gwen aguilar work samples2

21
Gwen Aguilar: Work Samples ©2010 Print Work Samples

Upload: missgwen1

Post on 19-Dec-2014

326 views

Category:

Documents


5 download

DESCRIPTION

 

TRANSCRIPT

Page 1: Gwen Aguilar Work Samples2

Gwen Aguilar: Work Samples ©2010 Print

Work Samples

Page 2: Gwen Aguilar Work Samples2

Free The Cuban Five

Agit Prop PosterDimensions: 24x36 inches

An agit prop poster to raise awareness and build solidarity about the unjust imprisonment of five Cuban men falsely charged with espionage.

01: Work Samples ©2010 Print

Page 3: Gwen Aguilar Work Samples2

Free The Cuban Five

Agit Prop PosterDimensions: 24x36 inches

An agit prop poster to raise awareness and build solidarity about the unjust imprisonment of five Cuban men falsely charged with espionage.

02: Work Samples ©2010 Print

Page 4: Gwen Aguilar Work Samples2

03: Work Samples ©2010 Print

Beauty, Health & Fitness/Spring ’10

EditorialDimensions: 8.5x10 inches

The 3rd addition of a bi-annual publication which focused on better living, beauty & fitness trends. This publication had a 27,000 distribution: Direct mailed to 10,000 residents in Tiburon, Mill Valley, Corte Madera, Larkspur, Kentfield, Greenbrae, San Anselmo & San Rafael, plus 17,000 newsstands throughout the county.

Page 5: Gwen Aguilar Work Samples2

Beauty, Health & Fitness/Spring ’10

EditorialDimensions: 8.5x10 inches

The 3rd addition of a bi-annual publication which focused on better living, beauty & fitness trends. This publication had a 27,000 distribution: Direct mailed to 10,000 residents in Tiburon, Mill Valley, Corte Madera, Larkspur, Kentfield, Greenbrae, San Anselmo & San Rafael, plus 17,000 newsstands throughout the county.

Paci

fi c S

un

12

Eden Day Spa

Eden Day Spa 541 San Anselmo Ave., San Anselmo. 464-9111. www.edendayspa.com

beau

ty +

hea

lth +

fi tn

ess

Spr

ing

20

10

13

Paci

fi c S

un

6

Institute For Salon/Spa Professionals, Inc.

Institute for Salon/Spa Professionals, Inc. 854 4th St. San Rafael, 454-1441.

beau

ty +

hea

lth +

fi tn

ess

Spr

ing

20

10

7

04: Work Samples ©2010 Print

Page 6: Gwen Aguilar Work Samples2

Valor Magazine

EditorialDimensions: 8.5x11 inches

Conceptualization of a snowboarding magazine that caters to all genders who are 18 and over. Because the majority of snowboarding publications are male specific, my intent is to create a snowboarding magazine that engages a broader audience.

05: Work Samples ©2010 Print

Page 7: Gwen Aguilar Work Samples2

Valor Magazine

EditorialDimensions: 8.5x11 inches

Conceptualization of a snowboarding magazine that caters to all genders who are 18 and over. Because the majority of snowboarding publications are male specific, my intent is to create a snowboarding magazine that engages a broader audience.

Departments04 The Scoop:Devun Walsh,

Lauri Heiskari,and Peter Line and more!

08 EventsNikita sponsers a world wide event where

proceeds go to breast cancer research.

36 ListenFisherspooner does it again,

Party of Fiveand more.

48 Film Strips

Features24 Goddess of the MountainPriscilla Levac and Drake Bindingscollaborate on retrofitted female bindings. By Milan Rabinovitch

48 Where to ride this summerThe pros give real reviews on where every boarder at every level can reap the benifits of the mountain. By Danny Cass

54 Great Gear at Great PricesWhere to find quality gear at affordable prices.

66 Everything you need to knowA beginners guide to snowboarding.

72 Avalance Forecasting?Teri Matthews reports on how it is done.

Contents

New Zealand

48 valor

Forget the trip to Mexico! Here are the best places

to snowboard no matter what level you are at. Pro

Snowboarder Danny Kass breaks down the three

best spots for every level of snowboarder can ride.

