2ºeso-bil-food in art history

18
DEPARTAMENTO DE GEOGRAFÍA E HISTORIA SOMOS LO QUE COMEMOS / WE ARE WHAT WE EAT FOOD SEEN THROUGH ART HISTORY Have you ever noticed the quantities of foods, the food‐related products and the food harvesting and preparation rituals that frequently appear in the visual arts? Food is the cornerstone of our very existence, so it stands to reason that foods should be an important theme in the arts. The arts have clearly indicated the importance of food in creative compositions throughout history. Food tells a story of hunting and survival in ancient cave paintings. Food becomes the composition itself in Egyptian hieroglyphs, Greek and Roman frescoes, Renaissance statues of religious images, classical still lifes and pop art multiplicity. Food is depicted in scenes of harvest, scenes of celebration, and scenes of mythological or religious significance. We are going to make an aproach to some of these works of art and explain how food has been incorporated into art‐ making over the last 30,000 years... GRUPO 1: HUNTING AND SURVIVAL GROUP MEMBERS Marta Barrios, Amelia Navarro, Paula Serrato y Ana Villa. WORK OF ART: Bulls, Cave of Lascaux, France (15.000‐10.000 BC) INFORMATION Artist and technique. Historical context: the period of time the work of art was made and its main characteristics. Style: name and explain shortly its main characteristics. Description: describe everything you see of the work of art, taking special atention to the foods that are represented. Explain what does the work of art tell us about the food (what they ate, the way they ate, is the food of a rich people or poor people…), why do you think they represented food in this painting and does food have some kind of religious or mythological meaning … WEBS http://en.wikipedia.org/wiki/Lascaux http://www.ancestral.com/cultures/europe/france.html

Upload: an

Post on 13-Apr-2016

217 views

Category:

Documents


0 download

DESCRIPTION

2ºeso-Bil-food in Art History 2ºeso-Bil-food in Art History 2ºeso-Bil-food in Art History 2ºeso-Bil-food in Art History

TRANSCRIPT

Page 1: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO1:HUNTINGANDSURVIVAL

GROUPMEMBERS MartaBarrios,AmeliaNavarro,PaulaSerratoyAnaVilla.

WORKOFART:Bulls,CaveofLascaux,France(15.000‐10.000BC)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://en.wikipedia.org/wiki/Lascaux

http://www.ancestral.com/cultures/europe/france.html

Page 2: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO2:SACRIFICE

GROUPMEMBERS JavierLópez,GonzaloGonzález,FranciscoJavierSanrományAlbertoRico.

WORKOFART:TondoofanAttickylixbytheEpidromosPainter(c.510–500BC)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://en.wikipedia.org/wiki/Ancient_Greek_cuisine

http://www.historyforkids.org/learn/greeks/religion/sacrifice.htm#!

http://www.edicionesmedicas.com.ar/layout/set/print/Miscelaneas/Espacio_cultural/Maneras_de_comer_en_la_Antigua_Grecia

Page 3: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO3:HARVESTING

GROUPMEMBERS AnaZayas,SorayaRomero,DiegoSantanayJesúsSalcedo

WORKOFART:HarvestScenes,TombofMenna(c.1.400‐1.552BC)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://www.louvre.fr/en/oeuvre‐notices/paintings‐tomb‐unsu

http://crumbsofknowledge.com/2013/07/04/ancient‐egypt‐part‐3/

http://es.wikipedia.org/wiki/Agricultura_en_el_Antiguo_Egipto

Page 4: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO4:ANCIENTROMEBANQUETS

GROUPMEMBERS PabloSánchez,JuanJoséZayas,RubénGonzálezyMiguelSánchez.

WORKOFART:

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://blogs.getty.edu/iris/the‐fine‐art‐of‐feasting‐in‐roman‐gaul/

http://en.wikipedia.org/wiki/User:Peter_Isotalo/Rome

http://en.wikipedia.org/wiki/Pompeian_Styles

http://www.telegraph.co.uk/history/pompeii/9850077/Pompeii‐exhibition‐the‐food‐and‐drink‐of‐the‐ancient‐Roman‐cities.html

http://arquehistoria.com/banquetes‐romanos‐autenticos‐festines‐5638

Page 5: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO5:PEASANTSMEALS

GROUPMEMBERS FranciscoBohíguez,IsmaelFernández,PabloCabezayPabloFernández.

