how to write intelligently about film in the viewing section

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How to Write Intelligently About Film in the Viewing Section 1

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How to Write Intelligently About Film in the Viewing Section. Remember. The viewing section is examining your understanding of visual conventions, not narrative. Choose a film you like Watch it a couple of times, including bonus features and director’s commentary if possible - PowerPoint PPT Presentation

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Page 1: How to Write Intelligently About Film in the Viewing Section

How to Write Intelligently About Film in the Viewing

Section

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Page 2: How to Write Intelligently About Film in the Viewing Section

Remember

The viewing section is examining your understanding of visual conventions, not narrative

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Page 3: How to Write Intelligently About Film in the Viewing Section

• Choose a film you like

• Watch it a couple of times, including bonus features and director’s commentary if possible

• Develop a reading of the film

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Page 4: How to Write Intelligently About Film in the Viewing Section

• Choose a short sequence for close analysis

• Make notes on cinematography using a retrieval chart

• Convert analysis notes into study notes based on ideas

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Page 5: How to Write Intelligently About Film in the Viewing Section

Murderball

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Page 6: How to Write Intelligently About Film in the Viewing Section

My Reading

Challenges the common stereotype of paraquad men as incapable, dependent, weak and deserving of pity.

Constructs them as independent , athletic, powerful and deserving of respect. In many ways no different from non-disabled people.

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Page 7: How to Write Intelligently About Film in the Viewing Section

Zupan in b’room getting changed alone(m/s; w/c height)

Tattoo (c/u)

B/r (w/s) taking in beer and studded belt; bare chested; sports shorts

IndependencePuts audience and him on same level

Rebellious; bit of a jock; macho

Bit of a jock; macho; strength athleticism

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Analysis Notes

Page 8: How to Write Intelligently About Film in the Viewing Section

c/u: steel w/c parts being put together; noise of machinery;

c/u: wheels spinning/swivelling

l/s: Hogsett – park setting; athletic clothes; talks of going to clubs

Strength; power

Speed; manoeuvrability

Independence; athleticism

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Page 9: How to Write Intelligently About Film in the Viewing Section

Bob Lujano (quad) – putting wc in car, driving;

Hotel foyer; talks about cooking and driving

Andy talks about not needing help

Independence; normality

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Page 10: How to Write Intelligently About Film in the Viewing Section

L/s: garage door rising; sound of motor; Zupan bare chested in chair

M/s: Zupan in gym; gym equipment in b/g; talks about hitting people back

Gladiator preparing for battle

Athleticism; Strength; independence

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Page 11: How to Write Intelligently About Film in the Viewing Section

Ecu/ extreme la: bottom of chair: metal armour; dramatic music; tracking shotLooking up at Zupan

Power; speed, athleticism; strength

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Page 12: How to Write Intelligently About Film in the Viewing Section

Study Notes

Independence conveyed through:• Settings –external, public – Hogsett in park,

Lugano at hotel, Zupan in gym• Actions: Zupan getting changed, Lugano

driving car• Dialogue: Hogsett talking about clubs, Cohn

about shopping centres/not needing help

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Page 13: How to Write Intelligently About Film in the Viewing Section

Athleticism conveyed through:• Setting: Zupan at gym• Clothing and appearance: Zupan barechested;

Hogsett in athletic gear• Camera movement: tracking shot of Zupan in

chair• Close-ups of wheels spinning – sense of rapid

movement

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Page 14: How to Write Intelligently About Film in the Viewing Section

Power conveyed through:• Sound track: sound of machinery when

putting chair together; garage door opening; music accompanying Zupan in chair

• Close-ups of steel parts of chair• Garage door – gladiator effect

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Page 15: How to Write Intelligently About Film in the Viewing Section

Normality conveyed through• Settings as above• Dialogue as above• Camera puts us and them on same level.

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Page 16: How to Write Intelligently About Film in the Viewing Section

The Pianist

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Page 17: How to Write Intelligently About Film in the Viewing Section

• Set 1939 -45

• Wladislaw Szpilman, Jewish pianist

• Germans invade Poland

• Warsaw ghetto

• Escapes being transported to concentration camp

• Goes into hiding

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Page 18: How to Write Intelligently About Film in the Viewing Section

My Thesis

• War has the potential to destroy our humanity

• A passion for music can help us survive

• Music has the power to unite us as human beings – to allow us to see beyond our differences.

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Page 19: How to Write Intelligently About Film in the Viewing Section

Climax

Germans retreating, destroying Warsaw in the process

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Page 20: How to Write Intelligently About Film in the Viewing Section

• Lack of colour; just grey

• Framing: devastation stretches as far as our eyes can see

• Lack of sound

• Camera zooms back and up: Szpilman reduced to insignificance

• Almost animal-like in movements

Lack of life

Destructive effects of war

Lack of life

Effect of war on humans: reduces us to insignificance

Destroys humanity; reduces us to animals

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Page 21: How to Write Intelligently About Film in the Viewing Section

Lighting: illuminates his head and hands

Lighting begins to illuminate his face

Light on German’s face

Site of his passion for music

Regaining his humanity

Shares passion for music; human, not a monster

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Page 22: How to Write Intelligently About Film in the Viewing Section

Topic: Discuss the relationship between visual elements and ideas in at least one of the images provided and at least one visual text you have studied.

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