By Danny Kass. Photographed by Celine Grouard

The Best

Lit lore delestin ut dolum volor in hendre do

dolorpe raesequ amconse velestie dipsus-

cil do dolobore do conulla auguer incillan-

dio dio dolor ipsusti nismod min esto odi-

onse mod tat et iure do core vel dolendion

el ute feugueros esto do od tat num incin

exeriliquam velenim nit, conulla facin he-

niam, se ver sectet niametu mmodipsum

nit alisse eum in exer at digna corting er in

vulla faccum volorem doloreet aut nulput

ulla faciduisi eumsan henim dolorpero ent

prat adit dipisci psuscip suscilla feugait

pratem ipit, coreet wis nonsenim velisl irit

am dolutate min utetueril ex exercil ut dip-

suscil ilisi blan hendre. Facil ut nim iriurem

irit, sismodipit prat adit dipisci psuscip sus-

cilla lutate facin hent nostrud modit prae-

sequipit lummolortin henibh esto. Dolore

volorer aesent aute faccummy num eliqu-

isl erat autet augiat. Dolore duip euguerat

wisis euguer il diamet, sit augiat. Lit lore

delestin ut dolum volor in hendre do do- of the best.

CanadaEsto dolute tie tem dionsecte diat praessed

tem zzrit, volendignibh eu feuguer ostion-

sequat ad dip estrud minit adit, volore del

ulpute vel dolore dit alit veraesed minibh

erilit utpat alis euip enim velit, core magna

amcortis nullan heniam, corperos am.

Quissisisit lan velenissed ming ea faccum-

molut lam, sed tatinim dolessisl ilisi blaore

dolortin et irit amet il do dipit velendre ex-

eratin et et, sustie vulland ignibh estrud tie

feuis nulput volut iureet aliquat ad min he-

nit lobor alit venibh enibh er se vullandre-

rat del ullaorem nullaore dolesto odolorem

dolor iril ulputatis alis dignisit dit prat ali-

quat. Ud dolor inim dolut irit, vel dipis alit

do odolore tatet amet pratet ilit lore modo-

lorper sisl ing eu facillaore vulla faccum ip

ea faccummy nullaoreet, sim quam, sed

et niamet nos eniamconsed magna alit

at incidunt wis el ipit ad ero cor sis digna

ChileEsto dolute tie tem dionsecte diat praessed

tem zzrit, volendignibh eu feuguer ostion-

sequat ad dip estrud minit adit, volore del

ulpute vel dolore dit alit veraesed minibh

erilit utpat alis euip enim velit, core magna

amcortis nullan heniam, corperos am.

Quissisisit lan velenissed ming ea faccum-

molut lam, sed tatinim dolessisl ilisi blaore

dolortin et irit amet il do dipit velendre ex-

eratin et et, sustie vulland ignibh estrud

tie feuis nulput volut iureet aliquat ad min

henit lobor alit venibh enibh er se vullan-

drerat del ullaorem nullaore dolesto odo-

lorem dolor iril ulputatis alis dignisit dit prat

aliquat. Ud dolor inim dolut irit, vel dipis alit

do odolore tatet amet pratet ilit lore mo-

dolorper sisl ing eu facillaore vulla faccum

ip ea faccummy nullaoreet, sim quam, sed

lorpe raesequ amconse velestie dipsuscil

do dolobore do conulla auguer incillandio

dio dolor ipsusti nismod.

Delit ut praessisl essequatem el iure et

dunt ad modo dolor sum nis exer ip eugait

eugue min eu faci te dit lortion sequis do-

luptat, commod dolorem vel. Dolore vol-

orer aesent aute faccummy num eliquisl

erat autet augiat. Dolore duip euguerat wi-

sis euguer il diamet, sit augiat. Pute con

hendionse. commolo reetum ex mcore. ti-

nit. amconum vendignisl ea faci bla feugue

molobore conullaortie feum quis dolorti

smolutet wis nos am, quat luptat. lutpatem

veliquam init, corem exercidunt praessed min-

cilla feugueros non vulput voloreriure del utetue

dolore dio eliquis deleseq ui. Delit ut praessisl

essequatem el iure et dunt ad modo dolor

sum nis exer ip eugait eugue min eu faci

te dit lortion sequis doluptat, commod do-

lorem vel.

et niamet nos eniamconsed magna alit

at incidunt wis el ipit ad ero cor sis digna

consenisisit nit alit lutatis nonulputpat ul-

landiam, commy nulla at. Delit ut praessisl

essequatem el iure et dunt ad modo dolor

sum nis exer ip eugait eugue min eu faci

te dit lortion sequis doluptat, commod do-

lorem vel.

