raffles delhi "tapestry 2014"

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Raffles Delhi "Tapestry 2014" is an annual graduation book of Raffles Millennium International Delhi. It contains information about the graduating students and their projects.

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1 1

2TAPESTERY / 2014

2 3

Executive Director’s Message

TAPESTERY / 2014

My heartiest congratulations to graduating stu-dents of 2014! To graduate in your chosen field is a wonderful achievement of which you should be very proud. When you leave the confine of Raffles you will open another chapter of your life where you will face challenges of a very different kind to what you have so far faced while in college. I am confident that with the guidance and training that you have gained from our team of International faculty in Raffles you are well equipped to take on the world of design.

Confucius once said, “Success depends upon previous preparation, and without preparation there is sure to be failure”. For all of you, your journey with Raffles is the preparation therefore failure is not an option! It is my hope that you would one day achieve great success in your chosen field of design and see your name along side world famous designers!

Mr Mike YamExecutive Director

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College Director’s Message

TAPESTERY / 2014

It seems like with a blink of an eye and we are at the third edition of the Graduation Book. Yes, it is time for you to leave the corridor of RMI and embark on the next exciting journey in your life. Congratula-tions and thank you, class of 2014 for opening the door of opportunities to find your rare talent in RMI.

I have no doubt you must have faced with many challenges along your journey to get here. Putting in the hard work, overcoming bumps and road-blocks, stumbling and picking yourselves up and start again, these are trials and tribulations that I am sure you would have encountered. However, these experiences will make you stronger and well equipped to take on the world that awaits you be-yond the parameters of RMI. Life is like Tapestry that is interwoven with thread of fall and rise, failure and success. It has been said that, “Failure is not the opposite of success but it is part of success”. Let all the challenges that you have encountered during your time in RMI be part of your success in the future.

It is my hope that you take with you fond memories of your tenure here and be proud to be counted as esteemed alumni of RMI. Last but not least, I wish you all the success in your future endeavours.

Ms Anne ChungCollege Director

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Assistant College Director’s MessageCongratulations on completing your studies with Raffles Millennium International. This is an impor-tant phase in your life as it marks the end of years of perseverance, hard work and dedication. It is also the beginning of a new chapter in your life.

As a graduate, you shall join our community of alumni that is already contributing to shape, a more skilled, creative and vibrant India.

You shall be the creative designers and leaders of tomorrow who will stand out above the rest.

I wish you well as you move into the next phase of your life and encourage you to stay in touch with what is happening at Raffles.Enjoy this celebra-tion of your hard work and achievements. Wishing you every success in the future.

Mr Frankie LimAssistant College Director

TAPESTERY / 2014

College Director’s Message

6ACADEMIC GROUP

Front Row (Left to Right) Chaity Tan, Merunisha Moonilal, Zurina Naicker, Brian Orvik, Maria Cuadrado. Back Row (Left to Right) Devon Foster, Antonio Suarez, Predrag Stojicevic.

6 7NON-ACADEMIC GROUP

Front Row (Left to Right) Rajni Thakural, Neelu Kaul, Anchal Sharma, Neha Arora, Deepti Kandpal, Nupur Munjal, Meenakshi Tanwar. Back Row (Left to Right) Ravi Kumar, Sumit Ahuja, Saurabh Arora, Kamal Khatter, Suresh Sharma, Abja Ghosh, Pankaj Chander.

8VISUAL COMMUNICATION AND MULTIMEDIA DESIGN

Programme Coordinator’s Message,Visual Communication

Design is a conscious effort. Design also requires designers to predict design problem instead of merely concentrating on creating aesthetic values. A good graphic designer is capable to communicate design to their audience through visuals. Having good skills in conceptualising de-sign is an asset for all designers, however it is essential for all graduates to have good learning attitude because your journey has just began. Ed-ucate is unending be it in your studies or in the professional field and preserving a good learning attitude will help you to be more than just a de-signer but a renowned designer who is not solely good at his and her job and also a trustworthy person whom clients can rely on your expertise.

Chaity TanProgram Coordinator, Visual Communication

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8 9RIA CHATTERJEEMULTIMEDIA DESIGN

I have selected a webpage artwork and video animation screenshots from: (i) Major Studio Project; and (ii) Graphic Design and Multimedia Studio, respectively.

10RIA CHATTERJEEMULTIMEDIA DESIGN

10 11

Designers, Biker, Religious: these three terms sum me up. Designing is like painting a canvas digitally with your thoughts. My designs represent the passion I have for being creative. In my view, typography and colour are the most effective creative tools.

JASPREET SINGH MOHINDRAVISUAL COMMUNICATION

12JASPREET SINGH MOHINDRAVISUAL COMMUNICATION

12 13RAEL ANGUS ARMSTRONGMULTIMEDIA DESIGN

14RAEL ANGUS ARMSTRONGMULTIMEDIA DESIGN

14 15ADV DIPAAKSHAY NATHMULTIMEDIA DESIGN

16PRIYANKA SOODADV DIP

MULTIMEDIA DESIGN

16 17LUBNA RAHMANADV DIP

VISUAL COMMUNICATION

18DISHA SIKKAADV DIP

VISUAL COMMUNICATION

18 19CHETNA SAWHNEYADV DIP

VISUAL COMMUNICATION

20MULTIMEDIA DESIGN

20 21MULTIMEDIA DESIGN

22PRODUCT DESIGN

Programme Director’s Message,Product Design

Product Design is one of the most diverse design fields there is. Whether designing furniture and lighting, athletic gear, exhib-its and other interactive interiors, futuristic transportation concepts or the electronic devices which make our lives both conven-ient and fun, the scope of this discipline is vast and varied. Product Designers contin-uously blend science, art, invention and in-novation to create the wide range of useful and beautiful objects we use each day, for every purpose. To this year’s graduates of the Product De-sign program here at Raffles New Delhi, I wish you good luck and Godspeed. Go make your mark on the world.

Devon R. Foster, Program Director of Product Design

22 23SUBINAY MALHOTRAPRODUCT DESIGN

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“Do not go where the path may lead, go instead where there is no path and leave a trail.”

-Ralph Waldo Emerson

SUBINAY MALHOTRAPRODUCT DESIGN

24 25ROHIT KOTHARIPRODUCT DESIGN

26ROHIT KOTHARIPRODUCT DESIGN

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Ideas are not just ideas - when you pursue their development through drawings, computer or modeling, they become de-signs! Mohit Singh. Advanced Diploma in Product Design

MOHIT SINGHPRODUCT DESIGNADV DIP

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To live is to have problems and to solve problems is to grow creatively.

PULKIT TEOTIAPRODUCT DESIGNADV DIP

28 29

“We learn from history. Good design has survived through the ages. Therefore, new design should last longer than our existence.” - Vibhor Gulati

VIBHOR GULATIPRODUCT DESIGNADV DIP

30PRODUCT DESIGN

30 31

‘’Style is a way to say who you are without having to speak.’’ Rachel Zoe

On completion of their advanced diplomas and Bachelors Degrees in Fashion Design and Fashion Marketing we are proud to present our students work whereby student expresses their personal style without words.

After our fashion courses the students are not only enriched with technical skill in Fashion Marketing and Design, they are encouraged to create, innovate and forecast under international standards of exigency. Our wish is that our graduate students dreams are achieved when they enter the industry, when they have the opportunity to explore and gain the valuable exposure.

Maria Dolores Cuadrado’s, Merunisha Moonilal’s and Zurina Naicker’s Message, Fashion Design and Fashion Marketing Management

FASHION DESIGN AND FASHION MARKETING

32FASHION DESIGN AND FASHION MARKETING

32 33FASHION DESIGN PRERNA SAWHNEY

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This collection speaks about my journey through the streets, lanes, bylanes, offices and monuments of Chandni Chowk, Delhi: the discoloring, the fading, the rusting, the peeling and renovation of the new ‘Chandni Chowk’. I have focused on the history and urbanization of the oldest part of Delhi.

FASHION DESIGN PRERNA SAWHNEY

34 35FASHION DESIGN SHRUTI BHARECH

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The inspiration for my collection is prints reproduced from the carvings on the doors, windows, walls – and so on – of Chandi Chowk, Delhi. As Chandi Chowk has a cultural and Indian identity, I decided to make an Indo-Western style collection where I have used the technique of dabu printing. I have kept the silhouettes simple and Indo-Western, and taken inspiration from Chandi Chowk for both the pleating and color schemes.

FASHION DESIGN SHRUTI BHARECH

36 37FASHION DESIGN MEERIKA DHAWAN

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The old buildings of Chandni Chowk, Delhi, have inspired my collection. I have focused on texture, layering and the weathering of the walls of the old buildings, which I have juxtaposed with the shape and structure of the famous Jan-tar Mantar. The techniques I have used in my collection are laser cutwork to represent the structures and marble dyeing to reproduce the effect of weathering on walls.

FASHION DESIGN MEERIKA DHAWAN

38 39

My collection is about the moment when you can describe the beauty of a persons’ life, when they cannot.

FASHION DESIGN RAVI KULKANT TIRKEY

40FASHION DESIGN RAVI KULKANT TIRKEY

40 41FASHION MARKETING SANJUKTA PANJWANI

42FASHION MARKETING SANJUKTA PANJWANI

42 43

I would consider myself to be a soft pebble that would create ripples of style and glamour when dropped in the pond of the fashion world.

FASHION DESIGNADV DIPVIPANCI BAJAJ

44FASHION DESIGNADV DIPIRUVANTHIKA CHOWDHARY

44 45

My Collections have always been inspired by fashion from the past – for example Victorian lace and Roman drapes – and current trends. I have fused the historical and contem-porary styles and practices to create a modest clothing line.

FASHION DESIGNADV DIPSHAZIA PARVEEN

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Fashion Marketing has taught me that there are no rules to be followed in this field. This enables us to experiment with our work and our lecturers have always encouraged us to do so. My experience has made me more confident about both my work and me.

FASHION MARKETINGADV DIPMANORAMA BASWA

46 47

I believe in letting my hard work and creativity take the wheel; that way I can overcome any obstacles that come my way and succeed.

FASHION DESIGNADV DIPCHARUL VIDHANI

48FASHION DESIGN AND FASHION MARKETING

48 49

Programme Director’s Message, Interior Design

INTERIOR DESIGN

I would like to thank all the graduating students in the following pages for letting us participate in their journey towards becoming Interior Designers. All of the faculty members, management and support staff have witnessed your efforts, and this is the time for us to celebrate your achievements. As you grow in your professional lives, we urge you to remember the reasons why you selected Interi-or Design as your career of choice, and to recall the key values of improving the quality of life of others through good practice, compassion and integrity.

It was a pleasure teaching you, and we are immensely proud of what you have achieved. We wish you a bright future ahead with plenty of success and happiness.

To Brian and Predrag an enormous vote of thanks for your ongoing contributions to the learning envi-ronment of Raffles in general, and to the Interior Design programme in particular.

Silvia Ojeda GarcíaProgramme Director, Interior Design

50INTERIOR DESIGN

50 51INTERIOR DESIGN AMAN BHAYANA

52INTERIOR DESIGN AMAN BHAYANA

‘The Art Colony’ is a conceptual space designed for my Interior De-sign Major Studio Project.

52 53INTERIOR DESIGN VISHNUPRIYA MUNDRA

54INTERIOR DESIGN VISHNUPRIYA MUNDRA

54 55INTERIOR DESIGN RIFSHA AISHATH

My design for a Multicultural Centre has been inspired by Indian Mughal Architecture. I have incorporated classic Mughal detailing and a dome. My design integrates the modern and traditional.

56INTERIOR DESIGN RIFSHA AISHATH

56 57INTERIOR DESIGN VANSH ARORA

My design is a for luxurious boutique hotel for diplomats and high profile guests: the in-between space that creates both private and public areas for visitors.

58INTERIOR DESIGN VANSH ARORA

58 59INTERIOR DESIGN HARNAM KAUR

Space: my design is for a space that has been converted into a photo studio complex comprising of 2 studios, ‘Light-Out’ and ‘In-Light’. The space is formed of a cafe, an exhibition space and a sculpture garden.

60INTERIOR DESIGN HARNAM KAUR

60 61INTERIOR DESIGN RIA GULATI

62INTERIOR DESIGN RIA GULATI

62 63INTERIOR DESIGN NEHCHAL NARULA

64INTERIOR DESIGN NEHCHAL NARULA

64 65INTERIOR DESIGN GULNEET KAUR

66INTERIOR DESIGN GULNEET KAUR

66 67INTERIOR DESIGN SHIVANI RASTOGI

The playschool ‘Muffins’ is modern, clean, spacious, airy and carefree. The space facilitates both physical and mental development for children.

68INTERIOR DESIGN SHIVANI RASTOGI

68 69INTERIOR DESIGN DHRITI MODI

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My design is a Cultural and Convention Centre with inside and outside spaces. The inside is exposed to the outside, making inside and outside transitions easier.

INTERIOR DESIGN DHRITI MODI

70 71INTERIOR DESIGN PREETI KAPUR

My design is for a space transformed into a social hub: an auditorium, gallery, restaurant and lounge area. The theme is an amalgamation of modern and heritage.

72INTERIOR DESIGN PREETI KAPUR

72 73INTERIOR DESIGN GAURAV BHARDWAJ

74INTERIOR DESIGN GAURAV BHARDWAJ

74 75INTERIOR DESIGN MEENAL BHATIAADV DIP

My design for a boutique hotel is an amalgamation of French and antique stylistic elements. The main feature is skylight, which brings life into the space.

76INTERIOR DESIGN SWATI DUGARADV DIP

‘Outhouse Jewellery’ is inspired by bohemian culture. The design complements the curves of jewellery displayed in the space, as well their colours and materials, such as zinc, cop-per and gold.

76 77INTERIOR DESIGN TANISHA RAIZADAADV DIP

‘Iceberg’ Commercial Project: I have designed a showroom for ‘Icebreaker Marino’, inspired by the fashion sportswear com-pany Iceberg’s brand identity. My design features a metallic structure hanging from the ceiling, which reflects onto glass. This design incorporates the outdoorsy, adventurous and ‘icy’ identity of the brand.

78INTERIOR DESIGN NIKITA GUPTAADV DIP

Exhibition Café: My design incorporates powerful curves with elongated structures that fragment geometry to evoke the chaos of modern life.

78 79INTERIOR DESIGN SMRITI PRUTHIADV DIP

I have designed a birthing center in Shahpur Jat, Delhi, exploring the concept of ‘CORE’: to expand and grow from an initial stage. I decided to design a nutrition and training center for pregnant women.

80INTERIOR DESIGN ANKITA CHADHAADV DIP

My idea was to design an isolation centre in Hauz Khas, Delhi. I have designed an orphanage.

80 81INTERIOR DESIGN ANVITA MADANADV DIP

82INTERIOR DESIGN KARISHMA AHUJAADV DIP

Birthing Centre for Pregnant Women: My design is soft and powerful and I have explored the concept of ‘Breeze’ explored through ‘Pregnancy Discrimination’. The Centre incorporates Orientation Spaces, Support and Guidance Spaces, and Rec-reation and Outdoor Spaces.

82 83INTERIOR DESIGN ANANNYA MARWAHADV DIP

‘The Photographer’s Gallery’ is a space located in a modern vintage setting, an all-in-one café and gallery that exhibits pho-tographs and also serves as a studio. The space overlooks Hauz Khaz village lake, secluded from busy streets.

84INTERIOR DESIGN SAMBHAV JAINADV DIP

In designing the form of my lamp, I have been inspired by the slender towers that adorn Moorish architecture. A tall spire with an onion shape or a conical crown is a distinctive architectural feature of mosques in general. These spires are usually either free standing or taller then their associated support structures.

84 85INTERIOR DESIGN KEERTHI MEKAADV DIP

Inspired by the Haus Khas Village, I have designed a spa incorporating principles of space management and material usage (right and below). Cafe sketch (bottom-right).

86INTERIOR DESIGN ALISHA GARGADV DIP

My design features large, inbuilt circles forming the racks and a curved roof with crystal lights.

86 87INTERIOR DESIGN ROSHNI GULATIADV DIP

I have designed a café space for a college premises. My aim was to create a warm, welcoming and vintage atmosphere.

INTERIOR DESIGN CHAVI KATYALADV DIP

89PROGRAM / COURSE

BDES 89INTERIOR DESIGN RISHABH SARPAL

ADV DIP

90PROGRAM / COURSE

BDES INTERIOR DESIGN GEMINI GHEEK

ADV DIP

‘The Spiral Chair’: I have made this chair using wooden strips that revolve around the seat creating a half moon.

91 90PROGRAM / COURSE

BDES 91INTERIOR DESIGN GAGANDEEP BHALLA

ADV DIP

I have designed a birthing center in Shahpur Jat, Delhi, focusing on the concept ‘care’ from a mother for her baby. ‘Bear’ has inspired me: open and closed spaces giving a feeling of bliss and oneness.

92 92PROGRAM / COURSE

BDES INTERIOR DESIGN KHUSHBU DUGAR

ADV DIP

Collateral Lamp: in designing this lamp, I have been inspired by objects of similar appearance around me. My work demon-strates the design principle ‘symmetry’ and balanced design.

92 93 92

The store has been divided into four parts, based upon four different sports apparel. My design is inspired by wooden patterns, giving it a warm and elegant feel.

INTERIOR DESIGN KARAN SURIADV DIP

94INTERIOR DESIGN ADITI MITTALADV DIP

A lamp constructed from recycled material.

94 95INTERIOR DESIGN TANIKA BANSALADV DIP

96INTERIOR DESIGN KRITIKA SOODADV DIP

96 97SPONSORS

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100 101SPONSORS

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