introduction to the order of mass
TRANSCRIPT
Introduction to the Order of Mass
A Pastoral Resource of the Bishops’ Committee on the Liturgy
Introduction Approved in 1997, revised & approved in 2000
A pastoral document rather than juridical
Designed to assist in the training of ministers
Goal of liturgical formation: “…form a holy people…so that they may give thanks to God…and so that they may learn to offer themselves…to make this clear by their…charity toward brothers and sisters who participate with them in the same celebration.”
Introduction “Thus they are to shun any appearance of individualism…”
“Such a vision often challenges the rugged individualism of Americans. Yet any desire to imprint the identity of a particular community upon the liturgy must be tempered…”
Liturgical formation of the People of God and the ministers “must above all be spiritual.”
Every celebration of Eucharist an assembly of God’s people with bishop/priest
A memorial of Christ’s action in Word and Eucharist Everyone assembled has a part in the one action “…on the Lord’s Day…”
I. The Celebration of Mass
Full, active, and conscious participation by all, unique roles
1. Liturgical Ministers and the Gathered Assembly
Full, active, and conscience participation by all, unique roles A reflection of the universal Church
1. Liturgical Ministers and the Gathered Assembly
Full, active, and conscience participation by all, unique roles A reflection of the universal Church Proper preparation for each person who has a role
1. Liturgical Ministers and the Gathered Assembly
Full, active, and conscience participation by all, unique roles A reflection of the universal Church Proper preparation for each person who has a role Formation of liturgical ministers both spiritual and technical
1. Liturgical Ministers and the Gathered Assembly
Full, active, and conscience participation by all, unique roles A reflection of the universal Church Proper preparation for each person who has a role Formation of liturgical ministers both spiritual and technical Verbal and non-verbal components of liturgical ministry
1. Liturgical Ministers and the Gathered Assembly
Full, active, and conscience participation by all, unique roles A reflection of the universal Church Proper preparation for each person who has a role Formation of liturgical ministers both spiritual and technical Verbal and non-verbal components of liturgical ministry Join the rest of the assembly when not performing their
particular role
1. Liturgical Ministers and the Gathered Assembly
Christ present in the priest
Encourages the participation of others so that “everything is done well”
Primary responsibility to offer the “presidential prayers,” chiefly the Eucharistic Prayer
Physical posture, eye contact
Homily
Concelebration
Priest Celebrant
Proclaims the Gospel reading, preaches on occasion, announces the intentions at the General Intercessions
Carries the Book of the Gospels before the priest in the entrance procession
Prepares the altar, elevates the chalice at the Doxology, and may assist with breaking of the bread and preparation of the chalices
Helps in the distribution of Communion, especially the chalice
Assists the priest at the chair and the altar, occasionally giving directions to the assembly
May incense priest, people, Book of the Gospel
Deacon
“God speaks to the faithful through them”
“Qualified” persons must be trained
Different lectors for each reading
Responsorial psalm led by cantor, but occasionally the lector
May carry the Book of the Gospels before the priest if no deacon is present
All readings proclaimed from the ambo
Lector
Christ is present (“Where two or three…”)
Not a random group, but an organized gathering
Dialogues have value as communal action
Singing an expression of communal awareness
Uniformity of posture and gesture
Accommodations should be made for persons with special needs
Adaptations when children are present, especially if in majority
Gathered Assembly
“…aid the gathered assembly’s full participation…”
Role of “psalmist” singled out (responsorial psalm, Alleluia, verses (can be same as cantor)
Cantor leads the congregation
Organ and other instruments support and encourage participation
Choir remains at all times part of the gathered assembly
Choir sings alone only occasionally
In absence, encouragement of cantor or instrumental music
Liturgical Musicians
assist the priest celebrant in distribution of Communion
Difference between ordinary and extraordinary ministers/commissioning or deputation needed
Link between ministering at the altar and bringing Eucharist to the sick
Ministers approach altar after priest has received Communion
Ministers receive Communion from priest not from each other; not in the manner of concelebrants
Only priest or deacon prepares Eucharist for reception, including reserve Eucharist in tabernacle
Extraordinary Ministers of Holy Communion
Purification of vessels: consume remaining Precious Blood; vessels purified by priest, deacon, or instituted acolyte/faculty may be given by bishop to laity
Communion to the sick: priest gives pyx to ministers immediately after Communion
Extraordinary Ministers of Holy Communion
Enhance celebration by taking part in procession and making sure all items necessary for liturgy are available
