In the World of Music and MusiciansGrculaliiig High-Class MusicAmong Masses of the Public

* The Work Doing at a Branch of the New York PublicLibrary; Miss Leipzig<er's Good Work Con¬tinued ; New Funds and Fr«esh AcquisitionsBy Dorothy Lawton

Music Librarian, Fifty-eighth StreetBranch Library

To any one wishing to read some oíMí*» Amy Low»!!'« poems or those offcdrannd Blunden, who recently won theHawtbornden prise, or to one investi¬gating th« Einstein "theory of rela¬tivity" or the latest points on psycho¬analysis, the New York Public Libraryoffers a happy hunting ground, eitherfor reference or home reading. Untillately, however, the idea of usking in a

circulating library for examples of Ar¬thur Bliss's songs or tho*e of John Al-den Carpenter, or for illustrations ofthe orchestration of Stravinsky or theradical development of Schönberg'sharmony, would never have occurred tothe average New York music lover.Why should this be? Why should theeccentricities of Freud or the eroti¬cisms of D. H. Lawrence be more ac¬cessible than the mysticism of Scriabinor the grotesqueries of Satie? Briefly,in an institution designed and claim*ing to keep abreast of the times in allphases of intellectual thought andcriticism, why exclude that art whichabove all others evidences the race'sgrowth ?

Progress is ever to the westward.This year marks the centenary of thefirst free circulating library.the oneestablished in Peterborough, N. H..where Edward MaeDowcll had his homeand where the MacDowell Colony isnowadays fostering much that is ad¬mirable in American art As Americaled the world in free libraries, the Westhas led America in the matter of musiccirculation. Por many years New Yorkhas been shamefully behind the West¬ern cities in this respect Chicago, St.Louis, Kansas City, San Francisco, LosAngeles.all have large collections ofmusic for home use. Smaller citieslike Detroit and Rochester have im¬portant collections. In Boston the Pub¬lic Library has a fine circulating divi¬sion in addition to the Allen Brownreference collection, and the HarvardMusical Association haß its own library,Special Collection» inNew York's Branch Libraries

It was originally the intention o* tveNew York Public Library to have musiccollections in all of its branch build¬ings. The foundations of such collec¬tions will be seen there still, but. ex¬cept in the matter oí operas.whichwill be found fairly complete so far asthe current repertoires are concerned.the library funds have not been suffi¬ciently liberal to maintain music on apar with other subjects. In several ofthe branchas, however, the music isvery interesting; the Webster branchhas specialijsed in Czech music the135th Street branch, in Harlem, has afine lot of negro music, WashingtonHeights recently has acquired certainmodern works and St George. R. I.owes it« collection to the Georsre Wil-Ham Curtis family.But for many years i» has been

known to students that the largest andmost generally comprehensive collec¬tion was to be found at the Fifty-eighthStreet branch, and borrowers have comethere from all over the city, the utter¬most Bronx and from remotest Brook¬lyn, from the furthest confinea ofgreater New York. For this reasonFifty-eighth Street has been made theheadquarters of the city's music circu¬lation. Two years ago a special li¬brarian was appointed in its chargeand to act in a supervisory .capacity

kk over the music collections of theH branch system. The credit for havingW made so good a foundation on which

to build a contemporary collection isdue to Miss Pauline Leipziger, for sev¬

eral years chief librarian at thisbranch. Miss Leipziger, herself a loverof musk, built up a fine music depart¬ment, which is admirable in the matterof classical and standard composers.She had the foresight to acquire thecomplete sets which Schirm er used tocompile under the intelligent directionof Dr. Theodor Baker. Thus Fifty-eighth Street has not only the entirevocal and piano works of such com¬

posers as Brahms, Chopin, LisztTschaikowsky, Grieg, Dvorak, etc.. inthe Schirmer sets, but so far as theywent at the time of their preparationthe complete sets of more modern men,like Strauss, Hugo Wolf, Fauré andDebussy.The city has reduced the library ap¬

propriation until the funds allotted tothe branches are not enough to supplyMie demanded fiction. Knowing thehopelessness of the situation and theimportance of music for home use forthe always growing student clientele,which must depend on the library tofurnish the music they are too poor to

