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TRANSCRIPT
Special IssueOn
THE IMPORTANCE OF BEING EARNEST
AUTUMN 2014
Some productions
We publish below a rough guide to productions of the play. This is, perforce, very far from complete and we welcome additions and corrections. The order is Title, Date, Director when known, Theatre,
Place, arranged chronologically. Published 30.x.2014; updated 12.xi.2014.
AUSTRALIA
1. 1895 ?Bijou Theatre
Melbourne
2. 1896? Criterion
TheatreSydney
3. 1896 ? Opera House Brisbane
4. 1909? Criterion
TheatreSydney
5. 1912? Unley City
HallAdelaide
6. 1915? Unley City
HallMelbourne
7. 1915 ? Town Hall Perth
8. 1980 ? Town Hall Sydney
9. 2001 Travis Hooper
Brookman Street Theatre
Kalgoorlie
10. 2002 Barry Lowe
New Theatre, Newtown 1
Sydney
11.2009 Lara
Kerestes
Studio 1, University of New South Wales
Sydney
AUSTRIA
12. as Eine Triviale Komödie für
1905/6 ? Volkstheater Vienna
seriöse Leute
13. 1971? Palais
Erzherzog Karl
Vienna
14. 1978? English
TheatreVienna
15. 1985? English
TheatreVienna
16.as Bunbury
2001Markus Felkel
Pfarrsaal der Kalvarienbergkirche
Vienna
17.as Ernst sein ist alles
2004 ?Vienna
BELGIUM
18. as Il importe d'être Constant
1952
Adaptation: Guillot De Saix ; Director: Raymond Gérôme
Théâtre du Résidence-Palace
Brussels
19. as Il importe d'être Constant
1952
Adaptation: Guillot De Saix ; Director: Raymond Gérôme
Antwerp
20. as Ernest est constant
D'après Anne Groswell, Lee Pockriss Adaptation & Director: Roland Ravez
Théâtre de Quat'Sous
21. as Il est important d'être aimé
1976Adaptation: Jean Anouilh
22. as Il est important d'être aimé 1983
Adaptation: Jean Anouilh, Nicole Anouilh Director: Jacques Joël
Théâtre Molière
Brussels
23. as L'importance d'être constant
2001
Adaptation: Jean-Michel Déprats Director: Gérald Marti
Théâtre Royal des Galeries
Brussels
24. 2010 Julie Van Bogaert
Tinnenpot Theatre 2
Ghent
25.2013 Andrew
McIIroy
Palais Des Beaux-Arts Studio
Brussels
CANADA
26.1919 Players’
Club
University of British Columbia
Vancouver
27. 1976 Robin Phillips
? Stratford, Ontario
28. 1979 Robin Phillips
? Stratford, Ontario
29. 1993 David William
? Stratford, Ontario
30.1997 Terry
Hands
Princess of Wales Theatre
Toronto
31. Four act version 2000 Richard Monette
? Stratford, Ontario
32. Four act Version2000 ?
University of British Columbia
Vancouver
33.2001 Susan
FerleyGlobe Theatre 3
Regina
34.2005 Ben
Barnes
Centre Saidye Bronfman
Montréal
35. 2009 Brian Bedford 4
? Stratford, Ontario
CZECHOSLOVAKIA/CZECH REPUBLIC36. as Jak je důležité
míti Filipa. Lehkovážná komedie pro vážné lidi
1983
J. Z. Novák (tr.); Eva Sadková (ed.); lyrics: Petr Kopta
Divadlo Jaroslava Průchy
Kladno
37. as Jak je důležité míti Filipa. Lehkovážná komedie pro vážné lidi
1998 ?
