(Z�H�SLHKLY�PU�[P SL�PUK\Z[Y`��*6;;6�OHZ

QV\YUL`LK�HJYVZZ�[OL�NSVIL�PU�W\YZ\P[�VM

[Y\S`�L_JLW[PVUHS�Z\YMHJLZ��;OL�ZLHYJO

OHZ�IYV\NO[�\Z�[V�0[HS`��H�WSHJL�^OLYL

NYLH[�JYHM[ZTLU�OH]L�ILLU�WYVK\JPUN

JSH`�[PSLZ�MVY�JLU[\YPLZ��)`�[YH]LSSPUN�KVVY

[V�KVVY��^L�OH]L�KL]LSVWLK�YLSH[PVUZOPW

^P[O�[OYLL�ZLSLJ[LK�\UPX\L�0[HSPHU�THU\�

MHJ[\YLYZ��>OLU�V\Y�JVSSHIVYH[PVU�RPJRZ�

VMM��[OH[�PZ�[OL�ILNPUUPUN�VM�*6;;6�0;(30(�

H�NSVIHS�UHTL�[OH[�^PSS�IYPUN�KYHTH�HUK

LUJOHU[TLU[�[V�HU`�ZWHJL�[OYV\NO�[P SL

KLJVYH[PVUZ�����

02BORN IN ITALY

06BUILT TO LAST

010I MARMI DI REX

014I BIANCHI DI REX

018ALABASTRI DI REX

024SELECTION OAK

028TAIGA

034ARDOISE

040WALKS/1.0

046GEOTECH

050INDUSTRIAL/

056FLOORTECH/1.0

062STONTECH/1.0

066DÉCHIRER

068AZULEJ

076OXIDE

078FILO

081PRODUCT INFORMATION

104APPENDIX

BORN INITALY

For centuries, artists and designers from over the world have traveled to Italy to study works of the great Italian masters in the Renaissance and Baroque periods. Until now, Italian designs are still internationallyappreciated and recognised as the top position in global design industry. Verve and creativity married with knowledge of techniques and materials are the key ingredients of a new world leading approach. Therefore, the phrase ‘Born in Italy’ does not only mean style, but it also represents a productive model JVTIPUPUN�ÅHPY� [`WPJHS�VM�J\S[\YL�^P[O� [OL�^VYR�L[OPJZ�that have always characterised Italian manufacturing tradition. If places are meant to serve particular M\UJ[PVU�� 0[HS`� PZ� KLÄUP[LS`� KLZ[PULK� [V� ILJVTL� [OL�capital of design world. Based on its traditional and expressive culture, Italy is rich with endless sources and inspiration for supreme designs. Decades after decades, Italian design houses have built unique characters for contemporary Italian design and have become the trendsetters for the industry in the global arena.

02

05

From fashion to furniture, from automobile and gadget, 0[HSPHU� PZ� OVTL� [V� ^VYSK� SLHKPUN� IYHUKZ� PU� ]HYPV\Z� ÄLSKZ��Ceramic and porcelain tiles are not exceptions. With a constant commitment towards aesthetic research and technological innovation, design houses in Italy have achieved product and production excellence and have become more and more competitive in the international market.

04

06

BUILTTO LAST

Rome was not built in a day, and it ends up lasting for over millennia. In a much smaller scale, buildings and houses take time to construct, and we all hope they will stand for a very long time. Thus, we turn to the place where things are built to last.

09

Though visual appeal and originality are the key elements, they are not sole features of Italian products. ;OHURZ�[V�P[Z�K\YHIPSP[`�HUK�SV^�THPU[LUHUJL��JLYHTPJ�[PSL�OHZ�ILLU�[OL�WYPTL�JOVPJL�VM�ÅVVYPUN�TH[LYPHS�PU�OPNO�[YHMÄJ�HYLHZ�MYVT�[OL�HUJPLU[�9VTL�[V�[OL�TVZ[�TVKLYU�JVU[LTWVYHY`�I\PSKPUN�KLZPNUZ��-VY�JLU[\YPLZ��0[HS`�OHZ�brought sophistication and beauty to the tile industry while focusing special attention on quality to ensure that the product value is parallel with its remarkable tile quality.

As quality is one of the biggest concerns, every step of the Italian tiles production undergoes a rigid quality control process including both automated and human inspection. Every bundle of stone must pass a detailed inspection before it enters production lines. After the end of the works of craftsmen, the experienced staff examines every smallest detail such as cracks, color consistency, product integrity, thickness, surface markings, quality of polishing, to name just a few, to ensure that every single tile meets Italian high quality standard.

Produced by the most advanced production and run by teams of experienced craftsmen, Italian tiles are made to last for a lifetime.

PRODUCED BY EXPERIENCED CRAFTSMEN,ITAL IAN T ILES ARE MADE TO L A S T F O R A LIFETIME.

The Rex line of interpretation in porcelain stoneware of the most precious natural materials is enriched with a new collection: I Marmi di Rex, which integrates and completes the project already started with the series I Bianchi, in turn inspired by certain precious marbles. New essences, new colours, open grain mounted together: these are the features of a series of ceramic tiles able to decorate spaces with elegance and personality.

The inspiration comes from materials of European and Asian origins historically worked in the industrial factories. The study on the material and colour has enabled to identify a starting structure to which different colours are applied, to create new aesthetical effects.

010

013012

Colours: Marble Gray, Marble Brown, Marble Black

015014

Made of coloured body porcelain stoneware 10 mm thick, with a glossy HUK� UH[\YHS� ÄUPZO�� [OPZ� ZLYPLZ� VWLUZ� H� UL^� JOHW[LY� PU� [OL� 9L_� SPUL� VM�products dedicated to natural materials: Having presented tiles inspired by wood, leather and stone, the Rex line now turns its attention to marble. Among the many existing varieties of marble, the most precious and sought-after are the ones that are predominantly: white, in Italian bianco.

The line includes 3 shades of white that represent light-coloured marbles and can make any room more exclusive and enveloping.

017

“I Bianchi di Rex” is available in the following sizes 80x80, 60x120

016

The strong link between Rex and fashion and design trends underpins this interpretation of 1970s luxury, expressed by adorning the home with highly-valued objects and jewel details to embellish it as if it were a human body. Marble is processed like rich fabrics for expensive clothes, and gemstones designed to create noble trinkets are transformed into elegant walls, to decorate the surroundings with style and originality. Alabaster, naturally luxurious and with its symmetrical geometries, leads us into a fairy-tale labyrinth: its harshness is transformed into warm, ductile, contemporary lightness, following an extraordinary, exclusive path that rekindles the imagination.

