academy sans_playtype_11.pdf

5/28/2018 Academy Sans_Playtype_11.pdf

1/20

PLAYTYPE

Academy Sans

Version no. 1.001/2010

Design: Jonas HecksherPublished: 2010

All Fonts are in this format: Opentype

1

FAMILIESACEDEMY SANSACEDEMY SERIF

PLAYTYPE IS AN ONLINE TYPE FOUNDRY AND CONCEPT STORE,CREATED AS A PLACE TO PLAY, A HOME FOR EXPERIMENTATION ANDA SHOWCASE OF OUR CRAFT.

ACADEMY SANS FAMILY

Playtype | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.com

12 STYLES2 FAMILIES


2/20

PLAYTYPEPlaytype | Vesterbrogade 80 B | 1620 Copenhagen V | Denmark

http://www.playtype.com

All Fonts are in this format: OpentypeDesign: Jonas Hecksher | Published: 20102

Academy Sans Family

Academy Family Academy Sans ThinAcademy Sans Thin Italic

Academy Sans Light

Academy Sans Light Italic

Academy Sans

Academy Sans Italic

Academy Sans DemiBold

Academy Sans DemiBold Italic

Academy Sans Bold

Academy Sans Bold Italic

Academy Sans Heavy

Academy Sans Heavy Italic


3/20

PLAYTYPE

All Fonts are in this format: Opentype3


UPPERCASE

LOVERCASE

STANDARD PUNCTUATION

MATH SYMBOLS

CURRENCY & SYMBOLS

PROPORTIONAL LINING (DEFAULT FIGURES)

SUPERSCRIPT

PREBUILT FRACTIONS

ACCENTED UPPERCASE

ACCENTED LOVERCASE

ACCENTS

LIGATURES

Design: Jonas Hecksher | Published: 2010

Academy Sans

ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz{[(_)]}*,.:;!?&@/|\-+~$#%0123456789

I`fi fl ffi ffl


4/20

PLAYTYPE




Academy Sans Thin Italic

14/17 ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 This isdummy text. it is intended tobe read but have no appar-ent meaning. as a simulationof actual copy, using ordinarywords with normal letterfrequencies, it cannot deceiveeye or brain.

6/8 But can words ever be said to have no meaning? And if the

words have no meaning cannot the medium of its delivery be said

to be equally meaningless. This is the existentialist paradox of the

typographer; can type ever be separate from meaning? Words

separate from medium?

9/11 Smart as a whip: the typographer, but

never smarter than his script. the philosophy

of type

PLAYTYPE IS AN ONLINE TYPE FOUNDRY AND CONCEPT STORE,

CREATED AS A PLACE TO PLAY, A HOME FOR EXPERIMENTATION AND

A SHOWCASE OF OUR CRAFT.

24/25 The warmleather embrace of thecab creaks ominouslyto the rhythm of thestreet. I rest my headon the cool glass.

18/19 The harsh curves ofthe neon city exploding on myclosed eyelids as the combina-tion of Xanax and jet-lag slowlydeadens my limbs. Rest Imouth. Then oblivion.

16/17 I ask her her name, strainingto hear above the slow drone com-ing from the PA. She grabs my armand inscribes Melissa on it in neat,tightly-spaced cursive, punctuatingthe i with a small heart.

14/15 The tattoo guns passes aroundthe table- A kid etches out MOMS inblue biro ink laughing hysterically as themachine purrs across his forearm. I cansee Melissa through the open door to thebathroom, perched on the toilet, a pairof boys briefs around her ankles, absent-mindedly smoking a cigarette andblowing smoke rings; O followed by Qfollowed by O.

12/13 More days in daze. More scripts, morenovels. More pages and clammy business cardspassed of in moist handshakes. More Melissa.More pointless shopping sprees and morepeople to please. More dusty blond boys andspeedos. I flick my aviators down and read thestreet signs.

10/12 I keep on cracking jokes, right? Because Im

funny. I want to be funny. Only each time the punch-line

falls flat. My delivery is off. I keep glancing between the

menu and the fois gras printed out in rounded serifs andthe waiter laughing politely, anxiously. I settle on the duck

since it strikes me as funny somehow. She picks her

teeth and nods.

8/10 The clack of the cab door

snaps me back and I nervouslyglance up at the departures sign.

Numerals slither rapidly as I scan

the board. SK402 to Copenha-

gen. Exhausted i push through

security belt, shoes, watch,

laptop and slump down at the

nearest bar. I slip out my credit

card, leaving it on the bar and

pick at the polaroid with Melissas

number on the back. 8 digits,

XXX and Melissa with a heart

doting the i.


5/20

PLAYTYPE




Academy Sans Light

14/17 ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 This isdummy text. it is intended tobe read but have no apparentmeaning. as a simulation ofactual copy, using ordinarywords with normal letterfrequencies, it cannot deceiveeye or brain.








of type





18/19 The harsh curves ofthe neon city exploding on myclosed eyelids as the combina-tion of Xanax and jet-lag slowlydeadens my limbs. Rest Imouth. Then oblivion.

16/17 I ask her her name, strain-ing to hear above the slow dronecoming from the PA. She grabs myarm and inscribes Melissa on it inneat, tightly-spaced cursive, punc-tuating the i with a small heart.

14/15 The tattoo guns passes aroundthe table- A kid etches out MOMS inblue biro ink laughing hysterically asthe machine purrs across his forearm. Ican see Melissa through the open doorto the bathroom, perched on the toilet,a pair of boys briefs around her ankles,absentmindedly smoking a cigaretteand blowing smoke rings; O followed byQ followed by O.

12/13 More days in daze. More scripts, morenovels. More pages and clammy businesscards passed of in moist handshakes. MoreMelissa. More pointless shopping sprees andmore people to please. More dusty blond boysand speedos. I flick my aviators down and readthe street signs.


funny. I want to be funny. Only each time the punch-line

falls flat. My delivery is off. I keep glancing between the

menu and the fois gras prin ted out in rounded serifsand the waiter laughing politely, anxiously. I settle on the

duck since it strikes me as funny somehow. She picks

her teeth and nods.

8/10 The clack of the cab

door snaps me back and I nerv-ously glance up at the departures

sign. Numerals slither rapidly

as I scan the board. SK402 to

Copenhagen. Exhausted i push

through security belt, shoes,

watch, laptop and slump down

at the nearest bar. I slip out my

credit card, leaving it on the bar

and pick at the polaroid with

Melissas number on the back.

8 digits, XXX and Melissa with a

heart doting the i.


6/20

PLAYTYPE




Academy Sans Light Italic

14/17 ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 This isdummy text. it is intendedo be read but have noapparent meaning. as asimulation of actual copy,using ordinary wordswith normal letterfrequencies, it cannotdeceive eye or brain.








of type





18/19 The harsh curves of theneon city exploding on myclosed eyelids as the combina-tion of Xanax and jet-lagslowly deadens my limbs.Rest I mouth. Then oblivion.

16/17 I ask her her name, strain-ing to hear above the slow dronecoming from the PA. She grabsmy arm and inscribes Melissaon it in neat, tightly-spaced cursive,punctuating the i with a small heart.

14/15 The tattoo guns passes aroundthe table- A kid etches out MOMS inblue biro ink laughing hysterically asthe machine purrs across his forearm. Ican see Melissa through the open doorto the bathroom, perched on the toilet,a pair of boys briefs around her ankles,absentmindedly smoking a cigaretteand blowing smoke rings; O followedby Q followed by O.

12/13 More days in daze. More scripts , morenovels. More pages and clammy businesscards passed of in moist handshakes. MoreMelissa. More pointless shopping sprees andmore people to please. More dusty blond boysand speedos. I flick my aviators down andread the street signs.


funny. I want to be funny. Only each time the punch-

line falls flat. My delivery is off. I keep glancing between

the menu and the fois gras printed out in rounded serifsand the waiter laughing politely, anxiously. I settle on

the duck since it strikes me as funny somehow. She

picks her teeth and nods.


door snaps me back and Inervously glance up at the

departures sign. Numerals slither

rapidly as I scan the board.

SK402 to Copenhagen.

Exhausted i push through


laptop and slump down at

the nearest bar. I slip out my





heart doting the i.


7/20

PLAYTYPE




Academy Sans Regular

14/17 ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 This isdummy text. it is intended tobe read but have noapparent meaning. as asimulation of actual copy,using ordinary words withnormal letter frequencies, itcannot deceive eye or brain.

6/8 But can words ever be said to have no meaning? And if thewords have no meaning cannot the medium of its delivery be said

to be equally meaningless. This is the existentialist paradox of thetypographer; can type ever be separate from meaning? Wordsseparate from medium?

9/11 Smart as a whip: the typographer,but never smarter than his script.the philosophy of type

PLAYTYPE IS AN ONLINE TYPE FOUNDRY AND CONCEPT STORE,CREATED AS A PLACE TO PLAY, A HOME FOR EXPERIMENTATIONAND A SHOWCASE OF OUR CRAFT.


18/19 The harsh curves ofthe neon city exploding on myclosed eyelids as the combi-nation of Xanax and jet-lagslowly deadens my limbs.Rest I mouth. Then oblivion.

16/17 I ask her her name, strain-ing to hear above the slow dronecoming from the PA. She grabs myarm and inscribes Melissa onit in neat, tightly-spaced cursive,punctuating the i with a small heart.


12/13 More days in daze. More scripts, morenovels. More pages and clammy businesscards passed of in moist handshakes. MoreMelissa. More pointless shopping sprees andmore people to please. More dusty blondboys and speedos. I flick my aviators downand read the street signs.

10/12 I keep on cracking jokes, right? BecauseIm funny. I want to be funny. Only each time the

punch-line falls flat. My delivery is off. I keep glancing

between the menu and the fois gras printed out inrounded serifs and the waiter laughing politely,anxiously. I settle on the duck since it strikes me asfunny somehow. She picks her teeth and nods.


door snaps me back and Inervously glance up at thedepartures sign. Numeralsslither rapidly as I scan theboard. SK402 to Copenhagen.Exhausted i push throughsecurity belt, shoes, watch,

laptop and slump down atthe nearest bar. I slip out mycredit card, leaving it on the barand pick at the polaroid withMelissas number on the back.8 digits, XXX and Melissa with aheart doting the i.


8/20

PLAYTYPE




Academy Sans Italic

14/17 ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 This isdummy text. it is intendedto be read but have noapparent meaning. as asimulation of actual copy,using ordinary words withnormal letter frequencies, itcannot deceive eye or brain.


words have no meaning cannot the medium of its delivery be

said to be equally meaningless. This is the existentialist paradox

of the typographer; can type ever be separate from meaning?

Words separate from medium?

9/11 Smart as a whip: the typographer,

but never smarter than his script.

the philosophy of type


CREATED AS A PLACE TO PLAY, A HOME FOR EXPERIMENTATION

AND A SHOWCASE OF OUR CRAFT.

24/25 The warmleather embrace ofthe cab creaks omi-nously to the rhythmof the street. I restmy head on the cool

glass.

18/19 The harsh curves ofthe neon city exploding onmy closed eyelids as thecombination of Xanax and

jet-lag slowly deadens my

limbs. Rest I mouth. Thenoblivion.

16/17 I ask her her name, strain-ing to hear above the slow dronecoming from the PA. She grabs

my arm and inscribes Melissaon it in neat, tightly-spacedcursive, punctuating the i witha small heart.

14/15 The tattoo guns passes aroundthe table- A kid etches out MOMS inblue biro ink laughing hysterically asthe machine purrs across his forearm.I can see Melissa through the open

door to the bathroom, perched on thetoilet, a pair of boys briefs around herankles, absentmindedly smoking acigarette and blowing smoke rings; Ofollowed by Q followed by O.

12/13 More days in daze. More scripts,more novels. More pages and clammy busi-ness cards passed of in moist handshakes.More Melissa. More pointless shopping

sprees and more people to please. Moredusty blond boys and speedos. I flick myaviators down and read the street signs.