Divadlo na Vinohradech
Prague
CONGO, DEMOCRATIC REPUBLIC OF38. as Il importe
d'être constant1957
?Director: Roland Ravez
On tour, June to August
EGYPT
39.1937 Hilton
EdwardsEgyptian tour
ENGLAND
40.1895
George Alexander
St James’ Theatre
London
41.1895
George Alexander
Theatre Royal
Brighton
42.1901
George Alexander
Coronet Theatre, Bayswater
London
43.1902
George Alexander
St James’ Theatre
London
44.1909
George Alexander
St James’ Theatre
London
45.1910
George Alexander
St James’ Theatre
London
46.1911
George Alexander
St James’ Theatre
London
47.1913
George Alexander
St James’ Theatre
London
48.1913
? Theatre Royal
Manchester
49. 1916 ? ? London
50.1919 Barry
JacksonBirmingham Rep
Birmingham
51.1923
Allan Aynesworth
Theatre Royal, Haymarket
London
52. 1930 Nigel Playfair
Lyric Theatre, Hammersmit
London
h
53. 1934 Tyrone Guthrie
Old Vic London
54.1937 Peter
Bull
Perranpoth Summer Theatre
55.1939 John
Gielgud
Golders Green Hippodrome
London
56.1939 John
GielgudGlobe Theatre
London
57.1939 John
GielgudGlobe Theatre
London
58.1940 John
GielgudGlobe Theatre
London
59.1942 John
GielgudPhoenix Theatre
London
60.1944 Barbara
HutchinsQuestors’ Theatre
London
61.1944 John
MoodyBirmingham Rep
Birmingham
62.1946 John
Gielgud
Theatre Royal, Haymarket
London
63. 1955 ? ? Wanstead
64.1959 Arthur
PentelowBirmingham Rep
Birmingham
65. 1959 Michael Benthall
Old Vic London
66. 1964 Nuala O Faolain
? Oxford
67.1968
Robert Chetwynd
Theatre Royal, Haymarket
London
68.1970 Alfred
EmmetQuestors’ Theatre
London
69.1974
Peter James
Shaw Theatre
London
70. 1975 Jonathan Miller
Greenwich London
71.1975 Nicholas
BarterBirmingham Rep
Birmingham
72. 1977 ? Old Vic Bristol
73. 1977 Denise Coffey
Young Vic London
74. 1979 Peter Dews
? Chichester
75.1980 Frank
HauserHaymarket Theatre
Leicester
76. 1980 Frank Hauser
Old Vic London
77.1981
Michael Attenborough
Palace Theatre
Watford
78.1982 Peter
Hall Palace Theatre
Manchester
79.1982 Peter
Hall Empire Theatre
Liverpool
80.1982 Peter
HallLyttelton Theatre
London
81.1982 Peter
Hall Theatre Royal
Nottingham
82. 1982 Peter Hall
Apollo Coventry
Theatre
83.1982 Peter
Hall Theatre Royal
Norwich
84. The Musical Importance of Being Earnest
1984 ?Ambassador’s Theatre
London
85.1984 John
WilsonQuestors’ Theatre
London
86.1989 Yvonne
BrewsterBloomsbury Theatre
London
87.1989 Yvonne
BrewsterTyne Theatre
Newcastle- upon-Tyne
88.1992 ?
Beveridge Hall, Senate House
London
89.1993 Nicholas
HytnerAldwych Theatre
London
90.1993 - 1994
James Maxwell
Royal Exchange Theatre
Manchester
91.1994 Jonathan
ChurchThe Playhouse
Derby
92.1995 Nicholas
WrightThe Playhouse
Oxford
93.1995
Terry Hands
Birmingham Rep
Birmingham
94. 1995 Terry Hands
Old Vic London
95.1997
? Market Arts Centre
Bury, Lancs
96. 1997 ? West Yorkshire
Leeds
Playhouse
97.1997
? Chapman Theatre
Salford University
98.1998
? Tabard Theatre
London
99.1999 Paul
KerrysonHaymarket Theatre
Leicester
100.1999
? Bingley Little Theatre
Bingley
101.1999
? Nottingham Playhouse
Nottingham
102.1999
? Octagon Theatre
Bolton
103.1999
? Town Hall High Wycombe
104.1999
? Theatre Royal
Windsor
105.1999
Christopher Morahan
Chichester Festival Theatre
Chichester
106.1999
Christopher Morahan
Theatre Royal, Haymarket
London
107.1999 Xavier
LeretBloomsbury Theatre
London
108.1999
? Bull Arts Centre
Barnet
109.2000
? The Orchard (open air)
Grantchester
110.2000
? Berkeley Castle
?
111. 2000 ? Uppark NT ?