STYLE ANDORIGINALITY

020

Shapes, colours and nuances become the starting point to externalise more and more seductive emotionsand suggestions, creating incredibly sophisticated, one-off solutions. A consistent, continual research underpinning the desire to give new life to highly exclusive surfaces. GLI ALABASTRI DI REX enhances the exceptional and infinite attributes of the material, created with cutting-edge production systems that allow the quality of a handmade product to be maintained unaltered.

3 shades with a strong expressive appeal and 1 optical white to illuminate the whole collection – unusual JVSV\YZ�[OH[�ÄSS�[OL�ZWHJL��[HRPUN�H�Z[HYYPUN�YVSL�

023

The colours and the various sizes are clear, communicative elements that help to rediscover an emotional dimension and enhance the importance and the value of any architecture. The delicate colours bring to mind a strong sense of freedom, air, light and open spaces, receptive to the creativity of living in places and cultures that are continually changing. The space adapts itself to our desires and Rex manages to make a timeless material modern, by giving it new life.

SELECTION OAK

Taking its inspiration from oak wood, this has a soft, velvety texture and comes in four colours, selected with high-class precision to remind us of the light atmospheres of the sea and the warm colours of uncontaminated forests, where nature’s imperfections turn into a perfect harmony of tones and shades.

Rex has chosen a new style: the surface, strongly reminiscent of the natural world and bringing with it a wealth of delightful features, has been selected to blend into spaces and objects from past times mixed with new suggestions for architecture and furnishings.

Relaxing simplicity and an essential aesthetic quality are able to create a dialogue with the atmospheres of the home and the charms of nature.

027026

ROUGH LUX

A new style, with a new informal and instant opulence interpreting spaces, no longer linked to the ostentation of material goods but to giving full value to the spirit.

Unusual, striking combinations, layers of life-experience - both old and modern - and precious elements JVOHIP[PUN�WLYMLJ[S`�^P[O�YLJ`JSLK�P[LTZ��JYLH[L�HU�H[TVZWOLYL�[OH[�[LSSZ�H�]LY`�KLÄUP[L�Z[VY`!�H�JVU[YHZ[PUN�K\HSP[`�JSLHYS`�L_WYLZZPUN�ZWLJPÄJ�PKLU[P[PLZ�

The strongly personal symbols hark back to a dimension of domestic intimacy.

The culture of past times takes a fresh look at the present: everything is connected, and a subtle, authentic thread really takes us back to an allure that is timeless.

This is the angle from which REX views each individual aspect of life, both social and personal, to build an aesthetic appeal tending towards beauty - an essential principle, and intrinsic to the very nature of human beings.

029028

Moments of light and dynamic poise reminiscent of distant and exotic lands outline a new understanding of the contemporary environment. A synonym of strength and material, Taiga exploits the inherent beauty of irregularity through the use of a chromatic design that evokes the warm colours of woodlands and unspoiled natural settings. Deliberately conceived fairytale imagery becomes the reference style and leitmotif of a luxury that escapes the JOHPUZ�VM�KVNTH��YL]LHSPUN�H�JVUÄKLU[�JOVPJL�[OH[�YLSH[LZ�unique emotions and experiences. The four colours recall the warm hues of the seasons.

033032

BEAUTY OFIRREGULARITY

035

By taking rough, well-worn elements and combining them with luxury fabrics, antiques and artistic items we create an atmosphere that tells a story. The colours and the various sizes are clear, communicative elements that help to rediscover an emotional dimension and enhance the importance and the value of any architecture. The delicate colours bring to mind a strong sense of freedom, air, light and open spaces, receptive to the creativity of living in places and cultures that are continually changing. The space adapts itself to our desires and Rex manages to make a timeless material modern, by giving it new life.

037

Suitable for mixing-and-matching with the previous collections, Selection Oak and Taiga, Ardoise, in Rough Luxe style, represents the authenticity of a material that has recently been rediscovered for use in architecture, to restore historic buildings and furnishings and to embellishinteriors.

038

041

Quartzite is a metamorphic type of rock made mainly of quartz, roughly worked and which use is much diffused within the building sector and refractoryPUK\Z[Y �̀�0[�PZ�HU�L_[YLTLS`�YLZPZ[HU[�TH[LYPHS��VM[LU�HSZV�\ZLK�MVY�V\[KVVY�ÅVVYPUN�

040

043

Floor Gres, thanks to its sophisticated technologies, reinterprets in porcelain stoneware the appearance of quartzite, creating a material that becomes perfect synthesis between nature and technology and combines research value to the quality of the raw materials. The naturalness of the surface and the material with rough effect, combined with the richness of graphics, colours and Z[Y\J[\YLZ� LUHISL�>HSRZ����� [V� IL� \ZLK� PU� KPMMLYLU[� JVU[L_[Z��^P[O� ZPNUPÄJHU[S`� HLZ[OL[PJHS� YLZ\S[Z!�Walks/1.0 is technology and nature, incisively joint.

UNCONVENTIONALSIMPLICITY

045044

Aesthetical precision, rigour and formal cleaning distinguish the colour choices that characterise the series, accentuating its unconventional simplicity.

(]HPSHISL�PU�[^V�ÄUPZOLZ��ZVM[�HUK�UH[\YHS��P[�PZ�WLYMLJ[�for interpreting indoor architecture and outdoor spacesthat converse with the surrounding setting. The extremely high physical-mechanical performancesof Walks/1.0, realised full-bodied, make it ideal for ÅVVYPUN��^HSS�JV]LYPUN�HUK�\ZL�VU�MHJHKLZ��0U�KLZPNUPUNswimming pools and wellness environment, the great resistance to slipping makes this product ideal for use as bathtub edge, even in outdoor environments (especially in light colours that absorb less heat).

Beauty, elegance, freedom of use: Walks/1.0 is a collection destined to last in time.

046

The inspiration for Geotech comes from Madeira, an island in the Atlantic Ocean off the coast of Africa named after its dense forest covering (madeira means ^VVK� PU�7VY[\N\LZL�� [OL� SHUN\HNL�VM� [OL� ÄYZ[�JVSVUPaLYZ���4HKLPYH�ILSVUNZ� [V�an archipelago of volcanic origin, and one of its features is a special stone that has the appearance of fossil wood – Madeira stone, the source of inspiration for Geotech.

;OPZ�JVSSLJ[PVU�VM�ÄUL�WVYJLSHPU�Z[VUL^HYL�[PSLZ�^HZ�JYLH[LK�I`�W\[[PUN�[VNL[OLY�the typical patterns of natural stone with new, original combinations of colour. With four available colours and two surface designs, Geotech tiles can meet all the requirements of modern architecture.