buy, just a« it does their books, an ef¬fort was made to get contributionsfrom a few of the generous patrons ofmusic here in New York. This effortwas started about two years ago witha gift of $200 from Miss L. T Bliss.This sum was divided, half being spenthere 'for works of native composers,the other half intrusted to a friend ofthe cause who spent it in London, Parisand Madrid for the works of contem¬

porary European composers. The news

that we had this new material, thatthings by our men of to-day or byGranados, Alben«, d* Falla, Malipiero,Ravel, Ropartz, Stravinsky, Goossens,Bax, Ireland.to choose names atrandom.were to be had broughtSO many borrowers that the music cir¬culation increased 400 per cent. Thisshows that there is a demand for musicfor nome use. Musicians are for thenio&t part too poor to be able to buyrausie to satisfy their euriesity a* to

A.

what their contemporaries are doing,to indulge their natural desire formusic to "read" in order to be intelli¬gently informed.The Growing Demand for theScores of Orchestral MusicWe do not feel that we have made

more than a beginning at Fifty-eighthStreet in light of the needs of the greatmusics) public of this city, but withour recent gifts we do feel that wehave made a good start and are ablein the matter of music to do some¬thing proportionate to the aims of thePublic Library in other directions. Thelargest sum received for this work wasgiven last spring by Mr. Adolph Lewi-sohn, who contributed $500 to be usedfor orchestral scores or arrangementsof orchestral works. The demand fororchestral scores would surprise onenot familiar with the use of music inlibraries. There are so many studentsof orchestration who are too poor tobuy these expensive partitur-editions.Besides those who are composers or

working students of orchestration arethose who can read acores sufficientlywell to like to take them to the con¬certs of symphonic or chamber music.Since another gift of $200 from Mrs,Walter Graeme Ladd was being spentin Paris for French music and the li¬brarian herself from various gifts wasable to obtain a good representation ofcontemporary British music when shewas in London a year ago, it Was de¬cided not to confine Mr. Lewisohn's giftto orchestral works, but to make it a

general representation of contemporaryGerman composers.Only these larger donors have been

mentioned, but many persons havehelped with smaller suma or gifts ofmusic, and it has all contributed to agrowing accession list. So that it isa gratification to tell such music loveraas are not familiar with the Fifty-eighth Street Music Room what it iinow able to offer them. p *

Wagner Operas in Miniature Score«And Transcriptions for PianoforteThanks to Miss Leipziger, there has

always been a fairly good list of th«classics in miniature score. We artnow particularly proud to be able t<supply all the Wagner operas in orchestral score, a thing for which thenhas been great demand. Also the Ricordi editions of such operas of VerdiBei o and Puccini as they have issued in this form. There is the completoutput of Richard Strauss in miniaturscore, and "Tod und Verklärung," "Do:Juan," "Till Eulenspiegel" and "Heldenleben" in four-hand versions, GScriabin we have "Prometheus,"Poeme de l'Extase" and "Poeme Divinin score, and his piano-works completStravinsky's "Petrouschka," "Ross

j gnol" and "Sacré du Printemps" iscore and in piano arrangementSchönberg's "Pelleas und Melisande''Pierrot Lunaire." "Gurre Lieder" ar

"Fünf Stücke" in score, and the "GurreLieder" in vocal score. Of Mahler wehave "Dag Lied von der Erde" in vocalscore and the symphonies Three, Four,Eight and Nine for four hands, theseto supplement & complete set of theorchestral scores promised us as a giftby a friend and admirer of GustavMahler. And there is Bekker'a hugeanalytical volume on the Mahler sym¬phonies and a new biography (bothin German). The Third, Fifth andNinth (as the most performed) sym¬phonies of Bruckner to supplementin the popular four-hand form thosmall scores we had of his symphoniescomplete. In score: Malipiero: "Im-Dressioni dal Vero," "Ditirambo Trá¬gico" and "Oriente Immaginario";Respighi: "Fontane di Roma," "An-tiche Danze ed Arie per Liuto";Gasolin: "Couvents sur l'Eau," "Pupaz-zetti"; Rachmaninoff: "Toteninsel";Moussorgski; "Une Nuit sur le MontChauve"; Liadoff: "Bab» Jaga"; Boro«dine: "Steppenskizzen* (and the lastthree ih four-hand); Sibelius: "Fin¬landia,** "Lemmenkinen's Heimker"cad Fifth Symphony; Weingartner:"König Lear" and "Die Gefilde derSeligen"; Smetana: the "Vaterland"cycle complete; Schreker: "Vorspielzu einem Drama"; Busoni: "Zwei¡Studien -za Faust"; Delius: BriggFair, Dance Rhapsody, Paris, ASummer Garden; Reger: Variationen;Goldmark: "Sakuntala"; Bcroer*s"Trois Morceaux"; Gossen's "FiveConceits"; Jongen: "Lalla Rookh," andTschaikowsky's "Nutéracker" Suite and"Romeo and Juliet," the overtures ofMozart and those of Berlioz and his'Harold in Italy," all these last to fillgaps in our old list.The new Frenen scores include.

