8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 1/22

Artiste Époque/Style Caractéristiques de l'artiste C

Scott Joplin 1868-1917Ragtime (1880-1915)

Pianiste, compositeur de Ragtime le plus prolifique Ragti

Bessie Smith 1895-1937 Blues Chanteuse, l'Impératrice du blues Blues:

Jelly Roll Morton 1890-1941New Orleans (1915-

1930)Piano, considéré le 1er compositeur de jazz.

Sidney Béchet 1897-1959New Orleans (1915-1930)

Clarinette et saxophone soprano. Créole = instruit. 1er à utiliser le sax soprano en jazz, virtuose del'instrument et bon improvisateur. Vibrato puissant, technique classique, influence du blues.

James P. Johnson 1891-1955New Orleans (1915-1930)

Piano, 1er grand pianiste de Stride , et premier à intégrer les inflexions du blues au piano.

Louis Armstrong 1901-1971New Orleans (1915-1930)

Trompette, soliste et improvisateur de génie. Phrasé rythmique. Liberté d'expression, imprévisible,réinvente des mélodies, prend de plus en plus de place comme soliste.

Bix Beiderbeeke 1903-1931Chicago School (fin'20)

Trompette, 1er grand musicien de jazz blanc. Influencé par Louis Armstrong, mais aussi musiqueeuropéenne, donc plus sophistiqué. Gammes à 6 notes, accords #11.

Fletcher Henderson 1897-1952Swing - Big Band(1930-1945)

Pianiste, 1er musicien important pour big band. A étudié musique classique, va produire arrangementspour big band, 1ers enregistrements dans les années 20 (1er big band officiel).

Bennie Moten 1894-1935Swing - Big Band(1930-1945)

Pianiste, arrangeur, vient de Kansas City, donc influencé par le blues (sud). Arrangements plus simples,plus de place à l'impro et riffs très rythmiques.

Fats Waller 1904-1943Swing - Stride

(1930-1945)

Pianiste. Compositeur de génie (grands standards) et aussi chanteur. Grand soliste, élève de J.P

Johnson.Coleman Hawkins 1904-1969

Swing - Soliste(1930-1945)

Sax ténor. "Père" du sax ténor (jusque là peu utilisé dans le jazz). Impro "verticale", i.e. harmonique,arpèges d'accords (contraire au blues impro mélodique linéaire)

Billie Holiday 1915-1959Swing - Soliste(1930-1945)

Voix. 1ère grande chanteurse de jazz, introspection, profondeur, émotion et timbre unique, toute ensubtilités, approche "laid-back". Influence de L. Armstrong, joue avec Hawkins.

Art Tatum 1909-1956Swing - Stride(1930-1945)

Piano, soliste. La virtuosité extrême, sa technique n'a jamais été dépassée. Improvisateur, innovateurau niveau harmonique avec dissonances et substitution d'accords. Base: le stride.

Benny Goodman 1909-1986Swing - Soliste(1930-1945)

Clarinette, chef d'orchestre, surnommé "King of Swing". Technique impeccable, virtuose, superimprovisateur, musicien classique qui a bien intégré le blues (et les noirs dans son orchestre).

Ella Fitzgerald 1917-1996Swing - Soliste(1930-1945)

Chanteuse. Grande étendue vocale et grande connaissance du répertoire (standards). Flexibilité, saitimproviser, assimile des éléments de bebop (solos sax) dans ses scats.

Django Reinhardt 1910-1953Swing - Soliste(1930-1945)

Guitariste. Virtuose, 1er européen en jazz, introduit le violon et le swing de L. Armstrong dans le blueset le style traditionnel manouche. il invente le style Jazz manouche (sans vents ni cuivres)

Count Basie 1904-1984Swing - Big Band(1930-1945)

Pianiste, chef d'orchestre (Moten). Band reconnu pour sa cohésion rythmique, quintessence du swing.Piano "comping" et motifs rythmiques basés sur riffs, beaucoup de place aux solistes.

Lester Young 1909-1959Swing - Soliste(1930-1945)

Sax tenor. Approche plus mélodique, plus lyrique, plus ludique, plus aérée, moins chargée que C.Hawkins. Musicien le + important entre Armstrong et Parker, The Prez va laisser sa trace longtemps

Charlie Christian 1916-1942Swing - Soliste(1930-1945)

Guitariste électrique, 1er comme soliste. Influence et style de L.Young avec blues et connaissancepoussée du jazz. Précurseur du Bebop, très avant-gardiste pour son époque.

Duke Ellington 1899-1974Swing - Big Band(1930-1945)

Pianiste, compositeur prolifique. Arrangeur, sonorités nouvelles, exploite le "son" de ses solistes,beaucoup de place. Combinaison d'instruments, timbres nouveaux, pousse l'orchestration au max.

Dizzy Gillespie 1917-1994 Bebop (1945-1955)Trompette (et piano). Novateur, virtuose (notes extrêmes), substitutions d'accords, chromatique,bémol5 (dissonances), meilleur rep du bebop, 1er à intégrer rythmes cubains

Charlie Parker 1920-1955 Bebop (1945-1955)Sax alto. Développe le "Bird" blues. Influence blues/soul de KC et aussi Art Tatum, plus mélodique queles autres bebop. Considéré génie, joue avec les "upper structures" accords 11e et 13e

Thelonious Monk 1917-1982 Bebop (1945-1955)Piano. Excentrique. Influence Elington. Peu technique, utilise dissonnances (clusters) syncopées un peualéatoires, grands vides, unique en son genre. Compose des thèmes mémorables (standards)

Bud Powell 1924-1966 Bebop (1945-1955)Piano. Grand virtuose, influence deTatum (mentor) et innovations de Parker. 1er pianiste à jouerBebop à la façon de Parker. Vie mouvementée

Sarah Vaughan 1924-1990 Bebop (1945-1955)Chanteuse. Scat dans le style Bebop. Carrière internationale, joue aussi dans grands ensembles.Répertoire très vaste et joue piano. Contralto (grand range), trémolo, utilise altérations d'accords.

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 2/22

Extraits

1.1

1.3, 1.4

1.6, 1.7 , 1.8

1.11

1.12

1.15, 1.16, 1.17,1.18, 1.19, 1.20

1.21, 1.22

2.1, 2.2

2.4

2.5

2.8, 2.9

2.10, 2.11

2.13, 2.14

2.7

2.12

2.19

2.20, 2.21

2.22

2.23, 2.24

3.1, 3.2, 3.3, 3.4,3.5, 3.6, 3.7, 3.8

3.10, 3.11

3.12, 3.13, 3.14, 3.15,3.16, 3.17, 3.18, 3.19

4.6, 4.7, 4.8, 4.9,4.10

3.21

4.4, 4.5

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 3/22

tracks: disc 1

Sample Title/ComposerMaple Leaf RagScott JoplinMaple Leaf RagScott JoplinSt. Louis Blues

W.C. HandyLost Your Head BluesBessie SmithDippermouth BluesKing OliverBlack Bottom StompJelly Roll MortonDead Man BluesJelly Roll MortonGrandpa's Spells

Jelly Roll MortonKing Porter StompJelly Roll MortonCake Walking Babies from HomeChris Smith / Henry Troy / Clarence WilliamsBlue HorizonSidney BechetCarolina ShoutJames P. JohnsonBig Butter and Egg ManLouis Armstrong / Percy Venable

Potato Head BluesLouis ArmstrongStruttin' With Some BarbecueLil Hardin / Don RayeHotter Than ThatLouis Armstrong / Lil HardinWest End BluesKing Oliver / Clarence WilliamsWeather Bird

3

8

2

1

6

5

4

11

10

9

17

16

7

14

13

12

15

The Smithsonian Collection of Classic Jazz is itself somewhat of a classic, referrsource in at least one. If you don't know what you like in jazz and are looking for a well-puwith ragtime's Scott Joplin, and proceeds through Bessie Smith, Louis Armstrong, Art Tatufree jazz of Ornette Coleman, and even The World Saxophone Quartet. Of course John Colbig guns are there -- even Horace Silver and Lennie Tristano. This five-CD set (94 tracks) coto begin.

release date: october 1995, duration: 361:30:00

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 4/22

Louis ArmstrongSweethearts on ParadeCarmen Lombardo / Charles NewmanI Gotta Right to Sing the BluesHarold Arlen / Ted KoehlerSingin' the Blues (Till My Daddy Comes Home)

Dorothy Fields / Jimmy McHughRiverboat ShuffleHoagy Carmichael / Irving Mills / Mitchell ParishFour or Five TimesByron Gay / Marco H. Hellman

tracks: disc 2

Sample Title/ComposerThe Stampede

Fletcher HendersonWrappin' It UpFletcher HendersonDinahHarry Akst / Sam M. Lewis / Joe YoungMoten SwingBennie MotenI Ain't Got Nobody

Roger Graham / Dave Peyton / Spencer WilliamsHonky Tonk Train BluesMeade "Lux" LewisBody and SoulFrank Eyton / Johnny Green / Edward Heyman / Robert SourBody and Soul

Frank Eyton / Johnny Green / Edward Heyman / Robert SourThe Man I LoveGeorge Gershwin / Ira GershwinHe's Funny That Way

Neil Moret (Chas. N. Daniels) / Richard A. WhitingThese Foolish ThingsHarry Link / Holt Marvell / Jack Strachey

You'd Be So Nice to Come Home ToCole PorterWillow Weep for MeAnn RonellToo Marvelous for WordsJohnny Mercer / Richard A. WhitingOrgan Grinder's SwingWill Hudson / Irving Mills / Mitchell ParishRockin' Chair

22

21

20

19

18

3

2

1

9

23

7

6

5

4

12

11

10

8

15

14

13

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 5/22

Hoagy CarmichaelI Can't Believe That You're in Love With MeClarence Gaskill / Jimmy McHughWhen Lights Are LowBenny Carter / Clarence WilliamsDinah

Harry Akst / Sam M. Lewis / Joe YoungDoggin' AroundEdgar Battle / Herschel EvansTaxi War DanceCount Basie / Lester YoungLester Leaps InLester YoungI Found a New BabyJack Palmer / Spencer WilliamsBreakfast FeudBenny Goodman

tracks: disc 3

Sample Title/ComposerEast St. Louis Toodle-OoDuke Ellington / Bubber MileyThe New East St. Louis Toodle-OoDuke Ellington / Bubber MileyDiminuendo and Crescendo in BlueDuke EllingtonKo KoDuke EllingtonConcerto for CootieDuke EllingtonCotton TailDuke EllingtonIn a Mellow ToneDuke Ellington / Milt GablerBlue SergeMercer Ellington

I Got RhythmGeorge Gershwin / Ira GershwinI Can't Get StartedVernon Duke / Ira GershwinShaw 'Nuff Ray Brown / Gil Fuller / Dizzy GillespieKokoCharlie ParkerOh, Lady Be Good

18

17

16

23

22

21

20

19

3

2

1

9

24

7

6

5

4

12

11

10

8

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 6/22

George Gershwin / Ira GershwinEmbraceable YouGeorge Gershwin / Ira GershwinEmbraceable YouGeorge Gershwin / Ira GershwinKlact-Oveeseds-Tene

Charlie ParkerCrazeologyBenny HarrisCrazeologyBenny HarrisParker's MoodCharlie ParkerFantasy on Frankie and JohnnyErroll Garner / TraditionalA Night in TunisiaDizzy Gillespie / Frank PaparelliBikiniDexter GordonLady BirdTadd Dameron

tracks: disc 4

Sample Title/ComposerBoplicityCleo HenrySubconscious-LeeLee KonitzBody and SoulFrank Eyton / Johnny Green / Edward Heyman / Robert SourAll AloneIrving BerlinMy Funny ValentineLorenz Hart / Richard RodgersMisteriosoThelonious Monk