The “Canneté” version is particularly innovative, with parallel engraved lines running over the entire surface of the tile, re-interpreting the typical mouldings made on wooden planks for exteriors. This eminently non-slip surface is the ideal solution for gardens, poolsides, terraces and verandas.

The Geotech colour schemes are divided in two families: neutral tones directly inspired by the natural shades of Madeira stone, and pure colours developed by the Style Division and Florim laboratories.

051

The materials research carried out by Floor Gres is enriched by a new interpretation of cement with¸0UK\Z[YPHS¹��VMMLYPUN�H�UL^�Z[`SL�^P[O�HU�PUK\Z[YPHS�HJJLU[��PUZWPYLK�I`�[OL�^VYSK�VM�THJOPULZ�ÄS[LYLK�[OYV\NO�an aesthetic vision. Erstwhile factories become modern metropolitan lofts, perfectly integrated in the surrounding area and given a warm touch by the presence of elements in wood and metal to offer new design inspirations and broaden the decorative possibilities of this Floor Gres range.

053052

EFFICIENTLY ANDCAPTIVATINGLY

This neutral and linear surface is distinguished for being modern and simple, expressing itself through a mix of colours, sizes and decorations.Industrial presents itself in its purest form, to be used across the board, efficiently and captivatingly, in every architectural project.

057

This collection completes the Floor Gres range for integrated design, giving a new connotation to a natural element – stone – which has always been a constant in products from this technical brand. The importance of origin, the strength of matter and the creativity of processing are all combined with the atmospheres of a thousand-year-old culture, using the perfect technology to become modern. Floortech/ 1.0 continues in the same vein of sophistication that Floorgres has always pursued, setting itself apart from standard styles, continuously challenging and experimenting. These 5 stones are the symbol of a strong and personal choice, giving life to intuitive projects with colours to create new shapes of living.

056

059058

Geometrical and three-dimensional decorations demonstrate a thorough research for spectacular yet well-ordered spaces. The colours appearing on tiles in sizes that are highly versatile guarantee the product’s functionality for any solution in application and destination of use.

061

SYMBOL OF STRONGAND PERSONAL CHOICE

060

Aware of having to consistently and responsibly handle relations with the natural and environmental resources, Floor Gres OHZ�YLHSPZLK�:[VU[LJO������H�ZLYPLZ�VM���JVSV\YZ��YLHSPZLK�PU�ÄUL�WVYJLSHPU�Z[VUL^HYL�� PUZWPYLK�I`�[OL�HLZ[OL[PJZ�VM�V[OLY�natural stones and answers a contemporary design need.

:[VU[LJO�����PZ�WYVWVZLK�PU�VUL�Z\WLYÄJPHS�ÄUPZOLZ!�UH[\YHS���H]HPSHISL�PU���JVSV\YZ��

Versatile and innovative product, Stontech/1.0 offer maximum design freedom both in a public environment with a lot of [YHMÄJ��HUK�PU�[OL�PU[LYUHS�[PSPUN�VM�WYP]H[L�ZWHJLZ�^OLYL�P[�JHU�KL]LSVW�YLÄULK�Z\YMHJLZ��

The large sizes 60x60 makes it ideal for the realisation of ventilated walls.

067

“We share curiosity, the desire to question, not to take anything for granted and not to surrender. Déchirer comes from the idea of creating a surface inspired by the opacity and chromatism of concrete but also presenving its identity of ceramics.

We work for four hands, always taking part into the creative and production process,and also enjoying it.” Patricia Urquiola

A highly innovative collection, not only for the patterns and textures, but also for the production system. Thanks to the CONTINUA technology, large slabs of the latest NLULYH[PVU�\UNSHaLK�OVTVNLULV\Z�WVYJLSHPU�Z[VUL^HYL�HYL�WYVK\JLK��7YLZZ�ÄUPZOLK�^P[O����TT�[OPJRULZZ��[OL�[PSLZ�HYL�WLYMLJ[S`�YLJ[PÄLK��ZPUNSL�^VYR�ZPaL�HUK�TVK\SHY��;OL�JVSV\YZ�and decorations, based on rich and pleasing ceramic effects, are simply obtained by the distribution of quality porcelain stoneware mixtures. The technical features are far superior to [OL�SPTP[Z�YLX\PYLK�I`�PU[LYUH[PVUHS�Z[HUKHYKZ�MVY�[PSLZ�KLZ[PULK�[V�OLH]`�[YHMÄJ�HYLHZ��+tJOPYLY�is available in a 5 colours palette - Bianco, Nero, Grigio, Ecrù and Piombo in the textures Decor and Neutral

068

Azulej, the new tiles collection which Patricia Urquiola has designed for Mutina, reminds of the ancient handcrafted majolica, made of hydraulic cement. This tradition - revised with a contemporary look – is serially realized in 20x20 cm. It is a strong review of the patchwork composition: an innovative mix and patch, deliberately random, which combines abstract patterns and subtle, neutral colors, a little used. The colors are fixed on the material in an irregular and natural way. A unique and surprising result, which offers compositional freedom and a distinctive design, which preserves the handmade features and combines them with the performances VM�H�OPNO�[LJOUVSVN`�TH[LYPHS�Z\P[HISL�MVY�ÅVVYZ�HUK�^HSSZ�

073

“With the collection Azulej, we would like to evaluate the memory of the hydraulic cement, experimenting an innovative digital printing technique which enables the production of a high diffusion product. The patterns deliberately combine different aesthetic languages: TLTVYPLZ��NLVTL[YPJHS�ZJOLTLZ��ÅVYHS�KLZPNU��HSS�KL]LSVWLK�IV[O� PU�H� SVUNP[\KPUHS�HUK�diagonal direction. The process has exponentially developed, and we have managed only to sketch some possible combinations..and now, it’s up to you!”

Patricia Urquiola

072

075

MEMORIES,GEOMETRICAL SCHEMES, FLORAL DESIGN

074

For anyone looking for a tall, dark, and handsome type, thin-panel Laminam porcelain is now available in a new Oxide series of glamorous metallics.

Laminam has created 3mm thick porcelain sheet that recreates the authenticity of steel, mono calibrated and with dimensional stability against abrupt changes of temperature, the very characteristics which metals lack.

)LJH\ZL� 3HTPUHT»Z� WVYJLSHPU� IVK`� PZ� YLPUMVYJLK� ^P[O� ÄILYNSHZZ� TLZO�backing, the durable surface skin can be installed over structurally sound substrates including existing tile, wood, or painted walls.The Oxide line is available in Laminam standard dimensions: 1m by 1m with a 3.5mm thickness. The thin surface is more lightweight than standard cladding materials, making it easy to install on horizontal or vertical surfaces.

