digital radio and tv systems part 1 v.2
TRANSCRIPT
Digital Radio and TV Systems Part 1 V.2
Course at FH Technikum Wien
DI Peter Knorr
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1924 first radio transmission in Austria
How it all began
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1955 first television transmission in Austria
How it all began
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1972 colour television in Austria
How it all began
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2006 – 2011 analog switch off – start of digital terrestrial television
DVB-T in Austria
How we developed digital TV
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2013 start of second generation of digital terrestrial television DVB-T2
in Austria
Next generation of digital television
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Digitalization of Broadcast in 2014
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Definitions
Broadcast is a point to multipoint system
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Definitions
Mobile Communication is a point to point system
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Analog TV (Do you remember ?)
Ghosting (Multi path)
Weak signal Electrical Interference
Transmitter Interference
Source: www.rsm.govt.nz
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Bandwidth (use of existing TV channels in VHF and UHF)
Simulcast with analog signals without interference
Robustness against multipath reception
Single frequency network
Portable and fixed reception
Technical requirements for a new terrestrial digital TV system:
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Bandwidth (use of existing channels in VHF)
Robustness against multipath reception (also in mobile situations)
Single frequency network
Mobile, portable and fixed reception
Technical requirements for a new terrestrial digital radio system:
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Developing of a digital broadcasting system
But 1966 no processor power was available to realize this system
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Video compression formats
1991 MPEG 1
1994 MPEG 2
2001 MPEG 4 (H.264)
2013 H265 MPEG = Moving Pictures Expert Group
Developing of a digital broadcasting system
Audio compression formats
MPEG 1 Layer 1,2,3 (1989-1992)
AAC (1997), HE-AAC,
Extended HE-AAC (2013)
Dolby Digital Audio AC-3 (1990)
Dolby Digital Plus (E-AC-3) AAC = Advanced Audio Codec
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A digital standard definition video signal (SDTV) has a data rate of 270 Mbit/s
(SDI format = CCIR 601))
A digital HDTV signal has a data rate > 1 Gbit/s (HD-SDI format)
An uncompressed digital audio signal has a data rate of approx. 1.5 Mbit/s
(Audio-CD)
This high bit rates can be transported between cameras and studios only on
short distances or via fibre optic (dark fibre technology).
A transport via broadcasting or mobile systems is only possible if the signals
are data reduced.
Why is data reduction (compression) of digital signals necessary ?
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Source: uncompressed video signal SD = 270 Mbit/s (CCIR 601)
Compression to MPEG2 / 4 Video Elementary stream 2-15 Mbit
Source: uncompressed HD video signal HD-SDI = 1.485 Gbit/s
Compression to MPEG2 (~ 2o Mbit) or MPEG4 (~ 10 Mbit)
Video elementary stream 1.5 …7 (15) Mbit/s
Data reduction (compression) of digital video signals
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MPEG Video Compression (Encoding):
Analysis of moving parts and fix parts of pictures
Group of picture (GOP)
I, B and P frames
An I frame indicates the
beginning of a GOP. The I frames
contain the full image and do not
require any additional
information to reconstruct it.
P and B frames contains
motion-compensated difference
information relative to previously
decoded pictures
Data reduction (compression) of digital video signals
GOP (Group of Pictures)
I-FrameIntra
Frame CodedPicture
B-FrameBidirectional
PredictedPicture
B-FrameBidirectional
PredictedPicture
P-FramePredicted
Picture
I-FrameIntra
Frame CodedPicture
Forward Prediction
Backward Prediction
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Source: uncompressed audio signal form studio AES/EBU= 2 Mbit/s
or Audio-CD ~ 1.5 Mbit/s
Encoded audio bit rates:
MPEG, AAC: 16,32,64,128,160,192,256,384 kbit/s
Dolby Digital AC3: 448 kbit/s
Data reduction (compression = Encoding) of digital audio signals
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MPEG-2 Audio compression (Encoding):
Audio compression by using Psycho Acoustic Model of Human Ear.
Perceptual Coding = Irrelevancy Reduction + Redundancy Reduction
It is found that the ear has a certain threshold of hearing. Below this the signals are
inaudible.
Data reduction (compression) of digital audio signals
Source: Wikipedia
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MPEG-2 Audio Compression (Encoding):
Frequency Masking:
If a strong sound is present on one frequency (Masker) then weaker sounds close to it
may not be heard because the threshold of hearing is modified
Data reduction (compression) of digital audio signals
Source: Wikipedia
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Multiplexing of Video, Audio and Data
VIDEOENCODER
AUDIOENCODER
MU
LTIP
LEXE
R
270 Mbit/sSDI
2 Mbit/sAES/EBU
Data (Teletext …)
5 Mbit/s
192 kbit/s
300 kbit/s
5,5 Mbit/sMPEG2-TS
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Multiplexing of more MPEG-TS
Video 1
Video 2
Video 3
Audio 1
Audio 2
Audio 3
Data 1
Data 2
Data 3
MPE
G2-
Mul
tiple
xer
MPEG2-TS
Enco
der
Enco
der
Enco
der
Transport Stream Multiplex
PID=
0x10
0PI
D=0x
200
PID=
0x30
0PI
D=0x
400
PID=
0x50
0
PID=
0x60
0PI
D=0x
100
PID=Packet Identifier
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MPEG2-TS structure
188 Byte
Payload = 184 Byte
Header4 Byte
Sync
Byt
e =
1 By
te
Tran
spor
t Err
or In
dica
tor
= 1
bit
Pack
et Id
entif
ier P
ID13
bit
188 Byte
Payload = 184 Byte
Header4 Byte
Sync
Byt
e =
1 By
te
Tran
spor
t Err
or In
dica
tor
= 1
bit
Pack
et Id
entif
ier P
ID13
bit
Reed SolomonError Protection
RS (204,188)
204 Byte
Transport stream specifies a container format encapsulating packetized elementary streams, with error correction and stream synchronization features for maintaining transmission integrity when the signal is degraded.
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Synchronization problem
PCR, or Program Clock Reference, is fundamental to the timing recovery mechanism for MPEG2 transport streams. PCR values are embedded into the adaptation field within the transport packets of defined PIDs.
MPEG2Encoder
Counter42 bit
MPEG2DecoderVideo, Audio Video, Audio
PCR intervalall
< 40 ms
PCR PCR
MPEG 2 - TS
STC = System Time Clock27 Mc
Counter
STC – 27Mc
NumericallyControlledOscillator
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Additional Data in the MPEG-TS
MPEG-2 Program Specific Information PAT Program Association Table (list of all programs in the TS) PMT Program Map Table (contain information about programs) CAT Conditional Access Table
DVB SI Service Information NIT Network Information Table (info about name, RF parameter) SDT Service Descriptor Table BAT Bouquet Association Table (info about all services) EIT Event Information Table (Event info, EPG - program guide) TDT Time & Date Table (current time and date in UTC) TOT Time Offset Table (local time offset) RST Running Status Table (running status, delays ..) ST Stuffing Table
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DVB Project
The DVB Project is an Alliance of about 200 companies, originally of European origin but now worldwide. Its objective is to agree specifications for digital media delivery systems, including broadcasting. It is an open, private sector initiative with an annual membership fee, governed by a Memorandum of understanding (MoU). The Members of the DVB project develop and agree specifications which are then passed to the European standards body for media systems, the EBU / CENELEC / ETSI Joint Technical Committee, for approval. The specifications are then formally standardised by either CENELEC or, in the majority of cases, ETSI.
Source: DVB Project
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DVB Project developed a transport systems for digital broadcasting
Source: DVB Project www.dvb.org
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DVB and other digital television systems
www.dvb.org
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At the end we need a standard
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DVB Workflow
Mathematical theory
Codingtheory
Digital processingtechniques U
nive
rsity
and
DVB
Pro
ject
wor
k ETSIStandard
Prototypetest
End productionRF
technology
IntegratedCircuit
technology
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Basics of digital signal processing
Why broadcast needs digital transmission: Solve problems with multipath reception and other interference Better signal (picture and audio) quality and more robustness More information capacity (more TV or Radio programs over one
channel) Band width Power consumption (really ? – discussion), RF power, rack space Higher data security (encryption systems easier to integrate) User friendly (EPG, Scan, Data Services, Recording PVR, OTA Update)
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Basics of Coding
Encode source information, by adding additional information, sometimes referred to as redundancy, that can be used to detect, and perhaps correct errors in transmission. The more redundancy we add, the more reliably we can detect and correct errors, but the less efficient we become at transmitting the source data
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Signal processing before modulation
BasebandInterface
Energydispersal
ReedSolomonEncoding
TimeInterleaver
ConvolutionalCoder
Puncturing
MPEG2TS
FEC 1OuterCoder
FEC 2InnerCoder
Code Rate1/2...7/8
IQ
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Signal processing before modulation
DVB-T and DVB-S use 2 coding algorithms : • Block Code = Reed Solomon Code • Convolutional Coding and Scrambling and Interleaving
Scrambler Reed SolomonCoder
TimeInterleaver
ConvolutionalCoder
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Signal processing before modulation
Scrambler (energy dispersal) Use an algorithm that converts an input string into a seemingly random output string of the same length, thus avoiding long sequences of bits of the same value; in this context, a randomizer is also referred to as a scrambler. Time Interleaver Interleaving is widely used for burst error correction Example: Error-free code words: aaaabbbbccccddddeeeeffffgggg Interleaved: abcdefgabcdefgabcdefgabcdefg Transmission with a burst error: abcdefgabcd____bcdefgabcdefg Received code words after deinterleaving: aa_abbbbccccdddde_eef_ffg_gg
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Basics of Coding
Block Code – Reed Solomon Reed-Solomon might well be the most implemented algorithm. Barcodes use it; every CD, DVD, RAID6, and digital tape device uses it; so do digital TV Reed-Solomon belongs to a family of error-correction algorithms known as BCH (Bose-Chaudhuri-Hocquenghem-Codes). It’s part of the FEC (Forward Error Correction) group. Reed-Solomon was introduced by Irving S. Reed and Gustave Solomon of MIT Labs in Polynomial Codes Over Certain Finite Fields, which was published in the Journal of the Society for Industrial and Applied Mathematics in 1960.
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Basics of Coding
Reed Solomon code In DVB Reed Solomon Code (“Outer Coder”) can correct 8 Byte Errors or 58 continue bit errors in a codeword. In the MPEG-TS the RS-Coder add additional 16 checkbytes to the 188 Databyte RS (204,188)
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Basics of Coding
Convolutional Coder (inner coding) Convolutionally encoding the data is accomplished using a shift register and associated combinatorial logic that performs modulo-two addition. • The Convolutional code is used over a noisy channel • The encoder is very simple to implement • But the decoding is quite complex • The basic code rate is ½ (called “Mother Code”) • The Viterbit algorithm is currently used for decoding
Modulo two
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Basics of Coding
Convolutional Coder (inner coding) with puncturing Puncturing is the process of removing some of the parity bits after encoding with an error correction code. A pre-defined pattern of puncturing is used in the encoder. Then, the inverse operation, known as depuncturing, is implemented by the decoder
Source: rohde&schwarz
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Bit Error Rate
The bit error rate or bit error ratio (BER) is the number of bit errors divided by the total number of transferred bits during a studied time interval. For example: 1 bit error in 100 transferred bits = 1/100 = 0.01 = 1E-2 = 1 * 10-2
The BER is 1E-2 Normally at the receiver input the BER is around 1E-2 The first FEC Decoder (Viterbi) should reach a BER at 2E-4 at the output. Than the Reed Solomon Decoder can reach a BER of 1E-11 called QEF (Quasi Error Free) – 1 bit error during a period of 1 hour !!
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Bit Error Rate
DVB-SFrontend
ViterbiDecoder
ReedSolomonDecoder
MPEG2TS
FEC 2Outer
Decoder
BER<E-2 BER<2E-4than QEF
ispossible
BER<1E-11QEF
1 error/hour
MPEG2Decoder
FEC 1Inner
Decoder
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Basics of digital Modulation
To transmit a signal over the air, there are three main steps: A pure carrier is generated at the transmitter The carrier is modulated with the information to be transmitted At the receiver the signal modifications or changes are detected and demodulated There are only three characteristics of a signal that can be changed over time: Amplitude Phase Frequency
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Basics of digital Modulation
AM – Amplitude Modulation In AM, the amplitude of a high-frequency carrier signal is varied in proportion to the instantaneous amplitude of the modulating signal
Source: Wikipedia
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Basics of digital Modulation
FM – Frequency Modulation In FM, the amplitude of the modulating carrier is kept constant while its frequency is varied by the modulating signal
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Basics of digital Modulation
PM – Phase Modulation In PM, the angle of the carrier wave is varied by the incoming signal
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Basics of digital Modulation
Amplitude and Phase Modulation together Polar Display A simple to view amplitude and phase is with the polar diagram. The carrier becomes a frequency and phase reference and the signal is interpreted relative to the carrier. Both are uses in digital communication systems.
Source: Agilent
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Basics of digital Modulation
Different forms of modulation in polar form
Source: Agilent
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Basics of digital Modulation
In digital communication, modulation is often expressed in terms of I and Q. This is a rectangular representation of the polar diagram. The I axis lies on the zero degree phase reference, and the Q axis is rotated by 90 degrees.
Source: Agilent
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Basics of digital Modulation
Mapping for QPSK modulation
Serial toParallel
Conversion
I/QLook-Up
Table
I
Q
data bits
01101..
BIT 1 BIT 0 I Q 0 0 +1 +1 0 1 -1 +1 1 0 -1 -1 1 1 +1 -1
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Basics of digital Modulation
Why use I and Q ? Digital modulation is easy to accomplish with I/Q modulators. Most digital modulation maps the data to a number of discrete points on the I/Q plane. These are know as constellation points.
Source: Agilent transmitter receiver
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Basics of digital Modulation
Constellation points – constellation diagram – state diagram Each point is a “symbol”
QPSK 2 bit per symbol
16-QAM 4 bit per symbol
64-QAM 6 bit per symbol
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Basics of digital Modulation
Any fast transition in a signal will require a wide occupied bandwidth. Filtering of rectangular pulses allows the transmitted bandwidth to be reduced without losing the content of the digital data. In DVB we use a so called “Raised Cosine Filter”
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Basics of digital Modulation
Modulation format Theoretical bandwidth efficiency limits QPSK 2 bit/second/Hz 8PSK 3 bit/second/Hz 16 QAM 4 bits/second /Hz
32 QAM 5 bits / second /Hz
64 QAM 6 bits / second / Hz
But these figures cannot be achieved since they require perfect modulators, demodulators, filter and transmisssion paths. In real case of QPSK we need around 1,3Hz/Symbol A Symbolrate of 6 Msymb./sec. needs approx. 7,8 Mc Bandwidth
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Basics of digital Modulation
DVB Modulation
DVB-T QPSK, 16-QAM, 64-QAMDVB-T2 QPSK, 16-QAM, 64-QAM, 256-QAMDVB-S QPSKDVB-S2 QPSK, 8-PSK, 16-APSK, 32-APSK, DVB-C 16-QAM, 32-QAM, 64-QAM, 128-QAM, 256-QAMDVB-C2 16-QAM, 32-QAM, 64-QAM, 128-QAM, 256-QAM,
1024-QAM, 4096-QAMDAB+ DQPSKDRM 16-QAM, 64-QAMDRM+ QPSK, 16-QAM
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dB Definition
The decibel (dB) is a logarithmic unit used to express the ratio between two values. The decibel confers a number of advantages, such as the ability to conveniently represent very large or small numbers, and the ability to carry out multiplication of ratios by simple addition and subtraction. For RF applications we use following formular: dB = 10 * Log (Power Output / Power Input) Example: Power Output: 100 Watt Power Input: 50 Watt dB = 10 * Log ( 100 / 50 ) = 10 * Log (2) = 3 dB
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dB Definition
Other example: A DVB-T transmitter needs 7 dB less power for the same reception performance as an analog transmitter dB = 10 Log (P1/P2) 10dB/10
= P1/P2 107/10
= P1/P2 100.7
= P1/P2 = 5.01 Normally a strong analog TV transmitter had 20 kW. The same performance (reception) is possible with an 4 kW DVB-T Transmitter !
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Time Domain vs. Frequency Domain
Source: Agilent Technologies
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Frequency Domain measurement
Spectrum Analyzer
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Time Domain measurement
Oscilloscope
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DVB-T
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DVB-T Facts
Constellation QPSK, 16-QAM, 64-QAM FEC CC + Reed Solomon Code Rate 1/2, 2/3, 3/4, 5/6, 7/8 Guard Intervall 1/4, 1/8, 1/16, 1/32 FFT Size 2K, 8K Scattered Pilots 8% of total Continual Pilots 2,6% of total Bandwidth 5,6,7,8 MHz Max. Bitrate 31,66 Mb/s Modulation COFDM
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DVB-T Facts
Standard: ETS 300 744 Digital Video Broadcasting; Framing structure, channel coding and modulation for digital Terrestrial television (DVB-T) Modulation: COFDM = Coded Orthogonal Frequency Division Multiplex = multicarrier transmission C = Forward Error correction O = Orthogonal (no cross talk between carriers) FDM = information distributed over many subcarriers
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Channel
Gaussian channel – direct line of sight between TX and RX (roof top antenna situation)
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Channel
Rice channel – a dominant line of sight between TX and RX
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Channel
Rayleight channel – no line of sight between TX and RX, many objects attenuate, reflect, refract and diffract the signal
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DVB-T – Why we need a multicarrier transmission ?
8 MHz UHF Channel 8 MHz UHF Channel
f f
A (f)A (f)
ANALOG TVAll informationin one carrier
MulticarrierInformation spreadover many carriers
DVB-T: Information distributed over thousands of subcarriers Solving fading problems
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DVB-T – Multicarrier modulation
Rather than carrying one data carrier on a single television frequency channel, COFDM works by splitting the digital data stream into a large number of slower digital streams, each of which digitally modulate a set of closely spaced adjacent subcarrier frequencies. In the case of DVB-T, there are two choices for the number of carriers known as 2K-mode or 8K-mode. These are actually 1,705 or 6,817 subcarriers that are approximately 4 kHz or 1 kHz apart. Each subcarrier is modulated. In this example with 16-QAM.
Channel bandwidthf
A (f)
f
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DVB-T – Multicarrier modulation
Orthogonality condition: An OFDM signal consists of a number of closely spaced modulated carriers. Although the sidebands from each carrier overlap, they can still be received without the interference that might be expected because they are orthogonal to each another. This is achieved by having the carrier spacing equal to the reciprocal of the symbol period.
Source: rohde&schwarz
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DVB-T – Multicarrier modulation
Orthogonality condition: f = 1 / t
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DVB-T – Multicarrier modulation
But how we can produce thousands of orthogonal subcarriers ? In principle we need n I/Q modulators but this is not possible to realize. The IFFT (Inverse Fast Fourier Transform) at the transmitter side solve this problem. So we use numerical mathematic in a high integraded processor.
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DVB-T – Multicarrier modulation
Before we produce thousand of subcarriers we add a FEC to the datastream. (OFDM COFDM) Each of the subcarriers transmit only a small part of the overall datastream. DEMUX: Serial to parallel conversion and interleaving Each of this bits packets goes to the mapper MAPPER: mapping for each subcarrier in Real- and Imaginary number (produce complex symbols in the Frequency Domain). Two lists with thousands of Real- and Imaginary numbers are the inputs for the IFFT IFFT: Transfer of the subcarrier (in the complex plane) from the Frequency Domain in the Time Domain. Filtering, I/Q-Modulation and D/A Conversion. A RF Modulator bring the signal on the RF Frequency
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DVB-T – Guard Interval
The presence of ISI in the system introduces errors in the decision device at the receiver Output.
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DVB-T – Guard Interval
The purpose of the guard interval is to introduce immunity to propagation delays, ISI (Intersymbol Interference),echoes, reflections and frequency selective fading, to which digital data is normally very sensitive. In COFDM, the beginning of each symbol is preceded by a guard interval. As long as the echoes fall within this interval, they will not affect the receiver's ability to safely decode the actual data, as data is only interpreted outside the guard interval. Guard Interval is a proportion of the time there is no new data transmitted. This guard interval reduces the transmission capacity. In fact during the guard interval we transmit a small part of the next symbol.