Hold the book for the presiding priest
Carry other items. e.g. censer, water pitcher, processional cross
Number depends on nature of celebration; a note on Masters of Ceremonies
Servers
St. Paul’s instruction: “welcome one another as Christ has welcomed you…”
Welcome, provide with worship aids, help find seats
Attention to visitors
Assist in special circumstances, e.g. illness
May assist with collections
Ushers
The Eucharistic Celebration and Its
Symbols
1. Gesture and Posture
The Eucharistic Celebration and Its
Symbols
1. Gesture and Posture2. Words
The Eucharistic Celebration and Its
Symbols
1. Gesture and Posture2. Words3. Liturgical Music
The Eucharistic Celebration and Its
Symbols
1. Gesture and Posture2. Words3. Liturgical Music4. Materials and Objects
The Eucharistic Celebration and Its
Symbols
1. Gesture and Posture2. Words3. Liturgical Music4. Materials and Objects5. Occasional Adaptations
The Eucharistic Celebration and Its
Symbols
Theological Concepts
Sanctification of women & men given expression in symbols perceptible by the senses
Principle actions: taking, blessing, giving, sending Ritual promulgated as actions of the whole Church Actions should not need to be explained
Gestures and Postures
Through outward gestures we express inner participation
We worship God with our bodies and feelings
People are called as members of organic whole, not individuals
Actions performed together express unity (e.g. Sign of the Cross)
Gestures and Postures
Some actions performed by individuals (e.g. priest praying with extended hands
Western common understandings: standing to greet risen Lord; sitting to listen; kneeling as gesture of submission and adoration
Notes on other gestures: bowing, kissing, genuflecting, striking the breast
Words
Verbal communication corresponds to text, acoustics, form of celebration, and language
Scripture of “exceptional importance”
Presidential prayers (Eucharistic prayer of “primary importance”)
Common prayers and other texts (e.g. Creed, Lord’s prayer)
Words
Sung texts: psalm response; acclamations; parts of Eucharistic prayer (e.g. Preface)
Invitations and introductions (by priest or deacon)
Private prayers (by priest or deacon, inaudible)
Liturgical Music
Accentuates solemnity of occasion and fosters common faith
Closely bound to liturgical texts (not to be altered)
Inclusion of styles from every period, culture, region
Important factors to consider: quality of composition; ability to express text; ease with which it can be remembered and sung
Liturgical music may accompany action (e.g. procession)
Liturgical Music
Primary source should be Scripture and texts of the liturgy
Music provided in Roman Missal; local composition used when suitable
Variety of musical form
Outside Advent, Lent, Easter Triduum, and Masses for the Dead, instrumental music may be employed
Liturgical Music
Organ to be accorded “pride of place”; other instruments may be used
Not every liturgy celebrated with the same degree of solemnity
Liturgical music should reflect nature of season or occasion
Liturgical Music
Selection of music begins with texts
Priority given to parts of Mass rather than hymns, i.e. Responsorial Psalm, Gospel and Eucharistic acclamations, dialogue between priest and people
Silence
Another form of communication between God and people
Both individual and communal aspects
Not simply a pause, but a time for hearing, assimilating, and responding
When?: during penitential rite, before Opening Prayer, after readings and homily, after Communion
Materials and Objects
Recognizable as food and drink
Free from foreign substance
Bread and Wine
Materials and Objects
Should be made of noble metals
Distinguishable as used only for liturgy
Should not break easily
Contained in one vessel and covered
Difference between ciboria and chalices
Vessels for (generous) washing of hands
Sacred Vessels
Materials and Objects
Table of sacrifice and thanksgiving meal
Fixed altars made of stone or wood
Covered with white cloth
Candles placed on or near
Only objects for Mass on altar (e.g. not flowers)
Altar
Materials and Objects
“Table of God’s Word”
Used exclusively for proclamation of Scriptures (not announcements)
Design: elevated, fixed, “noble,” harmonious with altar
Ambo
Materials and Objects
Christ present in the presider; chair a sign of his office; positioned where he can be seen; not to resemble a throne
Leads the prayers standing at the chair
Movement from chair to ambo to altar should signify different parts of Mass
Chair
Materials and Objects
Symbol of cost of salvation; should be visible before, during, and after celebration
May be carried in procession or fixed; caution not to duplicate crosses
Instructions on the covering of crosses (and images) during Lent
Cross
Materials and Objects
Communicate God’s presence to us in word
Two books of God’s word: Lectionary & Book of the Gospels (use)
Other books, e.g. Roman Missal (use)
Pamphlets and leaflets never to be used in exercise of liturgical roles
Books
Materials and Objects
Serve functions of festal clothing and insignia of function or ministry
Alb common to all ministers
Chasuble reserved to priest
Deacon’s vestments
Color appropriate to celebration in U.S.
Vesture
Materials and Objects
Ancient sign of respect and honor and prayer
Used in amounts sufficient to been seen and smelled
Times of use: e.g. beginning, Gospel proclamation, preparation of altar
Incense
Adapting the Celebration to
To Particular Circumstances
Sunday celebration “preeminent” Local and national feasts and observances to be observed (e.g.
January 22 – day of penance for abortion) Celebrations of culturally and ethnically mixed groups
deserve attention Notes on liturgies with special groups, e.g. children, the sick Guidelines for receiving Communion: for Catholics; for
fellow Christians; for those not receiving Communion; for non-Christians
Prayer of the Liturgy of the Hours Guidelines using the Directory for Masses with Children
II. Introductory Rites
Entrance Procession
Everyone able to sing Opening Song
Order of Procession: incense, cross & candles, liturgical ministers, deacon or lector with Book of the Gospels, priest
Act of reverence at altar
II. Introductory Rites
Greeting
Sign of the Cross and opening dialogue
Introduction of the Mass of the day, introduction of visitors
II. Introductory Rites
Act of Penance
Formula from Roman Missal or other version
Option of Rite of Sprinkling
Gloria: should be sung (not during Advent or Lent)
II. Introductory Rites
Opening Prayer (Collect)
Completes the Introductory Rites
May be sung or recited
Preceded by moments of silence
III. Liturgy of the Word
Close relationship between Liturgy of the Word and Liturgy of the Eucharist
We have “communion” both with the Word and with the Eucharist
Human words must not “obscure” the divine word
Call for study of the Introduction to the Lectionary
III. Liturgy of the Word
Biblical Readings
May not be omitted, shortened, or replaced by other texts
Preference for the longer version
Proclamation of the Gospel is preeminent
Prayerful silence, possible brief introduction
Option for readings to be sung
III. Liturgy of the Word
Responsorial Psalm
“All respond” as it is the prayer of the Church
Preferred form is responsorial
Can be proclaimed when singing is impossible
Seasonal psalms permitted in U.S.
Songs or hymns not to be used in place of responsorial psalm
III. Liturgy of the Word
Gospel Acclamation
Normally an alleluia except in Lent
Accompanied by a Gospel procession
Deacon asks for a blessing from priest if he proclaims Gospel
All stand during procession
If proclamation is not sung, it is omitted
Note on the Sequence (Easter and Pentecost are not optional)
III. Liturgy of the Word
Gospel Reading
Distinct from other readings (e.g. proclamation reserved to deacon or priest other than the presiding priest)
Never omitted
The signs of the cross in preparation
Encouragement to sing the “dialogue”
III. Liturgy of the Word
Homily
Integral part of the liturgy, based on texts of Mass or other rites
Intended to make application of the Word to daily life
Should be carefully prepared and of appropriate length and style
Never to be omitted on Sundays or holydays without serious reason
Recommended on weekdays
III. Liturgy of the Word
Homily
Reserved to priest or deacon
Lay person may preach homily for Masses with Children, though not called a “homily”
Homily delivered from ambo or presiding chair
Sign of the cross before and after not advised
Period of silence follows
Dismissal of catechumens
III. Liturgy of the Word
Profession of Faith
Recited by priest and people together on Sundays and solemnities
Normal form is the Nicene Creed (Apostles Creed only other option)
Profession of faith replaced by renewal of baptismal promises at Easter Vigil (Easter), or Confirmation/Baptism Masses
Can be omitted in RCIA rites during Mass
III. Liturgy of the Word
Prayer of the Faithful (Universal Prayer)
Intercessions for all humanity
Although intercessions can be concrete, they should “look beyond the concerns of the local congregation and to the needs of the whole Church and the wider world.”