079

Filo is a thin porcelain tile series by Laminam. With a thickness of 3.5mm, Filo uses 1/3 less clay than standard porcelain lines. Filo allows for fast renovations with very little downtime because it is large-format and it can be applied over existing substrates, negating the need to remove existing materials. In addition, thin tile equates to less mess while sawing on site, HUK�TVYL�LMÄJPLU[�[YHUZWVY[��

Special attention to surface texture is the hallmark of Filo by Laminam; it comes in three colour schemes recalling metals - with a surprising three-dimensional effect.

078

PRODUCTINFORMATION

P.10-13

�0$5%/(�*5$<��/8&,'2�24” x 48” (600 X 1,200 mm.)

�0$5%/(�%52:1��/8&,'2�24” x 48” (600 X 1,200 mm.)

0$5%/(�%/$&.��/8&,'2�24” x 48” (600 X 1,200 mm.)

P.14-17

&$/$&$77$��/8&,'2�24” x 48” (600 X 1,200 mm.)

3$/,66$1'52��/8&,'2�24” x 48” (600 X 1,200 mm.)32” x 32” (800 X 800 mm.)

%,$1&2�6255(172��/8&,'2�24” x 48” (600 X 1,200 mm.)

P.18-23

0$'5(3(5/$��/8&,'2�32” x 32” (800 X 800 mm.)

24” x 48” (600 X 1,200 mm.)

P.24-27

&5($0�2$.��62)7�6” x 48” (150 X 1,200 mm.)8” x 48” (200 X 1,200 mm.)�

*5$<�2$.��62)7�6” x 48” (150 X 1,200 mm.)8” x 48” (200 X 1,200 mm.)�

%52:1�2$.��62)7�6” x 48” (150 X 1,200 mm.)8” x 48” (200 X 1,200 mm.)�

$0%(5�2$.��62)7�6” x 48” (150 X 1,200 mm.)8” x 48” (200 X 1,200 mm.)�

P.28-33

+2676” x 36” (150 X 900 mm.)

6200(56” x 36” (150 X 900 mm.)

9$56” x 36” (150 X 900 mm.)

9,17(56” x 36” (150 X 900 mm.)

*5,68” x 32” (200 X 800 mm.)

32” x 32” (800 X 800 mm.)

12,58” x 32” (200 X 800 mm.)

32” x 32” (800 X 800 mm.)

P.34-39

,92,5(8” x 32” (200 X 800 mm.)

32” x 32” (800 X 800 mm.)

3/20%(8” x 32” (200 X 800 mm.)

32” x 32” (800 X 800 mm.)

,92,5(�(MURETTO 3D)

12” x 12” (300 X 300 mm.)�

3/20%(�(MURETTO 3D)

12” x 12” (300 X 300 mm.)�

*5,6�(MURETTO 3D)

12” x 12” (300 X 300 mm.)�

12,5�(MURETTO 3D)

12” x 12” (300 X 300 mm.)�

P.40-45

:+,7(�1$785$/�

12” x 24” (300 X 600 mm.)�62)7�

16” x 32” (400 X 800 mm.)

*5$<�1$785$/�

12” x 24” (300 X 600 mm.)�62)7�

16” x 32” (400 X 800 mm.)

%/$&.�1$785$/�

12” x 24” (300 X 600 mm.)�62)7�

16” x 32” (400 X 800 mm.)

%(,*(�1$785$/�

12” x 24” (300 X 600 mm.)�62)7�

16” x 32” (400 X 800 mm.)

P.46-49

*(2:+,7(��1$785$/�16” x 32” (400 X 800 mm.)32” x 32” (800 X 800 mm.)�

*(2*5$<��1$785$/�16” x 32” (400 X 800 mm.)32” x 32” (800 X 800 mm.)�

*(2%/$&.��1$785$/�16” x 32” (400 X 800 mm.)32” x 32” (800 X 800 mm.)�

*(2%/8(��1$785$/�16” x 32” (400 X 800 mm.)32” x 32” (800 X 800 mm.)�

*(2%/$&.��&$11(7(�5” x 32” (130 X 800 mm.)

*(2*5$<��&$11(7(�5” x 32” (130 X 800 mm.)

*(2:+,7((��&$11(7(�5” x 32” (130 X 800 mm.)

P.50-55

67((/�62)7�

8” x 32” (200 X 800 mm.)32” x 32” (800 X 800 mm.)

�1$785$/�16” x 32” (400 X 800 mm.)

02.$�62)7�

8” x 32” (200 X 800 mm.)32” x 32” (800 X 800 mm.)

�1$785$/�16” x 32” (400 X 800 mm.)

3/20%�62)7�

8” x 32” (200 X 800 mm.)32” x 32” (800 X 800 mm.)

�1$785$/�16” x 32” (400 X 800 mm.)

,925<�62)7�

8” x 32” (200 X 800 mm.)32” x 32” (800 X 800 mm.)

�1$785$/�16” x 32” (400 X 800 mm.)

6$*(�62)7�

8” x 32” (200 X 800 mm.)32” x 32” (800 X 800 mm.)

�1$785$/�16” x 32” (400 X 800 mm.)

,9�02�7$��/,67(//2��'�6” x 24” (150 X 600 mm.)

6$�3/�67��/,67(//2��'�6” x 24” (150 X 600 mm.)

P.56-61

�/,67(//2�0,;��'�12” x 24” (300 X 600 mm.)

ALSO AVAILABLEIN COLOR : 1.0 , 2.0 , 5.0 , 6.0 , 8.0

�����&$11(7(�16” x 32” (400 X 800 mm.)�

�����&$11(7(�16” x 32” (400 X 800 mm.)�

�����&$11(7(�16” x 32” (400 X 800 mm.)�

�����62)7�16” x 32” (400 X 800 mm.)32” x 32” (800 X 800 mm.)

�����62)7�16” x 32” (400 X 800 mm.)32” x 32” (800 X 800 mm.)

�����62)7�16” x 32” (400 X 800 mm.)32” x 32” (800 X 800 mm.)

�����62)7�16” x 32” (400 X 800 mm.)32” x 32” (800 X 800 mm.)

�����62)7�16” x 32” (400 X 800 mm.)32” x 32” (800 X 800 mm.)

�����&$11(7(�16” x 32” (400 X 800 mm.)�

�����&$11(7(�16” x 32” (400 X 800 mm.)�

P.62-65

%(,*(���������1$785$/�24” x 24” (600 X 600 mm.)