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DVB-T – Guard Interval
COPY
Source: Rohde&Schwarz
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Each frame consists of 68 DVB-T COFDM symbols
Four frames constitute one Superframe
Each symbol is composed of two parts: useful part and guard interval(1/4, 1/8, 1/16, 1/32).
Guard interval avoids ISI between symbols.
The choice of the guard interval depends on the maximum transmission distance.
DVB-T – Guard Interval
MODE Symbol Guard Guard max. distanceDuration (µs) Interval Interval (µs) in km
2K 224 1/4 56 16,82k 224 1/8 28 8,42K 224 1/16 14 4,22K 224 1/32 7 2,18K 896 1/4 224 67,18K 896 1/8 112 33,68K 896 1/16 56 16,88K 896 1/32 28 8,4
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Receiver(RX)
f1
f1
DVB-T – Guard Interval
Example: GI = 224 µs (8K, ¼) 1 µs = 300m 300 x 224 = 67200m = 67,2 km
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MFN = Multi Frequency Network
SFN = Single Frequency Network
DVB-T – MFN vs. SFN
f1 f2
f3
f1 f1
f1
MFN SFN
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In order to set up one SFN network, three conditions have to be fulfilled.
DVB-T Transmitters belonging to one SFN cell shall radiate:
over the same frequency
at the same time
the same OFDM symbols
The first condition is easy to satisfy because all DVB-T transmitter will be configured
once to the required broadcast frequency. The next two conditions imply to provide
transmitter with extra information:
Synchronization
Transmission parameters
This is specifically the task of the Single Frequency Network (SFN) adapter.
SFN adapter will add to the TS stream all the information required by the transmitter
DVB-T – SFN (Single Frequency Network)
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Synchronization and transmission information sent to the transmitter are
stored into one TS packet called MIP packet. DVB normalized ist PID to 0x15.
MIP = Megaframe Initialization Packet
The MIP Packet consist of:
Synchronization parameters (network delay, STS = Synchronization Time
Stamp)
Transmission parameter (bandwidth, FFT Mode, constellation, guard interval,
code rate)
Optional functions data (tx time offset, tx frequency offset, tx cell ID)
DVB-T – SFN Adapter – MIP Packet
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But how is synchronization achieved ?
When talking about transmitters synchronization, two main synchronization criteria have to be
taken into account:
1. Temporal synchronization:
DVBT-Transmitters broadcasting synchronously, at the same time.
SFN adapter/MIP inserter aim to provide synchronization information
to transmitters based on one common clock reference: GPS
2. Frequency synchronization:
Transmitters broadcast exactly the same set of subcarriers.
The accuracy of 10 MHz (derived from 1PPS from the GPS signal) will
guarantee any transmitter belonging to one SFN cell to broadcast
exactly the same set of subcarriers (same frequency, no frequency shift)
DVB-T – SFN (Single Frequency Network)
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DVB-T – Pilot carriers
In order to simplify the reception of the signal being transmitted on the terrestrial TV channel, additional signals are inserted in each block. Pilot signals are used during the synchronization and equalization phase, while TPS signals (Transmission Parameters Signalling) send the parameters of the transmitted signal and to unequivocally identify the transmission cell. The receiver must be able to synchronize, equalize, and decode the signal to gain access to the information held by the TPS pilots. The receiver analyse the pilot carriers (scattered and continual pilots) contained in the signal and calculate from these the linear distortion. After that a channel estimation is possible. The pilots are BPSK modulated at a boosted power level, 16/9 times greater than that used for the data and TPS symbols
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DVB-T – Pilots
Continual pilots Fixed position in spectrum Fixed position in constellation diagram Used for automatic frequency control (AFC) They are located on the real axis (0 or 180 degrees) and have a defined amplitude The continual pilots are boosted by 3 dB compared with the average signal power
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DVB-T – Pilots
Scattered pilots Variable position in spectrum Fixed position in constellation diagram “sweeping” over spectrum Used for channel estimation & correction They are located also on the I axis at 0 or 180 degrees and have the same amplitude as the continual pilots Each scattered pilot jumps forward by three carrier positions in the next symbol
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DVB-T – TPS carrier
TPS carrier Fixed position in spectrum BPSK modulation Transmission parameter signaling (TPS) Fast information channel from TX to RX about the current
transmission parameter. All the TPS carriers in one symbol carry the same information. They are all either at 0 degrees or all at 180 degrees on the I axis. The TPS carriers keep the receiver informed about Mode (2K or 8K) Length of the guard interval (1/4, 1/8, 1/16, 1/32) Type of modulation (QPSK, 16QAM, 64QAM) and Code Rate Use of hierachical coding
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DVB-T – Pilots and TPS carrier
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DVB-T – Carriers position
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DVB-T – Type of transmitter for digital terrestrial television
Transmitter transmit the signal over a defined RF channel f1 input ASI or IP (via microwave link, fiber or satellite) Transposer receive the signal from another TX on f1 and transmit the same signal on an another RF channel f2 Gap-Filler receive the signal from another TX on f1 and transmit the same signal on the same channel f1. A problem is the isolation between input/output antenna. Limitation of the output power at around 100W.
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DVB-T – Transmission
After adding additional information to the datastream the modulator modulate the signal in COFDM.
DATA(MPEG TS)
Codi
ng (R
S+CC
)
Guar
d In
terv
al
MIP
pac
ket
Pilo
ts
TPS
carr
ier i
nfo
COFDM Modulation
Spectrum dvb-t signal
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DVB-T – Spectrum and C/N (Carrier to noise)
C/N Noisefloor
Bandwidth
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DVB-T – C/N vs. BER
Required C/N for dvb-t transmission to achieve a BER = 2 . 10-4 after the Viterbi decoder
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DVB-T – „Cliff Effect“ in digital transmissions
If an error level exceeds the number of errors that can be corrected by the FEC design, then the system will fail dramatically. This leads to a behavior often dubbed the "cliff effect“ - a step function in performance that occurs when errors exceed the critical level. When the error level is below that critical level for which the FEC can compensate, a transmission will seem relatively error free, even in the presence of a large number of errors. Then, all of a sudden, things may go drastically wrong if the critical level is exceeded, the performance "falls off the cliff.“
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„Cliff Effect“ in digital transmissions
Source: IfN Braunschweig
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MER – Modulation Error Ratio
which is an indicator of noise, interferences or distortions on DVB-T/T2 signals
and is a figure of merit.
DVB-T – MER
Source: Agilent
A good MER at the transmitter site should have a MER>35 dB. MER, beside BER (C/N), is the primary parameter in a DVB transmission system as it provides information on transmission quality.