112.2000
? Ryedale Festival
?
113.2000
? High Lodge Forest Centre
?
114.2000
? Tonbridge Castle
?
115.2000
? Bodnant Gardens NT
?
116.2000
? Lacock Abbey NT
?
117. 2000 Robert Sayle
ADC Cambridge
118. 2000 Simon Woods
Playhouse Oxford
119.2000 Xavier
LeretCharter Theatre
Preston, Lancs
120. 2000 Xavier Leret
The Castle Wellingborough
121. 2000 ? Playhouse Norwich
122.2001
Christopher Morahan
Savoy Theatre
London
123.2001 Matthew
Smith
The Watermill Theatre
Newbury
124.2001 Lawrenc
e TillPalace Theatre
Watford
125. 2001 Lawrenc Library Manches
e Till Theatre ter
126.2001 Richard
Aucott The Audotorium
Birmingham
127.2001 ?
Minack Theatre
Penzance
128.2001 David
Clarke
Yvonne Arnaud Theatre
Guildford
129.2001
Bruce Jamieson, Alice de Sousa
Greenwich Playhouse
London
130.2003 ?
Greenwood Theatre
London
131.2003 Betony
TaylorNorthcott Theatre 5
Exeter
132. 2005 David Fielding
Old Vic Bristol
133.
2005
? Moravian Church Gardens, Chelsea
London
134.2005
? New Wimbledon Theatre
London
135.2005
? Library Theatre
Luton
136.2005
Jude Kelly Octagon Theatre
Bolton
137.2005
Jude Kelly South Hill Park
Bracknell
138. 2005 Jude Kelly Lowry Salford
Theatre
139.2005
Jude Kelly West Yorkshire Playhouse
Leeds
140.2005
Jude Kelly Brindley Arts Centre
Runcorn
141.2005
Jude Kelly Wyvern Theatre
Swindon
142.2005
Jude Kelly W.I. Hall Burton Bradstock
143.2005
Jude Kelly The Swan High Wycombe
144.2005
Jude Kelly Riverhead Theatre
Louth
145.2005
Jude Kelly Phoenix Theatre
Leicester
146.2005
Jude Kelly Gulbenkian Theatre
Canterbury
147.2005
Jude Kelly Theatre Royal
Winchester
148.2005
Jude Kelly Warwick Arts Centre
Warwick
149. 2005 Jude Kelly Riding Hall Nottingham
150. 2005 Jude Kelly Barbican London
151.2007
? Devonshire Park Theatre
Eastbourne
152.2007
John Risebero and Ben Horslen
Jermyn Street Theatre
London
153. 2008 Michael Friend
Strawberry Hill House
Twickenham, London
154. 2008 Michael Friend
Shaw's Corner
Ayot St. Lawrence
155.2008 Michael
Friend Memorial Theatre
Broadstairs
156.2008 Michael
FriendGuildhall Theatre
Grantham
157.
2009 Irina Brown
Open Air Theatre, Regent’s Park
London
158.2010
John Risebero and Ben Horslen
Cochrane Theatre 6
London
159.2010 Bruce
JamiesonGreenwich Theatre
London
160.2011
? The Barn Theatre
Oxted, Surrey
161.2012
? Devonshire Park Theatre
Eastbourne
162.2014 Lucy
BaileyHarold Pinter Theatre 7
London
163.2014 Lucy
BaileyTheatre Royal
Brighton
164.2014 Lucy
BaileyWaterside Theatre
Aylesbury
165.2014 Lucy
BaileyRichmond Theatre
Richmond
166. 2014 Lucy Bailey
New Alexandra
Birmingham
Theatre
FINLAND
167. as Ernest och ingen annan
1906? Svenska
TeaternHelsinki
168. as Bunbury1917
? Tampereen Teatteri
Tampere
169. as Bunbury1919
? Ida Aalberg Teatteri
Helsinki
170. as Bunbury1935
? Helsingin Kansanteatteri
Helsinki
171. as Sulhaseni Ernest
1957? National
TheatreHelsinki
172. as Sulhaseni Ernest
1959 / 60
? Lahden Kaupunginteatteri
Lahti
173. as Sulhaseni Ernest 1959
/60
? Hämeenlinnan Kaupunginteatteri
Hämeenlinna
174. as Sulhaseni Ernest
1960 / 1
? Imatran Teatteri
Helsinki
175. as Sulhaseni Ernest