%(,*(���������1$785$/�24” x 24” (600 X 600 mm.)

:+,7(���������1$785$/�24” x 24” (600 X 600 mm.)

P.66-67THICKNESS 12 mm.

*5,*,2 (DECOR)

24” x 48” (600 X 1,200 mm.)(&5Ö (DECOR)

24” x 48” (600 X 1,200 mm.)(&5Ö (DECOR)

24” x 48” (600 X 1,200 mm.)

3,20%2�(NEUTRAL)

24” x 48” (600 X 1,200 mm.)

1(52�(DECOR)

24” x 48” (600 X 1,200 mm.)

3,20%2�(DECOR)

24” x 48” (600 X 1,200 mm.)1(52�(NEUTRAL)

24” x 48” (600 X 1,200 mm.)

%,$1&2 (NEUTRAL)

24” x 48” (600 X 1,200 mm.)%,$1&2 (DECOR)

24” x 48” (600 X 1,200 mm.)*5,*,2 (DECOR)

24” x 48” (600 X 1,200 mm.)

P.68-75%,$1&2

8” x 8” (200 X 200 mm.)*5,*,2

8” x 8” (200 X 200 mm.)

75(92 )/25(6 5(1'$

(675(/$ 35$7$ &8%2

*,5$ ',$*21$/75$0$

)/25(6

',$*21$/

5(1'$

(675(/$ 35$7$ &8%2

75$0$ *,5$

75(92

P.68-751(52

8” x 8” (200 X 200 mm.)&20%,1$7,21�����3$77(516

8” x 8” (200 X 200 mm.)

&20%,1$7,21%,$1&2

&20%,1$7,211(52

&20%,1$7,21*5,*,2

5(1'$

&8%2(675(/$ 35$7$

*,5$75$0$

)/25(6

',$*21$/

75(92

P.76-79

025240” x 40” (1,000 X 1,000 mm.)

40” x 120” (1,000 X 3,000 mm.)

$5*(17240” x 40” (1,000 X 1,000 mm.)

40” x 120” (1,000 X 3,000 mm.)

25240” x 40” (1,000 X 1,000 mm.)

40” x 120” (1,000 X 3,000 mm.)

%521=240” x 40” (1,000 X 1,000 mm.)

40” x 120” (1,000 X 3,000 mm.)

$OO�SURGXFW�VL]HV�DUH�RQO\�LQGLFDWLYH�ILJXUHV�DQG�PD\�YDU\�IURP�WKH�DFWXDO�VL]H�RI�WKH�SURGXFWV�3OHDVH�FRQVXOW�RXU�VDOHV�UHSUHVHQWDWLYHV�IRU�IXUWKHU�LQIRUPDWLRQ�

COLOR VARIATION

PRODUCT SIZES

V1 - LOW

7KH�OHDVW�DPRXQW�RI�VKDGHDQG�WH[WXUH�YDULDWLRQ�DWWDLQDEOH�LQ�QDWXUDOO\ILUHG�FOD\�SURGXFWV�

/LJKW�WR�PRGHUDWH�VKDGHDQG�WH[WXUH�YDULDWLRQZLWKLQ�HDFK�FDUWRQ�

V2 - MODERATE

9HU\�KLJK�VKDGH�DQG�WH[WXUHYDULDWLRQ�ZLWKLQ�HDFK�FDUWRQ�

V4 - RANDOM

+LJK�VKDGH�WH[WXUHYDULDWLRQ�ZLWKLQ�HDFK�FDUWRQ�

V3 - HIGH

,QGRRU�SXEOLF�SUHPLVHV�ZLWK�DYHUDJH�WUDIILF�OLNH�UHVWDXUDQWV��EDUV��RIILFHV��VKRSV��ODERUDWRULHV��OLEUDULHV��FRQIHUHQFH�URRPV��KRWHO�FRUULGRUV�2XWGRRU�SXEOLF�SUHPLVHV�ZLWK�DYHUDJH�WUDIILF�OLNH�H[WHUQDO�VWDLUFDVHV��WHUUDFHV��SULYDWH�JDUGHQV�9HULI\�WKH�VOLSSLQJ�IHDWXUHV�GHSHQGLQJ�RQ�WKH�HQYLURQPHQWV�RI�GHVWLQDWLRQ�LQ�FRPSOLDQFH�ZLWK�WKH�ODZV�RU�6WDQGDUGV�LQ�IRUFH�

,QGRRU�SXEOLF�SUHPLVHV�ZLWK�KHDY\�WUDIILF�OLNH��UDLOZD\�VWDWLRQV��VXEZD\V��DLUSRUWV��VKRSSLQJ�FHQWHUV��PXVHXPV��FKXUFKHV��KRVSLWDOV�EDQNV��SXEOLF�RIILFHV��VFKRROV��VSRUW�FHQWHUV��KRWHO�KDOOV2XWGRRU�SXEOLF�SUHPLVHV�ZLWK�KHDY\�WUDIILF�VXEMHFW�WR�VWURQJ�VWDWLF�G\QDPLF�ORDGV

CLASS OF USE

7KH�FHUWLILFDWLRQ�LQVWLWXWH�LV�7HFKQLVFKHUKXQJV�9HUHLQ��7h9���FKRVHQ�IRU�LWVVWULQJHQW�VWDQGDUGV�DQG�LQWHUQDWLRQDO�UHFRJQLWLRQ�

)ORULP�KDV�YROXQWDULO\�EHFRPH�D�PHPEHU�RI�WKH�8�6��*UHHQ�%XLOGLQJ�&RXQFLO�86*%&���WKH�PRVW�LPSRUWDQW�$PHULFDQ�DVVRFLDWLRQ�GHGLFDWHG�WR�HQYLURQPHQWDOO\VXVWDLQDEOH�EXLOGLQJ�GHVLJQ�DQG�FRQVWUXFWLRQ�DFFRUGLQJ�WR�SUHFLVH�GLUHFWLYHV�ZKLFK�PXVW�EH�IROORZHG�LQ�RUGHU�WR�REWDLQ�/(('��/HDGHUVKLS�LQ�(QHUJ\�DQG(QYLURQPHQWDO�'HVLJQ��FHUWLILFDWLRQ��D�UDWLQJ�V\VWHP�WKDW�PHDVXUHV�WKHVXVWDLQDELOLW\�RI�D�SURMHFW��8VLQJ�)ORULP�SURGXFWV�FRQWULEXWHV�WR�JHWWLQJ�SRLQWV�WRDFKLHYH�/(('�FHUWLILFDWLRQ�

7R�XQGHUOLQH�RXU�FDUH�IRU�WKH�HQYLURQPHQW�DQG�RXU�SOHGJH�WR�SURWHFW�LW�LQDFFRUGDQFH�ZLWK�WKH�,62�������VWDQGDUGV��(QYLURQPHQW�ODEHOV�DQG�GHFODUDWLRQV��)ORULP�DIILUPV�LWV�FRPPLWPHQW�WR�FRQWLQXDO�WHFKQRORJLFDO�LQQRYDWLRQ�RI�WKHLQGXVWULDO�SURFHVVHV�

)RU�IXUWKHU�GHWDLOV�DQG�LQIRUPDWLRQ�DQG�WR�GRZQORDG�WKH�&(�PDUNV��ZZZ�IORULP�LW

IRU�)ORRUJUHV�DQG�5(;�SURGXFWV�RQO\SYSTEM CERTIFICATION

+è�9�6'�8��5J��'4A�;J1�B Ĕ�D/gĔ

<�.%�5�8�1�.8�ĕ6 7B�4�7D��6'�8��5J�

��6�B)4�J7/�5��1��'4A�;J1�

7B�4�7A�;J1��ĕ�

�ĕ1/ĕ6%

�'4A�;J1�A�'�"1'Ę�A)��|�»°É´³��¾Á²´»°¸½����}�A�1'ĘA�H��Ę�6'�=��:%�J7�}¬�~������z��©Îź����¶�à��¨¤������A�ě��'4A�;J1�A);1�.9��9I%9+6%B�H�B'��1��'4A�;J1�.=��}%9�z�6'�=��:%�J7�I7%6�~�A/%64.7/'5��6'�8��5J��<�"÷J��9I�5J�$6&D�B)4$6&�1��1�166'�D�"÷J��9I.6�6'�4�9I%9�'è%6��6'.5g '.=�G�A�Ĕ��/ĕ6�.''".8�ĕ6�/ĕ1�C��C'�B'%�6�A�8�.6�6'�4�A�ě��ĕ���1� 6��5J�&5�.6%6'�D�ĕB��/8��''%�6�8D��6'�7��ÄÊÃɺÇÉÄÅ�B)4�'< 8+ �5�$6&�1�166'.=�E�ĕ19��ĕ+&

t� +'1Ĕ6�=Ĕ%;1�6'�8��5J�D/ĕA�ĕ6D �B)4��8�5�8�6%7B�4�7� �<�'5J�A"÷I1�Đ1��5��ęg/6�9I16 A�8��êJ� 6��6'�8��5J�� B)4D�ĕ�6�t� A�;I1� 6��'4A�;J1�B Ĕ�D/gĔ%9�J7/�5�%6��+'D�ĕ1<��'�Ę� A.'è%�A�Ĕ��'�C#)Ę)8#�Ę�B2��Ę)8#�Ę��5+ 5��'4 ��A�ě��ĕ�� /'ë1�1&Ĕ6��ĕ1&�������D��6')7A)9&����.Ĕ��1�A�H�� B)4��4�7�6'�8��5J�t� D���4�9I�7�6')7A)9&����.Ĕ���1�A�H��B)4�8��5J��'4A�;J1�� A�'6%8�+'.+%D.Ĕ1<��'�Ę�Đ1��5�.Ĕ+��<)�<�'5J���� A�Ĕ��B+Ĕ��6�8'$5&��<�%;1�'1�A�ĕ6A�#�9J�A�H%�5��Đ1��5�/)5���� A�ě��ĕ��A"÷I1�Đ1��5�15��'6&�9I16 A�8��êJ� 6��6'�7�6�t� A%;I1�6��'è-5�.Ĕ�.8�ĕ6A�ĕ6E��9I/�ĕ6�6��+'�'+ .1�.8�ĕ6� �<�'5J�+Ĕ61&=ĔD�.$6".%�='�Ę�E%Ĕ%9�6'�7'<�A.9&/6&t� /6�"�+Ĕ6.8�ĕ6%9�ęg/6�B�4�7D/ĕB ĕ��)5�%6�9I�'è-5�� A"÷I1A�)9I&�.8�ĕ6D/%Ĕ�5��9E%Ĕ+'�7.8�ĕ6�9I%9�ęg/6� %6�8��5J�B)4D�ĕ�6�

ã�� /ĕ6%�7�6'�5��/'ë1A 64�/'ë1A é&'��'4A�;J1�A�'6%8C�&�'6, 6�1<��'�Ę�Đ1��5�ä�� /ĕ6%D�ĕĕ1�/'ë1�1�B�H��1�/'ë1�<�D��6'�8��5J��'4A�;J1��A"'64 4�7D/ĕ�'4A�;J1�B��A.9&/6&

