613 final study guide

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613 Final Study Guide In Vector Analysis Nexus Set: The set to which all others are related Imbrication: Subsegments Normal Order: Ascending pitches are as close together as possible Inverted Order Normal Inverted Order Best Normal Order Vector Name- Intervallic content of a PC set Vector Interval Order In Dodecaphonic Music Semi-combinatoriality 1st, 2nd, 3rd, and 4th all-combinatoriality: Capable of forming an aggregate with any of it’s basic transformations transposed Derived Rows: Transformational processes. Trichord can be transformed -Combinatoriality is side-effect of derived rows Retrograde Inversion Aggregate- Complete set of 12 chromatic pitches Tetradic derivation- 4 note set to make aggregate

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613 Final Study Guide

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613 Final Study Guide

In Vector AnalysisNexus Set: The set to which all others are related

Imbrication: Subsegments

Normal Order: Ascending pitches are as close together as possible

Inverted Order

Normal Inverted Order

Best Normal Order

Vector Name- Intervallic content of a PC set

Vector Interval Order

In Dodecaphonic MusicSemi-combinatoriality

1st, 2nd, 3rd, and 4th all-combinatoriality: Capable of forming an aggregate with any of its basic transformations transposed

Derived Rows: Transformational processes. Trichord can be transformed-Combinatoriality is side-effect of derived rows

Retrograde Inversion

Aggregate- Complete set of 12 chromatic pitches

Tetradic derivation- 4 note set to make aggregate

Hexachordal derivation

Trichordal derivation

Non Retrogradable rhythms: Rhythmic palindrome

Neotonality: Establish a tonal center by tonal assertion. Functional harmony and tonic/dominant relationships are gone. (Messiaen)

Conceptualism

Minimalism

Phase shift music

Chance music

Indeterminacy

Improvisation

Stochasticism

Aleatoric music

Polylithic music

Third stream music

Eclecticism

SHMRG

Other Musical Analytic ApproachesPhenomenological Analysis

Meyerian Analysis

Tovian Analysis

Retian Analysis

Psychological Analysis

Segmentation

KlangfarbenmelodieInvolves splitting a musical melody or musical across several instrumentsderives from Arnold Schoenberg's Harmonielehre,[2] where he discusses the creation of "timbre-structures."http://en.wikipedia.org/wiki/KlangfarbenmelodieSemiotic Analysis

La Rue Analysis

Non-retrogradable rhythms

Haupstimme

Panchromaticism

Polytonality

Metric Modulation

Ivsian Collage

Pitch class set

Neo classicism

Third Stream Music

4x4 on F#

Compound chords

Overtone Series

Understone Series

Panintervalic pyramid chord

Mirror chords

Octatonic scale

Fibonacci series

Anhemitonic pentatonic scale

Arch Form

Moment Form

Polychords

Polylithic music

Pitch vectors

Exoticism

Proletarianism

Expressionism

Impressionism

Bitonality

Secundal harmony

Quartal/quintal harmony

Tertian harmony

The Great Middle Of The Road

Sprechstimme

Name carving

Palindromic composition

Guidonian Hand

Tovian Analysis