EvidenceThelonious MonkCriss-CrossThelonious MonkBags' GrooveMilt JacksonI Should CareSammy Cahn / Axel Stordahl / Paul WestonMoon Rays

18

17

15

14

13

16

23

22

21

20

19

3

2

1

8

7

6

5

4

9

10

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 7/22

Horace SilverSummertimeGeorge Gershwin / Ira Gershwin / DuBose HeywardHaitian Flight SongCharles MingusDjango

John LewisPent-Up HouseSonny Rollins

tracks: disc 5

Sample Title/ComposerBlue 7Sonny RollinsWest Coast Blues

Wes MontgomerySo WhatMiles DavisBlue in GreenMiles Davis / Bill EvansEnter, EveningCecil TaylorAlabamaJohn ColtraneLonely WomanOrnette ColemanCongenialityOrnette ColemanFree JazzOrnette ColemanSteppin'Julius Hemphill

13

1

15

12

11

10

3

5

9

4

8

6

7

14

2

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 8/22

Performer Time

Bessie Smith 3:05

Jelly Roll Morton 2:52

Jelly Roll Morton 2:40

Scott Joplin 3:19

Jelly Roll Morton 3:09

King Oliver's Creole Jazz Band 2:32

Bessie Smith 2:54

Sidney Bechet & His Blue Note Jazzmen 4:19

The Red Onion Jazz Babies 3:05

Jelly Roll Morton 2:52

Louis Armstrong 3:15

Louis Armstrong 2:59

Jelly Roll Morton 2:54

Louis Armstrong & His Hot Seven 2:58

Louis Armstrong 2:57

James P. Johnson 2:39

Louis Armstrong 2:59

d to in many books, and used as the main learningt-together introduction, this set is a good bet. It startsm, Duke Ellington ... all the way up to and including thetrane, Thelonious Monk, Miles Davis, and all the otherntains classic cuts in most cases. This set is a great place