The priest directs the prayer from chair, intentions are proposed by deacon or other minister, and the faithful respond in silence or verbal prayer
Addressed to the congregation, not to God
Carry tone of petition not praise or thanksgiving
Option for singing the prayers
Those proposing the prayers return to chairs after concluding prayer
IV. Liturgy of the Eucharist
Preparation of the Gifts
Gifts of bread and wine presented by the faithful, along with other offerings, e.g. money
Preparation of the altar: all things necessary brought from side table by ministers or members of congregation
Presentation of the gifts: in procession; “token” gifts discouraged; accompanied by music, sung or instrumental
IV. Liturgy of the Eucharist
Preparation of the Gifts
Placing of gifts on altar, usually in silence
Mixing of wine and water (function of the deacon)
Incensing of gifts an option
Washing of hands, ceremonial rather of need
Prayer over the offerings
IV. Liturgy of the Eucharist
Eucharistic Prayer
Center and summit of the entire celebration
Theology of thanksgiving, recollection of salvation history, remembrance of Last Supper, Pascal mystery of the Lord, invocation of the Holy Spirit upon the Church
Approved texts for use in U.S.
IV. Liturgy of the Eucharist
Eucharistic Prayer (elements)
Dialogue between priest and congregation
Preface (a prayer of thanksgiving)
Holy, Holy, Holy acclamation
Epiclesis (calling upon the Holy Spirit)
Institution Narrative and Consecration
Memorial acclamation
IV. Liturgy of the Eucharist
Eucharistic Prayer (elements)
Anamnesis and offering (memorial)
Intercessions
Doxology
IV. Liturgy of the Eucharist
Communion Rite
culmination of the Eucharist
Preparation flows from Eucharistic Prayer directly to Communion (Lord’s prayer; sign of peace; breaking of the bread)
Should not be given elaborate musical treatment
IV. Liturgy of the Eucharist
Communion Rite
culmination of the Eucharist
Preparation flows from Eucharistic Prayer directly to Communion (Lord’s prayer; sign of peace; breaking of the bread)
Should not be given elaborate musical treatment
IV. Liturgy of the Eucharist
The Lord’s Prayer
Proper prayer in preparation for Communion
When sung, sung by everyone
IV. Liturgy of the Eucharist
The Sign of Peace
In Roman tradition takes place after the Lord’s Prayer
Expresses biblical concept of total well-being
Acknowledges presence of Christ in our neighbor
Priest should remain in the sanctuary
No song or commentary should accompany the sign
IV. Liturgy of the Eucharist
Breaking of the Bread
Essential characteristic of Christ sharing meals with us
Bread should have the appearance of food and easily recognized as broken
Faithful should not ordinarily be given Communion from the tabernacle
Priest normally the one to break the bread
Lamb of God is sung or said during the rite and repeated until the action is completed
Extraordinary ministers approach altar after priest has received Communion
IV. Liturgy of the Eucharist
Communion
Private preparation of the priest (inaudible)
Invitation to Holy Communion
Distribution of Holy Communion (desirable to share chalice; Communion procession is the norm
Various options for Communion song
When deacon is present, he administers the cup to the faithful
Extraordinary ministers do not self-communicate
IV. Liturgy of the Eucharist
Communion
Receiving in hand or on tongue the prerogative of the communicant
Faithful not permitted to take up consecrated bread or sacred chalice themselves and then offer Communion to others
One hand should rest on the palm of the other
Intinction should not be used as a means of avoiding Communion in the hand
Communicant has option not to receive from chalice
Sign of reverence before receiving each form
IV. Liturgy of the Eucharist
Communion Song
Communion accompanied by a psalm or hymn, simple enough to be sung by all present
Begins while the priest is receiving Communion
Several songs may be used if necessary; silence or instrumental music also permitted
Eucharistic songs composed for adoration not appropriate for Communion songs
IV. Liturgy of the Eucharist
Purification of Vessels
Purification should be done reverently, briefly, and inconspicuously
May be purified after Mass
Done by priest, deacon, or instituted acolyte
Pouring of Precious Blood into the ground or sacrarium is prohibited
IV. Liturgy of the Eucharist
Period of Silence/Song of Praise
Appropriate following Communion
Not to be interrupted by announcements or second collection
Song of praise may be used as an alternative or addition to silence
IV. Liturgy of the Eucharist
Prayer after Communion
Brings Communion rite to a close; may be sung or said by the priest
V. Concluding Rite
Meant to give people a sense of abiding mission.
Announcements
May precede the concluding rite
Should be brief enough for the congregation to remain standing
Made from a place other than the ambo
Greeting
V. Concluding Rite
Blessing
Refer first and foremost to God
Solemn blessing forms encouraged for Sunday use
Trinitarian form
Dismissal
Done by deacon if present
Concludes with Alleluia during Easter season
Priest and deacons kiss the altar
All make profound bow and genuflect when appropriate
Procession accompanied by song, instrumental, or silence
Produced by Rev. Craig Forner
Archdiocese of San Francisco
For Catechetical Use Only
Not for Sale or Commercial Purposes