Debussy's "Le Printemps," "Jeux,""La Mer," "Apres-midi d'un Faune,""Nocturnes" and two-piano or four-hand versions of these. Ravel: "MaMère l'Oye," "Valses nobles," "LaValse," "Schêhéraxade." "Dsphnia etChloé," "Intr. et Allegro," and the firstof* these for two pianos. D'ïndy:First and second symphonies and "Is-

THE CITYDIRK POCK, Conductor.

12 Evente«» at CARNBGi/E HAIX.12 Afternoon» at TOWN HAIX.

First Concert at CARNEGIE HAIXSATURDAY, NOVEMBER 18.

IMSTÎNGTISHEO BOÏ-OÏST8: GERHARDT.RRASLAU. GANZ. doGOGORZA. ÑAMARA.MÏLHAlîî. MOKÍNI. HIBERMAN. BEN-DIÎR. Special Bemmem Subscription Price«.12 Concert« for »IS, »18, »10, «8, *0, »4.18 ftonAagr Atterttüem "Fop." Concert* atMANHATTAN OFFRA HGCSE, beg. «un..Nov. 1». Saoao» Stibecriptlon«: »is, $9.7«,ÍS.60. »8.Î5. 8eps.->n tl ko s now gelling- atth« Hall» or Room If. 'IE. '!' « " -me¡atoms KM 330». ARTHUR J. GAINE«*, Mr-

1-«

tar." Lalo: "Symphonie espagnole."Milhaud: Second S mphonic Suite.!Florent Schmitt: "Feuillets de Voyage,""Etude-Palais hanté," "Rhapsodieviennois," "Tragédie de Salomé,""Antoine et Cléopatre," "I-II, Rêves,""Musique de plein air," "Reflet d'Al¬lemagne." Roussel: "Pour une Fíítede Printemps." Roger-Ducasse: "AuJardin de Marguerite," "Le joli jeu dofuret," "Marche française," "Nocturnode printemps," "Prélude d'un ballet,""Sarabande," "Suite brève," "Suitefrançaise," "Petite suite," "Variationsplaisantes."The English Vaughan Williams:

"London" Symphony, Fantasia on a

Theme of Tallis. Holst: "The Planets,""Beni Mora." Bliss: "Rout," "Con¬versations." Elgar: First and secondsymphonies, "Enigma" Variations,Violoncello Concerto. Bridge: "La¬ment." Bantock: "Fifine at the Fair."Harty: "Wild Geese." Howclls: "Puck'sMinuet."A Group of Modern GermanAnd Russian OperasAmong the new operas in vocal score

are Schiliings's "Mona Lisa" and Vit-tadini's "Anima Allegra" (the novel¬ties of the coming Metropolitan sea¬

son); Schrekcr's "Der Schatzgeraeber"and "Die Gezeichneten"; Pfltzner's"Palestrina" and his new secular can¬tata "The Deutsche Seele"; Busoni's"Turandot" and "Arlecchino," Strauss's"Feuersnot," "Ariadne auf Naxos,""Josephslegende" and "Die Frau ohneShatten"; Graener's "Theophano,"now revised and called "Byzanz"; De.Falla's "El Armor Brujo," Rimsky-Kor-sakoff's "Czar's Bride." "La Nuit deNoël," "The Maid of Pskov," "Miada,""Coq d'Or," "Sadko," "La Nuit de Mai."In English, Holbrooke's "Chi dren ofDon," Rootham's "Two Sisters,"

ANNIE FRIEDBERG ivnnounce»AEOLIAN HAUL, Wednesday Aft.. Nov. 8, at 3.

