why do we hear what we hear? james d. johnston chief scientist dts, inc

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Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc.

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Page 1: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Why do we hear what we hear?Why do we hear what we hear?James D. Johnston

Chief Scientist

DTS, Inc.

Page 2: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

First, some notesFirst, some notes

• The talk I’m about to give presents ideas gathered from a variety of papers and experiments, done by many people, over a long period of time.

– It is not inviolate.– It is a discussion of phenomena– The mechanism is, in most cases, unknown, once

one gets beyond the basilar membrane– There will be revisions as time goes on.

• There will ALWAYS be revisions

Page 3: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

The auditory systemThe auditory system

Periphery

CNS

Page 4: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

What am I calling “peripheral”What am I calling “peripheral”

• HRTF’s, including ear canal and middle ear functions

• Cochlear analysis

• Reduction of sound into partial loudnesses as a function of time

Page 5: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

And Part of the CNS?And Part of the CNS?

• Everything else

– Reduction from partial loudness to auditory features

– Reduction of auditory features to auditory objects

– Storage in short-term and long-term memory

Page 6: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

Anything more about the CNS?Anything more about the CNS?

• It’s extremely flexible– It can consciously change what it does (leaving

aside for now the definition of consciousness)– Its “output” is what finally matters to us– It evolved to do an extremely, distinctly excellent

job of associating information from all senses and knowledge into the final result.

• All the time• Everywhere

Page 7: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

What actually gets to the CNS?What actually gets to the CNS?

• Whatever is detected by the auditory periphery

– We will leave out extremely intense LF and VHF signals, which can be detected by other means, these are extreme conditions and should not generally be experienced by a listener.

• How does the auditory periphery deal with the sound waves in the atmosphere?

Page 8: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

What does the periphery do?What does the periphery do?

• First the periphery adds directional information via HRTF and ITD

• Then, the cochlea does a time/frequency analysis

• The time/frequency analysis is converted into loudness via compression in each “band”, introducing

– Differences between loudness and intensity– The Haas (precedence) effect

• The set of loudnesses across frequency is encoded into a kind of biological PPM and transmitted across the auditory nerve. (No, it’s really not that simple, but it will do for now.)

Page 9: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

A Key Point or TwoA Key Point or Two

• The auditory periphery analyzes all signals in a time/frequency tiling called “ERB’s” or “Barks”.

• Due to the mechanics of the cochlea, first arrivals have very strong, seemingly disproportionate influence on what you actually hear

– But this is actually useful in the real world

• Signals inside an ERB mutually compress

• Signals outside an ERB do not mutually compress.

Page 10: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

Then what?Then what?

• The short-term loudness, called partial loudness, is, roughly speaking, integrated across a short amount of time (200 milliseconds or less)

– Level Roving Experiments show that when delays of over 200 milliseconds exist between two sources, the ability to discern fine differences in loudness or timbre is reduced.

Page 11: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

What happens after this Loudness Memory?What happens after this Loudness Memory?

• Deep inside the CNS, in a fashion that I would not even care to speculate on, it seems clear that these partial loudnesses are analyzed into both monaural and binaural auditory features:

– There is a great deal of data “loss” at this juncture– This memory can last “seconds or so”– The analysis from loudnesses to features can be

very strongly guided by learning, experience, and cognition

Page 12: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

And then?And then?

• These features are turned into what I refer to as “auditory objects”

– These can be committed to long-term memory

– There is another substantial reduction in data rate

– This process can be entirely steered by attention, cognition, other stimulii, etc.

Page 13: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

A schematic of sorts:A schematic of sorts:

Loudness“integration

Mbits/second

Feature

Analysis

Auditory

ObjectAnalysi

s

Mbit/sec Kb/sec bit/sec

Cognative and other Feedback

Page 14: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

What does this imply?What does this imply?

1. If you listen to something differently (for different features or objects)

a) You will REMEMBER different things

b) This is not an illusion

2. If you have reason to assume things may be different

a) You will most likely listen differently

b) Therefore, you will remember different things

Page 15: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

So what?So what?

• What this all means, in effect, is that any test of auditory stimulii that wants to distinguish only in terms of the auditory stimulii must:

1. Have a falsifiable nature (i.e. be able to distinguish between perception and an actual effect)

2. Must isolate the subject from changes in other stimulii than audio

3. Must be time-proximate

4. Must have Controls

5. Must have trained, comfortable listeners

Page 16: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

Controls? What? NOW what are you on about?Controls? What? NOW what are you on about?

• A control is a test condition that tests the test. There can be many kinds of controls:

– A positive control• This is a condition that a subject should be able to detect.• If they don’t, you have a problem.

– A negative control• A vs. A is the classical negative control• If your subject hears a difference, you have a problem

– Anchoring elements• Conditions that relate scoring of this test to results in other

tests• These can vary depending on need, and may not be

obligatory

Page 17: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

Do I have to have controls?Do I have to have controls?

YESWell, unless you don’t want to know how good your test is, of course.

Page 18: Why do we hear what we hear? James D. Johnston Chief Scientist DTS, Inc

Information on this slide is the confidential property of DTS. Any unauthorized copying is strictly prohibited. Copyright 2009 DTS, Inc.

Is that all?Is that all?

• Not even close, but we’re talking about basics today.

• Now, Poppy will talk quite a bit more about a variety of issues and effects in the auditory system and CNS.