2012 pro audio and music product catalog 2012-2013 catalog.pdf · 2012 pro audio and music product...

2012 Pro Audio and Music Product Catalog

N A DY A RT I S T S

For over 35 years, Nady Systems has been outfitting many top touring acts with wireless systems and

other audio gear. It’s been our privilege to support so many extraordinary artists in this way and to have the

opportunity to play a role in countless live performances and studio sessions worldwide. Nady has also always

paid close attention to the sound needs of the entry level and semi-pro musician, providing a broad spectrum

of gear for just about every application imaginable.

OV E R 3 5 Y E A R S O F AU D I O I N N OVAT I O N A N D VA L U E

John Nady founded Nady Systems in 1976. His pioneering work in wireless microphone

development resulted in the wireless technology that has become an important and widely accepted

component of live performance. As CEO and President, John has always been committed to the

cornerstone of Nady’s success— innovation and value. Whether it’s our ever-expanding line of wireless

microphones and guitar systems, or our broad range of professional audio gear and music products, you can

always count on Nady for breakthroughs in technology and affordability. The Nady product line consistently

offers high performance, quality, and cutting edge features and design...all at unprecedented low prices.

J O H N N A DY

Recognized by the National Academy of Television Arts and Sciences in 1996 with an Emmy™ award

for Outstanding Technical Achievement

1 9 7 7

“ I’ve never used any other wireless but Nady simply because nothing else sounds quite as good as a Nady...”Brad Gillis, Night Ranger

Consumer Wireless Systems ..............4DKW-3, DKW-Duo, DKW-1, DKW-8U, American Starpower X2

VHF Pro Wireless Systems ..................6Encore I, Encore II, Encore Duet, 401X QUAD

UHF Pro Wireless Systems ..................7UHF-4, UHF-3, UHF-24, UHF-24, U-41 QUAD, U-800, U-81 Octavo, UWS-100, W-1KU Series

Bass Wireless Systems ......................12U-33B

Assistive Listening Systems .............12ALD-800, IR-200

In-Ear Monitoring Systems ...............13PEM-1000, EO3

Portable Wireless PA ..........................14WA-120, MPA-400

Video Wireless ....................................14VR Series, VR-3U

Infrared Systems ................................15IRW-1PA, IRW-2PA, IRW-220X

Podium Wireless .................................16WPM-2U

Portable Wireless Plug-in Systems ..16mini/macro Series

Wireless Systems

Wireless Systems

DKW-3 Single receiver with one handheld microphone

DKW-Duo Dual receiver for single or simultaneous dual microphone operation

• Ideal entry level systems—all the advantages and freedom of wireless operation without cumbersome cords

• Excellent high-fidelity audio

• VHF (170-216MHz) operation for reliable, interference-free performance

• 150+ ft. typical operating range — up to 300+ ft. line-of-sight

• Easy to use — simply plug into your audio mixer or amplifier in place of your wired microphone. Operate either channel (A/B) singly or both simultaneously (DKW-Duo only)

• Advanced audio processing circuitry for a wide dynamic range (no overloading for loud inputs or background hiss during quiet use)

• Complete controls and connections for easy operation

• Front panel Power On/Off switch and Power On LED indicator

• Back panel ¼” audio output jack and DC power input jack for supplied AC/DC adaptor

• Special added circuitry to eliminate transmitter on/off “pop” noise

• Available with the HT-Duo handheld microphone, and WLT/WGT bodypack transmitter (See DKW-1, page 5)

HT-Duo Handheld Microphone• Each microphone transmitter operates on a separate single

frequency in the VHF 170-216MHz band and can be used individually with either a DKW-3 or DKW-Duo receiver, or together simultaneously with a DKW-Duo receiver

• Easy, convenient operation with On/Off switch and low-battery LED indicator which flashes once for Unit On and lights steady for low-battery alert

• Features the Nady DM-20 unidirectional dynamic cartridge for optimum true sound, maximum feedback rejection, and minimal handling noise

• Operates up to 15 hours on a single 9V alkaline battery

Consumer Wireless

D K W- 3 H T

D K W- 3 LT

D K W- 3 G T

4

I D E A L F O R :• Public speaking• Karaoke / recreational singing• DJs• Auctioneers• Aerobics instructors

The Nady CenterStage line provides you with some of the highest performing audio products at the most affordable prices. With numerous models to choose from, CenterStage is sure to be at the center of all your performances...on stage and off.

Nady wireless systems are available

for any application, from home karaoke

to concert stage and all uses in

between. All of these systems offer top

performance and value for their intended

application, and the listed features should

help you decide which model is most

appropriate for your use and budget.

No matter which model you choose,

we know you’ll be pleased with its

quality, features and performance.

D K W- D U O H T

D K W- D U O LT

• High-band VHF (170-216 MHz) operation for interference-free performance

• Advanced companding circuitry for a wide dynamic range (no overloading for loud inputs or background hiss during quiet use)

• Full frequency response from 40-20,000 Hz

• 250 ft. typical operating range, up to 500+ ft. line-of-sight

• DKW-1 mini portable receiver with unique space-saving, vertical design and Power On/Off switch; ¼” audio output jack; easily visible extra-large LED indicators for Power On, Transmitter On, and Audio Peak

WHT Handheld Microphone• Operates on a separate

single frequency in the VHF 170-216MHz band

• Features the Nady DM-10D unidirectional neodymium dynamic cartridge for optimum true sound, maximum feedback rejection and minimal handling noise

• Off/Standby/On switch allows convenient audio muting with the transmitter on

• Low-battery LED indicator flashes once for Unit On; lights steady for low-battery alert

• Uses one 9V alkaline battery for 15+ hours operation

WLT/WGT Bodypack Transmitters• Choice of instrument, Headmic™

or lapel microphone bodypack transmitter for use with LM-14O omnidirectional or LM-14U unidirectional lapel microphones, or Headmic™ Series microphones (see page 50)


• Low-battery LED indicator


• Locking 3.5mm mini-jack provides secure connection for removable microphone or instrument cable

• Easily accessible Input Level Adjust for optimum sound

DKW-1 Single-channel VHF wireless microphone/instrument system

• Unprecedented value in a single-channel UHF wireless mic/instrument system with interference-free operation in any application or locale on select UHF frequencies

• Compact and easy to operate—simply plug in place of your wired microphone or instrument cable

• All the advantages and freedom of wireless operation without cumbersome cords

• Excellent high-fidelity audio

• Nady’s proprietary companding circuitry for an industry-best 120dB dynamic range, and the clearest, most natural sound available

• 150+ ft. typical operating range, up to 300+ ft. line-of-sight

• Power, Signal, AF LED status indicators; adjustable Audio Output Level for optimal sound; ¼” phone jack output for easy connection to sound system

HT-8U Handheld Microphone• Features the Nady DM-10D

unidirectional neodymium dynamic cartridge for optimum true sound, maximum feedback rejection and minimal handling noise

• Off/Standby/On switch allows convenient audio muting while transmitter on

• Status LED indicator flashes once for Unit On; lights steady for low-battery alert

• Rugged ABS and rubber-coated, non-slip housing with integral antenna

• Uses two AA alkaline or NiMH batteries

BT-8U Bodypack Transmitter• Choice of instrument (GT),

Headmic™ (HM), or lapel (LT) microphone operating modes in a single bodypack transmitter

• Input volume control for proper level adjust for headworn or lavalier operation


• Status LED indicator flashes once for unit on, lights steady for low-battery alert


• Easily accessible Input Level Adjust for optimum sound (HM/LT operating modes only)

• Lightweight, rugged ABS housing with integral antenna

• Uses one 9V alkaline or NiMH battery

DKW-8U Single-channel UHF wireless microphone/instrument system

5

V H F / U H F

The difference between UHF and VHF transmission is the frequency range, or “band.” The main advantage of UHF operation is that there is generally less chance of interference. UHF bands tend to be less “cluttered.” However, the problem of potential interference can generally be avoided in VHF systems by properly selecting operating frequencies.

American Starpower X2 Dual receiver system for simultaneous operation of two handheld microphones

• All the advantages and freedom of wireless operation, without cumbersome cords

• Easy to use—simply plug into your sound system

• High-performance audio• VHF operation for reliable,

interference-free performance • 100+ ft. typical operating range,

up to 200+ ft. line-of-sight

• Controls and connections for easy operation include front panel Power On/Off switch; Power On LED indicator; LED signal-received indicators for each channel

• Back panel ¼” Audio Output jack (both channels mixed together); AC/DC power adapter; dual fold-down retractable antennas

Handheld Microphone • Easy, convenient operation

with Off/Standby/On switch and Transmitter On LED

• Features a unidirectional dynamic cartridge for high audio performance with minimal feedback

• Operates up to 15 hours on a single 9V alkaline batteryA M E R I CA N S TA R P OW E R

D K W- 1

D K W- 8 U

(available also with DKW-3 /Duo systems)

E N C O R E I E N C O R E I I E N C O R E D U E T

• Loaded with top professional operating features

• Available on selected frequencies in the VHF high-band (171-216 MHz) for interference-free, long-range performance

• Half-rack receiver design with retractable front panel antennas

• Unique snap-out panel locking tabs for single receiver or dual receiver (side-by-side) optional rackmounting (see page 58)

• RF and AF 5-LED displays for monitoring incoming signal strength and audio level; balanced XLR and unbalanced adjustable ¼” jack output, (x2) Encore Duet

• Noiseless transmitter On/Off switching

• Features the Nady DM-20 unidirectional dynamic cartridge for optimum true sound, maximum feedback rejection and minimal handling noise

• Operates up to 15 hours on a single 9V alkaline battery


• Easily accessible Input Level Adjust for optimal sound

• Choice of three transmitters: WHT, WLT/WGT, or WPM-1V

Encore I Professional single-channel VHF wireless system

Encore II Professional single-channel, dual antenna VHF wireless system with DigiTRU™ Diversity digital processing circuitry

Encore Duet Dual receiver with two transmitters for simultaneous dual-channel operation

VHF Pro Wireless

6

4 0 1 X Q UA D

401X QUAD Four discrete channels for simultaneous 4-channel operation

• Four independent VHF receivers in one convenient, rugged, all-metal single-rack space housing

• Front dual antenna jacks for either onboard or remote antennas

• Front panel Power On/Off switch, plus Power On LED, TX On and AF signal level LED displays

• Rear panel individual XLR output jacks; volume and RF mute controls for each of the four channels; 4-channels-mixed AF out ¼” phone jack

• Noise-free transmitter On/Off operation

• High performance—unmatched transparent audio with 120 dB dynamic range and up to 250+ ft. optimum line-of-sight operation

• Choice of three transmitters: WLT/WGT, WHT, or WPM-1V. Four transmitters (any combination) can be operated simultaneously on the four different channels

NADY D IG ITRU D IVERS ITY ™

Nady’s proprietary DigiTRU Diversity™ utilizes dual antennas and special digital switching circuitry. Together they monitor incoming signals, receiving the strongest signals by switching instantly and continuously between the two antennas. DigiTRU Diversity™ ensures the best possible reception without dropouts and the maximum possible usable operating range.

TRANSMITTERS




• Off/Standby/On switch allows convenient audio muting with transmitter on

• Low-battery LED indicator flashes once for Unit On; lights steady for low-battery alert


WLT/WGT Bodypack Transmitters• Choice of instrument,

Headmic™ or lapel microphone bodypack transmitter for use with LM-14O omnidirectional or LM-14U unidirectional lapel microphone or Headmic™ Series microphones (see page 48)


• Input level adjust

• Locking 3.5mm jack

• LED status indicator flashes once for unit on, lights steady for low-battery alert

UHF Pro Wireless

UH-4 Handheld Microphone• Features the Nady DM-10D




• Single 9V alkaline or NiMH battery operation



• Audio mute switch allows convenient audio muting with the transmitter on

• Battery status LED (red) indicator flashes once for Battery OK; lights steady for low-battery alert

• TX LED (green) indicator lights steady


• Rugged, all-metal housing

UB-4 Bodypack Transmitter• Choice of instrument, headworn

or lavalier mic operating modes in a single bodypack transmitter




• Easily accessible Input Level Adjust for optimum sound (HM/LT operating modes only)

• Uses a single 9V alkaline or NiMH battery

UB-3 Bodypack Transmitter• Choice of instrument or

headworn/lavalier microphone bodypack transmitter

• Audio mute switch allows convenient audio muting with the transmitter on

• Bi-color LED status indicator: Unit On (green); low-battery alert (orange)


• Uses two AAA alkaline or NiMH batteries

U H F - 3

UHF-3 Low UHF band professional wireless system

• Clear channel UHF operation for optimum interference-free performance in any application or locale

• Half-rack receiver design with folding front panel dual antennas

• Unique snap-out panel locking tabs for optional single or dual receiver rackmounting (see page 58)

• Nady’s proprietary companding circuitry for an industry best 120dB dynamic range, and the clearest, most natural sound available

• Tone Squelch™ for locking out potential interference

• UHF-3 receiver with DigiTRU

Diversity™ for maximum range and dropout protection, full LED indicators, ¼” unbalanced and XLR balanced outputs; special circuitry for noiseless transmitter On/Off switching

• Choice of three transmitters: UH-3, UB-3, or WPM-2U (see page 16)

U H F - 4

• Unprecedented value in a full-featured, single-channel UHF wireless mic system

• Interference-free operation in any application or locale on select UHF frequencies

• Half-rack receiver design with folding front panel dual antennas and unique snap-out panel locking tabs for optional single or dual receiver rackmounting (see page 58)


• Nady’s proprietary companding circuitry for an industry-best 120dB dynamic range, and the clearest, most natural sound available

• UHF-4 receiver with DigiTRU

Diversity™ for maximum range and dropout protection; full LED indicators; ¼” unbalanced and XLR balanced outputs; special circuitry for noiseless transmitter On/Off switching

• Choice of two transmitters: UH-4 or UB-4

UHF-4 High UHF band professional wireless system

7

UHF Pro Wireless

8

TRANSMITTERS

• Two discrete UHF wireless receivers in one housing for simultaneous operation of two transmitters

• Back panel balanced XLR Mic Level outputs; unbalanced ¼” jack Line Level sum output; separate volume and external adjustable mute controls for each channel

• Front panel LED display indicates TX signal received and 5-segment AF Level displays for each channel

• Front panel dual telescoping retractable antennas

• Exclusive patented companding circuitry and highest quality audio for unsurpassed 120dB dynamic range

• Tone Squelch™ circuitry eliminates On/Off “pop” and provides protection from RF interference

• Half-rack receiver and unique snap-out panel locking tabs design for single or dual receivers (side-by-side) optional rackmounting (see page 58)

• Externally powered with DC adapter (15VDC/0.4A) included


U H F - 2 4

UHF-24 Dual discrete channels for simultaneous operation of two transmitters




• Status LED indicator flashes once for unit on; lights steady for low-battery alert

• Single 9V alkaline or NiMH battery operation

UB-4 Bodypack Transmitter• Choice of instrument, headworn

or lavalier mic operating modes in a single bodypack transmitter




• Easily accessible input level adjust control for optimum sound (HM/LT operating modes only)

• Uses a single 9V alkaline or NiMH battery

U - 4 1 Q UA D

U-41 QUAD Four discrete channels for simultaneous operation of four transmitters

• Four discrete UHF wireless receivers in a single rugged 19” all-metal rackmount housing for simultaneous operation of up to four transmitters

• Back panel balanced XLR mic level outputs; unbalanced ¼” jack line level sum output with separate volumes; and external adjustable mute control for each channel

• Front panel LED display indicating TX On (single LED) and 5-segment AF levels for each channel

• Dual removable antennas

• Nady’s exclusive patented companding circuitry and highest quality audio for an unsurpassed UHF performance with 120dB dynamic range

• Tone Squelch™ circuitry for protection from RF interference

• Externally powered with DC adapter included (16.5VDC/0.4A)


U-800 800-channel PLL synthesized UHF wireless system

9

“I love my Nady UHF-24. Great sound, pro features...and the price is right!”Morgan Thomas, San Francisco, CA }

• Unsurpassed state-of-the-art PLL UHF performance with 120dB dynamic range and longrange operation, up to 500 ft. (line-of-sight)

• 800 user-selectable UHF frequencies, with one-touch Autoscan open-channel automatic selection

• ASC™ (Auto-Sync Channels) download feature sends selected channel information to transmitter via IR sender for easy frequency synchronization

• Sophisticated IF filtering for optimal simultaneous operation of up to 14 systems in the same location

• To facilitate multiple, simultaneous systems operation setup, the 800 selectable channels are available from 10 optimized factory pre-set groups of up to 14 compatible channels and 5 additional user-select groups, all offering 800 channels each. All groups retain in memory the previously selected channels for that group for easy setup subsequently in the same location.

• DigiTRU Diversity™ for maximum range and dropout protection

• 120dB Dynamic Range — the quietest and best sounding UHF wireless available at any price

• Tone Squelch™ for locking out potential interference, and special circuitry for noiseless transmitter ON/OFF switching

• Tone Squelch™ for locking out potential interference, and special circuitry for noiseless transmitter On/Off switching

• Dual front-panel permanently attached swivel antennas

• Front LCD panel displays A/B diversity, Group/Channel with frequency, ASC™ transfer status, RF/AF level, Mute (squelch) level, and push On/Off power switch

• Back panel with Balanced XLR fixed Mic Level and adjustable Unbalanced ¼” jacks, audio Line Level outputs with volume control and DC input jack

• Half-rack receiver design with unique snap-out, side panel locking tabs for single receiver or dual receivers (side-by-side) optional rack mounting

• Externally powered with included DC adapter (120VAC/22VDC/400 mA)

• 120dB dynamic range—the quietest and best sounding UHF wireless available at any price

• 150-250 ft. typical operating range, up to 500+ ft. line-of-sight


• Full LED indicators (including A/B diversity and 5-segment AF level displays)

UH-800 Handheld Microphone• Sleek metal housing with internal

antenna for optimum aesthetics and durable long life


• 800 easily selectable channels via IR Sync download for easy synchronization with receiver’s selected channel

• Easy accessible audio level adjustment for optimum sound

• Power On/Off and Audio Mute switch allows convenient audio muting with the transmitter “ON”

• Status LED indicators for unit “ON” (green) and for low-battery alert “ON” (red)

• Convenient, economical operation with two AA alkaline or NiMH batteries

UB-800 Bodypack Transmitter• Choice of transmitters: UB-800

bodypack—lavalier (LT), Headmic™ (HM), or instrument (GT)

• Easy accessible input level adjustment for optimum sound

• Power On/Off and Audio Mute switch allows convenient audio muting with the transmitter “ON”

• Bicolor LED status indicator for unit “ON” and for low battery alert “ON”

• Convenient, economical operation with two AAA Alkaline or rechargeable NiMH batteries

• Ultra-compact housing, removable antenna and unique locking 3.5mm mini plug connector for mic or instrument cable

U H F - 2 4

UHF Pro Wireless

10

U-81 Octavo Eight discrete channels for simultaneous operation of eight transmitters

• Operates on select UHF frequencies

• Eight independent single-channel UHF wireless receivers in a single housing for simultaneous operation of up to eight transmitters

• Front panel LED display indicates the RF and AF status for each channel

• Ch. 1-8 individually balanced XLR Mic Level outputs and unbalanced Line Level sum ¼” jack output for 8-in-1 mix audio output with separate volume control for each channel

• Nady’s exclusive patented companding circuitry with 120dB dynamic range and highest quality audio for unsurpassed UHF performance

• Dual removable high gain antennas with TNC connector, front or back mounting

• Standard 19” 1U, all-metal rackmount housing

• Externally powered with AC/DC adapter (included)

• Choice of any combination of two transmitters: HT-8U and/or BT-8U

U - 8 1 O C TAVO

UWS-100 100-channel select UHF wireless system

• Unsurpassed state-of-the-art PLL UHF performance with 120dB dynamic range and operation, up to 500 ft. (line-of-sight)

• 100 user-switchable UHF frequencies per band, or automatic open channel selection with convenient auto-scan feature

• ASC™ (Auto-Sync Channels) download feature sends selected Group/Channel information to transmitter via IR sender for easy frequency synchronization

• Front panel touch control buttons for ease of channel selection and ASC™ operation

• Tone Squelch™ circuitry for protection from RF interference


• AF level displays and folding dual antennas

• Front panel On/Off button (with Power On LED indicator); full LED indicators including A/B diversity, Group/Channel selected, ASC™ transfer status, and bi-color (green/red)

• Back panel balanced XLR fixed Mic Level and adjustable unbalanced ¼” jack audio Line Level outputs; squelch (RF mute) adjust; DC input jack; volume control for ease of operation

• Externally powered with included DC adapter (15 VDC 400 mA)

• Rugged all-metal receiver designed for long-term durability. Single/dual rack mountable with optional rack kit

• Choice of transmitters: UHT-100 handheld or UBT-100 bodypack with choice of three input select modes—lavalier (LT), Headmic™ (HM), or instrument (GT)

BT-8U Bodypack Transmitter• Choice of headworn or lavalier

microphone operation with convenient input volume control for proper level adjust, or instrument operation without input level control


• Locking 3.5mm mini-jack provides secure connection for removable mic or instrument cable


• Single 9V alkaline or NiMH battery

• Lightweight, rugged ABS housing with integral antenna

UHT-100• Off/On/Mute power switch allows

convenient audio muting with the transmitter on

• LCD display indicates Power/ Battery Level status and Group/Channel selected

• Convenient, economical operation with two AA Alkaline or NiMH batteries


• Sleek housing with internal antenna for durable long life and optimum aesthetics

UBT-100• Off/On/Mute power switch

allows convenient audio muting with thetransmitter on

• LCD display indicates Power/ Battery Level status and Group/Channel selected

• Convenient, economical operation with two AA Alkaline or NiMH batteries

• Internal selectable 3-way input select (LT/HM/GT)

• Easily accessible input level adjustment (HM/LT)

• Compact housing, durable removable antenna and unique locking 3.5mm locking miniplug connector for mic or instrument cables

U W S - 1 0 0

TRANSMITTERS

HT-8U Handheld Microphone• Nady DM-50D neodymium

cartridge delivers transparent vocals, maximum feedback rejection and minimal handling noise

• On/Standby/Off switch allows convenient audio muting while transmitter on

• Status LED indicator flashes once for Unit On; lights steady for Low Battery Alert


• Rugged ABS and rubber-coated housing with integral antenna

2 W- 1 K U

11

• Unsurpassed state-of-the-art PLL UHF performance with 120dB dynamic range and operation up to 500 ft. line-of-sight

• 1000 user selectable UHF frequencies per band

• True Diversity circuitry with two complete front ends for maximum range and dropout protection

• Automatic open channel selection with convenient auto-scan feature

• ASC™ (Auto-Sync Channels) IR download feature sends selected Group/Channel information to transmitters via IR senders on receivers for easy frequency synchronization

• Front panel touch control buttons and user-friendly LCD configuration menus

• Sophisticated IF filtering for simultaneous operation of multiple W-1KU systems in the same location

• Mute control (RF squelch)

• RF BNC connectors for dual removable 1/2 wave antennas

• DC power input jack

• Externally powered (adapter included)


• Choice of transmitters: HT-1KU handheld or BT-1KU (LT/GT) bodypack

W-1KU Series Full-featured 1000-channel select UHF wireless systems for the most demanding applications

W-1KU Single receiver system

2W-1KU DUAL Dual receiver system for simultaneous operation of two transmitters

4W-1KU QUAD Quad receiver system for simultaneous operation of four transmitters

8W-1KU QUAD Eight receiver system for simultaneous operation of eight transmitters

• Choice of transmitters: HT-1KU or BT-1KU, all with 1000 easily selectable channels: manually with up/down buttons on units or via IR Sync download of selected channel for easy synchronization with receiver

• HT-1KU Handheld transmitter features a sleek, durable all-metal housing; power Off/On switch; internal antenna system; and superior neodymium cartridge for clear, powerful audio, maximum feedback rejection, and minimal handling noise

• BT-1KU bodypack transmitter (choice of three versions: LT, HM, or GT) features road worthy all-metal case; power Off/Mute/On switch; flexible external antenna rod; and mini locking connector for lapel (LT), Headmic™ (LT/HM), or instrument (GT) applications

• HT-1KU and BT-1KU transmitters feature LCD displays indicating selected Group, Channel, Audio Input Level, and Battery level status; transmitting High/Low RF power switch for optimizing distance operation depending on application; and operation with two AA batteries (alkaline or rechargeable NiMH) for longest reliable, economical battery life

W- 1 K U

4 W- 1 K U

8 W- 1 K U

W-1KU Receiver• Front panel backlit LCD display

indicates selected audio output volume level, Group/Channel, RF signal strength meter, A/B diversity status; separate audio LED bar graph display provides instantaneous audio level status from a distance

• Back panel balanced XLR Mic Level and unbalanced 1⁄4” Line Level audio output jacks

• Rackmountable with optional single or dual (side-by-side) rackmount kits (see page 58)

2W-1KU & 4W-1KU Receiver• 2W-1KU — Front panel backlit

LCD display indicates selected audio output volume level, Group/Channel, RF signal strength meter, A/B diversity status; separate audio LED bar graph display provides instantaneous audio level status from a distance

• Back panel balanced XLR Mic level and unbalanced 1⁄4” Line Level sum (mixed) outputs

• 4W-1KU — Front panel backlit LCD displays indicate selected audio

output volume level, Group/Channel/Frequency; separate LED display for A/B diversity status; bi-color (green/red) LED for received individual channel AF status

• Back panel balanced XLR Mic level and unbalanced 1⁄4” Line Level sum (mixed) outputs

• 1U rackmountable

8W-1KU Receiver• Eight complete and independent

wireless receivers with 1000 user-selectable UHF frequencies

• Works with any eight combinations of available instrument, handheld and lavalier UHF transmitters

• Front panel touch control buttons and user-friendly LCD configuration menus

• Front panel backlit LCD display indicates selected Group, Channel, RF signal strength meter, Audio Output Volume level, Separate A/B

Diversity antenna selection and audio peak LED displays provide instantaneous antenna and audio level status easily seen from a distance

• Back panel Balanced XLR Mic level and Unbalanced ¼” SUM Line level audio output jacks, squelch control, RF BNC connectors for dual removable ½ wave antennas for all receivers, and DC power supply input jack

HT-1KU Handheld Microphone or BT-1KUBodypack

Bass Wireless

Assistive Listening

12

U-33B UHF DigiTRU Diversity™ system for bass guitar

• Specially customized for use with bass guitar transmitter and features Enhanced Headroom™ for maximized clarity and distortion-free audio

• Unique user adjustable Bass Boost™ control for dialing in the exact desired bass punch and presence missing in standard wireless

• Nady’s proprietary companding circuitry for an industry best 120dB dynamic range, and clearest, most natural sound available

• Clear channel operation on the wide open, uncluttered UHF band for interference-free performance in any application or locale

• DigiTRU Diversity™ for optimum range and dropout protection

• A/B antenna LED indicators

• 5-LED AF display for monitoring audio level

• Unbalanced ¼” and balanced XLR outputs (for bass amp or direct mixer feeds, or both)

• Volume control for unbalanced line output

• Fixed level for XLR output

• External mute (squelch) adjust

• Half-rack receiver design with folding front panel

• Dual one-section telescopic antennas

• Unique snap-out panel locking tabs for half-rack single receiver or full rack (side-by-side) dual receivers mounting with optional accessory rackmount kits (see pg. 58)

• Externally powered by AC/DC power adapter

U-33B BASS Bodypack• Small and compact

• Removable “rubber ducky” antenna

• Customized specially for use with U-33B bass guitar receiver

• Enhanced Headroom™ for maximum possible clarity and distortion-free audio, even with high output active pickups

• Audio mute switch allows convenient audio muting with transmitter on

• Bi-color LED status indicator: On (green), low-battery alert (Orange)

• Locking 3.5mm mini-jack provides secure connection for removable instrument cable

• Convenient, economical operation with two AAA alkaline or NiMH batteries

U - 3 3 B

TRANSMITTERS

IR-200 2-channel single-unit infrared transmitter with separate or stereo channels

IR-211 Dual channel selectable (A/B) headphones

• Advanced 2.3/2.8MHz IR transmission eliminates the interference from ballast (fluorescent tube) lighting which was problematic with earlier 95/250KHz IR systems

• 4000 sq. ft. (370 sq. m) coverage

• Any number of IR-200 transmitters can easily be daisy-chained together for greater coverage via dual sync in and sync out connectors on each unit

• Can be wall-mounted or on optional stand for portable temporary setups

• Transmitter can be used with any number of IR-211 (dual/separate channel) receivers

• High-gain IR LED (light-emitting diode) emitter panel with built-in amplifiers

• Two Audio Inputs, fully compatible with any audio source such as mixers, radios, VCRs, etc.

• Two Mic Inputs (for optional voice-overs)

• LED indicators for Signal On for both Audio In and Mic In inputs

• Built-in automatic level control (ALC) to eliminate audio

peaks and ensure comfortable listening levels

• 28VDC external powering from supplied AC/DC adapter simplifies installation wiring requirements

• Headphone receivers feature ultra IR light-sensitive diodes for optimum reception and maximum range; A/B channel select switch; On/Off power switch with LED indicator; two audio volume controls

• Uses two AAA batteries

• Adjustable headband for comfortable fit

ALD-800 Multiple VHF receiver system

• System operates on one of eight factory switchable channels within the 72-76 MHz band designated for auditory assistance frequencies by the FCC

• Transmitter offers full manual controls and connections (including Mic and Line Level inputs), automatic level control,

extendable antenna, and Power On/Audio Input Level LED displays

• Any number of pocket-sized ALD-800 receivers can be used with a single ALD-800 transmitter

• Receivers include mini binaural earphones, providing up to 130 dB SPL for hearing

assistance with volume control, Power On LED, antenna integral with earphone cord

• Uses a single 9V alkaline or rechargeable NiCad or NiMH battery

A L D - 8 0 0

I R - 2 0 0

I R - 2 0 0 / 2 1 1

“My band plays loud, but my PEM-1000 makes hearing myself in the mix a breeze.”Dan Lewis, Detroit, MI }

13

In-Ear Wireless Monitoring Systems

P E M - 1 0 0 0

PEM-1000 100-UHF PLL wireless in-ear monitor system

EO3 Pocket-sized VHF wireless in-ear monitor system

• Any number of EO3 receivers can be used with a single EO3-T transmitter

• Ultra compact and lightweight

• Preset to one of eight channels in the 72-76 MHz range

• Loudness adjustable with volume control—provides up to 130dB in-ear monitoring

• Antenna is integral with earphone cord

• A pair of mini binaural EB-3 earphones included; optional EMI soft rubber inserts supplied

• LED Power On indicator

• Single 9V alkaline battery operation

EO3 Transmitter• Ultra compact and lightweight

• Broadcasts on one of eight channels in the 72-76 MHz band to any number of Nady EO3 wireless bodypack receivers on the same channel

• 300 ft. wireless operating range

• Eight factory switchable channels

• Rear panel input for line level audio

• Front panel input for microphone

• Audio input gain control

• Automatic level control

• Extendable antenna

• 9-volt DC input for AC-EO3; 9VDC regulated power supply adapter provided

• Power switch with red LED Power On indicator

• Audio modulation LED indicator

• 100 selectable UHF frequencies for interference-free performance (Up to 8 systems can operate simultaneously)

• System consists of one PEM-1000T transmitter and one PEM-1000R bodypack receiver.(Unlimited additional PEM-1000R receivers can operate with the same transmitter)

• Easy setup and use with either automatic AutoScan or manual open-frequency selection, and ASC™ infrared synchronization of selected channel between transmitter and receivers

• Rugged, all-metal half-rack transmitter. Rack mountable singly or side-by-side with optional rack kits.

• Both transmitter and receiver offer a user-friendly menu with complete control options shown in the LCD display

• Proprietary companding circuitry for wide Dynamic Range and clear, natural sound

• Includes lightweight, soft rubber, form-fitted earbuds for comfort and optimum acoustics and isolation

• Operating Range: Up to 500 feet typical (depending on site conditions)

• Rugged, foam-padded traveling case provides easy, safe transport and storage

PEM-1000T Transmitter• Rugged, all metal half-rack that can

be rack mounted singly or side-by-side with optional rack kits (see page 58)

• Front panel features stereo headphone monitor output jack and volume control, select button for choosing one of 100 UHF channels, Left/Right 5-segment audio input level displays, LCD channel display, and IR SYNC to system receivers

• Back panel provides BNC jack for the detachable antenna, a combo 1/4” TRS unbalanced, and balanced XLR jacks for Left and Right Line inputs, Left and Right 1/4” TRS unbalanced loop outputs

• Externally powered by AC-DC power adapter

E O 3

PEM-1000R Receiver• Portable bodypack receiver

features a power switch switchable with built-in volume output level control, select button for choosing one of 100 UHF channels, LCD channel display, stereo/mono, Signal/Low Battery LED indicator.

• Receiver has AUTO–SCAN for finding an open channel and IR SYNC to system transmitter

• Handy Mute Button for muting audio if desired during use

• Operates up to 8 hours (depending on volume) on 2x1.5V AA alkaline batteries

• Each receiver is supplied with a pair of miniature, lightweight (yet powerful) in-ear speakers with soft rubber mounts, designed for “custom” form-fitted comfort and optimum acoustic transfer and isolation.

• Rear clip can be rotated 180˚ for attaching receiver either vertically up or down position.

• Full-range megaphone speaker system with built-in Amplifier, Mixer, and High Band VHF Wireless Receiver

• Powerful 40W audio power output

• Wireless system features noise reduction companding circuitry for quietest operation with a wide dynamic range

• WHT handheld Mic transmitter

included. (1x MPA-400 megaphone receiver and 1x WHT transmitter on the same frequency comprises a system)

• 1/4” unbalanced input jack with volume and tone control for both wired and wireless microphone

• Convenient built-in rechargeable battery

• Powered externally with 12V/3A DC

power supply

• Stand mountable with optional MPA-4S stand

• Compact & lightweight- 7 x 9 x 11.5in (178 x 229 x 292mm) & 12.4 lbs (5.6kg): easily transportable with attached shoulder strap

Portable Wireless PA

14

WA-120 Powerful and portable VHF wireless PA system• Full-range speaker system with

built-in amplifier, mixer, and high band VHF wireless receiver.

• Wireless system features noise reduction companding circuitry for quietest operation with a wide dynamic range.

• Built-in echo/reverb

• Available with choice of WHT handheld mic or WLT lavalier/headset mic bodypack transmitters. One WA 120 wireless P.A. and one WHT or WLT Transmitter on the same

channel comprise a system.

• Powerful 20W audio output

• 1/4” unbalanced input jacks (1 MIC, 1 AUX) and one 1/4” unbalanced RECORD OUT, treble and bass controls

• Powered externally with provided AC adapter, or internally with either the optional RB-120 rechargeable battery or 8 “D” Cell alkaline or rechargeable batteries

• Small and lightweight—only 8.3” x 10.6” x 5.4” (211 x 270 x

137mm) and 5.3 lbs. (2.4 Kg)

• Choice of transmitters: WHT handheld mic or WLT lavalier/headset mic bodypack transmitter

VR Series VHF Wireless microphone systems for camcorders

VR-3U UHF Wireless microphone systems for camcorders




WHT Handheld Microphone WLT/WGT Bodypack Transmitters• Off/Standby/On switch allows

convenient audio muting• Low-battery LED indicator flashes

once for unit on; lights steady for low-battery alert


UH-3 Handheld Microphone UB-3 Bodypack Transmitters• Audio mute switch allows

convenient audio muting with the transmitter on

• Uses two AAA alkaline or NiMH batteries

Video Wireless

WLT/WGT Bodypack Transmitters• Choice of instrument or

headworn/lavalier microphone bodypack transmitter

• Easily accessible input level adjust control for optimum sound

• Available with LM-14O omni-directional/LM-14U uni-directional lavalier mic or Headmic™ Series headworn mics (see page 50)



• Battery status LED (red) indicator flashes once for Battery OK; lights steady for low-battery alert

• TX LED (green) indicator lights steady


UH-3 Handheld Microphone• Choice of instrument or headworn/

lavalier microphone bodypack transmitter

• Bi-color LED status indicator: Unit On (green); low-battery alert (orange)

TRANSMITTERS

1 5 1 V R• Rugged 151VR or mini 351VR

receivers can be camera-mounted or worn as bodypacks (with removable belt clip)

• Easy hook-up to camcorder with supplied connecting cable

• Powered by 9V alkaline battery

• 120dB dynamic range with no background hiss or overload distortion

• LED lights indicate low battery and receiver signal

• Convenient operation with Output Level and Mute adjusts;

separate 3.5mm Audio Output and monitor headphone mini jacks; headphone volume thumbwheel control with integrated unit Off/On switch

• Softwire antenna extends from top of receiver (detachable “rubber ducky” antenna optional for 351 VR only)

• Choice of transmitters: WHT handheld mic or WLT lavalier/headset mic bodypack transmitter

• An affordable, professional, easy-to-use portable wireless microphone system for use with video cameras. Also perfect for many other wireless mic applications, especially those requiring a miniature portable receiver

• Available on choice of three single UHF frequencies in the 500MHz UHF range

• 150 ft. operating range (300 ft. line-of-sight)

• Ultra-compact receiver can be camera mounted (with Velcro

tape) or worn on the body (with removable attached clip)

• LED light indicates receiving signal and low-battery


• Convenient operation with 3.5mm balanced audio output jack and volume control with integrated off/on switch

• Easy hookup to camcorder or mixer with supplied connecting cable (TRS 3.5mm mini-jack to XLR)

• Attached soft-wire antenna

• Powered by two AA Alkaline batteries in a convenient “slide open” battery compartment

• Choice of transmitters: UH-3 handheld mic or UB-3 lavalier/headset mic bodypack transmitter

V R - 3 U

3 5 1 V R

MPA-400 Wireless megaphone PA system

WA 1 2 0

M PA - 4 0 0

15

INFRARED WIRELESS MICS & WIRELESS PA’S

Featuring state-of-the-art invisible infrared (IR) light transmission technology, the IRW Series wireless microphone systems are perfect for conference/meeting rooms, classrooms, churches, health clubs, small auditoriums, and other medium-sized venues, as well as for consumer use such as home karaoke.

The IRW Series offers 3 receiver options: the IRW-220X dual channel for use with two transmitters simultaneously, the IRW-1PA single channel portable wireless PA with built-in IR receiver, and the IRW-2PA featuring a dual-channel wireless receiver and power amp and additional storage for transmitters housed in a secure wall-hanging lock box. An ideal alternative to radio (RF) wireless mics for situations in which RF congestion or privacy issues are a concern, the IRW Series systems offer high-quality audio and solid reception suitable for all speaking and most recreational singing applications.

Infrared Systems

I RW- 2 PA

IRW-HT6SC/IRW-HT6X Handheld Microphone Transmitters• Multiple emitter array of high efficiency infrared emission LEDs for

optimum IR transmission

• Power On LED

• Powerful uni-directional dynamic cartridge for optimum audio, minimal handling noise, and maximum feedback rejection

• Rugged steel mesh ballscreen with anti-roll ring

• Operates up to six hours on two AA alkaline or NiMH rechargeable batteries

• Equipped with charger protection circuitry that can detect and shut down charging function if regular alkaline or non-rechargeable batteries are mistakenly recharged (IRW-6HTSC only

IRW-LT6SC/IRW-LT6X Bodypack Transmitters• Multiple emitter array of high efficiency infrared emission

LEDs for optimum IR transmission

• Power On LED

• Channel A/B selector switch

• 3.5mm mini-jack for connection of lapel microphone

• Audio Input volume control

• Belt clip and neck-worn lanyard

• Operates up to six hours on two AA alkaline or NiMH rechargeable batteries

• Equipped with a charger protection circuitry that can detect and shut down charging function if regular alkaline or non-rechargeable batteries are mistakenly recharged (IRW-LT6SC only)

I RW- 2 2 0 X

I RW- 1 PA

IRW-1PA Portable wireless PA system

• All 3 systems available with a choice of the IRW-LT6SC/IRW-LT6X bodypack transmitters (for use with lapel or headset microphones) or the IRW-HT6SC/IRW-HT6X handheld microphone transmitters.

• Designed for indoor use only, even in well lighted areas

• IR won’t transmit through walls, so any number of IRW Series systems can be used in the same building (such as schools) without the interference often encountered in multiple RF (VHF and/or UHF) wireless mic set-ups. The IRW Series is also

perfect for secure, in-room-only transmissions for privacy, which is not possible with RF wireless systems which penetrate outside rooms.

• For short-range (~40 ft/12m) line-of-sight transmissions in one room only with built-in IR wide-angle sensor arrays in the receivers. The range can be extended in any direction for 40 feet (12 m) more with optional wall or ceiling mount remote IRW-1SX sensor which connects to the receiver (two sensors included with IRW-2PA system).

IRW-2PA All-in-one wireless PA system

IRW-220X Dual IR wireless microphone system

• Dual receiver allows simultaneous 2-channel operation of two transmitters (Ch. A/B). Easily connects to any mixer or amplifier.

• IR signal reception LED indicators

• Channel A/B mixed audio output (RCA phono jack)

• Separate Channel A and Channel B volume controls

• Two IR sensor coaxial inputs

• Two remote-mount IRW-1SX sensors supplied with 20 ft. and 35 ft. connecting cables and variable-position wall mounts; each sensor has multiple array of wide-angle infrared-sensitive LEDs

• 12VDC AC/DC adapter supplied

• Multi-functional wall-hanging lockbox houses dual infrared wireless receiver, preamp, power amp, and transmitters with battery-charging holders for safe/secure charging and storage

• Two wireless microphones, Aux Input, and hard-wired Mic Input allow up to four total input signals (each with its own volume control), and master treble and bass controls

• 70W (peak) power amp, perfect for driving two 8Ω speakers or any number of small ceiling speakers (not included)

• Battery chargers with unique safety shut-down protection circuitry to detect reverse polarity, damaged batteries, and non-rechargeables

• Power On, IR reception, and battery charging status LED indicators

• Two remote-mount IRW-1SX sensors supplied with 20 ft. and 35 ft. connecting cables and variable-position wall mounts; each sensor has multiple array of wide-angle infrared-sensitive LEDs

• UL approved AC/DC power supply

• Completely self-contained IRW-1PA portable P.A. with built-in amplifier, speaker, and wireless microphone system is designed for high performance and ease of use, with simple set-up and operation

• Built-in 12W (peak) audio amplifier and speaker

• Single channel receiver infrared operation

• Remote IR sensor input, Power ON and Received Signal LED indicators, Power ON switch and Volume control

• AC powered

Portable Wireless Plug-in System

Podium Wireless

16

mini/macro Series 16-channel, portable UHF wireless plug-in system

MGT-16 / MHT-16 / WHM-16 / LINK-16 Receivers MGT-16X / MHT-16X / WHM-16X / LINK-16X Receivers

TRANSMITTERS

MT-16A / MT-16R Transmitter• Choice of two transmitter

housings— MT-16A with 30° angled 1⁄4” plug for use with either recessed or surface mounted jacks, or MT-16R with 90° angled 1⁄4” plug for surface mounted jacks only

• Input level attenuation switch; internal audio level control trim-pot

• 16 user-selectable PLL frequencies for interference-free operation

• Up to 250 ft. operating range, line-of-sight

• ASC™ (Auto-Sync Channel) infrared wireless download pairs

transmitter to selected receiver frequency for quick, easy setup

• Transmitter powered by single AAA battery

• Choice of receivers, MGT-16 and MRX-16 (micro series)

• External flexible wire antenna

• Power On/Off switch; Power/Low Battery LED indicators; IR Sync LED

• Up to eight hours of battery life from a single AAA alkaline or NiMH rechargeable battery

• Infrared channel sync with receiver for instant setup

MH-16 Transmitter• Miniature, lightweight transmitter

clips directly onto bell of horn. No cord connection needed.

• Protective rubberized clamp-on device easily locks transmitter firmly to horn

• Flexible gooseneck allows optimum microphone positioning

LK-16 Transmitter• Miniature, lightweight plug-in

transmitter easily converts wired dynamic microphones to wireless

• Connects to any vocal/instrument dynamic microphone with XLR jack

WH-16 Transmitter• Compact, lightweight headset

transmitter fits snugly on back of head. No cord connection needed.

• Headset frame completely rubberized for comfortable, trouble-free performance

• Flexible gooseneck allows optimum microphone positioning

M G T- 1 6

M R X - 1 6

WPM-2U Podium microphone

W P M - 2 U

F O R U S E W I T H :• UHF-3

(UHF receiver pg. 17)

• Compact, portable, “pocket size” receiver (for “micro” series)

• Flexible wire 1⁄4 wave antenna

• Unbalanced 1⁄4” line output plug

• Power On/Off/Mute switch; Volume Control; LED indicators for Low Battery, and RF

• Reception; DIP-switch channel selection with IR sync to transmitter; IR Sync LED

• Powered by one AA alkaline battery for portability (Up to 8 hours battery life)

• Compact, portable “pedal style” receiver

• Dual ¼ wave antennas • Infrared sync with transmitter

for instant setup• Unbalanced ¼” line-out jack• Power On/Off/Mute switch;

Volume control; LED indicators for Power On, Low Battery

Alert, RF Reception; DIP-switch channel selection with IR sync to transmitter

• Powered by DC adapter (included) or two AA alkaline batteries for portability (up to eight hours battery life)

• 6 standard frequencies between 470~510Mhz

• Ideal for desktop conferencing

• Simple setup with no cumbersome cabling required between mic and amplifier—the cleanest, simplest possible installation

• Top performance indistinguishable from the best hardwired podium microphones

• Up to 200 ft. ultra reliable reception range for maximum versatility and operating ease in any application

• Up to six WPM-2U systems (all on different frequencies) can be operated simultaneously

LINK-16 / microLINK-16X UHF wireless plug-in system for microphone MGT-16 / microMGT-16X UHF wireless plug-in system for guitar and bass MHT / microMHT-16X UHF wireless plug-in system for bass and woodwinds WHM-16 / microWHM-16X UHF wireless headset system

“ I’ve been touring successfully with many Nady products for over 25 years.”Zeke Clark, Sound TechVan Halen, Clint Black, Cheap Trick, Kenny Chesney

Power Amplifiers ............................... 18SPA Series, XA-1100, 3WA-1700

Equalizers ........................................... 20GEQ Series

Power Controllers ............................. 20SC-100

Power Line Conditioners .................. 21PCL Series, CPD-1006L

Crossovers ......................................... 21CX Series

Analog Sound Processors ................ 22FS-4N

Digital Sound Processors ................. 22SDR-260, DigiComp 16

Rack Gear ........................................... 23RDI-8, RL-2X, RMX-6, PB48, SD-2418

Headphone Amplifiers ...................... 24HPA-4, HPA-8, HA-1X4

Microphone Preamps ........................ 25PRA-8, DMP-2, TMP-1

Sound Pressure Level Meters .......... 25DSM-1, ASM-2

Direct Boxes ....................................... 26DB Series, ADI Series

Mixers ................................................. 27MM Series, MM-15USB, SRM-10X, SRM-14X, CMX-16A

Powered Mixers ................................. 28SPM-4250, PMX Series, MPMx Series

Portable Sound Systems .................. 30MPMx Series PA, RPA Series, Ensemble PA-4180, MaxTowerTM, Access PSS-150

Speakers ............................................. 32J Series, PAM-10F, FWA Series, ProPower™ Series, PSW-18A, THS-1515, M-CABx™ Series, P-CABx™ Series

Studio/Personal Stage Monitors ..... 36SM Series, PM Series, CSM-5

Headphones ....................................... 37QHM/QH Series, DJH-2000

Noise-Cancelling Headphones ......... 38QH RacketBlaster™ Series

Miscellaneous Gear ........................... 38PHP-3, HE-1

Pro Audio Gear

Pro Audio

Whether you’re looking for audio gear

to outfit a large concert hall, recording

studio, rehearsal space, nightclub, or

conference room, Nady can effectively

meet your needs. We know that selecting

the gear best suited to your particular

needs is an important part of creating the

overall sound you’re after. Nady’s broad

range of professional audio equipment

offers sound solutions for virtually every

live audio application. And with many

models to choose from, you’re sure to find

just the right gear at just the right price.

Power Amplifiers

S PA - 8 5 0

S PA - 1 4 0 0

18

SPA Series Stereo power amplifiers

SPA 850

2 x 350W RMS @ 4Ω 2 x 425W RMS @ 2Ω Bridge mono: 600W @ 8Ω, 850W @ 4Ω

SPA 1400

2 x 500W RMS @ 4Ω, 2 x 800W RMS @ 2Ω Bridge mono: 1000W @ 8Ω, 1400W @ 4Ω

• Continuously variable speed fan with back-to-front air flow

• Full operating features: user-defeatable clip limiter; switchable 30Hz low-cut filter; balanced XLR and ¼” TRS inputs; detent volume controls; stereo (dual-channel, parallel-input, or bridged mono operating models) with selector switch; binding post and Neutrik Speakon™ outputs; ground-lift switch

• Complete, advanced safety/reliability features: soft-start turn on; noise-free On/Off; Built-in DC offset; independent DC and thermal overload protection on each channel; short circuit and speaker protection; DC servo operation; built-in current limiter

• Parallel outputs allow “daisy-chaining” amps

• ~115V (60Hz)/~230V (50Hz) AC select switch

• Clip and Signal LED indicators for each channel

• Durable double rack space (2U) steel casing

• Three-way amp allows you to power left and right main speakers and subwoofers with no crossover necessary, all from one 2U rack chassis

• Easily powers four 8Ω speakers for the stereo mains and two 8Ω subwoofers with 450W of power per channel, plus a whopping 800W for the subs

• Perfect for DJs, traveling bands, and small clubs

• Selectable internal Low Pass Filter can be adjusted from 50Hz to 250Hz to maximize the tight punch of your subs

• Filter/Source switch enables the internal low-pass filter and uses the left and right input signals for the subwoofer, or disables the internal filter to use either an external active crossover or the Sub channel to pass full-range signals for monitor feeds or sound reinforcement

• Selectable Low-Cut Filter to minimize muddy bass and stage rumble

• Balanced XLR and ¼” TRS inputs; binding post (banana plug) outputs, detent volume controls for each channel

• Power On, Signal, Clipping, and Protect LED indicators for each channel

• Full safety/reliability features: four variable speed fans for ultimate cooling; noise-free On/Off; built-in DC offset; independent DC and thermal overload protection on each channel; short circuit and speaker protection

• Roadworthy, rugged double rack space (2U) housing

• ~115(60Hz) IEC power cord connector and 3AG fuse holder

3WA-1700 3-channel (stereo main and subwoofer) amplifier

X A - 1 1 0 0

19

A M P L I F I E R P OW E R R AT I N G S

When selecting an amplifier from among competing brands with similar features, be sure that you are comparing the correct output power ratings. First, make sure all the output power ratings you are comparing are stated in Watts RMS, which most correctly reflects the average power the amp can sustain with continuous use. Many amps show a rating in Watts only. Generally, these refer to peak Watts capability, which can be up to twice the RMS rating. Also, these measurements are sometimes taken at 10% distortion (THD). This produces a higher reading than the correct measurements taken at 1% THD, which more accurately reflects the desired audio in any application.

It is also important to make sure you are comparing power ratings at the same speaker load. You will notice that the lower the load (e.g., 2 ohms vs. 4 ohms, or 8 ohms), the higher the reading. Always compare apples to apples when choosing the amp power you want. Note that Nady Audio amps are all rated at Watts RMS at 1% THD.

• Full operating features: detent volume controls; parallel balanced XLR and ¼” TRS inputs; stereo (dual channel), parallel-input, or bridged mono operating modes with selector switch; binding post (banana plug) outputs; ground lift switch

• Full safety/reliability features: two dual speed fans for cooling; soft-start turn on; noise-free On/Off; built-in DC offset;

independent DC and thermal overload protection on each channel; short circuit and speaker protection; DC servo operation; built-in digital current limiter

• Power On, Clip, Signal, and Protect LED indicators for each channel

• Roadworthy, rugged double rack space (2U) housing

XA-1100 Stereo power amplifiers

XA-1100

2 x 475W @ 4Ω Bridged mono: 1100W RMS

Power Output Ch. 1 & 2: 2 x 450W RMS @ 4Ω Subwoofer: 800W RMS @ 4Ω

3 WA - 1 7 0 0

“I loved my Nady XA-1100 so much that after I bought it I went back and got an SRM-12X mixer and four SP-5 mics with the money I had left over from what I originally budgeted for an amp alone. Great gear. Great prices. Thanks!”Al Stevens, St. Louis, MO

}

GEQ 131

1-channel Single rack space 31 1/3rd octave bands each channel

GEQ 231

2-channel Double rack space 31 1/3rd octave bands each channel

• Balanced XLR and ¼” TRS input/output connectors

• Constant-Q bandwidth from each filter with 3% center frequency accuracy

• Parallel filter design for minimal phase distortion

• Ultra low-noise circuitry

• Low-cut filter at 40Hz, 12dB/octave switchable, with status LED

• Band range: +/- 12dB gain

• Equalizer On/Off bypass switch with status LED

• Center detents on faders and variable input level control (+/- 12dB)

• Gain status LED bar graph with peak LED

• Power switch with integral LED On indicator

• Shielded internal power supply with AC input and selectable line voltage (~115V/60Hz or ~230V/50Hz)

• Compact and durable all-steel chassis design

20

GEQ Series Graphic equalizers

• Balanced XLR and ¼” TRS input/output connectors

• Constant-Q bandwidth from each filter with 3% center frequency accuracy

• Parallel filter design for minimal phase distortion

• Ultra low-noise circuitry

• Selectable range, 6dB or 12dB gain

• Equalizer On/Off bypass switch

• Center detents on faders and variable level control

• Power OFF automatic bypass function

• Peak (overload threshold) LED

• Shielded internal power supply with AC input and selectable line voltage (~115V/60Hz or ~230V/50Hz)

• Ground lift switch

GEQ 215

2-channel Single rack space 15 2/3rd octave bands each channel

G E Q 2 1 5

G E Q 1 3 1G E Q 2 3 1

Equalizers

• Convenient 1U rack unit for controlling sequenced AC power, On/Off for up to ten pieces of audio equipment

• Rear panel outlets with front panel LED indicators are sequenced with 1-second delay, allowing for smooth power up and down of power amplifiers, mixer consoles, wireless equipment, etc.

• Controller provides a gradual turn on process and turns off in reverse order

• Ten each 3-prong AC outlets are multi-national style compatible with standard US plugs and round European plugs

• Key lock On/Off switch with bypass for secure operation

• Internal filtering to reduce noise and spikes

• Both Hot/Neutral AC lines are interrupted for maximum safety

• Heavy-duty internal relays for superior reliability

S C - 1 0 0

SC-100 Sequenced power controller

Power Controllers

21

Crossovers / Equalizers

Crossovers / Equalizers

Power Line Conditioners

Crossovers

C X - 2 2 S W

P C L - 8 1 0

P C L - 8 1 5

C P D - 1 0 0 6 L

C X - 2 3 S W

PCL Series Power conditioners

• Triple mode varistor surge and spike protection

• Eight rear outlets (with room for four “wall warts”) controlled by front panel switch

• 15 amp rating (1800W) with rear panel circuit breaker (UL)

• Two added front panel slide-out, swiveling lights for rack illumination and dimmer controls to adjust lamp brightness

• Large LED numeric meter that displays incoming AC line voltage; two voltage condition indicators—standard voltage and over voltage (PCL-815 only)

• Rugged single-rack space metal housing for maximum reliability

CPD-1006L Conditioned power distribution with sequence controller

• Ten AC sockets: Two unfiltered front panel and eight conditioned, with six-step delayed sequence turn-on/off

• 2-second sequence interval standard—factory adjustable also to one or three seconds

• Superior RFI/EMI filtering and surge protection

• Extremely accurate voltage meter with 3-digit LED numeric display

• Retractable, rotating, six-LED lamp for long-life front rack illumination

• Rack light Hi/Off/Low dimmer switch

• 15A circuit breaker

CX Series Stereo crossovers

CX-22SW

2-way stereo and subwoofer

CX-23SW

3-way stereo and subwoofer

• Single rack space (1U)

• Shielded internal power supply with AC voltage select switch (~115V/60Hz or ~230V/50Hz)

• Phase inversion switches

• Low-cut subsonic filters for low frequency driver protection

• Servo-balanced XLR inputs

• Superior performance with transparent audio

“My CPD-1006L has become indispensible in my rack setup.”Barry Sims, Chicago, IL }

22

F S - 4 N

Analog Sound Processors

Crossovers / EqualizersDigital Sound Processors

FS-4N Feedback suppressor• Four extremely narrow

(1/60 octave) notch filters, each independently adjustable from 60 to 6,000 Hz, allow quick elimination of unwanted problem frequencies without affecting integrity of overall sound

• A control for adjusting notch depth on each filter enables precise attenuation (up to -20 dB) at each selected frequency

• Push button bypass switches all four notches in and out simultaneously for fast monitoring of results during use

• ¼” TRS balanced jacks for both Signal In/Out

• In-line 8-band audio spectrum analyzer LED display enables quick identification of frequency range of any problem frequency; facilitates immediate reaction and suppression by operator

• Internal shielded power supply with external fuse and ~115V (60Hz) / ~230V (50Hz) AC select switch

• Single rack space (1U) rugged metal housing for reliability

• IEC power cord socket for AC operation and screw terminals for optional +24 VDC input powering

S D R - 2 6 0 D i g i C o m p 1 6

SDR-260 Stereo digital reverberator

• Powerful dual engine digital sound processor (DSP) offers a full complement of 60 of the latest, most useful/breathtaking effects presets including hall and room reverbs, gates, echo/vibrato/chorus/flanging delays, pitch shifting, and concert/stage re-creations

• Intuitive and easy to operate—all parameters can be selected and/or edited via the jog wheel knob or external MIDI remote control (via Program Change messages) with 60 user program locations for personal edits storage

• 24-bit A/D and D/A converters for ultra-high headroom and resolution

• Internal 44.1KHz sampling rate for unsurpassed audio

• Servo-balanced inputs and outputs with XLR and ¼” TRS connectors

• Input and output Level Switches add +4 dB or attenuation -10 dB

• Remote MIDI program change and bypass control

• 4-segment, ultra-precise stereo input level LED display

• 3-digit program and parameter LED display

• Front Panel Selectable Preset/User/MIDI/Bypass controls

• Input level Control, variable • Rugged construction for

maximum long-term reliability • Shielded internal dual

regulated power supply with ~115V(60Hz)/~230V(50Hz) select switch and fused IEC power cord connector

DigiComp 16™ Stereo 18-bit digital compressor

• Exceptional assortment of 16 popular, one-of-a-kind preset digital compressor ROM programs including AGC Pure, Acoustic, Master, Clean, Dance, Kick Drum, Mixdown, Jumping Up, and eight classic stereo settings with 16 user-selectable parameter variations for each algorithm

• Unique digital AGC and proprietary algorithms provide real dynamic compression for adding punch to weak signals, new dimensions to your sound and useful limiter functions

• Advanced state-of-the-art digital processing with 18-bit Sigma-Delta AD/DA conversion, high speed 12.5MIPs operation, and 52-bit accumulator resolution

ensures first-class/high-quality audio with negligible distortion, full bandwidth 20-20KHz response, and low noise/high dynamic range

• Convenient front panel I/O signal gain controls, bypass switch, program and variations select controls

• Rear panel ¼” I/O stereo and bypass jacks (for optional footswitch)

• Versatile + 4/-10dBu input signal level stereo/mono operation, high gain mono input for plugging instruments in direct

• 9 volt AC adapter supplied

• Road worthy, ultra portable, all-metal 1/3 rackmountable or tabletop housing

“Great gear!”Donna Emmett, Spokane, WA}

23

Crossovers / EqualizersRack Gear

RMX-6 Rack microphone/line mixer

• 6-channel mic/line mixer in a single rack space (1U)

• Balanced XLR mic and ¼” TRS line inputs each channel

• Master volume, bass, and treble controls

• Phantom power (15V) on channels 4-6 mic inputs

• Dual (low and high level) outputs

• Internal shielded power supply, ~115V/60Hz AC powered

R M X - 6

R L - 2 X

RL-2X Dual gooseneck rack light

• Rackmount light illuminates mixing consoles and rack gear for easier operation on dark stages

• Two 10” flexible gooseneck lights mounted on a 19” rackmount strip (1U)

• Can be mounted on either front or rear of rack cases

• On/Off switch and integral fused power supply included. Hard-wired power cable plugs into 115 VAC outlet

RDI-8 8-channel DI box/line mixer

• Eight totally independent DI Box units in a 1U package for multiple signal corrections/conversions, with ¼” TRS jacks for balanced or unbalanced inputs and XLR jacks for servo-balanced outputs for each channel

• Each DI box eliminates impedance mismatch problems and converts any sound source—from guitar to speaker inputs—into a clean, powerful, hum-free, noise-free, interference-free balanced signal; perfect even for extremely long cable runs

• Can be used simultaneously as an 8-channel line mixer with both stereo Line and Master outputs

• Optimum hookup flexibility with independent parallel link outputs for each channel; enables applications such as monitoring a specific input locally while sending an XLR balanced direct output to another source without affecting the line mixer signal

• Multi-purpose design enables parallel-operation applications (e.g., setting an independent stereo mix for stage monitoring for extended setup of keyboards,

samplers and synth modules while supplying independent XLR balanced outputs to the stage box for the front of house engineer)

• Controls for the Line Mixer operation include independent rotary volume and L/R pan controls per channel for the Stereo Line output, and an additional Master Volume control for the Master Stereo output

• Independent 20dB Pad and Ground Lift switches per channel control both the DI Box and Line Mixer outputs simultaneously

• Shielded internal dual regulated power supply with ~115V(60Hz)/~230V(50Hz) select switch and fused IEC power cord connector

• Advanced circuit design and carefully selected components ensure extended linear frequency response and ultra low distortion for pure, transparent audio across the spectrum for both DI Box and Line Mixer operation

• High-quality, rugged construction for maximum long life and reliability

R D I - 8

PB48 Modular patchbay

• Versatile, no-solder patchbay provides 48 points in a single rack space (1U)

• Normalled, half-normalled and isolated configurations

• ¼” TRS for both balanced and unbalanced signals

P B 4 8

S D - 2 4 1 8

SD-2418 Audio signal distributor / zone mixer

• Splits balanced mono signal into eight separate balanced mono signals or stereo pair into four separate stereo pairs

• Indispensable signal routing tool for live sound and recording applications requiring signal splitting and distribution with level matching to different equipment

• Individual gain controls (up to +6dB gain) for all eight outputs; 2-4,1-8 split mode select switch and display; dual balanced inputs (Ch. A/B) with Link outputs for optimum signal routing flexibility in hookup

• Wide dynamic range for optimum signal integrity and transparency

Headphone Amplifiers

HPA-4 4-channel headphone amplifier/line distributor

• Four totally independent stereo high-power headphone amplifier/line distribution channels in a convenient single rack package

• Easy-to-operate unit allows maximum variety of monitoring and stereo line level signal distribution options

• Input source select switches and Phone and Line ¼” TRS stereo outputs on each channel

• Four independent stereo input sections (each with servo-balanced L/R ¼” TRS jacks) enable independent selection of any of the four stereo signals for each headphone amp/line distribution channel

• Selection of up to four completely independent monitor signals for each set of headphones connected to the HPA-4 allows optimum monitoring flexibility, or four separate choices for each channel’s Line Output (enabling many audio switching/routing solutions)

• Separate volume control for each channel adjusts the level to both phone and parallel line outputs

• Easily expandable for optimum versatility in any application—up to four HPA-4s can be daisy-chained for additional fully selectable headphone/line distribution requirements

• No-compromise circuit design, stringently selected tight-tolerance components and low-noise, extremely linear amps for reference-quality, transparent audio with maximum headroom even at extremely high headphone volume levels

• High-quality, rugged construction for maximum reliability


H PA - 4

H A - 1 X 4

HA-1X4 4-channel stereo headphone amplifier

• Allows four channels of stereo headphone monitoring with individual level controls

• Advanced design for widest dynamic range, with lowest noise and distortion

• ¼” Stereo jack input can be driven by any line level or headphone amp output

• Rugged metal chassis for long-life reliability

H PA - 8

HPA-8 8-channel headphone amplifier

• Eight stereo headphone channels in a convenient single rack package enable multiple signal distribution options for monitoring flexibility

• Each channel has separate volume control and ¼” stereo outputs

• Over 100mW of power per channel with full spectrum audio response and maximum headroom (even at high volume headphone levels)

• No-compromise circuit design, SMD technology and low-noise op-amps for reference

• Quality, transparent audio with maximum headroom even at high headphone volume levels

• Three balanced, line-level input channels with capacity to distribute one input signal to all headphones or group the headphone outputs (depending upon input configuration) for monitoring flexibility

• Mono/Stereo selector switch for each set of inputs

• High-quality, rugged 1U construction for maximum reliability

• Shielded internal power supply with ~115V(60Hz)/~230V(50Hz) select switch and fused IEC power cord connector

H E A D P H O N E V S . S P E A K E R M O N I TO R I N G I N T H E S T U D I OWhen used with high-quality headphones such as the Nady QH series (see page 39), all Nady headphone amps deliver high-end audio to satisfy even the most critical audiophile. In addition to the most common application of individual monitoring while recording, these amps are also well-suited for simultaneous playback to multiple listeners. While studio monitor speakers will always image and deliver the physical intensity of sound better, the best audio resolution is provided by headphone monitoring. Headphone monitoring delivers complete isolation and intimacy with the recording, creating a far more intense experience than speakers.

If you find yourself hearing things on your studio monitors but can’t quite make them out, headphone monitoring makes every detail apparent, allowing you to make the critical decisions necessary to get the sound you’re after.

24

TMP-1 Tube microphone preamplifiers

• Hand-selected 12AX7A vacuum tube circuitry provides large, warm sound for microphones and instruments— fills out your sound for perfect recording

• Selectable output limiter circuitry to avoid clipping and protect connected equipment (e.g., processors)

• Convenient analog VU meter allows excellent control of desired signal levels and monitors limiter function when limiter is activated

• Variable Input and Output gain controls

• +48VDC phantom power switch

• Phase Reversal switch

• Servo-balanced XLR and unbalanced ¼” TS Inputs and Outputs

• Rugged construction for maximum long-term reliability


P R A - 8

D M P - 2

T M P - 1

25

PRA-8 8-channel microphone preamplifier

• Eight totally independent world-class preamps in one single rack (1RU) through package with servo-balanced XLR inputs and ¼” TS outputs for each preamp

• Highest quality components and advanced design with ultra-linear, high bandwidth operational amps for no-compromise crystal clear audio; exceptionally low noise and negligible distortion

• Individual gain control and Peak LED indicator on each channel with up to 75dB of gain

• +48V Phantom Power with individual Phantom On/Off switches and Phantom Power On LED indicators for each channel

• Rugged construction for maximum long-term reliability


DMP-2 Dual microphone preamplifier

• Unsurpassed audio with excellent stereo imaging, ultra low noise, superb transient response and transparent, distortion-free sound

• Superior performance comparable to console preamps

• Rugged, lightweight all-metal enclosure designed for long life and portability

• Includes XLR I/O jacks, Power Off/On, +48V phantom power 3-way switch, selectable integrated limiter, dual Gain controls, Power On and dual Peak LED indicators

• Powered by 9V Alkaline or NiMH battery

Microphone Preamps

Sound Pressure Level Meters

DSM-1 Digital SPL Meter

• Highly accurate SPL meter with two level ranges measuring between 30dB and 130dB at 32Hz-8KHz

• Easy-to-read 4-digit LCD display with selectable permanent backlight

• Selectable A or C weighting and fast or slow response; maximum hold selector with hold button to capture input at any time; alarm indicating the input is above range; internal battery tester; built-in calibrated, linear omnidirectional 1/2” electret condenser microphone;

and threaded insert to attach to optional SMT-3 tripod or standard camera tripod

• Uses 9VDC alkaline battery with up to 50 hours battery life

• Includes foam windscreen, sturdy vinyl carrying case, and battery

ASM-2 Analog SPL Meter

D S M - 1 A S M - 2See Accessories/Stands and Racks on page 56 for SPL mounting tripod

• Seven sound-level ranges allow measurements from 50-126 dB (referenced to 0.0002µbar)

• A and C weightings let you check compliance with safety regulations as well as make acoustic analysis

• Slow and fast response settings let you check peak and average noise levels

• Phono-type output jack for connection to home theater or test equipment

• Built-in battery condition indicator

• Threaded insert lets you attach the meter to optional SMT-3 tripod or standard camera tripod for increased accuracy

26

Direct Boxes

A D I - 1

A D I - 2

ADI Series Direct inject boxes

ADI-1 Single direct inject box ADI-2 Dual direct inject box

• Eliminates impedance mismatch problems and converts any sound source at almost any level into a clean, noise-free balanced signal

• Full-featured controls and connections include On/Off, Ground Lift, and Guitar/Speaker source select input attenuation switches

• Unbalanced ¼” TS input and Parallel Link Output jacks

• Servo-balanced XLR output jack

• Parallel link output allows ultimate hookup flexibility by enabling applications such as connection to the input of the backline or monitor amplifier

• Portable aircraft aluminum extruded case for ultimate roadworthiness, long life and reliability

• Powered either by consoles +48V phantom power or internal 9V battery

DB-1 Passive direct inject box

• Enables connection of any unbalanced audio source signal (such as an electric instrument, keyboard, or amp speaker output) to any mic level balanced input (such as a mixer)

• Parallel Output allows simultaneous connection to two separate inputs (e.g., to an amp and mixer)

• Translates high-impedance instrument outputs into low-impedance balanced signals, or balanced low-impedance signals into unbalanced outputs

• Converts unbalanced +10dB DJ mixer signals to balanced mic level signals, enabling easier interfacing with consoles and longer cable runs

• Eliminates need for a direct box on multiple keyboard setups plugged into an instrument amp—input directly to a console mixer by connecting the speaker outputs of the amp to the console input through the DB-1

• Switchable ground lift eliminates ground loop hum problems

• 3-position input attenuation switch (0dB, -20dB, -40dB) facilitates proper output signal levels for optimal level matching to connected equipment

• Rugged, roadworthy all-steel construction for years of reliability

• 0.9 lbs (.453 kg)

DB-2 Dual channel direct inject box

• Dual channels allow the connection of any two unbalanced audio source signals(e.g., electric instruments, keyboards, unbalanced mics, stereo outputs, evenamp speaker outputs) to any two mic or line level balanced inputs (e.g., mixer)

• Two paralleled input/output jacks per channel allow simultaneous connection totwo separate inputs per channel or the ability to break into the signal path between instruments and amplifiers, or amps and speakers, by using one jack as the inputand the other as the output

• Converts unbalanced DJ mixer signals to balanced mic or line level signals;enables simpler interface with consoles and

longer cable runs

• Facilitates multiple keyboard setups plugged into both instrument amp andhouse console mixer

• Each channel’s 3-position input attenuation switch (0dB, -20dB, -40dB) facilitatesproper output signal levels for optimal level matching

• Features Stereo/Mono switch for splitting signal input to both balanced XLR outs

• Switchable ground lift eliminates hum problems

• Rugged, roadworthy all-steel construction for superb reliability

D B - 2D B - 1

“Love your gear! I bought your stuff first for the low prices, and then because of the great sound and features. I just got a DB-1 and it’s another winner!”Joe Bisgaard, Cleveland, OH

}

27

Crossovers / EqualizersMixers

MM Series Mini mixers

MM-14FX 4-channel mini mixer with echo effects

• Four mono ¼” microphone inputs with individual volume controls

• Built-in echo effects DSP with delay time and depth controls; simulates room/hall/ stadium decay reverbs

• ¼” unbalanced output

• Up to 50dB of gain per channel

• Power On/Off switch with LED indicator

• 9VDC powered with either 9V alkaline battery or optional PAD-1 AC/DC external adapter

MM-141 4-channel mini mixer

• Four ¼” unbalanced line level inputs with individual volume controls mixed to one ¼” unbalanced output

• Master Volume control with integrated Power On/Off switch and Power On LED indicator

• Ultra low distortion, up to 20dB of gain, S/N ratio over 100dB, and a frequency response from 20Hz-20KHz

• Heavy-duty steel construction with smooth-turn, ultra stable pots and high-quality jacks


MM-242 4/8 channel stereo/mono mini mixer

• Eight mono ¼” inputs with individual volume controls to be assigned to Stereo A/B outputs or mono’d together and sent to both A and B outputs

• Stereo ¼” Master outputs with separate Master volume controls, over 25dB of gain, S/N ratio of 95dB and frequency response from 20Hz-30KHz

• Peak LEDs for each group of input channels

• Mono/stereo mode selector

• Heavy-duty steel construction with smooth-turn, ultra stable pots and high-quality jacks

• Power On/Off switch with LED indicator


M M - 2 4 2

M M - 1 4 F X

M M - 1 4 1

MM-15USB Mini mixer

• With up to 15 simultaneous inputs and ten outputs (including complete USB interface), this versatile desktop mini mixer is a valuable tool for almost any studio recording, computer, home audio or live performance application

• Two mono channels with balanced Mic and Line Inputs and two stereo channels with Line and RCA Inputs; each channel has Trim, 3-Band EQ, Aux Send, Pan, and Level Controls with Peak indicator LEDs

• USB 1.0 I/O Interface to send or receive digital audio signals to or from any computer

• Stereo mini-jack iPod/MP3 inputs• Ultra-low noise mic preamps

for optimum signal integrity; full spectrum frequency response with wide dynamic range and superior headroom

• Separate Main Mix, Control Room, and Headphone outputs; Stereo Aux; Return inputs with Level control; Tape In/Out RCA connectors plus stereo mini-jack output

• Dual 4-segment LED display bar graph meters

• SMD technology for most compact design

• Miniature 7” x 8” durable steel casing and superior construction for long life and maximum reliability

M M - 1 5 U S B

SRM-10X 10-channel stereo mic/line mixer

• Two mono channels with Trim, Bass, Treble, Aux Send, Pan, and Level controls; low cut; pre/post; PFL switches; Inserts

• Four stereo channels: two with Level controls, Bass/Treble, Balance controls, Pre/Post Aux Send and PFL switches; two with Level controls and PFL switches

• Tape In RCA jacks with Level control and PFL switch

• Tape Record Out RCA jacks

• Individual channel Aux Send, Pre/Post selectable, and Master control

• L/R main unbalanced outputs with slider control

• Mono output with slider level control and AFL switch

• Dual 6-segment LED display bar graph meters

• Ultra-low noise mic preamps

• Full spectrum frequency response

• Wide dynamic range with superior headroom

• Separate Master Mix, Control Room and Headphone outputs

• Mic and Line balanced inputs for optimum audio integrity

• ¼” TRS Stereo Control Room and Headphone outputs

• Switchable global +48V phantom power on all mono inputs

• Input Trim control on each mono channel

• Pan pots on each mono channel and Balance pots on each stereo input

• Peak LEDs on mono channels

• High-quality pots for all controls with Pan/Balance and EQ controls having center detents

• High-strength steel casing and superior construction with only highest quality components for longest life and maximum reliability

• External AC supply for optimum signal integrity and superior transient response

S R M - 1 0 X

28

Mixers

Powered Mixers

C M X - 1 6 A

CMX-16A 16-channel stereo mic/line mixer

• Full frequency response, wide dynamic range and ultra low noise assures natural, transparent sound with maximum headroom

• Eight mono balanced (XLR and ¼” TRS) and eight stereo (¼” TRS) inputs (16 total)

• L/R Main Mix and G1-2 Group Submix busses, with L/R, and G1-2 functions selectable on all channels and separately assignable to master mixes with separate master faders

• Two Aux Sends and two stereo Aux Returns with Aux Send and Aux Return controls

• Eight mono input channel Inserts allow independent connection of effects devices for each channel

• Tape In and Record Out RCA jacks with Tape Input Level control

• Separate Control Room and Headphone Outputs

• PFL, L/R, and G1-2 mixes separately assignable to Headphone and Control Room outputs for versatile monitoring capability

• Input Trim controls on all channel inputs

• Balanced XLR and unbalanced ¼” TRS Stereo outputs

• 3-band EQ on all channels• Pan pots on each mono

channel and Balance pots on each stereo channel

• Switchable +48V phantom power for all mono XLR Mic Inputs

• Tape In and Record Out RCA jacks with Tape inputs assignable to Master Mix or stereo Control Room/Headphone outputs

• 60 mm faders on all channels and master L/R and G1-2 bus mix for precise level control

• High-quality sealed pots with center detents for all Pan/Balance and EQ controls

• Peak LEDs on all input channels

• Super-accurate 10-stage LED display bar graph meters switchable to display L/R or G1/G2 mix levels

•

• External AC supply (PSU) for optimum signal integrity and superior transient response

• Dimensions and weight: 15” x 17.5” x 3.75” (381 x 495 x 95 mm), 14.85 lbs (6.75 kg)

SRM-14X 14-channel stereo mic/line mixer• Ultra low-noise mic preamps • Wide dynamic range with

superior headroom • Separate Master Mix, Control

Room and Headphone outputs • 3-band EQ on all channels • Mic and Line balanced inputs for

optimum audio integrity • Tape In and Record Out RCA

jacks with Tape inputs assignable to Master Mix or stereo Control Room/Headphone outputs

• Switchable global +48V phantom power on all mono inputs

• Input Trim control on each mono channel

• Pan pots on each mono channel and Balance pots on each stereo input

• Pre and post-fader Aux Sends for external effects and monitoring

• Two multifunction stereo Aux Returns with Aux Return controls

• Switchable Low-Cut filters (18 dB/octave @ 75 Hz) on mono channels

• PFL (Pre-Fader Listen) function on all channels

• 60mm faders on all channels and Master Mix for precise level control

• ¼” TRS and XLR Stereo Outputs • Peak LEDs on input channels • Dual 10-segment LED display bar

graph meters • High-quality sealed pots with

center detents •

• High-strength steel casing and superior construction with highest quality components for longest life and maximum reliability

• External AC supply for optimum signal integrity and superior transient response

• Six mono input channels with balanced XLR Mic and ¼” TRS line inputs

• Eight stereo input channels with balanced ¼” TRS jacks for balanced or unbalanced inputs

• Six ¼” TRS inserts allow independent connection of effects devices for each mono channel

•

• Dimensions and weight: 13.5” x 13.5” x 3” (343 x 343 x 76 mm) 9.3 lbs (4.2 kg)

S R M - 1 4 X

SPM-4250 4-channel stereo powered mixer

• Four mono input channels with balanced XLR Mic and ¼” unbalanced line inputs, switchable +48V phantom power

• Fan-cooled, bipolar amplifier

• Built-in echo effects DSP simulates plate, gate, room, hall, stadium reverbs

• Input controls, connections and indicators include Channel Gain controls, Peak LEDs; High, Mid, and Low EQs; Channel EFF Send, Pan, and main Volume controls

• 5-band master EQ; Aux Send and Return; Tape/CD In and Record Out stereo RCA jacks with Tape Level control

• Stereo headphone output with separate volume adjust

• Internal shielded AC supply with 115V(60Hz)/230V(50Hz) select switch

• Durable but lightweight polypropylene housing for easy portability and roadworthiness

S P M - 4 2 5 0

29

Crossovers / EqualizersPowered Mixers

PMX-1600

16-channel/2-bus — 2 x 225W RMS @ 4Ω (1% THD) both channels driven

• 16 mono channels with balanced XLR Mic and ¼” TRS line inputs


• Stereo L/R Main Mix and G1-2 Group Submix buses, with 4 master faders and Group to Main enable switch

• Built-in 32-bit DSP simulates plate, gate, room, hall, stadium reverbs

• 60mm faders on all Channels, Groups 1/2, Main L/R, and Effects; two 7-band master EQs; Channel Trim controls, Peak LEDs, and Switchable Low

Cut filters; channel high EQ, frequency sweepable mid EQ, and low EQ; Channel Aux 1 and Aux 2-EFF Send controls, Pan controls, and assignable L/R and G1-2 switches; switchable +48V phantom power; two Aux Sends and two Aux Returns; Tape/CD In and Record Out stereo RCA jacks with Tape Level control; 10-segment LED display bar graph meters with Power Amp Peak indicator

• Outputs include balanced ¼” TRS and XLR Main Stereo Outputs; balanced ¼“ Group 1 and 2

outputs; adjustable Control Room left and right ¼” outputs; and stereo headphone output with separate volume adjust and L/R or G1/G2 selector; L/R dual ¼” amplifier outputs for easy speaker daisy-chaining

• Internal shielded AC supply with 115V(60Hz)/ 230V(50Hz) select switch

PMX Series Console powered mixers

PMX-600

6-channel/2-bus — 2 x 225W RMS @ 4Ω (1% THD) both channels driven

• Six mono input channels with balanced XLR Mic and ¼” TRS line inputs


• L/R Main Mix and G1-2 Group Submix buses, with four master faders and Group to Main enable switch

• Built-in 32-bit DSP simulates plate, gate, room, hall, stadium reverbs

• 60mm faders on all Channels, Groups 1/2, Main L/R, and Effects; two 7-band master EQs; Channel Trim controls, Peak LEDs, and switchable

Low Cut filters; channel high EQ, frequency sweepable mid EQ, low EQ; Channel Aux 1 and Aux 2 Send controls, Pan controls, and assignable L/R and G1-2 switches; switchable +48V phantom power; two Aux Sends and two Aux Returns each with Level controls; Tape/CD In and Record Out stereo RCA jacks with Tape level control; six balanced ¼” TRS inserts; two 10-segment LED display bar graph meters with Power Amp Peak indicator

• Outputs include balanced ¼” TRS and XLR Main Stereo Outputs; balanced ¼” Group 1 and 2 outputs; adjustable Control Room left and right ¼” outputs; and stereo headphone output with separate volume adjust and L/R or G1/G2 selector; L/R dual ¼” amplifier outputs for easy speaker daisy-chaining

• Internal shielded AC supply with 115V(60Hz)/230V(50Hz) selector switch

P M X - 6 0 0

P M X - 1 6 0 0

MPMx Series Powered mixers

MPM 4130x

4-channel — XLR Mic and ¼” TRS Line inputs 160W @ 4Ω total into 2 parallel speaker output ¼” jacks

• Built-in Digital Delay produces choice of 4 great overall sound-enhancing delays ranging from small room to spacious

• Each channel offers Level and individual Digital Delay controls and a Low/High 2-band EQ

• Master section includes CD/Tape Level, Master Level, and Digital Delay Level/ Delay Time select controls; Digital Delay Select switch; and L/R Tape In and Tape Record Out RCA jacks

• Rear panel Main Out/Amp In ¼” TRS jack unbalanced insert

point provides a break between the Main Out and the built-in amplifier, allowing the output to be sent to an external signal processor or additional power amplifier

• Shielded internal power supply with ~115V(60Hz)/~230V(50Hz) select switch and fused IEC power cord connector

• Rugged, lightweight case with handles (MPM 4130x: 18.45 lbs/8.4 kg; MPMx 8175: 20.6 lbs/9.3 kg) for roadworthy reliability and easy portability

M P M 4 1 3 0 x

M P M 8 1 7 5 x

MPM 8175x

8-channel — XLR Mic and ¼” TRS Line inputs 175W @ 4Ω total into 2 parallel speaker output ¼” jacks

30

Portable Sound Systems

RPA Series Portable sound systems

• Compact (“take anywhere”), complete one-piece portable sound systems with built-in powered mixer and speaker

• Collapsible/locking handle and built-in rubber rollerblade wheels• DSP Reverb with Level and Depth controls• ¼” Effect Send, Return, and Line Out jacks; RCA Tape In/Rec Out • Master Volume; High, Mid and Low EQ controls• Rugged enclosure with vinyl cover, carrying handles,

and basemount for mounting on speaker stand

RPA-2

Two mono balanced (XLR and ¼” TRS) inputs 65W RMS @ 4Ω

• 10” woofer and compression dome tweeter

• Channel controls: Gain, Reverb, and Contour

RPA-4

Four mono balanced/unbalanced (XLR and ¼” TRS) inputs 100W RMS @ 4Ω

• 10” woofer, 5 ½” midrange speaker, and compression dome tweeter

• Channel controls: Gain, Reverb, High EQ, Low EQ

RPA-6

Six mono balanced (XLR and ¼” TRS) inputs 150W RMS @ 4Ω

• 12” woofer and piezo tweeter

• Channel controls: Gain, Reverb, High EQ, Low EQ

MPM Series PA Powered mixers/speakers

MPM 4130x/8175x PA 210

PA system includes:

• (1x) MPM 4130x or MPM 8175x powered mixer

• (2x) PAM-10F, 10” 2-way full-range wedge monitor or FOH speaker

• SC-20 twenty-foot cable

MPM 4130x/8175x PA 212

PA system includes:

• (1x) MPM 4130x or MPM 8175x powered mixer

• (2x) PS112, 12” 2-way full-range speaker

• SC-20 twenty-foot cable

R PA - 2 R PA - 4 R PA - 6

M P M 8 1 7 5 x / PA 2 1 2

M P M 8 1 7 5 x / PA 2 1 0

M P M 4 1 3 0 x / PA 2 1 0

M P M 4 1 3 0 x / PA 2 1 2

C H O O S I N G A P O RTA B L E PA

The many applications and advantages of easily portable public address systems are well known. They’re ideal for a variety of uses including classrooms, business meetings, auctions, and auditoriums. Nady offers a wide range of portable sound systems for indoor/outdoor use and for audiences small and large. In order to choose the right system that fits your budget and needs, consider your intended application carefully. Note that in addition to the sound systems described in this section, Nady also offers portable wireless PAs which include wireless mic systems for added versatility. See page 14 for the WA-120 RF wireless PA and page 15 for the IRW-2PA with infrared wireless mic.

Nady’s powered (active) speakers in the following section have integrated mixers for several channels of mic and music source inputs, and these can also be used as single-piece powered PAs.

31

Ensemble PA-4180 Portable stereo sound system

4-channel 180W RMS stereo powered mixer 90W RMS per side @ 4Ω

• Convenient portable PA package with carrying/pulling handle and wheels for easy transport

• Two-way speaker system with 8” woofer and piezo tweeter horn

• Basemounts for ease of mounting on speaker stands

• 20 ft. speaker cables included

• Four each XLR Mic and ¼” Line inputs, each with Input Gain, High, Mid, Low, Effects, Pan and Channel Level controls

• Master section with High, Mid, and Master Level controls; External Effect Loop Send and Return jacks; stereo Tape In/Rec Out controls with a Tape In level control; built-in Reverb/Delay with Time, Depth and Effect Volume controls

• 115V(60Hz)/230V(50Hz) voltage select switch for worldwide operation

• Storage compartment for mics, cables and accessories

Access PSS-150 Portable stereo sound system with mic

5-channel Stereo 150W RMS powered mixer

• Convenient portable PA package with luggage-style handle and wheels for easy transport

• AMA™ (Automatic Maximum Amplitude) limiter speaker protection

• Stereo two-way speaker system with 10” woofer and piezo tweeter horn, two speaker cables, and two folding speaker stands

• Three combo XLR / ¼” Mic /Line inputs and one XLR Mic input, all with 15V phantom power

• Two stereo source inputs for CD, VCR, DVD or other audio sources; all inputs with Bass, Treble, and Reverb controls

• Separate left and right master output 60mm linear Fader level controls; choice of eight Digital Reverb and eight Digital Delay effects; 5-band graphic equalizer with feedback locating indicators

• One Starpower™ dynamic microphone and 20 ft. XLR microphone cable

• Storage compartments for microphones, cables and accessories

• Variable-speed fan

• Stereo RCA auxiliary outputs

E n s e m b l e PA - 4 1 8 0

A c c e s s P S S - 1 5 0

MaxTowerTM Portable amplifer system MXTS-8 Powered Subwoofer for the MaxTower™

• 250W RMS class D amplifier provides high efficiency and cool operation

• Eight 3” line array high-excursion piston speakers

• 2 XLR-1/4” combo inputs with independent control and 10dB attenuator switch

• Selectable 48V phantom power for condenser microphones

• Constructed of durable, lightweight polymer composite material

• Balanced XLR output with independent level control connects to optional powered subwoofer (sold separately

• Separate EQ control on each channel

• DSP Reverb with Level controls for each channel

• Main level control with mute switch

• Tripod speaker stand and nylon carrying bag included for easy setup and transport

• Top mountable on MXTS-8 Sub with MTMP-8 mounting pole

M a x To w e r T M PA - 2 5 0M X T S - 8

• 60 Watt maximum output

• Single 8” woofer

• XLR and ¼” line inputs

• Constructed of durable, lightweight MDF wood

• Bracket for top mounting MaxTower™ with MTMP-8 mounting pole

The MXTS-8 Subwoofer is designed to work seamlessly with the MaxTower™ PA system to deliver optimal low-frequency impact. The 8” woofer produces deep, strong bass for keyboards, kick drum, bass guitar, and other instruments that play in lower ranges. It connects to the MaxTower™ with a single mic cable.

M a x To w e r T M w i t h M T M P - 8 m o u n t i n g p o l e

32

MIN MAX

MIN MAX

MIN MAX

MIC LEVEL

MIN MAX

LINE 1 LEVEL

LINE 2 LEVEL

MIC

LINE 1

LINE 2

LINE OUT

MASTER VOLUME

-12 +12

TREBLE

-12 +12

BASS

CLIP

POWER

4 - P O S I T I O N CA PA B I L I T Y AT 3 0 ° , 4 5 ° , 9 0 ° , O R U P R I G H T

J - 1 2 M

Speakers

PAM-10F Full-range, two-way PA or stage wedge monitor

10” woofer 3” x 7” horn with 1.75” piezo voice coil 8Ω impedance 120W peak program power rating (60W RMS)

• Great sound and projection

• Perfect for all small venue applications

• Compact, lightweight yet rugged cabinets with durable Tolex covering, reinforced plastic protected corners, and recessed carrying handles for roadworthy reliability and easy portability

• Weight: 16.5 lbs (7.5 kg)

• Dimensions: 10”D x 20”H x 15”L (25.4 x 50.8 x 38.1cm)

• Basemount inserts for speaker stand mounting

• 92dB sensitivity (1W/1M)

• ¼” jack inputs

J Series Full-range two-way speakers

J-12M

12” woofer 7.5” x 6” titanium horn 8Ω impedance 700W peak power rating 90dB sensitivity 92dB +/- 2dB maximum SPL

J-15M

15” woofer 7.5” X 6” titanium horn 8Ω impedance 700W peak power rating 94dB sensitivity 96dB +/- 2dB maximum SPL

• Premium multi-purpose speakers designed for the most demanding performance environments

• High-power handling capacity with tight, powerful woofers and titanium horn drivers for brilliant sound with a smooth overall response

• Multi-position cabs designed for variety of applications/requirements: 30° monitor angle for more distant stage monitoring, 45° monitor angle for performers closer to the speaker, 90° angle for horizontal placement on shelves, or upright as main FOH speakers

• Titanium 1” drivers with wide-angle dispersion horns for optimum clarity and presence

• Second-order internal crossover with tweeter surge protection circuit

• Ported design for perfect bass and treble punch

• Speakon™ and ¼” connections

• Roadworthy cabinet construction with ultra-durable polymer finish, handle slots, metal grill, rubber feet, and integrated speaker stand basemount

FWA Series Powered floor wedge speakers

FWA-12

12” woofer 4” x 10.5” high-compression piezo horn 125W RMS

FWA-15

15” woofer 5” x 15” high-compression piezo horn 160W RMS

• Three channel inputs: balanced XLR and ¼” Mic level; balanced XLR and ¼” Line level; balanced XLR and dual RCA Line level—each with Input Gain control

• Line level balanced XLR and unbalanced ¼” outputs

• Master Volume, Treble and Bass controls; On/Off rocker switch; Power and Clipping LEDs

• Durable black carpet cover, heavy-duty plastic protective corners and integrated recessed carrying handles for easy portability

• Frequency Response: 60Hz–18KHz

J - 1 5 M

33

P S 2 1 5

P F W 1 2 O R P F W 1 5

P S 1 1 5

P S W 1 5 O R P S W 1 8

P T S 5 1 5 O R P T S 1 0 1 5

P S W 1 5 2

ProPower™ Series PS112

Full-range, two-way speaker 12” woofer / 5” x 15” horn 8Ω impedance 300W peak; 150W RMS

PS115

Full-range, two-way speaker 15” woofer / 5” x 15” horn 8Ω impedance 500W peak; 250 RMS

PTS515

Full-range, two-way speaker Trapezoid speaker enclosure 12” woofer / 5” x 15” horn 400W peak; 200W RMS

PTS1015

Full-range, two-way speaker Trapezoid speaker enclosure 15” woofer / 5” x 15” horn 500W peak; 250W RMS

PFW12

Two-way floor wedge monitor 12” woofer / 4” x 10.5” horn 400W peak; 200W RMS

PFW15

Two-way floor wedge monitor 15” woofer / 5” x 15” horn 500W peak; 250W RMS

PSW15

15” subwoofer speaker 2” voice coil 8Ω impedance 600W peak; 300W RMS

PSW18

18” subwoofer speaker 2” voice coil 8Ω impedance 600W peak; 300W RMS

PS215

Full-range, two-way speaker Two 15” woofers 10” x 18” horn 8Ω impedance 800W peak; 400W RMS

PSW152

Dual 15” subwoofer 4Ω impedance 800W peak; 400W RMS

• Impedance - 8 ohms

• 2 parallel 1/4” inputs

• Durable Tolex cover

• Reinforced corners and edging

• Piezo tweeter on wide flare horn (PS110+,PS112+, PS115+ only)

• 1” compression driver with 6 ¾” X 13 ¾” horn flare (PS215+ only)

• Metal speaker pole mount on bottom, 1-3/8”

P S 1 1 2

P S 1 1 0 + O R P S 1 1 2 + O R P S 1 1 5 +

P S 2 1 5 +

PS110+

10” Woofer 3 1⁄4” X 7 1⁄4” horn flare 60W RMS (120W peak) Frequency response - 75Hz to 18kHz Sensitivity - 93dB

PS112+


PS115+


PS215+

Double 15” Woofers 1” compression driver with 6 3⁄4” X 13 3⁄4” horn flare 300W RMS (600W peak) Frequency response - 45Hz to 20kHz Sensitivity - 98dB

• Impedance - 8 ohms

• 2 parallel 1/4” inputs

• Durable Tolex cover

• Reinforced corners

• Piezo tweeter on wide flare horn (PS110+,PS112+, PS115+ only)

• 1” compression driver with 6 3/4” X 13 3/4” horn flare (PS215+ only)

• Metal speaker pole mount on bottom, 1 3/8”

ProPower Plus™ Series

34

Speakers

M-CAB Series™ Passive plastic molded speakers

MC-12

600W peak program power rating (300W RMS) 12” low-frequency woofer / 1.5” compression driver 2.5” (6.3 cm) voice coil 8Ω impedance

MC-15

600W peak program power rating (300W RMS) 15” low-frequency woofer / 1.5” compression driver 2.5” (6.3 cm) voice coil 8Ω impedance

• Durable yet lightweight, molded high-impact ABS/fiberglass composite enclosures (designed to deflect bumps and scrapes)

• Perfectly balanced for ease of portability and set-up; built-in handles for carrying

• Ultimate flexible design enables either FOH main speaker or stage monitor use

• Compact trapezoidal shape is perfect for hanging in clusters (with dual built-in threaded brass inserts for eye bolts), single mounting on a speaker tripod stand (with built-in 35mm base mount insert), or mounted on side on the detachable speaker brace mounts provided (for use as dual-angle floor wedge monitors)

• Low-impedance compensated crossovers with full driver protection

• Wide-angle, short throw, high-frequency dispersion horns with 1.5” diameter precision titanium compression driver

• High SPL output capability

• Two Speakon™ connectors

• Optional padded, zippered vinyl carrying bag available

THS-1515 Full-range two-way speakers

MC-8

Full-range, two-way speaker 150W peak power rating (75W RMS) 8” woofer / 1” horn driver 4Ω impedance

MC-10X

Full-range two-way speaker 300W peak power rating (200W RMS) 10” woofer / 1” horn driver 8Ω impedance

M C - 8 M C - 1 0 X M C - 1 2 / M C - 1 5

T H S - 1 5 1 5

• Durable, roadworthy cabinet construction with Tolex covering, reinforced corners, and large built-in recessed carrying handles

• Wide-angle, short-throw, high-frequency dispersion horns provide clean, accurate treble for optimum clarity

• Convenient Speakon™ and ¼” (6.3mm) connectors for professional hook-ups

• Durable but lightweight molded high-impact mineral loaded polypropylene enclosures (designed to deflect bumps and scrapes)

• Perfectly balanced for ease of portability and set-up

• Versatile design perfect for small room PA (as FOH and monitor speakers) and project recording applications (as studio monitors)

• Can be mounted upright

• Low-impedance compensated crossovers with full driver protection

• Wide-angle, short throw, high-frequency dispersion horns with 1.0” diameter precision compression driver

15” woofer 6” x 15” conical titanium horn 600W peak power rating (300W RMS) 8Ω impedance 103dB sensitivity Weight: 67 lbs (30 Kg)

35

P-CAB Series™ Active plastic molded speakers

P C S - 8 X / P C S - 1 0 X P C S - 1 2 X P C S - 1 5

PCS-8X

Full-range, two-way powered speaker 8” woofer 100W peak (50W RMS) Titanium compression horn

PCS-10X


• Durable but lightweight molded polypropylene enclosures (designed to deflect bumps and scrapes)

• Versatile design perfect for small room PA (as FOH and monitor speakers), and project recording applications (as studio monitors)

• Can be mounted upright on a speaker stand (1”diameter)

• Can be used as a floor monitor (laid on its side) with supplied bracemounts (PCS-10X only)

• Wide-angle, short throw, high-frequency dispersion horns with 1.0” diameter precision compression driver

• Treble, Bass, and Level controls (PSC-8X); Channel and Master Level controls; Treble and Bass EQs (PCS-10X only)

• XLR balanced and ¼” unbalanced inputs and outputs; RCA inputs

PCS-12X


PCS-15

Full-range, two-way powered speaker (bi-amped) 15” woofer 500W peak (250W RMS –200W RMS LF / 50W RMS HF) Titanium compression horn

• Durable yet lightweight molded high-impact, mineral-loaded polypropylene trapezoid speaker enclosures, designed to deflect bumps and scrapes and perfectly balanced for ease of portability and set-up; built-in handles for carrying

• Ultimate flexible design-flyable, stackable, pole mountable, or can be used as a floor monitor when laid on its side with supplied brace mounts

• Easy to use built-in 3 channel mixer with XLR and 1/4” balanced Mic/Line inputs; Gain, Treble, Mid, and Bass EQ’s; Channel and Master Level controls; and amp Clipping LED

• Full top-end speaker features, including low impedance electronically compensated crossover (1/36 octave, 1500Hz) with full driver protection (pre-circuit limiter; wide-angle, short throw, high-frequency dispersion horn (90°H x 60°V) with 1” diameter precision titanium compression driver, 20Hz - 20KHz frequency range, and high SPL output capability

• Optional padded zippered vinyl carrying case available

“The PCS-15s are perfect for medium-size venue gigs. I bought six of them for my small sound company and they’re ass kickers!Chris Costa, Denver, CO

}

36

P M - 2 0 0 A

Studio/Personal Stage Monitors

SM Series Studio monitor pairs

SM-120

Passive monitor 120W peak power rating

SM-250AX

Active monitor system with built-in 100W stereo bi-amped power for master and slave speakers (50W for L, 50W for R)

SM-300A

Active monitor Built-in 240W Peak (120W RMS) Bi-amped power: 140W peak / 70W RMS for LF 100W peak/50W RMS for HF

• Clear, transparent sound and full linear frequency response 35Hz—20KHz) for perfectly balanced mixes that translate accurately to any other system

• Vertically aligned 2-way nearfield monitor with 6.5” (SM-120/SM-250AX) or 8” (SM-300A) woofer and 1” ferro fluid-cooled soft dome shielded tweeter—both magnetically shielded for non-interfering operation near video monitors

• Bass-reflex loaded with 2” tuned cylindrical port for optimized linear bass response

• Heavy-duty cabinet construction, with 1.5” thick curved front baffle for reduced HF diffraction effects and excellent imaging

• XLR and 1/4” TRS balanced/unbalanced inputs (SM-300A), ¼” L/R input and output jacks (SM-250AX)

• Dimensions: 13.4” X 8.3” X 10.4” (SM-120/SM-250AX), 16” X 9.5” X 11.75” (SM-300A)

CSM-5 Compact two-way multi-purpose speakers

60W peak power rating/ 8Ω impedance

• Nearfield passive speaker is ideal for desktop recording, computer music, and many home stereo and multimedia applications

• Full-frequency sound reproduction and super compact size—ideal for use in crowded desktop environments

• ¼” ferrofluid-cooled soft-dome tweeter and 5 ¼” robust woofer deliver uncompromised audio accuracy and transparency; creates mixes that translate exceptionally well to other playback systems

• Gold-plated binding posts for easy hookup to banana plugs, spade connectors, or bare wires

• Mounting bracket included for optional wall-mounting convenience

• Frequency range: 89Hz-20KHz

• Sensitivity: 8dB +/-2dB (1W/1m)

• Dimensions: 10.2” x 6.7” x 6.3”

• Weight: 4.1 lbs

S M - 2 5 0 A X

S M - 1 2 0

S M - 3 0 0 A

PM Series Personal near-field stage monitors

Designed to reduce stage clutter and volume by putting the sound where you can most use it. Compact, rugged, and lightweight—the PM Series can be mounted on a mic stand (with optional mic stand mount adapter if needed), set on a keyboard, amp, or table for effective up-close monitoring, or used as a stage monitor with four different angled positions for optimum placement and versatility.

PM-100

200 W peak; 100W RMS

• Specially designed dual ferro-fluid 5” drivers offer superior gain before feedback and up to 125 dB maximum SPL

• Uniquely tuned response projects audio at the desired frequencies to cut through stage noise while ensuring high feedback immunity

• Volume/Impedance selector and two ¼” In/Out jacks for performer adjustability and easy daisy-chaining with up to 15 other PM-100 monitors

• Dimensions: 11.1” x 7” x 5.3”

• Weight: 5.1 lbs

PM-200A

150W RMS

• Can power internal speakers plus up to four PM-100 Personal Stage Monitors using the two External Speaker outputs

• Specially designed dual ferro-fluid 5” drivers offer superior gain and optimum intelligibility at key vocal/instrument frequencies with ultimate feedback rejection

• Maximum 125dB SPL cuts through even the loudest ambient noise clutter

• Balanced ¼” TRS and XLR input jacks (can be used simultaneously if desired)

• Volume control; 3-band EQ controls (High, Mid, Bass); front baffle Power On and Clipping LED indicators

• High-powered Headphone Output and convenient ¼” balanced Line Output for daisy-chaining with other PM-200As, or connecting to mixers and PAs

• Amplifier’s integrated low-noise/distortion Mosfet outputs offer thermal, short circuit, and anti-thump on/off protection

• Externally selectable 115VAC or 230VAC operation

• Dimensions: 11.1” x 7” x 9.6”

• Weight: 9.6 lbs

C S M - 5

P M - 1 0 0

LINE

MIC

INPUTS LINE OUT INT. SPEAKERSEXTERNAL SPEAKERS

VOLUME

HEADPHONES

0 10 0

HIGH MID BASS A

B

MIN. IMPEDANCE 8ΩON

ON

OFF

OFF

MIN. IMPEDANCE 8Ω

10

EQ

-10 10 -10 10

37

DJH-2000 Closed-ear DJ headphones

• Huge 54mm drivers to pump ultra-phat bass, rich mids, and crisp clear highs

• Greatest power handling capacity/efficiency for very loud volumes

• Perfect for the turntable, console, or personal rig

• Multi-position 90° rotating ear cups allow for single-sided or shoulder rest wear

• 3 ½” tangle-resistant coiled cable extends to 11 ft. for greatest mobility

• Lightweight body with wide adjustable padded headband and soft, tear-resistant ear cushions for unmatched comfort and fit

• Gold-plated stereo 3.5mm mini-plug with locking ¼” adapter

• Stereo/mono switch for single-sided listening

• Foldable joint design for easy packing

• 60Ω nominal impedance, 10~20,000Hz response

QHM-100 With boom microphone• High-quality closed-back design• Boom condenser mic, perfect

for stage, DJ, podcast or computer applications

• Comfortable, heavily padded adjustable headband and earcups

• 40mm drivers with a frequency range of 20 to 20,000Hz

• 32Ω impedance rating, high-volume capability with 105 dB/mw sensitivity rating

• Supplied with 10 ft. cord with one 3.5mm stereo headphone plug, one 3.5mm mono mic plug, and a stereo and mono ¼” (6.3mm) plug adapter for each

• In-line Volume control on cord for headphone audio and On/Off switch for mic

QH 200 Studio stereo• Closed-back headphones• High-quality, very affordable• Perfect for studio or home use• Comfortable, heavily padded,

adjustable headband and earcups

• 40mm drivers with a frequency range of 20 to 20,000Hz and 32Ω impedance rating

• High-volume capability with 105 dB/mw sensitivity rating

• In-line Volume control on cord• Supplied with 6 ft. cord with

3.5mm stereo plug and ¼” (6.3mm) plug adapter

QH 160 Lightweight• Cushioned for long-wear comfort• 34mm mylar driver with high-

output neodymium magnet and high 102dB @1KHz sensitivity

• Full 20-20KHz frequency response

QH 360 Studio stereo• Ambient open-ear design• Thin, responsive 40mm

diaphragm and neodymium magnet

• Smooth 20-20KHz response • Super 112dB @ 1KHz sensitivity• Self-adjusting headband for a

perfect fit

QH 560 Deluxe studio stereo• Advanced, ambient open-air design• High performance driver and

ultra-thin 40mm diaphragm• Full 20-20KHz response and

110dB SPL @1Khz sensitivity• Self-adjusting headband

QH 660 Deluxe studio stereo• Closed-ear design for maximum

isolation with punchy, booming bass and crystal clear highs

• Highest power handling capacity and high sensitivity for maximum volume capability

• 90° swivel earcups for ease of storage and single ear DJ monitoring use

Crossovers / EqualizersHeadphonesQHM/QH Series

Q H 6 6 0

Q H 2 0 0

Q H 3 6 0

D J H - 2 0 0 0

Q H 5 6 0Q H 1 6 0

“I mix 5-10 gigs a month and my DJH-2000 has been more than up to the job. The sound really cuts through.”Damon Desquino, Albuquerque, NM

}

}

Q H M - 1 0 0

HE-1 Hum eliminator

• Easily eliminates AC hum (60Hz/120Hz buzz) with up to 20dB of attenuation

• Breaks grounds loops safely while leaving all signal grounds intact

• Converts automatically back and forth between balanced and unbalanced lines at either end

• Dual Channel I/O with ¼” TRS jacks

• Completely passive design with quality components assures best possible noise/distortion-free performance

38

Miscellaneous Gear

Noise-Cancelling Headphones

PHP-3 DJ phono pre-amplifier

• Converts Phono signals to Line Level utilizing standard RIAA equalization—amplifies and EQs vinyl records to interface with mixers, main or monitor systems, audio workstations, and sound cards

• Works with all turntables using magnetic cartridges

• Plug-and-play operation with full patching facilities for easy connection of phono turntables to any sound equipment

• External power adapter for low-noise operation

• Rugged metal case for maximum reliability

QH RacketBlaster™ Series Noise-cancelling stereo headphones

State-of-the-art noise-cancelling circuit design eliminates virtually all background ambient noise for quiet listening enjoyment. Operate as standard passive headphones when noise-canceling circuitry is inactivated.

QH-30NC• Large 30mm drivers for rich, powerful audio

with full-frequency response and punchy bass

• Compact folding design and leatherette pouch for easy transport while traveling—perfect for private listening without distracting ambient noise in airplanes and other noisy environments

• Full-size padded leatherette ear cups and adjustable headband for ultimate long-lasting wearing comfort; fits all head sizes

• Uses single AAA battery (included)

• 3.5mm stereo mini-plug; two-prong airline jack adapter included

QH-50NC• Large 50mm drivers for rich, powerful audio

with full-frequency response and punchy bass

• Full-size padded leatherette ear cups and headband for ultimate long-lasting comfort

• Adjustable headband creates a comfortable fit for all head sizes

• Convenient battery compartment on cable

• Uses single AAA battery

Q H - 5 0 N C

P H P - 3

H E - 1

C T- 6

Q H - 3 0 N C

CT-6 6-way cable tester

• Enables quick, convenient continuity cable testing for all types of cables

• Tests cables with combinations of the following connectors: ¼” TRS, balanced XLR (M/F), Phono/RCA, banana plug, Speakon™, and 5-pin mini-DIN

• LEDs confirm each conductor continuity and connection

• 6-way switch for selecting connections to be tested

• Includes internal battery and ground connection status checks

• Rugged, compact, metal construction for ultimate roadworthiness, long life, and reliability

Vocal Dynamic Mics .......................... 40Starpower™ Series, American Performer, PCM-200

Vocal/Instrument Condenser Mics .. 41SPC Series, PCM-100

Studio Condenser Mics ..................... 42SCM Series, SMK-2, CM Series, TCM Series

Ribbon Mics ....................................... 44RSM Series, TRM-6

USB Mics ............................................ 45USB-24M, USB-1C/1CMS/2S/5H

Drum/Instrument/Specialty Mics .... 46DM Series, CM Series, Drum Mic Kits, SGM-12, OHCM-200, VHM-7, MSC3

Headworn Mics .................................. 48HeadMic™ Series

Studio/Wired M

icrophones“ I’ve been using Nady mics and gear in my studio for years and couldn’t be happier with their features and performance. ”Patrick Simms, Producer and Owner of Patrick Simms Recording StudioHolly Penfield, Robin Yukiko, Alex Walsh, Sharman Duran

Studio/Wired Microphones

Nady’s popular line of professional

studio/hardwired microphones offers

unbeatable performance and value.

With models in every price range, the

extensive Nady line includes feature-

packed dynamic, condenser and ribbon

mics. No matter what your application—

public speaking, stage performance, or

studio recording—Nady’s got the perfect

mic for you, at an affordable price.

Vocal Dynamic Mics

40

Starpower™ Series Professional performance mics

SP-1

•Excellent clear, transparent sound across the spectrum with smooth bass, mid-presence punch and crisp highs

•Unidirectional cardioid pattern with superior feedback rejection

•Powerful neodymium element cuts through with accurate, distortion-free sound in even the highest sound pressure level situations

•Rugged metal construction and internal shock mounting for maximum reliability and ultra-low handling noise

•Mic clip included

SP-5

•Balanced, natural sound with bottom-end warmth, mid-range presence and a smooth high end

•Advanced neodymium element delivers high output to break through even the loudest mix with uncompromised sound quality

•Tight unidirectional cardioid polar pattern minimizes feedback in high sound pressure level situations

•Transformerless design provides superior low-end frequency response with minimal distortion

•Ultra lightweight aluminum humbucking voice coil provides maximum hum rejection and exceptional clarity across the spectrum

•Specially designed rubber shockmount for cartridge reduces handling noise for quietest performance

•Heavy-duty steel mesh ballscreen and rugged zinc chassis for optimum roadworthy reliability

•Gold-plated XLR connector resists tarnish and ensures best possible connection

•Advanced high-output cartridge provides maximum clarity and definition, even in noisy environments

•Unidirectional cardioid pattern reduces feedback

•Specially designed internal cartridge mount for lowest handling noise and quiet performance

•Withstands highest sound pressure levels without overload or distortion

•Rugged, all-metal construction

•On/Off switch on handle

• Includes microphone cable

American Performer™ Performance/speaking mic

•Linear full-range response with crisp mid-range presence for optimal clarity and punch

•Powerful neodymium mic element for highest output without noise—cuts through even the loudest sound pressure level situations without compromising sound

•Ultra-light aluminum humbucking voice coil and transformerless design provide noise-free, accurate reproduction across the audio spectrum without distortion

•Tight cardioid polar pattern provides excellent off-axis rejection for superior gain before feedback

•Advanced multi-axis rubber shockmount for element minimizes handling noise

•Rugged, all-metal construction for maximum reliability—features zinc die-cast case and steel mesh windscreen with anti-dent ring

•External On/Off switch for easy audio control from stage

SP-4C Mic with 20 ft. cable (XLR / ¼”) SP-R3 3-pack, mic clips included

Vocal / Instrument Condenser MicsSPC Series Professional performance mics

SPC-15 •Pressure gradient back electret condenser, transformerless FET circuitry

for transparent audio reproduction and superior transient response

•Wide frequency response (50~18,000Hz) with specially tailored mid-high presence for enhanced vocal and instrument punch and exceptional crisp, clear sound

•Supercardioid polar pattern for maximum feedback rejection, superior sensitivity, wide dynamic range, high (136dB) SPL capacity and ultra-low distortion

•Advanced internal shockmount design to eliminate handling noise

•Compact all-brass housing is lightweight, roadworthy and durable for long life and reliability

•Gold-plated XLR connector

•Requires 9~52V phantom power

SP-33

•Lively full-range response with punchy bass, articulate mids, and detailed crisp highs

•Powerful neodymium mic element for highest output without noise — cuts through even the loudest sound pressure level situations without compromising sound

•Aluminum alloy voice coil for clear, warm sound

•Tapered shape and rubberized easy-to-grip coating for optimum handheld comfort

•Ultra rugged, reliable and superior low handling noise

•Mic clip included

SP-9

• Ideal all-purpose vocal and instrument mic

•Linear response for detailed, natural sound

•Unique one-piece molded cartridge design ensures superior immunity to abuse and shock

•Cardioid, alnico magnet dynamic

•Excellent feedback immunity and low handling noise

•Rugged, reliable—the perfect stage mic

SPC-20 •Unique dual-layer ballscreen “pop” filter for elimination of breath noises

•Pressure gradient back electret condenser and transformerless FET circuitry for ultra transparency and enhanced transient response

•Wide frequency response (50~16,000Hz) with specially tailored mid-high presence for vocal punch and exceptional crisp, clear sound

•Ultra-high (140dB) SPL capacity and wide 115dB dynamic range for maximum freedom from distortion

•Supercardioid polar pattern for maximum feedback rejection

•4.5mV/Pa sensitivity, and 200Ω rated impedance with 1000Ω minimum load impedance

•Superior internal shockmounting to eliminate handling noise

•Requires 48VDC phantom power

SPC-25 •Unique dual-layer ballscreen “pop” filter for elimination of breath noises

•Pressure gradient back electret condenser and transformerless FET circuitry for ultra transparency and enhanced transient response

•Lockable noise-free audio On/Off switch•Supercardioid polar pattern for

maximum feedback rejection•Rugged die-cast body, hardened steel mesh•Superior internal shockmounting to

eliminate handling noise•Operates on a single internal AA battery

with no phantom power required

PCM Series Professional classic style mics

PCM-200 Dynamic Microphone•High-output dynamic cartridge

for big, powerful sound

•Cardioid pickup pattern to reduce feedback during live applications

•Transparent tailored audio with presence peak for distinct live-sounding vocals

•Pop-free locking on-off switch

PCM-100 Condenser Microphone•Specially designed high-quality back electret

condenser mic for clearest audio reproduction •Cardioid polar pattern •Smooth tailored frequency response •Vivid vocal reproduction with characteristic

presence peak •Switchable Low-Cut filter•Phantom power LED

41

“If you need a mic on a budget, for live or studio, road show or club, this is it!”James Rubin, Reno, NV

}

}

42

Studio Condenser Mics

CM Series Small diaphragm condensers

SCM Series Large diaphragm condensers

CM 90•High sensitivity, extended

smooth full frequency response and very high SPL capability

•Cardioid pattern 20mm electret condenser

•Transformerless design for minimal self-noise and increased dynamic range

•Rugged, turned-brass housing and internal sub-assembly shockmount for maximum reliability

•Requires 48V phantom power

CM 95•Low-cut off and -10dB

attenuation switches for utmost versatility in all applications

•Cardioid pattern 20mm electret condenser

•High sensitivity, extended smooth, full frequency response and very high SPL capability

•Transformerless design for minimal self-noise and increased dynamic range

•Rugged, turned-brass housing and internal sub-assembly shockmount for maximum reliability


• Includes mic stand clip and vinyl storage bag

CM 100•Precise reference

measurement mic

•True, symmetric omni-directional pattern, high sensitivity, minimal self-noise, increased dynamic range, high SPL capability, and extremely smooth, linear 15Hz to 20KHz frequency response provide transparent recordings

•Perfect for use with real-time analyzers for precise, accurate room acoustics alignments or detailed recording of acoustic guitars and vocals

•Rugged construction, gold-plated XLR, and internal assembly shockmount for maximum reliability

• Includes foam windscreen for outdoor applications and mic stand clip (including 5/8” to 3/8” adapter)

CM-2S•Perfect stereo mic for recording,

ENG field use, FM stereo radio, and many other applications

•Features two closely matched cardioid condenser elements; superb channel separation; smooth, linear 30Hz-20kHz frequency response with a switchable low-frequency roll-off; high SPL capability; extended dynamic range with ultra-low self-noise; crisp, clear transparent audio; and internal battery operation

•Compact, lightweight design for easy camera mounting (camera shoemount optional)

• Includes mic clip, connector cables and adapters, windscreen, AA battery, and soft protective pouch

SCM 800

• Ideal for all recording and broadcasting applications

•Features large-diaphragm true condenser design, transformerless low-noise/ high-dynamic range output, high SPL capacity, cardioid polar pattern pickup, FET preamps, and rugged internal shock mounts

•Compact and durable, with precision-turned brass housing

SCM 900

•Large, pressure-gradient condenser, gold-sputtered diaphragm and FET preamplifier

• Internal shockmount construction for highest structural integrity and rugged reliability

•Cardioid pattern


SCM 960


• Internal shockmount construction for highest structural integrity and rugged reliability

•Selectable attenuation pad and omni or cardioid polar pickup pattern


SCM 1000


• Internal shockmount construction for the highest structural integrity and rugged reliability

•Selectable 10dB attenuation pad and low-cut filter

•Multiple selectable polar patterns: Omni/Cardioid/Figure 8

•Requires 48V phantom

S C M 8 0 0 S C M 9 0 0 S C M 9 6 0 S C M 1 0 0 0

S M K - 2

C M 9 0 C M 1 0 0 C M - 2 S

SMK-2 Studio mic kit in carrying case

(1x) CM 90 / (1x) SCM 900

C M 9 5

TCM Series Vacuum tube condenser mics

TCM 1050 Versatile multi-pattern mic with unsurpassed tone•Hand-tooled brass capsule with

a 3-micron multi-pattern gold-sputtered mylar dual diaphragm (1-inch) for maximum sensitivity, long life, and subtle sonic detail

•Tube preamplifier circuitry with 6072 vacuum tube—a classic 12AT7 specially selected for low distortion, superior signal-to-noise ratio and minimum sensitivity to mechanical vibrations

•Special output transformer for ultra transparency and natural warm reproduction of sound

•Almost all brass parts for years of studio workhorse reliability

•Power provided by a dedicated AC power supply with balanced XLR output for connection to any mixing console; no phantom power required

•Nine different polar patterns remotely selectable on power supply for ultimate versatility in use and ease of operation: omnidirectional, cardioid, figure eight, and six intermediate stages

TCM 1100 Cardioid pattern mic for best sound at any price

•Suitable for the most critical (vocal or instrumental) live sound, studio recording and broadcasting applications

•Hand-tooled brass capsule with a 3-micron gold-sputtered mylar diaphragm (1.1-inch) for maximum sensitivity, long life, subtle sonic detail, and excellent tone

•Unique, specially designed gold-plated center element creates a gentle extension of the top octaves and enhanced transient response

•6072 (classic 12AT7) vacuum tube and special output transformer deliver superior pristine sound with ultra transparency


•Supplied with sturdy portable plastic carrying case and 16’/ 7-pin XLR cable and TMPS-1 power supply (with switchable 115/230V operation and balanced output)

TCM 1150 Multi-pattern mic for the most demanding applications• Ideal for all types of vocal and

instrument pickup

•Gold-sputtered, ultra-thin (1” diameter) mylar dual diaphragm

•Tube preamplifier circuitry with 6072 vacuum tube—a classic 12AT7 specially selected for low distortion, superior signal-to-noise ratio and minimum sensitivity to mechanical vibrations

•Special output transformer designed for ultra transparency and natural warm reproduction of sound


•Power provided by a dedicated AC power supply with balanced XLR output for connection to any mixing console; no phantom power required

•Nine different polar patterns remotely selectable on power supply for ultimate versatility in use and ease of operation: omnidirectional, cardioid, figure eight, and six intermediate stages

T C M 1 0 5 0

T C M 1 1 0 0

T C M 1 1 5 0

43

M I C R O P H O N E T Y P E S

The three most popular types of microphones are dynamic, condenser, and ribbon. Any of these may be suitable for your needs, but there are some typical differences among the three.

DYNAMIC mics are rugged and popular for most onstage and recording applications. They don’t require a separate power supply as do condenser mics. Mostly available with boosted mid-range emphasis for vocal and instrument use, these versatile mics also offer solid low-end response and balanced mids for drum miking and other applications. Although frequency response is more limited than with condensers, and the sound is not quite as accurate, the ability of dynamic mics to withstand high sound pressure levels make them ideal for miking loud sound sources such as guitar amps and screaming vocals.

CONDENSER mics are sensitive to loud sounds and are perfect for miking any sound source where subtle sound nuances are desired (e.g., acoustic guitars or cymbals). Less rugged than dynamics, condensers are more often used for studio applications, although they are also commonly used as live sound vocal mics. Condensers provide the truest sound reproduction of all mics, especially in the high end of the audio spectrum. Tube condensers feature integrated tube preamps which combine the warmth of a tube preamp with the clear sound of the condenser element.

RIBBON mics offer the warmest sound available. Their classic sound provides tone options that other mics cannot provide and they’re perfect whenever you want a round, mellow sound. Versatile and resistant to high sound levels, ribbons can also be used to record loud sources such as guitar amps. Ribbon mics are available with built-in tube or FET preamps for ultimate versatility in tone selection and ease of use.

44

Ribbon Mics

RSM Series Vintage ribbon mic sound and performance

Manufactured with the finest materials and machined housing, these mics feature advanced internal shockmount construction for the highest structural integrity and rugged reliability.

RSM-2•Uncompromised sound of a

classic ribbon (velocity) mic

•Low-tension 50-mm long, 2-micron thick aluminum ribbon design for characteristic “large, mellow” ribbon audio reproduction with smooth, natural extended low and high ends

•Unmatched fast, accurate transient response, ultra-high 165 dB SPL capability, and overall stunning realism

•Figure-eight audio directional (pickup) pattern for front and rear sides, extended sweet spots (as compared to large diaphragm condenser mics), slightly different frequency responses from front and rear, and increased off-axis high-frequency response on sides; decreased treble and lower audio levels above and below on-axis

•Discrete volume control of separate sources possible with stereo mic setups (source in principal axis of mic and in off-axis null of the other)

RSM-4•Uncompromised sound of a

classic ribbon (velocity) mic

• Ideal for close miking of guitar amps and cabinets and many other vocal/instrument recording and live sound applications

•Low-tension, 45-mm long, 6-micron thick aluminum ribbon design for characteristic large, mellow ribbon audio reproduction with smooth, natural extended low and high ends


•Figure-eight audio directional (pickup) pattern for front and rear sides, extended sweet spots (as compared to large diaphragm condenser mics), slightly different frequency responses from front and rear, and increased off-axis high-frequency response on sides; decreased treble and lower audio levels above and below on-axis

•Discrete volume control of separate sources possible with stereo (dual) mic setups (source in principal axis of one mic and in off-axis null of the other)

•Supplied with a mic clip and leatherette pouch

RSM-5•Rich, warm musical sound

•Perfect for close miking of guitar amps and cabinets, brass instruments, strings, piano, percussion, vocals and orchestral ambiance

•Low-tension, 45mm long, 2-micron thick aluminum ribbon design with typical “large, mellow” ribbon audio reproduction

•Smooth, natural extended low and high ends; detailed, realistic mids

•Unparalleled overall stunning realism with fast, accurate transient response, ultra-high dynamic range and >135 dB SPL capability

•Utmost versatility in dialing in desired sound by varying mic placement

•Figure-eight audio directional (pickup) pattern for both front and rear side, with extended sweet spots (as compared to large diaphragm condenser mics)

•Can be used with a second RSM-5 for individual recording volume control of two separate sources by placing each source in the principal axis of one mic and the off-axis null of the other

•Supplied with a mic clip and leatherette pouch

RSM-8A FET preamp ribbon mic•All the warmth and natural,

uncompromised sound expected of a classic Nady ribbon microphone with the added gain and selectable features offered by proven ultra low-noise FET active circuitry and transformer output

•Perfect for recording vocals, acoustic/electric guitars, drums, percussion, strings, brass— any application in which true natural audio reproduction is desired

•Low-tension, 50mm long, 2-micron thick aluminum ribbon (velocity) design for characteristic “large, mellow” ribbon audio reproduction with smooth, natural extended low and high ends

•40dB more gain than most non-active ribbon microphones; easy to use with any mic mixer or preamp

• -10dB pad and Low Cut filter selector switches for often-needed attenuation and elimination of stage rumble


•Figure-eight audio directional (pickup) pattern for front and rear sides, extended sweet spots (as compared to large diaphragm condenser mics), and increased off-axis high-frequency response on sides, decreased treble and lower audio levels above and below on-axis

•Swivel U-bracket allows ease in positioning for any application/audio source.

•48V phantom power required

R S M - 2 R S M - 4 R S M - 5 R S M - 8 A

•Low-tension, 45mm long, 2-micron thick aluminum ribbon design with typical “large, mellow” ribbon audio reproduction

•Smooth, natural extended low and high ends and detailed, realistic mids

•Unique integrated 12AX7A preamp tube provides unmatched tube audio at levels higher than that of ordinary ribbon mics; allows convenience of use with all mixer inputs without requiring external pre-amplification

•Versatile design, perfect for numerous applications including vocal and instrument recording and live sound

•Superior overall stunning realism with fast, accurate transient response, ultra-high dynamic range and >135 dB SPL capability

•Extraordinary versatility in dialing in the desired sound by varying mic placement. Figure-eight audio directional (pickup) pattern for both front and rear side, with extended sweet spots (compared to large diaphragm condenser mics)

•Can be used with a second TRM-6 for individual recording volume control of two separate sources by placing each source in the principal axis of one mic and the off-axis null of the other

•Manufactured with the finest materials— machined housing with advanced internal shockmount construction for the highest structural integrity and rugged reliability

TRM-6 Vacuum tube ribbon mic

T R M - 6

USB-24M USB dynamic mic

•Perfect for recording vocal tracks or voice-overs on your computer or for online communication

•Excellent clear, crisp sound with smooth response

•Dynamic neodymium element provides ultimate sensitivity with cardioid pick-up

•Connects directly to any computer with a USB 2.0 (or higher) input port for easy plug-and-play operation with most DAW software

•AD converter with 24-bit, 96KHz sampling rate

•Convenient On/Off switch and USB connection LED indicator

•Easy to use with computer recording software

•Heavy gauge mesh grill and durable construction

USB Mics

USB-1CMS

The USB-1C is also available with added optional Sony ACID Music Studio 7 software

•Record/edit/mix multiple tracks of audio and MIDI

•Create unique interactive tutorials

•Share songs on CD/MP3 and other formats

U S B - 1 C o r U S B - 1 C M SU S B - 2 C U S B - 5 H

USB SERIES USB large diaphragm condenser mic

•Perfect for high-quality recordings of vocals, acoustic instruments, and ambient instrumentation as well as pod-casting and online communication

•Connects directly to any computer with a USB 2.0 (or higher) input port for easy plug-and-play operation

•Large pressure-gradient condenser gold-sputtered diaphragm and FET pre-amplifiers for warm, natural reproduction of the most subtle or powerful audio sources

•Full frequency response with rich warmth and crisp, transparent audio

•Minimal self-noise, increased dynamic range, and maximum SPL capacity

•Rugged, compact construction with protective mesh grill and internal shock absorption

•Basemount mic holder fits any standard mic stand

•10 ft. USB cable included• See USB mic interfaces on

page 55 Accessories Section

USB-2C

•Two capsules in an X/Y pattern

USB-5H

•1/8” (3.5mm) direct headphone output with level control for latency-free monitoring while recording

U S B - 2 4 M

45

USB-1C USB condenser microphone USB-2S Stereo condenser microphone with USB Audio Interface USB-5H Condenser microphone with USB Audio Interface and Real-time headphone monitoring

46

Drum / Instrument / Specialty Mics

D M - 7 0 D M - 8 0

C M 6 0

C B M 4 0 X C M 8 8

D M - 9 0

CM Series Condenser microphones

CM 60 Clip-on miniature condenser microphone•Mounts to drum rims, the edge

of acoustic guitar sound holes or the bell of wind instruments for accurate sound reproduction and isolation from other instruments

•Tight cardioid polar response is highly effective in suppressing feedback and unwanted sounds

•Rubber boom shockmount’s ingenious design minimizes vibration and audio transference from resonant instruments or materials

•Sturdy rubber-grip spring clamp holds mic securely and prevents marring of finish

•Built-in windscreen and external windscreen included for maximum feedback and “pop” rejection

•Adjustable gooseneck and swivel joint allows optimum microphone positioning

•For use with bodypack transmitters or with standard mixers that provide 9-52V phantom power

CM 88 Back electret condenser microphone•For drum overheads and

percussion

•Extremely uniform and tight cardioid polar pattern for ease in mixing

•Extended frequency response for smooth, crisp, ultra-transparent reproduction

•Aluminum housing and gold-plated XLR contacts

•9-52V phantom powered

CBM 40X Condenser boundary microphone• Ideal for a variety of sound

reinforcement/recording applications: Choirs, orchestras, theatrical performances, courtrooms/conference rooms, and inside bass/kick drums

•Unidirectional pickup pattern and full frequency response of 50Hz~18KHz produce unparalleled audio at any distance from source with excellent feedback rejection

•Rugged die-cast alloy housing on rubber padding minimizes mechanical coupling of surface vibrations to the microphone

•9-52V phantom powered

DM Series Drum/percussion/instrument dynamic mics

DM-70 For use with snares, toms, percussion, brass and woodwinds DM-80 For use with kick drums and other large diameter drums

•Cardioid pattern allows close miking without bleed-through from other drum kit pieces

•Neodymium element delivers maximum output

•Up to 140 dB SPL handling capacity for distortion-free reproduction of even the loudest drums and other instruments

•Transformerless moving-coil dynamic design for enhanced bass and fast transient response

•All-metal construction for maximum reliability

•Special rubber shockmount mic holder minimizes floor vibration pick-up

• Incredibly small, low-profile design for minimum visibility and versatile close-miking placement around the drum kit

•Gold-plated XLR for maximum conductivity

•Full frequency response for sonic punch with exceptional clarity

DM-90 For use with kick drums and other bass instruments and amps

•Large-size housing with special acoustic design for the most accurate reproduction of extended low frequencies

•Ultra-high SPL capability—ideal for close-miking of live sound or recording all types of drums and percussion instruments

•Accurate sonic reproduction of brass, woodwind and other instruments producing high sound fields

•Large diaphragm dynamic element with excellent attack and punch for truest sound

•Supercardioid pattern for ultimate feedback rejection

•Rugged die-cast body with internal shockmount and hardened steel grille

47

V H M - 7

OHCM-200 Overhead hanging condenser microphone

•Extended smooth, flat frequency response

•Ultra sensitivity and high SPL capacity for clearest audio performance in any application, from miking choral groups to stage performances

•Low-mass back electret condenser element for most accurate/detailed audio

•Cardioid pattern for frontal audio pickup without feedback and unwanted side and rear fill

•Permanently attached 20 ft. (6.1m) cable with convenient integrated power module/XLR (M) connector

•Rugged construction for optimum reliability

• Integrated hanging wire for ease of mounting

•Conveniently powered by external 9~52 phantom power, no batteries required

SGM-12 Versatile shotgun condenser microphone

• Ideal for a variety of sound reinforcement/recording applications: choirs, orchestras, theatrical performances, courtrooms/conference rooms, and inside bass/kick drums

•Uni-directional pickup pattern and full frequency response of 50Hz~18KHz produce top audio at any distance from the source with excellent feedback rejection

•Rugged die-cast alloy housing on rubber padding minimizes mechanical coupling of surface vibrations to the microphone

•Single AA alkaline or NiMH battery operation (not included)

VHM-7 Harmonica / Vocal microphone

•Designed for harmonica but also serves as a great vocal mic

•Cardioid pattern dynamic cartridge, expressly tailored for producing thick, fat tone while holding cupped—with enough “dirty” tone to satisfy even the most discriminating blues harp players

•Open air, uncupped use produces extremely smooth, clean vocal audio

•Allows singing harp players the convenience of singing and playing through the same mic with great sound throughout

•Can be used with its own amp or plugged into the PA

•Unique, chromed aerospace casing with stylish retro look and distinctive proprietary fluted design for versatility in shaping wah-wah sounds and altering tone while virtually eliminating feedback

•Bullet-proof tough and ultra-comfortable in the hand

•Engraved model number and supplied special chromed mic clip complements its cool look

Drum Mic Kits In plastic carrying case

MSC3 Professional quality microphone kit

• Includes a high-performance microphone, sturdy metal adjustable tripod mic stand with mic clip, and a 20 ft. cable (XLR to ¼” connectors)

•Everything you need to take center stage—just plug in to your audio mixer or amplifier

•Dynamic microphone provides superior professional performance with rich, powerful, full-frequency audio; super-cardioid response for optimum feedback rejection; low handling noise; and rugged all metal construction

CYM-2(2x) CM 88s

DMK-7(4x) DM 70s(1x) DM 80(2x) CM 88s

DMK-2(2x) CM 60s

DMK-7C(4x) DM 70s(1x) DM 80(2x) CM 90s

DMK-3(2x) DM 70s(1x) DM 80

DMK-9095(4x) DM 70s(1x) DM 90(2x) CM 95s

DMK-5(4x) DM 70s(1x) DM 80

O H C M - 2 0 0

C e n t e r S t a g e M S C 3

S G M - 1 2

H M - 2 0 U

48

Headworn Mics

HeadMic™ Series Omni- or uni-directional headworn mics

HM-1 Uni-directional dynamic mic•Unidirectional dynamic element

for top audio response—perfect for even the most exacting singing/performance applications

•Adjustable gooseneck can be set at any angle required

•Headworn support system is extremely light and comfortable, designed to be visually unobtrusive

•Ear and temple rests provide maximum stability during use—even while moving, dancing, or shaking the head

•Durable cable assembly and internal construction are designed to maximize handling noise from contact and movement

•Available with XLR, Mini-XLR or 3.5mm phone plug for wired and wireless applications (fits most standard wireless bodypack transmitters)

•Available in black only

HM-3 Omni-directional condenser mic•Omni-directional condenser

element provides exceptional audio with excellent transparency and gain before feedback

•Lightweight—designed for long, comfortable wear

•Available with Mini-XLR or 3.5mm phone plug for wireless applications (fits most standard wireless bodypack transmitters)

•Requires low voltage phantom power as supplied by most wireless bodypack transmitters

•Available in black only

HM-5U Uni-directional condenser mic•Uni-directional condenser

element for superior, warm audio response and maximum feedback rejection—perfect for singer-musicians (drummers, keyboardists), vocal/dance performers, DJs, public speakers, and aerobics instructors

•Lightweight, comfortable, visually unobtrusive design

•Provides maximum stability during use, even when moving or dancing

•Firm, adjustable gooseneck boom that can be easily repositioned to any angle during performance

•Available with mini-XLR, 3.5mm phono plug (fits most standard wireless bodypack transmitters), or with standard XLR adapter for all wired and wireless applications

HM-10 Omni-directional condenser mic•Wide bandwidth omni-directional

electret condenser mic ensures clean, transparent audio and enhanced vocal pickup with improved gain before feedback

•Ergonomic design and comfortable fit with or without glasses, hat, or headphones. No hairstyle hindrance

•Durable thin-metal frame can be easily molded to any user

•Available with mini-XLR or 3.5mm phone plug for wireless applications (fits most standard wireless bodypack transmitters)

•Requires low-voltage phantom power as supplied by most wireless bodypack transmitters. 9~52V adapter supplied for wired applications

•Available in black or beige

HM-20U Uni-directional condenser mic•Full-frequency, uni-directional

electret condenser mic

•Warm, transparent audio and maximum feedback rejection

•Ergonomic design and comfortable fit with or without glasses, hat, or headphones. No hairstyle hindrance

•Durable thin-metal frame can be easily molded to any user

•Tiny and lightweight 5 x 8mm capsule for hours of comfortable use

•Two sizes of foam windscreen included to reduce wind/popping noise

•Extendable, fully adjustable boom for optimum mic capsule placement

•Available with mini-XLR, 3.5mm phono plug (fits most standard wireless bodypack transmitters) or standard XLR adapter for all wired and wireless applications

•Choice of black or beige

HM-35 Omni-directional condenser mic

HM-45U Uni-directional condenser mic•Wide bandwidth electret

condenser mics ensure clean transparent audio and enhanced vocal pickup with improved gain before feedback

•Ergonomic single-ear design and comfortable fit with or without glasses, hats, or headphones (no hairstyle hindrance)

•Light weight for hours of comfortable use

•Three sizes of foam windscreen included to reducewind and popping noise

•Extendable boom fully adjustable for optimal mic capsule placement

•For wired (with optional XM-10 XLR phantom power adapter) and wireless applications— fits most standard wireless bodypack transmitters

•Low voltage phantom power required (1.5-6VDC)

•Choice of black or beige

H M - 3

H M - 5 U

H M - 1 0

H M - 3 5 / 4 5 U

H M - 1

“As a singing drummer, I really love the sound of my HM-20U. It’s comfortable all night, and I especially appreciate how it has stood up to constant use.”Bill Tanaka, New York, NY

}

“ The massive, unadulterated sound and clarity of these amps is unbelievable. This s**t rocks!”Dan Fastuca, Jet Black

Amplifiers/Cabinets .......................... 50GTH-100, GAC-412, FS Series, AxeHeadTM, GTA-1260, WGA-15

Wireless Guitar .................................. 51Lightning Guitar

Pedal Effects/Switch Boxes ............. 52TD-1, TTV-2, SW-21, FL-10, TR-20, TS-30, TA-40, DS-50

Guitar Products

Guitar / Bass Products

Nady Systems has been manufacturing professional wireless and audio equipment for over 35 years, providing musicians at every level with the gear they need to sound their best. This vast experience, along with valuable feedback from some of the most highly respected guitar players around, has helped create Nady’s new line of guitar products. As with all Nady gear, the guitar line was designed to meet exacting, high performance standards, and each model is feature-packed and affordable.

