bermuda college liberal arts journal 2012
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Liberal Arts JournalBermuda College May 2012
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Liberal Arts Journal
May 2012
Vol. 1, No. 1
Editor: Dr. Sajni Tolaram
Journal Design & Layout: Dr. Edwin M. E. Smith
Cover Photo: Dr. Jolene Bean, Sustainable Fruit, Shown in the photographic exhibition
In Plain View held at the Bermuda College Art Gallery, January 2012.
Division of Liberal Arts, Bermuda College
Printed at Bermuda College 2012
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1 Introduction
Sajni Tolaram
3 Can Pedagogy Influence Student Responsibility?
Ru-Zelda Severin
6 Who is Culpable for Student Success?
Andrea Lightbourne-Webster
13 The Informal Curriculum
Quinton Sherlock
15 A Global Cycle of Influence
Edwin M. E. Smith
20 The Consumption of Knowledge
Geoffrey Rothwell
24 Save Our Sushi!
Amy Harvey
Welcome to the inaugural Liberal Arts
Journal.
This Journal is designed to give our readers,
the Bermuda community, a dynamic and
engaging look inside the expertise of
members of the Division of Liberal Arts.
Our goal was to create a journal to inform
and showcase the numerous, academic
themes along with personal interest of our
faculty. This collection of articles is a
reflection of a multidisciplinary forum to
provide an exchange of ideas and
challenging discourse on issues facing
Bermuda, our island home. We hope the
reader will be able to enhance their
knowledge on the highest caliber of faculty
Bermuda College has to offer.
Many thanks are extended to faculty who
submitted articles for this first publication.
The Division of Liberal Arts looks forward to
continuing to share our expertise with
Bermuda.
Welcome
Contents
Necheeka L. Trott, MA, MBA
Dean, Division of Liberal Arts
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As the Division of Liberal Arts
continues to evolve in its academic
applications, respective faculty members have
offered their perspectives on varied topics in
this pioneering Journal. The articles consider
forms of pedagogy, collaboration, academic
identity, and explore local and globaldynamics. There are threads of connection
between the articles; however, there are
distinctions in the viewpoints therein which,
paradoxically, reveal the diversity and
independent thought which are emblematic
of Liberal Arts.
Ru-Zelda Severin, in Can Pedagogy
Influence Student Responsibility? opens the
journal by focusing on our primary mission at
BCteaching. She looks at learner centered
approaches as indicated by current theories
and methodologies with the aim of
developing the capacity in students to take
responsibility for their own learning
experience. Rather than dismissing
traditional methods, Severin indicates the
value of blending them with learner centered
pedagogies. In that technology and practical
application are necessary components,
especially when students contribute to the
design of what they learn, this helps them togain, as Severin says, a sense of
responsibility to validate and support content
in a scholarly manner, as their work may be
the foundation or a resource for subsequent
students.
The dynamic of collaboration is
evident in Who is Culpable for Student
Success? by Andrea Lightbourne-Webster.
The article focuses on student responsibility
by engaging research that promotes shared
responsibility, by the student and the
institution, in the learning process. She
emphasizes shared responsibility and
collaboration in the quest to improve studentlearning outcomes. In the face of wide-
ranging challenges, the aim is for students at
the community college to have opportunities
for successand, for such opportunities to be
indicated in various, tangible ways.
Continuing the discussion on student
success, Quinton Sherlock explores the value
of The Informal Curriculum in schools. The
informal curriculum, as he indicates, is
synonymous with the social environment of a
school. The social environment can be a vital
conduit for developing, as Sherlock says:
positive models in academic achievement
and leadershipespecially for young, black
males who are often disadvantaged by
negative stereotypes. The aim is to dispel
negative labels through establishing and
reinforcing worthy models and opportunities
that are full of merit.
By way of transitioning to another
context of influence, Edwin Smith examinesthe effect of foreign artists on the works and
lives of Bermudian artists in A Global Cycle
of Influence. He establishes context for this
by reflecting on the influence that Canadian
artist, Evelyn (Byllee) Lang, has had on
Bermudian artists. The focus of the
discussion, however, is the influence of
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Introduction
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American artist, Joe Jones, on Bermudian
artist, Alfred Birdsey. Through the discourse
between these two artists, Smith engages the
search for inspiration, fresh ideas, and
confidence in a broader application of
influence in order to move Bermudian artists
towards modernism.The tension that is usually evident in
social change is also apparent in Geoffrey
Rothwells article, The Consumption of
Knowledge. Herein, it is expressed that
change in the nature of capitalism has
produced changes in the perception and
function of knowledge in colleges and
universities: for students, faculty, and all
persons engaged in any capacity of tertiary
education. Rothwell indicates the concern
that, as education comes to be seen as a
product, colleges become little more than a
service based industry. In the current
environment, he poses that colleges and
universities must consider what they offer in
that they have become just one more entity
for consumers to contemplate, rather than the
halls of advanced learning and inquiry.
Consumption of another sort is
evident in Amy Harveys article, Save Our
Sushi! The joy of sushi is at the foregroundof a looming problem that is both local and
global. She engages us gastronomically and
globally by considering sushi and our oceans
through the lens of plasticplastic waste, to
be precise. Along with her environmental
students, she is active in gaining data on
plastic litter debris and to monitor the
impacts that they have on our local and
global ecosystems. The benefits of this data
are implied in that this research contributes
to the work of action groups locally and
overseas.
This Journal is a new frontier for
Liberal Artsand, it carries the possibility ofbeing a harbinger for inspiring and
compelling quests to come . . .
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Sajni Tolaram, D. Litt.
English Professor
April 2012
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Faculty across Divisions at Bermuda College
express concern about the lack of
responsibility some students take for their
learning. The Success and Retention
committee acknowledges disquiet with the
state of student responsibility and hosted a
student forum on the topic. Additionally, theywill conduct a Student Success Study that
will, in part, examine responsibility as a
characteristic of successful students. What
can higher education faculty do in the
classroom, if anything, to encourage students
to take command of their own learning
experiences?
Many pedagogues are suggesting that
a shift from traditional teacher centered
approaches to learner centered tactics will
contribute to a growth in student
responsibility for learning (Marzano, 1992;
Blumberg, 2008). In the book Learner
Centered Teaching, Weimer (2002) describes
five characteristics of learner centered
approaches including a shift in the balance of
power from teacher to student, a change in
the function of course content and an
exchange in responsibility from teacher to
student, as essential for the development of
responsible learners. She posits, when lessonstructures place students in control of their
learning, they experience higher motivation
and greater enthusiasm toward learning. With
the reality of canceled classes and other
perceived punitive measures resulting from
small class sizes at Bermuda College in play,
will faculty, despite having student
responsibility as a desirable goal and
evidence of a potentially successful measure
toward that end, have the inclination and take
the risk to relinquish control of classrooms?
Does our environment support such a bold
step?
If yes, what theories, methodologies,and technologies support the learner centered
approach? Hubba and Freed (2000) in
Learner Centered Assessment on College
Campuses, hold the cognitively active,
socially adaptive, subjectively self-organized
pedagogies based on the assumptions of
Constructivist Learning Theory as effective
teaching strategies for Learner Centered
pedagogies. However, it may be prudent, as
members of a 21st century academic
community, to blend, as Chen heralds (2010)
in Education Nation, well researched
traditional methods with effectively
complementary technological tools and
supports. Some possible methodologies are:
The Flipped Classroom
Teachers use technology such as
Screencast-O-Matic to pre-record lectures.
Students must take on the responsibility of
watching the lectures on their own. The
function of the content during face to facetime changes from its delivery to its use. In
math, class time is spent working on the
problems individually or with peers
answering each others questions, thereby
garnering a greater understanding. In physics,
the class time can be for real world
application and problem solving; while in
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Can Pedagogy Influence Student Responsibility?
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music, students have time to analyze and
evaluate music collaboratively, rather than
simply listening to it.
Social Networking and Wikis
These web 2.0 platforms are
opportunities to combine not only techniquesacclaimed by high level research, such as
formative assessment, with the technologies
of today; but also to explore new theories of
learning born of the Technological
Revolution, such as Holmes, Tangney,
Fitzgibbon, Savage, and Mehans (2001)
Communal Constructivism. The title of their
paper, (presented at the Centre for Research
for IT Education in Ireland), defines
Communal Constructivism as Students
constructing knowledge for as well as with
others (pg.1).
Child and Youth Studies students of
Bermuda College who engage in activities
based on this theory, report a growing level ofconfidence in their ability to design their own
learning that adheres to the learner objectives
of courses, to taking greater pride in the
quality of their work as it is often peer
reviewed, and to having a sense of
responsibility to validate and support content
in a scholarly manner, as their work may be
the foundation or a resource for subsequent
students.
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While these and other learner
centered approaches are time consuming for
educators, due to the frequency of feedbackand the shift in roles from imparter of
knowledge to facilitator of knowledge
building, it may be worth attempting for at
least a few lessons, if it nudges more of our
students toward taking responsibility for their
own learning.
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Ru-Zelda Severin, M.M
Music Lecturer
ReferencesBlumberg, P. (2008). Developing learner-centered teaching: A practical guide for faculty. San
Francisco, CA: Jossey-Bass.
Chen, M. (2010). Education nation: Six leading edges of innovation in our schools. San
Francisco, CA: Jossey-Bass.
Huba, M. E. & Freed, J. E. (2000). Learner-centered assessment on college campuses: Shifting
the focus from teaching to learning. Boston, MA: Allyn and Bacon.
Marzano, R. (1992). A different kind of classroom: Teaching with dimensions of learning.
Alexandria, VA: Association for Supervision & Curriculum.
Tangney, B., FitzGibbon, A., Savage, T., Mehan, S., & Holmes, B. (2001). Communal
constructivism: students constructing learning for as well as with others. Proceedings of Society
for Information Technology Teacher Education International Conference 2001. Trinity College
Dublin. Retrieved from http://www.scss.tcd.ie/publications/tech-reports/reports.01/TCD-CS-
2001-04.pdf
Weimer, M. (2002). Learner-centered teaching. San Francisco, CA: Jossey-Bass.
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Responsibility is one of the vital
characteristics in the profile of the successful
student. It is not a characteristic reserved
exclusively for the education arena, but rather
a vital ingredient for lifes arena. Widely
acclaimed philosopher and educational
reformer John Dewey declared, Education isnot preparation for life, but life itself. In
preparing for lifes stage, it is imperative that
the successful student develop the attribute of
responsibility. Student responsibility is a topic
that commands attention in educational
arenas across the globe and it is a subject of
supreme interest to those within the realm of
higher education. Although there is a
proliferation of research that emphasizes
student success, there is a dearth of research,
particularly in the area of higher education,
about the culpability of the student as a key
component in the discussion on
accountability (Borden & Pike 2008). Borden
& Pike (2008) suggest that there be shared
responsibility and collaboration in the quest
to improve student learning outcomes. This
article will present a snapshot of the western
society community college student in context,
giving consideration to the confronting
socioeconomic and political climate; willhighlight key research findings on student
responsibility; and will articulate initiatives
and programmes offered by Bermuda College
in the equation of shared institutional
responsibility to improve student learning
outcomes.
The community college student in
western society, of which The Bermuda
College is a part, may be a strong academic
student who is re-entering the academic
world after an extended lapse from the
classroom; the mature student who wants a
career change; the young adolescent who is
undecided about a career; the professional
student who believes in lifelong learning; the
exchange student who desires to study in
another country; and the list continues. The
community college student in western
society, may also be one who attends part-
time; a full-time worker; one who only knows
the practices of a traditional classroom; a
product of a broken family; a victim of
emotional unrest in the home; one who is
required to lead the household; a parent; one
who is unwed; one who is diagnosed with a
learning disability, and the list continues.
Community colleges are a microcosm of the
wider society in which we all live. Students,
like all of us, are expected to manage their
lives against the backdrop of varying personal
circumstances and societal conditions. The
global economic recession that is plaguing
societies is also threatening educational
arenas and the community college is not
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exempt. Students with multiple life
challenges in the face of glaring and imposing
socioeconomic conditions are still expected
to perform, and not only perform, but perform
well. Despite the circumstances, students are
still willing to have a fresh start to embark onthe tertiary tier of their educational journey
hoping for far-reaching success with tangible
rewards. Some students at Bermuda College
enroll and excel as evidenced by the annual
and bi-annual graduation lists and award
ceremonies.
The community college lecturers task in
western society is to facilitate student learning
and to see that all students have opportunities
for success. Lecturers, likewise, as citizens on
the life stage, are faced with similarsocioeconomic pressures, personal
challenges and political pressures. They too
are expected to perform, and not only
perform, but perform well in the face of a
stifling recession. The community college
administration and support staff equally have
the responsibility and are expected to serve
students by providing the best customer
service.
Upon understanding the imposing societal
conditions and the uniqueness of the student
population, one is forced to ask the questions:Who is ultimately responsible for student
success? Is it the student? Is it the lecturer? Is
it the institution? Researchers have raised
these questions in an attempt to find answers
(Borden & Pike, 2008; Dey& Associates,
2008; Peterson, Rubie-Davis, Elley-Brown,
Widdowson, Dixon, Irving (2011).
Student responsibility is of particular concern
to those in the world of higher education
because clearly this is the phase where the
young adult develops a greater sense ofindependence and freedom. The community
college offers students a menu of freedom
choices that allows them to select their
classes as they wish, appear for advising
sessions when they so choose, attend extra
curricula activities of their choosing etc. How
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they navigate their choices will ultimately
determine their level of success. Amid the
sense of independence and wider freedoms,
students are no longer threatened by
detentions or in-school suspensions for failure
to attend class. Neither are they forced tostudy, required to attend improvement
workshops, ordered to do their homework, or
even commanded to seek help, yet they are
expected to be successful. Some students are
able to navigate their commitments well,
while others do not. There are some who
simply get lost in the shuffle because they fail
to be responsible. Whereas some students
have genuine challenges with navigating
success, there are others on the flip side of the
coin who have become experts at riding thesystem, often pleading their cases before
wanting ears and evading their
responsibilities in their relentless quest for
paper success at any cost. One such
example commands attention and is worthy
of noting in its fullness in this article to
reinforce the point. Lent (2010) writes:
One October day, one of my most
delightful and smartest students looked me
straight in the eye and without hesitation
explained that she couldnt turn in the project
that was due that day because she and her
father had had to rush her mother to the
emergency room the night before. Oh,
Nikki, I said with compassion. What
happened? Is she OK?
Nikki told me that the doctors had to
perform an emergency hysterectomy, but that
her mother would be fine. But I didnt finish
my project, she said. I reassured her that she
could have more time to complete the projectwithout penalty.
Fast-forward to spring. The same
delightful student approached me one
morning and explained that she couldnt turn
in her project that day because her father had
had to rush her mother to the emergency
room the night before. A bit doubtful, I
nevertheless asked once again whether her
mother was OK. Yes, Nikki replied,
oblivious that she had used this line on me
before. She had to have an emergency
hysterectomy.Nikki, I said pointedly, you told me
that your mother had to have an emergency
hysterectomy last fall.
Oh yes, she replied, without missing a
beat. She had to have another one.
It is highly probable that many a college
lecturer has faced similar scenarios, perhaps
some not so comedic, but nevertheless cases
where students have craftily played the game
and succeeded in manipulating their way all
in the name of success.
The aforementioned scenario raises
other poignant questions about the issue of
responsibility. To what degree is the student
responsible for success? To what degree is the
lecturer responsible? To what degree is the
institution responsible? Should lecturers or
the institution make multiple
accommodations for students who abuse the
system in the name of success? According to
researchers, there is great ambiguity andcontroversy surrounding the issue of
responsibility and, in particular, who should
take responsibility for student learning
(Peterson et. al 2011). The University of
Michigan School of Educations Center for the
Study of Higher and Postsecondary Education
conducted a survey in 2007 to gain feedback
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from undergraduate students and campus
professionals (faculty, academic
administrators and student affairs staff)
regarding the institutions core commitment:
Educating Students for Personal and Social
Responsibility. Researchers felt the need torevisit the subject of student responsibility as
one of the institutions core values. The goal
of the survey was to determine whether
personal and social responsibility should be
more of a priority in college education. The
data gained from the survey dissected this
core value into five key areas: (1) striving for
excellence; (2) cultivating personal and
academic integrity; (3) contributing to a larger
community; (4) taking seriously the
perspective of others; and (5) developingcompetence in ethical and moral reasoning
(Dey& Associates, 2007). There were 23,000
students and 9,000 campus professionals
participated in the survey. Researchers
concluded that both students and
professionals alike were in strong agreement
that personal and social responsibility should
be a strong focus for college education.
In discussing the issue of student
responsibility, Borden & Pike (2007) stress the
point that shared responsibility and
collaboration are critical for successfulstudents in higher education. In other words,
accountability does not rest at the door of one
tier of the community college, but rather at
the door of all parties. They write: Shared
responsibility can also help resolve the
tensions between top-down or outside-in and
bottom-up or inside-out approaches. If the
various responsible parties do their part, the
effort proceeds from all directions
simultaneously.. Collaboration has the
added virtue of breeding respect (p. 85).Borden and Pike also recognize the role of
faculty as an important variable for student
success. According to Borden and Pike
faculty demonstrates responsibility by having
high expectations and by holding students to
high standards of performance.
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Who, then, is culpable therefore
when students fail? Should the lecturer feel a
sense of failure if a student fails due to
insufficient effort and preparation? Peterson
et. al (2011) reinforce the point that at the end
of the day it is students who must takeresponsibility for their learning experience.
According to William and Clark (2010),
insufficient effort on the part of students
produces failure, however they insist that
failure need not be defeating. They argue that
students have control over the degree of effort
that they make which ultimately contributes
to their success. Although little effort often
leads to failure, students possess the power to
turn their failure into success with greater
effort (William & Clark 2010). One canconclude therefore that failure can become a
valuable teaching tool if students take
ownership of their shortcomings to empower
themselves to have greater control over future
outcomes.
The issue of student retention and
responsibility is a complex one and a concern
not unique to Bermuda College. The greater
issue is not whether students can be retained,
but rather who bears the greater responsibility
for student success and retention. Politicians
in the United States are equally concerned
about responsibility in higher education.According to Pike (2007), the key question
is not whether higher education will be more
accountable, but what form this
accountability will take (p. 83). He states:
the diversity of colleges and universities
makes it virtually impossible to develop a
one-size-fits-all system of accountability. In
fact, such a system would be
counterproductive by pushing toward
homogeneity a system that is strong by virtue
of its diversity (p. 84). Pike reinforces thefact that each college and university possesses
a uniqueness that distinguishes one from the
other. Therefore to expect a uniform system of
accountability is unwise.
At Bermuda College there is an
awareness of the need for facilitating student
success as evidenced by several student
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services. Some of these services include the
following:
1. Advising. Students have the
opportunity to meet with their lecturers
during the course of the week outside ofteaching time. Lecturers are available to
students for a minimum of 10 office hours per
week. Many students make impromptu office
visits and contact hours for lecturers extend
beyond the prescribed times.
2. Academic Resource Centre. Students
are provided with services to assist them with
their academic needs outside of the
classroom. They receive tutoring and
academic support with supplementary
materials to aid their understanding of core
content. Students with learning disabilities are
also serviced through the ARC.
3. Student Services Workshops.
Students have the opportunity to improve
their skills by participating in workshops. They
learn skills that help to prepare them for the
job market.
4. Career Counseling. Students who
seek direction for their career choices receive
career counseling.5. Personal Counseling. Students who
have social and personal challenges have
access to counselors on campus to assist them
with their personal needs and challenges.
6. Liberal Arts Division Orientation for
students. The Dean of Liberal Arts holds an
orientation session for all Liberal Arts
students. Students can ask questions and
clarify concerns about The Liberal Arts
Division at Bermuda College.
7. Student Council. Student Council isan active student-directed organization where
students take leadership roles and address
pertinent matters of interest to students and
Bermuda College.
8. The Retention Alert System. The
Retention Alert system is an electronic system
managed by Faculty and support staff. There
is an active committee that manages the Alert
System. Lecturers across the various divisions
input the names of students who are having
challenges academically so that they can
receive additional support for success.
9. Blackboard. Blackboard is an
electronic system that allows lecturers to post
announcements and course content to which
students have access 24-7. Students who
have missed class can go into Bermuda
College Portal to access information needed
to be prepared for the next class.
10. Web Advisor. Students have 24-7
access to Web Advisor to check their academicperformance in their classes.
11. Student Forums & Focus Groups.
Students have the opportunity to attend forums
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and to participate in focus groups for a deeper
understanding of topics of interest.
12. Online Registration. Students have the
convenience of registering themselves online.
13. Registered Students Organizations.Students have the opportunity to join
Registered Student Organizations (RSOs) to
support their individual interests.
Bermuda College, like community
colleges around the world, is concerned
about student responsibility and ultimately
student success. Of particular concern is how
the institution can best support students to
increase desired results. Balancing college
life with daily life can be overwhelming and
intimidating for students. The available
services that Bermuda College offers support
student success and demonstrate the
institutions shared responsibility. For the
young adult who is unable or unprepared to
handle challenges, the struggles will be even
greater. For the student who has not mastered
the art of balance likewise will have great
hurdles to climb. For the college student who
is disciplined and well balanced with fewer
issues to navigate, the challenges will be
more manageable. Shared responsibility,
according to the research, eliminates the
blame game and puts the onus on both the
institution and the student. However, even
with the support mechanisms, students areultimately responsible for their learning. They
must position themselves first as the focus for
their learning. No one wants to fail. Students
must therefore take personal responsibility
and make the requisite effort to achieve
success. Greater responsibility will have the
ultimate benefit of leading everyone on the
pathway to greater success.
12
Andrea Lightbourne-Webster, Ed.D
Spanish Senior Lecturer
ReferencesBorden, Victor, M. H. & Pike, Gary R. (2008). New Directions for Institutional Research,
Assessment Supplement 2007. Fall 2008.Published online in Wiley InterScience.
www.intercscience.wiley.com
Dey, E. L. & Associates (2008). Should Colleges Focus More on Personal and Social
Responsibility? Association of American Colleges and Universities. Published online:
http://www.aacu.org/core_commitments/documents/PSRII_Findings_April2008.pdf
Lent, R. C. (2010). The Responsibility Breakthrough. Educational Leadership. September 2010,
pp. 68- 71.Peterson, E.R., Rubie-Davies, C. M., Elley-Brown, M J., Widdowson, D.A., Dixon, R.S., Irving,
S.E. (2011). Who is to blame? Students, teachers and parents view on who is responsible for
student achievement. Research in Education, 86 (1),1-12.
Williams, R.L. & Clark, L. (2004), College Students ratings of student effort, student ability,
and teacher input as correlates of student performance on multiple-choice exams, Educational
Research, 46, 229-239.
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As a community we are at a crossroad.
Recent violent acts threaten our peaceful
island and potentially our overall way of life.
While this does not represent the automatic
ruin of our island home, it does represent a
need for adjustment. When looking at the
gang activity and gun violence on the island,one thing in particular stands out. An obvious
observation is that most of the gang activity
and gun violence involves young black males.
Like many others in our community, I believe
that this behavior is symptomatic of deeper
issues that exist in our society.
For example, education is one of the deeper
issues that is being addressed. New
curriculums have been put into place within
public schools to improve academic
outcomes of the students (in general, and forblack males in particular). The notion is that
if students did better academically, they
would be less likely to get involved in the
types of activities associated with gangs and
violence. Within this brief article, we plan to
spread the notion that schools are not only
institutions for academic development.
School is a potent tool in the
socialization of our young black boys.
Schools seek to impart instruction in
mathematics, English, and the like. Schoolsalso play a major role in socializing our
young people. Approximately one-third of a
young persons life is spent within the school
environment. This enables the school
experience to impart more than academic
proficiencies to our young.
Schools should continue to be used
to empower young black males through
productive and healthy socialization. Young
black males are not unique in this regard. The
commitment to conscious and concentratedefforts towards the creation of a school
environment that is well-meaning towards
young black males should be continued.
Direct efforts in dispelling the conscious and
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The Informal Curriculum
The informal curriculum involves the process of socialization. An important
aspect of learning and the school experience is the development of personal
values, beliefs and expectations. The social environment of schools, or the
informal curriculum (for example, the belief that young boys may be better
served pursuing a vocation in the trades) has a significant influence on the
development of these characteristics as well as the overall identity formationwithin a young person.
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unconscious perpetuation of negative
stereotypes about black males are worth the
time and effort. Professional development,
that highlights positive models in academic
achievement and leadership, that also help to
increase sensitivity towards young black
males (for example, work shops on learningand teaching styles) are important for teacher
trainings seminars.
As a community, we are engaging in
an ongoing brainstorming exercise to
implement new ways to address crime and
violence on the island. Focused attention to
ensure that negative stereotypes about black
males are not perpetuated within the school
environment should continue. Embracing of
school as an institution of socialization is an
important factor towards improving our
society. This is what we refer to as, the
Informal Curriculum.
14
Quinton Sherlock, MS
Adjunct Lecturer
Psychology/ Child and Youth Studies
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In 2008, the Bermuda National Gallery
featured an exhibition tribute to the late
Evelyn (Byllee) Lang. Hailing originally from
Canada, Lang lived and worked in Bermuda
producing art for approximately twenty years.
At the opening reception, much was said not
only of her expertise but also of her positive
interaction with Bermudian artists. Many of
these Bermudian artists, fairly representative
of the diversity of Bermudas population, were
her students and many of them appeared in a
short video accompanying the tribute
exhibition speaking of her influence on their
lives and work. The exhibition was well
received and it inspired me to look more
closely at the influence on Bermudian artists
by artists who have come to work here from
other places.
It is evident that Bermudians exhibit
the full range of self-concept. On one hand
there is the self-deprecating ideology that
individuals and companies must look for
expertise from somewhere else. This concept
that the water is sweeter from foreign wells,
is however counter-balanced with the effort
and expression of many individuals and
companies to have the community recognizeand value the expertise that locals have to
offer. Also, it is not unusual to find that locals
quite regularly evaluate local works harshly
(disappointing sameness and staid
predictability) while simultaneously having
adverse reactions to the equally harsh
criticism received from those who have come
from outside of the community.
With this diversity of thought in
mind, and while I align myself with those
who recognize and celebrate the amazing
talent of Byllee Lang and many other artists
who have come to live and work in Bermuda,
I have been analyzing established
relationships in an effort to determine the
actual influence and benefits that have come
as a result. One relationship I have
considered is the one that existed between
American artist, Joe Jones, and local artist,
Alfred Birdsey, in the 1950s.
Although coming from very different
backgrounds, Joe Jones and Alfred Birdsey
had much in common. Both were white
males from humble beginnings who were
passionate, self-trained artists that reached
international acclaim including
representation in prestigious international
collections. Both also received numerous
commissions from significant institutions such
as the Associated American Artists of New
York.
Alfred Birdsey (1912-1996) has long
been one of Bermudas celebrated artists. In
fact, he was and still is regarded by some asthe islands Artist Laureate. His work has
achieved iconic status. Even those members
of the community who claim to know little
about art and artists readily recognize his
stylized modernist watercolors. His interest in
the visual arts began when as a teenager he
worked in a bookstore that sold art supplies.
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A Global Cycle of Influence
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In this employment he had direct interaction
with local artists, some of whom eventually
provided mentorship for him.
Birdsey immersed himself into the
arts, reading extensively and experimenting
with various media and techniques. He was
fascinated with everything around him as life
in Bermuda was so different from his
childhood home. He painted the sailboats in
the harbor, the residential architecture, and
people, especially local blacks involved in
everyday mundane activities. Most of these
subjects would become reoccurring elements
in later work although in a much more
simplified and abstracted style. Never
satisfied, however, he constantly searched for
more effective and liberating ways to create
his representations of life around him. All of
this changed however, after he met Joe Jones.
According to The Royal Gazette reporter,
Nancy Acton:
However, it was a meeting with Joe
Jones, an American modernist artist who
came to Bermuda to paint in the winter
of 1958, that led to the development ofthe style with which Birdsey is most
closely identified. As the duo
experimented with various painting
styles and imagery, the Bermuda artist,
working in watercolour, began to
develop his characteristic mature style of
loose brushwork and minimalist imagery.
By the late 1960s he was the complete
master of a medium that was uniquely
his. (Acton 2008)It is not surprising that Joe Jones
(1909 - 1963) came to Bermuda. He had
achieved much of his fame in New York City
and Bermuda was already the popular quick
getaway destination for the US northeast
especially for the elite including master
artists. Jones has been considered to be a
major twentieth century painter and
printmaker. His name is mentioned
alongside Thomas Hart Benton and other
master regionalists and he was also one of the
leading artists of the social protest movement
throughout the Great Depression and until
the end of World War II.
James Jones ofTime magazine wrote:
Joe Jones was one of the angriest
proletarian painters of the 1930s. His
canvases were packed with
demonstrators, motherless waifs and
starving victims of capitalist greed. In his
milder moods, he turned out farm scenes
in the best Midwestern tradition, with
bright, theatrical coloring. Said Joe Jones,
simply and violently: I want to paint
things that knock holes in walls. (Jones
1951)
Jones had certainly established
himself as an artist with a social conscience
but by the time he visited Bermuda his work
had already undergone significant changes.
He had sought for and found a new and more
fulfilling direction. The depictions of an angryprotesting subaltern were replaced with
abstracted modernist explorations of the
relationships between the elements of art.
Jones had been looking for a new direction
and he found it in the far eastern art of the
color silk-screen. He dedicated himself to the
exploration of this new medium and the
resulting works, as with his previous works,
are seen as masterworks of their time.
Jo Birdsey Linberg says that sheobserved her father and Jones spending many
evenings together painting at the kitchen
table. They shared their aspirations,
challenges and techniques late into the night.
Birdsey was fascinated with Jones newly
acquired technique and saw its abstracted
approach as providing the liberating
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dimension that he was looking for. Birdsey,
embraced and adopted Jones modern style.
His brushstrokes became minimalized and
were not much more than mere suggestions
of his favorite subject matter. Eventually
Birdsey had adapted Jones technique to a
new and unique level with an aesthetic
quality appropriate for representing
Bermudian imagery, light and color. While
this made Jones work seem mechanical and
rigid, he never-the-less impressed with what
Birdsey was creating.
Before this research, I was not aware
of Joe Jones, but upon seeing his (later) work,
what is instantly apparent to me is the
technical influence he had on Birdseys work
which I have been familiar with for many
years. However, while one cannot deny the
technical influence of Jones on Birdsey, it
must also be recognized that both were artists
involved in a search for inspiration, fresh
ideas and confidence. In addition to the
slower pace of life that Bermuda offered at the
time and the rejuvenation benefits, Jones
benefitted from their interaction by the
intense sharing of ideas. Their collaboration
helped him further along in the development
of his own new direction that began with his
17
Joe Jones. Mural section of The Struggle of the South. 1935.
University of Arkansas, Little Rock Archives.
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exposure to Japanese modernist techniques of
creating art including silk-screening.
I consider the influence of Jones on
Birdsey, and by extension Bermuda, to be
significant. Jones influence on Birdsey had a
positive effect for Bermuda as it contributed
to the efforts by several artists to introduce
modernism to the island and to encourage
other artists to venture out from their safe
representational work. It can also be
concluded that since Jones was heavily
influenced by the Japanese, the Japanese
indirectly played a part in Bermudas
movement toward modernism.
In my selfish regard, I would like tohave seen Birdsey influenced by Jones
angry period as well. Bermuda was facing
its own social challenges at the time and only
one year after the Birdsey/Jones 1958
collaboration, Bermuda experienced a
momentous protest demonstration against
racial discrimination. Fortunately, there were
visual artists who did choose to create works
based on the event at the time, works that
have since been regarded as Bermudas first
artworks with overt social commentary.
Despite their place of origin, artists
are, to varying extents, involved in searching,
cross-fertilization, and the development of
their confidence. Those coming to Bermuda
are searching for something just as much as
the local artists are. They seek inspiration andways in which they can more effectively make
their statements. I recognize that visual artists
18
Alfred Birdsey. Untitled. Circa 1960. Collection of E. Michael Jones
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users. Roadside litter is becoming more
apparent in Bermuda as we become more of a
throwaway society by consuming items that are
for one time use. That littered candy wrapper,
water bottle, plastic bag, or plastic sushi
container may eventually make its way into ourocean.
The aim is to think before you throw.
Make sure that your plastic trash really ends up
in the garbage, otherwise it may come full
circle, ending up on your plate when you go to
enjoy that delicious spicy tuna roll at your
favourite sushi spot.
For more information, visit www.algalita.com
or www.5gyres.com
are notorious for working independently, but
artists, perhaps more than is readily admitted,
and particularly in the Bermuda context, do
collaborate and take advantage of the other.
In fact, both parties benefit tremendously
from the other. This is not an unusualphenomenon but instead reflective of a global
cycle of influence.
ReferencesActon, Nancy. Alfred & E. Michael. The Royal Gazette. 1 2 February 2 0 0 9.
Calnan, Patricia. The Masterworks Bermudiana Collection. The Bermudian Publishing
Company Ltd.: Bermuda. 1994.
Brooke, W. Michael. Blacks in Bermuda: Historical Perspectives. Island Press:
Bermuda, 1980.Jones, James. Art: Angry Man Calms Down, Time. Monday, 22 Oct. 1951.
Painters in Paradise: The Masterworks Bermuda Collection at the Guidhall Art Gallery.
Catalogue, Bermuda 2004
Slayton, Marina. ed. Four Centuries of Friendship: America-Bermuda Relations
1609-2009. Bermuda Maritime Museum Press, Bermuda, 2009.
19
Edwin M. E. Smith, Ph.D
Art & Design Senior lecturer
Save Our Sushi!
continued from page 24
Amy Harvey, MSC
Earth & Environmental
Science Lecturer
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Baudrillard (1981) argues that there has been
a significant break between the classical form
of capitalism, as analyzed by Marx, and the
development of capitalism following the
Second World War. This rupture is not
restricted to the economic and political
spheres, but includes the cultural as well(Baudrillard, 1983). While earlier forms of
capitalism fostered an ethic of production
based on Fordist economies of scale (Harvey
1990), its latter mode reveals itself in a no less
rigorous ethic of daily consumption
(Baudrillard, 1975, 1998; Featherstone 1990;
Jameson 1991; Ritzer 1999).
In this brave new academic world,
colleges and universities are no longer places
in which knowledge is produced but rather
peddled. In language borrowed from
managerial newspeak, students come to be
seen as customers, or conversely, having
dropped out they become lost revenue,
faculty become human capital, and nearly
everyone is a stakeholder. Enrollment itself
comes to be seen as little more than
marketing strategy to sell a brand.
Branding in higher education is most
evident in the various systems for ranking
colleges and universities; the higher a schoolsranking, the greater the brand recognition.
Education has entered the realm of pure
consumerism, much like the rankings of top
selling CDs or box office hits. However,
institutions of higher learning must not only
be able to attract customers, they must also
satisfy them. As Bauman (2007:10) writes,
buyers will wish to obtain commodities for
consumption only if consuming them
promises gratification of their desires.
Consequently, some have come to
see colleges and universities in the same light
as shopping malls, theme parks, and fast-food
restaurants (Barnett and Coate 2005:37;
Hayes and Wynyard 2002; Ritzer 1998). Suchan approach moves us into the postmodern
perspective of dedifferentiation: the idea that
traditional divisions and boundaries have
collapsed or imploded one upon the other
the interchangeability of shopping, leisure,
eating, sport, education and so on. Ritzer
(1999: 181) argues that this is one of the
hallmarks of modernity/postmodernity in
which formerly non-commercial settings are
becoming cathedrals of consumption.
Gottdiener (2001) sees such dedifferentiation
as a result of theming, leading to such
concepts as edutainment.
Such comparisons reflect the
pressures that tertiary institutions have come
to experience in marketing their
commodities. Accordingly, colleges find
themselves responding to the vulgarities of
the market, appealing to the masses,
providing what the customer desires. To
accomplish this goal they find themselveshaving to eliminate as many negative
aspects of education as possible. This is
evident in the phenomenon of grade inflation,
an ailment particularly infectious at Ivy
League (top brand) institutions (Rojstaczer
and Healy 2010). After all, one can hardly
consider a poor grade to be the promised
gratification of their desires. To avoid such
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The Consumption of Knowledge
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disappointments the savvy shopper can now
log on to CBS Money Watch to get a listing of
the easiest and hardest marking schools in the
United States (O'Shaughnessy 2010).
A culture of consumption has altered
our perception to the point that all reality isfiltered through the logic of exchange value
and advertising (Baudrillard, 1998). When
students approach education as consumers,
they are weighing the costs, the quality and
the convenience of getting an education.
When the college hierarchy adopt the same
perspective, faculty find themselves pressured
to change their course delivery to meet
specified measurable learning objectives.
Time is taken away from learning, the
institutions raison detre, to measure
customer satisfaction, assess the quality of the
service provider, and improve brand loyalty.
As education comes to be seen as a product,
colleges become little more than a service
based industry.
And yet, can a student ever truly be
a customer? We can think of students as
customers when they compare the cost of
tuition, availability of classes, access to thelibrary, the distance to commute, and the
ranking of the schools athletic teams. But can
they be customers with respect to what it is
they are taught? In order to be able to judge
the subject matter at hand, customers would
need to be experts in that particular field. If
that were the case, there would be no need
to enroll in a course (or to enroll in college).
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Consequently we must accept, that in the
classroom, they remain students, any other
option is pure folly. The business model
declares that the customer is always right, and
with respect to students, they are clearly not.
Additionally, such a framework ignores thatactive role that students play in producing
knowledge. Learning is not a matter of passive
consumption, but rather a product of work.
Students must exert both mental and physical
effort in order to learn.
As colleges come to be run more like
a business, they risk losing sight of the reason
for their existence, perhaps they need to take
a long hard look at their educational mission.
It must be kept in mind that unlike a business,
colleges do not exist to earn money andconsequently they should not be responding
to market demand. The notion of simply
discarding an academic subject due to low
enrollment (a.k.a. poor sales) can have
disastrous effects on the integrity of higher
education. Decisions about what courses
should be taught, in the absence of faculty
vetting, raises the whole question of
academic autonomy. Subjects should not just
be evaluated in market terms, after all, we are
dealing with knowledge. Such an approach is
reminiscent of Dickens character Thomas
Gradgrind, who, in his novel Hard Times,
espoused an educational philosophy of
teaching facts because facts alone are
wanted in life" (1854/1970: 15). However,
even he came to see the error of such a
perspective. If colleges evolve into an entitythat provide an education system whose only
concern is technical skills and knowledge that
have an immediate economic application, we
run the risk of producing a population of
unimaginative uncritical cogs in an economic
system with no greater ambition than profit
(cf. Nussbaum 2010).
But then, again, as colleges find
themselves responding to the needs of a
capitalist economy, perhaps that is what the
stakeholders desire, at least those who have asay.
22
E.M.E. Smith
ReferencesBarnett, Ronald and Kelly Coate 2005. Engaging the Curriculum in Higer Education. McGraw-
Hill: Maidenhead.
Baudrillard, Jean 1975. The Mirror of Production. St. Louis: Telos Press.
Baudrillard, Jean 1981. For a Critique of the Political Economy of the Sign. St. Louis: Telos
Press.
Baudrillard, Jean 1983. Simulations. New York: Semiotext(e).
Baudrillard, Jean 1998. The Consumer Society: Myths and Structures. London: Sage.
Bauman, Zygmunt 2007. Consuming Life. Oxford: Polity Press.
Dickens, Charles 1854/1970 Hard Times London: Collings.
Featherstone, M. 1990. Perspectives on Consumer Culture. Sociology 24(1) pp.5-22.
Gottdiener, Mark 2001. The Theming of America: American Dreams, Media Fantasies, and
Themed Environments (2nd ed.). Boulder, Colorado: Westview Press.
Harvey, David 1990. The Condition of Postmodernity. Cambridge MA: Blackwell.
Geoff Rothwell, Ph.DSociology Professor
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23
Hayes, Dennis & Robin Wynard 2002. Whimpering Into the Good Night: Resisting
McUniversity in George Ritzer (ed) McDonaldization: The Reader. Thousand Oaks: Pine Forge
Press.
Jameson, Fredric. 1991. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham
NC.: Duke University Press.Lyotard, Jean-Franois. 1979/93. The Postmodern Condition: A Report on Knowledge.
Minneapolis: University of Minnesota Press.
Nussbaum, Martha 2012. Not For Profit: Why Democracy Needs the Humanities. Princeton
University Press.
O'Shaughnessy, Lynn 2010. Grade Inflation: Colleges With the Easiest and Hardest Grades
Date Published: September 28, 2010 http://www.cbsnews.com/8301-505145_162-
37243170/grade-inflation-colleges-with-the-easiest-and-hardest-grades/, Date Accessed:
5/3/2012.
Ritzer, George 1998. The McDonaldization Thesis: Explorations and Extensions. London: Sage
Publications.
Ritzer, George 1999. Enchanting A Disenchanted World: Revolutionizing the New Means of
Consumption. Thousand Oaks: Pine Forge Press.
Rojstaczer, Stuart and Christopher Healy 2010. Grading in American Colleges and
Universities in Teachers College Record, Date Published: March 04, 2010
http://www.tcrecord.org, Date Accessed: 4/3/2010.
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The ever popular take-out sushi may also be
an indicator of our mass consumerism and
throwaway society. The plastic trays, plastic
grass and disposable chop sticks are all
intended for one time use and destined for the
trash. These very items, however, if not
properly disposed of could potentially harm
the fish that we deem safe to eat cooked and
raw alike! Plastic pollution, in particular, is
causing overwhelming problems in our
oceans and their food chains which
ultimately affect the top predator, humans!
Plastic is a product made to last
almost forever; it is created by man, usually
for a onetime use. The problem with plastic is
that it is non-biodegradable i.e. it will not
break down. Plastic that ends up in the ocean
wreaks havoc on the smaller organisms that
ingest it. It also affects larger marine
organisms that not only eat plastic
contaminated food but also face death by
entanglement by ghost nets and stray fishing
line that have been abandoned by fishermen.
The fact that marine life is ingesting plastic
that they cannot digest is bad enough, but
research also shows that this plastic can be
poisoning them. Plastics can act as magnetsto pollutants such as pesticides, oils and
Bisphenol A (BPA). They are finding that the
plastics are much more concentrated in these
pollutants than the surrounding water. Also,
these persistent (do not break down)
pollutants bioaccumulate in the food chain
which means that by the time we eat some of
the top predators, like tuna, the
concentrations will have significantly
magnified to the point where they can be
toxic to us.
Over the last three years,
environmental science students at Bermuda
College have been carrying out visible debris
surveys at Elbow Beach. The purpose of this
on-going survey is primarily to identify and
collect plastic litter debris and to monitor the
impacts that they have on our local and
global ecosystems. This data is shared with
the Marine Plastics Debris Taskforce, Keep
Bermuda Beautiful, and the 5 Gyres group
which is a US based charity. If our waste is not
properly disposed of, it will ultimately find itsway to our oceans. It is suggested that 80% of
plastic pollution in the ocean comes from
littering on land. Only 20% comes from marine
activity like containers falling off of ships,
littering from the fishing industry, or recreational
24
Save our Sushi!
continued on page 19
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