1960 / 1
? Varkauden TyöväenTeatteri
Varkaus
176. as Mr Ernest1961
? Åbo Svenska Teater
Turben
177. as Sulhaseni Ernest
1963 /4? Tampereen
TeatteriTampere
178. as Sulhaseni Ernest 1967 /8
? Kotkan Kaupunginteatteri
Kotka
179. as Sulhaseni Ernest
1968 / 9
? Turun Kaupunginteatteri
Turun
180. as Ernest och ingen annan
1970? Wasa
TeaternHelsinki
181. as Sulhaseni Ernest 1970
? Oulun Kaupunginteatteri
Oulu
182. as Sulhaseni Ernest
1972 / 3
? Rauman Kaupunginteatteri
Rauma
183. as Ernest och ingen annan
1984? Svenska
TeaternHelsinki
184. as Tärkeintä on olla Uno
1987? Ryhmäteatte
riHelsinki
185. as Tärkeintä on olla Uno 1996
? Helsingin Kaupunginteatteri
Helsinki
FRANCE
186. as Il importe d’être Constant
1942 Paul Raynal Théâtre de
l’Humour (now Comédie de Paris)
Paris
187. as Il importe d’être Constant 1952 Paul
Raynal
Théâtre Vieux Colombier
Paris
188. as Il est important d’être
1954 Claude Comédie des Champs
Paris
AiméAdaptation de Jean Anouilh et Claude Vincent
Sainval Elysées
189. as L’Important, cest d’être fidèle Adaptation de Charles Cambillard
1954André Villiers
Théâtre en Rond(now L’Européen)
Paris
190. The Importance of being Earnest 1962 Gary
Belkin
Théâtre de la Gaîté-Montparnasse
Paris
191. as Il est important d’être aimé
1970 Jean Guichard
Abbaye de l'Épau
La Baule
192. as Il est important d’être aimé
1971 Jean Guichard
Abbaye de l'Épau
La Baule
193. as Il est important d’être aimé
1971 Jean Guichard
Maison de la culture Le Corbusier
Firminy
194. as Il est important d’être aimé Adaptation : Nicole et Jean Anouilh
1980 Jacques François
Théâtre Marigny
Paris
195. as Il est important d’être aimé
1981 Jacques François
France Télévision
Paris
196. as L’avantage d’être Constant
1982Pierre Boutron
Théâtre des Mathurins
Paris
197. as Il est important détre désiré
1994Samantha Wiggins
Bateau-théâtre Mistral
Paris
198. as L’Importance d’être Constant
1996 Jérôme Savary
Théâtre de Chaillot
Paris
199. as L’Importance d’être Fidèle
1998 Jean-Luc Tardieu
Maison de la Culture de Loire-Atlantique ; puisComédie des Champs-Elysées
Nantes
200. as Il est important d’être Aimable
2000Astrid de Couvois, Ivola Pounembetti
Comédie de Paris
Paris
201. as Il est important d’être Aimable
2000Astrid de Couvois, Ivola Pounembetti
Déchargeurs Paris
202. as Il est important d’être Aimable
2000Astrid de Couvois, Ivola Pounembetti
Cinq Diamants
Paris
203. The Importance of being Earnest 2000
Karine Romer and Trevor Harris
Salle Thélème
Tours
204. The Importance of being Earnest 2000
April
Didier Braun & Andrew Wilson
Théâtre de Ménilmontant
Paris
205. The kaos Importance of being Earnest
2000Xavier Leret
Théâtre Silvia Montfort
Paris
206. The Importance of being Earnest
2000 Decem
berAndrew Wilson
Théâtre de Ménilmontant
Paris
207. The Importance of being Earnest 2001 Andrew
Wilson
Théâtre de Ménilmontant
Paris
208. The Importance of being Earnest
2001 Andrew Wilson
Théâtre de Ménilmontan
Paris
t
209. as L’Importance d’être Constant
2006Guillaume Hlavacek
Essec Cergy
210. as L’Importance d’être Constant 2006
Guillaume Hlavacek
