hearing the voice of the child in barnsley · promises that things will change if that cannot be...
TRANSCRIPT
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Hearing The Voice of the Child In Barnsley
The Voice of the Child – An introductory guide for
practitioners on undertaking direct work with children
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1. INTRODUCTION
Communicating and listening to children is integral to our work with
children young people and their families. To gain an understanding of the
child’s world and what it is like to be the child who we are working with
means spending time with them, listening to them as well as talking to the
significant adults around them who know them best.
In Barnsley we want to hear the voice of the child. We want to know
what it is like to be the child, their views and what they would like to
happen. Within our quality reports, we measure the extent of the child’s
voice and how this has been recorded on their file.
Ofsted’s evaluation of serious case reviews from 1st April to 30th
September 2010 identified the five following key points:
“The child was not seen frequently enough by professionals
involved, or was not asked about their views and feelings.
Agencies did not listen to adults who tried to speak on behalf of
the child and who had important information to contribute.
Parents and carers prevented professionals from seeing and
listening to the child
Practitioners focused too much on the needs of parents especially
on vulnerable parents and overlooked the implications for the child.
Agencies did not interpret their findings well enough to protect
the child”, (Ofsted, 2011).
This booklet is a practical guide
to help with direct work with
children in gaining their views,
wishes and feelings. It offers
practical ideas and activities to
encourage the development of
trusting relationships that
enables the voice of the child to
be heard.
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2. Things to Consider Make enough time to meet with the child. Spending time with children
using a play activity is valuable, fun and will give you more information
about the child to aid your assessment.
Obtain consent to meet with the child. Always gain parental
permission, unless the child/young person is mature enough to consent
to meeting with you.
Explain confidentiality. Concerns for the safety of a child override any
confidentiality request they may have asked for. Explain that
anything they tell you that puts them at risk of harm will need to be
passed on.
Question whether a school visit is necessary. Some children do not like
to be visited at school. If a school visit is necessary, what would be
the best time for the child?
Give children opportunities to express their wishes and feelings. They
should be allowed to finish what they saying, any disclosures, issues or
concerns should be referred to relevant professionals. Parents should
be informed unless it would place the child at risk to do so.
Let the child know that it is the adults that need to make the
decisions what is best for them, but they have a right to share their
thoughts, wishes and feelings.
Use good quality equipment to value their views.
Keep a selection of activities at hand ready to use.
Children have a right to know what is recorded about their wishes and
feelings.
Children have the right to know who we will share the information
with.
Make every effort to help children with communication difficulties
express their views. Pictorial cards can be used and interpreters if
needed.
Make observations. Observations are extremely important especially
with younger children and children with additional needs, who have not
developed verbal communication. Behaviour can be considered as a
means of communication and tells us a lot about the child.
Never change the child’s words – say it as they said it
Never make assumptions about what their drawings may mean
Never start something you can not finish. See it through and keep
appointments
Be honest and do not make promises you can not keep.
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3. Planning a session of direct work with a child/young
person
Plan the direct work with a beginning, middle and end. Preparation is key
to the success of the session. What information about the child do you
have beforehand? What is the aim of the session? Plan activities to
assist with the aim to obtain a successful outcome.
Consider your own appearance and what you are wearing. Formal clothing
may create barriers. You could wear something that attracts the child
and makes you appear friendly and will help to initiate conversation like a
watch, bracelet or badge.
INTRODUCTION
explain your job, the length of the session and use an icebreaker
BEGINNING
Confidentiality
Aims and purpose – what you aim to achieve
Choose equipment – toys – games
Move to a space where the work will take place and prepare for the
session
MIDDLE
Session in progress
ENDING
Recap what you have done during the session
Agree a time and date for follow up session
Tidy up
Play a game of the child’s choice unrelated to the session. This will
help to lighten the mood, and bring them out of the grim things you
may have been talking about.
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4. Questioning Certain questions can help to gain a picture of the child’s world to help
find out what it is like in the day of the child. Closed questions that
require yes / no answers can be leading and suggestive. Open questions
enable children to be free with their answers and provide more of a fuller
response and possible a more accurate answer.
- What is it like being you?
- Tell me about yourself?
- What will make it better?
- What will make it worse?
- What makes you happy / unhappy?
- List 10 things that would make you happy?
- Who is important to you?
- It is the grown ups responsibility to make decisions,
what would you like to say to them?
- What would you like to happen?:- Plan A, Plan B,
Plan C …..
- What would you like to be different? What would
you change by waving a magic wand?
- If you had 3 wishes/magic wand, what would you
wish for?
- What would life be like if there was a miracle
overnight and you woke up in a perfect world?
5. Icebreakers First impressions are important. Having a rapport with the child or young
person is the beginning to building a trusting relationship. Asking a child
about their day, and picking up clues about them. Be observant and
remember things they have told you about them for next time which will
show them that you have listened to them. Not knowing what to expect
can result in anxiety worry and stress. Ice breakers help both parties to
relax and have fun.
