william clarke of feltwell 1858 - paul hardy · no 30 page 13 william clarke of feltwell ms 1858...

William Clarke of Feltwell Tunes − Mary Humphreys et al 1

William Clarke of FeltwellManuscript of an East Anglian country musician of the 1820s−1850s.

This manuscript came into the possession of Lyn and Peter Law of Chester several years ago. It wascompiled by William Clarke of Feltwell, probably superintendent registrar of the workhouse atThetford in Norfolk.The contents have been transcribed into abc format by Mary Humphreys, Lyn Law, David Dolby, andAnahata. The master version is available for download at Mary’s website − seehttp://www.maryhumphreys.co.uk/William_Clarke.php. This version of October 2011 includes tidiesand corrections by Paul Hardy (www.pghardy.net).

Weavers MarchNo 1 William Clarke of Feltwell MS 1858

trtr tr

22

tr trtr

tr

Royals Quick StepNo 2 Page 1 William Clark of Feltwell MS 1858

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Grand MarchNo 3 Page 2 William Clarke of Feltwell MS 1858 MS has G maj key sig but tune appears to be in C

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2 William Clarke of Feltwell Tunes − Mary Humphreys et al

Quick MarchNo 4 William Clarke of Feltwell MS 1858 Dot added to final note

86

Tha MajorNo 5 Page 2 William Clarke of Feltwell MS 1858

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Quick StepNo 6 Page 3 William Clarke of Feltwell MS 1858 Suggest fine at end of first section to give 32 bars.

86

*

Pease upon a TrencherNo 7 Page 3 William Clarke of Feltwell MS 1858

42


Quick StepNo 8 William Clarke of Feltwell MS 1858

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Up with the Ally NowNo 9 Page 3 William Clarke of Feltwell MS 1858 Title is not clear.

Repeats added editorially as repeats in MS are meaningless.

89

Quick StepNo 10 Page 4 William Clarke of Feltwell MS 1858 MS has Gmaj signature but tune appears to be in Cmaj.

Last note in each part lengthened to make bar right value.

* *

86

*

*

*

The Parson in the BootsNo 11 Page 4 William Clarke of Feltwell MS 1858

86


Big Bow WowNo 12 William Clarke of Feltwell MS 1858 Flow instructions but no repeats given in MS.

Fine substituted for sign.Rest added at bar 9 to give correct value.

86

*

Master Williams LeaveNo 13 Page 5 William Clarke of Feltwell MS 1858 Title difficult to read.

WC signed this page and wrote in address.Feltwell, nr Brandon, Norfolk

86

Beggar GirlNo 14 Page 5 William Clarke of Feltwell MS 1858 Repeats adjusted to give 16 bars

86

*

An old man whould be wooingNo 15 Page 5 William Clarke MS 1858 MS shows source Barber of Seville

No key signature in MSEb editorial

86


A Spanish AirNo 16 Pages 6−7 William Clarke MS 1858 In MS all groups of quavers are beamed together

Bar 10 unnecessary Repeat open removedBuffaloo girls written at top of page.

43

CinderellaNo 17 Pages 6−7 William Clarkeof Feltwell MS 1858

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Bravi CosaNo 18 Pages 6−7 William Clarke of Feltwell MS 1858

86


Drops of BrandyNo 19 Page 7 William Clarke of Feltwell MS 1858 Time sig given as 6/8 when it is actually 9/8.

89

Rule BritanniaNo 20 Pages 8−9 William Clarke of Feltwell MS 1858

44

tr tr tr

tr tr

Go to the Devel and Shake your SelfNo 21 Pages 8−9 William Clarke of Feltwell MS 1858 As written. No time signature given.

Key uncertain, (D is commonly used)Notes appear to have ’slipped’ down.

Dot added to crochet in bar 8

*

44

Scots wha haeNo 22 Pages 8−9 William Clarke of Feltwell MS 1858 Compare #40

42


Pray GoodyNo 23 Pages 8−9 William Clarke of Feltwell MS 1858 Fine sign added at end of bar 8.

MS shows pauses over each of last 2 notes of 2nd part

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FINE

Prime of LifeNo 24 Page 9 William Clarke of Feltwell MS 1858 Last 4 notes in bar 11 given as quavers in MS

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*

Laura and LensaNo 25 Pages 10−11 William Clarke of Feltwell MS 1858 Speed instruction original

quick

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The CuckooNo 26 Pages 10−11 William Clarke of Feltwell MS 1858 Bar line added to divide bars 9 and 25

22

*

*

Dorsetshire MarchNo 27 Pages 10−11 William Clarke of Feltwell MS 1858 edited by [email protected]

2nd part assumed to start at bar 9Bar line added bar 3

Note lengths adjusted to fit parts

For two Flutes tr

44

44

tr

tr

tr


A WaltzNo 28 Page 11 William Clarke of Feltwell MS 1858 Dots added tp quaver/semiquaver pairs.

See Bury Waltz #050Missing bar lines and dots added

43

* * *

Battle of Plague (sic)No 29 Pages 12−13 William Clarke of Feltwell MS 1858 aka March in the Battle of Prague

See # 194Fine sign added.

Bars 4 originally split..

*

42

Dusty MillerNo 30 Page 13 William Clarke of Feltwell MS 1858 Possibly should end with repeat sign

Time signature is commonly given as 3/2

43

Haydon’s SurpriseNo 31 Pages 12−13 William Clarke of Feltwell MS 1858 Bar 10: 4 quavers in MS changed to semiquavers

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*

O dear what can the matter beNo 32 Pages 12−13 William Clarke of Feltwell MS 1858 No groups beamed in MS

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The New Opera HatNo 33 Pages 12−13 William Clarke of Feltwell MS 1858 Bottom of page

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The New Opera Hat in D transposed by AnahataNo 33 transposed from G Pages 12−13 Wm Clarke of Feltwell MS 1858 Bottom of page

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JesseNo 34 Pages 14−15 William Clarke of Feltwellm MS 1858 Song tune : Jesse the Flower of Dunblane

Used for Elwina of Waterloo, collected by CJSharp

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Polly put the Kittle onNo 35 Page 14 William Clarke of Feltwell MS 1858

42


French WaltzNo 36 Page 15 Willam Clarke of Feltwell MS 1858 Bottom of page

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NightingaleNo 37 Pages 14−15 William Clarke of Feltwell MS 1858 bars added at beginning of B and C parts

42

Tyrolese WaltzNo 38 Wm Clarke of Feltwell MS 1858 Middle of page

43


King Georges MarchNo 39 Wm Clarke of Feltwell MS 1858 Bottom of page

22

Scots knew wellNo 40 Wm Clarke of Feltwell MS 1858 Middle of page

22

The GrindersNo 41 Wm Clarke of Feltwell MS 1858 Was 6/8, should be 9/8

89

Maltese DanceNo 42 Wm Clarke of Feltwell MS 1858 Bottom of page

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La belle Catharine or the Wedding dayNo 43 Wm Clarke of Feltwell MS 1858 Bottom of page

As written

42

Maid of the MillNo 44 Wm Clarke of Feltwell MS 1858

86

Vulcans CaveNo 45 Wm Clarke MS Feltwell, Norfolk Bar 22 should be same rhythm as prceeding bar.

Cotton Lords of Preston/King of the canibal isles

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*


Glorious AppolloNo 46 Wm Clarke MS Feltwell, Norfolk A Glee by Samuel Webb of Harvard

Bar 2 : Dot removedChorus: bars 26, 28 + 30 cr rest substituted for qvr..