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 9/22

Performer Time

Frankie Trumbauer 3:07

Frankie Trumbauer 2:58

Louis Armstrong & His Orchestra 2:52

Louis Armstrong & His Orchestra 3:13

Louis Armstrong / Earl Hines 2:41

Red Nichols 3:12

Fletcher Henderson & His Orchestra 2:41

Fletcher Henderson & His Orchestra 3:13

Coleman Hawkins Quintet 5:04

Jimmie Noone's Apex Club Orchestra 3:14

Benny Goodman 3:27

Meade "Lux" Lewis 2:57

Fats Waller 3:06

Bennie Moten 3:19

Ella Fitzgerald 2:44

Billie Holiday & Her Orchestra 3:35

Billie Holiday & Her Orchestra 2:38

Coleman Hawkins & His Orchestra 2:59

Jimmie Lunceford & His Orchestra 2:36

Art Tatum 2:21

Art Tatum 2:53

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 10/22

Performer Time

Lionel Hampton & His Orchestra 2:11

Benny Carter / The Chocolate Dandies /Roy Eldridge 2:59

Gene Krupa & His Orchestra 3:11

Count Basie / Charlie Christian /Goodman Group 2:53

Count Basie 3:12

Count Basie Orchestra 2:47

Count Basie Orchestra 2:57

Quintet of the Hot Club of France 2:32

Duke Ellington & His Orchestra 5:56

Duke Ellington & His Orchestra 2:56

Duke Ellington & His Orchestra 3:35

Don Byas / Slam Stewart 4:54

Charlie Christian / Goodman Group 2:18

Duke Ellington & His Orchestra 3:15

Duke Ellington & His Orchestra 3:08

Duke Ellington & His Orchestra 3:17

Duke Ellington & His Orchestra 2:40

Charlie Parker 2:51

Dizzy Gillespie 2:55

Dizzy Gillespie 3:03

Duke Ellington & His Orchestra 3:19

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 11/22

Performer Time

http://rd.io/x/QitoZI8

Charlie Parker 2:55

Charlie Parker 1:01

Charlie Parker 1:53

Charlie Parker 2:06

Charlie Parker / Jazz at the Philharmonic 3:02

Charlie Parker 3:00

Tadd Dameron 2:47

Dexter Gordon Quartet 3:34

Bud Powell Trio 4:13

Erroll Garner 2:53

Charlie Parker 3:00

Sarah Vaughan 2:19

Stan Getz / Red Norvo 3:35

Lennie Tristano Quintet 2:44

Thelonious Monk 3:11

Miles Davis & His Orchestra 2:57

Thelonious Monk Quintet 2:54

Thelonious Monk Quartet 2:30

Thelonious Monk Quartet 3:18

Sarah Vaughan 5:48

Thelonious Monk 2:48

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 12/22

Performer Time

Charles Mingus Quintet 11:51

Sonny Rollins Quartet 11:08

Miles Davis / Gil Evans Orchestra 3:16

Horace Silver Quintet 10:48

World Saxophone Quartet 7:13

Miles Davis 8:51

Ornette Coleman Double Quartet 10:03

Cecil Taylor Unit 10:57

Bill Evans 5:20

Ornette Coleman Quartet 6:41

John Coltrane Quartet 5:09

Ornette Coleman Quartet 4:54

The Modern Jazz Quartet 5:22

Sonny Rollins 8:52

Wes Montgomery 5:30

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 13/22

Fiche pour tests

PièceArtiste principalStyle de la pièceCaractéristiques de ce style

Caractéristiques de l'artisteSituer dans le temps

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 14/22

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 15/22

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 16/22

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 17/22

JAZZ

Episode 1 Beginnings

to 1917

2 1917-24

3 1924-29

4 1929-34

5 1935-37

6 1937-39

7 1940-42

8 1943-45

Produced by

The series shows there is farthe 20th century, especiallycompelling, emotional and dof those involved, Jazz pres

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 18/22

9 1945-49

10 1949-55

11 1956-60

12 1960 to the

present

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 19/22

The series begins in the 1890s in New Orleans where the sounds of marching bands, Italian opera,Caribbean rhythms and minstrel shows fill the streets with a diverse musical culture. Here, African-American musicians create a new music out of these ingredients by mixing ragtime syncopations withthe soulful feeling of the blues. Soon after the start of the new century, people are calling it jazz.

The story of jazz becomes a tale of two great cities: Chicago and New York, and of two extraordinaryartists whose lives and music will span almost three-quarters of a century, namely Louis Armstrongand Duke Ellington. As the Roaring Twenties accelerate, Fletcher Henderson, a black bandleader,

brings Louis Armstrong to New York to add his improvisational brilliance to the band's new sound. The songs of Bessie Smith, Empress of the Blues, help black entrepreneurs create a new recordingindustry. Bix Beiderbecke becomes the first great white jazz star and Benny Goodman finds that jazzoffers an escape from the Jewish ghetto and a chance to achieve his dreams. In New York, DukeEllington achieves national fame when radio carries his music into homes across the country explosive growth. Louis Armstrong revolutionises the art of American popular song and becomes oneof the nation's top entertainers. In Harlem, Chick Webb pioneers his own big-band sound at the SavoyBallroom with a new dance. But it is Duke Ellington who takes jazz to the next level by composing hittunes with a new sophistication that has critics comparing him to Stravinsky.Jazz has a new name now - swing. Jazz bandleaders are the new matinee idols, with teenagersjitterbugging to the music of Benny Goodman, Tommy Dorsey, Jimmie Lunceford and Glenn Miller.Billie Holiday emerges from a tragic childhood to begin her career as the greatest of all female jazzsingers. And in Chicago, Benny Goodman and Teddy Wilson prove that, despite segregation, greatblack and white musicians can swing side-by-side on stage.The pulsing Kansas City sound of Count Basie's Band comes to New York and quickly reignites the spiritof swing. Soon Basie's lead saxophonist, Lester Young, challenges Coleman Hawkins for supremacy,matching the old sax-master's muscular sound with a lighter, laid-back style of his own. Young teamswith Billie Holiday for a series of masterful recordings. By the decade's end, Chick Webb has achievednational fame by taking a chance on a teenage singer named Ella Fitzgerald.

