hilton

EdwardsThe Gate Theatre

Dublin

237.1936 Hilton

EdwardsThe Gate Theatre

Dublin

238.1937 Hilton

EdwardsThe Gate Theatre

Dublin

239.1938

Hilton Edwards

The Gate Theatre

Dublin

240.1941 Gerald

PringleThe Gate Theatre

Dublin

241.1943 John Izon

The Gate Theatre

Dublin

242.1946

Michéal MacLiammoir

Gaiety Theatre

Dublin

243.1954

Dan O’Connell / Alpho O’Reilly

The Gate Theatre

Dublin

244.1957

Michael MacOwan

Olympia Theatre

Dublin

245. 1971 ? Lyric Theatre Belfast

246.1971 Hilton

EdwardsThe Gate Theatre

Dublin

247.1973 Alan

BarlowAbbey Theatre

Dublin

248.1979

Peter O’Shaughnessy

Granary Theatre

Cork

249. 1980 Barry Cassin

Opera House Cork

250. 1985 Andrew Riverside Colerain

Page 23: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

Scorgie Theatre e

251.1985 Garry

HynesDruid Theatre

Galway

252.1987 Patrick

MasonThe Gate Theatre

Dublin

253.1984 Fiona

NolanNational Concert Hall

Dublin

254.1990

Roland Jacquarello

Lyric Theatre Belfast

255.1995 Piotr

SadowskiAmerican College

Dublin

256.1995 Terry

O’NeillCollaiste Rathin

Bray

257.1996

Ned Dempsey

Arklow Bay Hotel

Arklow, Co Wicklow

258.1996

Gerardine McDermottroe

Wexford Arts Centre

Wexford

259. 1997 Patrick Mason

Abbey Theatre

Dublin

260.1998 John

BradySeven Oaks Hotel

Carlow

261.1999

Seamus Thackaberry

New Theatre

Dublin

262.2003 Gerald

BourkeDalkey Town Hall

Dalkey

263.2003 Alan

StanfordThe Gate Theatre

Dublin

264.2006 Conall

MorrisonAbbey Theatre

Dublin

Page 24: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

265. 2009/2010

Lynne Parker

Gaiety Theatre

Dublin

ITALY

266. as LImportanza di Essere Onesto 1996

Lucia Ruina Peretti

Estate Teatrale Amatoriale

Verona

267. as L’Importanza d’essere Vincente

2009 Paolo Dall’Olio

Teatro di Corte

Carpi (Modena)

268. The Importance of Being Earnest

2012/13

John O’Connor

On tour

269. as L’importanza di Chiamarsi Ernest

2014 Geppy Gleijese

Teatro Stabile di Calabria, Teatro Quirino Vittorio Gassman

Crotone

MALAYSIA

270. The Importance of Being Earnest

2001Adlin Aman Ramlie

The Actors Studio

Kuala Lumpur

THE NETHERLANDS

271. as Het Belang van Ernst

1997Karst Woudstra

Stadsschouwberg

Groningen

272. as Het Belang van Ernst

1998Karst Woudstra

Stadsschouwberg

Amsterdam

POLAND

273.1969

? Mermaid Theatre

Warsaw

Page 25: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

274.1979

? Teatr na Targówku

Warsaw

275.1986

? Teatr Tarnowski

Tarnów

RUSSIA

276.1990s

S. Zhenovach

P. Fomenko Studio

Moscow

277.1998 Ilya

MakarovAkimov Theatre

St Petersburg

SCOTLAND

278.1977 Philip

ProwseCitizens’ Theatre

Glasgow

279. 1997 ? ? Edinburgh

280.1999 Xavier

LeretTheatre Workshop

Edinburgh

SPAIN

281. as La Importancia de llamarse Ernesto

1952? Teatro Circo Albacete

282. as La importancia de

ser Frank [recorded

play.

1997

Jaume Melendres

Institut del

Teatre

Barcelona

SWITZERLAND

283. The Importance of Being Earnest

1918 Claud Sykes

Theater zu Kaufleuten

Zürich

Page 26: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

284. as Bunbury9 2009 Katharina Rupp

Theater Biel Solothurn

285. as Bunbury: eine triviale Komödie für ernsthafte Leute

1985 /6

? Schauspielhaus

Zürich

286. The Importance of Being Earnest

1994 Tim Hancox

? Geneva

287. as Bunbury 1998/9 Madeleine Herzog

Stadttheater St Gallen

288. as Bunbury 1998/9 Madeleine Herzog

Stadttheater St Gallen

289. as Ärnscht Mues Me Syy

2001? Theater

FauteuilBasel

290. as Bunbury2004

Barbara Schneider

Theater Dietlikon

Dietlikon

291. The Importance of being Earnest

2005 Jude Kelly

Stadttheater Schaffhausen

292. The Importance of being Earnest Bunbury

2010Helmut Förnbacher

Förnbacher Theater

Basel

USA

293.? Donald

Seales

Madison Avenue Playhouse

New York

294. ? Vincent M. Lancis

? Baltimore, MD

295.1901 Henry

MillerColumbia Theatre

San Francisco

296. 1902 Henry Miller

? New York

Page 27: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

297.1910 Henry

MillerLyceum Theatre

New York

298.1921

Butler Davenport

Bramhall Theatre

New York

299.1922 Gilmor

BrownPasadena Playhouse

Pasadena

300.1923

Lenore Shanewise

Pasadena Playhouse

Pasadena

301.1926 Dudley

DiggesComedy Theatre

New York

302.1930

Lenore Shanewise

Pasadena Playhouse

Pasadena

303.