Using colouring pens/pencils draw together
Free drawing helps to begin to develop rapport between you. You can
begin by talking about your favourite colours. Use praise and compliments
and do not ask what their picture is of, always ask them to tell you about
the picture so not to offend them. Drawing together can also be a useful
and fun activity. You don't need to be good at drawing; it actually helps if
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your drawings are simple. Drawings can aid discussions e.g. drawing a
picture of your best/nicest day.
Likes and dislikes – shout out or use a worksheet
Create a list of likes and dislikes (join in, it does no harm to give a little
of yourself, but ensure professional boundaries are not crossed)
Favourite things – shout out or use the worksheet
Create a list of favourite things
Colour
Book
Film
School subject
Person
Place
Band/group
Flower
The flower could have petals drawn on and labeled, for positive people in a
child’s life, things they like or are good at.
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If I had three wishes...
Encourage the child to discuss what they wish could
happen in their life. You will need to avoid making
promises that things will change if that cannot be
guaranteed. Discuss the child’s choices, how things could
be different to the way they are now and why they would
like it to change. Given free-rein the answers may provide
information about a range of aspects of the child’s life.
Use a toy wand or perhaps help the child to make a wand
by tightly rolling black paper into a tube and taping over
the ends with white paper.
Wishes and feelings game
Use a dice and one counter per player. Take it in turns to roll the dice
and move the counter the number of spaces rolled on the dice and share
what makes them feel happy, sad, scared etc. depending on what feeling
the counter has landed on. If the counter lands on the wand – a wish can
be made. The template can be changed e.g. you can use just happy and sad
faces and use the game to find out likes and dislikes
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START
Wishes and Feelings Game
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Question work sheets
A selection of questions written on work sheets can tell you a lot about
the child. Children often enjoy completing these as it takes away from
the direct eye contact that the may find intimidating.
6. ACTIVITIES
Family tree / genogram
By completing a family tree or genogram you can find out who is in the
family and how family and how family members get along with each other;
who lives with who and who the child likes spending their time with and
why. Use one of the ‘Family Tree’ templates to assist with this activity or
use the following symbols to create a genogram.
GENOGRAM SYMBOLS
A dotted line should be drawn around people living in the same house
MALE FEMALE GENDER UNKNOWN
DEATH
Enduring relationships (marriage/ cohabiting)
Transitory relationships Separation Divorce
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The Three Houses
The three houses technique helps a child or family think about and
discuss risks, strengths, hopes and dreams. It is usually most effective
with older children or with families where you are finding it difficult to
devise an effective intervention plan. You can use it with individuals or
with a group. This technique was developed by independent social work
consultant Andrew Turnell and is mentioned in the Eileen Munro review.
You need three large pieces of paper (A3 or bigger), one for each house,
and pens, crayons or pencils. You, or the child, should draw three houses
on each sheet of paper (one house on each piece of paper).
Label the houses:
House of vulnerabilities (for younger children it could be house
of worries or fears)
House of strengths
House of hopes and dreams
Start inside. Inside the first house the child or family should write down
anything internal that makes them scared or worried such as self-
perceptions, values, beliefs, thoughts and feelings. Inside the second
house, write down anything internal that makes them feel positive and
happy.
Around the outside of the first two houses the child or family should
write anything external that makes them scared or makes them happy and
positive such as wider family members, peers, school etc. For the house
of hopes and dreams, you could ask the ‘miracle question’ – what would life
be like if there was a miracle overnight and you woke up in a perfect
world? Once you have completed the drawings, discuss what is needed to
address the fears, bolster the strengths and achieve the hopes and
dreams. Your first focus should be on resources within the family, as this
will increase their motivation and avoid giving the impression that
external support is being imposed.
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Three islands
The three islands technique helps gain an insight into a child’s life without
having to rely on question and answer interviews, which can be
intimidating for some children. The Islands technique was developed by
Kate Iwi, young people’s services officer at charity RESPECT, UK.
What resources do I need?
A large piece of paper (A3 or bigger) and some pens, crayons or pencils.
For children unable or unwilling to draw, you can use toys and models
instead.
How do I do it?
Draw two islands near the top of the piece of paper and a third island
towards the bottom. Draw a bridge between the first two islands and a
gate in the middle of it. If it helps, name the islands i.e. the ‘Island of
Always’, ‘The Island of Sometimes’ and the ‘Island of Far-Away’.
Explain to the child that this is a game and that they live on the first
island. Ask them to draw themselves or use one of the toys to represent
them. They can then draw anything else they want to be on this island
with them (which could include people, animals, activities, objects).
If you do not have the exact toys / models to represent what a child
wants to show, just pretend (for example, a toy plane could represent
going on holiday).
