20130115 santana-eculture

Dra. Ivani [email protected], [email protected]

Post Doctorate Sonic Arts Research CentreQueen’s University of Belfast - (support CAPES, Brazil)

Federal University of BahiaMaster and Ph.D. Program of Scenic Arts

Institute of Humanities, Arts and Sciences

Research Group of Technological Poetics: corpoaudiovisualwww.poeticatecnologica.ufba.br

Map and Program of Digital Dance www.mapad2.ufba.br

choreographer, dancer, researcher in dance -technologyMaster and Ph.D Communication and Semiotics

(Catolic Univerity, PUC SP, Brazil)

Dramaturgy of a Tele-Sonorous Body: eight years of Brazilian experiences in Network Art Performance

with the world.

TIP 2013Honolulu/Hawaii 15th January 2013

Ivani Santana [email protected] www.poeticatecnologica.ufba.br Dramaturgie of a Tele-Sonorous Body (Post Doctoral - CAPES 9495-11)

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Research Group of Technological Poetics: corpoaudiovisual


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• Since 90’s: dance mediated through technology;

Researches:

• Since 2001: telematic dance (USA);• In 2005 created the first telematic dance VERSUS (Brazil – Rede Ipê ) between three cities, Dancers: Brasília and Salvador, Musicians: João Pessoa.


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Dramaturgy of a Tele-Sonorous Body: eight years of Brazilian experiences in Network Art Performance with the world.

VERSUS (2005) PROYECTO PASO (2006/7) Por Onde Cruzam Alamedas (2006) (In)TOQue (2008)

e_Pormundos Afeto (2009, 2010), partnership i2Cat, Konic Thtr


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Since 2005, support Brazilian NREN: RNP Brazilian Academic Network

ARTHRONcomputacional tool to manage the streaming.

LAVID/UFPBGP Poétcia/UFBA

Work Group Digital

Media and Arts


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“PELE” (Skin) (2002)

“ARTHRON” (GTMDA/RNP, 2009-10)

My research in dance since 90’s:“body image displacement” to discuss presence, reality, identity, time, space etc; telematic was a coherent way to follow.


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TELEMATIC DRAMATURGY Project Laboratorium MAPA D2: telematic piece FRAGIL (2011)


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Post Doctoral research: Dramaturgy of a Tele-Sonorous Body

at Sonic Arts Research Center, Queen’s University of Belfast, UK2012/2013

body understood as a sonorous body:s/he has her/his own sonofication:

organic, acoustics, symbolic.

The goal: investigate the possible relationships between

“sonorities” produced by remote bodies – the tele-sonorous bodies –

into sensible environments in order to construct a Telematic Dramaturgy.


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Telematic Dance, Telematic Art =

Cyberdance, CyberArt, Cyberperformance =

Network Performance, Networked Art...


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CONCLUSION:

_ Art promotes new demands, and it gives new ideas for artists and engineers at telematic context (IMPORTANT: artists and engineers have to work together;

_ The networked performance has a specific way to create narratives, dramaturgies, it’s not a reproduction of “art on stage”;

_ It’s important to understand Telematic Art not just an aesthetical product by new technology, but a knowledge in itself that can contribute to improve the technology! (Artists as not a “final users” but a developer as well, even if they didn’t write computational codes!!!);

_ We need more interdisciplinary project to promote new possibilities of art-science-technology, but understanding the potential and the importance of each area.

20130115 santana-eculture

Education