10/12 I keep on cracking jokes, right? Because

Im funny. I want to be funny. Only each time the

punch-line falls flat. My delivery is off. I keep glancing

between the menu and the fois gras printed out in

rounded serifs and the

waiter laughing politely,anxiously. I settle on the

duck since it strikes me

as funny somehow. She

picks her teeth and nods.


door snaps me back and I

nervously glance up at the

departures sign. Numerals

slither rapidly as I scan the

board. SK402 to Copenhagen.


security belt, shoes, watch,laptop and slump down at






heart doting the i.


9/20

PLAYTYPE




Academy Sans DemiBold

14/17 ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 This isdummy text. it is intendedto be read but have noapparent meaning. as asimulation of actual copy,using ordinary words withnormal letter frequencies, itcannot deceive eye or brain.













18/19 The harsh curves ofthe neon city exploding onmy closed eyelids as thecombination of Xanax and jet-lag slowly deadens my limbs.Rest I mouth. Then oblivion.

16/17 I ask her her name, strain-ing to hear above the slow dronecoming from the PA. She grabsmy arm and inscribes Melissaon it in neat, tightly-spacedcursive, punctuating the i witha small heart.





punch-line falls flat. My delivery is off. I keep glanc-

ing between the menu and the fois gras printed out inrounded serifs and the waiter laughing politely,

anxiously. I settle on the duck since it strikes me as

funny somehow. She picks her teeth and nods.














heart doting the i.


10/20

PLAYTYPE




Academy Sans DemiBold Italic

14/17 ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 This isdummy text. it is intendedto be read but have noapparent meaning. as asimulation of actual copy,using ordinary words withnormal letter frequencies, it

cannot deceive eye or brain.













18/19 The harsh curves ofthe neon city exploding onmy closed eyelids as thecombination of Xanax and jet-lag slowly deadens my limbs.Rest I mouth. Then oblivion.


14/15 The tattoo guns passes aroundthe table- A kid etches out MOMS inblue biro ink laughing hysterically asthe machine purrs across his forearm.I can see Melissa through the opendoor to the bathroom, perched on thetoilet, a pair of boys briefs around herankles, absentmindedly smoking acigarette and blowing smoke rings;O followed by Q followed by O.





















heart doting the i.


11/20

PLAYTYPE




Academy Sans Bold





to be equally meaningless. This is the existentialist paradox of

the typographer; can type ever be separate from meaning? Words



but never smarter than his scrip t.






18/19 The harsh curves ofthe neon city exploding on myclosed eyelids as thecombination of Xanax and jet-lag slowly deadens my limbs.Rest I mouth. Then oblivion.



12/13 More days in daze. More scripts, morenovels. More pages and clammy businesscards passed of in moist handshakes. MoreMelissa. More pointless shopping sprees andmore people to please. More dusty blond boysand speedos. I flick my aviators down andread the street signs.


funny. I want to be funny. Only each t ime the punch-

line falls flat. My delivery is off. I keep glancing

between the menu and the fois gras printed out inrounded serifs and the waiter laughing politely,















8 digits, XXX and Melissa with

a heart doting the i.


12/20

PLAYTYPE




Academy Sans Bold Italic









but never smarter than his s cript.































13/20

PLAYTYPE




Academy Sans Heavy














24/25 The warmleather embrace of thecab creaks ominouslyto the rhythm of the

street. I rest my headon the cool glass.





10/12 I keep on cracking jokes, right? B ecause





















14/20

PLAYTYPE




Academy Sans Heavy Italic








9/11 Smart as a whip: the typographer,but never smarter than his script.



CREATED AS A PLACE TO PLAY, A HO ME FOR EXPERIMENTATION







10/12 I keep on cracking jokes, right? BecauseIm funny. I want to be funny. Only each time the


ing between the menu and the fois gras printed out inrounded serifs and the waiter laughing politely,anxiously. I settle on the duck since it strikes me asfunny somehow. She picks her teeth and nods.
















15/20

PLAYTYPE



Academy Family


Big playBig play


16/20

PLAYTYPE



Academy Family


Big playBig play


17/20

PLAYTYPE



Academy Family


Big playBig play


18/20

PLAYTYPE



Academy Family


Big playBig play


19/20

PLAYTYPE



Academy Family


Big playBig play


20/20

PLAYTYPE



Academy Family


Big playBig play

academy sans_playtype_11.pdf

Documents