kirsten stolle - nomegallery.com · 2020. 9. 24. · stolle painted the series while reading rachel...

Kirsten Stolle

viennacontemporary 2020

Booth C01

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Weed Control, 2019

Collage on archival pigment print

56 x 30.5 cm

On Tuesday June 4, 2019, Bayer placed a full-page advertisement in the NY Times defending

the use of the chemical herbicide glyphosate. Stolle has reproduced the original

advertisements and through redactions, cutting, collage, and annotations created

“interventions” that resurface and call out their revisionist history.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

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Annotated, 2019

Ink, archival pigment print

56 x 30.5 cm

On Tuesday June 4, 2019, Bayer placed a full-page advertisement in the NY Times defending

the use of the chemical herbicide glyphosate. Stolle has reproduced the original

advertisements and through redactions, cutting, collage, and annotations created

“interventions” that resurface and call out their revisionist history.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Specimen-2, 2013

Gouache, ink, graphite on Yupo

37 x 29.5 x 3 cm

Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted

the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects

of pesticides on eco-systems and human biology, and while thinking about unseen

interferences between interior and exteriority.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Specimen-4, 2013

Gouache, ink, graphite on Yupo

37 x 29.5 x 3 cm

Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted

the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects

of pesticides on eco-systems and human biology, and while thinking about unseen

interferences between interior and exteriority.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Specimen-5, 2013

Gouache, ink, graphite on Yupo

37 x 29.5 x 3 cm

Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted

the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects

of pesticides on eco-systems and human biology, and while thinking about unseen

interferences between interior and exteriority.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Specimen-6, 2013

Gouache, ink, graphite on Yupo

37 x 29.5 x 3 cm

Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted

the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects

of pesticides on eco-systems and human biology, and while thinking about unseen

interferences between interior and exteriority.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Specimen-8, 2013

Gouache, ink, graphite on Yupo

37 x 29.5 x 3 cm

Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted

the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects

of pesticides on eco-systems and human biology, and while thinking about unseen

interferences between interior and exteriority.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Specimen-9, 2013

Gouache, ink, graphite on Yupo

37 x 29.5 x 3 cm

Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted

the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects

of pesticides on eco-systems and human biology, and while thinking about unseen

interferences between interior and exteriority.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Specimen-7, 2013

Gouache, ink, graphite on Yupo

37 x 29.5 x 3 cm

Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted

the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects

of pesticides on eco-systems and human biology, and while thinking about unseen

interferences between interior and exteriority.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Specimen-10, 2013

Gouache, ink, graphite on Yupo

37 x 29.5 x 3 cm

Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted

the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects

of pesticides on eco-systems and human biology, and while thinking about unseen

interferences between interior and exteriority.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Falling, 2019

Letraset transfer on abraded stock certificate

30 x 21 cm

“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Redaction, 2019

Letraset transfer on abraded stock certificate

37 x 25 cm

“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G.Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Gilded, 2019

Letraset transfer on abraded stock certificate

21 x 21 cm

“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Diversion, 2019

Letraset transfer on abraded stock certificate

37 x 25 cm

“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Divided, 2019

Letraset transfer on abraded stock certificate

22 x 22 cm

“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Crossed, 2019

Letraset transfer on abraded stock certificate

39 x 25.5 cm

“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Closing In, 2019

Letraset transfer on abraded stock certificate

21 x 30 cm

“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Stacked, 2019

Letraset transfer on abraded stock certificate

20 x 30 cm

“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Sightlines, 2019

Letraset transfer on abraded stock certificate

20 x 30 cm

“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Double Roundup, 2019

Inkjet print

50 x 50 cm

Ed. 1/3

Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Dow Specialty Herbicide, 2019

Inkjet print

50 x 50 cm

Ed. 1/3

Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Fast Action Roundup, 2019

Inkjet print

50 x 50 cm

Ed. 1/3

Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Bayer Advanced, 2020

Inkjet print

50 x 50 cm

Ed. 1/3

Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Roundup Extended Control, 2019

Inkjet print

50 x 50 cm

Ed. 1/3

Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Roundup Promax, 2019

Inkjet print

50 x 50 cm

Ed. 1/3

Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

2, 4-D Weed Killer, 2019

Inkjet print

50 x 50 cm

Ed. 1/3

Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Concentrate Plus, 2019

Inkjet print

50 x 50 cm

Ed. 1/3

Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Dow Concentrate, 2019

Inkjet print

50 x 50 cm

Ed. 1/3

Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

Dow Shield, 2019

Inkjet print

50 x 50 cm

Ed. 1/3

Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin

About the artist:

https://nomegallery.com/artists/kirsten-stolle/

About Kirsten Stolle's show „Pesticide Pop“:

https://nomegallery.com/exhibitions/pesticide-pop/

For further information please contact Olga Boiocchi at

olga@nomegallery.com

N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin