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    THE WORLD ASH TREE:

    THE MYTHICAL ORIGINS OF THE

    CHRISTMAS TREE

    Robert N. St. Clair

    University of Louisville

    INTRODUCTIONThe Nordic creation myths (Young, 1966) have been documented by Snorri Sturluson, an

    Icelandic historian, poet, and politician who lived around 1179-1241 AD. He was the author of

    the Younger Edda, which is comprised of a narrative of Norse Mythology (Gylfaginning), a

    book of poetic language (Sk

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    the world. It is the Yew tree that stands high above others and shelters all of the other worlds.

    The story of those worlds and how they relate to Nordic mythological figures is the story of the

    Well of the Wyrd (Bates, 1988; Thorsson, 1988).

    Old Norse Account of the YggdrasilAsk veit eg standa,

    heitir Yggdrasill,

    hr bamur, ausinnhvta auri;

    aan koma dggvar

    r er dala falla,

    stendur yfir grnn

    Urarbrunni.

    An ash I know stands,

    Its name is Yggdrasil,

    An immense tree, covered overBy the white sand.

    Thence come the dew

    That falls in the valleys,

    It stands ever-green

    Above the well of Urdal.

    THE NINE WORLDS

    When the ice of the last ice age began to melt, it revealed a barren and rugged land with flowin

    rivers, forests, and plains. New animal life, reindeer, aurochs, wolves, bears, and foxes,

    migrated to the north. Those who hunted them on the tundra were able to retreat to their tribal

    homes in the lush valleys below. However, they could not retreat from the Frost Giants, the

    bitter storms that came down from the high mountains. Nor were they able to avoid the wildbeasts that lurked in the forests or the strange sea monsters that wrecked their ships. For help,

    they turned to their own gods. They sought help from their All Father, Odin, the first of the

    Aesir gods whose realm was made up of nine worlds. The Aesir gods and goddesses lived in a

    realm known as Asgardr, the realm of the mind, of myne (memory) and hugh (intellect). This

    home of the Nordic spirits contained many halls and houses and Valhalla was the main hall. It

    was where Odin rules with his consort and equal, Freyja, the All Mother. Odin had a special

    place (Hildskjalf) in this realm from which he could see all of the worlds (Idavollr) beneath him

    There were others gods or Aesir living in this realm. There were the spirits of the dead warrior

    who resided in Valhall. There were twp temples, one for the gods (Gladshimr) and one for thegoddesses (Vinglf).

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    The Realm of Asgardrthe realm of the mind with its memory (myne) and intellect (hugh)

    Odin The All Father

    Freyja The All Mother

    Gladshimr

    The Temple of the Gods

    Vinglf The Temple of the Goddesses

    HildskjalfA special place where Odin could see the whole world

    (Idavollr) beneath him

    Idavollr

    The mythical plain of Ida, the field of continuity, renewing,

    and rejuvenation. It is located in the middle of the Realm of

    Asgardr.

    Beifrost

    The icy fiery rainbow bridge guarded by Heimdallr. It

    connects the world of humans (Midgard) to the world of the

    gods (Asgardr)

    Lojossalheimr

    This is the world of the light elves and it contains substrata

    of halls of white light. This is where the brightness of the

    human intellect (hugh) is derived.

    In the center of the Ash tree, one finds the Midgardr or Midgard. It is where the humans live. I

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    is the center of the Quaternity with worlds to the north, south, east, and west.

    Asgard World of the Aesir

    AlfhamWorld of the Light Alfs. This is the home of intellect. It

    contains many abodes (halls) with various strata of light.

    Midgard

    The Middle World, the World of the Humans.

    Symbolically, it represents the ego, consciousness, and the

    lower self. The Midgard provides stability between the

    Asgard and the Lojossalhimr. It is surrounded by

    impassable waters. The M idle Earth is a fictitious land

    created by J. R. R. Tolkien and is based on the Midgard.

    Muspell

    Tthe World of the Giants. This is where one finds thefiery sparks of life and all forms of positive energy. It is

    the balance between the heat of Muspell and the cold of

    Niflheim that allows humans to live in the Midgard.

    Jutenheim

    World of the Jutens. This is the realm of constant change

    and evolution. The winds of the east bring with it

    destruction and sudden that that may either result in good

    or evil. There are two kinds of Giants: rocks and frost.

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    They menace the humans in Midgard and the gods in

    Asgard. The chief city in Jutenheim is Utgard. It is ruled

    by King Thrym (Uproar).

    Vanaheim

    The world of the Vanir. Here one finds the gods and

    goddesses of fertility. Here reside the seasons, the

    harvests, fruition, growth, and the cycles of life.

    NiflheimnThe World of Mist and Ice. It is the origin of all waters

    and is enveloped in ice. It is the land of Mists.

    Svartheimr

    The world of the Dark Alfs. This is the world that

    represents the formative aspects of being. Human beings

    take form and shape in this realm. Everything that is

    formed in this realm is manifested in the Midgard.

    Hel

    The world of the Dead. This is the underworld. Souls

    come here to undergo rebirth to another level of

    reincarnation. The goddess Hel is the daughter of Loki.

    One cannot escape her powers without outside help and

    this is why ancestral worship is so important. Thegrandmothers and the grandfathers in one's lineage assist a

    reborn soul in his or her escape from Hel.

    These worlds are connected by rainbows of fire and ice. They are the ribbons of light that allow

    the gods to visit their worlds.

    THE WELL OF THE WYRD

    One has to view the world tree as the Axis Mundi of the Nordic cosmology. The top of the tre

    is where the gods and goddesses lived. When one looks up into the night sky, one sees the

    North Star (Polaris). All of the other stars circle around it. It remains motionless within the

    traveling stars and planets that make up the night sky. At the time when the Nordic myths wer

    created, Polaris was the Pole Star. Every 26,000 years, a new Pole Star appears. It was Thurba

    around 50,000 BC and it will be Vega in 14,000 AD. Nevertheless, Polaris was the star that

    comprises the Nordic myths. Symbolically, this is the star on the top of the Christmas tree. It i

    the home of the gods. When one places an angel on top of a Christmas tree, one has capturedthe significance of this real of the Aesir.

    At the other end of the axis mundi is the bottom of the cosmic world tree. It consists of tree

    huge roots that represent the past (Wyrd), the present (Verdandi) and the future (Skuld). They

    are represented as three sisters who guard the wells. In the Zauberflote (the Magic Flute) by

    Mozart, these are the dritte Dame die Nchte (the three ladies of the night). In Nordic literature

    they are called the Norns, the sisters of the Wyrd.

    Wyrd That which has become

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    Vernandi That which is being

    Skuld That which will become.

    What is important about the Well of Wyrd is that it figures prominently in the casting of the

    Runes (Thorsson, 1988). The Well of the Wyrd represents the past. One lives by the past. The

    present is determined by thoughts, beliefs, and actions done in the past. The future is planned i

    accordance with one's record of accomplishments created in the past (Gundarson, 1993) .

    Hence, these sisters are called the Sisters of the Wyrd, the sisters of the past. When one caststhe runes, they are cast into the Well of the Wyrd. For in the past one finds all of the cosmic

    knowledge from the beginning of time. It is by delving into the past that these roots of the

    Yggdrasil are able to keep the World Tree replenished.

    The Well of the Wyrd is controlled by the world of the Vanir, the gods and goddesses of

    fertility. The second of the three roots goes into the Well of Mimir in the land of the giants,

    Jotunheimr or the Frost Giants. The third root goes into the Well of Helvegamar, the

    underground spring of Nilfheim where the terrible serpent (Nidhoggr) is coiled around the stat

    of the treat constantly eating at the roots of the Yggdrasil. This is part of the Underworld

    presided over by the goddess Hel. Loki was one of the three springs who resided over life and

    death. Hel is her daughter and controls the Wellof Helvegamar. The roots of the Yggdrasil

    produced a magic fluid (aurr), a kind of lunar blood that lies at the base of all elixir myths.

    Hence, the Yggdrasil is seen as a universal mother, the source of unborn souls. The first man

    (Askr) was born from the Ash tree (Asc) and the first woman (Embla) was created from the El

    tree. It was Odin who game them both the breath of life.

    Roots of the

    Yggdrasil Sources Home or Destination

    Wyrd River of PastWell of Wyrd

    Vanaheim

    Vernandi River of PresentWell of Mimir

    Jutenheim

    Skuld River of FutureWell of Helvelgamar

    Niflheim

    CASTING THE RUNES

    The Runes are alphabetic symbols that are that were used by Nordic and Germanic tribes in

    Northern Europe around the 3 BCE. These pictographs were used to represent the forces and

    objects of nature (Thorsson, 1989). It is sometimes called the FUTHARK after the first 6 letter

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    of the alphabet . What is important about these Runes is that they were used to symbolize the

    cosmology of the World Tree. Each of the symbols in this alphabet had a special meaning.

    These will be discussed within the context of the Ash World Tree.

    Rune Symbol Place in Cosmic Tree Nordic Meaning Comments

    The Iwaz rune is a complex symbol representing the World Tree. Iwaz (Yew Tree)

    A representation of Heaven, Hell and Earth with the Quaternity surrounding Earth The vertical

    axis represents the axis mundi. At the top is the world of the spirits, Aesir. At the bottom is He

    In the center is the Midgard.

    Rune SymbolPlace in

    Cosmic Tree

    Nordic

    MeaningComments

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    The Iwaz rune is a

    complex symbol

    representing the

    World Tree.

    Iwaz (Yew Tree)

    A representation of

    Heaven, Hell and

    Earth with the

    Quaternity

    surrounding Earth

    The vertical axis

    represents the axis

    mundi. At the top is

    the world of the

    spirits, Aesir. At the

    bottom is Hel. In

    the center is the

    Midgard.

    Midgard, Earth

    Gebo, G

    Gebo stands for

    gift.

    This is a balanceamidst the

    Quaternity of Fire,

    Ice, Growth, and

    Evolution.

    The Realm of

    Asgardr.

    Ansuz, A

    Ansuz is associated

    with the Aesir,

    Odin, and the wind

    The home of Odin

    and Freyja. The

    Hall of the Dead,

    Valhalla.

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    The Ream of the

    Ljossalheim

    Wunjo, W

    Wunjo is the rune of

    joy and peace.

    This is the home of

    the White Alfs.

    Here is where there

    are strata of light

    representing

    Intellect (Hugh).

    The Realm of the

    Svartalheim

    Kenaz, K

    Kenaz represents

    the torch.

    This is the home of

    the Dark Alfs.

    The Realm of Hel

    Hagalaz, H

    This rune stands for

    hail.

    This is the home of

    the Dead, Hel.

    The Quaternity surrounding the Midgard

    The Realm of the

    Jotunheim

    EAST

    Thurisaz, TH

    The third rune is

    associated with giants

    (thurs).

    The world of giants

    and Etins.

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    The Realm of the

    Vanaheim

    WEST

    Fehu, F

    The rune of Freya and

    her brother Frey. It

    stands for fee and gold.

    The world of the Vanir

    The Realm of Niflheim

    NORTH

    Uruz, U

    This rune stands for

    strength and health. It is

    associated with a

    horned animal calledthe auroch

    The world of ice and

    mist

    The Realm of

    Muspellheim

    SOUTH

    Raido, R

    This is the rune of

    jouneying, or rides.

    The home of the sun.

    Where the sun rides.

    Other Runes of Interest

    Nauthiz, N

    Nauthizstands for the

    strength of

    need

    Berkano, B

    Berkano standsfor the birch

    goddess and is

    used for fertility

    and birthing

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    Isa, I

    Isa is the

    rune

    associated

    with ice.

    Dagaz, D

    Dagaz means

    day.

    Jera, Y. The

    rune jera

    stands for

    year.

    Othila, O

    Othila is the

    rune associated

    with inheritance

    Eihwaz, EI

    This rune is

    associatedwith the yew

    Ingwaz, NG

    Ingwaz is the

    rune of the godIng

    Perth, P

    Perth means

    fruit to some,

    but scholars

    feel its

    meaning is

    unclear.

    Laguz, L

    Laguz is therune associated

    with water.

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    Algiz, Z

    Algiz is a

    rune of

    protection or

    defense

    Mannaz, M

    Mannaz stands

    for man

    Sowilo, S

    Sowilo is the

    rune

    associated

    with the sun

    Ehwaz, E

    This rune means

    horse.

    Tiwaz, T

    Tiwaz stands

    for the war

    god Tyr. This

    rune was

    carved on

    weapons to

    bring victory.Tuesday is

    names after

    this God,

    Tiwes daeg.

    The Celts also had a system of Runes (Murray, 1988) in which the FUTHARKS are highly

    symbolic of the various kinds of trees in the forest. They also had a system of divination with

    the runes, but their value structures differed significantly. Could the runes have been borrowedfrom the Celts? It appears that the opposite is true. The Celts once dominated the whole of

    Europe. They were called the Galatians in the Near East and the Gaul in France. If this were a

    part of their tradition, it would not be limited to the Northwestern areas of Europe, the home o

    the Vikings.

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    THE NORDIC QUATERNITY

    Within the Nordic Quaternity, the Midgard formed the very center of the four cardinal directio

    which are located horizontally from earth (Midgard). There are nine levels or nights that

    separate the real of the Aesir (the home of the spirits) from Niflheim, the realm which is just

    above the Underworld, the land of the dead. A soul must travel through these nine levels in

    order to attain immortality in Valhalla. On the horizontal level of the Quaternity, however, one

    finds a balance among the four directions.

    Kingdom of the North (Helheimr - home of ice and mist)

    Kindom of the South (Muspellheimr - home of the fire giants).

    Kingdom of the West (Vanaheimr - fertility)

    Kingdom of the East (Jotunheimr - land of change and evolution)

    The Middle Earth is so named because it is in the middle of opposite qualities. It also happens

    to be in the middle of the Yggdrazil, but that is not the whole rationale for its existence. It is in

    the Midgard that one finds a balance between fire and ice and it is in the Midgard that one finda balance between growth and change.

    THE ANIMALS OF THE YGGDRASIL

    Four deer run across the branches of the world tree and eat its buds. They represent the four

    winds. At the very top of the tree one finds a hawk (Veldroinir) perched on the head of a wise

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    eagle. It is the Eagle that flaps its wings and causes the winds to blow. At the root of the tree i

    a serpent (Nidhoggr) that gnaws at its roots. Ratatosk, a squirrel, runs up and down the tree and

    exchanges insults between the wise eagle and the serpent. The eagle and serpent motif is very

    common in creation myths. Their significance as opposites needs to be further explicated.

    Finally, there are four stags (Dain, Dvalin, Duneyr, and Durathror) that are constantly eating th

    leaves of the ash tree. These are the symbolic animals that constitute the cosmology of the

    Yggdrasil.

    TANNENBAUM

    The Christmas tree comes right out of the Nordic tradition. It was borrowed from Nordic

    mythology as were other aspects of European culture. For example, the days of the week show

    both Roman and Nordic pagan roots.

    English Old English GermanicLatin

    Sunday sunnandaeg Sonntag Dies Solis

    Monday monandaeg Montag Dies Lunae

    TuesdayTiwesdaeg (Day

    of Tiwes)Dienstag Dies Martis

    WednesdayWodnesdaeg (Day

    of Odin)Mittwoch Dies Mercurii

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    Thursday

    (Day of Thor)Donnerstag Dies Joves

    Friday Frigedaeg (Day

    of Freyja)Freitag Dies Veneris

    Saturday Saeternesdaeg

    (Day of Saturn)Samstag Dies Saturni

    There are several interesting things to note about this nomenclature. Many of the days fo the

    week reflect the Nordic cosmology of the Ash Tree.

    Tuesday (Tiwes day) Nordic Goddess Tiwes

    Wednesday (from Wotans Day, Germanic for Odin)

    Thursday (Thor's day from Nordic god Thor)

    Friday (German Freitag from Nordic goddess Freyja)

    Saturday (day of Saturn, the original sun)

    Sunday (Sun day, the modern sun after 9,500 BC)

    The Christmas tree is a Nordic visual metaphor of their creation myth. It represents their

    cosmology. Many have assumed it to be of Western Germanic origin, the Rhineland (Hertha,

    1944; Foley, 1960). Needless to say, the British have a different account of this. They argue th

    Saint Boniface, a monk from Crediton, Devonshire, England not only established the Christian

    churches in France and Germany, but in the 7th century came across a group of pagans who

    were about to sacrifice a child to the god Thor. To stop the sacrifice and to save the child's life

    he felled the tree with one might blow of his fist. In its place grew a tiny fir, a Tree of Life.

    This, according to medieval legend was the story of the first Christmas tree. The Germans

    admitted the feats of St. Boniface, but claimed that it was Martin Luther (1483-1546) who

    decorated the first Christmas tree. Followers of the Druids claim that they were the first to

    decorate the oak trees with golden apples for their winter solstice festivities. Regardless of

    which group claims credit for this visual metaphor, it appears that only the Vikings embedded

    themselves in a creation myth that closely resembles that of the Christmas tree. However, they

    called their tree, the Ash World Tree.

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    The star on the top of the Christmas tree represents the world of Asgardr where the gods and

    goddesses lived. It is at the top of the axis mundi of the world. When one is in the northern

    hemisphere and looks straight upward, one sees the North Pole star. The star that was there at

    the time of this creation myth was Polaris. Every 26,000 years a new Pole Star appears. Hence

    Polaris is no longer the Pole Star. However, its symbol still lives as the Christmas star.

    At the bottom of the Christmas three are the three roots that feed it with nourishment and wate

    These roots symbolically delve into the Well of the Wyrd, the Well of Mimir, and the Well of

    Helvelgamar. In modern times, the Christmas tree stand represents these roots.

    On the Christmas tree one finds Christmas bulbs which represent the nine worlds of the World

    Ash Tree. These bulbs are placed vertically with the ones on top representing the Realm of the

    Gods and the one at the bottom symbolizing the Realm of Hell. In the center is the Midgard,

    Earth. It is surrounded by worlds in four directions, the Nordic Quaternity.

    The ribbons that surround the Christmas tree symbolize the rainbow roads of fire and ice that

    connect these nine worlds. The icicles that are placed on a tree also symbolize the fact that ear

    is located between fire and ice, resulting in icicles.

    These traditions of the World tree differed from the Tree of Life that one finds in Jewish and

    Hebraic traditions. They posit a different story, the involution and the evolution of the soul

    through the 33 levels of ascension and descension. They do not have the 9 levels of

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    reincarnation associated with the World Tree. They do not have a balanced Midgard surrounde

    by a Quaternity. They do not have their roots delving into the earth in the metaphorical traditio

    of the Nordic cosmology. What they do have is the arrival of the soul, its passage through life,

    and its return to the spirit world. What they have is a different kind of visual metaphor, The

    Tree of Life.

    CONCLUDING REMARKS

    Visual metaphors are far more common than one realizes. The metaphor of the Ash World Tre

    was selected as a visual metaphor because it comes from a strong Nordic tradition that still

    lingers in modern times. The Christmas tree is a relic of that tradition. It is a visual metaphor

    that has been borrowed by Christianity and remodeled into a new symbol of eternal renewal.

    This is what happens when one borrows cultural symbols. However, it is wrong to claim that i

    was a visual metaphor invented by Saint Boniface during 7th century. It was a visual metaphor

    that already existed among the countries of the north. It could be found in the writings of the

    runes that go back several millennia. Its origins speak of a different time and place.Anyone who works with visual metaphors must become deeply involved in social and cultural

    history. One cannot explain such visual symbols without such traditions because the symbols

    emerged from those traditions. They constitute the heritage of those symbols. The study of

    mythology reminds one that modern scholars are still engaged in revealing the profundity of

    these traditions.

    REFERENCES

    Bates, Brian. The Way of Wyrd: Tales of an Anglo-Saxon Sorcer. NY: Berkeley Books. 1988.

    Foley, Daniel J. The Christmas Tree. Philadelphia. Chilton Company. 1960.

    Gundarson, Keldulf. Teutonic Religion, Fold Belief and Practices of the Northern Tradition. St

    Paul, MN: Llewelyn Publications. 1993.

    Hertha, Pauli. The Story of the Christmas Tree. Boston: Houghton Mifflin. 1944.

    Murray, Liz and Colin. The Celtic Tree Oracle: A System of Divination. New York: St. Martin

    Press. 1988.

    Thorsson, Edred. At the Well of Wyrd: A Handbook of Runic Divination. York Beach, MaineSamuel Weiser, Inc. 1988.

    Thorsson, Edred. A Book of Troth. St. Paul, MN: Llewellyn Publications. 1989.

    Young, Jean I. The Prose Edda of Snorri Sturloson Tales from Norse Mythology. Berkeley:

    University of California Press. 1966.

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