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MER – Modulation Error Ratio
DVB-T – MER
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DVB-T – Receiver
TunerFrontend A/D FFT
ChannelEstimation
DemuxDemapping
InnerInterleaver
RFInput
ReedSolomon
InnerDecoder
OuterInterleaver
OuterDecoder
De-Srambler
MPEG2-TS
ViterbiDecoder
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Net Data Rate = 188/204 * Code Rate * log2 (m) * 1/(1+guard) * channel * const1
m: 5/6, 7/8
Guard: 1/4, 1/8, 1/16, 1/32
Channel: 1 (8MHz), 7/8 (7 MHz)
Const1 6.75 E+6 bit/s = 6.75 * 10+6 bit/s
Example: DVB-T in Vienna, Channel 24 = (CR 3/4, GI 1/4, 16-QAM)
Net Data Rate = 0.921 * 0.75 * 4 * 0.8 * 1 * 6.75E+6 = 14920200 = 14.9 Mbit/sek.
4(QPSK), 16(16QAM), 64 (64QAM)
log2(m): 2(QPSK), 4(16QAM), 6 (64QAM)
Code Rate: 1/2, 2/3, 3/4,
DVB-T – Net Data Rate
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DVB-T2
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DVB-T2 Facts
Constellation QPSK, 16-QAM, 64-QAM, 256 QAM FEC LDPC + BCH Code Rate 1/2, 3/5, 2/3, 3/4, 4/5, 5/6, 7/8
Guard Intervall 1/4, 19/256, 1/8, 19/128, 1/16, 1/32, 1/128
FFT Size 1K, 2K, 4K, 8K, 16K, 32K Scattered Pilots 1%, 2%, 4%, 8% of total Continual Pilots 0,35% of total Bandwidth 1.7, 5,6,7,8 MHz Max. Bitrate 50,34 Mb/s Modulation COFDM
Red: different to dvb-t
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DVB-T vs. DVB-T2
Better coding systems based on DVB-S2 Outer FEC: BCH Coding – Inner FEC: LDPC Coding Rotated constellation More parameters (GI, CR, FFT Size, Pilots) PLP Technology Future Extension Frames (FEF) Transmission for mobile and stationary receivers Improved SFN performance
BCH=Bose-Chaudhuri-Hocquenghem LDPC=Low Density Parity Check Code
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DVB-T vs. DVB-T2
DVB-T2 uses the same error correction coding as used in DVB-S2 and DVB-C2 => LDPC and BCH coding. The number of carriers, guard interval sizes and pilot signals can be adjusted, so that the overheads can be optimised for any transmission channel.
DVB-T2 can offer a much higher data rate than DVB-T
OR a much more robust signal
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Shannon Law
Source: R&S
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Shannon Law
Source: R&S
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Coding DVB-T2
with the new coding 30% more net data rate is possible Additional we can use MPEG4 (half data rate to MPEG2). Example: DVB-T with ~ 15 Mbit to DVB-T2 with ~ 30 Mbit
BasebandScrambler
BCHCoder
LDPCCoder
BitInterleaver
outin
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QEF DVB-T2
If the received signal is above the C/N threshold, the Forward Error Correction (FEC) technique adopted in the System is designed to provide a "Quasi Error Free" (QEF) quality target. The definition of QEF adopted for DVB-T2 is "less than one uncorrected error-event per transmission hour at the level of a 5 Mbit/s single TV service decoder", approximately corresponding to a Transport Stream Packet Error Ratio PER < 10-7 before the de-multiplexer.
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Rotated constellation
Rotation of constellation diagram gives different projection points on I and Q axis for each constellation point instead of same projection point in case of non-rotated diagram. This can be used for soft decision
Source: Enensys, R&S
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PLP
A PLP (Physical Layer Pipe ) is a logical channel that may carry one or multiple services. Each PLP can have a different bit rate and error protection parameters. For example, it's possible to split SD and HD services to different PLPs
Source: Enensys
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Pilots in DVB-T2
Edge pilots Continual pilots Scattered pilots (8 different pilot pattern PP1-PP8) Frame closing pilots P2 pilots
Purpose of pilot insertion Channel estimation (and equalisation) Synchronisation Common Phase Error correction As a form of “padding”
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T2-MI interface
Source: R&S
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T2-MI interface (T2 Gateway)
BB frames, PLP => payload packed in BB frames and transmitted via PLPs
L1 signaling => DVB-T2 setup configuration data (e.g. FEC, interleaver, modulation of different PLPs
Timestamp => used for SFN synchronization FEF => Additional frame structure to transmit other T2 profiles
(e.g. T2-Lite) AUX => I/Q data, T2-MI packet type IA => used for configuration of individual transmitters T2-MI packets are encapsulated into DVB/MPEG transport stream packets using “data piping
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DVB-T2 Spectrum
optimal DVB-T2 signal
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DVB-T2 Spectrum
weak DVB-T2 signal
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Terrestrial DVB-T/T2 distribution
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Reception problems
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RF attenuation in buildings
• distance between the transmitting aerial and the building • height of the transmitting aerial above the ground • the type of electromagnetic wave propagation • the construction and the width of the building • the number and the height of the floors • layers of the glass surfaces
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Antenna types for DVB-T/T2 reception
Roof top antenna (Yagi) Indoor antennas
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DVB-T/T2 transmit antennas
Seite 1
Digital Radio and TV Systems Part 2 V.1.1
Course at FH Technikum Wien
DI Peter Knorr
Seite 2
DVB-S
25.07.2014 Digital Radio and TV Systems Part II
Seite 3
DVB-S
Condition:
gravitional force = centripetal force
D = 35780 km
25.07.2014 Digital Radio and TV Systems Part II
A geostationary orbit is a circular orbit directly above the earth's equator
approximately 35,780 km above ground.
The geostationary orbit where the satellites are in is also called the
Clarke Belt, named after Arthur C. Clarke. He was a British scientist
who first proposed the idea of the geostationary orbit used by today's
satellites.
Seite 4
DVB-S
25.07.2014 Digital Radio and TV Systems Part II
Geostationary orbit • difficult to achieve • more launch performance needed • no service to polar regions (highest latitude 71°) • satellite first inserted in inclined elliptical transfer orbit • Orbital perturbations (Sun, Moon, radiation pressure of
the sun)
Coverage by GEO
Seite 5
Satellite orbital position
Example:
SES Astra
Longitude
19,2° East
Vienna:
48° 12‘ N
16° 22‘ E
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Seite 6
SES Satellite Fleet
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Seite 7
Satellite footprint
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Source: SES
Seite 8
DVB-S Uplink - Downlink
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Seite 9
Satellite Uplink Station
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Seite 10
Polarisation
An electromagnetic wave consists of
electric field
magnetic field
Polarisation is the orientation
of the electric (E) vector in an
electromagnetic wave, frequently
horizontal or vertical.
25.07.2014 Digital Radio and TV Systems Part II
Seite 11
Satellite transponder
A satellite channel is called transponder, because it is a separate
transceiver or repeater.