Wismod esent wis nonullam iliquis dio od

tio dunt alis dolortis exercillan henim quam,

quat prat am, vel in ute velis am dunt prae-

strud eu feugia. Quissisisit lan velenissed

ming ea faccummolut lam, sed tatinim do-

lessisl ilisi blaore dolortin et irit amet il do

dipit velendre exeratin et et, sustie vulland

ignibh estrud tie feuis nulput. min eu faci

te dit lortion sequis doluptat, commod do-

lorem velendre vel.

consenisisit nit alit lutatis nonulputpat ul-

landiam, commy nulla at. Delit ut praessisl

essequatem el iure et dunt ad modo dolor

sum nis exer ip eugait eugue min eu faci

te dit lortion sequis doluptat, commod do-

lorem vel.

Wismod esent wis nonullam iliquis dio

od tio dunt alis dolortis exercillan henim

quam, quat prat am, vel in ute velis am

dunt praestrud eu feugiat laore facidunt

aliquis Numsandiam dipisim duis dolore

feugait dolum diatisim zzrilisci estrud delis

alit utate dignibh estionse. elit praestinis

digna adit venisi blam dunt luptat. Liquate

tie eugiamconse te erit laorem doluptate

mod tem ing ero ex essisi. Wismod esent

wis nonullam iliquis dio od tio dunt alis do-

lortis exercillan henim quam, quat prat am.

06: Work Samples ©2010 Print

Page 8: Gwen Aguilar Work Samples2

Deliquescent

Art History BookDimensions: 8x11 inches

This a book about the history and art of glass. The book is designed to visually show the different types of glass utilized in antiquity, from an ancient necessity to a world wide demand.

30 Deliquescent

Blown Glass

Glass is one of the oldest forms of art. It dates back to about 3500 years ago. There are some myths about how glass was discovered, but I don’t think anyone knows for sure how glass actually came to be. One idea is that a group of Phoenician sailors set up camp on a beach one night. They built a fire to cook some food, and set the pot in which they were to cook on some blocks of natron, which is an alkali they were carrying as cargo. The fire supposedly melted the sand, forming a small stream of glass that eventually cooled and hardened. This story probably isn’t true, it takes a lot of luck to make glass by accident, though it is made with very basic ingredients. Sand is the main ingredient, and then added to that are ashes from trees or plants which help the sand to melt.

Something like lime is also added which is a stabilizing ingredient, and it protects the glass from moisture. Virtually the same recipe is used to make glass today, but through the years there have been many variations, and new recipes continue to emerge. One idea is that a group of Phoenician sailors set up camp on a beach one night. They built a fire to cook some food, and set the pot in which they were to cook on some blocks of natron, which is an alkali they were carrying as cargo. The fire supposedly melted the sand, forming a small stream of glass that eventually cooled and hardened. This story probably isn’t true, it takes a lot of luck to make glass by accident, though it is made with very basic ingredients. The hottest trend in bathroom design today is the handmade glass sink — often referred to as a vessel sink, which has become the latest must-have for luxury homeowners. Our glass designers can even help you incorporate lighting from underneath and above to accentuate these stunning, one-of-a-kind pieces of glass art, which work equally well in traditional or contemporary settings. Ves-sel-mounted, fused, slumped, mosaic, under-mounted and hand-blown sinks have even influenced the faucet manufacturers’ designs because of their unprecedented popularity.

Opposite:The Fiori

di Como, created

by world-renowned

artist, Dale Chihuly.

31

44 Deliquescent

Early Glass Art

Toward the end of the 19th century a Bohemian father-son team, Leopold and Rudolf Blaschka, combined to create what is still arguably the most stunning example of lampwork the world has ever seen. They were already widely known for their glass models of marine inverte-brates when George Lincoln Goodale, Harvard Professor and director of the Museum of Botany , commissioned them to undertake a mammoth project, the creation of detailed botanical models of common and exotic plants from Europe and North America. Benefactors of the project were Elizabeth Ware and her daughter Mary Lee Ware. Using only a simple bellows-driven lamp and a variety of home-made tools, the Blaschkas produced the models using wire frameworks to give them structure and enamels and paints to duplicate the coloration and texture of the plants. The results were stunning! The models were so lifelike, that even close scrutiny cannot distinguish between them and the real thing. Over the next 50 years, some 840 life-size model sets of plants and over 3000 oversized models of magnified plant parts and anatomical sections were produced. Most of the models are still on display at the Harvard Botanical Museum on the Harvard campus. To this day, no one has ever suc-ceeded in reproducing the Blaschka’s techniques or in duplicating the quality of their models.