ã�� �6'�8��5J��'4A�;J1�D�"÷J��9IA�9&+�5�+'A�ě�A��.9A�9&+�5��5J�/%��|�= 6��ĕ1%=)�ĕ6��)Ĕ1�}ä�� D��'�9�8��5J��'4A�;J1�D�"÷J��9I�5I+E���9I%9+6%.=�E%ĔA�8��å�A%�'�B�4�7+è�9�8��5J�B���=B/ĕ�B��B��+è��|�8��5J�� �ĕ+&A�'é&�/+é'Ĕ1��5+&=��6����B)4�ä��%8))8A%�'}�C�&�6+�9A%��Ę�9ID�ĕD��6'�8��5J��ĕ1�%9B'�&:�A�641&Ĕ6��ĕ1&� ã��8+�5J���Ĕ1��6'6�%8))8A%�'�|�¾½³¸½¶�¢ÃÁ´½¶Ã·�o�ã���¼ä}�/'ë1�6%�ĕ1�7/���1� =ĕ )8��6+�9A%��Ę� &9I/ĕ1�5J�G�|/6�+6%.=�A�8��å�A%�'�B�4�7D/ĕD�ĕ'4����»°³³¸½¶�¢ÈÂô¼}å�� �6'&��'4A�;J1�A�ĕ6%6�8��5J��+'D�ĕ�5+ 5��'4 �B)4��Ĕ+&&�1&Ĕ6��ĕ1&�ä���B)4A+ĕ�'Ĕ1�&6B�+1&Ĕ6��ĕ1&�ä� %8))8A%�'D��6'�8��5J�� t�.7/'5��6'�8��5J��'4A�;J1���6�D/gĔ�9I"÷J��B�4�7D/ĕD�ĕ1<��'�Ę�Ĕ+&�'5�'4�5�B)4'Ĕ1�&6B�+�'4A�;J1�� ��6�'Ĕ1�&6B�+1&Ĕ6��ĕ1&�ä�%8))8A%�'�A"÷I1�Ĕ+&D��6'�'5�'4�5�B)4A+ĕ�'Ĕ1�&6B�+�1��'4A�;J1�D/ĕ�=.+&�6%� t�.Ĕ+� �5�B�4�7D/ĕD�ĕ1<��'�Ę�Ĕ+&&:��'4A�;J1�A�ĕ6�5� �5��A�Ĕ��A/)H��6��5��4�=�A�ě��ĕ��A"÷I1�Đ1��5�15��'6&� 6��6'E/)�5+�1��'4A�;J1��9I16 4/)<�/)Ĕ�D.Ĕ�Ĕ6��8��5J�D�'4/+Ĕ6��6'�7�6�E�ĕ�B)4�5+A+ĕ�'Ĕ1�&6B�+��� |£¸»´Â�¢¿°²´Á}��6�1&Ĕ6��ĕ1&�ä�%8))8A%�'�A"÷I1�Ĕ+&D��6'A+ĕ�'Ĕ1�&6B�+�1��'4A�;J1�D/ĕ�=.+&�6%æ�� +'�=�'4A�;J1�A�ě�)6&�'��/)9�A)9I&�)6&�Ĕ118��ã�ä�B)4��=�'4A�;J1�C�&/5�/5+)=�,'�/)5��'4A�;J1�E�D�� �8,�6�A�9&+�5�ç�� D��6'�5��'4A�;J1��|B�Ĕ��'é�}�+'D�ĕA'ëI1��5�B�Ĕ��9I%9+6%&6+�1�B�Ĕ�A/%64.%�5���6��1��'4A�;J1�� B)4A);1�D�ĕ/5+�'é��9IA/%64.%�5�+6%B�H�B)4+6%A'é&��1� 8+/�ĕ6�'4A�;J1��6%7B�4�7�1� =ĕ )8�� A'ëI1��5��9I�7/��E+ĕ��� �'�9�9ID�ĕA'ëI1��5���8�E##Đ6�+'A);1�D�ĕD��5��9IA/%64.%�5�+6%B�H��1�A�;J1�'4A�;J1��A�Ĕ���'4A�;J1��)<Ĕ%B�'�8�� B)4�'4A�;J1�A�)�"1'Ę�A)���HB�4�7D/ĕD�ĕD��5�.7/'5��'4A�;J1�A�;J1B�H��|A�;J1"1'Ę�A)�}�A�ě��ĕ��6%7� B�4�7�1� =ĕ )8�A'ëI1��5��9I�7/��E+ĕ����'�9A�8��6'�8ø�A�;I1� 6��6'�5��'4A�;J1��D/ĕD�ĕ�'4�6-�'6&�J7�/'ë1D�A é&'�5I+E�D��6'�5���B�Ĕ�D/ĕ.+&�6%

�ĕ1+''4+5�ã�� +'A�H�.8�ĕ6E+ĕD��9I'Ĕ%%9/)5�6%<��5�A�ě�"÷J��9IB/ĕ�� E%ĔA�Č&��J7/'ë1%9+6%�;J�.=�ä�� /ĕ6%C&��'4A�;J1��D���4)7A)9&����.Ĕ���1�A�H���� B)4��4�7�6'�8��5J�å�� D���4�9I�7�6'�8��5J���ĕ1�'4+5��'èA+��1��%<%��� B)4A,-�'4A�;J1��9IB��/5��A�;I1� 6�%9+6%B�H�� B)4%16 �7D/ĕA�8��6'�6�A H�E�ĕæ�� E%Ĕ+'D�ĕ�1�B�H�/'ë1%9%�ā��é��'èA+� 8+/�ĕ6� �1��'4A�;J1��A"'64�7D/ĕ 8+/�ĕ6�1��'4A�;J1�� A�ě�'èù+'1&E%Ĕ.+&�6%

+è�9�6'�8��5J��'4A�;J1�B Ĕ�D/gĔ

�6'A�'é&%"÷J��9I 8+.7/'5��8��5J� �6'�8��5J��'4A�;J1�ã�� .7/'5�"÷J� 8+D/%Ĕ�|C'�.'ĕ6�D/%Ĕ}��ĕ1�B�H�B'��A'é&��E�ĕ'4�5��.416��B/ĕ��+'D�ĕA+)6�Ĕ%1��'é��6%%6�'�6�� �Ĕ1��=�'4A�;J1��|1&Ĕ6��ĕ1&���+5�}ä�� .7/'5�"÷J� 8+A�8%�/6�%9+5.�<�'< 8+A�8%�A�Ĕ��.9�+1)A�A�1'Ę��'4A�;J1�&6��A�ě��ĕ��ĕ1�)1�+5.�<�'< 8+A�8%� 11�D/ĕ/%��7+6%.416�.8ø�.��'��Ĕ6�G�A�Ĕ��A,-+5.�<� ��=��E�%5�/'ë1'6�%5��9I�8�1&=Ĕ�6%"÷J� 8+� 11�D/ĕ/%��Ĕ1��7�6'�8��5J�� t�"÷J� 8+�9IE%ĔA'é&��/'ë1�7'<�A�ě�B )�+ĕ6�A�8��ç�%%��êJ�E���Ĕ1%B�%�ĕ+&�=��'6&/'ë1�6+�9A%��Ę 6��5J�� �6�B�Ĕ�"÷J� 8+D/ĕA'é&���8ù�E+ĕ1&Ĕ6��ĕ1&�äæ��%�� t�.7/'5�"÷J� 8+�9I.6%6'�C�Ĕ�/'ë1�8�'=��A�Ĕ��&8��5I%�1'Ę��B Ĕ�E%ĕ15��9A%��Ę�+'�9C'�B)4&:�.�'=�<�G � �����'��%�|å�Çå���%�}�A.'è%+6%B�H�B'��ĕ+&�6'1<��8)8C�B)4�8��5J��6�Ĕ6&E#A�1'Ę��6��+ĕ6��ã���%�� '4/+Ĕ6�'1&�Ĕ1�1� �5���Ĕ1��8��5J��'4A�;J1�+'�6�J7&6'1�"÷J�A"÷I1�Ĕ+&D��6'&:�A�64B)4�Đ1��5��J7� 6��6+�9A%��Ę�|�6'�6�J7&6'1�"÷J�D/ĕ��8�5�8�6%7B�4�7�1� =ĕ )8�}� t��'�9�=�'4A�;J1��5��'4A�;J1�A�8%��ĕ1�A�H.$6"�6'&:�A�64�1��'4A�;J1�A�8%�5�"÷J� 8+'ëJ1�'4A�;J1��9IE%ĔB�Ĕ�11� B)ĕ+�=D/%Ĕ�Ĕ1��8��5J�+'�6�J7&6'1�"÷J�A"÷I1�Ĕ+&D��6'&:�A�64�|�6'�6�J7&6'1�"÷J�D/ĕ��8�5�8�6%� 7B�4�7�1� =ĕ )8�}å�� .7/'5�"÷J��9IA�Č&��A�Ĕ��/ĕ1��J7�.'4+Ĕ6&�J7�/)5� 6��6'�Ĕ1%B�%B)4�7+6%.416�"÷J��9I�5J�G�A.'H B)ĕ+� �ĕ1�%9�6'�6�J7&6�5��:%D/ĕA'é&�'ĕ1&�Ĕ1��6'�8��5J��'4A�;J1��|�6'A);1�D�ĕ�J7&6�5��:%�B)4A��8�6'�8��5J�� D/ĕ��8�5�8�6%7B�4�7�1� =ĕ )8�'6&�5J�G}æ�� �.7/'5�"÷J��9ID��'èA+�16�6,B/ĕ�/'ë1%9)%"5�B'��'+%�5J�"÷J� 8+�9I%9'="'<�%6��ĕ1�D�ĕ�J7"'%)��� �5�� /'ë1"÷J�D/ĕ�=��5��J7 �18ø%�5+�Ĕ1��B)ĕ+ :I�)%�8ù�E+ĕD/ĕ 8+/�ĕ6B/ĕ�/%6�G� ê�.6%6'��=�'4A�;J1�E�ĕ