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On the second island, ask the child to draw or put anything that they
want to see but not all the time. Explain they have the only key to the
gate on the bridge, so anything on the second island can only cross when
the child lets them.
On the third island, ask the child to draw or put anything that they want
to be far away from them or never see again.
As the child is drawing or putting toys on the islands, make sure you ask
them who or what they are and why they have put something on a
particular island
What am I looking for?
Anything in the drawing or model that seems odd or worrying, as well as
anything that makes the child happy.
Warnings
You should be careful about interpreting what is drawn or shown too
literally. For example, if they draw a picture of a man and a women
fighting, this would not necessarily mean they have experienced domestic
violence. Drawings / modelling are a way for the child to express an
emotional state or process something they have seen or experienced.
You should avoid questioning where the child places things. For example,
you can ask why they have put their mother on the second island but you
should not say: ‘Oh, but I would have thought your mummy should be on
island one?” The child may end up trying to please you (or displease you.)
There may also be immediate reasons why a child has put something on
either the second or third islands – for example, they may put their pet
cat on island two because the cat scratched them earlier in the day.
As you can see from the picture above, the child has drawn things such as
brothers, sister, my heart and love, my brain, godfather, friends, a peace
sign and a baby blanket on Island one. On Island two, they have drawn
their cat, cousins, aunt and uncle and some other children. On island
three, they have drawn sadness and their father being handcuffed by two
police officers (this may not be immediately obvious from the actual
drawing- it came through discussion with the child of what she was
drawing). They have also decorated the islands by drawing the sea and
some jagged rocks around the third island.
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Faces
What is this technique?
The faces technique consists of asking a child to pick from a range of
different facial expressions and assigning them to members of their
family. It is a useful method for discovering how a child perceives their
family. It is more likely to appeal to younger children or those at an
earlier stage of development.
What do I need?
A large piece of paper, pens, crayons or pencils. For children unable or
unwilling to draw, it is useful to have some pre-prepared facial
expressions such as happy, laughing, angry, hatred, sad, bored, aggressive,
relaxed faces etc.
What do I do?
Explain to the child that you want to know more about their family. Show
them or draw some pictures of different facial expressions and make
sure they understand each expression and the emotion it relates to. For
more developed children, you might use a wide range of expressions; for
those at earlier stages of development, you might decide just to use two
or three (ie happy, sad and angry). Ask the child to draw you pictures of
everyone in their family or the people they live with and then explain to
the child that each family member needs to have one of the facial
expressions. If they say something like ‘mummy is sad and happy’ ask if
they can pick which one she is most like. Some children cannot choose and
may decide to draw more than one head. This is OK and still helpful.
What am I looking for?
You are not only looking for which expressions the child draws but their
explanation as to why – what is their thought process behind picking a
particular face for one person and another face for someone else?
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Buttons, beads and badges
You can use these objects to represent people in the Childs life and who
they are connected to. Describing the different shapes sizes and colours
can aid discussion about family and friends. These objects can also be
threaded together to make special bracelets.
Feelings dice
A game using these dice will
help children to discuss feelings
and become aware of facial
expressions and body
language. You can even make
your own using the
template below.
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Scaling
Used in solution focused therapy, scaling is effective in creating change.
It helps to identify issues and measures the impact on the child. Using
the scale you can discuss what needs to change for the child to move up
the scale. You can then develop an action plan to help them to do this.
On a sliding scale of 1 – 10, with 1 being the lowest/sad and 10 being the
highest/happiest you can ask children many things, eg. How much do you
like chocolate, sweets or the X Factor? And build up to discussing
difficult topics. Other examples:
- How happy are you feeling today?
- What does this mean for you?
- Where on the scale would you like it to be?
- How do you think you will be able to achieve this?
7. RESOURCES
Paper and pens
Always be prepared and
have paper, good quality
pens or crayons with you.
Flip chart paper provides a
bigger surface and provides
variety.
Bag of Tricks Having a bag
with a variety
of objects can
aid
communication
and discussion
with the child
1 2 3 4 5 6 7 8 9 10
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A timer can help keep you
focused. Some children
will want to know how long
you will be there.
Face shapes or paper
plates can be used to
depict themselves, family
members or friends
A glove puppet displaying
feelings can aid discussion
Stickers – all children love
stickers, can be used as
rewards
Post it notes can be used
for messages
Teddy – some children
prefer to talk through
objects
Small play people can
represent family/friends
Games Snakes and ladders can be used
to discuss ups and downs in their
life
Top trumps is a game for most
ages and can be fun to end the
session with
Connect four is easy to play and
good to end a session with
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SAMPLE
WORKSHEETS
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Use these emotions to help with discussion and
descriptions of feelings i.e. when did they last feel like….
and why?
Make into a game of snap or pairs. Ask them to act out the
feeling using facial expressions and body language, and join
in and have fun!
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