Cour du Palais du Tau
Reims
211. as L’Importance d’être Constant
2006Guillaume Hlavacek
La Comedia
212. as L’Importance d’être constant
2006/7 Pierre Laville
Théâtre Antoine ; en tournée du 8 Septembre 2006 au 22 Mars 2008
Paris
213. The Importance of Being Earnest 2007
Lucille O'Flanagan
Théâtre Silvia Monfort
Paris
214. The Importance of Being Earnest
2007 Benedict Wray
Présenté par le Droit au Théâtre – Collège Franco-Britannique et Fondation Biermans-LapôtreCité Internationale Universitaire
Paris
215. The Importance of Being Earnest
2008 Alain Bariou et Hélène Blasco
Présenté par le groupe de théâtre de la section britannique du Lycée Grand Air de la Baule.Maison des jeunes et de
La Baule
la culture216. as L’Importance
d’être Constant2008 Astrid
Hauschild
Théâtre Pixel / Lucernaire
Paris
217. as L’Importance d’être Constant
2009 Fabien Escalona
Les Aériens du spectacle
Le Laussy
218. as L’Importance d’être Constant
2009 Mathieu Rousset
Théâtre de l’Anagramme
Lyon
219. as L’Importance d’être sérieux
2012Gilbert Désveaux
? Montpellier
220. as L’Importance d’être sérieux 2012
Gilbert Désveaux
Théâtre Ouest-Parisien
Boulogne-Billancourt
Voir aussi : http://www.oscholars.com/RBA/twenty-seven/27.13/OscarWilde.htm
GERMANY
221. The Importance of being Earnest
1906Viktor Barnowsky
Kleines Theater
Berlin
222. as Bunbury1907
? Kleines Theater
Berlin
223. The Importance of being Earnest
1985? ? Tübinge
n
224. as Bunbury oder Ernst sein ist alles 1996
Margit Schostok, Hanne Hett-Hein, Marlene Krämer
Volkshochschule Gundelfingen
Gundelfingen
225. as Bunbury1998 Wolfgan
g WirtzHorizont Theater
Cologne / Köln
226. as Bunbury oder Wie wichtig es isternst zu sein
1998? Renaissance
TheaterBerlin
227. The Importance of being Earnest
2000 Duncan Law
English Theater
Frankfurt/Main
228. as "Bunbury" – Eine triviale Komödie für "ernst"
2001
? Ahrmuse-Kabarett
?
229. as Bunbury oder Ernst sein ist wichtig: Eine triviale Komödie für ernsthafte Leute 8
2008
?
Komödie Theatre
Augsburg
HUNGARY
230. The Importance of being Earnest
1907Max Reinhardt
Vigszínhaz Theatre
Buda-Pesth
IRELAND
231.?
Christopher Fitz-Simon
Lyric Theatre Belfast
232. ? ? Portora Royal School
Enniskillen
233.1901
Sir George Alexander
Grand Opera House
Belfast
234. 1906(before
)
? ? Dublin
235. 1933 Hilton Edwards
The Gate Dublin
Theatre
236.1935 Hilton
EdwardsThe Gate Theatre
Dublin
237.1936 Hilton
EdwardsThe Gate Theatre
Dublin
238.1937 Hilton
EdwardsThe Gate Theatre
Dublin
239.1938
Hilton Edwards
The Gate Theatre
Dublin
240.1941 Gerald
PringleThe Gate Theatre
Dublin
241.1943 John Izon
The Gate Theatre
Dublin
242.1946
Michéal MacLiammoir
Gaiety Theatre
Dublin
243.1954
Dan O’Connell / Alpho O’Reilly
The Gate Theatre
Dublin
244.1957
Michael MacOwan
Olympia Theatre
Dublin
245. 1971 ? Lyric Theatre Belfast
246.1971 Hilton
EdwardsThe Gate Theatre
Dublin
247.1973 Alan
BarlowAbbey Theatre
Dublin
248.1979
Peter O’Shaughnessy
Granary Theatre
Cork
249. 1980 Barry Cassin
Opera House Cork
250. 1985 Andrew Riverside Colerain
Scorgie Theatre e
251.1985 Garry
HynesDruid Theatre
Galway