The demand for refined scientific instruments continued unabated through the 19th century. Although equipment and tools became more sophisticated, the basic material - the glass - was essentially the same as when “Crystallo” was invented 200 years before. The most commonly used types of glass were prone to leaching when exposed

to caustic chemicals and had a tendency to shatter when heated and cooled repeatedly. In 1924 the scientists at the glass factories in Corning, New York invented a new, more resilient glass which was composed of a large percentage of uncombined silica, used boron instead of soda, and contained a small percentage of aluminum for clarity. Reference 8 This new borosilicate glass, named Pyrex, had a very low coefficient of expansion and was very resistant to thermal and physical shock. Since it was about 15% lighter by volume than soda-lime or flint glass but much stronger, Pyrex was ideal for apparati. However there was one problem: the melting temperature was so high that the old forced-air lamps could not melt it. A new method of heating the glass was now needed to work the new material.

Borosilicate glassIn Europe, however, the introduction of borosilicate glass did not denote the death toll for old traditions. In the town of Lauscha in particular, the local craftsmen contin-ued working strictly with German soda-lime glass, busily perfecting centuries-old techniques and perhaps uncon-sciously crossing the line from novelty to art. In particu-lar, Albin Schaedel developed and perfected a technique called “montage” that would come to characterize East German lampwork from the 1960’s on. Montage is sim-ply the assembly of many pieces of tubing into one larger bubble which is then shaped into the final vessel form. This technique is incredibly difficult and time-consuming and Schaedel and a few other Lauschans were the only ones in the world who had mastered it until recently. The vessels that resulted were impossibly intricate and very, very beautiful. Perhaps the greatest master of montage is West German flameworker Kurt Wallstab, whose work is

internationally acclaimed for its beauty and perfection. Venetian lampworkers also clung stubbornly to their traditional soda glass formulas, primarily for color com-patibility. The Moretti factory there continued to produce a broad spectrum of brilliantly colored cane, which the local lampworkers were busily mastering to create brightly colored pieces of a quality unequaled anywhere in the world. Modern masters like Lucio Bubacco, Vittorio Costantini, and Gianni Toso still carry on the Venetian traditions and techniques. Glass art includes the creation of stained glass and the making of glass shapes through glass blowing. It dates back to prehistoric times, was extensively developed in Egypt and Assyria, brought to

the fore by the Romans, and had its greatest triumphs in European cathedral building in stained glass rose-win-dows. Great ateliers like Tiffany, Lalique, Daum, Galle, the Corning schools in upper New York state, and Stubbe glassworks took glass art to the highest levels. The results were stunning! The models were so lifelike, that even close scrutiny cannot distinguish between them and the real thing. Venetian lampworkers also clung stub-bornly to their traditional soda glass formulas, primarily for color compatibility. Since it was about 15% lighter by volume than soda-lime or flint glass but much stronger, Pyrex was ideal for apparati.

Below: The Fiori di Como, created by

world-renowned artist, Dale Chihuly.

glass as an art form 45

Above: The Fiori di Como, created by world-renowned artist, Dale Chihuly.

07: Work Samples ©2010 Concept

Page 9: Gwen Aguilar Work Samples2

Menus of Marin

EditorialDimensions: 6.5x10 inches

A special publication which serves as an indispensable town-by-town menu of Marin restaurants, with up-to-date info on cuisine, hours of operation and price range.

08: Work Samples ©2010 Print

SPRING/S

UMMER 2010

Not Just D

esserts

Yummy pastries,

scrumptious pastas and a new wine bar.

Emporio Rulli h

as it all...

Your

Town-by-Town

Guide

A marketing publication of th

e Pacifi c Sun

p.8

SPRING/SUMMER 2010

Not Just Desserts

Yummy pastries,

scrumptious pastas and a new wine bar.