Bars 27,29 + 31 qvr rest added

*

44

Chorus * * * * * *

In the dead of the NightNo 47 Wm Clarke MS Feltwell, Norfolk Bar 4 quaver changed to crochet.

Bar 9 a beat has been addedBar 17 a note has been omitted

Bar lines have been redistributed

| | |

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*

| |

*

| | |

|

*

|||

Roast Beef of Old EnglandNo 48 Wm Clarke MS Feltwell, Norfolk Time sig given as C but it is triple time

Left as in MS

44


Soulgers JoyNo 49 Wm Clarke MS Feltwell, Norfolk Key sig added (none in MS)

In bars marked * MS consistently has A instead of GBars 6 and 10: semi qvr in MS

Bar 13: Starts with a cr and ends in qvr in MS

* * * * *

44

*

*

*

*

Bury WaltzNo 50 Wm Clarke MS Feltwell, Norfolk Extended version of Waltz 028. (Includes a B part.

In MS the 3rd part has 5 bars repeated then 3 bars repeated.Flow instructions are editorial to give a 48 bar tune.

43


Bury Waltz in D − with harmony by AnahataNo 50 Pages 20−21 Wm Clarke MS Feltwell, Norfolk Extended version of Waltz 028. (Includes a B part.

In MS the 3rd part has 5 bars repeated then 3 bars repeated.Flow instructions are editorial to give a 48 bar tune.

Transposed from C into D (Anahata 2008)

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43

Russian DanceNo 51 Wm Clarke MS Feltwell, Norfolk Last bar −too many beats

42

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Begone Dull Care (edited)No 52 Wm Clarke MS Feltwell, Norfolk Song

Bars 2, 4 + 6::extra quaver rests removedBars 3 + 7: middle of triplets changed to semiquavers

bar 15 + 17 rests values adjusted

tr

86

Isle of FranceNo 53 Wm Clarke MS Feltwell, Norfolk

42

Grand MarchNo 54 Wm Clarke of Feltwell MS 1858 After repeat sign: changed value of rest. (qvr)

22

Comett WaltzNo 55 Wm Clarke of Feltwell MS 1858 Bar 16: extra note d omitted

83

* *


London WaltzNo 56 Wm Clarke of Feltwell MS 1858

43

Martinis MinuetNo 57 Pages 24−25 Wm Clarke of Feltwell MS 1858 Bar 13: qvrs in MS. Changed to match bar 14.

tr

43

tr *

tr

tr

tr

tr


Prince LeopoldNo 58 Wm Clarke of Feltwell MS 1858 Signature b misplaced in MS (on A)

*

86

Paddy Carey editedNo 59 Wm Clarke of Feltwell MS 1858 MS had 9 bars in first strain and odd note values.

Bars 7 and 8 adjusted.Opening repeat mark added.

Closing repeat added.

*

86

*


French DanceNo 60 Wm Clarke of Feltwell MS 1858 aka Oats and Beans

Unnecessary rest at start left out.

86

Paddy CarrolNo 61 Wm Clarke of Feltwell MS 1858

86

French QuadrilleNo 62 Wm Clarke of Feltwell MS 1858 Bar 4: run of 4 notes drawn as quavers in MS

Bars 18−26: dotted crochets assumed.3

*

42

* * * *

*


Kate of ColerainNo 63 Wm Clarke of Feltwell MS 1858 Bar 4: quavers shown as semi qvrs in MS

*

86

Stop WaltzNo 64 Wm Clarke MS Feltwell, Norfolk In MS quavers beamed in groups of six.

Rests added at start of each strainNo indication of lenght of stop

*

43

*

*

* Dead stop *

EllaressonburghNo 65 Wm Clarke MS Feltwell, Norfolk dots added where q followed by semi−q

bar 8 cr changed to qsbar 16

* * *

42


Parliament SquareNo 66 Wm Clarke MS Feltwell, Norfolk Bar 10 MS gives 5 crocjhets

22

*

Waterloo DanceNo 67 Wm Clarke MS Feltwell, Norfolk Phrase in bar 14−15 reminiscent of better−known Waterloo Dance.

Bar 16 wrong note values in MS

22

*

Saxon WaltzNo 68 pages 30−31 Wm Clarke MS Feltwell, Norfolk

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Woodbridge Assembly TransposedNo 69 Pages 30−31 Wm Clarke MS Feltwell, Norfolk Original Key: C Word "good" written beside title

22

Woodbridge AssemblyNo 69 Wm Clarke MS Feltwell, Norfolk Word "good" written beside title

22

Brandon WaltzNo 70 Pages 30−31 Wm Clarke MS Feltwell, Norfolk WC’s address is given "Feltwell, nr Brandon"

Fine sign added.

83


Brandon Waltz with harmony by AnahataNo 70 Wm Clarke MS Feltwell, Norfolk Original key: C WC’s address is given "Feltwell, nr Brandon"

Fine sign added.Transposed down, originally in C

A

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43

BFine

Majecky in LondonNo 71 Wm Clarke MS Feltwell, Norfolk Have been unable to find out anything about Majecky.

Crochets un bars 1+3 shown dotted in MS.

* *

86


Poor Mary AnnNo 72 Wm Clarke MS Feltwell, Norfolk aka All Through the Night

aka Ar Hyd y Nos

42

Bonapartes WaltzNo 73 Wm Clarke MS Feltwell, Norfolk

43

WoodpeckerNo 74 Wm Clarke MS Feltwell, Norfolk

Slow

22

3

*


French Waltz (as No 36 in D)No 75 Wm Clarke MS Feltwell, Norfolk Same as French Waltz 036 but transposed from C to D

83

Woodbine CottageNo 76 Wm Clarke MS Feltwell, Norfolk Flow directions edited

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Duke of Yorks New MarchNo 77 Wm Clarke MS Feltwell, Norfolk

22


Calder FairNo 78 Wm Clarke MS Feltwell, Norfolk Pencil comment in MS "Good"

42

Miss Gayton’s HornpipeNo 79 Wm Clarke MS Feltwell, Norfolk

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Ashleys (sic) HornpipeNo 80 Wm Clarke MS Feltwell, Norfolk aka Astley’s Hp

Bar 11 last 2 notes are qvrs in MS

22

*


Downfall of ParisNo 81 Wm Clarke MS Feltwell, Norfolk

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The Wanderer BoyNo 82 Pages 36−37 Wm Clarke MS Feltwell, Norfolk time signature seems wrong

Key G in MS

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44

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The Wanderer BoyNo 82 Wm Clarke MS Feltwell, Norfolk Key G in MS Barring and time sig changed from 6/8 in original

22


Captain WykeNo 83 Wm Clarke MS Feltwell, Norfolk Variant of Captain White (as in Raven)

Rest, sign and fine added.

86

WaltzNo 84 Wm Clarke MS Feltwell, Norfolk In MS each group of 6 notes is beamed together

43


HornpipeNo 85 Wm Clarke MS Feltwell, Norfolk

3 3 3 3

44

3 3 3 3

A ReelNo 86 Wm Clarke MS Feltwell, Norfolk Bar 4 maybe should be c − see last bar.

