2010 soph jury 101110
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SophomoreJuryRequirements
GuitarDepartment
TheSophomoreJuryincludesthreeareasofassessment:
Performance,Reading,andTechnical.
PointWeighting100Pointspossible
SectionIPerformance=50points
PartIRhythmGuitar=16points
PartIIImprovisation=24points
PartIIISoloPiece=10points
SectionIIReading=20points
PartIaPreparedReading/Chords=5points
PartIbPreparedReading/Lines=5points
PartIISightReading=10points
SectionIIITechnical=30points
PartIScales10points PartIIChords10points
PartIIIArpeggios10points
Revised10/10
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ToneClean
Alternate
Picking
Useopenchords
ToneClean
ToneCleanand
Round
FreddieGreen
FreeComp
ToneCrunch
Usealldownstrokes
Section I Performance
This section is designed to assess a students ability to apply the technical and
intellectual information learned in a performance setting (with pre-recorded rhythm
tracks for the rhythm guitar and improvisation and alone for the solo piece).
PartI RhythmGuitar 16ptspossible
Studentswillbegradedontime,accuracy,andstylisticinterpretation.
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ToneClean
ToneClean
Alternate
Picking
ToneClean
Fingerpicked
ToneClean
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4 TempoDeterminedbyexample(seeaudiofiles&chart) TechniqueandArticulationAppropriateforspecificstyle ToneAppropriateforspecificstyle KeyDeterminedbyexample(seeaudiofilesandchart)
Minor
PartIIImprovisation
Studentswillbegradedonthecorrectinterpretationofharmony.Major
Major(modalinterchange)
CompositeMinor
Dorian
Phrygian
Lydian
Mixolydian
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PartIII SoloPiece
Maybeclassical,chordmelodyorfingerstyle.Preapprovalbyprivateinstructorisrequired.
Studentswillbegradedoncommandvs.difficulty,accuracy,andmusicality.
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Section II Reading
This section is designed to assess a students ability to apply the learned readingskills in both a prepared and sight-reading setting.
PartI PreparedReading
Studentswillbegradedonnoteandrhythmaccuracy.Swing=100
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PartIIa SightReading Lines
ToprepareforthissectionitisrecommendedthatyoureviewthefollowingmaterialsfromSightReadingandRepertoireIIII:
MelodicRhythmsbyWilliamLeavitt AModernMethodforGuitarIIIIbyWilliamLeavitt ReadingStudiesforGuitarbyWilliamLeavitt RhythmsCompletebyBugsBower ReadingfortheContemporaryGuitaristbyDaleBruner 14EtudesbyBobMintzer
PartIIb SightReading Chords
Thissectionwillincludesightreadingarhythmchordchart. Studentswillbegradedonchordandrhythmaccuracy.
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SectionIIITechnicalThis section is designed to assess a students knowledge of the neck from a scalar,chordal, and arpeggio standpoint.
PartIScales
Be prepared to play all scale patterns on this page from memory. Tempo 8th notes @ 80 BPM minimum Technique and Articulation - Alternate Picking Tone Clean & Dry Patterns Testers Choice of two per category (major, minor, harmonic minor, melodic
minor) and one each, whole-tone and diminished. Start and end on the tonic.
Key Testers Choice
MajorScales
MinorScales
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HarmonicMinorScales
MelodicMinorScales
WholeTone WholeDiminished
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Imin(maj7)IImin7b5bIIImaj7#5IVmin7V7bVImaj7VII7Imin(maj7)
Imin(maj7)IImin7bIIImaj7#5IV7V7VImin7b5VIImin7b5Imin(maj7)
PartIIChords(inharmonizedscalecontext)
Be prepared to play all voicings on this page from memory. Tone Clean & Dry Key Testers Choice Chords 5th and/or 6th string roots Physical Range within 6 frets Voicings Use from diagrams below
MajorScale
NaturalMinorScale
HarmonicMinorScale
MelodicMinorScale
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Maj7Maj7Dom7Dom7Min7Min7
Min7b5Min7b5Min(maj7)Min(maj7)Maj7#5Maj7#5
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PartIIIArpeggios
Be prepared to play all arpeggios on this page from memory. Tempo Eighth notes, quarter note = 80 BPM Tone Clean & Dry Key Testers Choice Arpeggios In position (see diagrams below) ascending and descending beginning
and ending on each root
MajorImaj7II 7III 7IVmaj7V7VI 7VII 7b5
MinorI 7II 7b5bIIImaj7IV 7V 7bVImaj7bVII7
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HarmonicMinorI (maj7)II 7b5bIIImaj7#5IV 7V7bVImaj7VII7
MelodicMinorI (maj7)II 7bIIImaj7#5IV7V7VI 7b5VII 7b5