cien años con juan rulfo - marchedufilm.com3a%2f%2fcdn-media... · marta ferrer graduated with a...

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Dir. Marta Ferrer [email protected] Marta Ferrer graduated with a degree in Cinematography from ESCAC (Barcelona). In 2006, she received a scholarship to study at Centro de Capacitación Cinematográfica in Mexico, where she directed her first documentary El Varal, which won Best Documentary at Morelia Film Festival in 2010. In 2011, after completing a Masters in Documentary Filmmaking at Universitat Pompeu Fabra (Barcelona), she returned to Mexico, where she is directing her second documentary. Director Marta Ferrer Producer Sebastián Celis, Nicolás Celis, Alejandro Durán Screenplay Marta Ferrer Cinematography Hugo Royer Editing Ares Botanch Catalá Sound Adrià Campmany Buisan Production companies Pimienta Films, Cuadernos de Cine, FOPROCINE/IMCINE, IMCINE, Marta Ferrer, Gavilán cine, Bambú Audiovisual Location La Flor de Jimulco, Coahuila; Sombreretillo, Sapioriz, La Loma, Durango (México) [email protected] A MORIR A LOS DESIERTOS 2017 / Mexico / 75 min To Die to the Deserts A journey about every-day life in two villages in northern Mexico: the last cradles of Cardenche, a traditional a cappella song on the path to extinction (or in a process of transformation). Through this peasant song, of the cotton hacienda workers, the film explores the dark past and present-day reality of resistance through spaces that tell the history and characters that work or sing to survive. DOCUMENTARY Dir. Hatuey Viveros [email protected] In 2009 he was awarded in the "Kodak Filmschool Competition" for Best Latin American Cinematography for his work in the film La canción de los niños muertos. In 2014 he received an award granted by the International Documentary Association for best documentary cinematography for the documentary Elevator. His film, Café (Cantos de humo), got the Sesterce D´or, in Visions Du Reel 2014, as well as the Kukulkan Award in the Riviera Maya Film Fest 2014, the Abrazo Award in Biarritz, Best Latin America documentary granted by Cinema Tropical in NY and it was included in the New York MoMa programming, among other awards. His work is about the search for identity as he works to become a story-teller focused on his own reality through an intimate approach, making the image be the predominant device in his language. Director Hatuey Viveros Producer Hatuey Viveros, Alejandro Durán, Carlos Hernández Screenplay Hatuey Viveros Cinematography Hatuey Viveros Editing Pedro García Sound Isabel Muñoz, Hatuey Viveros Production companies Aldea Cine, Verde Limón Audiovisual, Gavilán Cine, Mandarina Cine, FOPROCINE/IMCINE Location Cuba Dir. Enrique García [email protected] Enrique Garcia Meza In his first years in the film industry he collaborated in different areas of production in diverse films, commercials and television as Coordinator, Unit Manager, Production Manager, and Executive Producer. For sixteen years, he has been creating and working in the program Producir es cosa de todas y todos (Me late chocolate films and workshops) in rural, indigenous and vulnerable areas of the Mexico as producer of short films with children and adults; more than 60 short films have been produced and directed in this program. He directed the television series Los niños cuentan a production of Bertha Navarro and Canal Once (IPN). Director Enrique García Meza Producer Bertha Navarro Screenplay Enrique García Meza Cinematography Enrique García Meza, Gabriela Sánchez Editing Felipe Gómez, Martha Uc Sound Nerio Barbieris Music Andrés Sánchez, Gus Reyes Production companies Salamandra Producciones, S.A. de C.V., FOPROCINE/IMCINE AYOTZINAPA 2017 / Mexico / 110 min Ayotzinapa Being a student at the Escuela Normal Rural de Ayotzinapa Rural Teacher Training College, or being one of those students´ farm worker father or an indigenous mother, usually means being invisible. Their grief and their hope made them visible and perhaps also reminded us that we are not alone; we are intimately connected to them. DOCUMENTARY Dir. Anaïs Huerta [email protected] From French and Spanish origin, she completed two Masters in Political Science in France and Canada. In 2006 she created Amaina Films in Mexico City with Raul Cuesta, producer and photographer, a company where they produced short and feature lenght documentaries as independent projects or for NGOs and communication media; teaches documentary workshops in Mexico and abroad. Anais has been working in Spain, Mexico, France, Bolivia, Canada, India and Haiti. In 2009 she directed Rehje (68mn, Mexican Film Institute), an award winning documentary about the life of an indigenous woman in Mexico. Rehje won six international awards and has been selected in more tan 70 film festivals around the world. Director Anaïs Huerta Producer Anaïs Huerta, Raúl Cuesta Screenplay Anaïs Huerta Cinematography Raúl Cuesta Editing Anaïs Huerta, Patrick Danse, Pablo Enciso Sound Anaïs Huerta, Bassem Ajaltouni Production companies IMCINE, Amaina Films Location Francia and Haití DAVID, EL REGRESO A LA TIERRA 2017 / Mexico / 95 min David. The Return to the Land I´m black, born Haitian, French and Jewish by adoption... I feel all of those things, but people don´t look at me like that. It´s normal, but that makes it harder for me to find my place. At 34 years old, David dreams and, at the same time, fears, going back to Haiti. DOCUMENTARY Dir. Alejandra Islas [email protected] Graduate of CUEC, UNAM. Alternates between making documentaries and teaching in the Universidad Autónoma del Estado de Morelos (UAEM). Since 2006 promotes iberoamerican documentaries through the Festival of Memory in Morelos. Her works have received the Ariel de Plata and Rovirosa awards, the Public’s Award at the Morelia Festival in Mexico, a nomination for the US Emmy Award, plus awards and acknowledgements in Bolivia, Korea and Spain for her documentaries : Molinet’s case, The eternal circle, Muxes, The Demons of Eden, The shelter. Alejandra has been juror in several festivals in México and other countries and has participated during 6 years in Doculab (FICG). Member of the FONCA, National System of Creators since in 2011 and 2016. Her recent documentary The light and the power (2017). Director Alejandra Islas Caro Producer Alejandra Islas Caro Screenplay Alejandra Islas Caro Cinematography Alejandra Islas Caro, Nadia del Río Editing Alejandra Islas Caro, Ricardo Hidalgo Fernández, Alejandro Quesnel Sound Miguel Baez Medina Music Antonio Segura, Humberto Montes de Oca Production companies FOPROCINE/IMCINE, Alejandra Islas, Utopía Video Producciones, Comunik-arte Location Estado de México, Ciudad de México, Hidalgo y Puebla (México) LA LUZ Y LA FUERZA 2017 / Mexico / 95 min The Light and the Strength Ensemble documentary about 16,599 electricity workers and their families, who strive to recover their jobs and their organization. During a six-year struggle fought without pause on Mexico's streets, they have built a resistance movement that lead to an unexpected resolution of the conflict. Collective and individual stories tell the tale of one of the most significant episodes of the labor struggle in Mexico. DOCUMENTARY MEXICAN FILM INSTITUTE IMCINE [email protected] Visions 2017 will showcase for the industry six documentary works in progress by both new and well established directors at the Marche du Film Doc Corner during the Cannes Film Festival. The special event has been organized by the Mexican Film Institute from a long list of submissions that includes independent as well as films supported by IMCINE. All titles are documentaries films currently in post production ready for festival selection with all rights available. NOTAS PARA NO OLVIDAR 2017 / Mexico / 90 min Notes Against Oblivion Piro is a mathematician whose obsessions have been captured in three notebooks; one to keep a rigorous control over his expenses, another to remind himself of the location of the things he collects in case he ever needs them, and one more for the most important events of his life. We will use these notes as a starting point against oblivion, a journey through the lives of three generations of my family. DOCUMENTARY Juan, Pata de Perro Cien años con Juan Rulfo 2017 / Mexico / 7 chapters of 52 min 100 Years with Juan Rulfo This series aims to explore the questions surrounding Juan Rulfo's life and his rich creative activity. More than a biographic portrait, we propose a melting pot of different views, a multitude of voices that will recover and portray the man behind the words: the father, writer, photographer, traveler, inhabitant of the troubled, complex, and fascinating Mexico of his day. Because despite the fact that Juan is no longer with us, his ideas and literary creations are as current today as they ever were. DOCUMENTARY Dir. Juan Carlos Rulfo [email protected] Degree in Communication Sciences from the Universidad Autónoma Metropolitana, and Cinematographic Direction at the Centro de Capacitación Cinematográfica. He has participated in various national and international festivals, obtaining multiple awards for his works. He is a member of the FONCA, National System of Creators. Currently working on the filming of his sixth feature documentary called Érase una vez; a reflection on children and new generations, an allegory about the imagination and the future. “It is important that in Mexico we find an audiovisual language to talk about, among other things, justice and human values, which have always been abused and forgotten”. That's why the documentary is presented as an optimal format to explore the changing and elusive reality of our country. Director Juan Carlos Rulfo Producer Eugenia Montiel Pagés Screenplay Marina Stavenhagen Cinematography Eduardo Herrera, Juan Carlos Rulfo, Héctor Ortega Editing José Adrián Parisi, Ana Laura Calderón Sound Isabel Muñoz Production companies La Media Luna Producciones, IMCINE Location Ciudad de México, Estado de México, Jalisco, Colima, Hidalgo, Tlaxcala, Oaxaca (México); Francia; Estados Unidos DOC CORNER Mon 22 nd 1:30 to 3:30 Riviera H8 DOC

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Page 1: Cien años con Juan Rulfo - marchedufilm.com3A%2F%2Fcdn-media... · Marta Ferrer graduated with a degree in Cinematography ... S.A. de C.V., FOPROCINE/IMCINE ... but people don´t

Dir. Marta Ferrer

[email protected]

Marta Ferrer graduated with a degree in Cinematography

from ESCAC (Barcelona). In 2006, she received a

scholarship to study at Centro de Capacitación

Cinematográfica in Mexico, where she directed her first

documentary El Varal, which won Best Documentary at

Morelia Film Festival in 2010. In 2011, after completing a

Masters in Documentary Filmmaking at Universitat

Pompeu Fabra (Barcelona), she returned to Mexico, where

she is directing her second documentary.

DirectorMarta Ferrer

ProducerSebastián Celis, Nicolás Celis, Alejandro Durán

ScreenplayMarta Ferrer

CinematographyHugo Royer

EditingAres Botanch Catalá

SoundAdrià Campmany Buisan

Production companiesPimienta Films, Cuadernos de Cine, FOPROCINE/IMCINE, IMCINE, Marta Ferrer, Gavilán cine, Bambú Audiovisual

LocationLa Flor de Jimulco, Coahuila; Sombreretillo, Sapioriz, La Loma, Durango (México)

[email protected]

A MORIR A LOS DESIERTOS2017 / Mexico / 75 minTo Die to the Deserts

A journey about every-day life in two villages in northern Mexico: the last cradles of Cardenche, a traditional a cappella song on the path to extinction (or in a process of transformation). Through this peasant song, of the cotton hacienda workers, the film explores the dark past and present-day reality of resistance through spaces that tell the history and characters that work or sing to survive.

DOCUMENTARY

Dir. Hatuey Viveros

[email protected]

In 2009 he was awarded in the "Kodak Filmschool

Competition" for Best Latin American Cinematography for

his work in the film La canción de los niños muertos. In 2014 he

received an award granted by the International

Documentary Association for best documentary

cinematography for the documentary Elevator.

His film, Café (Cantos de humo), got the Sesterce D´or, in

Visions Du Reel 2014, as well as the Kukulkan Award in the

Riviera Maya Film Fest 2014, the Abrazo Award in Biarritz,

Best Latin America documentary granted by Cinema

Tropical in NY and it was included in the New York MoMa

programming, among other awards.

His work is about the search for identity as he works to

become a story-teller focused on his own reality through an

intimate approach, making the image be the predominant

device in his language.

DirectorHatuey Viveros

ProducerHatuey Viveros, Alejandro Durán, Carlos Hernández

ScreenplayHatuey Viveros

CinematographyHatuey Viveros

EditingPedro García

SoundIsabel Muñoz, Hatuey Viveros

Production companiesAldea Cine, Verde Limón Audiovisual, Gavilán Cine, Mandarina Cine, FOPROCINE/IMCINE

LocationCuba

Dir. Enrique García

[email protected]

Enrique Garcia Meza

In his first years in the film industry he collaborated in

different areas of production in diverse films, commercials

and television as Coordinator, Unit Manager, Production

Manager, and Executive Producer.

For sixteen years, he has been creating and working in the

program Producir es cosa de todas y todos (Me late

chocolate films and workshops) in rural, indigenous and

vulnerable areas of the Mexico as producer of short films

with children and adults; more than 60 short films have

been produced and directed in this program. He directed

the television series Los niños cuentan a production of

Bertha Navarro and Canal Once (IPN).

DirectorEnrique García Meza ProducerBertha Navarro

ScreenplayEnrique García Meza

CinematographyEnrique García Meza, Gabriela Sánchez

EditingFelipe Gómez, Martha Uc

SoundNerio Barbieris

MusicAndrés Sánchez, Gus Reyes

Production companiesSalamandra Producciones, S.A. de C.V., FOPROCINE/IMCINE

AYOTZINAPA2017 / Mexico / 110 minAyotzinapa

Being a student at the Escuela Normal Rural de Ayotzinapa Rural Teacher Training College, or being one of those students´ farm worker father or an indigenous mother, usually means being invisible. Their grief and their hope made them visible and perhaps also reminded us that we are not alone; we are intimately connected to them.

DOCUMENTARY

Dir. Anaïs Huerta

[email protected]

From French and Spanish origin, she completed two

Masters in Political Science in France and Canada. In 2006

she created Amaina Films in Mexico City with Raul Cuesta,

producer and photographer, a company where they

produced short and feature lenght documentaries as

independent projects or for NGOs and communication

media; teaches documentary workshops in Mexico and

abroad. Anais has been working in Spain, Mexico, France,

Bolivia, Canada, India and Haiti. In 2009 she directed Rehje

(68mn, Mexican Film Institute), an award winning

documentary about the life of an indigenous woman in

Mexico. Rehje won six international awards and has been

selected in more tan 70 film festivals around the world.

DirectorAnaïs Huerta

ProducerAnaïs Huerta, Raúl Cuesta

ScreenplayAnaïs Huerta

CinematographyRaúl Cuesta

EditingAnaïs Huerta, Patrick Danse, Pablo Enciso

SoundAnaïs Huerta, Bassem Ajaltouni

Production companiesIMCINE, Amaina Films

LocationFrancia and Haití

DAVID, EL REGRESO A LA TIERRA 2017 / Mexico / 95 minDavid. The Return to the Land

I´m black, born Haitian, French and Jewish by adoption... I feel all of those things, but people don´t look at me like that. It´s normal, but that makes it harder for me to find my place. At 34 years old, David dreams and, at the same time, fears, going back to Haiti.

DOCUMENTARY

Dir. Alejandra Islas

[email protected]

Graduate of CUEC, UNAM. Alternates between making

documentaries and teaching in the Universidad Autónoma

del Estado de Morelos (UAEM). Since 2006 promotes

iberoamerican documentaries through the Festival of

Memory in Morelos. Her works have received the Ariel de

Plata and Rovirosa awards, the Public’s Award at the

Morelia Festival in Mexico, a nomination for the US Emmy

Award, plus awards and acknowledgements in Bolivia,

Korea and Spain for her documentaries : Molinet’s case, The

eternal circle, Muxes, The Demons of Eden, The shelter.