Rest is given after repeat mark in MS

**

44

HornpipeNo 87 Wm Clarke of Feltwell MS 1858 see # 115 Malthouse hp (in D)

22


Scotch ReelNo 88 Wm Clarke Feltwell MS

22

The Finest Lad in TownNo 89 Wm Clarke MS Feltwell, Norfolk

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Scotch ReelNo 90 Wm Clarke MS Feltwell, Norfolk

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Scotch ReelNo 91 Wm Clarke MS Feltwell, Norfolk Bar 1 repeat sign added

22


WaltzNo 92 Wm Clarke MS Feltwell, Norfolk Bar 8 rest added

Bar 10 should poss have C naturalised

43

*

WaltzNo 93 Wm Clarke MS Feltwell, Norfolk Time signature given as 3/8 in MS

Last bar of each strain given as crochet in MS

* *

43

3 3 3 3

*

WaltzNo 94 Wm Clarke MS Feltwell, Norfolk Qvr rest shown at end of each strain

Bar 10 crotchets written as qvrs in MS (as bar 14)

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*

WaltzNo 95 Wm Clarke MS Feltwell, Norfolk

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The Bugle HornNo 101 Wm Clarke MS Feltwell, Norfolk Dots on quavers absent throughout.

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A DanceNo 102 Wm Clarke MS Feltwell, Norfolk

86

A Reel by John GansteadNo 103 Wm Clarke of Feltwell MS 1858 Triplets were written as semiquavers throughout

Quavers at the ends of strains were shown as crochets.3 3

* * *

22

3

3*

* * *



86

A Danceo 105 Wm Clarke MS Feltwell, Norfolk

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Caroline’s FanceyNo 106 Page 49 Wm Clarke MS Feltwell, Norfolk 2nd Strain: Shown in MS with|:but no:|.

C# in ante−penult bar may be error in MS as C## seems incorrect.

22

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Caroline’s Fancy P49,No 106 William Clarke of FeltwellWm Clarke of Feltwell

3

44

Miss JohnsonsNo 107 Wm Clarke MS Feltwell, Norfolk Indistinct pencil writing on page

22

Jon De ParreNo 108 Wm Clarke MS Feltwell, Norfolk

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LetteNo 109 Wm Clarke MS Feltwell, Norfolk

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tr tr


Irish GiggNo 110 Wm Clarke MS Feltwell, Norfolk No key sig given but probably D

*

89

RondoNo 111 Wm Clarke MS Feltwell, Norfolk

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86

Hornpipe (Old Morpeth Rant?)No 113 Page 52 Wm Clarke MS Feltwell, Norfolk Bar 7 half bar marked "Wrong". Correction follows.

Key sig for G in MS but C more likely3

22

*

3


HornpipeNo 113 Wm Clarke of Feltwell MS 1858 Key given is G but tune appears to be in D

3*

22

3

Fishers HornpipeNo 114 Wm Clarke MS Feltwell, Norfolk

22

Malthouse HornpipeNo 115 Wm Clarke MS Feltwell,Norfolk

44


March in the Royal GuardsNo 116 Wm Clarke of Feltwell MS 1858 Key sig in MS is Gmaj but tune is in C

4 sqrBar 12: rest added

bar 15: sqBar 25 cr Fine added

*

44

*

*

*FINE

A DanceNo 117 Wm Clarke of Feltwell MS 1858 The Tempest or Comberton Broom Dance

tr tr tr tr

42

tr tr


A DanceNo 118 Wm Clarke of Feltwell MS 1858 After double barl ine: rest inserted

Dotted quavers implied have been put in.Repeat sign added at end

42

*

*

A WaltzNo 119 Wm Clarke MS Feltwell, Norfolk

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43


43



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43

Trip to the CottageNo 124 Wm Clarke MS Feltwell, Norfolk Spelt Cotage in MS

86

Stoney StepsNo 125 Wm Clarke MS Feltwell, Norfolk See also 169 + 260

Last note lengths corrected

44


Scotch WaltzNo 127 Wm Clarke MS Feltwell, Norfolk

43

33

3 33

3 33 3

33

3 33

3


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Honey HarryNo 129 Wm Clarke MS Feltwell, Norfolk Title not clear

Bar 11 avr in MS

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*

A ReelNo 130 Wm Clarke MS Feltwell, Norfolk

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Berwick JockeyNo 131 Wm Clarke MS Feltwell, Norfolk

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French DanceNo 132 Wm Clarke MS Feltwell, Norfolk Bars 2, 6 etc dotted cr + 3 semi qrs in MS

3 3* *

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3 3* *

3

*

Scotch ReelNo 133 Page 64 William Clarke of Feltwell

3 3

3

The Full HuntNo 134 Page 64 William Clarke of Feltwell End of tune has DC rather than DS

D.S.


French DanceNo 135 William Clarke of Feltwell n.b.Part C is in the key of C>

Del Segno signs at beginning of A music and C music, with D.C. at very end.Possible to play AA.BB.AA.CA.

42

D.C.

New EdinburghNo 136 William Clarke of Feltwell Last note in bar B4 could be G

44

A ReelNo 137 William Clarke of Feltwell In m.s. key signature is C.

44


Copenhagen WaltzNo 138 William Clarke of Feltwell

83

A Prince(?)ReelNo 139 William Clarke of Feltwell B music(once) followed by one A

44

New Gun ReelNo 140 William Clarke of Feltwell First note in bar A4 could be G or A.

44

Janeys BabeNo 141 William Clarke of Feltwell Also known as Jennys Bawbee, Polly put the Kettle On.

44


Green Grows the RashesNo 142 Page 68 William Clarke of Feltwell

44

The NemesissNo 143 Page 68 William Clarke of Feltwell MS has D.C. at end of B. There is a segno at the start of the A and it makes more

musical sense to substitute D.S. at end of B which leads straight into the A again.

44

D.S.

Napoli Waltz by Rossini from the Barber of SevigliaNo 144 Page 69 William Clarke of Feltwell Time sig changed from 3/4 to 3/8.

Bar 2 B section − first note altered to quaver from semiq.

83

3


A WaltzNo 145 Page 69 William Clarke of Feltwell Time sig altered to 3/8 to account for 3 quavers per bar.

83

MinuetteNo 146 William Clarke of Feltwell

43

tr

tr

Hurdy Gurdy WaltzNo 147 Willaim Clarke of Feltwell

83


ReelNo 148 William Clarke of Feltwell

3 344

Roger de CoveryNo 149 William Clarke of Feltwell

86

Because I am a Bonny LadNo 150 Page 72 No 2 William Clarke of Feltwell Changed to 2/4 from 4/4

3

3

42

3

3

3

3

Miss CortneyNo 151 Page 73 No 1 Wm Clarke of Feltwell

86


Jan de ParisNo 152 William Clarke of Feltwell

86

Dead March in SaulNo 153 Page 74 In Wm Clarke Editorial change: * was a

*

tr


Russells Triumph. Thursday in the Morning.No 154 William Clarke of Feltwell

44

tr

tr tr

MinuetteNo 155 William Clarke of Feltwell cr rest added to bar A4

43

trtr

tr tr

The March in ScipioNo 156 William Clarke of Feltwell The second note in bar B6 in m.s. could be E or F#

tr

44

tr

tr

AllexanderNo 156 William Clarke of Feltwell

86


ReelNo 158 William Clarke of Feltwell In M.S. repeat marks at beginning of B but not at end.

FugatineNo159 William Clarke of Feltwell Transcribed by D Dolby/M Humphreys May 2010

In m.s. del segno sign at end of B music.Probably should have been D.S and the segno at Bar 1 of the A.In m.s. no repeat mark at end of B music.