Emporio Rulli has it all...

Your

Town-by-Town

Guide

A marketing publication of the Pacifi c Sun

p.8

SPRING/SUMMER 2010

Not Just Desserts

Yummy pastries, scrumptious pastas and a new wine bar.

Emporio Rulli has it all...

YourTown-by-Town

Guide

A marketing publication of the Pacifi c Sun

p.8

Page 10: Gwen Aguilar Work Samples2

09: Work Samples ©2010 Print

ITK Culinary

CollateralDimensions: 5.5x11 inches

A print advertisement for a venue that provides the opportunity learn the history and preparation of various cuisines and hold parties and events.

Hands on cooking classes

20

10 Summer

Camps

Our camps are limited to 12 students so each person gets personal attention from our Chef and instructors. Your child benefits from curriculum that builds a strong foundation of skills, knowledge and abilities. Camp sessions are 4 days long and begin at 10am and ends at 1pm. During this time your child will create delicious nutritious foods. Class includes instruction and discussion.

Sessions begin June 21 and continue with new themes weekly until September. Cost: $200 per session. For ages 4–14

Kids Culinary Camp SessionsJune 22–25 International Foods #1 - Italy, France, Spain, Middle East

July 5–8Holiday Meals From Around The World

July 19–22 International Foods #2 - USA, Native American, Africa, Japan

August 2–5 Great Meals Without Meat

August 16–19Foods From The Farm

August 30–September 2 World Foods #3 - Mexico, Moroccan

300 Turney St. Sausalito (415) 331-8766 [email protected]

Page 11: Gwen Aguilar Work Samples2

D o n a h o e & C a r r o l M e m o r i a l s

Donahoe & CarrolMemorials

Donahoe & CarrolMemorials

Donahoe & CarrolMemorials

Donahoe & Carrol Memorials

Letterhead

An identity letterhead for a company that designs tombstones in San Francisco.

10: Work Samples ©2010 Identity

Page 12: Gwen Aguilar Work Samples2

Quality Tree Care

Business Card & Logo

A logo and business card for a freelance arborist based in San Francisco.

Quality

Tree Care

11: Work Samples ©2010 Identity

Page 13: Gwen Aguilar Work Samples2

12: Work Samples ©2010 Web

Aphex Twin

Website

A website featuring bio, pictures, articles, and music of musician/producer Richard D. James of Aphex Twin.

Page 14: Gwen Aguilar Work Samples2

13: Work Samples ©2010 Concept

Hairy Matters No.1

ThesisDimensions: 9x12 inches

Thesis project about how hair functions in women’s lives to resist and accommodate the cultural ideals which constitutes beauty in the United States. This is a double sided book where side one demonstrates how hair accommodates the norm to what is socially acceptable in America.

Page 15: Gwen Aguilar Work Samples2

Hairy Matters No.1

ThesisDimensions: 9x12 inches

Thesis project about how hair functions in women’s lives to resist and accommodate the cultural ideals which constitutes beauty in the United States. This is a double sided book where side one demonstrates how hair accommodates the norm to what is socially acceptable in America.

Before the Civil Rights movement in the

’s, straight hair was the most desired

look for African American Women. This was

only because African American women felt

that having straighter hair would make them

more acceptable by whites in America. As a

result of the media’s representation of what

constitutes beauty in America, hair becomes

the marker of difference that black women

recognize at an early age. African American

women are taught at a very young age wheth-

er they have good hair or bad hair. Particu-

larly for black women, hair is more than just

hair. The desire for straight hair varies from it

just being easy to manage to being associated

with superiority.

Ms.

Lyda

D. N

ewm

an p

aten

ts th

e fir

st c

urlin

g ir

on in

tend

ed to

soft

en a

nd sm

ooth

bla

ck w

omen

’s ha

ir.

Ale

xand

re G

odef

oy in

vent

ed th

e fir

st e

lect

ric

hair

dry

er.

14: Work Samples ©2010 Concept

Page 16: Gwen Aguilar Work Samples2

Hairy Matters No.2

ThesisDimensions: 9x12 inches

Hairy Matters No.2 is the second side of this book. This was an investigation of how hair resists the norm to what constitutes beauty in America, which was later examined and documented.

