learner guide for -...
TRANSCRIPT
Learner Guide
for
Marketing Communications 2 (MC201) Marketing Communications (MC)
2011
The copyright of all IMM Graduate School of Marketing material is held by the IMM
GSM. No material may be reproduced without prior written permission from the IMM
GSM.
Revised: October 2010
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Table of contents
SECTION A
1. Word of welcome………………………………………………………... 3
2. How to use this guide…………………………………………………... 5
3. Purpose and overall learning outcomes…………………………...... 6
4. National Qualifications Framework specifications…………….……. 7
5. Pre-knowledge……………………………………………………..…... 7
6. Relationship with other modules………………………………………. 8
7. Prescribed textbook…………………………………………………….. 8
8. Curriculum……………………………………………………….……..… 9
9. Specific learning outcomes…………………………………………..... 11
10. Critical cross-field outcomes……………………………….………….. 13
11. Assessment details…………………………………………….……..… 15
SECTION B
1. Study Unit 1: The concepts, challenges and processes of integrated
marketing communications communication and marcom’s role ….. 18
2. Study Unit 2: IMC and its fundamental decisions ………………….. 32
3. Study Unit 3: Advertising management ……………………….......... 46
4. Study Unit 4: Sales promotion management ……………………..... 82
5. Study Unit 5: Other marcom tools ………………………………….... 93
6. Study Unit 6: Marcom restraints ……………………………………... 104
7. Study Unit 7: Formulating a marcom plan ………………………….. 107
8. Bibliography:………………………………………………….………… 116
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SECTION A
1. Word of welcome
Welcome to the exciting module of marketing communications – a subject that
opens up a world of understanding of the myriad communication messages you
see and hear every day. Even today, as you watched television, paged through a
magazine, listened to the radio or surfed the net or chatted on Twitter, you were
faced with numerous marketing messages aimed at promoting a service or
product, or persuading you to take a certain action or to accept an offer. Now, as
you enter the field of marketing communications (marcom), you will begin to
understand not only how these messages are planned and executed, but also
how to use this understanding to produce effective marketing communication
strategies for reaching your target audience.
The field of marcom is ever changing. Brand and product managers continually
endeavour to obtain an advantage over competitors and try to achieve large
market shares and profits for the brand or products they manage.
Every product or service that you want to market requires a systemised strategy
of marketing communication. If others are unaware of your products or services,
how can they be interested in buying or using them? Your marketing
communication could range from a simple advertising message to a process of
spurring others on to ‘take a chance’ with your product.
The latter is what sales promotions are all about. Your approach could even be
more sophisticated than this. When you truly understand who your potential
customers are and what makes them act; when you really understand who these
people are, and how they live and what they desire, then you can plan a direct
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marketing campaign. It gets even more intricate than this. People will trust your
messages only if they trust you, and for this you need to build relationships. This
can be done through thorough and continuous building of public relations.
Sometimes you will need to partner with other well-known and respected brands
to enhance the perception of your trustworthiness in the market-place. This
entails sponsorships which you will come to understand in the course of this
module. This is the essence of marketing communication.
It is important to remember that our understanding of marketing communication is
not static; it evolves as technology develops and as we become more
sophisticated in our communication. With every new channel through which
people communicate, comes not only new challenges but new opportunities
through which marketers can convey messages. Think, for instance, how the
Internet, your mobile phone and email have transformed your world and put you
in touch with people who could become your customers. Think about the recent
developments in the area of social networking and the online revolution with
Twitter, Facebook, Linkedln and many others.
As you enter this journey of uncovering Integrated Marketing Communication
(IMC), realise that you will learn more than what these various channels of
marketing entail. You will also learn how to strategically think about how to
manage the marketing communication mix, and to optimise your communication
with the world by evaluating potential strategies. Keep in mind that this will entail
major decisions, including planning your integrated campaign, determining the
budget, selecting the media through which the campaign will be launched, and
coordinating the whole process. It will also involve the management of
relationships with many stakeholders but, in the end, the reward of effective
marketing communication holds the promise of more than just improved profits.
South Africa is more than ever ready for creative, original and passionate
marketers who can master the art of integrated marketing communication in an
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ethical and conscious way. We trust that this learning experience will equip you
to be one of them!
2. How to use this guide
The Marketing Communications module is designed to be a combination of
theory and practice. It focuses on the theory behind and application of marcom.
Experience has shown that most students taking this module will be brand or
product assistants or managers, rather than suppliers, especially at the earlier
stages of their careers. The goal then is to instil in you a healthy sense of
respect for, and understanding of marcom. We aim to make you a confident
marcom specialist. The most effective way to achieve this will be to ensure that
you understand and enjoy the module.
The learner guide is especially designed for a student who studies at a distance.
The guide will provide an overview of the total curriculum and will indicate the
learning outcomes, which are essentially the core of this guide. It will provide you
with each major topic that has to be covered, along with the learning outcomes
for each topic, which are systematically explained. The guide will also indicate
how the learning material must be prepared for assessment.