86

D.S.

French Dance (M.S. key)No160 Page 78 William Clarke of Feltwell transcribed by D. Dolby/M. Humphreys May2010

86


French Dance (transposed to G)No160 William Clarke of Feltwell See notes for160(C)

86

Miss Dennett’s WaltzNo 161 William Clarke of Feltwell In MS in G, with 2/4 time signature. Very similar to Bury Waltz elsewhere in Clarke.

3 343

3 3

La Poole QuadrillNo 162 William Clarke of Feltwellnged to G dotted cr.Minore − Bb changed to A in upbeat. Dots added to crs at beginning of bars 4 & 5. Bar 7 re−timed from E dotted cr, C# qu, D cr.

86

minore

Little Fanny’s loveNo 163 William Clarke of Feltwell No time sig in MS

42


O’er the Boggie with my love (Dance)No164 William Clarke of Feltwell transcribed M.Humphreys May 2010

The Back of the Change House (Dance)No 165 William Clarke of Feltwell

The Wounded HussarNo 166 William Clarke of Feltwell Transcribed M.Humphreys May2010.Written with note values for 3/8, time

signature written as 6/8.I have changed note values to correspond with6/8 time to reflect the Slow comment at the beginning of the tune.

Slow

86


The Chinise DanceNo 167 William Clarke of Feltwell Transcribed M. Humphreys May 2010.Sounds very much like The Chainess Dance from

Hampshire Dance Tunes.Part B Bar 8 changed from EF# to GA − possible transcription error.Also B ends at bar 8 with comment Da Capo. I have written it out in full.

42

Flowers of EdinburghNo 168 William Clarke of Feltwell Transcribed M Humphreys May 2010

No repeat of B in MS

Stoney StepsNo 169 William Clarke of Feltwell Transcribed M Humphreys May 2010

Bar line missing Bar 3−4 in MS


Lord Donnel’s ReelNo 170 William Clarke of Feltwell Transcribed by M Humphreys May 2010

Bar line removed in Bar6−7 .

42

HornpipeNo 171 William Clarke of Feltwell Transcribed by M Humphreys May 2010.

A.k.a.Holywell Bar line misplaced in B bars 6−7

Waterloo DanceNo 172 Willaim Clarke of Feltwell in m.s. B4 is|d4d2c2d2|and B8 is|A4A4|

42

A WaltzNo 173 William Clarke of Feltwell In m.s. time signature given as 5(or 3)/6

D.C. shown at end of C music, and a pause sign shown at end of A (should be ’fine’?)

83

FINE

D.C.


The Persian DanceNo 174 Willam Clarke of Feltwell In m.s. bar A7 is|c2AF FDEF|

In m.s. Repeat marks at beginning of B and none thereafter.

42

The Joys of WedlockNo 175 William Clarke of Feltwell In M.S. bar A4 is|FAAA D|

86

Lady Caroline BertieNo 176 William Clarke of Feltwell

42

Miss Baker’s HornpipeNo 177 William Clarke of Feltwell

44

3

33 3

3


WaterlooNo 178 William Clarke of Feltwell In m.s each phrase ends with an extra crotchet

44

Mrs Gardner’s ReelNo179 William Clarke of Feltwell In m.s. bar A2 is|FDDG FGAF DA|

In m.s. no repeat sign at end of B music.

44

Del Carors HornpipeNo180 William Clarke of Feltwell

42

DanceNo 181 William Clarke of Feltwell

86


Money MuskNo 181 William Clarke of Feltwell In m.s. Bar B2 is|gdcg B>gA>g|

44

The Garmon (German?) WaltzNo183 William Clarke of Feltwell In m.s. key signature is F

In m.s. repeat marks at beginning but not at end of B musicIn m.s. D.C. marked at end of B music

42

March in the Battle of Parague (Prague)No 184 Page 90 William Clarke of Feltwell This is no 194 in Lyn Law’s numbering.

The m.s. shows no repeats. Clare and others have repeats.

44

3

Queens MarchNo 185 William Clarke of Feltwell In m.s. bar B2 is|fdfd|i.e.quavers

44


Stringers HornpipeNo 186 Page 91 Wm Clarke of Feltwell

Saxon Dance (Manuscript version)No 187 Page 91 Wiliam Clarke of Feltwell In m.s. the key signature is G, bar B2 is written in quavers.

This is as in the manuscript. The B music feels as though it should be in the dominant key − see version 187G

42

Saxon Dance in GNo 187 William Clarke of Feltwell But should there be G sharps in bars B2 and B6?

42


BalloonNo 188A William Clarke of Feltwell Query is it spread over two pages?

Possibly three separate tunesPage 92 188A ( Balloon), 188B Quadrill, Waltz 188C on Page 93

Note values changed. B Repeat written out in full

86

WaltzNo 188C William Clarke of Feltwell

83

Bab in TownNo 189 William Clarke of Feltwell

86


Jacksons HornpipeNo 190 William Clarke of Feltwell

Mrs Mac Loud?No 191 William Clarke of Feltwell Name illegible. Part A note values changed in bar 6 from equ to e cr

Miss Meragers HornpipeNo 192 William Clarke of Feltwell Bar 1 4th Note changed from C to B. Part B two notes (D,E quavers) added at beginning


New Milard ReelNo 193 William Clarke of Feltwell Part A Bar missing at 6. Replaced with bar 2

44

tr

tr

Old TowlerNo 194 Page 96 William Clarke of Feltwell Note values adjusted in A: Bar 4 E cr changed to E qu, G cr changed to qu.

B : A cr changed to A qu in B bar 10

86


Lord Harringtons MarchNo 195 William Clarke of Feltwell No time signature in MS.

44

Quick StepNo 196 William Clarke of Feltwell Bar line missed out part B bars 5& 6 in MS

42

D.C.

Bason in the SudsNo 197 William Clarke of Feltwell May Day,aka. JBa.43

England’s Glory,aka. JBa.43Similar to Joseph Barnes MS,Carlisle,1762.Parson in the suds

42

Queens berry HouseNo 198 Page 98 William Clarke of Feltwell

42


Lord Nelsons HornpipeNo 199 Page 98 William Clarke of Feltwell In m.s key given as D

Double notes given in bar B6 as in m.s.

44

The Howboy (Hawboy?)No 200 Page 99 William Clarke of Feltwell

42

The Apeave (Opera?) HornpipeNo 201 Page 99 William Clarke of Feltwell

42

Duncan DavidsenNo 202 Page 99 William Clarke of Feltwell The title is written in a different hand from all the other titles seen so far.

The name John Ganstead is written twice after this tune.

44


The West HornpipeNo 203 Page 100 William Clarke of Feltwell In m.s. the key signature is G and it looks like 6/8 time signature.

In m.s. no repeat marks

44

The ElizaNo 204 Page 100 William Clarke of Feltwell No repeat marks at end of B music.

86

Da Capo

Miss Davisons FancyNo 205 Page 101 William Clarke of Feltwell

86

Lady Shaftsburys ReelNo 206 Page 101 William Clarke of Feltwell In m.s. key given as D. It makes for interesting listening.

No repeat marks at end of B music in m.s.

44

The Royal Irish Quick StepNo 207 Page 102 William Clarke of Feltwell Change 3rd note in bars A4 and B4 from crotchet (in m.s.) to quaver.