WORKOFART:Thepeasantwedding,PieterBruegeltheelder(1567)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://en.wikipedia.org/wiki/The_Peasant_Wedding

http://www.visual‐arts‐cork.com/famous‐paintings/peasant‐wedding.htm

http://historiarrc.blogspot.com.es/2012/12/la‐boda‐campesina‐de‐brueghel‐el‐viejo.html

Page 6: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO6:CHRISTIANSYMBOLISMI

GROUPMEMBERS EloisaMonzó,ClaraCalvo,MªdelMarCerderayElenaCarvajal.

WORKOFART:TheHolyFamily,JoosvanCleve(c.1512–13)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://www.metmuseum.org/toah/hd/food/hd_food.htm

https://mydailyartdisplay.wordpress.com/2013/04/24/the‐holy‐family‐paintings‐by‐joos‐van‐cleve/

http://en.wikipedia.org/wiki/Joos_van_Cleve

Page 7: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO7:CHRISTIANSYMBOLISMII

GROUPMEMBERS PepeZayas,DanielPérez,AntonioArjonayPabloGallardo.

WORKOFART:SupperatEmmaus,Caravaggio(1601)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://emilycontois.com/2012/07/15/sacred‐feasts‐food‐in‐art‐as‐literal‐history‐and‐spiritual‐metaphor/

http://en.wikipedia.org/wiki/Supper_at_Emmaus_(Caravaggio),_London

http://en.wikipedia.org/wiki/Still_Life_with_Fruit_(Caravaggio)

http://www.artbouillon.com/2013/12/flemish‐food‐art‐appreciation.html

Page 8: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO8:

GROUPMEMBERS ReyesSanromán,JuliaCastañeda,EnriqueSánchezyRafaelLópez.

WORKOFART:Thepantry,FransSnyder(c.1620)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://art‐food‐yum.blogspot.com.es/p/food‐art‐brief‐history.html

http://en.wikipedia.org/wiki/Frans_Snyders

http://www.artbouillon.com/2013/12/flemish‐food‐art‐appreciation.html

http://en.wikipedia.org/wiki/Still_life

Page 9: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO9:MONKSMEAL

GROUPMEMBERS LuisPérez,GonzaloCantosyNachodelCampo.

WORKOFART:SaintHugointheRefectory,Zurbarán(1630‐35)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://es.wikipedia.org/wiki/San_Hugo_en_el_refectorio_de_los_Cartujos

http://blogs.artinfo.com/secrethistoryofart/2011/03/02/inside‐the‐masterpiece‐zurbarans‐saint‐hugo‐in‐the‐refectory/

Page 10: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO10:THESIMPLESTFOOD

GROUPMEMBERS IvánLeón,JoséAntonioGonzálezyÁngelGarcía

WORKOFART:OldWomanFryingEggs,DiegoVelázquez(1618)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://en.wikipedia.org/wiki/Old_Woman_Frying_Eggs

http://en.wikipedia.org/wiki/Bodegón

http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3294365/

Page 11: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO11:EATINGINTHESTREET

GROUPMEMBERS AmadeoCabello,PedroVaca,EnriqueRodríguez,yJoséMarioGómez.

WORKOFART:ChildrenEatingGrapesandMelon,Murillo(1650)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://es.wikipedia.org/wiki/Niños_comiendo_uvas_y_melón

http://www.esarteespañol.es/contenido.php?recordID=39

http://contemplalaobra.blogspot.com.es/2009/05/murillo‐ninos‐comiendo‐melon‐y‐uvas.html

Page 12: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO12:17thCENTURYDOMESTICLIFE

GROUPMEMBERS IvánMejías,EnriquePuppo,FranciscoJoséRebolloyVictorGonzález.

WORKOFART:TheMilkmaid,JohannesVeermer(1657‐58)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://en.wikipedia.org/wiki/The_Milkmaid_(Vermeer)

http://www.metmuseum.org/toah/hd/milk/hd_milk.htm

http://www.essentialvermeer.com/cat_about/milkmaid.html#.VN_DkxxO5f4

Page 13: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO13:18thCENTURY

GROUPMEMBERS JuanIgnacioNavarro,EsperanzaBorrego,RosaBarrera,MartaGutierrez.