1939

Estelle Winwood, Richard Aldrich and Richard Meyers

Vanderbilt Theatre

New York

304.1947 John

GielgudRoyale Theatre

New York

305. scene iv only1953 Albert

MarreEmpire Theatre

New York

306. 1960-1962

? ? U.S. cities

307.1982 Tom

Moore

Old Globe Theatre

San Diego, California

308.1982

Evan Thompson

Mercer Street Theatre

New York

309. 1985 ? ? Cleveland, Ohio

Page 28: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

310.1985 Robert A.

Gaines? Auburn

Montgomery

311. The Musical Importance of Being Earnest

1986? ? Los

Angeles

312.1988 Steve

RivettePoway Theatre

Poway, California

313. 1990 ? ? Los Angeles

314.1991 Jeff

RomanoHouston University

Long Island

315.

1993

? People's Light & Theatre Company

Malvern, PA

316. One-Act adaptation by David Hsieh

1995? Theatre Off

JacksonSeattle

317.1997 Candy

Peate? Underhil

l, Vermont

318.

1998

Adapted by Hugh Hysell; director Fred Tracey

Maryland Hotel

San Diego

319.1998 John

Going

Cincinnati Playhouse in the Park

Cincinnati

320.

1998Adapted by Hugh Hysell

Broadway Duplex, Greenwich Village

New York

Page 29: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

321.1998 Sari

Ketter

Portland Performing Arts Center

Portland, Maine

322.1998 Joe

Dowling Guthrie Theater

Minneapolis

323.1999 Sheldon

EppsPasadena Playhouse

Pasadena

324.1999

? Phoenix Theatre

Phoenix, Arizona

325.2000 Michael

MasseyCompany on Stage

Houston, Texas

326.2000

? The Kelsey Theatre

West Windsor, NJ.

327.2000 Eve

Shapiro,Julliard School

New York

328.2000

? Goddard Space Flight Center

329.2001

? Theatre Charlotte

Charlotte NC

330.2001 Dinna

Myers Olinder Theatre

San Jose, CA

331.2001

Linda Ellinwood

Alameda Little Theatre

Alameda, California

332.2001 Geoffrey

NelsonStudio One Theatre

Columbus, Ohio

333. 2007 ? Theatre Gael Atlanta, Georgia

334. 2007 Greg Natale

Drama Theatre, State

Amherst, New

Page 30: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

University of New York Buffalo 10

York

335.2007 Richard

SoddersTexas State University 11

San Marcos, Texas

336. 2008 ? Pearl Theatre 12

New York

337.2009

Irene Lewis Pearlstone Theater

Baltimore, Maryland

338.2009 Joe

DowlingGuthrie Theater

Minneapolis

339.2010 Shawn

Douglass

Greenhouse Theater Center

Chicago

340.2011 Brian

Bedford

American Airlines Theatre 13

New York

341.

2013

Directed & adapted by and starring Clayton B. Hodges

Tulsa Performing Arts Center

Tulsa

WALES

342.1999

? Sherman Theatre

Cardiff

To return to the Table of Contents of the Importance of being Earnest Special Issue, please click here

To return to the Table of Contents of all the Special Issues, please

Page 31: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

click here

To return to THE OSCHOLARS home page, please click here

To return to THE OSCHOLARS former home page, please click here

Page 32: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections
Page 33: oscholars.files.wordpress.com€¦  · Web viewWe publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections

1

Review by Penny Gay THE OSCHOLARS 11 April 20022 Review by Koenraad Claes THE OSCHOLARS 52 August 20103 Review by Susan Johnston THE OSCHOLARS 6 November 20014 Webcast5 Review by Regenia Gagnier THE OSCHOLARS April 20036 Review by Anna Orhanen THE OSCHOLARS 52 August 20107 Review by Rakshita Patel THE OSCHOLARS n.s. August 20148 Review by Elżbieta Baraniecka THE OSCHOLARS 44 May 20089 Review by Julia Steck and Andrea Uebelhard THE OSCHOLARS 51 March 201010 Review by Mark Tattenbaum THE OSCHOLARS 42 October/November 200711 Review by Melissa Jackson THE OSCHOLARS 42 October/November 200712 Review by Gwen Orel THE OSCHOLARS 45 July/August 2008

13