89


Trompet HornpipeNo 208 Page 102 William Clarke of Feltwell In bars A1, A3, A5, A8, B1, only one set of triplets shown (A8, first 3 notes).

Chance note values bar A2 from 2 semi−quavers, 2 quavers, 2 semi−quavers, 2 quavers in m.s. to 8 quavers.Change last note on A music from crotchet in m.s. to minim.

3 33 3

44

3 3

3 3

3 3

Brids BellsNo 209 Page 102 William Clarke of Feltwell

44

Sweet RichardNo 210 Page 103 William Clarke of Feltwell

42

Isle of BeautyNo 211 Page 103 William Clarke of Feltwell

44


The Return of the AdmiralNo 212 Page 104 William Clarke of Feltwell In m.s. the5th note bar 5 is ambiguous − could be E or F#.

Segue

44

Peggy BandNo 213 Page 104 William Clarke of Feltwell Bar B4 is in 4/4 as written in the m.s.

43

The Light of Other DaysNo 214 Page 105 William Clarke of Feltwell This is an Irish tune (and song?)composed by Michael Balfe (1808−1870).

In bar 20 between the 1st and 2nd notes are the letters Sg − assumed to be short for "Segue". Is this part to the end played between verses?Below bar 20 is the instruction "dolce".

44

3 3

segueDolce

The Dis(s)appointed RakesNo 215 Page 105 William Clarke of Feltwell In M.s. the A music is only 7 bars. 2nd bar is|ef2de2c|, used to make A2 and A3 below.

42

D.C.


Jenny JonesNo 216 Page 106 William Clarke of FeltwellThe letters Sg in bar B16. Assume this is an indication to carry on − the bit of music between verses of this song. See note to No 214.

43

Segue

Speed the PloughNo 217 Page 107 William Clarke of Feltwell Add crotchet rest at end of A8.

Extra High C crotchet added bar B1.Omit 1stD quaver from bar b5 in M.s.

44

Gentills HornpipeNo 218 Page 107 William Clarke of FeltwellMissing bar line 1−2 added. Even so, A is 14 bars, B is 15 bars. See an edited version following.

42


Gentills Hornpipe (an edited version)No 218 (edited)William Clarke of Feltwell

42

The Essacks DanceNo 219 Page 108 William Clarke of Feltwell First 3 notes in bars B1 and B4 have been changed from 3 quavers in M.s.

42

Grand MarchNo 220 Page 108 William Clarke of Feltwell First 2 notes of B music and last 4 notes bar B3 changed from crotchets to quavers.

44

Collidge HornpipeNo 221 Page 109 William Clarke of Feltwell Bars A7 and B7 changed from quavers in M.s. to crotchets.

Bars B4 and B5 changed from|B2G2G2e|fgagfe2|

44


Miss Smiths Waltz (Unedited)No 222 Page 109 William Clarke of FeltwellIt is probably easier to present this as it appears in the manuscript, and leave interpretations to others.

The common time signature is wrong :it should be 3/8.There is an undecipherable mess at the beginning of bar C4.

The instruction "each part to be played twice" is written at the end.

44

The Bellisle MarchWm Clarke of Feltwell

3 344

tr tr

3 3

WaltzNo 224 Wm Clarke of Feltwell Ms bar missing between Bar 3 & 4.

43


A Russian MarchNo 225 Wm Clarke of Feltwell

Lord Derby’s MarchNo 226 Wm Clarke of Feltwell

King George the third Country DanceNo 227 Wm Clarke of Feltwell Bar 16 should be two dotted crotchets?

86

Sir David Hunted BlaiseNo 228 Wm Clarke of Feltwell


Russan WaltzNo 229 Wm Clarke of Feltwell bar line missing Bar 4 last part.

43

ReelNo 230 Wm Clarke of Feltwell

3

DanceNo 231 Wm Clarke of Feltwell

86

D.C.

DanceNo 232 Wm Clarke of Feltwell MS 1858 Dot was on wrong crochet bars 12, 18, 20

Bars 9−16 probably should not be repeated.Fine sign added. This gives 40 bars.

86

* * *

* * * *


WaltzNo 233 Wm Clarke of Feltwell

83

ReelNo 234 Wm Clarke of Feltwell

3 3

3

The Ladeys ManNo 235 William Clarke of FeltwellIn the m.s., immediately below the third part is the instruction "2 time an octave higher", which could refer to this tune or no 236.

42

D.C.


AllemandNo 236 William Clarke of Feltwell Although called Allemande, this is in waltz time.

In m.s. the first 2 bars are written as 5 semiquavers.Missing bar line between bars B 21 and 22 has been added.

In the m.s. the instruction "2 time an octave higher" is written above this tune. It could refer to the 3rd part of the previous tune.

83

The Plough BoyNo 237 William Clarke of Feltwell Bars B 8,9,10 as m.s.

44

tempo

Spanish WaltzNo 238 William Clarke of Feltwell

83


I will gang no more to your townNo 239 William Clarke of Feltwell

44

WaltzNo 240 William Clarke of Feltwell First note changed to a quaver, Quaver rest added to beginning of C music.

83

Lord Donnels ReelNo 241 William Clarke of Feltwell Key signature of C given in m.s.

44


WaltzNo 242 William Clarke of Feltwell Time signature in m.s. given as 3/4.

83

Drops of BrandyNo 243 William Clarke of Feltwell

89

The Divels DreamNo 244 William Clarke of Feltwell

44

Woods HornpipeNo 245 William Clarke of Feltwell

3 3

44


Miss Lee WaltzNo 246 William Clarke of Feltwell

83

DC

TriumphNo 247 William Clarke of Feltwell Bar C2 in M.s. is|A2AcB4G4|. Minims changed to crotchets.

44

DC

Lord Nelson’s MarchNo 248 Wm Clarke MS Feltwell, Norfolk q at beginning changed to cr

*

44

3 3 33


Patricks Day in the MorningNo 249 Wm Clarke of Feltwell

86

D.C.

WaltzNo 250 Wm Clarke of Feltwell

3

83

D.C.

The Devil is among the taylorsNo 251 Wm Clarke of Feltwell

44

Brandon Quick StepNo 252 Wm Clarke of Feltwell Pause at end of A omitted.

Repeat marks at beginning of B omitted as there are no corresponding repeat marks at the end of the section.

86

FINE

D.C.


Stone Gravel HornpipeNo 253 W. Clarke Feltwell MS crotchets in last bar of A & B truncated to three.

The Soldiers JoyNo 254 Wm Clarke of Feltwell spread over Pages 126 & 7

44

The Bailiffs are ComeingNo 255 Wm Clarke of Feltwell MS 1858 Quaver rest to be added bar 8

Quaver apparently missed out bar 9. Also bar line

*

86

**

The Shay DriverNo 256 Wm Clarke of Feltwell MS 1858 05/05/06 Not found tune in other contexts

*

44


Duke of Yorks MarchNo 257 William Clarke of Feltwell In m.s. bars A4,A6,A8 and B12 are a crotchet short − added here.

44

Country DanceNo 258 William Clarke of Feltwell In m.s.an 2−beat first bar,6−beat second bar, and a 7−bar A music. Below is an interpretation.

Dal segno sign over end of A music.There appears to be F sharps in bars A4 and A5. These have been left out.

B anacrusis changed from a crotchet to a quaver.

42

D.S.