15: Work Samples ©2010 Concept

Page 17: Gwen Aguilar Work Samples2

From the late th century to modern times, women began to voice their opinions and make a stand to obtain equal oppor-tunities as men. Once new laws and bills were passed in efforts for women to at-tain these common civil rights, women’s hairstyles reflected their stance against be-ing oppressed by men. Extremely short hair, shaved heads, dreadlocks, brightly colored hair, Mohawks, and cornrows are all exam-ples of hairstyles women are wearing to make an outrageous statement against society.

From the ’s till current times, women are wearing extreme hairstyles to mark their power in American culture, despite the ramifications of being shunned, discrimi-nated or looked down upon. Whether these hairstyles were considered ‘cool’, funny looking, and unattractive looking is clear-ly subjective, but what cannot be ignored is that these looks had a shocking effect on the conservatives in America. Latina’s to-day are wearing shorter hair to avoid being stereotyped and to rebel against the ma-chismo male. Movies such as La Vida Loca brought awareness of the culture be-hind the ‘chola’ (a term associated to Latina women involved in gangs) and what their look signified in the Latin community.

After the Civil rights movement, many wom-en from different ethnic backgrounds began to wear their hair in its natural state to reveal their cultural pride. Famous women such as Pam Grier, Whoppi Goldberg and Grace Jones wore extreme hairstyles to show their black pride. In the Asian community, it became more common to see young Asian females who used bold technicolor to dye their hair and even went so far as to shave their heads as a form of rebellion. This timeline docu-ments the history of hairstyles that women wore to assert their confrontation against the cultural ideals of beauty and let their unorth-odox hairstyles become the new beautiful.

L Marketing Assistant

Whe

n I

was

a y

oung

gir

l my

mom

mad

e m

e ge

t my

hair

stra

ight

ened

. It w

as th

e w

orst

expe

rien

ce e

ver.

The

hai

rsty

list d

id n

ot k

now

wha

t she

was

doi

ng a

nd

she

burn

ed m

y sc

alp!

Now

I w

ear

brai

ds b

ecau

se I

can

be

very

ver

satil

e w

ith th

em —

I ca

n tie

them

up,

wea

r th

em d

own,

or

wra

p it

in a

bea

utifu

l sca

rf.

Marin Sanitary

ThesisDimensions: 10x12 inches

Hairy Matters No.2 is the second side of this book. This was an investigation of how hair resists the norm to what constitutes beauty in America, which was later examined and documented.

16: Work Samples ©2010 Concept

z

Page 18: Gwen Aguilar Work Samples2

Marin Sanitary Service

CollateralDimensions: 10x11 inches

Print advertisement for a company who provides comprehensive collection and recycling services that ensures Marin’s forests, lakes, and natural resources remain intact for future generations.

17: Work Samples ©2010 Print

ince 1990, we have recycled over 2.2 million tons of garbage, representing a reduction of

almost 4 million metric tons of harmful global warming pollution from our environment.

We’re dedicated to a better Marin

Residential and Commercial Collection Services1050 Andersen Drive

Marin Resource Recovery Center

Marin Recycling Center

Center, Environmental Classroom, Tours, and Auto Dismantling

Marin Recycling Household Hazardous Waste Removal

W W W. M A R I N S A N I T A R Y . C O M

Page 19: Gwen Aguilar Work Samples2

18: Work Samples ©2010 Print

Marin Arborists

CollateralDimensions: 10x11 inches

Print advertisement for a company who provides comprehensive collection and recycling services that ensures Marin’s forests, lakes, and natural resources remain intact for future generations.

Fine Pruning Crown Reductions Stump Grinding

Shaping View Enhancements Removal Planting

Specializing in all phases of tree care.

Sudden Oak Death specialists, diagnosis & applications.

Marin County ArboristsMarin’s Premier Tree Care

(415) 381-TREE (8733) or (415) 457-TREE (8733)

You deserve the best. Call Today!

Page 20: Gwen Aguilar Work Samples2

19: Work Samples ©2010 Print

Ask The Expert

CollateralDimensions: 6x10 inches

Annual special publication which served as a resource to buying goods and services.

Page 21: Gwen Aguilar Work Samples2

Ask The Expert

CollateralDimensions: 6x10 inches

Annual special publication which served as a resource to buying goods and services.

20: Work Samples ©2010 Print