252.1987 Patrick
MasonThe Gate Theatre
Dublin
253.1984 Fiona
NolanNational Concert Hall
Dublin
254.1990
Roland Jacquarello
Lyric Theatre Belfast
255.1995 Piotr
SadowskiAmerican College
Dublin
256.1995 Terry
O’NeillCollaiste Rathin
Bray
257.1996
Ned Dempsey
Arklow Bay Hotel
Arklow, Co Wicklow
258.1996
Gerardine McDermottroe
Wexford Arts Centre
Wexford
259. 1997 Patrick Mason
Abbey Theatre
Dublin
260.1998 John
BradySeven Oaks Hotel
Carlow
261.1999
Seamus Thackaberry
New Theatre
Dublin
262.2003 Gerald
BourkeDalkey Town Hall
Dalkey
263.2003 Alan
StanfordThe Gate Theatre
Dublin
264.2006 Conall
MorrisonAbbey Theatre
Dublin
265. 2009/2010
Lynne Parker
Gaiety Theatre
Dublin
ITALY
266. as LImportanza di Essere Onesto 1996
Lucia Ruina Peretti
Estate Teatrale Amatoriale
Verona
267. as L’Importanza d’essere Vincente
2009 Paolo Dall’Olio
Teatro di Corte
Carpi (Modena)
268. The Importance of Being Earnest
2012/13
John O’Connor
On tour
269. as L’importanza di Chiamarsi Ernest
2014 Geppy Gleijese
Teatro Stabile di Calabria, Teatro Quirino Vittorio Gassman
Crotone
MALAYSIA
270. The Importance of Being Earnest
2001Adlin Aman Ramlie
The Actors Studio
Kuala Lumpur
THE NETHERLANDS
271. as Het Belang van Ernst
1997Karst Woudstra
Stadsschouwberg
Groningen
272. as Het Belang van Ernst
1998Karst Woudstra
Stadsschouwberg
Amsterdam
POLAND
273.1969
? Mermaid Theatre
Warsaw
274.1979
? Teatr na Targówku
Warsaw
275.1986
? Teatr Tarnowski
Tarnów
RUSSIA
276.1990s
S. Zhenovach
P. Fomenko Studio
Moscow
277.1998 Ilya
MakarovAkimov Theatre
St Petersburg
SCOTLAND
278.1977 Philip
ProwseCitizens’ Theatre
Glasgow
279. 1997 ? ? Edinburgh
280.1999 Xavier
LeretTheatre Workshop
Edinburgh
SPAIN
281. as La Importancia de llamarse Ernesto
1952? Teatro Circo Albacete
282. as La importancia de
ser Frank [recorded
play.
1997
Jaume Melendres
Institut del
Teatre
Barcelona
SWITZERLAND
283. The Importance of Being Earnest
1918 Claud Sykes
Theater zu Kaufleuten
Zürich
284. as Bunbury9 2009 Katharina Rupp
Theater Biel Solothurn
285. as Bunbury: eine triviale Komödie für ernsthafte Leute
1985 /6
? Schauspielhaus
Zürich
286. The Importance of Being Earnest
1994 Tim Hancox
? Geneva
287. as Bunbury 1998/9 Madeleine Herzog
Stadttheater St Gallen
288. as Bunbury 1998/9 Madeleine Herzog
Stadttheater St Gallen
289. as Ärnscht Mues Me Syy
2001? Theater
FauteuilBasel
290. as Bunbury2004
Barbara Schneider
Theater Dietlikon
Dietlikon
291. The Importance of being Earnest
2005 Jude Kelly
Stadttheater Schaffhausen
292. The Importance of being Earnest Bunbury
2010Helmut Förnbacher
Förnbacher Theater
Basel
USA
293.? Donald
Seales
Madison Avenue Playhouse
New York
294. ? Vincent M. Lancis
? Baltimore, MD
295.1901 Henry
MillerColumbia Theatre
San Francisco
296. 1902 Henry Miller
? New York
297.1910 Henry
MillerLyceum Theatre
New York
298.1921
Butler Davenport
Bramhall Theatre
New York
299.1922 Gilmor
BrownPasadena Playhouse
Pasadena
300.1923
Lenore Shanewise
Pasadena Playhouse
Pasadena
301.1926 Dudley
DiggesComedy Theatre
New York
302.1930
Lenore Shanewise
Pasadena Playhouse
Pasadena
303.
1939
Estelle Winwood, Richard Aldrich and Richard Meyers
Vanderbilt Theatre
New York
304.1947 John
GielgudRoyale Theatre
New York
305. scene iv only1953 Albert
MarreEmpire Theatre
New York
306. 1960-1962
? ? U.S. cities
307.1982 Tom
Moore
Old Globe Theatre
San Diego, California
308.1982
Evan Thompson
Mercer Street Theatre
New York
309. 1985 ? ? Cleveland, Ohio
310.1985 Robert A.
Gaines? Auburn
Montgomery
311. The Musical Importance of Being Earnest
1986? ? Los
Angeles
312.1988 Steve
RivettePoway Theatre
Poway, California
313. 1990 ? ? Los Angeles
314.1991 Jeff
RomanoHouston University
Long Island
315.
1993
? People's Light & Theatre Company
Malvern, PA
316. One-Act adaptation by David Hsieh
1995? Theatre Off
JacksonSeattle
317.1997 Candy
Peate? Underhil
l, Vermont
318.
1998
Adapted by Hugh Hysell; director Fred Tracey
Maryland Hotel
San Diego
319.1998 John
Going
Cincinnati Playhouse in the Park
Cincinnati
320.
1998Adapted by Hugh Hysell
Broadway Duplex, Greenwich Village
New York
321.1998 Sari
Ketter
Portland Performing Arts Center
Portland, Maine
322.1998 Joe
Dowling Guthrie Theater
Minneapolis
323.1999 Sheldon
EppsPasadena Playhouse
Pasadena
324.1999
? Phoenix Theatre
Phoenix, Arizona
325.2000 Michael
MasseyCompany on Stage
Houston, Texas
326.2000
? The Kelsey Theatre
West Windsor, NJ.
327.2000 Eve
Shapiro,Julliard School
New York
328.2000
? Goddard Space Flight Center
329.2001
? Theatre Charlotte
Charlotte NC
330.2001 Dinna
Myers Olinder Theatre
San Jose, CA
331.2001
Linda Ellinwood
Alameda Little Theatre
Alameda, California
332.2001 Geoffrey
NelsonStudio One Theatre
Columbus, Ohio
333. 2007 ? Theatre Gael Atlanta, Georgia
334. 2007 Greg Natale
Drama Theatre, State
Amherst, New
University of New York Buffalo 10
York
335.2007 Richard
SoddersTexas State University 11
San Marcos, Texas
336. 2008 ? Pearl Theatre 12
New York
337.2009
Irene Lewis Pearlstone Theater
Baltimore, Maryland
338.2009 Joe
DowlingGuthrie Theater
Minneapolis
339.2010 Shawn
Douglass
Greenhouse Theater Center
Chicago
340.2011 Brian
Bedford
American Airlines Theatre 13
New York
341.
2013
Directed & adapted by and starring Clayton B. Hodges
Tulsa Performing Arts Center
Tulsa
WALES
342.1999
? Sherman Theatre
Cardiff
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Review by Penny Gay THE OSCHOLARS 11 April 20022 Review by Koenraad Claes THE OSCHOLARS 52 August 20103 Review by Susan Johnston THE OSCHOLARS 6 November 20014 Webcast5 Review by Regenia Gagnier THE OSCHOLARS April 20036 Review by Anna Orhanen THE OSCHOLARS 52 August 20107 Review by Rakshita Patel THE OSCHOLARS n.s. August 20148 Review by Elżbieta Baraniecka THE OSCHOLARS 44 May 20089 Review by Julia Steck and Andrea Uebelhard THE OSCHOLARS 51 March 201010 Review by Mark Tattenbaum THE OSCHOLARS 42 October/November 200711 Review by Melissa Jackson THE OSCHOLARS 42 October/November 200712 Review by Gwen Orel THE OSCHOLARS 45 July/August 2008
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