New German Waltzno 259 william Clarke of Feltwell

83


Stoney StepsNo 260 William Clarke of Feltwell

44

Grand March by Rodger DublinNo 261 William Clarke of Feltwell

44

Bridge of LodiNo 262 William Clarke of Feltwell In m.s. bar line between B1 and B2 omitted.

44


Rory O MoreNo 263(C) Page 132 − 133 William Clarke of Feltwell In m.s., key signature given as G,

In bar 5 the E has been changed from a quaver to a grace note.Pause signs above A in bar 6, 2nd G in bar 12, A in bar 22.

86

Rory O More (G) (with Coda)No 263(G) William Clarke of Feltwell In m.s., pause marks over E in bar 6, 2nd D in bar 12 and E in bar 22.

The word Syne is written over bar 25

86

Buy a BroomNo 264 William Clarke of Feltwell

83

Quick Step 32d RegimentNo 265 William Clarke of Feltwell In m.s. bar A4, 3rd note may be B or C.

86


Quick StepNo 266 William Clarke of Feltwell

42

The Cordwainers MarchNo 267 Page 135 William Clarke of Feltwell MS 1858 MS key signature G

44

The Merry DancersNo 268 Wm Clarke MS Feltwell, Norfolk MS Key signature C

86

Spanish MarchNo 269 Page 136 William Clarke of Feltwell MS 1858 MS key signature G

42


Aldridges AllemandeNo 270 Wm Clarke MS Feltwell, Norfolk Bar 3 amended to quavers. MS has semiquavers

42

Lesslie’s MarchNo 271 William Clarke of Feltwell MS 1858 MS key signature G

86

tr tr

tr

Irish TrottNo 272 William Clarke of Feltwell MS 1858 MS key signature G

86

HornpipeNo 273 Page 106 William Clarke of Feltwell.Compare with Balls Hornpipe, George Spencer, Leeds. (v.m.p. GS.035)

44

French AirNo 274 Wm Clarke of Feltwell Page 13 in MS aka Twinkle twinkle

42


A DanceNo 275 Page 38 William Clarke MS, Feltwell,Norfolk

86

William Clarke of Feltwell’s DanceNo 275G William Clarke of Feltwell

86

QuadrilleNo 276 Page 92 Wm Clarke of Feltwell Page 92 Key sig of C section questionable.Very indistinct notation.

42

3

Index

39A Dance . . . . . . . . . . . . . . . . . . . . 40A Dance . . . . . . . . . . . . . . . . . . . . 86A Dance . . . . . . . . . . . . . . . . . . . . 46A Prince(?)Reel . . . . . . . . . . . . . . . . . . 34A Reel by John Ganstead . . . . . . . . . . . . . . . 30A Reel . . . . . . . . . . . . . . . . . . . . 43A Reel . . . . . . . . . . . . . . . . . . . . 45A Reel . . . . . . . . . . . . . . . . . . . . 72A Russian March . . . . . . . . . . . . . . . . . 5A Spanish Air . . . . . . . . . . . . . . . . . .

40A Waltz . . . . . . . . . . . . . . . . . . . . 40A Waltz . . . . . . . . . . . . . . . . . . . . 40A Waltz . . . . . . . . . . . . . . . . . . . . 41A Waltz . . . . . . . . . . . . . . . . . . . . 41A Waltz . . . . . . . . . . . . . . . . . . . . 42A Waltz . . . . . . . . . . . . . . . . . . . . 48A Waltz . . . . . . . . . . . . . . . . . . . . 56A Waltz . . . . . . . . . . . . . . . . . . . . 9A Waltz . . . . . . . . . . . . . . . . . . . .

85Aldridges Allemande . . . . . . . . . . . . . . . . 75Allemand . . . . . . . . . . . . . . . . . . . . 51Allexander . . . . . . . . . . . . . . . . . . . 4An old man whould be wooing . . . . . . . . . . . . . .

27Ashleys (sic) Hornpipe . . . . . . . . . . . . . . . . 61Bab in Town . . . . . . . . . . . . . . . . . . . 61Balloon . . . . . . . . . . . . . . . . . . . . 64Bason in the Suds . . . . . . . . . . . . . . . . . 9Battle of Plague (sic) . . . . . . . . . . . . . . . .

49Because I am a Bonny Lad . . . . . . . . . . . . . . . 4Beggar Girl . . . . . . . . . . . . . . . . . . .

17Begone Dull Care (edited) . . . . . . . . . . . . . . . 43Berwick Jockey . . . . . . . . . . . . . . . . . . 4Big Bow Wow . . . . . . . . . . . . . . . . . .

25Bonapartes Waltz . . . . . . . . . . . . . . . . . 79Brandon Quick Step . . . . . . . . . . . . . . . . 24Brandon Waltz with harmony by Anahata . . . . . . . . . . 23Brandon Waltz . . . . . . . . . . . . . . . . . . 5Bravi Cosa . . . . . . . . . . . . . . . . . . .

82Bridge of Lodi . . . . . . . . . . . . . . . . . . 67Brids Bells . . . . . . . . . . . . . . . . . . . 34Bugle Horn, The . . . . . . . . . . . . . . . . . . 16Bury Waltz in D - with harmony by Anahata . . . . . . . . . . 15Bury Waltz . . . . . . . . . . . . . . . . . . . 83Buy a Broom . . . . . . . . . . . . . . . . . . 83Rory O More . . . . . . . . . . . . . . . . . . . 27Calder Fair . . . . . . . . . . . . . . . . . . . 29Captain Wyke . . . . . . . . . . . . . . . . . . 35Caroline’s Fancey . . . . . . . . . . . . . . . . . 36Caroline’s Fancy P49,No 106 William Clarke of Feltwell . . . . . . . 5Cinderella . . . . . . . . . . . . . . . . . . .

70Collidge Hornpipe . . . . . . . . . . . . . . . . . 17Comett Waltz . . . . . . . . . . . . . . . . . . 85Compare with Balls Hornpipe, George Spencer, Leeds. (v.m.p. GS.035) . . 46Copenhagen Waltz . . . . . . . . . . . . . . . . . 81Country Dance . . . . . . . . . . . . . . . . . . 58Dance . . . . . . . . . . . . . . . . . . . . 73Dance . . . . . . . . . . . . . . . . . . . . 73Dance . . . . . . . . . . . . . . . . . . . . 34Dance, A . . . . . . . . . . . . . . . . . . . . 35Dance, A . . . . . . . . . . . . . . . . . . . . 35Dance, A . . . . . . . . . . . . . . . . . . . . 37Dance, A . . . . . . . . . . . . . . . . . . . . 50Dead March in Saul . . . . . . . . . . . . . . . . . 58Del Carors Hornpipe . . . . . . . . . . . . . . . . 8Dorsetshire March . . . . . . . . . . . . . . . . .

28Downfall of Paris . . . . . . . . . . . . . . . . . 6Drops of Brandy . . . . . . . . . . . . . . . . . .

77Drops of Brandy . . . . . . . . . . . . . . . . . . 81Duke of Yorks March . . . . . . . . . . . . . . . . 26Duke of Yorks New March . . . . . . . . . . . . . . . 65Duncan Davidsen . . . . . . . . . . . . . . . . . 9Dusty Miller . . . . . . . . . . . . . . . . . . .

