2010 soph jury 101110

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    SophomoreJuryRequirements

    GuitarDepartment

    TheSophomoreJuryincludesthreeareasofassessment:

    Performance,Reading,andTechnical.

    PointWeighting100Pointspossible

    SectionIPerformance=50points

    PartIRhythmGuitar=16points

    PartIIImprovisation=24points

    PartIIISoloPiece=10points

    SectionIIReading=20points

    PartIaPreparedReading/Chords=5points

    PartIbPreparedReading/Lines=5points

    PartIISightReading=10points

    SectionIIITechnical=30points

    PartIScales10points PartIIChords10points

    PartIIIArpeggios10points

    Revised10/10

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    ToneClean

    Alternate

    Picking

    Useopenchords

    ToneClean

    ToneCleanand

    Round

    FreddieGreen

    FreeComp

    ToneCrunch

    Usealldownstrokes

    Section I Performance

    This section is designed to assess a students ability to apply the technical and

    intellectual information learned in a performance setting (with pre-recorded rhythm

    tracks for the rhythm guitar and improvisation and alone for the solo piece).

    PartI RhythmGuitar 16ptspossible

    Studentswillbegradedontime,accuracy,andstylisticinterpretation.

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    ToneClean

    ToneClean

    Alternate

    Picking

    ToneClean

    Fingerpicked

    ToneClean

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    4 TempoDeterminedbyexample(seeaudiofiles&chart) TechniqueandArticulationAppropriateforspecificstyle ToneAppropriateforspecificstyle KeyDeterminedbyexample(seeaudiofilesandchart)

    Minor

    PartIIImprovisation

    Studentswillbegradedonthecorrectinterpretationofharmony.Major

    Major(modalinterchange)

    CompositeMinor

    Dorian

    Phrygian

    Lydian

    Mixolydian

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    PartIII SoloPiece

    Maybeclassical,chordmelodyorfingerstyle.Preapprovalbyprivateinstructorisrequired.

    Studentswillbegradedoncommandvs.difficulty,accuracy,andmusicality.

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    Section II Reading

    This section is designed to assess a students ability to apply the learned readingskills in both a prepared and sight-reading setting.

    PartI PreparedReading

    Studentswillbegradedonnoteandrhythmaccuracy.Swing=100

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    PartIIa SightReading Lines

    ToprepareforthissectionitisrecommendedthatyoureviewthefollowingmaterialsfromSightReadingandRepertoireIIII:

    MelodicRhythmsbyWilliamLeavitt AModernMethodforGuitarIIIIbyWilliamLeavitt ReadingStudiesforGuitarbyWilliamLeavitt RhythmsCompletebyBugsBower ReadingfortheContemporaryGuitaristbyDaleBruner 14EtudesbyBobMintzer

    PartIIb SightReading Chords

    Thissectionwillincludesightreadingarhythmchordchart. Studentswillbegradedonchordandrhythmaccuracy.

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    SectionIIITechnicalThis section is designed to assess a students knowledge of the neck from a scalar,chordal, and arpeggio standpoint.

    PartIScales

    Be prepared to play all scale patterns on this page from memory. Tempo 8th notes @ 80 BPM minimum Technique and Articulation - Alternate Picking Tone Clean & Dry Patterns Testers Choice of two per category (major, minor, harmonic minor, melodic

    minor) and one each, whole-tone and diminished. Start and end on the tonic.

    Key Testers Choice

    MajorScales

    MinorScales

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    HarmonicMinorScales

    MelodicMinorScales

    WholeTone WholeDiminished

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    Imin(maj7)IImin7b5bIIImaj7#5IVmin7V7bVImaj7VII7Imin(maj7)

    Imin(maj7)IImin7bIIImaj7#5IV7V7VImin7b5VIImin7b5Imin(maj7)

    PartIIChords(inharmonizedscalecontext)

    Be prepared to play all voicings on this page from memory. Tone Clean & Dry Key Testers Choice Chords 5th and/or 6th string roots Physical Range within 6 frets Voicings Use from diagrams below

    MajorScale

    NaturalMinorScale

    HarmonicMinorScale

    MelodicMinorScale

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    Maj7Maj7Dom7Dom7Min7Min7

    Min7b5Min7b5Min(maj7)Min(maj7)Maj7#5Maj7#5

    77

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    PartIIIArpeggios

    Be prepared to play all arpeggios on this page from memory. Tempo Eighth notes, quarter note = 80 BPM Tone Clean & Dry Key Testers Choice Arpeggios In position (see diagrams below) ascending and descending beginning

    and ending on each root

    MajorImaj7II 7III 7IVmaj7V7VI 7VII 7b5

    MinorI 7II 7b5bIIImaj7IV 7V 7bVImaj7bVII7

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    HarmonicMinorI (maj7)II 7b5bIIImaj7#5IV 7V7bVImaj7VII7

    MelodicMinorI (maj7)II 7bIIImaj7#5IV7V7VI 7b5VII 7b5