, .

Minton's Playhouse, a small band of young musicians, led by the trumpet virtuoso Dizzy Gillespie andthe brilliant saxophonist Charlie Parker, discover an exhilarating new way of playing which is fast,intricate and sometimes chaotic. When America finally enters the war in 1941, big band music is partof the arsenal, boosting morale both at home and for the troops overseas.n war- orn urope, azz as een anne y e az s, u grea mus c ans con nue o p ay, urn ng

the music into a weapon of resistance. For many black Americans, however, that sound has a hollowring. They find themselves fighting abroad for liberties their own country denies them at home.Meanwhile, Duke Ellington premieres his symphonic suite tone portrait of black life in America, Black,Brown and Beige.

ynn Novick and Ken Burns, the series Jazz follows the progress of both the music and society.

more to jazz than just the music. It is a whole social phenomenon that reflected and helped shapefor African Americans on the path to emancipation in what was still a segregated society. With aramatic combination of archival materials, evocative live cinematography and personal recollectionsnts detailed and engaging portraits of the greatest figures in jazz.

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 20/22

o ar ens ons are re ec e n e ro en r y ms an ssonan me o es o e op, an n etroubled life of bebop's biggest star, Charlie 'Bird' Parker. His improvisations and self-destructive,narcotics-plagued lifestyle are widely copied by other musicians. His longtime partner, DizzyGillespie, tries to popularise the new Louis Armstrong forms the All Stars but, in his efforts,encounters racism in New Orleans.

generat on o mus c ans em race t e c a enge o mov ng eyon ar e ar ers nnovat ons. o nLewis and the supremely elegant Modern Jazz Quartet refine bebop's balance between improvisationand composition. However, few people are listening to bebop. California musicians create a new,mellow sound called cool jazz, and Dave Brubeck mixes jazz with classical music to produce the firstmillion-selling jazz LP, Time Out. Then Miles Davis stands poised to lead jazz in a new direction.

mer ca s pos war prosper y con nues an , n azz, young a en s ar se o a e e mus c n newdirections. In 1956, the first year Elvis tops the charts, Duke Ellington has his best-selling record ever.New artists emerge, most prominently Sonny Rollins, Sarah Vaughan and Miles Davis. Davis comes toexemplify the very essence of cool but, as the 1960s arrive, two freewheeling saxophonists, JohnColtrane and Ornette Coleman, take jazz into uncharted terrain.During the Sixties, jazz is in trouble. Most young people are listening to rock and roll. Many jazzmusicians head for Europe while at home, jazz searches for relevance led by Charles Mingus, Archie

Shepp and John Coltrane. Miles Davis, combines jazz with rock and roll and launches a wildly popularsound called fusion. However, in 1976 when Dexter Gordon returns from Europe for a triumphantcomeback, jazz has a homecoming too and a new generation of musicians emerges.

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 21/22

Artiste

Scott Joplin 1868-1917

Bessie Smith 1895-1937

Jelly Roll Morton 1890-1941

Sidney Béchet 1897-1959

James P. Johnson 1891-1955

Louis Armstrong 1901-1971

Bix Beiderbeeke 1903-1931

Fletcher Henderson 1897-1952

Bennie Moten 1894-1935

Fats Waller 1904-1943

Coleman Hawkins 1904-1969

Billie Holiday 1915-1959

Art Tatum 1909-1956

8/13/2019 Histoire Du Jazz - Partie 1

http://slidepdf.com/reader/full/histoire-du-jazz-partie-1 22/22

Benny Goodman 1909-1986

Ella Fitzgerald 1917-1996

Django Reinhardt 1910-1953

Count Basie 1904-1984

Lester Young 1909-1959

Charlie Christian 1916-1942

Duke Ellington 1899-1974

Dizzy Gillespie 1917-1994

Charlie Parker 1920-1955

Thelonious Monk 1917-1982

Bud Powell 1924-1966

Sarah Vaughan 1924-1990