25.07.2014 Digital Radio and TV Systems Part II
Seite 12
LNB – Low Noise Block Converter
The LNB is a combination of low-noise
amplifier, frequency mixer, local oscillator
and IF amplifier. It receives the microwave
signal from the satellite (10.7-12.75 GHz)
collected by the dish, amplifies it, and
downconverts the block of frequencies to a
lower block of intermediate frequencies (IF
= 950 2150 MHz).
This downconversion allows the signal to
be carried to the indoor satellite TV receiver
using a relatively cheap coaxial cable.
25.07.2014 Digital Radio and TV Systems Part II
Source text: Wikipedia
Seite 13
Satellite parabol antenna types
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Source: Wikipedia
Seite 14
Azimuth - Elevation
Azimuth
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ASTRA 19.2° Vienna: Azimuth =176°; Elevation = 34,64°
Elevation
Seite 15
Elevation
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Offset satellite antenna
Elevation
Seite 16
Elevation
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Elevation for location Vienna
Seite 17
Signal level vs. modulation
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DVB-T/T2 distance < 100km, high power TX, channel estimation possible Modulation in Amplitude + Phase (256-QAM)
DVB-C/C2 distance ~ some km, Line-amplifier (high signal level), channel characteristic constant Modulation in Amplitude + Phase (4096-QAM)
DVB-S/S2 distance 36000km Downlink, channel unknown because of weather conditions (rain, clouds) only Phase modulation (QPSK, 8PSK …)
Seite 18
Free-space path loss
25.07.2014 Digital Radio and TV Systems Part II
c = Speed of light = 300 000 km/s = 3 x 108 m/s Frequency f in Hz Wavelenght λ in m C = λ . f Free space path loss in vacuum F: F = 20 log (4 π d / λ) Unit: dB Example for satellite receive path: d = 36 000 km = 36 000 * 103 m f = 14 GHz = 14 x 109 Hz => λ= 3 x 108 / 14 x 109 = 0,0214 m F = 20 log (4 x 3,14 x 36 000 x 103 / 0,0214) = 206 dB (but this is without atmospheric attenuation calculations)
Seite 19
Attenuation on satellite links
25.07.2014 Digital Radio and TV Systems Part II
Atmospheric propagation degradation on satellite links • Cloud and fog • Rain attenuation • Oxygen attenuation • Water vapour • Atmospheric clouds
Seite 20
DVB-S Modulation
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QPSK Spectrum
Seite 21
Amplifier – back off
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In case of digital modulation it is not possible to operate an amplifier at saturation. A „backoff“ at about 3dB or more is necessary to reach the linear range. This is done to avoid that the intermodulation products originating from the input carrier signal raise over a certain level, causing excessive interference in the adjacent bands.
Seite 22
DVB-S Modulation
Same data block diagram as DVB-T
25.07.2014 Digital Radio and TV Systems Part II
Seite 23
DVB-S Net data rate
25.07.2014 Digital Radio and TV Systems Part II
Formular: Net data rate = Symbolrate * 2 (QPSK) * FEC * (1/RS) Example: Astra satellite channel 117 Symbolrate = 22 Msymb./sec. FEC = 5/6, RS (204,188) 1/RS = 0.92 Net data rate = 22 * 2 * 0.8333 * 0.92 = 33.79 Mbit/sec. Symbolrate 22 Msymb./sec. = 44 Mbit/sec. (QPSK) means 10.21 Mbit/sec. for coding
Seite 24
DVB-S BER vs. Eb/No
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Example: Eb/N0 = C/N – 2,2 dB for QPSK, FEC = 5/6
Seite 25
Eb/No
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Eb/N0 (the energy per bit to noise power spectral density ratio) is an important parameter in digital communication. It is a normalized signal-to-noise ratio (SNR) measure, also known as the "SNR per bit". It is especially useful when comparing the bit error rate (BER) performance of different digital modulation schemes without taking bandwidth into account. Eb = Energy required per bit of information N0 = thermal noise in 1Hz of bandwidth R = system data rate BT= system bandwidth SNR = (Eb/N0) * (R/BT)
Seite 26
DVB-S2
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Seite 27
DVB-S2
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DVB-S 1994 DVB-S2 2003 New optimized FEC (LDPC + BCH coding) used in DVB-S2. Later exactly the same coding in DVB-T2 and DVB-C2 30% higher data rates than in DVB-S Designed for Broadcast and commercial use like DSNG
Seite 28
DVB-S2 Modulation
25.07.2014 Digital Radio and TV Systems Part II
Phase modulation (consumer) QPSK (consumer) 8-PSK (consumer) 16APSK (for commercial use) 32APSK (for commercial use)
Seite 29
Robustness DVB-S vs. DVB-S2
25.07.2014 Digital Radio and TV Systems Part II
Minimum C/N - Fall of the Cliff Test results from Rohde&Schwarz - HUMAX DVB-S2 ST
DVB-S DVB-S2, QPSK DVB-S2, 8PSK CR C/N (dB) CR C/N (dB) CR C/N (dB) 1/2 2.5 1/2 1.3 3/5 9.1 2/3 4.3 3/5 2.3 2/3 8.8 3/4 5.3 2/3 3.1 3/4 9.1 5/6 6.4 3/4 4.1 5/6 9.6 7/8 7.1 4/5 4.7 8/9 10.9
5/6 5.3 9/10 11.2 8/9 6.3 9/10 7.3
Seite 30
Conditional Access (CA)
25.07.2014 Digital Radio and TV Systems Part II
To protect a DVB transmission, the DVB standard integrates into its broadcasting infrastructure an access control mechanism, commonly known as Conditional Access, or CA. To avoid confusion, the DVB-CA specification uses the terms scrambling and descrambling to mean the encrypting and decrypting of TV contents
Seite 31
Scrambling (used in all DVB systems)
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Free to air (no scrambling) Free to view (scrambled but after registration free) Pay TV (scrambled with monthly costs) Systems: with Smard Card Cardless
Seite 32
Scrambling (used in all DVB systems)
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Seite 1
Digital Radio and TV Systems Part 3 V.1.1
Course at FH Technikum Wien
DI Peter Knorr
Seite 2
DVB-C/C2
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Seite 3
DVB-C/C2
25.07.2014 Digital Radio and TV Systems Part III
Seite 4
DVB-C
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No concatenated codes (DVB-T, DVB-S) Only Reed Solomon – no convolutional coder (no channel estimation necessary because of robust channel characteristic cable)
Seite 5
DVB-C
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SMATV: Satellite master antenna television distribution system
TDT: Transparent digital transmodulation
Seite 6
DVB-C
25.07.2014 Digital Radio and TV Systems Part III
Prior to modulation, the I and Q signals shall be square-root raised cosine filtered. The roll-off factor is 0,15.