BONO RECITAL

MAY KOR3Coonraad V. Boi at the Pituio. (Stelnway)Town Mal«. Tues. Eva.. Nov. 14 at 8:15

Honst RoduS.DJÍÍTRT

DOBKINGniseppe Bamboschck at the Piano. (Knabe).

WAGNEKÂNOPERA FESTIVAL

(IN GERMAN)TWO WEEKS j MANHATTANFEB. 12 & 19 ( OPERA HOUSECOMPANY OF 200. Auspices of"Das Deutsche Opernhaus, Berlin."

Subscription tickets now on sale at

KNABE BUILDING<37 6th AVE.. MAIN FLOOR,and PAUL TAUSIG & SON, 104 B.

14th. Prospectus mailed on application.Knabe Piano used exclusively.

EVELYN HOPPER nrmonneesAítolian Hall, To-morrow 'Men.) Aft. at 3

SONG RECITAL

Norman JohnstonMASON & HAMLIN PIANO.

I Aeolian Hall. Frl. Eve., Nov. 17.SONATA RECITAL

I Moore.KortschakITIckets at Box Office. (Stelnway Piano)AEOLIAN HAUU Tha». Aft., Nov. 0, at 32nd SONG I I PL írecital Jotin Lnarles

THOMASTicket* 59c. to ÍS.W, plus war tax. at Bo* Office.Mtrt P.. E. JOHNSTOM. Knabe P.ann.

ELLA BOY0E KIRKFlwt American Woman Cured at'Nfuicy (Stale

Lecture on ^

COUEBiirofoini Halt 5« East 41at St, Wed. Eve., No», 15.Ticket» $1.10 & 11.65. Now at office.O. Arnold Shaw. ST33 Grand Central Terminal, N.Y.'Telephone- Beserratlons. Vasd. 3033-4847,

HEMPEL- s Ne« »t Box Offle«, C8t»inw»y.)

Boughton's "Immortal Hour." The bal¬lets of De Falla, Rossini-Respighi, Per-golesi-Stravinsky and Glazounoff.There aro songs by Stravinsky,

Schoenberg, Schreker, Pfitzner (sixvols.), Schillings, Petyrek, Pataky,Mahler (complete), Malipiero, Reger,Marx (five vols.), Erich Wolff (fivevols.), Szymanowski, Poldowaki, Grac-ner, Catoire, Myaskowski, Georg Schu¬mann, Schnabel, Erdmann, Tiessen,Haas, Schoeck, Streicher, Egon Wellesz,Matthiessen, Ziîcher, Heuss, Poulenc,Auric, Aubert, Debussy (complete),Milhaud, Holbrooke, Bantock, Bax, Ber¬ners, Bliss, Bridge, Clutsam, Parry,Hoist, Harty, Goossens,: Heath, Ire¬land, Liddle, Quiitrer, Smyth, Somer-vell and the English Lutenist series,

Tenth Season1922-1923

Talks on Questionsof the Hour

Miss JANET RICHARDSThursday Morning at 10:45.

THE ELY ALUMNAE ASSOCIATIONFuture lecture dates Thursday, Nov.

9th, and every alternate Thursdaythereafter throughout the montha ofDecember, January, February, Marchand concluding April 5th.

Talks on questions of the hour.all vital and of intense interest, byMiss Janet Richards herself, at the

Hotel PlazaTickets, »11.00 (Including tax) for

the twelve talks, may now be pur¬chased at the II»scorn Agency, HotelPias». Hotel Blltmore. or at the dooron the morning of lectures.Single Tickets Sold on Day of Lecture

NEW YORKSYMPHONYWALTER DAMROSfrT.ConductorABOTTAV HALL "^ "»¦>'?, at 8.

MME. EMMA CALVEtruafin*? *.*J±' *.' "*-WVW| Arias(UAiiViS) from the Apocalypse; LIADOW'Qroup of Songa.(CALVE).Mldsommarvaka".ALFVEN.Carne trie Hall 35*0*Aft- Not- 9-»* 8-v«i iiw^ic nan rri Eve Nov 10 at 8:13

Beethoven-.Wagner'Brolca" Symnhony.BEETHOVEN.'SIEGFRIED." Act III.WAGNER.Brunhllde"."TBA 91 P '. \.Siegfried.RICHARD CROOKS

