audio & music · guitar / bass products 51 accessories 55 nady: over 30 years of audio...

PRODUCT CATALOG

AUDIO &

PROFESSIONAL

MUSIC

Contents

Wireless systems 3

Pro Audio Gear 18

Microphones 41

Guitar / Bass Products 51

Accessories 55

nady: over 30 Years of Audio Innovation and Value

John Nady founded Nady Systems in 1976. His pioneering work in wireless microphone development resulted in the wireless technology that has become an important and widely accepted component of live performance, on stage and off. As CEO and company President, John has always been committed to the cornerstone of Nady’s success—innovation and value. Whether it’s our ever expanding line of wireless microphones and guitar systems, or our broad range of professional audio gear and music products, you can always count on Nady for breakthroughs in technology and affordability. The Nady product line consistently offers high performance, quality, and cutting edge features and design...all at unprecedented, affordable low prices.

WIReLess sYsteMs

ConsuMeR WIReLess MIC sYsteMsDKW-3, DKW-Duo, American Starpower X2 4DKW-1, DKW-8U 5VHF WIReLess MIC sYsteMsEncore Series, 401X QUAD 6uHF WIReLess MIC sYsteMsUHF-3, UHF-4 7W-1KU, UHF-24 816UA, U-41 QUAD, AD-4U, AB-80 9WS-16U, U-81 OCTAVO 10UWS-1K, 4U-144 11BAss WIReLess sYsteMsEncore 200, U-33B 12PoRtABLe WIReLess P.A.sWA-120, WA-125U 13In-eAR PeRsonAL MonItoR WIReLess sYsteMsPEM-500, EO3 14AssIstIVe LIstenInG WIReLess sYsteMsALD-800, IR-200 15InFRARed WIReLess MIC sYsteMsIRW-220X, IRW-2PA 16VIdeo & PodIuM WIReLess MIC sYsteMsVR Series, WPM Series 17

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dKW-3 & dKW-duo

dKW-3: single receiver for use with one DKW-Duo handheld microphone transmitterdKW-duo: dual receiver for versatile single or simultaneous

dual transmitter operationPerfect entry level systems — all the advantages and freedom of •wireless operation without cumbersome cordsExcellent high fidelity audio — ideal for public speaking, karaoke/•recreational singers, DJ’s, auctioneers, aerobic instructors, and many other consumer applicationsVHF (170-216MHz) operation for reliable, interference-free performance•150+ feet typical operating range — up to 300+ feet line-of-sight•

Easy to use — simply plug into your audio mixer or amplifier •(in place of your wired microphone). Operate either channel (A, B) singly or both simultaneously (DKW-Duo only).Advanced audio processing circuitry for a wide dynamic range •(no overloading for loud inputs or background hiss during quiet use) Complete controls and connections for easy operation, front panel •Power ON/OFF switch and Power ON LED indicator, back panel ¼” Audio Output jack and DC power input jack for supplied AC/DC adaptor, and special added circuitry to eliminate transmitter on/off “pop” noise

Ht-duo — Handheld MicrophoneEach transmitter operates on a separate single frequency in the VHF •170-216MHz band and can be used singly (w/DKW-3 or DKW-Duo receivers) or together simultaneously (DKW-Duo receiver only)Easy, convenient operation with on/off switch and low-battery LED •

indicator which flashes once for unit “ON”, and lights steady for low-battery alert Features the Nady DM-20 unidirectional dynamic cartridge for optimum •true sound, maximum feedback rejection and minimal handling noiseOperates up to 15 hours on a single 9V alkaline battery•

AMeRICAn stARPoWeR X2 – dual discrete Channels (x2)

Dual receiver system for simultaneous operation of 2 transmitters•All the advantages and freedom of wireless operation •(without cumbersome cords) Easy to use — simply plug into your sound system •High performance audio — perfect for karaoke/recreational singers, •DJ’s, and many other applications VHF operation for reliable, interference-free performance •100+ feet typical operating range — up to 200+ feet line-of-sight•Controls and connections for easy operation include front panel •power ON/OFF switch, Power ON LED indicator, LED signal-received indicators for each channel, back panel ¼” audio output jack (both channels mixed together), AC/DC power adapter, and dual fold-down retractable antennas

Handheld Microphone transmitter Easy, convenient operation with OFF/STANDBY/ON switch •and transmitter ON LED Features a unidirectional dynamic cartridge for high audio performance •with minimal feedback Operates up to 15 hours on a single 9V alkaline battery •

DKW-3 (Dual Discrete Channels)DKW-Duo

CO N S U M E R W I R E L E S S M I C R O P H O N E S YS T E M S

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dKW-1

WHt — Handheld Microphone transmitterEach transmitter operates on a separate single frequency in the VHF •170-216MHz band and can be used singly or together simultaneouslyFeatures the Nady DM-10D unidirectional neodymium dynamic •cartridge for optimum true sound, maximum feedback rejection and minimal handling noise

OFF/STANDBY/ON switch allows convenient audio muting with the •transmitter “ON”Low battery LED indicator flashes once for unit “ON”; lights steady for •low battery alert — single 9V alkaline battery operation (15+ hours)Rubber, “easy-mount” mic clip included•

dKW-8u

High-band VHF (170-216 MHz) operation for interference-free performance•Advanced companding circuitry for a wide dynamic range (no overloading •for loud inputs or background hiss during quiet use)Full frequency response from 40 -20,000 Hz. •250 ft. typical operating range — up to 500+ feet line-of-sight•Choice of 3 transmitters: WHT handheld mic with a powerful neodymium •cartridge that delivers unsurpassed audio quality, low handling noise and enhanced feedback rejection. WLT bodypack for lavalier or headworn mic. LINK 2 plug-in transmitter.DKW-1 mini portable receiver with unique space-saving, vertical design and power •ON/OFF switch, ¼” audio output jack, and easily visible extra-large LED indicators for power on, transmitter on and audio peak.Special added circuitry in both receivers eliminates transmitter on/off “pop” noise•

LInK 2™ — Plug-In Wireless Microphone transmitterPlug-in transmitter instantly converts your favorite XLR handheld or •lavalier microphone to wirelessRugged construction and positive locking connector for reliable •performance

Selectable phantom power•Optional leatherette pouch with clip •available for use as bodypackSingle 9V alkaline battery operation •(15+ hours)

WLt/WGt — Bodypack transmittersChoice of instrument or headworn/lavalier microphone bodypack •transmitterOFF/STANDBY/ON switch allows convenient audio muting with •the transmitter “ON”Low battery LED indicator flashes once for unit “ON”; lights steady for •low battery alert — single 9V alkaline battery operation (15+ hours)

Locking 3.5mm mini-jack provides secure connection for removable •microphone or instrument cableEasily accessible input level adjust control for optimum sound•Available with LM-14O omnidirectional or LM-14U unidirectional •lavalier microphone or Headmic™ Series headworn microphones (see page 50)

Ht-8u — Handheld Microphone transmitterFeatures the Nady DM -10D unidirectional neodymium dynamic •cartridge for optimum true sound, maximum feedback rejection and minimal handling noise OFF/STANDBY/ON switch allows convenient audio muting while •

transmitter “ON” Status LED indicator flashes once for unit “ON”; lights steady for low •battery alert 2 x AA alkaline or NiMH battery operation•

Bt-8u — Bodypack transmitterChoice of instrument (GT)/headworn(HM)/lavalier (LT) microphone •operating modes in a single bodypack transmitter OFF/STANDBY/ON switch allows convenient audio muting while •transmitter “ON” Status LED indicator flashes once for unit “ON”; lights steady for low •

battery alert Locking 3.5mm mini-jack provides secure connection for •removable microphone or instrument cable Easily accessible input level adjust control for optimum •sound (HM/LT operating modes only) Single 9V alkaline or NiMH battery operation•

Unprecedented value in a single-channel UHF wireless mic/instrument system•Compact, simple set-up to operate — simply plug in place of your wired •microphones or instrument cable All the advantages and freedom of wireless operation without cumbersome •cords Excellent high fidelity audio — perfect for public speaking, karaoke/•recreational singers, guitarists, DJ’s, and many other applications Nady’s proprietary companding circuitry for an industry best 120dB •Dynamic Range, and the clearest, most natural sound available 150+ feet typical operating range — up to 300+ feet line-of-sight •POWER, SIGNAL, AF LED status indicators, adjustable audio output level •for optimal sound and ¼” phone jack output for easy connection to sound system

CO N S U M E R W I R E L E S S M I C R O P H O N E S YS T E M S


Loaded with top professional operating features •Available on selected frequencies in the VHF high-band •(171-216 MHz) for interference-free, long-range performance Half-rack receiver design with retractable front panel antennas •RF and AF 5-LED displays for monitoring incoming signal strength •and audio level Balanced XLR and unbalanced adjustable ¼” jack output (Encore Duet: •Dual XLR and single mixed ¼” outputs)

Unique snap-out panel locking tabs for single receiver or dual receiver •(side-by-side) optional rack mounting Nady’s proprietary DigiTRU Diversity™ digital processing circuitry •to eliminate dropouts and maximize operating range (Encore II) Noiseless transmitter ON/OFF switching •Choice of 4 transmitters: WHT, WLT/WGT, LINK 2™ •(see information below) or WPM-1V (see page 17)

401X QuAd – 4 discrete Channels (x4)

enCoRe seRIes

WHt — Handheld Microphone transmitterEach transmitter operates on a separate single frequency in the VHF •170-216MHz band and can be used singly or together simultaneouslyFeatures the Nady DM-10D unidirectional neodymium dynamic •cartridge for optimum true sound, maximum feedback rejection and minimal handling noiseOFF/STANDBY/ON switch allows convenient audio muting with •the transmitter “ON”Low battery LED indicator flashes once for unit “ON”; lights steady for •low battery alert — single 9V alkaline battery operation (15+ hours) Rubber, “easy-mount” mic clip included•

WLt/WGt — Bodypack transmittersChoice of instrument or headworn/lavalier microphone bodypack •transmitterOFF/STANDBY/ON switch allows convenient audio muting with the •transmitter “ON”Low battery LED indicator flashes once for unit “ON”; lights steady for •low battery alert — single 9V alkaline battery operation (15+ hours)Locking 3.5mm mini-jack provides secure connection for •removable microphone or instrument cableEasily accessible input level adjust control for optimum sound•Available with LM-14O omnidirectional or LM-14U unidirectional •lavalier microphone or Headmic™ Series headworn microphones (see page 50)

Four independent VHF receivers in one convenient, rugged, all-metal •single rack space housing — makes operating 4 wireless systems at the same time easier than everFront dual antenna jacks for either onboard or remote antennas•Front panel Power ON/OFF switch, plus Power ON LED, TX ON •and AF signal level LED displaysNoise-free transmitter ON/OFF operation•Rear panel individual XLR Output jacks, volume and RF mute controls •for each of the 4 channels, and 4-Channels-Mixed AF Out ¼” phone jackHigh performance — unmatched transparent audio with 120 dB •dynamic range and up to 250+ feet optimum line-of-sight operationChoice of 4 transmitters: WLT/WGT, WHT, Link 2™, or WPM-1V •(see page 17) — any 4 can be operated simultaneously on the 4 different channels

W I R E L E S S M I C R O P H O N E S YS T E M S

LInK 2™ — Plug-In Wireless Microphone transmitter

Plug-in transmitter instantly converts your favorite XLR •handheld or lavalier microphone to wirelessRugged construction and positive locking connector •for reliable performance

Selectable phantom power•Optional leatherette pouch with clip available •for use as bodypackSingle 9V alkaline battery operation (15+ hours)•

ENCORE I ENCORE I I ENCORE DUET


uHF-4

Half-rack receiver design with folding front panel dual antennas•Clear channel UHF operation for optimum interference-free performance •in any application or localeNady’s proprietary companding circuitry for an industry best 120dB •Dynamic Range, and the clearest, most natural sound available. Tone Squelch for locking out potential interferenceUHF-3 receiver with DigiTRU Diversity™ for maximum range and •dropout protection, full LED indicators, both ¼” unbalanced and XLR balanced outputs, and special circuitry for noiseless transmitter ON/OFF switchingUnique snap-out panel locking tabs for single receiver or dual receiver •(side-by-side) optional rack mountingChoice of 3 transmitters: UH-3, UB-3 or WPM-2U (see page 17)•

Unprecedented value in a full-featured single-channel UHF wireless mic •system — with interference--free operation in any application or locale on select UHF frequenciesHalf-rack receiver design with folding front panel dual antennas and •unique snap-out panel locking tabs for single receiver or dual receiver (side-by-side)optional rack mountingNady’s proprietary companding circuitry for an industry best 120dB •Dynamic Range,and the clearest,most natural sound available. Tone Squelch for locking out potential interferenceUHF-4 receiver with DigiTRU Diversity™ for maximum range and •dropout protection,full LED indicators, both ¼”unbalanced and XLR balanced outputs,and special circuitry for noiseless transmitter ON/OFF switchingChoice of 2 transmitters: UH-4 or UB-4•

uH-3 — Handheld Microphone transmitterFeatures the Nady DM-10D unidirectional neodymium dynamic •cartridge for optimum true sound, maximum feedback rejection and minimal handling noiseAudio mute switch allows convenient audio muting with the •transmitter “ON”Battery status LED (red) indicator: Flashes once for battery OK; •lights steady for low battery alertTX LED (green) indicator: Lights steady•Convenient, economical operation with two AA Alkaline •or NiMH batteries

uB-3— Bodypack transmitterChoice of instrument or headworn/lavalier microphone bodypack •transmitterAudio mute switch allows convenient audio muting with the •transmitter “ON”Bicolor LED status indicator: Unit “ON” (green), Low Battery Alert •(orange). Locking 3.5mm mini-jack provides secure connection for removable microphone or instrument cableConvenient, economical operation with two AAA Alkaline or •NiMH batteries

uH-4 — Handheld Microphone transmitterFeatures the Nady DM -10D unidirectional neodymium dynamic •cartridge for optimum true sound, maximum feedback rejection and minimal handling noise OFF/STANDBY/ON switch allows convenient audio muting while •transmitter “ON” Status LED indicator flashes once for unit “ON”; lights steady •for low battery alert Single 9V alkaline or NiMH battery operation•

uB-4 — Bodypack transmitterChoice of instrument (GT)/headworn(HM)/lavalier (LT) microphone •operating modes in a single bodypack transmitter OFF/STANDBY/ON switch allows convenient audio muting while •transmitter “ON” Status LED indicator flashes once for unit “ON”; lights steady for •low battery alert Locking 3.5mm mini-jack provides secure connection for removable •microphone or instrument cable Easily accessible input level adjust control for optimum sound •(HM/LT operating modes only) Single 9V alkaline or NiMH battery operation•


uHF-3


Two discrete UHF wireless receivers in one housing for simultaneous •operation of two transmitters Back panel Balanced XLR mic level outputs, unbalanced ¼” jack line •level sum output, and separate volume and external adjustable mute controls for each channel Front panel LED display indicates TX signal received and 5-segment •AF level displays for each channel Front panel dual telescoping retractable antennas •Exclusive patented companding circuitry and highest quality audio •for unsurpassed 120dB dynamic range Tone Squelch circuitry eliminates On/Off “pop” and provides •protection from RF interference Half-rack receiver and unique snap-out panel locking tabs design •for single or dual receivers (side-by-side) optional rack mounting Externally powered with DC adapter (15VDC/0.4A) included•Choice of 2 transmitters: UH-4 or UB-4•

uHF-24 – dual discrete Channels (x2)

W-1Ku 1000-Channel select uHF Wireless system

Ht-1Ku and Bt-1Ku transmittersChoice of transmitters: HT-1KU handheld or BT-1KU (LT/GT) bodypack •with 1000 easily selectable channels—manually with up/down buttons on units or via ASC™ IR download of selected channel for easy synchronization with receiverHT-1KU features a sleek, durable all-metal housing; internal antenna •system; and superior Nady DM-10D neodymium cartridge for clear, powerful audio, maximum feedback rejection, and minimal handling noise; an LCD display indicating selected GROUP, CHANNEL, BATTERY Level; power ON/OFF switch, transmitting HIGH/LOW RF power switch for optimizing distance operation depending on application; and operation with 2 AA batteries (alkaline or rechargeable NiMH) for the longest reliable and economical battery life

BT-1KU features roadworthy all-metal case; power OFF/ON switch; •flexible external antenna rod; input audio level adjustment selectable by UP/DOWN buttons (for LT/HM input modes only); mini locking connector for choice of lavalier (LT), headworn mic (HM), or instrument (GT) uses (with factory preset input mode LT/HM/GT)HT-1KU and BT-1KU (LT/HM/HT) feature LCD displays indicating •selected GROUP, CHANNEL, and input VOLUME level allowing optimal audio gain adjustment (for LT/HM input modes only), and BATTERY Level status; power OFF/STANDBY/ON switch; transmitting HIGH/LOW RF power switch for optimizing distance operation depending on application; and operation with 2 AA batteries (alkaline or rechargeable NiMH) for longest reliable, economical battery life

For Transmit ter features see UHF-4 information on page 7.


W-1Ku ReceiverUnsurpassed state-of-the-art PLL UHF performance with 120dB •dynamic range and operation up to 500 feet line-of sight1000 user switchable UHF frequencies per band•True Diversity circuitry with 2 complete front ends for maximizing range •and most effective elimination of dropouts Sophisticated IF filtering for simultaneous operation of multiple W-1KU •systems in the same location Front panel touch control buttons and user friendly LCD configuration menus•ASC™ (Auto-Sync Channels) download feature sends selected •GROUP/CHANNEL information to transmitter via IR sender for easy frequency synchronizationFront panel backlit LCD display indicates selected audio •output VOLUME level, GROUP, CHANNEL, RF signal strength meter, A/B Diversity antenna status; Separate audio LED bar graph display provides instantaneous audio level status from a distanceBack panel Balanced XLR Mic level, Unbalanced ¼” Line level audio •output jacks, Mute control (RF squelch), RF BNC connectors for dual removable antennas, and DC input jackExternally powered (adapter included)•Rugged all-metal housing – rackmountable with optional single or dual •(side-by-side) rackmount kits


State-of-the-art True Diversity PLL synthesized wireless system with 16 user •selectable channels for interference-free use and maximum rangeUnsurpassed UHF performance with 120 dB dynamic range, operation •up to 500 feet line-of-sight, and sophisticated IF filtering for multiple system operation in the same location simultaneouslyEasy-to-use interface consisting of front panel Power ON/OFF switch, •UP/DOWN push-buttons for channel scrolling (7 segment LED display indicates channel selected), receiver RF A-B Diversity and AF signal LED indicators, and an audio output volume control for quick and easy level adjustmentBack panel Balanced XLR (fixed mic level) and adjustable Unbalanced •¼” (line level) Out, and DC input jacksRugged half-rack 16UA receiver with dual removable BNC antennas •on the back panel (for convenient optional remote placement). External Power Adapter: 14 VDC, 500mADurable ABS plastic half rack design, rackmountable singly or dual •(side-by-side) with optional rack mounting kits

Choice of 16uH Handheld or 16uB Bodypack transmitterBacklit LCD display indicates frequency, channel, and battery strength•Easy-to-open battery compartment with internal protected UP/DOWN •buttons for 16 channel selectionON/M/OFF switch allows convenient audio muting with transmitter •in standby modeBattery Power: 2xAA alkaline or NiMH rechargeable batteries•16UH handheld microphone features durable, sleek metal housing, •

internal antenna and the superior Nady DM-10D neodymium dynamic cartridge for clear, powerful audio and minimal handling noise and maximum feedback rejection16UB bodypack features attractive, compact ABS housing, ultra •durable belt clip, flexible removable antenna, and audio level adjustment (LT/HM) with mini locking connector for choice of lavalier or headworn mic or instrument use (with factory preset input mode: T/HM/GT)

16uA – 16 Channels

Four discrete UHF wireless receivers in a single rugged 19” 1U, all-metal •rack mount housing for simultaneous operation of up to four transmittersBack panel Balanced XLR mic level outputs, Unbalanced ¼” jack line level •sum output with separate volumes, and external adjustable mute control for each channel Front panel LED display indicating TX ON (single LED) and AF levels •(5-segment bar graph) for each channel, and dual removable antennas Nady’s exclusive patented companding circuitry and highest quality audio •for an unsurpassed UHF performance with 120dB dynamic range Operates on the UHF frequency band from 796.30 MHz to 803.30 MHz •Tone Squelch circuitry for protection from RF interference •Externally powered with DC adapter included (16.5VDC/0.4A)•Choice of 2 transmitters: UH-4 or UB-4•

Convenient 1U rackmount design with two independent 1x4 Input/•Output circuits operation of up to 4 UHF diversity dual antenna input or 8 non-diversity single antenna input receivers from only a pair of antennasFeatures internal circuitry providing no insertion loss (0dB gain) •for operation between 477-952 MHz, TNC antenna Input/Output connectors, +9VDC at antenna input jacks for powering optional remote AB-80 Antenna Booster AmplifierExternally powered by 13.5VDC/400mA AC/DC adapter•

Ad-4u – uHF Antenna distributor

For Transmit ter features see UHF-4 information on page 7.


Boosts weak RF signals by +15dB gain right at the antenna input for •maximum range for your UHF wireless mic system (477-952 MHz — perfect for applications requiring separation of the antennas and receiver for optimum reception

Easy to connect in-line amplifier module connects to standard TNC •cables between the remote antenna and a cable feed to the receiver, allowing up to a 100 feet RG-58 antenna cable runRequires +9VDC remote (phantom ) power from the •receiver or antenna distributor antenna input jack

u-41 QuAd – 4 discrete Channels (x4)

AB-80 – uHF Remote Antenna Booster Amplifier

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Ws-16u – 16 Channels

u-81 oCtAVo – 8 discrete Channels (x8)

Ht-16u — Handheld Microphone transmitterSleek metal housing with internal antenna for optimum aesthetics and •durable long life Features the Nady DM-10D unidirectional neodymium dynamic •cartridge for optimum true sound, maximum feedback rejection and minimal handling noise

Frequency agile rotary DIP switch with 16 user selectable channels •Audio mute switch allows convenient audio muting with the transmitter •“ON” Easy accessible level adjustment for optimum sound •Status LED indicators for unit “ON” and for low battery alert “ON” •Convenient, economical operation with two AA alkaline or NiMH •batteries

Bt-16u— Bodypack transmitterInternal selectable 3-way input select (headset mic, lavalier mic or •instrument) Frequency agile rotary DIP-switch with 16 user selectable channels •Audio mute switch for convenient audio muting with the transmitter “ON” •Easy, accessible input level adjustment for optimum sound (HM/LT) •

Bicolor LED status indicator for unit “ON” and for low battery alert “ON” •Locking 3.5mm mini-jack provides secure connection for removable •microphone or instrument cable Convenient, economical operation with two AAA Alkaline or NiMH •batteries

Operates on select UHF frequencies •Eight independent single-channel UHF wireless receivers in a single •housing for simultaneous operation of up to eight transmittersFront panel LED display indicates the RF and AF status for each channel •Ch 1-8 individual balanced XLR MIC level outputs and Unbalanced •LINE level SUM ¼” jack output for 8-in-1 MIX audio output with separate volume control for each channel Nady’s exclusive patented companding circuitry with 120dB dynamic •range and highest quality audio for unsurpassed UHF performance Dual removable high gain antennas with TNC connector, front or back •mounting Standard 19” 1U, all-metal rack mount housing •Externally powered with AC/DC adapter included•Choice of any combination of 2 transmitters: UH-81 and/or UB-81•

Frequency agile rotary DIP switch with 16 user selectable channels in •the wide open UHF band for interference-free use anywhere 120dB Dynamic Range — the quietest and best sounding UHF wireless •available at any price 150-250 ft. typical operating range — up to 500+ ft. line-of-sight •DigiTRU Diversity™ for maximum range and dropout protection •Full LED indicators (including A-B/diversity and 5 segment AF level •displays) Both ¼” unbalanced and XLR balanced outputs •Mute (squelch) adjust control •Tone Squelch™ for locking out potential interference, and special •circuitry for noiseless transmitter ON/OFF switching Half-rack receiver design with top folding dual antennas •Unique snap-out side panel locking tabs for single receiver or dual •receivers (side-by- side) optional rack mounting Externally powered by AC/DC power adapter•Choice of 2 transmitters: HT-16U or BT-16U•


uB-81 — Bodypack transmitterChoice of headworn or lavalier microphone operation with •convenient input volume control for proper level adjust, or instrument operation without input level control OFF/STDBY/ON switch allows convenient audio muting while •

transmitter “ON” Status LED indicator flashes once for unit “ON”; lights steady •for low battery alert Single 9V alkaline or NiMH battery •Lightweight, rugged ABS housing with integral antenna•

uH-81 — Handheld Microphone transmitterNady DM-50D neodymium cartridge delivers transparent vocals, •maximum feedback rejection and minimal handling noise ON/STDBY/OFF switch allows convenient audio muting while •transmitter “ON”

Status LED indicator flashes once for unit “ON”; lights steady for •low battery alert 2 X AA alkaline or NiMH battery operation •Rugged ABS and rubber-coated housing with integral antenna•

1 1n A d Y W I R e L e s s s Y s t e M s

UH-1K and UB-1K — Handheld and Bodypack Transmitters•UH-1K handheld is a sleek, durable unit with an internal antenna •system and the superior Nady DM-10D neodymium cartridge for clear, powerful audio; Powerful audio section provides maximum feedback rejection and minimal handling noise UB-1K bodypack is versatile with a unique 3-pin Mini XLR input •connector for instrument, lavalier mic, or headworn mic (with

convenient DC phantom powering)An input level control allows optimal audio gain adjustment •IR link features Infrared downloading of selected group/channel •information from receiver for easy channel programming Touch power ON/OFF and Mute control button, Low battery status and •Mute LED indicator 2 AA batteries for the longest reliable, economical battery life•

uWs-1K – 1000 Channels

4u-144 QuAd – 144 Channels select (x4)

4u-144 QuAd — Receivers•Rugged 1U rackmountable quad receiver with dual removable rear •mount antennas Nady’s proprietary DigiTRU Diversity™ microprocessor circuitry for maximum •range and dropout protection Each of 4 receivers with following features: Front panel POWER on/off switch; •Antenna A/B selected and AF Peak LED indicators; frequency selection with SET, UP/DOWN select buttons; backlit LCD display with 5-segment RF signal strength

received and AF level, and Group/Channel (9/16), channel and operating frequency selected readouts, flashing ASC™ downloading indicator; ASC™ button with infrared LED emitter for frequency/channel selected download to the transmitter with a single touch for easy setupExternal adjustable mute for each channel to eliminate RF interference•Back panel CH 1-4 individual balanced MIC level XLR outputs, and ¼” LINE or •XLR balanced SUM outputs (4 in 1 MIX–CH 1+2+3+4)Externally powered by AC/DC adapter•

uH-144 — Handheld Microphone transmitter•Features a neodymium cardioid dynamic cartridge for optimum true •sound, feedback rejection and minimal handling noise Simple operation with power switch and choice of 144 UHF PLL •frequencies selected via the ASC™ function with IR auto download from

the receiver Backlit LCD display with 4 segment battery level indicator and flashing •low battery alert, and group/channel numbers downloaded from receiver2 X AA alkaline or NiMH battery operation•

Full-featured 4 channel system with 4 independent 144-channel UHF •PLL receivers in a single 1U rack housing for simultaneous operation of 4 transmittersASC™ Auto-Sync Channel transfer of frequency selected from receiver to •transmitter via infrared (IR) download with a single touch for easy setupInterference-free operation in any application or locale on select UHF •frequencies from 538-560MHz

Proprietary companding circuitry for an industry-best 120dB Dynamic Range •and the clearest, most natural sound available Choice of 4 transmitters: UH-144 handheld mic and UB-144 bodypack •transmittersOperating Range: Up to 250 ft. typical (depending on the site conditions) — •up to 500+feet line-of-sight

Unsurpassed UHF performance with 120dB dynamic range and operation •up to 500 feet line-of-sight 1000 user switchable UHF frequencies per band •Two complete front-end True Diversity circuitry for eliminating dropouts and •maximizing range Sophisticated IF filtering for multiple UWS-1K system operation in the same •location simultaneously Tone Squelch circuitry for protection from RF interference •Front panel backlit LCD display indicates the selected channel/frequency, •SQL level, receiver RF level, A/B diversity status, and Audio LED bar graph for AF levels Front panel touch control buttons and user friendly configuration menus •Download feature sends channel program to transmitter via IR sender•Back panel balanced XLR mic level and unbalanced ¼” jack audio outputs, •and TNC jacks for dual antennas (with 9VDC/100mA phantom power for powering optional remote powered antennas as needed for longer antenna cable runs) Rack mountable with optional single or dual (side-by-side) rackmount kits •Externally powered with 16.5V/0.4A DC adapter included•Choice of transmitters: UH-1K or UB-1K•

uB-144 — Bodypack transmitter •Choice of instrument or headworn/lavalier microphone bodyback transmitter •3.5mm locking mini-plug connector•Simple operation with ON/STDBY/OFF button and choice of 144 UHF •PLL frequencies selected via the ASC™ function with IR auto download

from the receiverBacklit LCD display with 4 segment battery level indicator and flashing •low battery alert, and group/channel numbers downloaded from receiver2 X AA alkaline or NiMH battery operation•



B A S S W I R E L E S S M I C R O P H O N E S YS T E M S

VHF BAss — Bodypack transmitterOFF/STANDBY/ON switch allows convenient audio muting with the •transmitter “ON” Low battery LED indicator flashes once for unit “ON”; lights steady for •low battery alert

Locking 3.5mm mini-jack provides secure connection for removable •instrument cable Easily accessible input level adjust control for optimum sound for all •types of bass pickup outputsSingle 9V alkaline battery operation (15+ hours)•

u-33B

Specially customized for use with bass guitar transmitter and features •Enhanced Headroom™ for maximized clarity and distortion-free audio Bass Boost™ adjust for tuning in exactly the right bass punch and •presence missing in standard wirelessRugged half-rack model with retractable front panel dual antennas•RF and AF 5-LED displays for monitoring incoming signal strength and •audio levelUnbalanced ¼” and balanced XLR outputs (for bass amp or direct mixer •feeds, or both). Volume control for unbalanced line outputUnique snap-out panel locking tabs for single receiver or dual receiver •(side-by-side) optional rack mountingNady’s proprietary DigiTRU™ Diversity digital processing circuitry to •eliminate dropouts and maximize operating rangeNoiseless transmitter ON/OFF switching•

Specially customized for use with bass guitar transmitter and features •Enhanced Headroom™ for maximized clarity and distortion-free audio Unique user adjustable Bass Boost™ control for dialing in the exact •desired bass punch and presence missing in standard wireless Nady’s proprietary companding circuitry for an industry best 120dB •Dynamic Range, and clearest, most natural sound available Clear channel operation on the wide open, unclustered UHF band •for interference- free performance in any application or locale DigiTRU Diversity™ for optimum range and dropout protection. •A-B antenna LED indicators 5-LED AF display for monitoring audio level •Unbalanced ¼” and balanced XLR outputs (for bass amp or direct •mixer feeds, or both). Volume control for unbalanced line output. Fixed level for XLR output External Mute (squelch) adjust control. Half-rack receiver design •with folding front panel dual one section telescopic antennas Unique snap-out panel locking tabs for half-rack single receiver or •full rack (side-by-side) dual receivers mounting with optional accessory mounts Externally powered by AC/DC power adapter•

enCoRe 200

uB-33B BAss — Bodypack transmitterSmall and compact •Removable Rubber Ducky antenna •Customized specially for use with U-33B bass guitar receiver. •Features Enhanced Headroom™ for maximum possible clarity and distortion-free audio, even with high output active pickups Audio mute switch allows convenient audio muting with the •transmitter “ON” Bi-color LED status indicator: “ON” (green), Low Battery Alert (Orange) •Locking 3.5mm mini-jack provides secure connection for •removable instrument cable Convenient, economical operation with two AAA Alkaline or •NiMH batteries


WA-125u

P O RTA B L E W I R E L E S S P. A . s

Full-range speaker system with built-in amplifier, mixer, and high-band •VHF wireless receiverWireless system features noise reduction companding circuitry for •quietest operation with a wide dynamic rangeBuilt-in echo/reverb•Available with choice of WHT handheld mic or WLT lavalier/headset mic •bodypack transmitters. One WA-120 wireless P.A. and one WHT or WLT Transmitter on the same channel comprise a system.Powerful 20W audio output•¼” unbalanced input jacks (1 MIC, 1 AUX) and one ¼” unbalanced •RECORD OUT, treble and bass controlsPowered externally with provided AC adapter, or internally with either •the optional RB-120 rechargeable battery or 8 “D” Cell alkaline or rechargeable batteriesConvenient internal charging ports for 9V rechargeable transmitter •batteries (NiCad or Ni-MH) and RB-120 optional rechargeable battery

WA-120

Powerful 20W audio output •UHF operation for optimum operating range and freedom from •interference Built-in echo/reverb •¼” unbalanced input jacks: 1 MIC, 1 AUX; one ¼” unbalanced •RECORD OUT; treble and bass controls Wireless system features noise reduction companding circuitry for •quietest operation with a wide dynamic range. Available with choice of UH-4 or UB-4 lavalier/headset mic transmitters •External AC, DC (12-15V) or internal battery powered (8 X “D” alkaline •or rechargeable batteries) Optional RB-120 (12-15V) internal rechargeable battery available •Mountable with optional MST-4B aluminum tripod stand •Internal charging ports for transmitter 9V (NiCad or NiMH) •rechargeable batteries

WHt — Handheld Microphone transmitterEach transmitter operates on a separate single frequency in the VHF 170-•216MHz band and can be used singly or together simultaneouslyFeatures the Nady DM-10D unidirectional neodymium dynamic cartridge •for optimum true sound, maximum feedback rejection and minimalhandling

noiseOFF/STANDBY/ON switch allows convenient audio muting with the •transmitter “ON”Low battery LED indicator flashes once for unit “ON”; lights steady for •low battery alert — single 9V alkaline battery operation (15+ hours)

WLt/WGt — Bodypack transmittersChoice of instrument or headworn/lavalier microphone bodypack •transmitterOFF/STANDBY/ON switch allows convenient audio muting with the •transmitter “ON”Low battery LED indicator flashes once for unit “ON”; lights steady for •

low battery alert — single 9V alkaline battery operation (15+ hours)Locking 3.5mm mini-jack provides secure connection for removable •microphone cableEasily accessible input level adjust control for optimum sound•Available with LM-14O omnidirectional or LM-14U unidirectional lavalier •microphone or Headmic™ Series headworn microphones (see page 50)

uH-4 — Handheld Microphone transmitterFeatures the Nady DM -10D unidirectional neodymium dynamic •cartridge for optimum true sound, maximum feedback rejection and minimal handling noise OFF/STANDBY/ON switch allows convenient audio muting while •

transmitter “ON” Status LED indicator flashes once for unit “ON”; lights steady for low •battery alert Single 9V alkaline or NiMH battery operation•

uB-4 — Bodypack transmitterChoice of instrument (GT)/headworn (HM)/lavalier (LT) microphone •operating modes in a single bodypack transmitter OFF/STANDBY/ON switch allows convenient audio muting while •transmitter “ON” Status LED indicator flashes once for unit “ON”; lights steady for low •

battery alert Locking 3.5mm mini-jack provides secure connection for removable •microphone or instrument cable Easily accessible input level adjust control for optimum sound •(HM/LT operating modes only) Single 9V alkaline or NiMH battery operation•


PeM-500 – 16 Channels

I N - E A R M O N I TO R I N G W I R E L E S S S YS T E M S

eo3

The E03 receiver is a pocket-sized wireless audio receiver with an •output for earbuds to provide in-ear-monitoring Any number of E03 receivers can be used with a single EO3-T •transmitter Ultra compact and lightweight •Preset to one of eight channels in the 72-76 MHz range •Loudness adjustable with volume control—provides up to 130dB in-ear •monitoring Antenna is integral with earphone cord •A pair of mini binaural EB-3 earphones included, with optional-use •EMI soft rubber inserts supplied LED “power on” indicator •Single 9V alkaline battery operation•

PeM-R — Bodypack ReceiverPortable bodypack receiver features a power switch, switchable built-in •volume limiter, output level control, stereo/mono select switch, and two-color (red/green) 3-way unit ON/Signal/Low Battery LED indicatorOperates up to 6 hours (depending on volume) on a single 9V alkaline •battery

Each receiver is supplied with a pair of miniature, lightweight (yet •powerful) in-ear Koss® stereophones with soft rubber foam mounts in 3 shapes (conical, cylindrical and hexagonal) designed for fitted comfort and optimum acoustic transfer and isolation. Rear clip can be rotated 90° for attaching receiver either vertically or •horizontally to clothing

PeM-500t— stereo transmitterRugged, all-metal half-rack that can be rackmounted singly or side-by-•side with optional rack kits Microphone input allows wireless cueing of performers on stage •Front panel features input level control, stereo headphone monitor •output jack and volume control, select button for choosing one of 16

UHF channels, LED channel display, and Left/Right 10-segment audio input level displays. Back panel provides BNC jack for the detachable antenna, a Stereo/•Mono select switch, a ¼” TRS balanced microphone input, and XLR jacks for Left and Right Line inputs. Externally powered by AC/DC power adapter •

STEREO OPERATION

Available on selected frequency bands within the UHF band for •interference-free, long-range performance (up to 8 systems can be operated simultaneously, depending on location and frequency band) System consists of PEM-500T stereo transmitter and one bodypack •stereo PEM-R receiver, both of which offer 16 channel user selectability. Any number of additional receivers can also be operated with the same transmitter if they are all set to the same channel. Proprietary companding circuitry for wide Dynamic Range and clear, •natural sound Operating Range: Up to 300 feet typical (depending on site conditions) •Rugged, foam-padded traveling case provides easy, safe transport and •storage

eo3 — transmitterThe E03 transmitter is a compact transmitter that broadcasts on one •of eight channels in the 72-76 MHz band to any number of Nady E03 wireless bodypack receivers on the same channelThe system provides a 300 ft. wireless operating range •Eight factory switchable channels •Rear panel input for line level audio •Front panel input for microphone •Audio input gain control •Automatic level control •Extendable antenna •9 volt DC input for AC-EO3 9VDC regulated power supply •adapter provided Power switch with red LED power on indicator •Audio modulation LED indicator•


A S S I S T I V E L I S T E N I N G W I R E L E S S S YS T E M S

ALd-800

IR-200:• 2 Channel single-unit emitter/transmitter (separate channels or stereo); IR-210: Stereo headphone receiver; IR-211: Dual channel selectable (A/B) headphone receiverAdvanced 2.3/2.8MHz IR transmission eliminates the interference •from ballast (fluorescent tube) lighting which often plagued earlier 95/250KHz IR systems.4000 sq. ft. (370 sq. m.) coverage. Any number of IR-200 transmitters •can easily be daisy chained together for greater coverage via dual sync in & sync out connectors on each unit.Can be mounted on the wall or on optional stand for portable •temporary setups and the transmitter can be used with either IR-210 receivers for stereo or IR-211 receivers for dual (separate) channel operation. Any number of either IR-210 or IR-211 receivers can be used in an installation.High gain IR-LED (light-emitting diode) emitter panel with built-in •amplifiers; 2 audio inputs (fully compatible with any audio source, such as mixers, radios, VCR’s, etc.); 2 MIC inputs (for optional voice-overs); built-in automatic level control (ALC) to eliminate audio peaks and ensure comfortable listening levels; 28VDC external powering from supplied AC/DC adapter simplifies installation wiring requirements; LED indicators for SIGNAL ON for both Audio In and MIC In inputs

•IR-210/IR-211 headphone receivers feature:• ultra IR light-sensitive diodes for optimum reception and maximum range; A/B channel select switch (IR-211 only); ON/OFF power switch with LED indicator; 2 audio volume controls; 2 X AAA battery operation; adjustable headband for comfortable universal fit

IR-200

System operates on one of 8 factory switchable channels within the •72-76 MHz band designated for auditory assistance frequencies by the FCCTransmitter offers full manual controls and connections (including mic •and line level inputs), automatic level control, extendable antenna, and Power ON and Audio Input level LED displays.Any number of pocket-sized ALD-800 receivers can be used with a •single ALD-800 transmitterReceivers include mini binaural earphones providing up to 130 dB SPL •for hearing assistance and feature a volume control adjust, “Power ON” LED, and antenna integral with earphone cord. Single standard 9V alkaline or rechargeable NiCad or NiMH battery operation.

IR -200/210

IR-200/211


IRW-220X dual IR Wireless Microphone system (x2)

Dual receiver allows 2-channel simultaneous operation of 2 transmitters •(Ch A, Ch B) IR signal reception LED indicators •Channel A/B mix audio output RCA phono jack •Separate Channel A and Channel B volume controls •2 IR Sensor coaxial inputs •2 IR Sensors supplied, with 20 ft. and 35 ft. connecting cables and wall mounts; •each sensor has Multiple Array of Wide-Angle Infrared Sensitive LEDs

IRW-Lt6X — Bodypack transmitterMultiple emitter array of high efficiency infrared emission LEDs for optimum •IR transmission Power ON LED •Channel A/B selector switch •3.5mm mini-jack for connection of lapel microphone •Audio input volume control •Belt Clip and neck worn lanyard •Operates up to 6 hours on 2 alkaline AA batteries or 2 NiMH AA •rechargeable batteries

IRW-2PA All-in-one Infrared Wireless P.A. system

I N F R A R E D W I R E L E S S S YS T E M S

Lt-6sC — Bodypack transmitterMultiple emitter array of high efficiency infrared emission LEDs for optimum •IR transmission Power ON LED •Channel A/B selector switch •3.5mm mini-jack for connection of lapel microphone •Audio input volume control •Belt Clip and neck worn lanyard •Operates up to 6 hours on 2 alkaline AA batteries or 2 NiMH AA •rechargeable batteriesEquipped with a charger protection circuitry that can detect and shut down •charging function if regular alkaline or non-rechargeable batteries are mistakenly recharged.

Ht-6sC — Handheld Microphone transmitterMultiple emitter array of high efficiency infrared emission LEDs for optimum •IR transmission Power On LED •Powerful uni-directional dynamic cartridge for optimum audio, minimal •handling noise, and maximum feedback rejection; rugged steel mesh ballscreen with anti-roll ring Operates up to 6 hours on 2 alkaline AA batteries or NiMH rechargeable batteries•Equipped with a charger protection circuitry that can detect and shut down •charging function if regular alkaline or non-rechargeable batteries are mistakenly recharged.

All-in-one infrared wireless PA system—ideal for schools, lectures, conferences, •or karaoke applications Multi-functional wall hanging lockbox houses dual infrared wireless receiver, •preamp, power amp, and transmitters with battery-charging holders for safe and secure charging and storage Two wireless microphones, an Aux Input and a hard-wired Mic Input allow •up to four total input signals, each with their own volume control Master Treble and Bass controls, and a 35W RMS power amp, perfect for •driving two 8Ω speakers or any number of small ceiling speakersHandheld microphones and/or bodypack/neck worn lapel microphones •available (2 x NiMH battery operation) Battery chargers with unique safety shut-down protection circuitry to detect •reverse polarity, damaged batteries, or non-rechargeablesLine of sight transmission with no interference from systems in adjoining •rooms providing ultimate confidentiality and isolation Power on, IR reception, and battery charging status LED indicators•2 remote mount IR Sensors supplied, with 20 ft. and 35 ft. connecting cables •and variable-position wall mounts; each sensor with a Multiple Array of Wide-Angle Infrared Sensitive LEDsUL approved AC/AC power supply•

IRW-Ht6X — Handheld Microphone transmitterMultiple emitter array of high efficiency infrared emission LEDs •for optimum IR transmission Power On LED •Powerful uni-directional dynamic cartridge for optimum audio, •minimal handling noise, and maximum feedback rejection; rugged steel mesh ballscreen with anti-roll ring Operates up to 6 hours on 2 alkaline AA batteries or NiMH •rechargeable batteries

WPM-1V — 12 standard frequencies between 170~216MHz. supplied standard with the encore I (VHF) receiver. Also available with any other VHF receiver offered by nadyWPM-2u — 6 standard frequencies between 470~510MHz. supplied standard with only the uHF-3 (uHF) receiver

Both offer top performance indistinguishable from the best hardwired •podium microphonesSuperior, clear audio for best possible communication•Up to 200’ ultra reliable reception range for maximum versatility •and operating ease in any application — simplifies setup with no cumbersome cabling required between mic and amplifier Ideal for desktop conferencing, with no clutter of cables, for the •cleanest, simplest possible installation. Up to 8 WPM-1V systems and 6 WPM-2U systems (all on different frequencies as noted on the side panel) can be operated simultaneously (up 14 total if combining VHF and UHF systems)


VR seRIes Wireless Microphone systems for Camcorders

V I D E O & P O D I U M W I R E L E S S S YS T E M S

WPM seRIes – Podium Microphones

WHt — Handheld Microphone transmitter

Each transmitter operates on a separate •single frequency in the VHF 170-216MHz band and can be used singly or together simultaneouslyFeatures the Nady DM-10D unidirectional •neodymium dynamic cartridge for optimum true sound, maximum feedback rejection and minimal handling noiseOFF/STANDBY/ON switch allows convenient •audio muting with the transmitter “ON”Low battery LED indicator flashes once for •unit “ON”; lights steady for low battery alert — single 9V alkaline battery operation (15+ hours)

LInK 2™ — Plug-In Wireless Microphone transmitter

Plug-in transmitter converts your favorite •XLR handheld or lavalier microphone to wireless instantlyRugged construction and positive locking •connector for reliable performanceSelectable phantom power•Optional leatherette pouch with clip •available for use as bodypackSingle 9V alkaline battery operation •(15+ hours)

WLt/WGt — Bodypack transmitters

Choice of instrument or headworn/lavalier •microphone bodypack transmitterOFF/STANDBY/ON switch allows convenient •audio muting with the transmitter “ON”Low battery LED indicator flashes once for •unit “ON”; lights steady for low battery alert — single 9V alkaline battery operation (15+ hours)Locking 3.5mm mini-jack provides secure •connection for removable microphone cableEasily accessible input level adjust control for •optimum soundAvailable with LM-14O omnidirectional or •LM-14U unidirectional lavalier microphone or Headmic™ Series headworn microphones (see page 50)

151 VR

351 VR

WPM-1V

Rugged receiver can be camera mounted or worn as a bodypack (with •removable belt clip)Easy hook-up to camcorder with supplied connecting cable. Powered by •9V alkaline batteryChoice of 3 transmitters: WHT, WLT or LINK 2™•120 dB dynamic range with no background hiss or overload distortion•LED lights indicate low battery and receiver signal•Convenient operation with Output Level and Mute Adjusts, separate •3.5mm Audio Output and Monitor Headphone mini jacks and Headphone Volume thumbwheel control with integrated unit OFF/ON switchDetachable softwire antenna extends from top of the receiver •(detachable Rubber Ducky antenna optional for 351 VR only)

WPM-2U

PRo AudIo GeAR

PoWeR AMPLIFIeRsSPA Series, XA Series, PPA-300, 3WA-1700 19CRossoVeRs And eQsCX Series, GEQ Series, PEQ-5B Parametric 20PoWeR ContRoLLeRsPCL Series, CDP-1006L, SC-100, PC-80, RL-2 21dIGItAL PRoCessoRsSDR-260, SDP-20, DigiComp 16 22AnALoG PRoCessoRsCL-5000, FS-4N, MSE-100A 23RACK GeARSD-2418, RDI-8, RMX-6, PB48 24dIReCt BoXes, HuM eLIMInAtoR And PHono PReAMPADI Series, DB-1, HE-1, PHP-3 25MICRoPHone PReAMPsTMP Series, PRA-8, DMP-2 26HeAdPHone AMPLIFIeRsHPA-4, HPA-8, HA-1X4 27MIXeRsMM-15USB, MM Series, SRM-10X 28SRM-12X, SRM-14X, CMX-16A 29PoWeR MIXeRsMPMx Series, SPM Series 30PMX Series 31PoRtABLe sound sYsteMsMPM Series PA, RPA Series 32Advance PSS-8300, Ensemble PA-4180, Access PSS-150, MPA-30 33sPeAKeRsJ Series, JPS Series, THS Series, PAM-10F 34ProPower Series 35M-Cab Series™, P-Cab Series™ 36SSW-15A, PSW-18A, FWA Series 37studIo And PeRsonAL stAGe MonItoRsCSM-5, PM Series, SM Series 38HeAdPHonesQH / QHM Series, DJH-2000 39noIse CAnCeLLInG HeAdPHones And test GeARQH RacketBlaster Series, SPL Meters, Cable Tester 40

pro audio

1 9n A d Y P R o A u d I o

sPA seRIes – stereo Power Amplifiers

P O W E R A M P L I F I E R S

XA seRIes – stereo Power Amplifiers

sPA 850 — 2 x 350W @4Ω, 2 x 425W @2Ω Bridge mono: 600W @ 8Ω, 850W @ 4Ω sPA 1400— 2 x 500W @4Ω, 2 x 800W @2Ω Bridge mono: 1000W @ 8Ω, 1400W @ 4Ω sPA 2400— 2 x 750W @4Ω, 2 x 1400W @2Ω Bridge mono: 1600W @ 8Ω, 2400W @ 4Ω

Continuously variable speed fan with back-to-front air flow •Full operating features: user-defeatable clip limiter; switchable 30Hz •low-cut filter; balanced XLR and ¼” TRS inputs; detent volume controls; stereo (dual-channel, parallel-input, or bridged mono operating models)

with selector switch; binding post and Neutrik Speakon™ outputs; ground-lift switch Complete, advanced safety/reliability features: soft-start turn on; noise-•free on-off; built-in DC offset; independent DC and thermal overload protection on each channel; short circuit and speaker protection; DC servo operation; built-in current limiter Parallel outputs allow “daisy chaining” amps •~115V (60Hz)/~230V (50Hz) AC select switch •Clip and Signal LED indicators for each channel. Durable double rack •space (2U) steel casing

XA-1100 —2 x 475W @ 4Ω, Bridged mono: 1100WXA-2100 —2 x 870W @ 4Ω, Bridged mono: 2100W

Full operating features: detent volume controls; parallel balanced XLR •and ¼” TRS inputs; stereo (dual channel), parallel-input, or bridged mono operating modes with selector switch; binding post (banana plug) outputs; ground lift switch Full safety/reliability features: 2 dual speed fans for cooling; soft-•

start turn on, noise-free on-off; built-in DC offset; independent DC and thermal overload protection on each channel; short circuit and speaker protection; DC servo operation; built-in digital current limiter Power ON, Clip, Signal, and Protect LED indicators for each channel •Roadworthy, rugged double rack space (2U) housing •~115(60Hz)/~230V(50Hz) AC select switch and IEC power cord •connector with built-in fuse

PPA-300 – stereo Power Amplifier

2 x 150W RMS @ 4• Ω, 2 x 120W RMS @ 8ΩFull operating features:stereo (dual channel), volume controls; XLR and •¼”TS inputs Power ON LED;Signal and Clipping LED indicators for each channel •Roadworthy, rugged double rack space (2U) housing •

IEC power cord connector with built-in fuse •Full safety/reliability features:fan for cooling;soft-start turn on, noise-•free on-off;built-in DC offset;independent DC and thermal overload protection on each channel;short circuit and speaker protection

3WA-1700 – 3-Channel (stereo Main + subwoofer) Amplifier

This 3-way amp allows you to power your left and right main speakers •and your subwoofers, with no crossover necessary, all from one 2U rack chassis. The 3WA-1700 easily powers four 8Ω speakers for the stereo mains and two 8Ω subwoofers with 450W of power per channel plus a whopping 800W for the subs! A perfect amp for DJ’s, traveling bands, and small clubs.Power Output Ch 1 & 2: 2 x 450W @ 4• Ω, Subwoofer:800W @ 4ΩSelectable internal Low Pass Filter can be adjusted from 50Hz to 250Hz to •maximize the tight punch of your subsFilter / Source switch – to enable the internal low-pass filter and use the left •and right input signals for the subwoofer – or to disable the internal filter to

either use an external active crossover or use the Sub channel to pass full-range signals for monitor feeds or sound reinforcementSelectable Low Cut Filter to minimize muddy bass and stage rumble •Balanced XLR and ¼” TRS inputs;binding post (banana plug) outputs, •detent volume controls for each channel Full safety / reliability features: 4 variable speed fans for ultimate cooling; •noise-free on-off; built-in DC offset;independent DC and thermal overload protection on each channel;short circuit and speaker protection Power ON, Signal, Clipping, and Protect LED indicators for each channel. •Roadworthy, rugged double rack space (2U) housing •~115(60Hz) IEC power cord connector and 3AG fuse holder •

XA-1100XA-2100

SPA 850 SPA 1400 SPA 2400

n A d Y P R o A u d I o2 0

C R O S S O V E R S & E Q UA L I Z E R SCX seRIes – stereo Crossovers

GeQ seRIes – Graphic equalizers

CX-22sW — 2-Way stereo + subwooferSingle rack space (1U) •Shielded internal power supply with AC voltage select switch •(~115V/60Hz or ~230V/50Hz)

Phase inversion switches •Low-cut subsonic filters for low frequency driver protection •Servo-balanced XLR inputs •Superior performance with transparent audio •

CX-22SW CX-23SW

PeQ-5B PARAMetRIC – 5-Band equalizer

GeQ 215 2 Channel, Single Rack Space, 15 -2/3rd Octave Bands Each Channel •Active balanced (XLR and ¼” TRS) and unbalanced (RCA) input/output •connectors Constant Q bandwidth from each filter with 3% center frequency accuracy •Parallel filter design for minimal phase distortion. Ultra low-noise circuitry. •Selectable range, 6dB or 12dB gain •Center detents on faders and variable level control •Power off automatic bypass function. Equalizer ON/OFF bypass switch. •Peak (overload threshold) LED •Shielded internal power supply with AC input and selectable line voltage •(~115V/60Hz or ~230V/50Hz). Ground lift switch.

GeQ 131 & GeQ 231GeQ 131 — 1 Channel, single Rack space, 31 -1/3rd oc-tave BandsGeQ 231 — 2 Channel, double Rack space, 31 -1/3rd oc-tave Bands each Channel

Active balanced (XLR and ¼” TRS) and unbalanced (RCA) input/output •connectorsConstant Q bandwidth from each filter with 3% center frequency accuracy•Parallel filter design for minimal phase distortion. Ultra low-noise circuitry.•Low-cut filter at 40Hz, 12dB/octave, switchable, with status LED•Band range: +/- 12dB gain•Center detents on faders and variable input level control (+/- 12dB)•Equalizer ON/OFF bypass switch with status LED. Gain status LED •bargraph with peak LEDPower switch with integral LED “ON” indicator•Shielded internal power supply with AC input and selectable line voltage •(~115V/60Hz or ~230V/50Hz)Compact and durable all-steel chassis design•

CX-23sW — 3-Way stereo + subwooferSingle rack space (1U) •Shielded internal power supply with AC voltage select switch •(~115V/60Hz or ~230V/50Hz)

Phase inversion switches •Low-cut subsonic filters for low frequency driver protection •Servo-balanced XLR inputs/outputs •Superior performance with transparent audio•

GEQ 131

GEQ 215

GEQ 231

Full professional features include: 15dB boost/cut per band, constant-Q, •state-variable filter circuitry for precision control of tone coloration, parallel phase filters for minimal phase shifting, and tunable high and low cut filters. Each band is independently switchable and adjustable in bandwidth (.03 to 2 octaves wide), allowing a range of adjustment from tight notching to extreme boost/attenuation by band overlappingServo-balanced XLR and ¼” TRS inputs and outputs•Bypass switches on each channel•12-segment LED switchable Input/Output meter•Housed in a single rackmount metal housing (1U)•


sC-100 – sequenced Power Controller

PC-80 – Power Controller

Convenient 1U rack unit for controlling sequenced AC power, On/Off for •up to 10 pieces of audio equipment. The controller provides a gradual turn on process and turns the equipment off in the reverse order. 10 each 3-prong AC outlets are multi national style compatible with •standard US plugs and round European plugs. The rear panel outlets with front panel LED indicators are sequenced with a 1-second delay, allowing for smooth power up and down of power amplifiers, mixer consoles, wireless equipment, etc. Key lock On/Off switch with bypass for secure operation. Internal filtering •to reduce noise and spikes. Both the Hot and Neutral AC lines are interrupted for maximum safety •Heavy-duty internal relays for superior reliability•

Convenient 1U rack unit for controlling power ON/OFF for up to 8 •connected pieces of audio equipment Eight 3-prong AC outlets in rear, each controlled by front panel enabling •switch with LED status indicator. Allowing for smooth power up and down of power amplifiers, mixer consoles, wireless equipment, etc. Circuit breaker•

PCL seRIes – Power Conditioners

P O W E R CO N T R O L L E R S

CPd-1006L – Conditioned Power distribution w/sequence Controller

Triple mode varistor surge and spike protection •Eight rear outlets (with room for 4 “wall warts”) controlled by a front •panel switch 15 amp rating (1800 W) with rear panel circuit breaker (UL) •Two added front panel slide-out, swiveling lights for rack illumination and •dimmer controls to adjust lamp brightness (PLC-810 and PLC-815 only) Large LED numeric meter that displays incoming AC line voltage and 2 •voltage condition indicators — standard voltage and over voltage (PLC-815 only) Rugged single rack space metal housing for maximum reliability•

10 AC sockets: 2 unfiltered front panel and 8 conditioned, with six-step •delayed sequence turn-on/off2-second sequence interval standard — factory adjustable also to 1 or 3 •secondsSuperior RFI/EMI filtering and surge protection•Extremely accurate system voltage meter with 3-digit LED numeric display•Retractable, rotating, 6 LEDs lamp for long-life front rack illumination•Rack light Hi/Off/Low dimmer switch•15A circuit breaker•

RL-2 – dual Rackmount Gooseneck Light

Brighten your rack — illuminates mixing consoles and rack gear for easier •operation on dark stages — can be mounted on either front or rear of rack casesTwo 10” flexible gooseneck lights mounted on a 19” rackmount strip (1U)•ON/OFF switch and integral fused power supply included. Hard-wired •power cable plugs into 115 VAC outlet

PCL-800

PCL-810

PCL-815


D I G I TA L P R O C E S S O R S

Powerful dual engine digital sound processor (DSP) offers a full •complement of 60 of the latest, most useful, breathtaking effects presets including hall and room reverbs, gates, echo/vibrato/chorus/flanging delays, pitch shifting, and concert/stage recreations. Intuitive and easy to operate — all parameters can be selected and/•or edited via the jog wheel knob or external MIDI remote control (via Program Change messages) with 60 user program locations for personal edits storage 24 bit A/D and D/A converters for ultra-high headroom and resolution. •Internal 44.1 KHz sampling rate for unsurpassed audio

Servo-balanced inputs and outputs with XLR and ¼” TRS connectors •Input and output Level Switches add +4 dB or attenuation -10 dB. •Remote MIDI program change and bypass control •4 segment ultra-precise stereo input level LED display •3 Digit program and parameter LED display •Front Panel Selectable Preset/User/MIDI/Bypass controls •Input level Control, variable •Rugged construction for maximum long-term reliability •Shielded internal dual regulated power supply with ~115V(60Hz)/ •~230V(50Hz) select switch and fused IEC power cord connector

sdR-260 – stereo digital Reverberator

sdP-20 – stereo Preset/Programmable digital Multi-effects Processor

Powerful dual engine digital sound processor (DSP) offers a full •complement of 256 of the latest and most useful breathtaking effects presets including room and hall reverbs, gates, delays/echoes, chorus/flanging/Leslie, pitch shifting, and overdrive/distortion. Intuitive and easy to operate — all parameters can be selected and/or •edited (up to 6 editable parameters for each effect) via the jog wheel knob or external MIDI remote control (via MIDI nrpn messages) with 20 user program locations for personal edits 20 bit A/D and D/A converters with 64/128 times oversampling •for ultra-high headroom and resolution Internal 20-bit processing with 46.875 kHz sampling rate for •unsurpassed audio

4-band digital equalizer, programmable by push buttons and the •jog wheel knob Servo-balanced inputs and outputs with XLR and ¼” TRS connectors •Full remote MIDI control of all functions and parameters •6 segment ultra precise stereo input level LED display •3 Digit program and parameter LED display •External effects control via rear panel ¼” jack for changing preset •program counter incrementally via optional external foot switch Selectable Bypass with rear panel ¼” jack for optional external •Bypass Foot switch Rugged construction for maximum long-term reliability •Shielded internal dual regulated power supply with ~115V(60Hz)/ •~230V(50Hz) select switch and fused IEC power cord connector

dIGICoMP 16™ stereo 18-bit digital Compressor

Exceptional assortment of 16 popular, one-of-a-kind preset digital •compressor ROM programs, including AGC Pure, Acoustic, Master, Clean, Dance, Kick Drum, Mixdown, Jumping Up, and 8 Classic stereo settings with 16 user selectable parameter variations for each algorithm Unique digital AGC and proprietary algorithms provide real dynamic •compression for adding punch to weak signals, new dimensions to your sound and useful limiter functions. Advanced state-of-the-art digital processing with 18-bit Sigma-Delta AD/•DA conversion, high speed 12.5MIPs operation, and 52-bit accumulator resolution ensures first-class/high-quality audio with negligible distortion, full bandwidth 20-20KHz response, and low noise/high dynamic range. Ultimate ease of operation with convenient front panel I/O signal gain •controls, bypass switch, program and variations select controls; rear panel ¼” I/O stereo and bypass jacks (for optional footswitch); versatile + 4/-10dBu input signal level stereo/mono operation, high gain mono input for plugging instruments in direct, and 9 volt AC adapter supplied Roadworthy, ultra portable, all-metal 1/3 rackspace rackmountable •or tabletop housing


CL-5000 – dual Channel Compressor Limiter w/Gate

A N A LO G P R O C E S S O R S

Fs-4n – Feedback suppressor

Two independent compressor/limiter/gates in a road-tough steel single-•rack-space (1U) housing Utilizes unique circuitry combining hard and soft knee compression •styles, providing excellent inaudible and music program compression as well as effective dynamics processing Advanced operating features include fully automatic or manually •variable attack/release times, compression ratio, and threshold control Dual 12-stage gain reduction and 8-stage input/output metering •Dual-mono or stereo operation; servo-balanced inputs (with automatic •hum and noise reduction) and outputs

Built-in adjustable dynamic enhancer (selectively replaces high-end •loss during even severe compression brought on by high-energy low-end content) IRC (Interactive Ratio Control) expander/gate (automatically adjusts •expansion per program material, thus eliminating the noise floor during quiet sections or music pauses) TRS side-chain applications, including de-essing, emphasizing/ •de-emphasizing certain instruments during recording, eliminating feedback in live applications, and ducking Shielded internal power supply and voltage selector for switching •between ~115VAC (60 Hz)/~230VAC/(50Hz)

Four extremely narrow (1/60 octave) notch filters, each independently •adjustable from 60 to 6,000 Hz, allow quick elimination of unwanted problem frequencies without affecting the integrity of the overall sound. A control for adjusting the notch depth on each filter enables precise •attenuation (up to -20 dB) at each selected frequency. A push button bypass switches all four notches in and out •simultaneously for fast monitoring of results during use. An in-line 8-band audio spectrum analyzer LED display enables •quick identification of the frequency range of any problem frequency, facilitating immediate reaction and suppression by the operator.

¼” TRS balanced jacks for both SIGNAL IN and OUT •Internal shielded power supply with external fuse and ~115V (60Hz) / •~230V (50Hz) AC select switch Single rack space (1U) rugged metal housing for reliability •IEC power cord socket for AC operation and screw terminals for •optional +24 VDC input powering

Mse-100A – Multiband sound enhancement

Professional multiband enhancer/exciter for all applications provides •subjective loudening of the audio and improves intelligibility, bass punch, presence and transparency; reduces listening fatigue Variable sound processing circuitry for simultaneous enhancer and •exciter effects Dual-mono or stereo operation •Surround processor for spatial enhancement and improved stereo •imaging

Dual-mode bass processor (allows choosing between “soft” and “tight” •bass sounds) and multiband processing XLR and ¼”TRS input/outputs for balanced or unbalanced •operation Shielded internal power supply and standard IEC receptacle •for power cord


Eight totally independent DI Box units in a 1U package for multiple •signal corrections/conversions, with ¼” TRS jacks for balanced or unbalanced inputs and XLR jacks for servo-balanced outputs for each channel Each DI box eliminates impedance mismatch problems and converts •any sound source — from guitar to speaker inputs — into a clean, powerful hum-free, noise-free and interference-free balanced signal; perfect even for extremely long cable runs Can be used simultaneously as an 8-channel Line Mixer with both •stereo Line and Master outputs. Ingenious, multi-purpose design enables useful parallel-operation applications (e.g., setting an independent stereo mix for stage monitoring for an extended setup of keyboards, samplers and synth modules while supplying independent XLR balanced outputs to the stage box for the front of house engineer) Controls for the Line Mixer operation include independent rotary •volume and L/R pan controls per channel for the Stereo Line

output and an additional Master Volume control for the Master Stereo output Independent 20dB PAD and Ground Lift switches per channel control •both the DI Box and Line Mixer outputs simultaneously Optimum hookup flexibility with independent parallel link outputs •for each channel enables useful applications such as monitoring a specific input locally while sending an XLR balanced direct output to another source without affecting the line mixer signal Advanced circuit design and carefully selected components ensure •extended linear frequency response and ultra low distortion for pure, transparent audio across the spectrum for both DI Box and Line Mixer operation High-quality, rugged construction for maximum long life and •reliability Shielded internal dual regulated power supply with ~115V(60Hz)/ •~230V(50Hz) select switch and fused IEC power cord connector

sd-2418 – signal distributor

RdI-8 – eight Channel dI Box/Line Mixer

Splits balanced mono signal into 8 separate balanced mono signals •or stereo pair into four separate stereo pairs Indispensable signal routing tool for live sound and recording •applications requiring signal splitting and distribution with level matching to different equipment

Individual gain controls (up to +6dB gain) for all 8 outputs; 2-4,1-8 •split mode select switch and display; dual balanced inputs (Ch A,B) with Link outputs for optimum signal routing flexibility in hookup. Wide dynamic range for optimum signal integrity and transparency

RMX-6 – Rack Microphone/Line Mixer

6-channel mic/line mixer in a single rack space (1U). Balanced XLR mic •and ¼” TRS Line inputs–each channel.Master volume and bass, treble controls. Phantom power (15V) on •channels 4-6 mic inputs.

Dual (low and high level) outputs •Internal shielded power supply, ~115V/60Hz AC powered•

PB48 – Modular Patchbay

Versatile, no-solder patchbay provides 48 points in a single rack space •(1U). Normalled, half-normalled and isolated configurations. ¼” TRS for both balanced and unbalanced signals.

R AC K G E A R


AdI seRIes – direct Inject Box

AdI-1 — single direct inject boxAdI-2 — dual direct inject box

Eliminates impedance mismatch problems and converts any sound •source at almost any level into a clean, noise-free balanced signal Full-featured controls and connections include On/Off, Ground Lift, and •Guitar/Speaker Source Select input attenuation switches; unbalanced ¼” TS Input and Parallel Link Output jacks; and servo-balanced XLR Output jack. Parallel link output allows ultimate hookup flexibility by enabling applications such as connection to the input of the backline or monitor amplifier.Portable aircraft aluminum extruded case for ultimate roadworthiness, •long life and reliability. Powered either by consoles +48V phantom power or internal 9V battery.

dB-1 – Passive direct Box

Enables connection of any unbalanced audio source signal (such as from •an electric instrument, keyboard— even from an amp speaker output) to any mic level balanced input (such as that of a mixer). Parallel Output allows simultaneous connection to 2 separate inputs •(e.g., to an amp and mixer)Translates high-impedance instrument outputs into low-impedance balanced •signals, or balanced low-impedance signals into unbalanced outputs Converts unbalanced +10dB DJ mixer signals to balanced mic level signals, •enabling easier interfacing with consoles and longer cable runs Enables multiple keyboard setups plugged into an instrument amp to be •directly input to a console mixer by connecting the speaker outputs of the amp to the console input through the DB-1— eliminates need for a direct box on each keyboard3-position input attenuation switch (0dB, -20dB, -40dB) facilitates proper •output signal levels for optimum level matching to connected equipment Switchable ground lift eliminates ground loop hum problems •Rugged, roadworthy all-steel construction for years of reliability•

ADI-1

ADI -2

D I R E C T B O X E S , H U M E L I M I N ATO R & P H O N O P R E A M P

He-1 – Hum eliminator

Eliminates AC hum (60Hz/120Hz buzz) easily with up to 20dB •of attenuation Breaks grounds loops safely while leaving all signal grounds intact •Dual Channel I/O with ¼” TRS jacks •Converts automatically back and forth between balanced and •unbalanced lines at either end Completely passive design with quality components assures best •possible noise/distortion-free performance

PHP-3 – dJ Phono Pre-Amplifier

Converts Phono signals to Line Level utilizing standard RIAA •equalization — amplifies and EQs vinyl records to interface with mixers, main or monitor systems, audio workstations, or sound cards Works with all turntables using magnetic cartridges •Plug and play operation with full patching facilities for easily •connecting phono turntables to any sound equipment External power adapter for low-noise operation •Rugged metal case for maximum reliability •


tMP-1 & tMP-2 — tube Microphone PreampsHand selected 12AX7A vacuum tube circuitry provides large, warm •sound for microphones and instruments — fills out your sound for perfect recording Selectable output limiter circuitry to avoid clipping and protect •connected equipment (e.g., processors)Convenient analog VU meter allows excellent control of desired signal •levels and monitors limiter function when limiter is activated Variable Input and Output Gain Controls •+48VDC Phantom Power Switch •Phase Reversal Switch •Servo-balanced XLR and unbalanced ¼” TS Inputs and Outputs •Rugged construction for maximum long-term reliability •Shielded internal dual regulated power supply with •~115V(60Hz)/~230V(50Hz) select switch and fused IEC power cord connector

tMP seRIes – tube Microphone Preamplifiers

PRA-8 – 8-Channel Microphone Preamplifier

Eight totally independent world-class preamps in one single rack (1RU) •through package with servo-balanced XLR inputs and ¼” TS outputs for each preamp Highest quality components and advanced design with ultra-linear, •high bandwidth operational amps for no-compromise crystal clear audio; exceptionally low noise and negligible distortion

Individual gain control and Peak LED indicator on each channel with •up to 75dB of gain +48V Phantom Power with individual Phantom On/Off switches •and Phantom Power On LED indicators for each channel Rugged construction for maximum long-term reliability •Shielded internal dual regulated power supply with ~115V(60Hz)/ •~230V(50Hz) select switch and fused IEC power cord connector

dMP-2 – dual Microphone Preamplifier

tMP-3 — tube Microphone Preamp/eQ/ Compressor Channel strip

Smooth, warm tube sound with superior clarity/transparency for •truest audio Mic Preamp Input section offers full complement of controls including •switchable +30dB gain, 180° I/O phase reversal, +48V phantom power, and a Gain pot with Clip LED indicator selecting proper incoming signal level Three-band EQ section with low and high shelving filters and •sweepable mids for precise frequency tailoring; Output Level control for adjusting overall volume from the TMP-3 main outputs Natural sounding optical compressor section with threshold and ratio •controls for accurate musical dynamics processing; VU gain reduction meter for monitoring amount of signal compression; rear panel ¼” TRS side chain I/O jack for external compression control, and In/Out bypass switch Servo-balanced XLR and unbalanced ¼” TS input/output jack-switch •~115V(60Hz)/~230V(50Hz) select switch and fused IEC power cord connector

M I C R O P H O N E P R E A M P S

TMP-1 TMP-2

TMP-3

Unsurpassed audio with excellent stereo imaging, ultra low noise, •superb transient response and transparent, distortion-free sound — performance superior to that of stock console preamps Includes XLR I/O jacks, Power OFF/ON/+48V Phantom Power 3-way •switch, selectable integrated limiter, dual Gain controls, Power ON and dual Peak LED indicators Rugged, lightweight all-metal enclosure designed for long life and •portability — powered by 9V Alkaline or NiMH battery

8 stereo headphone channels in a convenient single rack package – •enables multiple signal distribution options for monitoring flexibilityEach channel has separate volume control and ¼” stereo outputs •Over 100mW of power per channel with full spectrum audio response •and maximum headroom (even at high volume headphone levels)No-compromise circuit design, SMD technology and low-noise op-amps •for reference – quality, transparent audio with maximum headroom even at high headphone volume levels

Three balanced, line-level input channels with capacity to distribute •one input signal to all headphones or group the headphone outputs (depending upon input configuration) for monitoring flexibilityMono/Stereo selector switch for each set of inputs•High-quality, rugged 1U construction for maximum reliability•Shielded internal power supply with ~115V(60Hz)/~230V(50Hz) •select switch and fused IEC power cord connector


HPA-4 – 4-Channel Headphone Amplifier/Line distributor

HPA-8 – 8-Channel Headphone Amplifier

Four totally independent stereo high-power headphone amplifier/•line distribution channels in a convenient single rack package—an ingenious, easy-to-operate unit allowing maximum variety of monitoring and stereo line level signal distribution options. Input Source Select switches and Phone and Line ¼” TRS stereo outputs •on each channel; 4 independent stereo input sections (each with servo-balanced L & R ¼” TRS jacks) enable independent selection of any of the 4 stereo signals for each headphone amp/line distribution channel. This allows selection from up to 4 completely independent monitor signals for each set of headphones connected to the HPA-4 for optimum monitoring flexibility or 4 separate choices for each channel’s Line Output enabling many audio switching/routing solutions.

Separate Volume control for each channel adjusts the level to both •Phone and parallel Line outputs Easily expandable for optimum versatility in any application—up •to four HPA-4’s can be daisy chained for additional fully selectable headphone/line distribution requirements No-compromise circuit design, stringently selected tight-tolerance •components and low-noise, extremely linear or amps for reference-quality, transparent audio with maximum headroom even at extremely high headphone volume levels High-quality, rugged construction for maximum reliability •Shielded internal dual regulated power supply with ~115V(60Hz)/ •~230V(50Hz) select switch and fused IEC power cord connector

H E A D P H O N E A M P L I F I E R S

HA-1X4 – 4-Channel stereo Headphone Amplifier

Allows 4 channels of stereo headphone monitoring with individual level controls •Advanced design for widest dynamic range, with lowest noise and distortion •¼” Stereo jack input can be driven by any line level or headphone amp output •Rugged metal chassis for long-life reliability •


MM-141 — 4-Channel Mini-MixerFour ¼” unbalanced line level inputs with individual •volume controls mixed to one ¼” unbalanced output.Master Volume control with integrated Power on/off •switch and power on LED indicatorUltra low distortion, up to 20dB of gain, S/N •

ratio over 100dB, and a frequency response from 20Hz-20KHzHeavy-duty steel construction with smooth-turn, •ultrastable pots and high-quality jacks9VDC powered with either 9V alkaline battery •or optional PAD-1 AC/DC external adapter

MM seRIes – Mini Mixers

M I X E R S

MM-14FX — 4-Channel Mini-Mixer w/echo effects4 Mono ¼” microphone inputs with individual •volume controlsBuilt-in Echo Effects DSP with Delay Time and Depth •controls, simulates room/hall/ stadium decay reverbs

¼” unbalanced output •Up to 50dB of gain per channel•Power on/off switch with LED indicator, 9VDC •powered with either 9V alkaline battery or optional PAD-1 AC/DC external adapter

MM-242 — 4/8-Channel stereo/Mono Mini-Mixer8 Mono ¼” inputs with individual volume controls to be •assigned to Stereo A and B outputs or Mono’d together and sent to both A and B outputsStereo ¼” Master outputs with separate Master •volume controls, over 25dB of gain, a S/N ratio of 95dB and frequency response from 20Hz-30KHz

Peak LED’s for each group of input channels•MONO / STEREO mode selector switch•Heavy-duty steel construction with smooth-turn, •ultrastable pots and high-quality jacksPower on/off switch with LED indicator, 9VDC •powered with either 9V alkaline battery or optional PAD-1 AC/DC external adapter

sRM-10X – 10-Channel stereo Mic/Line Mixer

MM-15usB – Mini Mixer

With up to 15 simultaneous inputs and 10 outputs (includ-ing complete USB interface), this versatile desktop mini-mixer is a valuable tool for almost any studio recording, computer, home audio or live performance application.

2 Mono channels with balanced Mic and Line Inputs •and 2 Stereo Channels with Line and RCA Inputs; each channel has Trim, 3-Band EQ, Aux Send, Pan, and Level Controls with Peak indicator LED’sUSB 1.0 I/O Interface to send or receive digital •audio signals to or from any computerStereo Mini Jack iPod/MP3 inputs•

Separate Main Mix, Control Room, and Headphone •Outputs; Stereo Aux. Return Inputs with Level Control; Tape In/Out RCA connectors plus Stereo Mini-Jack outputSelectable Low-Cut, PFL, 48V Phantom Power switches•Dual 4-segment LED display bargraph meters•Ultra-low noise mic preamps for optimum signal integrity; •Full spectrum frequency response with wide dynamic range and superior headroom; SMD technology for most compact designMiniature 7” x 8” durable steel casing and superior •construction for long life and maximum reliability

Two mono channels with Trim, Bass, Treble, Aux •Send, Pan, and Level controls, Low Cut, Pre/Post, PFL switches, and Inserts Four Stereo channels: two with Level controls, Bass/•Treble, Balance controls, Pre/Post Aux Send and PFL switches; two with Level controls and PFL switches Tape In RCA jacks with level control and PFL switch •Tape Record Out RCA jacks •Individual channel Aux Send, Pre/Post selectable, •and Master control Left and Right Main unbalanced outputs with slider •control Mono output with slider level control and AFL switch •Dual 6-segment LED display bargraph meters •Ultra-low noise mic preamps •Full spectrum frequency response •Wide dynamic range with superior headroom •

Separate Master Mix, Control Room and •Headphone Outputs Mic and Line Balanced inputs for optimum audio •integrity ¼” TRS Stereo Control Room and Headphone outputs •Switchable global +48V phantom power on all •mono inputs Input Trim control on each mono channel •Pan pots on each mono channel and Balance pots •on each stereo input Peak LEDs on mono channels •High-quality pots for all controls with Pan/Balance •and EQ controls having center detents High-strength steel casing and superior construction •with only highest quality components for longest life and maximum reliability External AC supply for optimum signal integrity •and superior transient response


sRM-12X/14X – 12/14-Channel stereo Mic/Line Mixer

M I X E R S

Ultra low-noise mic preamps •Wide dynamic range with superior headroom •Separate Master Mix, Control Room and Headphone Outputs •3-band EQ on all channels •Mic and Line Balanced inputs for optimum audio integrity •Tape In and Record Out RCA jacks with Tape inputs assignable to Master •Mix or stereo Control Room/Headphone outputs Switchable global +48V phantom power on all mono inputs •Input Trim control on each mono channel •Pan pots on each mono channel and Balance pots on each stereo input •Pre and post-fader Aux Sends for external effects and monitoring •2 multifunction stereo Aux Returns with Aux Return controls •Switchable Low-Cut filters (18 dB/octave @ 75 Hz) on mono channels •PFL(Pre-Fader Listen) function on all channels •60 mm faders on all channels and Master Mix for precise level control •¼” TRS and XLR Stereo Outputs •Peak LEDs on input channels •Dual 10-segment LED display bargraph meters •High-quality sealed pots with center detents •High-strength steel casing and superior construction with only highest quality •components for longest life and maximum reliability External AC supply for optimum signal integrity and superior transient response •

CMX-16A – 16-Channel stereo Mic/Line Mixer

Full frequency response, wide dynamic range and ultra low noise assures •natural, transparent sound with maximum headroom 8 mono balanced (XLR and ¼” TRS) and 8 stereo (¼” TRS) inputs (16 total) •L-R Main Mix and G1-2 Group Submix buses, with L-R, and G1-2 functions •selectable on all channels and separately assignable to master mixes with separate master faders 2 Aux Sends and 2 stereo Aux Returns with Aux Send and Aux Return controls •8 mono input channel Inserts allow independent connection of effects •devices for each mono channel Tape In and Record Out RCA jacks with Tape Input Level control •Separate Control Room and Headphone Outputs •PFL, L-R, and G1-2 mixes separately assignable to Headphone and •Control Room outputs for versatile monitoring capability Input Trim controls on all channel inputs. Balanced XLR and unbalanced •¼” TRS Stereo Outputs. 3-band EQ on all channels •

Tape In and Record Out RCAjacks with Tape inputs assignable to •Master Mix or stereo Control Room/Headphone outputs Switchable +48V phantom power for all mono XLR Mic inputs •Pan pots on each mono channel and Balance pots on each stereo channel •60 mm faders on all channels and master L/R and G1-2 bus mix for •precise level control High-quality sealed pots with center detents for all Pan/Balance and •EQ controls. Peak LEDs on all input channels.Super accurate 10-stage LED display bargraph meters switchable to •display L/R or G1/G2 mix levels External AC supply (PSU) for optimum signal integrity and superior •transient response Dimensions & Weight: 15” x 17.5” x 3.75” (381 x 495 x 95 mm), •14.85 lbs (6.75 Kg)

sRM-14X14-Channel Stereo Mic/Line Mixer •6 mono input channels with balanced XLR Mic and ¼” TRS line inputs •8 stereo input channels with balanced ¼” TRS jacks for balanced or •unbalanced inputs Six ¼” TRS inserts allow independent connection of effects devices •for each mono channel Dimensions & Weight: 13.5” x 13.5” x 3” (343 x 343 x 76 mm), •9.3 lbs (4.2 Kg)

sRM-12X12-Channel Stereo Mic/Line Mixer •4 mono input channels with balanced XLR Mic and ¼” TRS line inputs •8 stereo input channels with balanced ¼” TRS jacks for balanced or •unbalanced inputs Four ¼” TRS inserts allow independent connection of effects devices •for each mono channel Dimensions & Weight: 13.5” x 11.5” x 3” (343 x 292 x 76 mm), •7.9 lbs (3.6 Kg)


MPM 4130x — Amplifier delivers 160W @ 4 Ω total into 2 parallel speaker output ¼” jacks. 4 channels with XLR Mic and ¼” TRS Line inputs MPM 8175x — Amplifier delivers 175W @ 4 Ω total into 2 parallel speaker output ¼” jacks. 8 channels with XLR Mic and ¼” TRS Line inputs

Built-in Digital Delay produces choice of 4 great overall sound-•enhancing delays ranging from small room to spacious Each channel offers Level and individual Digital Delay controls and a •Low/High 2-band EQ Master section includes CD/Tape Level, Master Level, and Digital Delay •Level/ Delay Time select controls; Digital Delay Select switch; and L,R

Tape In and Tape Record Out RCA jacks Rear panel Main Out/Amp In ¼” TRS jack unbalanced insert point •provides a break between the Main Out and the built-in amplifier, allowing the output to be sent to an external signal processor or additional power amplifier Shielded internal power supply with ~115V(60Hz)/ ~230V(50Hz) •select switch and fused IEC power cord connector Rugged case with handles and lightweight (MPM 4130x — 18.45 •lbs/8.4 Kg; MPMx 8175 — 20.6 lbs /9.3 Kg)) for roadworthy reliability and easy portability

MPMx seRIes – Powered Mixers

sPM seRIes – stereo Powered Mixers

sPM-4250 — 4-Channel stereo Powered Mixer4 Mono input channels with balanced XLR Mic and ¼” unbalanced line •inputs, switchable +48V phantom power Fan-cooled, bipolar amplifier— 2 x 125W RMS @ 4 • Ω (1% THD) both channels driven Built-in Echo Effects DSP simulates plate, gate, room, hall, stadium reverbs •Input controls, connections and indicators include Channel Gain controls, •Peak LED’s, High, Mid, and Low EQs; Channel EFF Send, Pan, and Main Volume controls 5-band master EQ; Aux Send and Return; Tape/CD In and Record Out •stereo RCA jacks with Tape level control Stereo headphone output with separate volume adjust •Internal shielded AC supply with 115V(60Hz)/230V(50Hz) select switch•Durable, yet lightweight, polypropylene housing for easy portability and •roadworthiness

sPM-6300 — 6-Channel stereo Powered Mixer6 Mono input channels with balanced XLR Mic and ¼” unbalanced line inputs•Stereo (Main-Monitor) Amplifier with ¼” speaker outputs and Mono / •Main-Monitor select switch, Fan-cooled, bipolar amplifier—2 x 150W RMS @ 4 ohms (1% THD) both channels drivenBuilt-in DSP for Echo Effects (reverb) with Effects Level control•Input controls, connections and indicators include Channel Volume •controls, High and Low EQs, EFF Send, and separate Main and Monitor Level controls; Aux Input, Effects Send and Return, and Stereo Tape/CD

MPM 4130x MPM 8175x

P O W E R E D M I X E R S

SPM 4250 SPM 6300 SPM 10 / 900RCA inputs; 2 X 5 band master EQInternal shielded AC supply with 115V(60Hz)/230V(50Hz) select switch•

sPM-14/400 — 14-Channel stereo Powered Mixer2 x 400W @ 4• Ω with both channels driven simultaneously6 Mono channels with balanced XLR and ¼” TRS Line inputs and globally •selectable 48V Phantom Power; 3 Stereo channels with balanced XLR and L-R ¼” Line inputs; 1 Stereo channel with L-R RCA inputsBuilt-in 32-bit Effects DSP with Reverb, Echo, Delay, Chorus, and •Flanger with 16-position rotary selector and one Effects Level control per sideChannel High/Mid/Low EQ’s, 25dB pad, Effect Send, Monitor and •Level controls with Peak LED’sMain/Monitor or Stereo L/R operation selector switch with Left/Monitor •and Right/Main Volume controls and 9-band graphic EQ per side for precise sound shaping and feedback elimination with EQ enable switches, 2 x 5-segment LED bargraphs, Tape/CD RCA Out, Ch1-6 Low-Cut FilterPreamp Outputs for using external processors, recording devices, •or power amps; Power Amp Inputs for using the power amp section separately, or effective as returns from external devices.Mono/Bridged Mode selector•Fan-cooled, bipolar amplifier with full protection circuitry and durable •high-current Speakon™ jack outputsRugged road carrying case with reinforced corners and carrying •handle for easy portability


PMX seRIes – Console Powered Mixers

P O W E R E D M I X E R S

PMX-1600 — 16-Channel/4 Bus Powered Mixer16 Mono channels with balanced XLR Mic and ¼” TRS line inputs, •Fan-cooled, bipolar amplifier—2 x 225W RMS @ 4Ω (1% THD) both channels driven. Stereo L-R Main Mix and G1-2 Group Submix buses, with 4 master faders and Group to Main enable switchBuilt-in 32-bit DSP simulates plate, gate, room, hall, stadium reverbs •Full complement of input controls, connections and indicators: 60 mm •faders on all Channels, Groups 1/2, Main L/R, and Effects ; 2 x 7-band master EQ; Channel Trim controls, Peak LED’s, and Switchable Low Cut filters; Channel High EQ, frequency sweepable Mid EQ, and Low EQ; Channel Aux 1 and Aux 2-EFF Send controls, Pan controls, and assignable L-R and G1-2 switches; switchable +48V phantom power; 2 Aux Sends and 2 Aux Returns; Tape/CD In and Record Out stereo RCA jacks with Tape level control; 10-segment LED display bargraph meters with Power Amp peak indicatorOutputs include balanced ¼” TRS and XLR Main Stereo Outputs; •balanced ¼ “ Group 1 and 2 outputs; adjustable Control Room left and right ¼” outputs; and stereo headphone output with separate volume adjust and L/R or G1/G2 selector; Left and Right dual ¼” amplifier outputs for easy speaker daisy-chainingInternal shielded AC supply with 115V(60Hz)/230V(50Hz) select switch•

PMX-600 — 6-Channel/4 Bus Powered Mixer6 Mono input channels with balanced XLR Mic and ¼” TRS line inputs, •Fan-cooled, bipolar amplifier — 2 x 225W RMS @ 4Ω (1% THD) both channels drivenL-R Main Mix and G1-2 Group Submix buses, with 4 master faders and •Group to Main enable switch. Built-in 32-bit DSP simulates plate, gate, room, hall, stadium reverbsFull complement of input controls, connections and indicators: 60 mm •faders on all Channels, Groups 1/2, Main L/R, and Effects; 2 x 7-band master EQ; Channel Trim controls, Peak LED’s, and Switchable Low Cut filters; Channel High EQ, frequency sweepable Mid EQ, Low EQ; Channel Aux 1 and Aux 2 Send controls, Pan controls, and assignable L-R and G1-2 switches; switchable +48V phantom power; 2 Aux Sends and 2 Aux Returns each with level controls; Tape/CD In and Record Out stereo RCA jacks with Tape level control; 6 balanced ¼” TRS inserts; 2 X 10-segment LED display bargraph meters with Power Amp peak indicatorOutputs include balanced ¼” TRS and XLR Main Stereo Outputs; balanced •¼” Group 1 and 2 outputs; adjustable Control Room left and right ¼” outputs; and stereo headphone output with separate volume adjust and L/R or G1/G2 selector; Left and Right dual ¼” amplifier outputs for easy speaker daisy-chainingInternal shielded AC supply with 115V(60Hz)/230V(50Hz) selector switch•

PMX-420— 4-Channel/4 Bus Powered Mixer2 Mono channels with balanced XLR Mic and ¼” TRS line inputs; 2 Stereo •channels with input A or B selector switch for each channel, Fan-cooled, bipolar amplifier—2 x 200W RMS @ 4Ω (1% THD) both channels drivenStereo L-R Main Mix and G1-2 Group Submix buses, with 4 master faders •Built-in 32-bit DSP simulates plate, gate, room, hall, stadium reverbs•Full complement of input controls, connections and indicators: Channel Trim •controls, Peak LED’s, High, Mid, and Low EQ’s; Channel GRP1-2 assign and PFL buttons, EFF Send controls, Pan and Volume controls; Aux Send and Return with level control; 2 X 5-segment LED display bargraph meters with L-R/G1-2/EFF and PFL selector and Power Amp peak indicatorOutputs include Preamp ¼” and RCA Stereo Outputs; RCA ¼ Group 1 •and 2 outputs; stereo headphone output with L-R/G1-2/PFL selector and separate volume adjust; and Left and Right ¼” Speaker outputsInternal shielded AC supply with 115V(60Hz)/230V(50Hz) select switch•

X


MPM 4130x/8175x PA 210PA system includes: (1x) MPM 4130x or MPM 8175x powered •mixer, and (2x) PAM-10F, 10” 2-way full-range wedge monitor or FOH speaker with SC-20 twenty-foot cable

MPM seRIes PA – Powered Mixers / speakers

P O RTA B L E S O U N D S YS T E M S

RPA seRIes – Portable sound systemsRPA-2

Compact (“take anywhere”), complete one-piece portable sound system •with built-in powered mixer and speakerCollapsible / locking handle and built-in rubber rollerblade wheels•65W RMS @ 4 • Ω2 mono balanced (XLR and ¼” TRS) inputs•10” woofer and compression dome tweeter•Channel Controls - Gain, Reverb, and Contour controls•Master Volume, High, Mid and Low EQ controls•DSP Reverb with Level and Depth controls•¼” Effect Send, Return, and Line Out jacks; RCA Tape In / Rec Out•Rugged enclosure with vinyl cover, carrying handle, and basemount for •mounting on a speaker stand

MPM 4130x PA 210 MPM 8175x PA 210

MPM 4130x/8175x PA 212PA system includes: (1x) MPM 4130x or MPM 8175x powered •mixer, and (2x) PS112, 12” 2-way full-range speaker with SC-20 twenty-foot cable

RPA-4Compact (“take anywhere”), complete one-piece portable sound system •with built-in powered mixer and speaker Collapsible / locking handle and built-in rubber rollerblade wheels •100W RMS @ 4• Ω 4 mono balanced/unbalanced (XLR and ¼” TRS) inputs •10” woofer, 5 ½” midrange speaker, and compression dome tweeter •Channel Controls — Gain, Reverb, High EQ, Low EQ •Master Volume, High, Mid and Low EQ controls •DSP Reverb with Level and Depth controls •¼” Effect Send, Return, and Line Out jacks; RCA Tape In / Rec Out •Rugged enclosure with vinyl cover, carrying handle, and basemount for •mounting on speaker stand

MPM 4130x PA 212 MPM 8175x PA 212

RPA-6Compact (“take anywhere”), complete one-piece portable sound system •with built-in powered mixer and speaker Collapsible/locking handle and built-in rubber rollerblade wheels •150W RMS @ 4• Ω 6 mono balanced (XLR and ¼” TRS) inputs •12” woofer and piezo tweeter •Channel Controls — Gain, Reverb, High EQ, Low EQ •Master Volume, High, Mid and Low EQ controls •DSP Reverb with Level and Depth controls •¼” Effect Send, Return, and Line Out jacks; RCA Tape In / Rec Out •Rugged enclosure with vinyl cover, carrying handles, and basemount •for mounting on speaker stand


enseMBLe PA-4180 – Portable stereo sound system

P O RTA B L E S O U N D S YS T E M S

Convenient portable PA package with carrying / •pulling handle and wheels for easy transport 4-Channel 180 W RMS stereo powered mixer, 90W •RMS per side @ 4Ω Two-way speaker system with 8” woofer and piezo •tweeter horn; base mounts for ease of mounting on speaker stands; 20’ speaker cables included4 each XLR mic and ¼” line inputs, each with Input •Gain, High, Mid, Low, Effects, Pan and Channel Level Controls

Master Section with High, Mid, and Master Level •Controls, External Effect Loop Send and Return jacks, Stereo Tape In / Rec Out controls with a Tape In level control, and built-in Reverb / Delay with Time, Depth and Effect Volume controls. 115V(60Hz)/230V(50Hz) voltage select switch for •worldwide operation Storage compartment for microphones, cables and •accessories

MPA-30 – Portable stereo sound system

Convenient, easily portable stereo PA system — ideal for •many small/medium-room live sound applications with power up to 350W Peak (175W RMS) Two full-range speakers, master and slave, included •with trapezoid design for great stereo sound and projection. Perfect for all small venue applications. Can be used stand-up or as floor wedge monitors. Compact, lightweight yet rugged construction with •durable textured vinyl covering, corner protectors, and

carrying handles Master powered speaker features a stereo amp with •75W RMS internal power and external speaker output with 75W RMS @ 8Ω and 100W RMS @ 4Ω ON LED;CH1/CH2 stereo RCA phono jack inputs for •MP3, iPod, CD players, keyboards, etc Base mount inserts for 1-3/8” (35mm) speaker stand •mounting 20’ speaker cable and 17’ dual RCA cable included•

ACCess Pss-150 – Portable stereo sound system

Convenient portable PA package with luggage-style •handle and wheels for easy transport 5-Channel stereo 150W RMS powered mixer •AMA™ (Automatic Maximum Amplitude) limiter speaker protection Stereo two-way speaker system with 10” woofer and •piezo tweeter horn, two speaker cables, and two folding speaker stands Three combo XLR / ¼” mic/line inputs and one XLR •mic input, all with 15V phantom power, and two stereo source inputs for CD, VCR, or DVD or other audio

sources. All inputs with bass, treble, and reverb controlsSeparate left and right master output 60mm linear •fader level controls, choice of eight digital reverb and eight digital delay effects, and five-band graphic equalizer with FLITM (Feedback Locating Indicators). One Starpower™ dynamic microphone and 20-foot XLR •microphone cable Storage compartments for microphones, cables and •accessories Variable-speed fan •Stereo RCA auxiliary outputs•

AdVAnCe Pss-8300 – Portable stereo sound system

Fully portable 8-channel PA with roller wheels. Includes •detachable 12” full-range acoustically designed speakers, Nady Starpower dynamic microphone, all necessary cables, on-board storage compartment, and versatile extras allowing up to 15 simultaneous inputs 2 x 150W RMS@8• Ω, 2 x 200W RMS@4Ω Power Amplifier with Stereo or Main/Monitor function 4 Mono input channels with balanced XLR Mic and •¼” TRS line inputs plus 2 dual Stereo channels with ¼” mono, ¼” stereo, RCA, and 1/8” mini-stereo inputs for connecting mics, instruments, CD and MP3 players 7-band stereo graphic EQ allows sound shaping and •feedback elimination Built-in DSP for Echo Effects (reverb) with adjustable Time •

Delay to simulate plate or gate reverbs and room, hall, or stadium venues; separate Level and Depth controls and footswitch jack for remote operation Channel Volume controls, High, Mid, and Low EQ’s, •Pan/Balance, and Eff/Monitor/Aux Send controls Separate Aux Send/Return for both Left and Right •channels directly before the power amps and Record Out RCA outputs Power On, Clipping, Protect LED’s, and audio •level bargraph indicators Fan-cooled, bipolar amplifier design for longest •life and maximum reliability

Access PSS-150 Half Open

Access PSS-150 with included accessories

Advance PSS-8300 with included accessories


tHs seRIes™ – two Way speakers

THS-1512 or THS-1515 THS-2012

J seRIes – speakers

S P E A K E R S

Great sound and projection, perfect for all small venue applications •Compact, lightweight yet rugged cabinets with durable Tolex covering, •reinforced plastic protected corners, and recessed carrying handles for roadworthy reliability and easy portability [16.5 lbs (7.5 Kg); 10” D x 20” H x 15” L(25.4 x 50.8 x 38.1 cm)] Full-range, 8• Ω, 2-way floor wedge monitor speaker with 10” woofer 3” x 7” horn with 1.75” piezo voice coil •Base mount inserts for speaker stand mounting •92dB sensitivity (1W/1M) •¼” jack inputs •120W peak program power rating (60W RMS)•

PAM-10F – FoH PA or stage Wedge Monitor speakers

J -15M / JPS-15M

tHs-1512 — Full-range, 2-way speaker with 12” woofer coni-cal, 6” x 15” titanium horn, and 320W peak power ratingtHs-1515 — Full-range, 2-way speaker with 15” woofer coni-cal, 6” x 15” titanium horn, and 600W peak power ratingtHs-2012 — Full-range, 2-way speaker with two 12” woofer conical, 10” x 18” titanium horn, and 750W peak power rating

Durable, roadworthy cabinet construction with Tolex covering, •reinforced corners, and large built-in recessed carrying handlesWide-angle, short-throw high-frequency dispersion horns•Convenient Speakon™ and ¼” (6.3mm) connectors for professional hook-ups•Sensitivity (1W/1M): THS-1512 (102dB), THS-1515 (103dB), THS-•2012 (101dB)

4-position capability at 30°, 45°, 90° or upright

J-12M – Full-range 2-way speaker with 12” woofer, 7.5” x 6” (WxH) titanium horn, 8Ω impedance, and 700W peak power rating J-15M – Full-range 2-way speaker with 15” woofer, 7.5” X 6” (WXH) titanium horn, 8Ω impedance, and 700W peak power rating

Premium multi-purpose high-power speakers designed for the most •demanding performance environments High power handling capacity with tight, powerful woofers and titanium horn •drivers for brilliant sound with a smooth overall responseMulti-position cabs designed for variety of applications/requirements: •30° monitor angle for more distant stage monitoring, 45° monitor angle for performers closer to the speaker, 90° angle for horizontal placement on shelves, or upright as main FOH speakers Titanium 1” drivers with wide-angle dispersion horns for optimum clarity •and presence2nd order internal crossover with tweeter surge protection circuit•Ported design for perfect bass and treble punch•Speakon™ and ¼” connections•Roadworthy cabinet construction with ultra-durable polymer finish, handle slots, •metal grill, rubber feet, and integrated speaker stand basemountSensitivity (1W/M): J-12M (90dB), J-15M (94dB)•Maximum SPL: J-12M (92dB +/- 2dB), J-15M (96dB +/- 2dB)•

JPs seRIes – Powered speakers600W Bi-Amped Power (LF: 450W, HF: 150W) •Balanced XLR and ¼” TRS Linked Input/Outputs for easy daisy-chain operation•Mic/Line selector switch for ultimate input level compatibility•Easily accessible user controls; Gain, Low, Mid, and High EQ’s, and Master •LevelSignal/Peak LED indicators for each internal amp•Amplifier’s integrated low-noise/distortion outputs offer thermal, short circuit, •and anti-thump on/off protection

J -12M / JPS-12M


Ps112 — Full-range, 2-way speaker with 12” woofer, 5” x 15” horn, and 300W peak power ratingPs115 — Full-range, 2-way speaker with 15” woofer, 5” x 15” horn, and 500W peak power ratingPts515 — Full-range, 2-way speaker with 12” woofer, 5” x 15” horn, and 400W peak power rating and trapezoid speaker enclosurePts1015 — Full-range, 2-way speaker with 15” woofer, 5” x 15” horn, and 500W peak power rating and trapezoid speaker enclosurePFW12 — 2-way floor wedge monitor speaker with 12” woofer, 4” x 10.5” horn, and 400W peak power ratingPFW15 — 2-way floor wedge monitor speaker with 15” woofer, 5” x 15” horn, and 500W peak power ratingPsW15 — 15” subwoofer speaker with 2” voice coil, 50 oz. magnet, 20-500Hz response, and 600W peak power rating

PsW18 — 18” subwoofer speaker with 2” voice coil, 50 oz. magnet, 20-400Hz response, and 600W peak power ratingPs215 — Full-range, 2-way speaker with two 15” woofer, 10” x 18” horn, and 800W peak power ratingPsW152 — dual 15” subwoofer speaker, 1200W peak power rating, 4Ω cabinet

All horns with high compression piezo drivers•Durable black carpet cover•Heavy duty plastic protective corners•Integrated recessed carrying handles for easy handling•Sensitivity (1W/1M): 91.5dB-PS112/PS115/PTS515; 90dB-PFW12/•PFW15/PTS1015; 90.5dB-PS215Binding post (banana jack) and two ¼” (6.3 mm) jack inputs•Base mount inserts for mounting on speaker stands (PS112, •PS115, PTS515, PTS1015, PSW18); PSW15 with speaker stand insert on top of cabinet

PRoPoWeR seRIes™ – speakers

S P E A K E R S

PS215PS112

PSW15 or PSW18

PTS515 or PTS1015

PFW12 or PFW15PSW152

PS115


M-CAB seRIes™ – Passive speakers

S P E A K E R S

P-CAB seRIes™ – Active speakers

PCS-8 or PCS-10PCS-12 or PCS-15

MC-8 or MC-10 MC-12 or MC-15

MC-12 and MC-15MC-12 — 600W peak program power rating (300W RMs); 12”LF, 2.5” (6.3 cm) voice coilMC-15 — 600W peak program power rating (300W RMs); 15”LF, 2.5” (6.3 cm) voice coil

Durable, yet lightweight, molded high-impact ABS/fiberglass composite •enclosures (designed to deflect bumps and scrapes) perfectly balanced for ease of portability and set-up; feature built-in handles for carrying. Ultimate flexible design enables either FOH main speaker or stage •monitor use. Compact trapezoidal shape perfect for hanging in clusters (with dual built-in threaded brass inserts for eye bolts), single mounting

on a speaker tripod stand (with built-in 35mm base mount insert), or mounted on side on the detachable speaker brace mounts provided (for use as dual-angle floor wedge monitors) Low-impedance compensated crossovers with full driver protection •Wide-angle, short throw, high-frequency dispersion horns with 1.5” •diameter precision titanium compression driver High SPL output capability •2 Speakon™ connectors, 8• Ω Optional padded zippered vinyl carrying bag available•

MC-8 and MC-10MC-8 — Full-range, 2-way speaker 150W peak power rat-ing (75W RMs) with 8” woofer, 5.5” x 8” ompression horn; 4Ω impedance MC-10 — Full-range, 2-way speaker 400W peak power rating (200W RMs) with 10” woofer, 5.5” x 8” compres-sion horn; 8Ω impedance

Durable yet lightweight molded high-impact mineral loaded •polypropylene enclosures (designed to deflect bumps and scrapes) perfectly balanced for ease of portability and set-up Versatile design perfect for myriad small room PA (as FOH and monitor •speakers) and project recording applications (as studio monitors). Can be mounted upright or wall-mounted with mounting bracket included. Low-impedance compensated crossovers with full driver protection •Wide-angle, short throw, high-frequency dispersion horns with 1.0” •diameter precision compression driver

PCs-8 and PCs-10PCs-8 —Full-range, 2-way 35W RMs powered speaker with 8” woofer, 5.5” x 8” compression hornPCs-10 — Full-range, 2-way 360W Peak (180W RMs) powered speaker utilizing 10” woofer and 5.5” x 8” compression horn

Durable yet lightweight molded polypropylene enclosures (designed to •deflect bumps and scrapes) Versatile design perfect for myriad small room PA (as FOH and monitor •speakers), and project recording applications (as studio monitors). Can be mounted upright on a speaker stand (1”dia.) or wall-mounted

with mounting bracket included (PCS-8 only). Can be used as a floor monitor (laid on its side) with supplied brace mounts (PCS-10 only)Wide-angle, short throw, high-frequency dispersion horns with 1.0” •diameter precision compression driver Treble, Bass, and Level controls (PSC-8); Channel and Master Level •controls, Treble and Bass EQ’s (PCS-10 only)XLR balanced and ¼” unbalanced inputs and outputs, RCA inputs•Built-in 2-channel mixer (PCS-10)•

PCs-12 — Full-range, 2-way 400W Peak (200W RMs) pow-ered speaker utilizing a 12” woofer and titanium hornPCs-15 — Full-range, 2-way 250W RMs powered speaker (bi-amped) with 15” woofer, titanium horn

Durable yet lightweight molded high-impact, mineral-loaded •polypropylene trapezoid speaker enclosures (designed to deflect bumps and scrapes) perfectly balanced for ease of portability and set-up; built-in handles for carrying Ultimate flexible design — flyable, stackable, pole mountable, or can be •used as floor monitor when laid on its side with supplied brace mounts Internal power system delivers 200W RMS to the woofer, 50W RMS to •the horn and provides high-quality audio performance more efficiently than conventional power amplifiers with passive speakers Easy-to-use built-in pre-amplifier with XLR and ¼” balanced Mic/Line •inputs; gain, treble, mid range, bass and level controls; and Signal and Clip LEDFused IEC power cord jack and 115V(60Hz) / 230V(50Hz) Select switch•Full top-end speaker features, including low impedance electronically •compensated crossover (1/36 octave, 1500Hz) with full driver protection (pre-circuit limiter), wide-angle, short throw, high-frequency dispersion horn (90°H x 60°V)Optional padded zippered vinyl carrying case available•


S P E A K E R S

FWA seRIes – Powered Floor Wedge speakers

FWA-12 or FWA-15

ssW-15A – stereo Amplifier subwoofer

Powers internal 15” subwoofer and stereo satellite speakers (not •included) simultaneously with three internal amplifiers — 300W RMS for the subwoofer and 2 x 160W RMS to the Left and Right Speakon™ outputs Separate Left and Right balanced ¼” TRS inputs and parallel outputs — •each channel and subwoofer with individual volume controls Internal subwoofer low-pass filter eliminates the need for an external •crossover Durable, roadworthy cabinet construction with carpeted covering, •reinforced metal corners, large built-in recessed carrying handles, and speaker stand insert on top of cabinet Optional SMP-3 speaker mounting pole available •Internal shielded AC supply with 115V(60Hz)/230V(50Hz) select •switch

PsW-18A – Powered subwoofer

1100W powered subwoofer with adjustable roll-off (lowpass) filter and •123dB SPL capabilityBalanced XLR and ¼” parallel I/O for easy thru-put plus dual RCA •inputsMaster Volume control and adjustable Low Pass filter from 60Hz to •260Hz with steep roll-off for maximum punch“Soft start” power on/off switch with Power and Clipping LED indicators•Sturdy plywood cabinet with durable carpet covering, steel grill, •protective corners, and 1 3/8” (35mm) polemount receptacleBridge mode power amp for highest power with lowest distortion, •output relay safety protection, ultra-efficient cooling, low-noise exhaust fan, and AC fuseOptional SMP-3 speaker mounting pole available•

Typical set-up w/optional satellite speakers, stand,

and mounting pole.

FWA-12 — Active 125W RMs floor wedge speaker with 12” woofer, 4” x 10.5” high compression piezo hornFWA-15 — Active 160W RMs floor wedge speaker with 15” woofer, 5” x 15” high compression piezo horn

3 Channel Inputs: Balanced XLR and ¼” Mic level, Balanced XLR and •¼” Line level, Balanced XLR and dual RCA Line level; each with Input Gain control. Line level balanced XLR and unbalanced ¼” Outputs. Master Volume, Treble and Bass controls; ON/OFF rocker switch; Power and Clipping LEDsDurable black carpet cover, heavy-duty plastic protective corners and •integrated recessed carrying handles for easy handlingFrequency Response: 60Hz – 18KHz•

PM-200 — Powered Personal near Field stage Monitor

Designed to reduce stage clutter and volume by •putting the sound where you can most use it. This compact, rugged, lightweight PM-200A can be mounted on a mic stand (with optional mic stand mount adapter if needed), set on a keyboard, amp, or table for effective up-close monitoring, or used as a stage monitor with 4 different angled positions for optimum placement and versatility. Powerful internal 150W RMS amp can power •internal speakers plus up to four PM-100 Personal Stage Monitors using the two External Speaker outputs. Specially designed dual ferro-fluid 5” drivers •offer superior gain and optimum intelligibility at

key vocal/instrument frequencies with ultimate feedback rejection. Maximum 125dB SPL cuts through even the loudest ambient noise clutter. Balanced ¼” TRS and XLR input jacks (can be •used simultaneously if desired), Volume control, 3-band EQ controls (High, Mid, Bass), front baffle Power On and Clipping LED indicators High-powered Headphone Output and convenient •¼” balanced Line Output for daisy-chaining with other PM-200A, or connecting to mixers and PAs. Amplifier’s integrated low-noise/distortion Mosfet •outputs offer thermal, short circuit, and antithump on/off protection. Externally selectable 115VAC or 230VAC operation.


CsM-5 – Compact Multi-Purpose speakers

S T U D I O & P E R S O N A L S TAG E M O N I TO R S

PM seRIes – Personal Monitors

PM-100 — Personal near-Field Vocal stage Monitor

Designed to reduce stage clutter and volume by •putting the sound where you can most use it. This compact, rugged, lightweight PM-100 can be mounted on a mic stand (with built-in mic stand mount), used as an up-close monitor on a keyboard, or as a stage monitor with 4 different angled positions for optimum placement and versatility. Specially designed dual ferro-fluid 5” drivers •

offer 200W peak power handling capacity, superior gain before feedback and up to 125dB maximum SPL Uniquely tuned response projects audio at the •desired frequencies to cut through stage noise while ensuring high feedback immunity Volume/Impedance selector and two ¼” IN/OUT •jacks for performer adjustability and easy daisy-chaining with up to 15 other PSM-100 monitors Power Handling: 200W Peak (100W RMS)•

sM seRIes – studio Monitors

SM-300ASM-250A

Stands not included

sM-120 — Passive monitor with 120W peak power ratingsM-250A — Active monitor with built-in 100W bi-amped power (50W for LF, 50W for HF) sM-300A — Active monitor with built-in 240W Peak (120W RMs) bi-amped power (140W peak / 70W RMs for LF, 100W Peak/50W RMs for HF)

Clear, transparent sound and full linear frequency response (35Hz—20KHz)•Vertically aligned 2-way nearfield monitor with 6.5”/8” (SM-120 & •SM-250A/SM-300A) woofer and 1” Ferro fluid-cooled soft dome shielded

tweeter—both magnetically shieldedBass-reflex loaded with 2” tuned cylindrical port. Curved front baffle for •reduced HF diffraction effects and excellent imagingHeavy-duty cabinet construction, with 1.5” thick front baffle•Gold-plated binding posts for easy hookup to banana plugs, spade •connectors, or bare wires (SM-120)¼” balanced/unbalanced TRS inputs (SM-250A/SM-300A)•Sold in pairs•

Two-way nearfield passive speaker ideal for •desktop recording, computer music, and many home stereo and multimedia applications Full-frequency sound reproduction and super •compact size—ideal for use in crowded desktop environments ¼” Ferrofluid-cooled soft-dome tweeter and 5 •¼” robust woofer deliver uncompromised audio accuracy and transparency; creates mixes that translate exceptionally well to other playback

systems Gold-plated binding posts for easy hookup to •banana plugs, spade connectors, or bare wires Mounting bracket included for optional wall-•mounting convenience 60W peak power rating •Frequency range: 89Hz-20KHz. Sensitivity: 8dB •+/-2dB (1W/1m); Impedance: 8Ω

SM-120

PM-100

PM-200


The DJH-2000 utilizes huge 54mm drivers to pump ultra-phat bass, rich mids, •and crisp clear highs with a closed-ear design for maximum noise isolation. With greatest power handling capacity and effciency for very loud volumes, these are all you need at the turntable, console, or personal rig.Multi-position 90° rotating ear cups allow for single-sided or shoulder rest wear•Lightweight body with wide adjustable padded headband and soft, tear-•resistant ear cushions for unmatched comfort and fit3 ½” tangle-resistant coiled cable extends to 11 feet for greatest mobility. •Gold-plated stereo 3.5mm mini-plug with locking ¼” adapterStereo/mono switch for single-sided listening. Foldable joint design for easy •packing. 60Ω nominal impedance, 10~20,000Hz response

QH 160Fully cushioned for long-wear comfort•34mm mylar driver with high-output neodymium •magnet and high 102dB @1KHz sensitivityFull 20-20KHz frequency response•

QH/QHM seRIes – Headphones

H E A D P H O N E S

dJH-2000 – dJ Headphones

QH 360Ambient open-ear design•Thin, responsive 40mm diaphragm and •neodymium magnetSmooth 20-20KHz response •Super 112dB @ 1KHz sensitivity•Self-adjusting headband for the perfect fit•

QH 560Advanced design, high performance driver •and ultra-thin 40mm diaphragmAmbient open-air design•Full 20-20KHz response and 110dB SPL •@1Khz sensitivitySelf-adjusting headband•

QH 660 — dJ MonitorClosed-ear design for maximum isolation with •punchy, booming bass and crystal clear highsHighest power handling capacity and high •sensitivity for maximum volume capability90° swivel earcups for ease of storage and for •single ear DJ monitoring use

QHM-100 — stereo Headphones with Boom Microphone

Closed-back, high-quality headphone with •boom condenser mic — perfect for stage, DJ, podcast or computer applicationsComfortable, heavily padded adjustable •headband and earcups40mm drivers with a frequency range of 20 •to 20,000 Hz and 32Ω impedance rating, high-volume capability with 105 dB / mw sensitivity ratingSupplied with a 10’ cord with one 3.5mm •stereo headphone plug, and one 3.5mm mono mic plug and a stereo and mono ¼” (6.3mm) plug adapter for each In-line volume control on cord for headphone •audio and On/Off switch for mic

QH 200 — studio stereo HeadphonesHigh-quality, very affordable, closed-back studio •headphones — perfect for pro studio or home useComfortable, heavily padded adjustable •headband and earcups40mm drivers with a frequency range of 20 to •20,000 Hz and 32Ω impedance ratingHigh-volume capability with 105 dB / mw •sensitivity rating, in-line volume control on cordSupplied with a 6’ cord with 3.5mm stereo plug •and ¼” (6.3mm) plug adapter


N O I S E C A N C E L I N G H E A D P H O N E S & T E S T G E A R

sPL MeteRs

dsM-1 — digital sPL MeterHighly accurate SPL meter with 2 level ranges •measuring between 30dB and 130dB @ 32Hz - 8KHz Full professional features include easy-to-read 4-digit •LCD display with selectable permanent backlight; selectable A or C weighting and Fast or Slow response; maximum Hold selector with Hold button to capture input at any time; alarm indicating the input is above range; internal battery tester; built-in calibrated, linear omnidirectional 1/2” electret condenser microphone; and threaded insert to attach to optional SMT-3 tripod or standard camera tripod Uses 9VDC alkaline battery with up to 50 hours battery •life Foam windscreen, sturdy vinyl carrying case, and •battery included

Ct-6 – 6-Way Cable tester

Enables quick, convenient continuity cable testing for all types of cables •Tests cables with combinations of the following connectors: ¼” TRS, •balanced XLR (M/F), Phono/RCA, banana plug, Speakon™, and 5-pin mini-DIN LED’s confirm each conductor continuity and connection •6-way switch for selecting connections to be tested. Also includes •internal battery and ground connection status checks. Rugged, compact, metal construction for ultimate roadworthiness, long •life, and reliability

QH-50nC — noise-Canceling stereo HeaphonesState-of-the-art noise-canceling circuit design eliminates •virtually all background ambient noise for quiet listening enjoymentLarge 50mm drivers for unsurpassed audio — rich, •powerful, with full-frequency response and punchy bassFull-size padded leatherette ear cups and headband for •

ultimate long-lasting wearing comfortAdjustable headband — comfortable fit for all head sizes•Separate battery compartment on cable for convenience •— uses single AAA battery Operates as standard passive headphones when noise-•canceling circuitry is inactivated

AsM-2 — Analog sPL MeterSeven sound-level ranges—allow measurements •from 50 - 126 dB (referenced to 0.0002μbar) A and C weightings—lets you check compliance •with safety regulations as well as make acoustic analysis Slow and fast response settings—let you check peak •and average noise levels Built-in battery condition indicator •Phono-type output jack—for connection to home •theater or test equipment The Threaded insert—lets you attach the meter to a •camera tripod for increased accuracy

QH RACKetBLAsteR™ seRIes – noise-Canceling stereo Heaphones

QH-30nC — noise-Canceling stereo HeaphonesState-of-the-art noise-canceling circuit design eliminates •virtually all background ambient noise for total quiet listening enjoymentLarge 30mm drivers for unsurpassed audio — rich, •powerful, with full frequency response and punchy bassCompact folding design and leatherette pouch for easy •transport while traveling —perfect for private listening without distracting ambient noise in airplanes and other

noisy environmentsFull-size padded leatherette ear cups and adjustable •headband for ultimate long-lasting wearing comfort; fits all head sizesUses single AAA battery (included)•3.5mm stereo mini-plug—2-prong airline jack adapter •included Operates as standard passive headphones when noise-•canceling circuitry is inactivated

MICRoPHonesPRoFessIonAL / ConsuMeR dYnAMIC MICRoPHonesStarpower Series, American Performer 42VoCAL / InstRuMent CondenseR And CLAssIC MICRoPHonesSPC Series, PCM Series 43studIo CondenseR MICRoPHonesSCM Series, CM Series 44VACuuM And RIBBon tuBe MICRoPHonesTCM Series, TRM-6 45studIo RIBBon And usB MICRoPHonesRSM Series 46RSM Series, USB Microphones 47dRuM, InstRuMent And sPeCIALtY MICRoPHonesDM Series, CM Series, OHCM-200 48CBM 40X, VHM-7, SGM-12, Center Stage 49HeAdMICs And MICRoPHone KItsHeadmics Series, Drum Mic Kits, SMK-2, XM-10 50

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stARPoWeR ™ seRIes – Professional stage & Recording Applications

PROFESSIONAL / CONSUMER DYNAMIC MICROPHONES

AMeRICAn PeRFoRMeR™ – Consumer Performance & speaking Applications

sP-4C — Microphone cable includedsPC-R3 — Mic clip included, 3 pack only

Linear full-range response with crisp mid-range •presence for optimal clarity and punchPowerful neodymium mic element for highest •output without noise — cuts through even the loudest sound-pressure-level situations without compromising soundUltra-light aluminum humbucking voice coil •and transformerless design provide noise-free, accurate reproduction across the audio spectrum without distortionTight cardioid polar pattern provides excellent •off-axis rejection for superior gain before feedbackAdvanced multi-axis rubber shockmount for •element minimizes handling noiseRugged, all-metal construction for maximum •reliability — features zinc die-cast case and steel mesh windscreen with anti-dent ringExternal on-off switch for easy control of audio •from stage

sP-5Balanced, natural sound with bottom-end warmth, mid-•range presence and a smooth high endAdvanced neodymium element delivers high output to •break through even the loudest mix with uncompromised sound qualityTight unidirectional cardioid polar pattern minimizes •feedback in high sound pressure — level situationsTransformerless design provides superior low-end •frequency response with minimal distortionUltra lightweight aluminum humbucking voice coil •provides maximum hum rejection and exceptional clarity across the spectrumSpecially designed rubber shockmount for cartridge •reduces handling noise for quietest performanceHeavy-duty steel mesh ballscreen and rugged Zinc •chassis for optimum roadworthy reliabilityGold-plated XLR connector resists tarnish and ensures best •possible connection

sP-9Ideal all-purpose vocal and instrument mic•Linear response for detailed, natural sound across the •spectrumUnique one-piece molded cartridge design ensures •superior immunity to abuse and shockCardioid, alnico magnet dynamic•Excellent feedback immunity•Low handling noise•Rugged, reliable — the perfect stage mic•

sP-33Lively full-range response with punchy bass, articulate •mids, and detailed crisp highsPowerful neodymium mic element for highest output •without noise — cuts through even the loudest sound pressure level situations without compromising soundAluminum alloy voice coil for clear, warm sound•Tapered shape and rubberized easy-to-grip coating for •optimum handheld comfort in useUltra rugged, reliable and with superior low handling noise•Mic clip included•

sP-1 Excellent clear, transparent sound across the •spectrum with smooth bass, mid-presence punch and crisp highsUnidirectional cardioid pattern with superior •feedback rejectionPowerful neodymium element cuts through •with accurate, distortion-free sound in even the highest sound pressure level situationsRugged metal construction and internal shock •mounting for maximum reliability and ultra-low handling noiseMic clip included•

Advanced high-output cartridge provides maximum clarity •and definition, even in noisy environmentsUnidirectional cardioid pattern reduces feedback•Specially designed internal cartridge mount for lowest •handling noise and quiet performance

Withstands highest sound pressure levels without overload •or distortionRugged, all-metal construction•External ON-OFF switch on handle •Includes microphone cable•

4 3n A d Y M I C R o P H o n e s

sPC seRIes – Condenser Microphones

PCM seRIes – Professional Classic style Microphones

sPC-15Pressure gradient back electret condenser and •transformerless FET circuitry for transparent audio reproduction and superior transient responseWide frequency response (50~18,000Hz) with •specially tailored mid-high presence for enhanced vocal and instrument punch and exceptional crisp, clear soundSupercardioid polar pattern for maximum feedback •rejection, superior sensitivity, wide dynamic range, high (136dB) SPL capacity and ultra-low distortionAdvanced internal shockmount design to eliminate •handling noiseCompact all-brass housing—lightweight, •roadworthy and durable for long life and reliabilityGold-plated XLR connector. Requires 9~52V •phantom power.

sPC-20Unique 2-layer ballscreen “pop” filter for elimination of •breath noisesPressure gradient back electret condenser and •transformerless FET circuitry for ultra transparency and enhanced transient responseWide frequency response (50~16,000Hz) with •specially tailored mid-high presence for vocal punch and exceptional crisp, clear soundSupercardioid polar pattern for maximum feedback •rejectionUltra-high (140dB) SPL capacity and wide 115dB •dynamic range for maximum freedom from distortion even in the most demanding applications4.5mV/Pa sensitivity, and 200 ohms rated impedance •with 1000Ω minimum load impedanceSuperior internal shockmounting to eliminate handling •noiseRequired 48VDC phantom power•

sPC-25Unique 2-layer ballscreen “pop” filter for elimination •of breath noisesPressure gradient back electret condenser and •transformerless FET circuitry for ultra transparency and enhanced transient responseLockable noise-free audio ON/OFF switch•Supercardioid polar pattern for maximum feedback •rejectionRugged die-cast body, hardened steel mesh•Superior internal shockmounting to eliminate •handling noiseOperates on a single internal AA battery with no •phantom power required

PCM-100 — Condenser MicrophoneSpecially designed high-quality back electret condenser microphone for •clearest audio reproduction Cardioid polar pattern •Smooth tailored frequency response •Vivid vocal reproduction with characteristic presence peak •Switchable low-cut filter. Phantom power LED.•

PCM-200 — dynamic MicrophoneHigh-output dynamic cartridge for big, powerful sound •Cardioid pickup pattern to reduce feedback during live applications •Transparent tailored audio with presence peak for distinct live-sounding •vocals Pop-free locking on-off switch •

VOCAL / INSTRUMENT CONDENSER & CLASSIC MICROPHONES

sPC-10Large (1”) diameter, ultra-thin membrane, gold-•evaporated, pressure gradient condenser capsule and transformerless FET circuitry for superior audio with unsurpassed warmth and transparency Linear frequency response across entire audio •spectrum (30~20,000Hz), with added presence in the mids and highs for crisp, clear soundSuperior 8mV/Pa sensitivity, wide 122dB dynamic •range, high 140dB SPL capacity and ultra-low distortionExternal low-cut switch for rolling off low frequencies (80 •Hz, 12 dB/octave)Multi-axis internal capsule shockmount for extremely •low handling noiseTight cardioid pattern for optimum feedback rejection•Required 48VDC phantom power•

PCM-100

PCM-200


sCM seRIes – studio Microphones

STUDIO CONDENSER MICROPHONES

CM seRIes – Condenser Microphones

sCM-960 Large, pressure-gradient condenser, gold-sputtered •diaphragm and FET preamplifierInternal shockmount construction for highest •structural integrity and rugged reliabilitySelectable attenuation pad and omni or cardioid •polar pickup patternRequires 48V phantom power•

sCM-900Large, pressure-gradient condenser, gold-sputtered •diaphragm and FET preamplifierInternal shockmount construction for highest structural •integrity and rugged reliabilityCardioid pattern•Requires 48V phantom power•

sCM-1000Large, pressure-gradient condenser, gold-sputtered •diaphragm and FET preamplifierInternal shockmount construction for the highest structural •integrity and rugged reliabilitySelectable 10dB attenuation pad and low-cut filter•Multiple selectable polar patterns: Omni/Cardioid/•Figure 8Requires 48V phantom power•

CM 95Low-cut off and –10dB attenuation switches for utmost versatility •in all applicationsHigh sensitivity, extended smooth, full frequency response and •very high SPL capabilityTransformerless design for minimal self-noise and increased •dynamic range — 20mm electret elementRugged, turned-brass housing and internal sub-assembly •shockmount for maximum reliabilityRequires 48V phantom power•Includes mic stand clip and vinyl storage bag•

CM-2s — stereo Condenser MicrophoneIdeal for capturing the realistic spatial impact of live sound — perfect •for stereo recording, ENG field use, FM stereo radio, and many other applicationsFeatures 2 closely matched cardioid condenser elements; superb •channel separation; smooth, linear 30Hz-20kHz frequency response with a switchable low-frequency roll-off; high SPL capability; extended

dynamic range with ultra-low self noise; crisp, clear transparent audio; and internal battery operation. Compact, lightweight design for easy camera mounting.Includes: mic clip, connector cables and adapters, windscreen, AA •battery, and soft protective pouchCamera shoemount optional•

CM 100 — Reference Measurement MicrophoneTrue, symmetric omni-directional pattern, high sensitivity, minimal •self-noise, increased dynamic range, high SPL capability, and extremely smooth, linear 15Hz to 20KHz frequency response provide extremely precise measurements and transparent recordingsPerfect for use with real-time analyzers for precise, accurate room •

acoustics alignmentsIdeal for highly effective, detailed recording of acoustic guitars •and vocalsRugged construction, gold-plated XLR, and internal assembly •shockmount for maximum reliabilityIncludes foam windscreen for outdoor applications and mic stand •clip (including 5/8” to 3/8” adapter)

CM 90High sensitivity, extended smooth, full frequency response •and very high SPL capabilityTransformerless design for minimal self-noise and increased dynamic range•Rugged, turned-brass housing and internal sub-assembly •shockmount for maximum reliabilityRequires 48V phantom power•

Classic small diaphragm (20mm) condenser microphone

sCM-800Ideal for all recording and broadcasting •applications— features large-diaphragm true condenser design, transformerless low-noise/high-dynamic range output, high SPL capacity, cardioid polar pattern pickup, FET preamps, and rugged internal shock mounts Provides the accurate, no-compromise sound •reproduction of a high-end studio mic at a fraction of the cost Compact and durable, with precision-turned brass housing•

sCM-960 This superior microphone uses a pair of closely matched, large •diaphragm, uni-directional (cardioid) elements, angled at 90° in an X/Y stereo configurationBy providing realistic spatial imaging of the sound field, this •microphone is ideal for location stereo recording of orchestras/choral groups, bands, ambient instrument audio, ENG theater use, and many other live sound applications.Utilizes two gold-sputtered large diaphragm condenser elements •

for warm, crisp response with improved linearity across the frequency spectrumOffers ultra-low self-noise with increased dynamic range and •maximum SPL capacity for recording loud audio such as brass, drums, and high-powered amplifiersManufactured with the finest materials featuring a machined •housing for structural integrity and rugged reliabilitySuperb channel separation, with 5-pin XLR to dual 3-pin XLR “Y” •cable (included)


tCM seRIes – Vacuum tube Condenser Microphones

tRM-6 – Vacuum tube Ribbon Microphone

tCM 1100 — CardioidCardioid pattern pickup and the most faithful sound •reproduction available at any price — suitable for the most critical (vocal or instrumental) live sound or studio recording and broadcasting applications Hand-tooled brass capsule with a 3-micron gold-sputtered •mylar diaphragm (1.1-inch) for maximum sensitivity, long life, subtle sonic detail, and excellent tone Unique, specially designed gold-plated center element •creates a gentle extension of the top octaves and an

enhanced transient response 6072 (classic 12AT7) vacuum tube and special output •transformer deliver superior pristine sound with ultra transparency Almost all brass parts construction ensures years of rugged •reliability Supplied with sturdy portable plastic carrying case and •16’ / 7-pin XLR cable and TMPS-1 power supply (with swithchable 115/230V operation and balanced output)

tCM 1150 — Multi-patternIdeal for the most demanding applications, including all •types of vocal and instrument pickup Gold-sputtered, ultra-thin (1” diameter) mylar dual •diaphragm Tube preamplifier circuitry with 6072 vacuum tube •(a classic 12AT7 specially selected for low distortion, superior signal-to-noise ratio and minimum sensitivity to mechanical vibrations) Special output transformer designed for ultra •

transparency and natural warm reproduction of sound Almost all brass parts for years of studio workhorse •reliability Power provided by a dedicated AC power supply •with balanced XLR output for connection to any mixing console; no phantom power required Nine different polar patterns remotely selectable on •power supply for ultimate versatility in use and ease of operation: omnidirectional, cardioid, figure 8, and six intermediate stages

CONDENSER & RIBBON TUBE MICROPHONES

tCM 1050 — Multi-patternHand-tooled brass capsule with a 3-micron multi-pattern •gold-sputtered mylar dual diaphragm (1-inch) for maximum sensitivity, long life, subtle sonic detail and unsurpassed tone Tube preamplifier circuitry with 6072 vacuum tube (a •classic 12AT7 specially selected for low distortion, superior signal-to-noise ratio and minimum sensitivity to mechanical vibrations) Special output transformer designed for ultra transparency •

and natural warm reproduction of sound Almost all brass parts for years of studio workhorse •reliability Power provided by a dedicated AC power supply with •balanced XLR output for connection to any mixing console; no phantom power required Nine different polar patterns remotely selectable on power •supply for ultimate versatility in use and ease of operation: omnidirectional, cardioid, figure 8, and six intermediate stages

Low-tension 45mm long, 2-micron thick aluminum •ribbon design with typical “large, mellow” ribbon audio reproduction. Smooth, natural extended low and high ends and detailed realistic mids. Unique integrated 12AX7A preamp tube provides •unmatched tube audio at levels higher than that of ordinary ribbon mics; allows the convenience of use with all mixer inputs without requiring external pre-amplification. Versatile design, perfect for numerous applications, •including vocal and instrument recording and live sound. Superior overall stunning realism with fast, accurate •transient response, ultra-high dynamic range and >135

dB SPL capability Extraordinary versatility in dialing in the desired sound by •varying mic placement. Figure-8 audio directional (pickup) pattern for both front and rear side, with extended sweet spots (compared to large diaphragm condenser mics). Can be used with a second TRM-6 for individual recording volume control of 2 separate sources by placing each source in the principal axis of one mic and the off-axis null of the other. Manufactured with the finest materials — a machined •housing with advanced internal shockmount construction for the highest structural integrity and rugged reliability.


RsM seRIes – Ribbon Microphones

STUDIO RIBBON MICROPHONES

RsM-4Unparalleled, uncompromised sound of a classic ribbon •(velocity) micIdeal for close miking of guitar amps and cabinets and many •other vocal/instrument recording and live sound applicationsLow-tension 45-mm long, 6-micron thick aluminum ribbon design •for characteristic large, mellow ribbon audio reproduction with smooth, natural extended low and high endsUnmatched fast, accurate transient response, ultra-high 165 •dB SPL capability, and overall stunning realismFigure-8 audio directional (pickup) pattern for front and •rear sides, extended sweet spots (as compared to large

diaphragm condenser mics), slightly different frequency responses from front and rear, and increased off-axis high-frequency response on sides; decreased treble and lower audio levels above and below on-axisDiscrete volume control of separate sources possible with •stereo (dual) mics setups (source in principal axis of one mic and in off-axis null of the other)Manufactured with the finest materials, machined housing, •and advanced internal shockmount construction for structural integrity and rugged reliabilitySupplied with a mic clip and leatherette pouch•

RsM-2Unparalleled, uncompromised sound of a classic ribbon •(velocity) micLow-tension 50-mm long, 2-micron thick aluminum ribbon design •for characteristic “large, mellow” ribbon audio reproduction with smooth, natural extended low and high endsUnmatched fast, accurate transient response, ultra-high 165 dB •SPL capability, and overall stunning realismFigure-8 audio directional (pickup) pattern for front and rear •sides, extended sweet spots (as compared to large diaphragm

condenser mics), slightly different frequency responses from front and rear, and increased off-axis high-frequency response on sides; decreased treble and lower audio levels above and below on-axisDiscrete volume control of separate sources possible with stereo •mic setups (source in principal axis of mic and in off-axis null of the other)Manufactured with the finest materials, machined housing, and •advanced internal shockmount construction for structural integrity and rugged reliability

RsM-1Unparalleled vintage ribbon (velocity) mic sound and •performance at an affordable priceVersatile physical and acoustic design for numerous vocal •and instrument recording and live sound uses. Compact housing for easy, unobtrusive mic placement anywhere.Low-tension 2-inch long, 2-micron thick aluminum ribbon •design for classic ribbon audio reproduction with smooth, uniform natural sound, fast accurate transient response, ultra-high 165dB SPL capability, unmatched transient response and overall stunning realismOffers a choice of audio reproduction depending on •placement for utmost versatility in dialing in the desired “sound”. Figure-8 audio directional (pickup) pattern for both

front and rear side, with extended sweet spots (as compared to large diaphragm condenser mics), and slightly different frequency responses from front and rear side. Increased off-axis high frequency response on sides, with decreased high response above and below on-axis (although lower audio levels).Enables individual recording volume control of separate •sources through use of stereo mic setups (isolation is achieved by placing the source so the principal axis of one mic and the off-axis null of the other).Manufactured with the finest materials and machined •housing, advanced internal shockmount construction for the highest structural integrity and rugged reliability

RsM-5The unmatched sound of a classic ribbon (velocity) mic — •rich, warm and musical Perfect for close miking of guitar amps and cabinets, brass •instruments, strings, piano, percussion, vocals and orchestral ambiance. Unique, compact shape for easy, unobtrusive mic placement anywhere.Low-tension 45mm long, 2-micron thick aluminum •ribbon design with typical “large, mellow” ribbon audio reproduction. Smooth, natural extended low and high ends, and detailed, realistic mids Unparalleled overall stunning realism with fast, accurate •transient response, ultra-high dynamic range and >135 dB

SPL capabilityUtmost versatility in dialing in desired sound by varying •mic placement. Figure-8 audio directional (pickup) pattern for both front and rear side, with extended sweet spots (as compared to large diaphragm condenser mics). Can be used with a second RSM-5 for individual recording volume control of 2 separate sources by placing each source in the principal axis of one mic and the off-axis null of the other. Manufactured with the finest materials — a machined •housing with advanced internal shockmount construction for the highest structural integrity and rugged reliabilitySupplied with a mic clip and leatherette pouch•

RSM-2 Si lver

RSM-2 Gold


RsM seRIes – Ribbon Microphones

RsM-8A — ActiveAll the warmth and natural, uncompromised sound •expected of a classic Nady ribbon microphone with the added gain and selectable features offered by proven ultra low-noise FET active circuitry and transformer output. Perfect for recording vocals, acoustic and electric guitars, •drums, percussion, strings, brass — for any application in which true natural audio reproduction is desired. Low-tension 50mm long, 2-micron thick aluminum ribbon •(velocity) design for characteristic “large, mellow” ribbon audio reproduction with smooth, natural extended low and high ends Over 40dB higher gain than most non-active ribbon •microphones making it easy to use with any mic mixer or preamp. -10dB pad and Low Cut filter selector switches for often-•

needed attenuation and elimination of stage rumble. Unmatched fast, accurate transient response, ultra-high •165 dB SPL capability, and overall stunning realism Figure-8 audio directional (pickup) pattern for front and •rear sides, extended sweet spots (as compared to large diaphragm condenser mics), and increased off-axis high-frequency response on sides, decreased treble and lower audio levels above and below on-axis Swivel U-bracket allows ease in positioning for any •application/audio source. Manufactured with the finest materials, machined housing •and advanced internal shockmount construction for structural integrity and rugged reliability 48V Phantom Power required •

usB-1C – usB Large diaphragm Condenser Microphone

Perfect for high-quality recordings of vocals, acoustic •instruments, and ambient instrumentation as well as pod-casting and online communication Connects directly to any computer with a USB 2.0 (or •higher) input port for easy plug-and-play operation Features large pressure-gradient condenser gold-•sputtered diaphragm and FET preamplifiers for warm, natural reproduction of the most subtle to the most powerful audio sources Full frequency response with rich warmth and crisp, •transparent audio Minimal self-noise, increased dynamic range, and •

maximum SPL capacity Rugged compact construction with protective mesh grill •and internal shock absorption Basemount mic holder fits any standard mic stand •10’ USB cable included •The USB-1C is also available with added optional •Sony ACID Music Studio 7 software which can be used for enhanced capabilities such as recording/editing/mixing multiple tracks of audio and MIDI, creating unique interactive tutorials, and sharing songs on CD/ MP3 and other formats

usB-24M – usB dynamic Microphone

Perfect for recording vocal tracks or voice-overs on •your computer or for online communicationExcellent clear, crisp sound with smooth response •Dynamic neodymium element provides ultimate •sensitivity with cardioid pick-up Connects directly to any computer with a USB •2.0 (or higher) input port for easy plug-and-play

operation with most DAW software AD converter with 24-bit, 96KHz sampling rate•Convenient On/Off switch and USB connection •LED indicator Easy to use with computer recording software •Heavy gauge mesh grill and durable construction•

STUDIO RIBBON & USB MICROPHONES


dM seRIes – drum/Percussion/Instrument dynamic Microphones

DRUM, INSTRUMENT & SPECIALT Y MICROPHONES

CM seRIes – drum Condenser Microphones

CM 88 — Back electret Condenser MicrophoneFor drum overheads and percussion•Extremely uniform and tight cardioid polar pattern for ease •in mixing

Extended frequency response for smooth, crisp, ultra-•transparent reproduction Aluminum housing and gold-plated XLR contacts•9-52V phantom powered•

dM-90Large-size housing with special acoustic design •for the most accurate reproduction of the extended low frequencies of kick drums and other bass instruments and amps. Large diaphragm dynamic element with •excellent attack and punch for truest sound Supercardioid pattern for ultimate feedback •rejection

Ultra-high SPL capability — ideal for close-•miking of all types of drums and percussion instruments (live sound or recording); also for accurate sonic reproduction of brass, woodwind and other instruments producing high sound fields Rugged die-cast body with internal shock mount •and hardened steel grille

DM 70 DM 80

CM 60 — Clip-on Miniature Condenser Micro-phone

Mounts to drum rims, the edge of acoustic guitar sound •holes or the bell of wind instruments for accurate sound reproduction and isolation from other instruments Tight cardioid polar response is highly effective in •suppressing feedback and unwanted sounds Rubber boom shockmount’s ingenious design minimizes •vibration and audio transference from resonant instruments

or materials Sturdy rubber-grip spring clamp holds mic securely and •prevents marring of finish Built-in windscreen, as well as external windscreen •included, for maximum feedback and “pop” rejection Adjustable gooseneck and swivel joint allows optimum •microphone positioning For use with bodypack transmitters or with standard mixers •that provide 9-52V phantom power.

oHCM-200 – overhead Hanging Condenser Microphone

dM-70 & dM-80dM-70 — For use with snares, toms, all percussion, brass and woodwindsdM-80 — For use with kick drums and other large diameter drums

Cardioid pattern allows close miking without •bleed-through from other drum kit pieces Neodymium element delivers maximum output •Up to 140dB SPL handling capacity for •distortion-free reproduction of even the loudest drums and other instruments Transformerless moving-coil dynamic design for •

enhanced bass and fast transient response All-metal construction for maximum reliability •Special rubber shockmount mic holder •minimizes floor vibration pick-up Incredibly small, low-profile design for minimum •visibility and versatile close-miking placement around the drum kit Gold-plated XLR for maximum conductivity •Full frequency response for sonic punch with •exceptional clarity

Extended smooth, flat frequency response; ultra sensitivity •and high SPL capacity for clearest audio performance in any application — from miking choral groups to stage performances Low-mass back electret condenser element for most •accurate, detailed audio Cardioid pattern for frontal audio pickup without feedback •

and unwanted side and rear fill Permanently attached 20’ (6.1M) cable with convenient •integrated power module/XLR (M) connector Rugged construction for optimum reliability. Integrated •hanging wire for ease of mounting Conveniently powered by external 9~52 phantom power, •no batteries required


CBM 40X – Condenser Boundary Microphone

DRUM, INSTRUMENT & SPECIALT Y MICROPHONES

Ideal for a variety of sound reinforcement/•recording applications: Choirs, orchestras, theatrical performances, courtrooms/conference rooms, and inside bass/kick drumsUnidirectional pickup pattern and full frequency •response of 50Hz~18KHz produce unparalleled audio

at any distance from source with excellent feedback rejectionRugged die-cast alloy housing on rubber padding •minimizes mechanical coupling of surface vibrations to the microphone9-52V phantom powered•

sGM-12 – shotgun Condenser Microphone

Ideal for a variety of sound reinforcement/•recording applications: Choirs, orchestras, theatrical performances, courtrooms/conference rooms, and inside bass/kick drums Unidirectional pickup pattern and full frequency •response of 50Hz~18KHz produce top audio at any distance from the source with excellent feedback

rejection Rugged die-cast alloy housing on rubber padding •minimizes mechanical coupling of surface vibrations to the microphone Single AA alkaline or NiMH battery operation (not •included)

VHM-7 – Harmonica / Vocal Microphone

Designed for harmonica, the VHM-7 also serves as a •great vocal mic. Its cardioid pattern dynamic cartridge has been expressly tailored for producing thick, fat tone while holding cupped — with enough “dirty” tone to satisfy even the most discriminating blues harp players. Open air, uncupped use produces extremely smooth, clean vocal audio. The VHM-7 allows singing harp players the convenience of singing and playing through the same mic with great sound throughout. This mic is also a top performer for either application alone, and can be used with its own amp or plugged into the PA. Unique, chromed aerospace casing with stylish retro •

look and distinctive proprietary fluted design for versatility in shaping wah-wah sounds and altering tone while virtually eliminating feedback. It’s bullet-proof tough and ultra comfortable in the hand. Engraved model number and supplied special chromed •mic clip complements the appearance of what is already one of the most attractive mics on the market. This mic sounds and looks great — a perfect way to augment your overall performance and presentation.

CenteR stAGe™ MsC3 – Microphone & stand Kit

everything you need to take center stage! Just plug in to your audio mixer or amplifier. Professional quality!

Includes a high-performance microphone, sturdy metal tripod adjustable •microphone stand with microphone clip, and a 20 ft. cable (XLR to ¼” connectors).Dynamic microphone provides superior professional performance •with rich, powerful, full-frequency audio; super-cardioid response for optimum feedback rejection; low handling noise; and rugged all metal construction


HeAdMIC™ seRIes – Headworn Microphones

HEADMICS & MICROPHONE KITS

dRuM MIC KIts – in Plastic Carrying Case

HM-3 — omni-directional Condenser for Wireless Mic systems

Lightweight and designed for long comfortable wear. Omni-•directional condenser element provides exceptional audio with excellent transparency and gain before feedback.Available with Mini-XLR or 3.5mm phone plug for wireless •

applications (fits most standard wireless bodypack transmitters). Available in black only.Requires low voltage phantom power as supplied by most •wireless bodypack transmitters

sMK-2 – studio Condenser Microphone Kit

Kit includes: (1x) SCM 900, (1x) CM 90 w/mic clip; packed in a carrying case.•

HM-10 — omni-directional CondenserWide bandwidth omni-directional electret condenser mic •ensures clean transparent audio and enhanced vocal pickup with improved gain before feedback. Durable thin-metal frame can be easily molded to any user. Ergonomic design and comfortable fit with or without glasses, hats, or headphones and no hairstyle hindrance.

Available with Mini-XLR or 3.5mm phone plug for wireless •applications (fits most standard wireless bodypack transmitters). Available in black or beige.Requires low-voltage phantom power as supplied by most •wireless bodypack transmitters. 9~52V adapter supplied for wired applications.

CYM-2 — (2x) CM 88’sdMK-2 — (2x) CM 60’sdMK-3 — (2X) dM 70’s and (1x) dM 80 dMK-5 — (4x) dM 70’s and (1x) dM 80 dMK-7 — (4x) dM 70’s, (1x) dM 80 and (2x) CM 88’sdMK-7c — (4x) dM 70’s, (1x) dM 80 and (2x) CM 90’s

HM-5u — uni-directional CondenserUni-directional condenser element for superior, warm audio •response and maximum feedback rejection – perfect for singer-musicians (drummers, keyboardists), vocal/dance performers, DJ’s, public speakers, and aerobics instructorsLightweight, comfortable design and visually unobtrusive. •Maximum stability during use, even when moving, dancing,

etc.Firm, adjustable gooseneck boom that can be easily •repositioned to any angle during performanceAvailable with mini-XLR, 3.5mm phono plug (fits most •standard wireless bodypack transmitters), or with standard XLR adapter for all wired and wireless applications

HM-20u — uni-directional CondenserFull-frequency, uni-directional electret condenser mic•Warm, transparent audio and maximum feedback rejection•Durable, thin metal frame easily molded to any user•Ergonomic design and comfortable fit with or without •glasses, hat, or headphones (also no hairstyle hindrance)Tiny 5 x 8 mm lightweight capsule for hours of comfortable •useTwo sizes of foam windscreen included to reduce wind/•

popping noiseExtendable, fully adjustable boom for optimum mic capsule •placementAvailable with mini-XLR, 3.5mm phono plug (fits most •standard wireless bodypack transmitters) or with standard XLR adapter for all wired and wireless applicationsChoice of black or beige•

HM-1 — uni-directional dynamicUnidirectional dynamic element for top audio response — •perfect for even the most exacting singing/performance applicationsAdjustable gooseneck can be set at any angle required. •Headworn support system is extremely light and comfortable, designed to be visually unobtrusive. Ear and

temple rests provide maximum stability during use, even while moving, dancing, or shaking the head. The durable cable assembly and internal construction are designed to maximize handling noise from contact and movementAvailable with XLR, Mini-XLR or 3.5mm phone plug for •wired and wireless applications (fits most standard wireless bodypack transmitters)

CYM-2 / DMK-2 / DMK-3DMK-7 / DMK-7c DMK-5

GuItAR / BAss PRoduCts

GuItAR AMPLIFIeRs And sPeAKeR CABInetGTH-100, GTA-1260, GAC-412 52LIGHtnInG WIReLess GuItAR And PedAL eFFeCts Lightning Guitar, TD-1, TTV-2 53PedAL eFFeCts And sWItCH BoXesFL-10, TR-20, TS-30, TA-40, DS-50, SW-21, FS Series 54

guita

r/ba

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n A d Y G u I tA R / B A s s5 2

GtH-100 – tube Guitar Head AMP w/Reverb

G U I TA R A M P L I F I E R S & S P E A K E R C A B I N E T

GAC-412 – speaker Cabinet for use w/GtH-100

GtA-1260 — Classic tube Combo AMP w/Reverb

100W RMS output, all-tube design featuring four EL-34 power tubes •and three 12AX7A preamp tubes High and Low Inputs, Line Output, and full complement of controls •for total volume, tone shaping and tonal definition, including a 3-way overdrive gain switch, lead boost control (up to +12dB), volume, master, treble, mid, bass and presence controls High and Low power settings. HI-100W RMS, LO-30W RMS •Spring reverb with adjustable control and lead gain boost both •switchable with optional FS-2 footswitch Line level rev. output jack (rev sig. only) •Durable vinyl cover, steel corners, and rugged construction for years •of roadworthy reliability

Full-size angled front cabinet •Prominent bass, warm mids, and a high end that cranks •4 x 12” Nady PowerDrive™ speakers with 400W power handling •Rugged, roadworthy construction with steel corners •Recessed steel carrying handles and heavy-duty casters for easy •mobility Durable textured black tolex covering •Steel rear panel terminal with dual ¼” speaker inputs for easy daisy-•chaining Sturdy front steel grille •Top panel recessed holders for Nady guitar amp head •Impedance: 8• Ω Power Handling: 400W Peak (200W RMS) •Cabinet Material: MDF •Weight: 94.7 lbs. (43kg) •Dimensions (HWD): 30” x 28” x 14.3” (76x71x36cm) (height does not •include wheels)

All-tube design featuring two 6L6GC power and three 12AX7A preamp •tubes 60W RMS output •12” Nady PowerDrive™ speaker by Celestion •Full complement of controls for total volume, tone shaping and tonal •definition, including 3-way overdrive gain switch, volume, master, treble, mid, bass and presence controls Spring reverb with adjustable control and switchable with optional FS-1 •footswitch Classic retro look with attractive wood grain cabinet finish •Classic tube type tone controls•

5 3n A d Y G u I tA R / B A s s

LIGHtnInG GuItAR

– nady wireless Lightning guitar and WGA-15

wireless guitar amplifier

Fully professional all-wood solid-body guitar features easy playability •with 22-fret rosewood neck with distinctive lightning bolt inlays, easy-access adjustable truss rod, 3 pickups with 5-way selector switch, volume and dual tone controls and vibratoBuilt-in VHF wireless transmitter with internal antenna allows wireless •operation up to 200’ line-of-sight without cords when used with WGA-15 wireless guitar amp or any Nady VHF Wireless receiver on the same channelEasy to operate. Just turn on Lightning guitar transmitter (TX ON LED) •and WGA-15 amp and you’re ready to play cordless. (Can also be used with a conventional cord connection to amp.)Operates on 2 X 9V alkaline batteries (up to 50 hours battery life) in •convenient rear battery compartment with unique magnetic latched door (no tools needed to access).

Versatile, powerful practice amp with 15W RMS •output; 6” speaker; Gain, Volume with killer distortion; Treble and Bass controls; headphone output

Built-in VHF receiver with Receiver On and Audio •Received LEDsWGA-15 also available separately with WGT-15 •VHF transmitter for use with any guitar or bass

L I G H T N I N G W I R E L E S S G U I TA R & P E DA L E F F E C TS

td-1 – tube distortion

ttV-2 – dual tube tremolo/Vibrato Pedal

Dual, all tube signal path design uses two •premium 12AX7A vacuum tubes for the warmest, richest, and most natural sounding tremolo and vibrato sounds available Rate/Intensity controls offer the widest range •possible of tremolo/vibrato effects Choice of three types of note bending vibratos •

which mimic Leslie, Wurlitzer, Hammond and other classic organ vibratos Output control offers considerable boost and a •powerful tone Compact enough for a paddle board Rugged 14-•gauge steel housing and heavy-duty bypass switch for years of trouble-free performance

Real tube tone from the classic 12AX7A twin triode •tube — each carefully selected for optimum tonality and absence of noise, microphonics, and other artifacts that can detract from your sound State-of-the-art 3-stage variable tube drive design •for widest range of overdrive options, from mild growl and crunch to singing sustain and controlled feedback Advanced EQ section carefully designed for all •

contemporary styles — blues, jazz, country, R & B, and all types of rock — with specially tailored high and mid-low 3-stage variable shelving and boosting options, plus a variable presence control for the ultimate tone-shaping possibilities Compact enough for a pedal board •Rugged 14-gauge steel housing and heavy-•duty bypass footswitch for years of trouble-free performance

WGA-15 – 15W Wireles Guitar Amplifier

Kit includes gig bag, ins t rument cable, s t rap, wrenchess and 3 picks

n A d Y G u I tA R / B A s s5 4

ts-30 – tube sound overdrive Pedal

P E DA L E F F E C TS & S W I TC H B O X E SFL-10 – Flanger Pedal

sW-21 – AB/Y switcher signal Routing Box

Switches a signal between two different targets •(e.g., amp A or B) Directs a signal to two targets simultaneously. •Switches between one of two different source signals sent to one target.Barely audible low switching noise •Combines two source signals in parallel switched •

between two different targets Combines two source signals in parallel directed •to two targets simultaneously. No bleed-through between channels.LEDs indicate all signal routing selected •Unplugging from jacks labeled “PARALLEL” turns off •9V battery

Classic design produces the warmest, most natural •overdrive sounds. Perfect for all styles from blues to rock to heavy metal—the most versatile and best sounding distortion available.

Drive, Tone, and Level knobs offer optimum control•Operates with 9V battery, PAD-1 AC adapter •optional

tR-20 – tremolo Pedal

Widest variety of vintage tremolo guitar sounds •availableWave knob offers extensive range of altered •waveform tremolo variations

Rate knob varies tremolo speed•Operates with 9V battery, PAD-1 AC adapter •optional

tA-40 – tube Amp simulator superdrive Pedal

100% Analog circuitry offers rich, warm overdrive •sounds which emulate the power amp output stage distortion of different classic guitar amps in a handy foot pedalClass A/B Drive knob controls the amount of odd •harmonic class A/B power amp output stage

distortion and together with the specially designed, musical Tone control enables an endless variety of tonal possibilities from ultra clean to crushing distortion and at any Level control settingOperates with 9V battery, PAD-1 AC adapter •optional

ds-50 – distortion + sustain

Classic design for the richest crunchy distortion tone •and violin-like sustain availableSustain knob for optimal long sustain and desired •distortion. Tone knob for dialing in the desired

sound, from creamy warm bass to crisp trebleVolume knob controls the output level. Operates with •9V battery, PAD-1 AC adapter optional

Fs seRIes — optional Accessories

Updated classic flanger design produces thickest •stereo flanging availableVersatile Manual, Rate, Depth, and Resonance •controls allow wide selection of swirling with

incredible depth and intensityOperates with 9V battery, PAD-1 AC adapter •optional

sWItCH uses Fs-1 (single) GtA-1260 •••SwitchesreverbON/OFF GtH-100 • switches reverb on/oFF • switches lead gain boost on/oFF [requires (2x) Fs-1 or single Fs-2 to perform both functions] Fs-2 (dual) GtH-100 • switches reverb (green Led) and lead gain boost (red Led) on/oFF

ACCessoRIesRACKs, sPeAKeR stAnds, CARRY BAGs, PHAntoM PoWeR suPPLY, CARRYInG CAses, tRIPodMRK Series, SPST Series, SMP-3, MSST-43, MSA Series, MB Bag Series, MSSB-1, MCB Series, SMPS1X, SMCC-2, ICC-1, CC-3, RC-5, RC-7, MST-3 56 CABLes XC and XLC, IHSC Cables, RBSC Cables, SC Cables, SKX-1620 Cable, UIC-80 Series, UIC-10, UIM-2X 57 WIndsCReens, MIC CLIPs, FILteRs, sHoCKMountsCWS-1, FW Series, MPF Series, WMC-11, LK Series, BFC-12, DMM-1, SHM-1, SSM Series, MBM-7, SSPF-4 58 MIC stAnds And WIReLess ACCessoRIesMST Series, ERM Kits, IC Series, LM-14/O/U, CM-60, 351 Shoemount 59

acce

ssor

ies

n A d Y A C C e s s o R I e s5 6

R AC K S , C A R R Y I N G B AG S & C A S E

sPst-1Ax — Aluminum tripod speaker standsPst-2Ax — (2x) Aluminum tripod speaker standssPst-3 — Aluminum tripod speaker stand for MC-8/10 or PCs 8/10 speakerssMP-3 — 3’, 35mm dia. speaker mount pole for mounting ProPower / PA speakers on PsW-15 Msst-43 — 43” monitor speaker stand, comes in pairsMsA-100/200A — Microphone stand adapter for PM-100 or PM-200A speakers

MRK-9 — 9u, gear studio rackMRK-14 — 14u, 4-wheels metal rackMRK-916 — 9u-top/16u-Front with 2-wheels metal rack

sMPs-1X — 48V phantom power supply (for all sCM series)

Mst-3 — sPL meter tripod for dsM-1 or AsM-2/sPL meters

MB Bag series — MB-6/MB-12 soft 6 or 12 space microphone bagsMssB-1 — soft microphone or speaker stand carrying bagMCB series — MCB-12 or MCB-15 speaker carrying bag

sMCC-2 — Aluminum flight case for studio microphonesIMCC-1 — Aluminum flight carry case (fits most nady studio Condenser & Ribbon Microphones)CC-3 — Road case for dMK-3/dMK-2 or CYM-2RC-5 — Road case for dMK-5RC-7 — Road case for dMK-7 or dMK-7c

MB Series MCB Series MSSB-1

RC Series

SPST-1Ax MSST-43

CC-3

SMCC-2 IMCC-1

MRK-9 MRK-14 MRK-916SPST-3

RACKs sPeAKeR stAnds

CARRY BAGs PHAntoM PoWeR

tRIPod

CARRYInG CAses

SMP-3 MSA-100 / 200A

uIC-10 – 10’ usB Interface Cable

uIM-2X – usB Interface Module

the uIM-2X provides a handy interface between audio gear and your computer, providing a 16-bit, 48KHz usB 2.0 link. Perfect for recording a mic or line level signal. the headphone output allows for real-time recording and monitoring of pre-recorded tracks or background audio.

Balanced XLR input provided with selectable 48V phantom •power for use with condenser mics

Selectable sensitivity switch for Line or Mic level input with •bi-color (green/red) LED indicatorConvenient stereo headphone monitor output•Sturdy housing with soft rubber coating•Record and Play LEDs indicate software status•High-quality USB 2.0, 16-bit; 48KHz sampling •Optional UIM-PA adapter converts to a ¼” TRS input •connector

5 7n A d Y A C C e s s o R I e s

XC — 6’ to 100 ‘ XLR to XLR mic cablesXLC — 20’ or 40’ XLR to XLR premium low noise 22-gauge dual conductor mic cable

RBsC CABLesRBsC — 20’ or 40’ 16-gauge, ¼” phono to MdP dual banana con-nector, round speaker cables

IHsC CABLesIHsC — 20’ or 40’ ¼” to ¼” premium instrument cables

sKX-1620 CABLe16-cable XLR (M) / (F) 20’ snake

sC CABLessC — 20’ or 40’ 18-gauge, ¼” to ¼” phone plug, speaker cables

C A B L E S

sBC CABLessBC — 20’ or 40’ 18-gauge, ¼” phone-banana connectors, par-allel conductor speaker cable

A useful tool for recording microphones or line level devices directly to your computer via a

usB port. utilizes 10’ XLR cable and usB 2.0 interface with 16-bit, 44.¼8KHz sampling.

the uIC series allows real-time recording and monitoring of pre-recorded tracks or background music with easy plug-and-play connectivity between any mixer or audio device to a PC via any usB port.

Cables utilize 2 connectors for audio input and 2 connectors for audio •output to/from the PC, and one USB cable compatible with USB 1.1 or higher. Cables total 8’ in length with the audio cables being 3.5’ to the •interface module and a 4.5’ USB cable. The interface utilizes up to 48KHz, 16-bit sampling and comes complete with all necessary cabling and connectors.

uIC-83PR2 Phono ¼” Mono Plug IN, 2 RCA Plug OUT

uIC-82RR2 RCA Plug IN, 2 RCA Plug OUT

uIC-81XX 2 XLR Balanced IN, 2 XLR Balanced OUT

uIC-80PP2 Phono ¼” Mono Plug IN, 2 Phono ¼” Mono Plug OUT

CABLes

uIC-80 seRIes – usB Interface Cables

C

n A d Y A C C e s s o R I e s5 8

W I N D S C R E E N S , M I C C L I P S , F I LT E R S & S H O C K M O U N TS

CWs-1 — Microphone windscreen (choice of red, yellow, orange, blue, gray and black)FW-1/1000 — Windscreen for sCM 100 + tCM 1100FW-2/900 — Windscreen for sCM 900FW-3/1050 — Windscreen for tCM 1050FW-4/1150 — Windscreen for tCM 1150

WMC-11 — Rubber wireless microphone clipBFC-12 — ButterflymicrophoneclipdMM-1 — Drum microphone clipsHM-1 — Shoemount camcorder adapterforindustrystandard 5⁄8” threaded microphone clip

MPF-6 — Microphone pop filter w/boom and stand clampMPF-7 — Microphone pop filter (choice of black or gold)

ssM-1 — For TCM 1050 studio microphonessM-3 — For SCM 900/1000 and TCM 1100 studio microphonesssM-5 — For CM-90/95/100 small condenser studio microphonesMBM-7 — Basemount for SCM microphones

WMC-11 BFC-12

MPF-6 MPF-7

SSM-1

SSM-3

SSM-5MBM-7

SHM-1

FoAM WIndsCReen PoP FILteRs

MICRoPHone CLIPs

FW SeriesCWS-1

sPIdeR sHoCKMounts And BAseMount

ssPF-4 – spider shockmountSpider shockmount with integrated Pop Filter for 2-in-1 studio •application 8 elastic suspension points for enhanced isolation•Integral metal pop filter’s curvature design protects your most •

exciting vocal takes Pinch clamp holder easily fits onto any microphone with •diameter 38-53mm Pop filter can be rotated down or removed completely •Adjustable swivel attachment for standard mic stands•

DMM-1

MIC stAnds

C

MIC stAnds

WIReLess ACCessoRIes

5 9n A d Y A C C e s s o R I e s

Mst-2B — 2 foot Microphone standMst-4t — Aluminum tripod stand for mounting WA120/125U

Mst-5Bt — Boom microphone stand w/tripod base Mst-6R — Round base mic stand w/boom

MST-2B MST-4T MST-5BT MST-6R

M I C S TA N D S & W I R E L E S S A C C E S S O R I E S

351VR Camera shoemount — Shoemount camcorder adapterforNady351VRvideowirelessreceiver

eRM-12 KIt — Rackmount Kit for singleENCORESeries,UHF-3,UHF-4,andWS-16Ureceiversvideowirelessreceiver

eRM-22 KIt — Rackmount RackmountKitfortwoside-by-sideENCORESeries,UHF-3,UHF-4andWS-16Ureceivers

IC-u2 CoRd — Instrument Cord (¼” /6.3mmto3.5mmlockingplug)forBT-8U,UB-3,UB-4andBT-16Utransmitter

IC-V1 CoRd — Instrument Cord (¼”/6.3mmto3.5mmlockingplug)forWGTtransmitter

LM-14/o — Nadylavalieromni-directional microphone

CM-60 — Clip on condenser mic with mini-XLRormini-locking3.5mmplugconnector for wireless

LM-14/u — Nadylavalieruni-directional microphone

NADY SYSTEMS, INC.6701 Shellmound Street

Emeryville, California 94608Phone: 510-652-2411 Fax: 510-652-5075

nady.com

audio & music · guitar / bass products 51 accessories 55 nady: over 30 years of audio...

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