Source: R&S
Seite 7
DVB-C
25.07.2014 Digital Radio and TV Systems Part III
Main target: It should be possible to receive a Mux from a satellite transponder with e.g a bandwidth of 33 MHz and transfer the TS stream direct without conversion into a cable RF channel with a bandwidth of 8 MHz. Satellite: QPSK, 27.5 Msymb./sek., FEC= ¾ Net bit rate = 38.01 Mbit/sek. DVB-C net bit rate: ld(m) * symbol rate * 188/204 6 Bit/Symbol (64-QAM) * 6.9 Msymb./sek. * 188/204 = 38.15 Mbit/sek.
Seite 8
DVB-C
25.07.2014 Digital Radio and TV Systems Part III
Frequency Identification Channel 47 - 68 MHz Band I HF und VHF I C2 ... C4 87 - 108 MHz Band II VHF II FM 108 - 174 MHz Midband MB S2 ... S10 174 - 230 MHz Band III VHF III C5 ... C12 230 - 300 MHz Superband SB S11 ... S20 300 - 470 MHz Hyperband HB S21 ... S38 470 - 622 MHz Band IV UHF IV C21 ... C39 622 - 862 MHz Band V UHF V C40 ... C69
Seite 9
DVB-C
25.07.2014 Digital Radio and TV Systems Part III
Internet over cable infrastructure EuroDOCSIS DOCSIS = Data Over Cable Service Interface Specification
Seite 10
DVB-C
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Spectrum of DVB-C signals
Seite 11
DVB-C2
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Based on DVB-S2/T2
COFDM with 4k Mode (4096 carrier), short guard
intervals because of short reflections.
Subcarrier distance 2.232 kHz
FEC with LDPC like T2/S2
Multiple TS and GS (generic streams)
Single and multiple PLP
Modulation QSPK 4096 QAM
Variable coding and modulation
Seite 12
DVB-C2
25.07.2014 Digital Radio and TV Systems Part III
3 type of interleaver (bit, time and frequency) Pilots like T2 (edge, continual and scattered) Broadband signals possible (e.g. 32 MHz)
Sony DVB-C2 Demodulator chip
Seite 13
DVB-C/C2 Signal level vs. analog TV
25.07.2014 Digital Radio and TV Systems Part III
Source: Fischer R&S
Seite 14
DVB-C2
25.07.2014 Digital Radio and TV Systems Part III
Seite 1
Digital Radio and TV Systems Part 4 V.1.0
Course at FH Technikum Wien
DI Peter Knorr
Seite 2
DAB+
25.07.2014 Digital Radio and TV Systems Part IV
Seite 3
DAB / DAB+
25.07.2014 Digital Radio and TV Systems Part IV
History: Digital radio is one of the 'older' forms of new digital media. Research Project Eureka-147 (1987) Digital Audio Broadcasting (DAB) The MPEG-1 Audio Layer II ("MP2") codec was created as part of the EU147 project DAB was the first standard based on orthogonal frequency division multiplexing (OFDM) modulation technique, which since then has become one of the most popular transmission schemes for modern wideband digital communication systems. First DAB digital radio broadcasts in September 1995 (BBC, NRK).
Seite 4
DAB
25.07.2014 Digital Radio and TV Systems Part IV
ETSI Norm (February 1995) ETS 300 401
Radio Broadcasting Systems; Digital Audio Broadcasting (DAB) to mobile, portable
and fixed receivers
Seite 5
DAB
25.07.2014 Digital Radio and TV Systems Part III
Problems with FM Multipath fading (reflections from buildings, vehicles); very
large variations in signal strength over distances of ~ 1m Interference (from equipment, vehicles and other radio
stations)
Seite 6
DAB / DAB+
25.07.2014 Digital Radio and TV Systems Part III
The Eureka 147 system comprises three main elements Source Coding: MUSICAM Audio Coding = MP2 ( by Philips,
IRT, CCETT ) Masking Pattern Universal Sub-band Integrated Coding And Multiplexing Since 2011 DAB+ with a new audio compression format: HE AAC+ V2
Transmission coding & multiplexing Channel Coding: Convolution, Puncturing, Freq & Time interleaving COFDM Modulation
Seite 7
DAB
25.07.2014 Digital Radio and TV Systems Part III
additional frequencies in L-Band (1.4 GHz)
Seite 8
DAB Frequency planning
25.07.2014 Digital Radio and TV Systems Part III
Source: Komm Austria
Seite 9
DAB Receiving side
25.07.2014 Digital Radio and TV Systems Part III
Home receivers (Hifi tuners, kitchen radios, clock radios, portable stereo systems)
Car radios Portable receivers, mobile phones, tablets PC-based receivers (USB device) Monitor receivers for network monitoring
Fixed – portable – mobile Indoor = Outdoor
Seite 10
DAB DAB+
25.07.2014 Digital Radio and TV Systems Part III
An upgraded version of the DAB system was released in February 2007, which is called DAB+. DAB is not forward compatible with DAB+, which means that DAB-only receivers will not be able to receive DAB+ broadcasts. DAB+ is approximately twice as efficient as DAB due to the adoption of the AAC+ audio codec, and DAB+ can provide high quality audio with as low as 64kbit/s.
Reception quality will also be more robust on DAB+ than on DAB due to the addition of Reed-Solomon error correction coding.
Seite 11
DAB DAB+
25.07.2014 Digital Radio and TV Systems Part III
Source: Fraunhofer
Seite 12
DAB+
25.07.2014 Digital Radio and TV Systems Part III
Transmitting guiding information such as the spectral envelope of the original input signal or additional Information to compensate for potentially missing high-frequency components.
Audio format HE AAC+ v2 High efficiency advanced audio coding version 2 SBR (Spectral band replication)
Source: EBU
Seite 13
DAB+
25.07.2014 Digital Radio and TV Systems Part III
PS (Parametric stereo) In the encoder, only a Monaural downmix of the original stereo signal is coded after extraction of the Parametric Stereo data. Just like SBR data, these parameters are then embedded as PS side information in the ancillary part of the bit-stream. In the decoder, the monaural signal is decoded first. After that, the stereo signal is reconstructed, based on the stereo parameters embedded by the encoder.
Source: EBU
Seite 14
DMB – Digital Multimedia Broadcasting
25.07.2014 Digital Radio and TV Systems Part III
DMB is a video and multimedia technology based an DAB(DAB+). It offer new services such mobile TV, traffic and safety information, interactive programmes, data information and other applications. DMB is a broadcast technology and not a streaming
technology meaning congestion is eliminated in the case of many simultaneous viewers (seen i.e. during the Olympics and FIFA World Cup)
DMB requires less power (battery usage) than streamed services
DMB requires less spectrum commitment than other mobile TV standards, which typically use 6-8 MHz blocks
Source: worlddab.org
Seite 15
DMB – Digital Multimedia Broadcasting
Multimedia content to be delivered without the risk of network congestion
DMB also enables reception while moving at high speeds.(>300km/h) Existing DAB transmitter networks can be to be adapted to carry
these new services Both DMB and DAB services to be accessed on the same receiver DMB is an open International Standard A wide range of TV and interactive services to be broadcast
simultaneously on the same multiplex: − video services − DAB and DAB+ radio services − file downloading (podcasting) − electronic programme guide − slide show − broadcast website (BIFS)
25.07.2014 Digital Radio and TV Systems Part III
Source: worlddab.org
Seite 16
DAB
Four audio modes are provided:
Mono
Dual channel (two mono)
Stereo
Joint stereo
Audiobitrates: 16 – 384 kbit/sec.