The learner guide should be studied in conjunction with the textbook and does
not replace the textbook.
At the end of each study unit you will find some typical examples of examination
questions which should be used for self-evaluation.
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The following icons appear in all of the learning guides of the IMM Graduate
School of Marketing:
indicates the learning units in the prescribed textbook that you
need to study.
indicates the self-evaluation questions.
3. Purpose and overall learning outcomes
The aim of this module is to expand your knowledge of the role of an integrated
marketing communication strategy in an organisation and the role marketing
communications play within IMC. Emphasis will be placed on the key areas of the
‘what’, ‘how’ and ‘where’ of IMC; reaching the targets of IMC; advertising
management; sales promotion management; and supportive marketing
communication tools, such as public relationships and sponsorships. These are
the primary elements of all marketing communication activities.
Over and above an understanding of the terminology of marketing
communication theory, this course aims to develop both a strategic and practical
understanding of the implementation of the module. As you develop your
knowledge, it is essential that you also focus on how to implement this
knowledge – a critical characteristic required of any first-class brand manager.
indicates learning outcomes
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To achieve these goals, you will not only have to carefully follow the guidance
and instructions of this learner guide, but you will need to observe, in your every
day life, how these principles are implemented, and critically evaluate their
effectiveness. The assignment described later in this learning guide, as well as
the examinations, will evaluate to what extent you have succeeded in reaching
the objectives of this course.
4. National Qualifications Framework (NQF) specifications
This module forms a compulsory module for the BBA in Marketing Management
as well as the Diploma in Marketing Management.
In terms of the new National Qualifications Framework (NQF) it is designed as a
20-credit module offered on NQF level 6.
The IMM Graduate School of Marketing regards Marketing Communications 2 as
a second year module.
5. Pre-knowledge
Marketing Communications 2 requires a thorough understanding of the principles
of marketing (Marketing 1), Business Communications 1 and Business
Management 1 and, for this reason it is a second year module.
It is also assumed that you will be sufficiently computer literate and that you will
be able to operate the Internet when attempting this module.
A sound knowledge in the use of the Harvard Referencing System is compulsory
before attempting this module.
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6. The relationship with other modules
By now you have come to know marketing as an innovative activity of an
organisation through which ideas, brand, products and services are conceived,
priced, promoted and distributed to satisfy consumer needs, and through which it
is possible to anticipate, and even create, the consumers’ future needs. With that
in mind, it’s easy to see that marcom stands at the centre of marketing, as an
integral part of marketing strategy development.
You may want to think of marcom as the bridge between marketing strategy and
the market-place (consumers).
7. Prescribed textbook
The prescribed textbook for this course is:
Shimp, T.A. 2010. Integrated Marketing Communications in Advertising and
Promotion. 8th edn. Thomson/South-Western College.
The textbook is written in a clear and systematic manner. Always start your
studies by consulting the learner guide and then study the relevant learning units
in the prescribed textbook. It is unlikely that you will pass this module if you have
only consulted the learner guide without studying the content of the textbook.
This textbook should be supplemented by exploring South African examples and
other relevant reading material.
Additional reading is vital for success in Marketing Communications 2. You
should routinely be checking the latest information of marcom aspects supplied
via the Internet, quality newspapers and the marketing press. You should further
explore various examples of marketing communication elements in all forms of
media, whether you are watching television, listening to radio stations or reading
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newspapers and/or other printed publications, i.e. magazines, or engaging online
via the World Wide Web, through Facebook, Linkedln or Twitter or various other
marketing related blogs, in order to identify relevant examples which can illustrate
marketing communication theory in practice.
In addition to the prescribed textbook, it would be useful to consult the following
book both for assignments, and for practical application in a marcom role:
Koekemoer, L. (Ed.) 2004. Marketing Communications. Lansdowne: Juta
Academic.
8. Curriculum
In line with the purpose of the module described above, this course has been
divided into seven study units as depicted in the table below:
Study Unit Description Chapters
1 The concept, practice, challenges and processes
of integrated marketing communications and
marcom’s role in introducing new brands
1,2,3
2 Integrated marketing communication and its
fundamental decisions:
Targeting
Positioning
Objective setting and budgeting
4, 5, 6
3 Advertising management:
Creating effective and creative advertising
messages
Message appeals and endorsers
Measuring advertising message effectiveness
Planning for and analysing advertising media
Using traditional advertising media
Internet advertising
Using other advertising media
7, 8, 9, 10,
11, 12, 13
& 14
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4 Sales promotion management:
Sales promotion and the role of trade
promotions
Sampling and couponing
Premiums and other promotions
15, 16, 17
5 Other marcom tools:
Marketing-orientated public relations and word-
of-mouth management
Event and cause sponsorships
Signage and point-of-purchase communications
18,19,20
6 Marcom constraints:
Ethical, regulatory and environmental issues
21
7 Formulating a marcom plan Addenda
The first study unit lays a foundation for an understanding of the marcom mix in
terms of what it is, the process thereof and the environment in which it takes
place. In essence, it is finding out what IMC is all about, including the role that
marcom plays in achieving acceptance for new products and how marketing
communicators facilitate product adoption and diffusion. It is essential that you
familiarise yourself with the contents of this study unit as it will facilitate your
learning during the remaining study units. Study Unit 2 is an exploration of all
elements of targeting IMC, and builds a foundation for understanding the nature
and function of marcom by providing a thorough overview of four fundamental
marcom decisions: targeting, positioning, objective setting and budgeting. Study
Unit 3 focuses on a key element of the marketing mix, namely advertising
management. Various elements of advertising management are covered in detail.