Amplifiers / Cabinets

50

GTH-100 Tube guitar amp head with reverb

• 100W RMS output

• All-tube design featuring four EL-34 power tubes and three 12AX7A preamp tubes

• High and Low inputs, Line output, and full complement of controls for total volume, tone shaping and tonal definition, including a 3-way Overdrive Gain switch, Lead Boost control (up to +12dB), Volume, Master, Treble, Mid, Bass and Presence controls

• High and Low power settings: HI-100W RMS, LO-30W RMS

• Spring reverb with adjustable control and lead gain boost both switchable with optional FS-2 footswitch

• Line level reverb output jack (reverb signal only)

• Durable vinyl cover, steel corners, and rugged construction for years of roadworthy reliability

GAC-412 Speaker cabinet for use with GTH-100

• Full-size angled front cabinet

• Prominent bass, warm mids, and a high end that cranks

• 400W peak power handling (200W RMS); 8 ohms

• Choice of 4x12” Nady PowerDrive™ speakers (GAC-412) or 4x12” Celestion speakers (GAC-412C)

• Impedance: 8Ω

• Rugged, roadworthy construction with sturdy front grille, steel corners, recessed steel carrying handles and heavy-duty casters

• Durable textured black Tolex covering

• Steel rear panel terminal with dual ¼” speaker inputs for easy daisy-chaining

• Top panel recessed holders for Nady guitar amp head

• Cabinet material: MDF

• Weight: 94.7 lbs (43 kg)

• Dimensions (H x W x D): 30” x 28” x 14.3” (76 x 71 x 36cm) (height does not include wheels)

G T H - 1 0 0

G A C - 4 1 2

FS Series Optional accessories

• FS-1 (single) switches reverb On/Off (GTA-1260 or GTH-100) or lead gain boost On/Off (GTH-100)Requires two FS-1 switches or single FS-2 to perform both functions on GTH-100

• FS-2 (dual) for GTH-100 switches reverb On/Off (green LED) and lead gain boost (red LED) On/Off

F S - 1

F S - 2

Wireless Guitar

• Mini amp plugs directly into your guitar or bass for instant pro sounding audio…anytime, anywhere.

• Perfect practice tool---listen though our headphone, crank it up without disturbing anyone around you! No need for bulky amp

• Built-in amp simulation—tailor your tone, from ultra clean to heavy distortion

• Up to 15 hours play time with convenient built-in Li-ion rechargeable battery—no need to change batteries. To recharge, connect supplied USB cable to computer’s USB port or optional AC adapter (note: only for recharging AxeHead™, not for computer recording)

GTA-1260 Classic tube combo amp with reverb

• All-tube design featuring two 6L6GC power and three 12AX7A preamp tubes

• 60W RMS output

• 12” Nady PowerDrive™ speaker by Celestion

• Full complement of controls for total volume, tone shaping and tonal definition, including 3-way Overdrive Gain switch, Volume, Master, Treble, Mid, Bass and Presence controls

• Spring reverb with adjustable control and switchable with optional FS-1 footswitch

• Classic retro look with attractive wood grain cabinet finish

• Classic tube type tone controls

G TA - 1 2 6 0

WGA-15 15W wireless guitar amplifier

• Versatile, powerful practice amp with 15W RMS output; 6” speaker; Gain, Volume with killer distortion; Treble and Bass controls; Headphone output

• Built-in VHF receiver with Receiver On and Audio Received LEDs

• WGA-15 also available separately with WGT-15 VHF transmitter for use with any guitar or bass

Lightning Guitar Wireless guitar

• Fully professional all-wood solid-body guitar features easy playability with 22-fret rosewood neck with distinctive lightning bolt inlays and easy-access adjustable truss rod

• Three pickups with 5-way selector switch; volume/dual tone controls; vibrato

• Built-in VHF wireless transmitter with internal antenna allows wireless operation up to 200 ft. line-of-sight without cords when used with WGA-15 wireless guitar amp or any Nady VHF wireless receiver on the same channel

• Easy to operate—just turn on Lightning guitar transmitter (TX On LED) and WGA-15 amp and you’re ready to play cordless (can also be used with a conventional cord connection to amp)

• Operates on two 9V alkaline batteries (up to 50 hours battery life) in convenient rear battery compartment with unique magnetic latched door (no tools needed to access).

51

• Headphone splitter (for 1/8” mini plugs) allows two listeners at the same time

• 5 ft. stereo audio cable (1/8” to 1/8”) for connecting to AUX music source

• Charging cable (USB to mini USB)

Includes the following accessories:

A X E H E A D T M

AxeHeadTM Mini headphone guitar amp

52

DS-50 Distortion and sustain

• Classic design for rich, crunchy distortion tone and violin-like sustain

• Tone knob for dialing in the desired sound, from creamy warm bass to crisp treble

• Volume knob controls output level

• Operates with 9V battery, PAD-1 AC adapter optional

TD-1 Tube distortion

TTV-2 Dual tube tremolo/vibrato

FL-10 Flanger

• Updated classic flanger design produces thickest stereo flanging available

• Versatile Manual, Rate, Depth, and Resonance controls allow wide selection of swirling with incredible depth and intensity


TS-30 Tube sound overdrive

• Classic design produces the warmest, most natural overdrive sounds. Perfect for all styles from blues to rock to heavy metal—the most versatile and best sounding distortion available

• Drive, Tone, and Level knobs offer optimum control


TR-20 Tremolo

• Widest variety of vintage tremolo guitar sounds available

• Wave knob offers extensive range of altered waveform tremolo variations

• Rate knob varies tremolo speed


TA-40 Tube amp simulator superdrive

SW-21 AB/Y switcher signal router

T D - 1

T T V- 2

S W- 2 1

Pedal Effects / Switch Boxes

• Real tube tone from the classic 12AX7A twin triode tube—each carefully selected for optimum tonality and absence of noise, microphonics, and other artifacts

• State-of-the-art 3-stage variable tube drive design for widest range of overdrive options, from mild growl and crunch to singing sustain and controlled feedback

• Advanced EQ section carefully designed for blues, jazz, country, R&B, and all types of rock—with specially tailored high and mid-low 3-stage variable shelving and boosting options, plus a variable presence control for ultimate tone-shaping possibilities

• Compact enough for a pedal board

• Rugged 14-gauge steel housing and heavy-duty bypass footswitch for years of trouble-free performance

• Dual, all-tube signal path design uses two premium 12AX7A vacuum tubes for the warmest, richest, most natural sounding tremolo and vibrato sounds available

• Rate/Intensity controls offer the widest range possible of tremolo/vibrato effects

• Choice of three types of note bending vibratos which mimic Leslie, Wurlitzer, Hammond and other classic organ vibratos

• Output control offers huge boost and powerful tone

• Compact enough for a pedal board

• Rugged 14-gauge steel housing and heavy-duty bypass switch for years of trouble-free performance

• Switches a signal between two different targets (e.g., amp A/B)

• Directs a signal to two targets simultaneously, switching between one of two different source signals sent to one target

• Barely audible switching noise

• Combines two source signals in parallel switched between two different targets

• Combines two source signals in parallel directed to two targets simultaneously. No bleed-through between channels

• LEDs indicate selected signal route

• Unplugging from jacks labeled “Parallel” turns off 9V battery

• 100% analog circuitry offers rich, warm overdrive sounds which simulate the power amp output stage distortion of different classic guitar amps

• Class A/B Drive knob controls the amount of odd harmonic class A/B power amp output stage distortion; specially designed musical Tone control enables endless varieties of tonal possibilities from ultra-clean to crushing distortion at any Level control setting


Bags and Carrying Case .................... 54MB Series, MCB Series, MSSB-1, CC-3, RC-5, GCC-10, PCC-1E, RC-7

Cables / USB interfaces .................... 55UIC-80 Series, Power Supplies, Cables, UIM-2X, CT-6, CH 19

Stands and Racks .............................. 56SPST Series, MRK Series, GS-1, MSA-100/200A, MSST-43, MST Series, CMST Series, TMST-10

Microphone Accessories ................... 57Foam Windscreens, Pop Filters, Clips, Spider Shockmounts / Basemounts

Wireless System Rackmount Kits ... 58ERM Series, RMK Series, RMT-1KUD, RKT Series

Wireless Accessories ......................... 58AD-4U, AD-80, AP-12U

Accessories

Accessories

Nady Systems offers a wide variety

of practical, versatile accessories.

All accessories are carefully designed

and ruggedly built, and if not stocked

by your dealer, can be easily ordered

by contacting the Nady Sales/Service

Department. Our extensive accessory

line includes bags, cases, stands, racks,

cables, shockmounts, and mic clips.

A new addition to the line is a variety

of cutting-edge USB interface cables.

Bags and Carrying Cases

54

GCC-10Generic road case

PCC-1ERoad case for Encore Series, UHF-3, UHF-4, UHF-24, U-33B and U-800 systems

RC-7Road case for DMK-7 or DMK-7C

CC-3Road case for DMK-2, DMK-3, or CYM-2

RC-5 Road case for DMK-5

MB Series MB-6/MB-12Soft 6- or 12-space microphone bags

MCB Series MCB-12/MCB-15Soft bag for carrying

MSSB-1Soft bag for carrying mic or speaker stands

Cables / USB Interfaces

55

CABLES

XC 6 ft. to 100 ft.

XLR to XLR mic cable

XCC 25 ft. or 50 ft.

XLR to XLR colored

mic cable

XLC 40 ft. XLR to

XLR premium low

noise 22-gauge dual

conductor mic cable

RBSC 20 ft. or 40 ft.

16-gauge, ¼” phono

to MDP dual banana

connector, round

speaker cable

SBC 20 ft. or 40 ft.

18-gauge, ¼” phone-

banana connectors,

parallel conductor

speaker cable

IHSC 20 ft.

¼” to ¼” premium

instrument cable

SC 20 ft. or 40

ft. 18-gauge, ¼”

to ¼” phone plug,

speaker cable

SKX-162016-cable XLR (M/F) 20 ft. snake

UIC-80 Series USB interface cables

The UIC Series allows real-time recording and monitoring of pre-recorded tracks or background music with easy plug-and-play connectivity between any mixer or audio device to a PC via any USB port.

Cables utilize two connectors for audio input and two connectors for audio output to/from the PC, and one USB cable compatible with USB 1.1 or higher.

Cables total 8 ft. in length with the audio cables being 3.5 ft. to the interface module and a 4.5 ft. USB cable. The interface utilizes up to 48KHz, 16-bit sampling and comes complete with all necessary cabling and connectors.

UIC-80PP

• 2 Phono ¼” mono plug IN• 2 Phono ¼” mono plug OUT

UIC-81XX

• 2 XLR balanced IN• 2 XLR balanced OUT

UIC-82RR

• 2 RCA plug IN• 2 RCA plug OUT

UIC-83PR

• 2 phono ¼” mono plug IN• 2 RCA plug OUT

UIC-10 USB interface cable

A useful tool for recording microphones or line level devices directly to your computer via a USB port. Utilizes a 10 ft. XLR cable and USB 2.0 interface with 16-bit, 48KHz sampling.

SMPS-1X 1-channel

SMPS-2X 2-channel

SMPS-USB 2-channel with USB audio interface

XM-10Phantom power adapter (9-52VDC to 1.5VDC)

UIM-2X USB interface module

The UIM-2X provides a handy interface between audio gear and your computer, with a 16-bit, 48KHz USB 2.0 link. Perfect for recording a mic or line level signal. The headphone output allows for real-time recording and monitoring of pre-recorded tracks or background audio.

• Balanced XLR input provided with selectable 48V phantom power for use with condenser mics

• Selectable sensitivity switch for Line or Mic level input with bi-color (green/red) LED indicator

• Convenient stereo headphone monitor output

• Sturdy housing with soft rubber coating

• Record and Play LEDs indicate software status

• High-quality USB 2.0, 16-bit; 48KHz sampling

• Optional UIM-PA adapter converts to a ¼” TRS input connector

CT-6 6-Way Cable Tester

SMPS Series 48V phantom power for condenser mics

• Enables quick, convenient continuity cable testing for all types of cables

• Tests cables with combinations of the following connectors: ¼” TRS, balanced XLR (M/F), Phono/RCA, banana plug, Speakon™, and 5-pin mini-DIN

• LEDs confirm each conductor continuity and connection

• 6-way switch for selecting connections to be tested

• Includes internal battery and ground connection status checks

• Rugged, compact, metal construction for ultimate roadworthiness, long life, and reliability

CH 19Wall mount cable holder

POWER SUPPLIES

56

Stands and Racks

MIC STANDS

MST-5BBoom stand with tripod base

CMST-8RRound base stand with clutch

MST-6RRound base stand with boom

CMST-9TTripod stand with clutch

MST-7GTripod gooseneck stand

TMST-10Tripod tilt stand with clutch

SPST-1ASingle aluminum tripod speaker stand

SPST-2APair of aluminum tripod speaker stands

SPST-1A8Aluminum tripod speaker stand for MC-8/10 or PCS 8 speakers

SMP-33 ft., 35mm diameter speaker mount pole for mounting ProPower/ PA speakers or PSW-15

MSST-43Pair of 43” monitor speaker stands

MSA-100/200A Microphone stand adapter for PM-100 or PM-200A speakers

MST-2B2 ft. stand

MST-3RStraight stand with round base

MST-4BAluminum tripod stand

MRK-9Gear studio rack

MRK-144-wheel metal rack

MRK-9162-wheel metal rack

GS-1Premium universal guitar/bass stand

SMT-3Tripod for DSM-1 and ASM-2 sound pressure level (SPL) meters

57

FOAM WINDSCREENS

CLIPS

SPIDER SHOCKMOUNTS / BASEMOUNTS

POP FILTERS

BFC-12Butterfly mic clip

WMC-11Rubber wireless mic clip

• Integrated pop filter for 2-in-1 studio application

• Eight elastic suspension points for enhanced isolation

• Integral metal pop filter’s curvature design protects your vocal takes (SSPF-4)

• Pinch clamp holder easily fits onto any microphone with 38-53mm diameter (SSPF-4)

• Pop filter can be rotated down or removed completely

• Adjustable swivel attachment for standard mic stands

SSM-1For TCM 1050 studio mic

SSM-5For CM-90/95/100 small condenser studio mics

SSM-3For SCM 900/1000 and TCM 1100 studio mics

MBM-7Basemount for SCM mics

MPF-6With boom and stand clamp

MPF-7Choice of black or gold

DMM-1Drum mic clip

SHM-1Shoemount camcorder adapter for industry standard 5⁄8” threaded mic clip

Microphone Accessories

FW-1/1000For SCM 100 and TCM 1100

FW-2/900For SCM 900

FW-3/1050For TCM 1050

FW-4/1150For TCM 1150

CWS-1Choice of red, yellow, orange, blue, gray or black

SSPF-4

SSPF-3

SSPF-3 Small condenser shockmount with pop filter

SSPF-4 Large condenser shockmount with pop filter

58

AD-4U UHF antenna distributor

• Convenient 1U rackmount design with two independent 1x4 Input/Output circuits operation of up to four UHF diversity dual antenna input or eight non-diversity single antenna input receivers from only a pair of antennas

• Features internal circuitry providing no insertion loss (0dB gain) for operation between 477-952 MHz, TNC antenna Input/Output connectors, +9VDC at antenna input jacks for powering optional remote AB-80 Antenna Booster Amplifier

• Externally powered by 13.5VDC/400mA AC/DC adapter

A D - 4 U

• 500-900MHz

• Mic stand mountable

AP-12U Active ½ wave antenna

A P - 1 2 U

Wireless System Rackmount Kits

Wireless Accessories

• Boosts weak RF signals by +15dB gain right at the antenna input for maximum range for your UHF wireless mic system (477-952 MHz)—perfect for applications requiring separation of the antennas and receiver for optimum reception

• Easy to connect in-line amplifier module connects to standard TNC cables between the remote antenna and a cable feed to the receiver, allowing up to a 100 ft. RG-58 antenna cable run

• Requires +9VDC remote (phantom) power from the receiver or antenna distributor antenna input jack

AB-80 UHF remote antenna booster amplifier

A B - 8 0

RMK-11 Single rackmount kitFor rackmounting a single PEM-1000. Includes front antenna mount jack and connecting cable.

RMK-1KWS Single rackmount kitFor one W-1KU receiver

ERM-12 Single rackmount kitFor one Encore Series, UHF-3, UHF-4, UHF-24, U-33B or U-800 wireless receiver

ERM-22 Dual (side-by-side) rackmount kitFor two Encore Series, UHF-3, UHF-4, U-800, UHF-24, or U-33B wireless receivers

RKT-21 Dual (side-by-side) rackmount kitFor rackmounting two PEM-1000 receivers

RMT-1KUD Dual (side-by-side) rackmount tray kitFor two W-1KU or one or two UWS-100 receivers

RKT-25 Dual (side-by-side) rackmount tray kit

01/05/12

2012 pro audio and music product catalog 2012-2013 catalog.pdf · 2012 pro audio and music product...

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