70Gentills Hornpipe (an edited version) . . . . . . . . . . . . 21Ellaressonburgh . . . . . . . . . . . . . . . . . . 38Fishers Hornpipe . . . . . . . . . . . . . . . . . 55Flowers of Edinburgh . . . . . . . . . . . . . . . . 85French Air . . . . . . . . . . . . . . . . . . . 52French Dance (M.S. key) . . . . . . . . . . . . . . . 20French Dance . . . . . . . . . . . . . . . . . . 44French Dance . . . . . . . . . . . . . . . . . . 45French Dance . . . . . . . . . . . . . . . . . . 20French Quadrille . . . . . . . . . . . . . . . . . . 26French Waltz (as No 36 in D) . . . . . . . . . . . . . . 11French Waltz . . . . . . . . . . . . . . . . . . 52Fugatine . . . . . . . . . . . . . . . . . . . . 53French Dance (transposed to G) . . . . . . . . . . . . . 83Rory O More (G) (with Coda) . . . . . . . . . . . . . . 69Gentills Hornpipe . . . . . . . . . . . . . . . . . 14Glorious Appollo . . . . . . . . . . . . . . . . . . 6Go to the Devel and Shake your Self . . . . . . . . . . . .

82Grand March by Rodger Dublin . . . . . . . . . . . . . 1Grand March . . . . . . . . . . . . . . . . . . .

17Grand March . . . . . . . . . . . . . . . . . . . 70Grand March . . . . . . . . . . . . . . . . . . . 47Green Grows the Rashes . . . . . . . . . . . . . . . 9Haydon’s Surprise . . . . . . . . . . . . . . . . .

43Honey Harry . . . . . . . . . . . . . . . . . . . 37Hornpipe (Old Morpeth Rant?) . . . . . . . . . . . . . . 30Hornpipe . . . . . . . . . . . . . . . . . . . . 30Hornpipe . . . . . . . . . . . . . . . . . . . . 38Hornpipe . . . . . . . . . . . . . . . . . . . . 56Hornpipe . . . . . . . . . . . . . . . . . . . . 85Hornpipe . . . . . . . . . . . . . . . . . . . . 48Hurdy Gurdy Waltz . . . . . . . . . . . . . . . . . 76I will gang no more to your town . . . . . . . . . . . . . 14In the dead of the Night . . . . . . . . . . . . . . . 37Irish Gigg . . . . . . . . . . . . . . . . . . . 85Irish Trott . . . . . . . . . . . . . . . . . . . 67Isle of Beauty . . . . . . . . . . . . . . . . . . 17Isle of France . . . . . . . . . . . . . . . . . . 62Jacksons Hornpipe . . . . . . . . . . . . . . . . . 50Jan de Paris . . . . . . . . . . . . . . . . . . . 46Janeys Babe . . . . . . . . . . . . . . . . . . . 69Jenny Jones . . . . . . . . . . . . . . . . . . . 10Jesse . . . . . . . . . . . . . . . . . . . . . 36Jon De Parre . . . . . . . . . . . . . . . . . . . 21Kate of Colerain . . . . . . . . . . . . . . . . . . 72King George the third Country Dance . . . . . . . . . . . . 12King Georges March . . . . . . . . . . . . . . . . 53La Poole Quadrill . . . . . . . . . . . . . . . . . 13La belle Catharine or the Wedding day . . . . . . . . . . . 57Lady Caroline Bertie . . . . . . . . . . . . . . . . 66Lady Shaftsburys Reel . . . . . . . . . . . . . . . . 7Laura and Lensa . . . . . . . . . . . . . . . . .

85Lesslie’s March . . . . . . . . . . . . . . . . . . 36Lette . . . . . . . . . . . . . . . . . . . . . 53Little Fanny’s love . . . . . . . . . . . . . . . . . 18London Waltz . . . . . . . . . . . . . . . . . . 72Lord Derby’s March . . . . . . . . . . . . . . . . . 56Lord Donnel’s Reel . . . . . . . . . . . . . . . . . 76Lord Donnels Reel . . . . . . . . . . . . . . . . . 64Lord Harringtons March . . . . . . . . . . . . . . .

78Lord Nelson’s March . . . . . . . . . . . . . . . . 65Lord Nelsons Hornpipe . . . . . . . . . . . . . . . . 13Maid of the Mill . . . . . . . . . . . . . . . . . . 24Majecky in London . . . . . . . . . . . . . . . . . 12Maltese Dance . . . . . . . . . . . . . . . . . . 38Malthouse Hornpipe . . . . . . . . . . . . . . . . . 59March in the Battle of Parague (Prague) . . . . . . . . . . . 39March in the Royal Guards . . . . . . . . . . . . . . . 18Martinis Minuet . . . . . . . . . . . . . . . . . . 4Master Williams Leave . . . . . . . . . . . . . . . .

48Minuette . . . . . . . . . . . . . . . . . . . . 51Minuette . . . . . . . . . . . . . . . . . . . . 57Miss Baker’s Hornpipe . . . . . . . . . . . . . . . . 49Miss Cortney . . . . . . . . . . . . . . . . . . . 66Miss Davisons Fancy . . . . . . . . . . . . . . . . 53Miss Dennett’s Waltz . . . . . . . . . . . . . . . . 27Miss Gayton’s Hornpipe . . . . . . . . . . . . . . . 36Miss Johnsons . . . . . . . . . . . . . . . . . . 78Miss Lee Waltz . . . . . . . . . . . . . . . . . . 62Miss Meragers Hornpipe . . . . . . . . . . . . . . . 71Miss Smiths Waltz (Unedited) . . . . . . . . . . . . . . 59Money Musk . . . . . . . . . . . . . . . . . . . 58Mrs Gardner’s Reel . . . . . . . . . . . . . . . . . 62Mrs Mac Loud? . . . . . . . . . . . . . . . . . . 47Napoli Waltz by Rossini from the Barber of Seviglia . . . . . . . . 45New Edinburgh . . . . . . . . . . . . . . . . . . 81New German Waltz . . . . . . . . . . . . . . . . . 46New Gun Reel . . . . . . . . . . . . . . . . . . 63New Milard Reel . . . . . . . . . . . . . . . . . . 11Nightingale . . . . . . . . . . . . . . . . . . . 9O dear what can the matter be . . . . . . . . . . . . .

54O’er the Boggie with my love (Dance) . . . . . . . . . . . 63Old Towler . . . . . . . . . . . . . . . . . . . 23Original Key: C . . . . . . . . . . . . . . . . . . 24Original key: C . . . . . . . . . . . . . . . . . . 19Paddy Carey edited . . . . . . . . . . . . . . . . . 20Paddy Carrol . . . . . . . . . . . . . . . . . . . 22Parliament Square . . . . . . . . . . . . . . . . . 79Patricks Day in the Morning . . . . . . . . . . . . . . 2Pease upon a Trencher . . . . . . . . . . . . . . . .

68Peggy Band . . . . . . . . . . . . . . . . . . . 10Polly put the Kittle on . . . . . . . . . . . . . . . . 25Poor Mary Ann . . . . . . . . . . . . . . . . . . 7Pray Goody . . . . . . . . . . . . . . . . . . . 7Prime of Life . . . . . . . . . . . . . . . . . . .

19Prince Leopold . . . . . . . . . . . . . . . . . . 86Quadrille . . . . . . . . . . . . . . . . . . . . 59Queens March . . . . . . . . . . . . . . . . . . 64Queens berry House . . . . . . . . . . . . . . . . 2Quick March . . . . . . . . . . . . . . . . . . .

83Quick Step 32d Regiment . . . . . . . . . . . . . . . 2Quick Step . . . . . . . . . . . . . . . . . . . 3Quick Step . . . . . . . . . . . . . . . . . . . 3Quick Step . . . . . . . . . . . . . . . . . . .

64Quick Step . . . . . . . . . . . . . . . . . . . 84Quick Step . . . . . . . . . . . . . . . . . . . 49Reel . . . . . . . . . . . . . . . . . . . . . 52Reel . . . . . . . . . . . . . . . . . . . . . 73Reel . . . . . . . . . . . . . . . . . . . . . 74Reel . . . . . . . . . . . . . . . . . . . . . 14Roast Beef of Old England . . . . . . . . . . . . . . . 49Roger de Covery . . . . . . . . . . . . . . . . . 37Rondo . . . . . . . . . . . . . . . . . . . . 1Royals Quick Step . . . . . . . . . . . . . . . . . 6Rule Britannia . . . . . . . . . . . . . . . . . .

73Russan Waltz . . . . . . . . . . . . . . . . . . 51Russells Triumph. Thursday in the Morning. . . . . . . . . . .

16Russian Dance . . . . . . . . . . . . . . . . . . 60Saxon Dance (Manuscript version) . . . . . . . . . . . . 60Saxon Dance in G . . . . . . . . . . . . . . . . . 22Saxon Waltz . . . . . . . . . . . . . . . . . . . 31Scotch Reel . . . . . . . . . . . . . . . . . . . 31Scotch Reel . . . . . . . . . . . . . . . . . . . 31Scotch Reel . . . . . . . . . . . . . . . . . . . 44Scotch Reel . . . . . . . . . . . . . . . . . . . 42Scotch Waltz . . . . . . . . . . . . . . . . . . 12Scots knew well . . . . . . . . . . . . . . . . . . 6Scots wha hae . . . . . . . . . . . . . . . . . .

72Sir David Hunted Blaise . . . . . . . . . . . . . . . 15Soulgers Joy . . . . . . . . . . . . . . . . . . . 84Spanish March . . . . . . . . . . . . . . . . . . 75Spanish Waltz . . . . . . . . . . . . . . . . . . 69Speed the Plough . . . . . . . . . . . . . . . . . 80Stone Gravel Hornpipe . . . . . . . . . . . . . . . . 41Stoney Steps . . . . . . . . . . . . . . . . . . 55Stoney Steps . . . . . . . . . . . . . . . . . . 82Stoney Steps . . . . . . . . . . . . . . . . . . 21Stop Waltz . . . . . . . . . . . . . . . . . . . 60Stringers Hornpipe . . . . . . . . . . . . . . . . . 67Sweet Richard . . . . . . . . . . . . . . . . . . 2Tha Major . . . . . . . . . . . . . . . . . . .

65The Apeave (Opera?) Hornpipe . . . . . . . . . . . . . 54The Back of the Change House (Dance) . . . . . . . . . . . 80The Bailiffs are Comeing . . . . . . . . . . . . . . . 71The Bellisle March . . . . . . . . . . . . . . . . . 55The Chinise Dance . . . . . . . . . . . . . . . . . 84The Cordwainers March . . . . . . . . . . . . . . . 8The Cuckoo . . . . . . . . . . . . . . . . . . .

79The Devil is among the taylors . . . . . . . . . . . . . 68The Dis(s)appointed Rakes . . . . . . . . . . . . . . . 77The Divels Dream . . . . . . . . . . . . . . . . . 66The Eliza . . . . . . . . . . . . . . . . . . . . 70The Essacks Dance . . . . . . . . . . . . . . . . . 31The Finest Lad in Town . . . . . . . . . . . . . . . . 44The Full Hunt . . . . . . . . . . . . . . . . . . 59The Garmon (German?) Waltz . . . . . . . . . . . . . . 12The Grinders . . . . . . . . . . . . . . . . . . . 65The Howboy (Hawboy?) . . . . . . . . . . . . . . . 57The Joys of Wedlock . . . . . . . . . . . . . . . . 74The Ladeys Man . . . . . . . . . . . . . . . . . . 68The Light of Other Days . . . . . . . . . . . . . . . 51The March in Scipio . . . . . . . . . . . . . . . . . 84The Merry Dancers . . . . . . . . . . . . . . . . . 47The Nemesiss . . . . . . . . . . . . . . . . . . 10The New Opera Hat in D transposed by Anahata . . . . . . . . 10The New Opera Hat . . . . . . . . . . . . . . . . . 3The Parson in the Boots . . . . . . . . . . . . . . .

57The Persian Dance . . . . . . . . . . . . . . . . . 75The Plough Boy . . . . . . . . . . . . . . . . . . 68The Return of the Admiral . . . . . . . . . . . . . . . 66The Royal Irish Quick Step . . . . . . . . . . . . . . . 80The Shay Driver . . . . . . . . . . . . . . . . . . 80The Soldiers Joy . . . . . . . . . . . . . . . . . . 28The Wanderer Boy . . . . . . . . . . . . . . . . . 28The Wanderer Boy . . . . . . . . . . . . . . . . . 66The West Hornpipe . . . . . . . . . . . . . . . . . 54The Wounded Hussar . . . . . . . . . . . . . . . . 41Trip to the Cottage . . . . . . . . . . . . . . . . . 78Triumph . . . . . . . . . . . . . . . . . . . . 67Trompet Hornpipe . . . . . . . . . . . . . . . . . 11Tyrolese Waltz . . . . . . . . . . . . . . . . . . 3Up with the Ally Now . . . . . . . . . . . . . . . .

13Vulcans Cave . . . . . . . . . . . . . . . . . . 29Waltz . . . . . . . . . . . . . . . . . . . . .

32Waltz . . . . . . . . . . . . . . . . . . . . . 32Waltz . . . . . . . . . . . . . . . . . . . . . 32Waltz . . . . . . . . . . . . . . . . . . . . . 32Waltz . . . . . . . . . . . . . . . . . . . . . 33Waltz . . . . . . . . . . . . . . . . . . . . . 33Waltz . . . . . . . . . . . . . . . . . . . . . 33Waltz . . . . . . . . . . . . . . . . . . . . . 33Waltz . . . . . . . . . . . . . . . . . . . . . 34Waltz . . . . . . . . . . . . . . . . . . . . . 61Waltz . . . . . . . . . . . . . . . . . . . . . 71Waltz . . . . . . . . . . . . . . . . . . . . . 74Waltz . . . . . . . . . . . . . . . . . . . . . 76Waltz . . . . . . . . . . . . . . . . . . . . . 77Waltz . . . . . . . . . . . . . . . . . . . . . 79Waltz . . . . . . . . . . . . . . . . . . . . . 22Waterloo Dance . . . . . . . . . . . . . . . . . . 56Waterloo Dance . . . . . . . . . . . . . . . . . . 58Waterloo . . . . . . . . . . . . . . . . . . . . 1Weavers March . . . . . . . . . . . . . . . . . .

86William Clarke of Feltwell’s Dance . . . . . . . . . . . . . 26Woodbine Cottage . . . . . . . . . . . . . . . . . 23Woodbridge Assembly Transposed . . . . . . . . . . . . 23Woodbridge Assembly . . . . . . . . . . . . . . . . 25Woodpecker . . . . . . . . . . . . . . . . . . . 77Woods Hornpipe . . . . . . . . . . . . . . . . . .

william clarke of feltwell 1858 - paul hardy · no 30 page 13 william clarke of feltwell ms 1858...

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