During Study Unit 4, time should be allowed for an exploration of the field of sales
promotion management. Study Unit 5 covers the other less prominent than mass-
media advertising and sales promotions’ marcom tools. These tools play
important roles in persuading consumers and influencing their behaviour and
include public relations and word-of-mouth management, event and cause
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sponsorships and signage and point-of-purchase communications. Study Unit 6
covers the all important aspect of ethical, regulatory and environmental issues of
marketing communications. The final study unit allows for an in-depth
understanding of how to formulate a marcom plan.
9. Specific learning outcomes
There are a number of specific learning outcomes for this module, as indicated
per study unit in the table below.
Study
Unit
Description Specific Learning Outcomes
1 Fundamental
aspects of
integrated
marketing
communications
After studying this unit, you should be able to:
Identify and explain the fundamentals of IMC.
Explain the model of the ‘marcom’ process.
Discuss the framework for comprehending strategic and
tactical aspects of marketing communications.
Explain marcom’s role in enhancing brand equity and
influencing consumer behaviour.
Explain the importance of achieving marcom
accountability.
Discuss the principle of ‘return on marketing investment’.
Understand the methods used to measure marcom
effectiveness.
Explain the role of marcom in facilitating the potential
success of new brands.
Explain the process of brand naming and developing
packaging.
2 Fundamental
marcom
decisions based
After studying this unit, you should be able to:
Explain marcom targeting.
Understand and explain the positioning process.
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on the marcom-
process model
Integrate the concept of positioning with the
fundamentals of consumer behaviour.
Explain the concept of meaning creation.
Set marketing objectives.
Establish a marketing budget.
3 Advertising
management
After studying this unit, you should be able to:
Discuss the role of messages, media and measurement.
Explain the advertising management process.
Present an argument for investing or disinvesting in
advertising.
Explain and apply the fundamentals of advertising
creativity and its importance.
Understand the specific forms of creative messages and
be able to apply these concepts.
Understand the various measures of advertising
effectiveness.
Explain media planning and analysis.
Develop a media plan.
Explain the concepts, terms and metrics for each
specific media type.
Analyse traditional media (newspapers, magazines,
radio and TV).
Analyse Internet advertising.
Explain other forms of media including direct mail and
database marketing, videogame advertising, brand
placement, cinema advertising.
4 Sales promotions After studying this unit, you should be able to:
Discuss the characteristics of trade-orientated
promotions.
Understand the concept of sales promotions.
Explain the generalisations regarding trade-promotion
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effectiveness.
Describe consumer-orientated forms of sales
promotions.
5 Other marketing
communications
tools
After studying this unit, you should be able to:
Understand marketing-orientated public relations.
Explain the importance of word-of-mouth and the
management thereof.
Discuss events sponsorships and cause-related
marketing.
Understand on-premise business signage.
Understand out-of-home (off-premise) advertising.
Explain in-store point-of-purchase advertising.
6 Constraints of the
marcom process
After studying this unit, you should be able to:
Understand and discuss ethical issues in marketing
communications.
Identify marcom related regulatory and environmental
issues.
7 Formulating a
marketing
communications
plan
After studying this unit, you should be able to:
Develop a detailed marketing communications plan for a
student selected product (new or established).
You are encouraged to use the above information for the planning in advance of
your studies and to avoid ‘cramming’. It is always wise to set up your own study
timetable so that you can manage your time effectively. When planning your
studies, please keep the submission date for the assignment in mind.
10. Critical cross-field outcomes
The critical cross-field outcomes, also known as transferable skills as identified
by the South African Qualifications Authority (SAQA), are essential for your
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development as a student within the education and training system, regardless of
the specific area of learning. It is these outcomes that are deemed critical for
your development in the capacity of life-long learning.
The critical cross-field outcomes adopted by SAQA are as follows:
(1) Identify and solve problems in which responses display that responsible
decisions using critical and creative thinking have been made.
(2) Work effectively with others as a member of a team, group, organisation
and community.
(3) Organise and manage oneself and one’s activities responsibly and
effectively.
(4) