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ser--NINCH-recent Preservation 12/8/01 1 Recent Digital Preservation Activities Howard Besser UCLA School of Education & Information http://www.gseis.ucla.edu/ ~howard

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Page 1: Besser--NINCH-recent Preservation 12/8/01 1 Recent Digital Preservation Activities Howard Besser UCLA School of Education & Information howard

Besser--NINCH-recent Preservation 12/8/01 1

Recent Digital Preservation Activities

Howard Besser

UCLA School of Education & Information

http://www.gseis.ucla.edu/~howard

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Besser--NINCH-recent Preservation 12/8/01 2

Recent Digital Preservation Activities-

The Problem Preservation Repositories Preservation Metadata Other Digital Preservation Activities Special concerns of Cult Heritage

community

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Serious Longevity Problems

What we know from prior widespread digital file formats

Previous formats required little ongoing intervention (remote storage facilities, Iron Mtn); digital formats require intense ongoing management

The Short Life of Digital Info-

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The Short Life of Digital Info: Digital Longevity Problems

Disappearing Information The Viewing Problem The Scrambling Problem The Inter-relation Problem The Custodial Problem The Translation Problem

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Older Longevity Projectshttp://sunsite.berkeley.edu/Longevity/

CPA Task Force Getty “Time & Bits” Conference & Follow-ups- Preservation experiments in US and Europe

NEDLIB, CURL, Michigan

Internet Archive Long Now

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Besser--NINCH-recent Preservation 12/8/01 6

Preservation Repositories:OAIS Model

High-level reference model describing submission, organization and management, and continuing access

Conceptual framework for different organizations to share discussions with a common language

Producers, consumers, management, actual repository SIP, DIP, AIP AIP consists of data objects plus representation info

(Content, Preservation Description, Packaging, Descriptive)

Originally developed for Space Science community

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Preservation Repositories:Projects based on OAIS Model

CEDARS NEDLIB Pandora CDL OCLC/RLG Working Group on

Preservation Metadata, Attributes of a Trusted Digital Repository, August 2001-

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Besser--NINCH-recent Preservation 12/8/01 8

OCLC/RLGDigital Repository Attributes

_ Administrative responsibility_ Organizational viability_ Financial sustainability_ Technological suitability_ System security_ Procedural accountability

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OCLC/RLGSelected Recommendations

_ Policies, Certification processes, Risk management, Persistent ID, Migration/Emulation experiments

_ Stakeholders meet to decide how to describe what is in a dig repository

_ Examine special properties of particular classes of digital objects

_ Technical standards for exchange and interoperability btwn repositories

_ Develop projects and case studies_ Copyright issues

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Besser--NINCH-recent Preservation 12/8/01 10

Preservation Metadata

OCLC/RLG Working Group on Preservation Metadata, Preservation Metadata for Digital Objects: A Review of the State of the Art, January 31 2001

OCLC/RLG Working Group on Preservation Metadata, A Recommendation for Content Information, October 2001

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Other Digital Preservation Activities-

LC Natl Dig Info Infrastructure & Preservation InterPARES Emulation Projects E-Journal Archiving ERPANET Persistent Naming

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LC’s National Digital Information Infrastructure and

Preservation Program_ Authorized Dec 2000_ LC, Dept of Commerce, NARA, White House

Office of Sci & Tech Policy_ with help from CLIR, NLM, NAL, OCLC, RLG_ Ongoing collab process_ Commissioned papers on preserving: the Web,

periodicals, digital sound, E-Books, Digital TV, Digital Video

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Besser--NINCH-recent Preservation 12/8/01 13

InterPARES International Research on Permanent Authentication

Records in Electronic Systems

_ Ongoing international archival world project examining how to make electronically-generated records last over time

_ Developing the theoretical and methodological knowledge needed, then will formulate model policies, strategies, and standards

_ Next year will be extended to include images and rich media

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Besser--NINCH-recent Preservation 12/8/01 14

Emulation Projects

_ CAMiLEON (Michigan/Leeds)_ NEDLIB

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E-Journal Archiving

_ Issues– License, don’t own; may not be even able to obtain right to make archival

copy

– Increasingly no paper back-up at all

– Usually we don’t have the important redundancy factor

_ Mellon funded projects (2001)– Yale, Harvard, Penn working w/individual publishers

– Cornell, NYPL--specific disciplines

– MIT exploring characteristics that change (dynamic)\

– Stanford--archiving software tools

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Besser--NINCH-recent Preservation 12/8/01 16

Electronic Resource Preservation and Access NETwork (ERPANET)

_ RLG initiative just launched as European consortium

_ Best practices and skills development for digital preservation of cultural heritage and scientific objects

_ 3 year project launched Nov 2001; 1.2 million Euros

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NEA 2001 grant to BAVCfor $150,000

_ “To support development and dissemination of a DVD that contains a curriculum for the preservation of electronic art. The DVD will feature a preservation overview; discussions with conservators, artists, curators and technicians; a curriculum to train professionals in the field and project case studies to conserve electronic art.”

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Persistent Naming

URNs Handles PURLs Re-directs

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What’s special about Cult Heritage Materials?

_ Images & rich media_ Inter-relationships btwn parts_ For Contemporary Art: What is the Work?-

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LeWitt: Wall Drawing 340

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Installing LeWitt

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LeWitt Install Directions

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Complexity of Rich Media

_ Works often have artistic nature (including video games)

_ Enormous number of elements can, at times, be very important to preserve (pacing, original artifact, elements used to construct the artifact)

_ Too complex to save every one of these aspects for every type of material

_ Importance of saving documentation

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What can we do specific to Electronic Art?

_ Works themselves may no longer even exist; in many cases, what we can save amounts to forensic evidence

_ Enormous number of elements can, at times, be very important to preserve (pacing, original artifact, elements used to construct the artifact)

_ Too complex to save every one of these aspects for every type of material

_ Importance of saving pieces, representations, and documentation_ Involve the artists to capture their intentions_ Importance of Standards_ Familiarize ourselves with recent conservation developments (Who

Knows?, TechArcheology, Tate, IMAP)

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Standards for encodingartists intentions

(group efforts w/i Cult Heritage community)

_ Artists Interviews Project, Netherlands Institute for Cultural Heritage 1998-1999, Modern Art: Who Cares (http://www.icn.nl/english/6.4.2.html)

_ TechArcheology: A Symposium on Installation Preservation (SFMOMA)

_ More recent SFMOMA/Tate collaborations_ IMAP_ Guggenheim’s Variable Media

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Structural Metadata Standards for Encoding Multimedia-

(no time for details)

_ SMIL_ MPEG 4

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A few questions the NINCH community should address

_ Special issues raised by non-library institutions_ Special issues raised by images and rich media_ What is the work (or salient points we need to preserve)?_ Bring the arts communities (artist intent, BAVC) together with the

preservation repository communities and the preservation metadata communities

_ Specifically get Cult Heritage communities involved with the selected OCLC/RLG recommendations

_ What organizations will take responsibility to save today’s digital “ephemeral” materials (online ‘zines, arts discussion groups, etc.)?

_ Get cult heritage groups started on working to make sure that structure standards incorporate our works

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Recent Digital Preservation Activities

Howard Besser

UCLA School of Education & Information

http://sunsite.berkeley.edu/Longevity/

http://www.oclc.org/digitalpreservation/presmeta_wp.pdf

http://www.oclc.org/research/pmwg/contentinformation.pdf

http://is.gseis.ucla.edu/us-interpares/

http://www.diglib.org/preserve/ejp.htm

http://www.gseis.ucla.edu/~howard

http://www.longnow.com/10klibrary/TimeBitsDisc/

http://www.archive.org/