Alejandra has been juror in several festivals in México and

other countries and has participated during 6 years in

Doculab (FICG).

Member of the FONCA, National System of Creators since

in 2011 and 2016. Her recent documentary The light and

the power (2017).

DirectorAlejandra Islas Caro

ProducerAlejandra Islas Caro

ScreenplayAlejandra Islas Caro

CinematographyAlejandra Islas Caro, Nadia del Río

EditingAlejandra Islas Caro, Ricardo Hidalgo Fernández, Alejandro Quesnel

SoundMiguel Baez Medina

MusicAntonio Segura, Humberto Montes de Oca

Production companiesFOPROCINE/IMCINE, Alejandra Islas, Utopía Video Producciones, Comunik-arte

LocationEstado de México, Ciudad de México, Hidalgo y Puebla (México)

LA LUZ Y LA FUERZA2017 / Mexico / 95 minThe Light and the Strength

Ensemble documentary about 16,599 electricity workers and their families, who strive to recover their jobs and their organization. During a six-year struggle fought without pause on Mexico's streets, they have built a resistance movement that lead to an unexpected resolution of the conflict. Collective and individual stories tell the tale of one of the most significant episodes of the labor struggle in Mexico.

DOCUMENTARY

MEXICAN FILM INSTITUTE IMCINE [email protected]

Visions 2017 will showcase for the industry six documentary works in progress by

both new and well established directors at the Marche du Film Doc Corner during

the Cannes Film Festival. The special event has been organized by the Mexican

Film Institute from a long list of submissions that includes independent as well as

films supported by IMCINE. All titles are documentaries films currently in post

production ready for festival selection with all rights available.

NOTAS PARA NO OLVIDAR2017 / Mexico / 90 minNotes Against Oblivion

Piro is a mathematician whose obsessions have been captured in three notebooks; one to keep a rigorous control over his expenses, another to remind himself of the location of the things he collects in case he ever needs them, and one more for the most important events of his life. We will use these notes as a starting point against oblivion, a journey through the lives of three generations of my family.

DOCUMENTARY

Juan, Pata de Perro… Cien años con Juan Rulfo2017 / Mexico / 7 chapters of 52 min

100 Years with Juan Rulfo

This series aims to explore the questions surrounding Juan Rulfo's life and his rich creative activity. More than a biographic portrait, we propose a melting pot of different views, a multitude of voices that will recover and portray the man behind the words: the father, writer, photographer, traveler, inhabitant of the troubled, complex, and fascinating Mexico of his day. Because despite the fact that Juan is no longer with us, his ideas and literary creations are as current today as they ever were.

DOCUMENTARY

Dir. Juan Carlos Rulfo

[email protected]

Degree in Communication Sciences from the Universidad

Autónoma Metropolitana, and Cinematographic Direction

at the Centro de Capacitación Cinematográfica. He has

participated in various national and international festivals,

obtaining multiple awards for his works. He is a member of

the FONCA, National System of Creators. Currently

working on the filming of his sixth feature documentary

called Érase una vez; a reflection on children and new

generations, an allegory about the imagination and the

future. “It is important that in Mexico we find an audiovisual

language to talk about, among other things, justice and

human values, which have always been abused and

forgotten”. That's why the documentary is presented as an

optimal format to explore the changing and elusive reality

of our country.

DirectorJuan Carlos Rulfo

ProducerEugenia Montiel Pagés

ScreenplayMarina Stavenhagen

CinematographyEduardo Herrera, Juan Carlos Rulfo, Héctor Ortega

EditingJosé Adrián Parisi, Ana Laura Calderón

SoundIsabel Muñoz

Production companiesLa Media Luna Producciones, IMCINE

LocationCiudad de México, Estado de México, Jalisco, Colima, Hidalgo, Tlaxcala, Oaxaca (México); Francia; Estados Unidos

DOC CORNER

Mon 22nd

1:30 to 3:30

Riviera H8

DOC