Carnegie Hall. Sat. Aft., Nov. II, at 2:30.Symphony Co cert for Vonng PeopleSoloist: ALl'KKO CORTOT.Aeolian Hall., Sunday Aft., Nov. 19.PIANO RECITAL.ALEXANDER

SILOTIrickets at Boi Offices. GBX>RGB IAT.LES, Mgr.- DANIEL MAVFK »n^n-asTOWN HALL., TO-NIGHT AT 8:15

\ iOLIN RECITAI-ÍLLCM1NATO

MISERERDIR0Carnegie Hall, Wed. Ev«r., Nov. 8, «t 8-18Piano Recital (Stelnway).MISCIIA

LEVITZKCARNEGIE HALL, Frt. Eve., Nov, 17.Violin Recital.ERNA

Ticket* at Box Officss. Stelnway Piano.

Griffes, Homer, Hammond. Gerstle andMorkrejs.

Piano works include the originalpiano works of BusonI and the com-

píete Bach-Busoni as far as published;Novak, Petyrek, Bertok, Szymanowski,Jongen, Holbrooke, Inghelbrecht, Weih¬er, Dohr.anyi, Griffes, Powell, Hutche-son, Ganz, Boyle, Hier, Borowski, Hau-biel, Debussy, Saint-Saens, Milhaud,Auric, Roussel, Rhene-Baton, Dupin,Samazeuilh, Menu, Aubert, Poulenc,Satie, Tailleferre, Honegger, Malipiero,Medtner, Moussorgski, Goedicke, Ro-partz, De Falla, Grovlez, Göossens,Bliss, Graingur, Berners, Ireland, Baxand Scott.The new chamber music, which in¬

cludes all forms, from sonatas for twoinstruments up to octets.Suk, Dohn-anyi, Schnabel, Bloch, Wolf-Ferrari,Debussy, Elgar, Armstrong - Gibba,Goo6sens, Bax, Andreas, HurlstoneSowerby, Iarecki, Loeffler, Scott, Coates,Burleigh, Kelley, Gardner, Piszetti,

mIwmS5 SUN OAY EVEN (NOS

ÖEÖiNNINÖ ÍNOVS9

[ ACROSSAFRICAÖAPE TOCAIRO

to JOHANNES¬BURG

+rt VICTORIA10 NYANZA

toCAIR.O

(viAiioßoeas nowSALE OPÍHS TO«£>«fiOWÍMOiWtr9A^COUftSE TICKETS*750$&Í4i\

fAOD 10% TAX)

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SENSATÍOWAIWÍLD ANIMALMoncwpiervRESflCTVAt Hl'fITINÔ

SeCHESALL THE WILDBiaPSAftD BEASTSOfTHEJUWÖLßAT CLOSE «AMG6

THE ORATORIO SOCIETYof New York

ALBERT STOESSEL, Conductor,Announces for its initial Concert

THE APOCALYPSE$5000 Prize Composition by Paolo Gallico

. Soloists.-Miss Frieda Klink, Mme. Elsa Stralia,Miss Delphine March, Mr. James PriceMr. Edwin Swain, Mr. Frederick Patton.

N. Y. Symphony OrchestraCAKNEGIE HALL

Wednesday Evening, Nov. 22.8:15 o'clockSeats on sale at Box Office. Carnegie Hall

and at office of Society-, 1 West 34th St. Fitzroy 0969.

Town Hall, Sat. Aft., Nov. I iat 2:30, First Recital Thla Season

ERIKAfMORINI

VIOLIN RBCITAL8BAT8 NOW AT BOX OFFICE

Carnegie Hall, To-morrow Nliçht at 8:15Son" ««.< ¡tul l>y .1! J..JA

CLAUSSEN.Mezïo-*oprano. Metropolitan Opera Co.Mgt. Ha?nsfil & Jonas. «Stelnway Piano.Town Hall. Friday Eve., Nov. 10. nt 8:15

Piano Ke«hnt by EVEUONK

TAGLIONE.ilgt. Kaensal & Jones, Stelnway Piano,

AEOLIAN HAU* TÏIE8RAY, NOV. 7th.West 43(1 St. at 8:30 I>. M.

ELSIE RAYMONDSOPRANO

lift. Cooiuopollun Musical Bureau. 1125 B'wiji.

S. Hf'IlOK l'ïewnt«

GENTURY'THEft. TODAY AT 3S. llurok Presentí Only N, T. Concert

M.