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Seite 17
DAB
25.07.2014 Digital Radio and TV Systems Part III
The DAB transmission system combines three channels
MSC (Main service channel)
FIC (Fast information channel)
Synchronization channel
Each channel supplies data from different sources and these
data are provided to form a transmission frame
Seite 18
DAB
25.07.2014 Digital Radio and TV Systems Part III
MSC (Main service channel) – use to carry audio, PAD and
data service components.
The MSC is a time-interleaved data channel divided into
a number of sub-channels which are individually
convolutionally coded, with equal or unequal error
protection
PAD (Programme Associated Data): text, label, name of
the song, the artist and the genre of music, slide show
Seite 19
DAB
25.07.2014 Digital Radio and TV Systems Part III
FIC (Fast information channel)
The FIC is limited in capacity but is capable of supplying
information to a receiver faster than the main service channel
allows. This is possible because the FIC is not subjected to the
time interleaving part. Convolutional coding protection level is
permanently fixed (CR = 1/3).
In order to achieve an acceptable error performance, FIC
information is repeated regularly.
Seite 20
DAB
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Synchronization channel – used internally within the
transmission system for basic demodulator functions like AFC
(automatic frequency control), AGC (automatic gain control)
and a phase reference.
Seite 21
DAB
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Seite 22
DAB - Frequency interleaving
25.07.2014 Digital Radio and TV Systems Part III
prevend fading causing burst errors
Source: Mike Brookes
Seite 23
DAB - Transmission frame
25.07.2014 Digital Radio and TV Systems Part III
Source: ETSI
Seite 24
DAB - Transmission frame
25.07.2014 Digital Radio and TV Systems Part III
Seite 25
DAB - MSC
25.07.2014 Digital Radio and TV Systems Part III
The MSC is made up of Common Interleaved Frames (CIFs). The CIF contains 55 296 bits. The smallest addressable unit of the CIF is the Capacity Unit (CU), comprising 64 bits. Therefore, the CIF contains 864 CUs. The MSC is divided into sub-channels. Each sub-channel shall occupy an integral number of consecutive CUs and is individually convolutionally encoded. Each sub-channel consist of audio service components and data elements. Gross bit rate: 864 CU * 64 bit = 55296 bit in 24ms 2.304 Mbit/sec. There are two transport modes in the MSC: the stream mode (multiples of 8 kbit/s). Deliver data
transparently from source to destination (audio) packet mode for data service components
Seite 26
DAB – MSC
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Seite 27
DAB - Modes
25.07.2014 Digital Radio and TV Systems Part III
Mode I: Is specially intented for single frequency network
(SFN). Has a long guard interval for the absorption of multi-
path reflections. Used in VHF band.
Mode II: have a wider carrier spacing, better for mobil.
Optimal for small SFN networks. Used in L-Band < 1.5 GHz
Mode III: for satellite < 3 GHz
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DAB - Modes
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Parameters Mode I II III
Application SFN Terrestrial Satellite Frame duration ( Tf ) 96 ms 24 ms 24 ms Symbol duration ( Ts ) 1 ms 250 μs 125 μs Guard interval ( Tg ) 248 μs 62 μs 31 μs No. of symbols / frame (J) 76 76 153 No. Of carriers / symbol (N) 1536 384 192 Carrier spacing (fs ) 1 kHz 4 kHz 8 kHz Bandwidth (fw ) 1536 kHz 1536 kHz 1536 kHz Max. frequency (fm ) 250 MHz 1GHz 2GHz
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DAB - Doppler effect
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Example: v = 100 km/h = 27,7m/sec. C = 3 * 108 m/s F = 200 MHz = 200 * 106 Hz Δ f = 18,5 Hz
Christian Doppler
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DAB Modulation ∏/4 DQPSK
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Example Mode I:
COFDM Multicarrier
1536 carrier
Carrier spacing 1 kHz
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DAB Modulation ∏/4 DQPSK
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∏/4-DQPSK Differential quaternary phase shift keying
Source: Rohde&Schwarz
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DAB Modulation ∏/4 DQPSK
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From symbol to symbol the carrier phase change 45 degree. Only +/- 45° and +/- 135° phase shift no 180° phase shift necessary Phase information from the PRS (Phase reference symbol)
Source: Rohde&Schwarz Wikipedia
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DAB Spectrum
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Source: Jim‘s Aerials
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DAB Multiplex calculations
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DAB offer different error protections =
UEP (unequal error protection)
One frame has 864 CUs.
Each service is transported in a SC (service channel) with a
capacity of n CUs.
It is possible that each subchannel has a specific error
protection
The sum of all SC must be < 864 CUs
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DAB Multiplex calculations
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Seite 36
DAB Applications
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Source: Rohde&Schwarz
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DAB Applications
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Source: DAB Principles & Applications
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DAB Applications
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MOT (Multimedia Object Transfer Protokoll)
specifies a transmission protocol, which allows to broadcast various
kinds of data using DAB. It is tailored to the needs of Multimedia
services and the specific constraints given by the broadcasting
characteristics of the DAB system. After reception this data can be
processed and presented to the user (text, pictures, video or audio
sequences)
DLS (Dynamic Label Segment)
Supplementary data services in text form (up to 128 characters)
running alongside the DAB or DAB+ radio programme. Similar to
RDS on FM radio.
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DAB Applications
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IP over DAB
Tunneling of IP datagrams over DAB. The tunnelling is to be done by
encapsulating the IP datagrams into the MSC data groups. The IP
tunnelling through DAB is unidirectional.
TMC (Traffic Message Channel)
The Traffic Message Channel (TMC) was originally designed for
transport in the narrow-band Radio Data System (RDS) services in FM
broadcast.
DAB enables TMC messages to be carried in a much faster and bitrate-
efficient way. DAB-TMC has a cycle time that is much shorter than RDS-
TMC and the transmission is over the FIC channel.
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DAB Applications
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TPEG (Transport Protocol Expert Group) TPEG-RTM: Road Traffic Message Application TPEG-PTI: Public Transport Information RTM – Road Traffic Messages TEC – Traffic Event Compact TFP - Traffic Flow Prediction PTI – Public Transport Information PKI – Parking Information SPI – Speed Limit Information BSI – Bus Service Information WEA – Weather POI – Points of Interest CTT – Congestion and Travel Time
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DAB Applications
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PAD (Programme Associated Data)
Used to describe data embedded into an audio stream such
as DLS or Slideshow which is related to the programme
being broadcast at that time.
NPAD (Non Program Associated Data)
Data – transmit together with the DAB ensemble