ã�� �7/�� Ā�A'èø%�ĕ�D��6'�8��5J��C�&7�:��:��7B/�Ĕ�� �1�A,-�'4A�;J1�D/ĕA/%64.%.+&�6%�|�=�6%B��}ä�� A'èø%�8��5J��'4A�;J1��C�&/%5I��'+ .1�'4�5�+6%A'é&�� �1� 8+/�ĕ6�B)4B�+�1�'Ĕ1�&6B�+D/ĕ�'��5�D���4� �8��5J�å�� B�4�7+è�9�8��5J�B���=B/ĕ�B��B��+è�;1D�ĕA�'é&�/+é� 'Ĕ1��5+&=���6����%8))8A%�'��6�6+�8A%��Ę�9I� /)5��'4A�;J1��B)4D�ĕA�'é&�/+é'Ĕ1��5+&=���6��ä� � %8))8A%�'�6�6+�8A%��Ę�9I"÷J��9I�9I�ĕ1��6'�8��5J���� /)5� 6��5J� ê�&��'4A�;J1�A�ĕ6E��8��9I"÷J��9I�5J�G� |D�ĕ�5+ 5��'4 �B)4��Ĕ+&&�1&Ĕ6��ĕ1&�ä�� � D��6'�7�6�}� t�.7/'5��6'�8��5J��'4A�;J1���6�D/gĔ�9I"÷J�B�4�7� D/ĕD�ĕ1<��'�Ę�Ĕ+&�'5�'4�5�B)4'Ĕ1�&6B�+�'4A�;J1�

��6�'Ĕ1�&6B�+1&Ĕ6��ĕ1&�ä�%8))8A%�'�A"÷I1�Ĕ+&� D��6'�'5�'4�5�B)4A+ĕ�'Ĕ1�&6B�+�1��'4A�;J1�� D/ĕ�=.+&�6%� t�.Ĕ+� �5�B�4�7D/ĕD�ĕ1<��'�Ę�Ĕ+&&:��'4A�;J1�� A�ĕ6�5� �5��A�Ĕ��A/)H��6��5��4�=�A�ě��ĕ��A"÷I1� �Đ1��5�15��'6& 6��6'E/)�5+�1��'4A�;J1��9I� 16 4/)<�/)Ĕ�D.Ĕ�Ĕ6��8��5J�D�'4/+Ĕ6��6'�7�6�E�ĕ� B)4�5+A+ĕ�'Ĕ1�&6B�+�|£¸»´Â�¢¿°²´Á}���6�1&Ĕ6��ĕ1&�� ä�%8))8A%�'�A"÷I1�Ĕ+&D��6'A+ĕ�'Ĕ1�&6B�+�1�� �'4A�;J1�D/ĕ�=.+&�6%æ�� D�ĕĕ1�&6���6�D/gĔA64�'4A�;J1�D/ĕ�5I+B Ĕ��A"÷I1� �7D/ĕ�'4A�;J1�&:��8��5� �5�E�ĕB�Ĕ�%6�&8ø��êJ�

ç�� /%5I��7+6%.416� 8+/�ĕ6B)4'Ĕ1�&6B�+�1�� �'4A�;J1�D�'4/+Ĕ6��6'�8��5J���� �6'A�H�A,-+'�7/)5� 6��=�'4A�;J1���"÷J��9I� .Ĕ+�D/gĔA.'H B)ĕ+�ã�+5���� �Ĕ1��6'&6B�+��ĕ1��7+6%.416� 8+/�ĕ6B)4� 'Ĕ1��1��'4A�;J1��A"÷I1&6B�+E�ĕ�9&8ø��êJ���� D�ĕA�'é&�&6��6�&6B�+D/ĕA�H%'Ĕ1��'4A�;J1��B)4� �7+6%.416�A�ě�'4&4�1&Ĕ6�)Ĕ1&D/ĕ&6B�+B/ĕ� � A"'64 4�7+6%.416�E�ĕ&6���� +'D/ĕ�6+&6B�+A�H��5+1&Ĕ6��ĕ1&���+5���Ĕ1��7� +6%.416�B)4A'èø%D�ĕ�6�

Thai Ceramic Co. ,Ltd.1 Siam Cement Rd., Bangsue, Bangkok 10800 Thailand

COTTO StudioBangkok/Don Muang36/11 Vibhavadi Rangsit Rd., Sanam Bin, Don Muang, Bangkok 10210T: 66 (0) 2521 7777F: 66 (0) 2551 1065E: ctdonmuang@scg.co.th

COTTO StudioChiangmai43/5-8 Moda Place, Nimmanheymin Soi 7, Suthep, Muang, Chiangmai 50200T: 66 (0) 5322 6726F: 66 (0) 5322 6727E: cottochm@scg.co.th

COTTO StudioPhuket1/6-8 Dibuk Rd., Taladyai, Muang, Phuket 83000T: 66 (0) 7621 7888F: 66 (0) 7621 7886E: cottopkt@scg.co.th

CONTACT US