World'« finnreme Dramatic Soprano «ml6!AC0:¿0 RIMIN! (Ht

Tickets T6c to $2.60 (no tax) at Box Off

CARME HALL^^:; NfV, Il»t 2 Performance«.Now Programs.

With Russiaa Symphony Orch.3I~DEftT AtTsCHl'LEB. Conductor.'à Tl ket« SI to $3 (plu* tax). Man ordrrs1 now to 8. IluroU. Atollen Hal!. N. y,

AEOLIAN HAU,. Thur». Aft., Nov. 16, at 8Piano Recital by Ji: l.IA

GLAI5SSotan 60a to S3, at Box OR. Chlekorin» Piano

¦ Heath, Ireland, Wail, Dyson Miles, Hay,ftowells, Smyth, Kimsky-Korsakoff,Rachmaninoff, Schönberg, Reger, Wolf,Krenek, Bar^ok, Szmanowski, Jongen,Catoire, Weiner, Juor», Thomassen, Erd-manrt, Rössel Milhaud, Honegger andthe Polychorida String Library, pub¬lished by Stainer & Beil, for studentsand amateur».The Fifty-eighth Street Branch

Library has subscribed to tho Societyfor the Publication of American Music"La Musique de Chambre" (Scnart ed.),Dr. Terry's Tudor music, and has ac¬

quired the publications of the Carnegiecollection of British music and theEnglish madrigal school, edited by Ed¬mund Fellowes. Last year the Ameri¬can Music Guild purchased the collec¬tion of the late Charles TomllnsonGriffes and presented it to the library.The guild will give its three privateconcerts of the present season at Fifty-eighth Street.

-.-.«n»3Äa~^^apj"Die Meistersinger" to On«*German Season in FebnaLThe management of the Wag^ri»',,Oper» Festival to be held next P«krjl

ary at the Manhattan Opera House haannounced the repertoire for the'fa«week. The season will begin Mond*,evening, the 12th, with "Die Meist«/ringer," with "Das Rheingold* oa uJafternoon of Tuesday, the 13th, an<5the evening the first American *>?formance of Paul Scheinpflug*s«heh>rOper," "Das Hofkonzert." "Lohengrinwill be given Wednesday evening, tk«14th; Thursday evening, the liaJohann Strauss's operetta "Die Fhietlmaun"; Friday evening, the 16th, "J$¿tan und Isolde"; Saturday afterno«the 17th, "Die Meistersinger." ana 8*.lurday evening the second German p««.formance in New York of Rich«niStrauss's "Salome," rho first and «slyGerman performance having been gif»»at the Metropolitan in 1908.-

INGENUOUS NATIVE HYMNOLOGY

Hi* 'fh.« v£-VL| Sterna jo«w.<rvi^Ke vs-r^ jow«t

T^T ~lTTLy=3yEfoS^j»o\A/-cr, 'íiafrva v<z-r«^ *©*^« bov*.«r *h«**rfH,«ft.

zr..:\7"E£.^.^Ziz-|p£ j ¦¦¦-^^?3h«*^ »vt P«rv-*«-*o»r; *f¡>-Th.« pow-if , <h.t

hw.«r, '-ftirk« |»ov<.<r tVttkT 3c-»w»1

fc>!-a »v, - i } «V »hould eon( «¿««vrv.

A gentleman in Springfield, 111., ob-viously an intelligent musical observer,sends us the specimen of religionshymnology which we p'int below.Music of this character is, no doubt,common throughout the country, espe¬cially in districts where bodies of re¬

ligious sectarians, of which the busyurban world hears nothing, flourish.The molody has no characteristics ex¬cept as are borrowed from the familiartype of negro "spiritual" or the pooreststyle of Sunday school and revivalistsongs. But even commonplace speci¬mens are sometimes entitled to a placefn a collector's cabinet.

My Dear Mr. Krehbiel: I am hand¬ing you herewith a bit of materialwhich I sincerely hope may be oí seminterest and perhaps of use in yeawork in American folk music. I cansint-ï possession of it in this fashiog;About the year 1884 or 1885 a band«!religious enthusiasts came to Sprint?field and conducted a series of raeti-ings in a park. I do not rcmerabethe name of their sect, but oniv tüttthey were Seventh Day Adventista micured by faith. I visited them nan,times with my mother as interestedonlookers, and together we noted til!accompanying words and music

Very truly yours,JOH\' S. STEWART.

Springfield, 111., Oct. 3, 1922.

WOLF80HN MUSrCAu BUREAU ana MUSIC LEAGUE OF AMERICA annomt

CARNEGIE HALL THIS AFTERNOON AT 3

tKnabe Plano.)TOWN HAIX, THIS AFTERNOON at 3 Town Hall, To-morrow Nlalrt. S:I8.*-as «*».*Fi»«» ROGERS Bñü»üiMAURELSONG RECITAL, (Mason & Hamlin.) OHXBAAP V. BQ3 at tíx Piano (StclBiwg.AEOUAN HAU., Tue«. Aft., Nov. 7, at 8 i TownHaU, Son., Noy 12, at 8. Song Rf9|PJm PROCHAZKAJ ELSIE LYONSONG RECITAL. (Stelnway Piano.) KURT SCHINDLER at the piano (XaatatAeolian Hall, Toe». Eva.. Nov. M. at 8:16 Aeolian Hall, Thnrs. Eve., Nov. 13. at»

ETHEL GROW PAULSONG RECITAL. (Mason & Hamlin.) I VIOLIN RECITAL. (Mmod & HamBtt,|íCARNEGIE HALL SATURDAY AFTERNOON, NOV. 18, AT 2.36

¦iosEF

PIANO RECITAL. (STEINWAY PIA.NOJTOWN HALL SUNDAY AFTERNOON, NOV. 19, AT 2.EMMf

SONG RECITAL. (STEINWAY PIASCf jCARNEGIE HALL SATURDAY AFTERNOON, NOV. 25, AT ¡iff

VTOT.IN RECTTAL_(STEÎNWAT PIA^^rTICKETS POR THE ABOVE CONCERTS ON SALE AT BE»PECT1VE~TBUU'ÜI

PIANO RKfTTAI. ByAEOLIAN HALLTOMORROW

MON EV'Gat 8:15 OLIVER DENTÓNStleft Plan»

TOWN HALLTUESDAYNOV. 7

SON« RECITAL by MME.

^LARA CLEMENSAEOLIAN HALLTHURSDAY EV'G,NOV. 9, at 8:15

'('RUÓ RKCITAI. byMniwn & Kttmlln Pia«»_j

MARSRIT WMus.. & H ant 11m P[^^.

-AEOUAN HALIr-

ERNEST HUTCHESONIn a Serlo» of 5 SATURDAY AFVEííNOON R3.CITAIJSof CoretposHlons by the GREAT MASTERS OF PIANO MCSIC

NOVEMBER 11 BACH I DECEMBER » W HI MANNNOVEMBER 33 BEETHOVEN S iniCEMiiXSR Hit CHOPINJANVARY 30 US2T _..!.'Subscriptions SS.2Q to $*.«0. _StçiBvrayJgJSSAEOLIAN HALL.THREE M'IÎHCUÎPTION CONCERTSTUESDAY EVENINGS at 8:13.NOVEMBER SI. JANUARY 16, MARCH «

QUARTETSUBSCRIPTION PKICFS fl.eo.»fl.SO.$4.*0.$«.15

SOCIETY of FRIENDS of MUSICAnnounce* Six SubwrlptSon Concert»FIVE SCNDAY AFTERNOONS at the TOWN HAU.NOV. 8«. »EC. «I. JAN. 14, FEB. 2o, MAR. Í5. ..,«ONE WEDNESDAY AFTERNOON.Jnu*ry »1, l»8S~At CARNEGIE BAI*Subscription» NOW brln* receivedM.KB»g»mttttt London Charit on, Carnegie Hull. T»epho»f Cir«I* *M*f

42dS.»*»oB CARNEGIE>«ALL 192219g5 THURS. EVENING.5 SATURDAY AFTERNOON CONCERTSNov. 30-Pec. 2.Jan. 4-6.Feb. 1-3.March 15-17.April 5-'

By the

BOSTON SYMPHONYORCHESTRAPIERRE MONTEUX, Conductor

Seeeon tickets, 8 concert», $10, $7.60, $6, $8, $3* (No to*.) ^mm*» uiiMs.n- to Wt lL ¿r^nnan. symphony hau. bg»*^