WORKOFART:Breakfast,FrancoisBoucher(1739)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://en.wikipedia.org/wiki/François_Boucher

http://www.francoisboucher.org/biography.html

Page 14: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO14:PEASANTSASTHEYREALLYWEREIN19thCENTURY

GROUPMEMBERS HelenaQuintana,MartaRodríguez,MargaritaLópezyCristinaPérez

WORKOFART:Thepotatoeaters,VincentvanGogh(1885)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://en.wikipedia.org/wiki/The_Potato_Eaters

http://www.theguardian.com/culture/2003/jan/11/art

Page 15: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO15:MODERNPARISIANWAYSOFLIFES

GROUPMEMBERS AnaGarcía,CarmenPérez,MaríaMárquezyAnaRivas

WORKOFART:LuncheonoftheboatingParty,Pierre‐AugusteRenoir(1880‐81)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

https://sites.google.com/site/beautyandterror/Home/lure‐of‐lotus‐eating

http://en.wikipedia.org/wiki/Luncheon_of_the_Boating_Party

http://www.smithsonianmag.com/arts‐culture/wheres‐the‐lunch‐looking‐at‐renoirs‐luncheon‐of‐the‐boating‐party‐134230580/

Page 16: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainsomeexamplesofhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO16:THEWORLDINANAPPLE

GROUPMEMBERS GraciaMªPérez,ElenaGonzálezyPaulaMartín

WORKOFART:KitchenTable(StillLifewithBasket),PaulCezanne(1888‐90)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://emptyeasel.com/2009/04/16/the‐long‐history‐of‐food‐in‐art/

http://en.wikipedia.org/wiki/Paul_Cézanne

http://www.npr.org/2014/07/10/330159592/for‐paul‐cezanne‐an‐apple‐a‐day‐kept‐obscurity‐away

Page 17: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainsomeexamplesofhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO17:ODETOASOUP

GROUPMEMBERS JoaquinZayas,AlejandroPérez,MaríaIglesiasyCarmenAlcántara

WORKOFART:32Campbell'sSoupCans,AndyWarhol(1962)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://emptyeasel.com/2007/05/22/andy‐warhol‐mass‐produced‐art‐with‐popular‐appeal/

http://es.phaidon.com/agenda/art/articles/2013/february/22/the‐fascinating‐story‐behind‐andy‐warhols‐soup‐cans/

http://www.warhol.org/education/resourceslessons/Campbell’s‐Soup‐‐Ode‐to‐Food/

Page 18: 2ºeso-Bil-food in Art History

DEPARTAMENTO DE GEOGRAFÍA E HISTORIA

SOMOSLOQUECOMEMOS/WEAREWHATWEEAT

FOODSEENTHROUGHARTHISTORY

Haveyouevernoticedthequantitiesoffoods,thefood‐relatedproductsandthefoodharvestingandpreparationritualsthatfrequentlyappearinthevisualarts?Foodisthecornerstoneofourveryexistence,soitstandstoreasonthatfoodsshouldbeanimportantthemeinthearts.

Theartshaveclearlyindicatedtheimportanceoffoodincreativecompositionsthroughouthistory.Foodtellsastoryofhuntingandsurvivalinancientcavepaintings.FoodbecomesthecompositionitselfinEgyptianhieroglyphs,GreekandRomanfrescoes,Renaissancestatuesofreligiousimages,classicalstilllifesandpopartmultiplicity.Foodisdepictedinscenesofharvest,scenesofcelebration,andscenesofmythologicalorreligioussignificance.

Wearegoingtomakeanaproachtosomeoftheseworksofartandexplainsomeexamplesofhowfoodhasbeenincorporatedintoart‐makingoverthelast30,000years...

GRUPO18:ODETOAHOTDOG

GROUPMEMBERS AlbertoMuñoz,AntonioMuñoz,LucíaMuñozyJuanSaucedo

WORKOFART:Hotdogs,WayneThiebaud(c.1960)

INFORMATION

• Artistandtechnique.

• Historicalcontext:theperiodoftimetheworkofartwasmadeanditsmaincharacteristics.

• Style:nameandexplainshortlyitsmaincharacteristics.

• Description:describeeverythingyouseeoftheworkofart,takingspecialatentiontothefoodsthatarerepresented.Explainwhatdoestheworkofarttellusaboutthefood(whattheyate,thewaytheyate,isthefoodofarichpeopleorpoorpeople…),whydoyouthinktheyrepresentedfoodinthispaintinganddoesfoodhavesomekindofreligiousormythologicalmeaning…

WEBS

http://blogs.20minutos.es/trasdos/2013/04/09/wayne‐thiebaud/

http://en.wikipedia.org/wiki/Wayne_Thiebaud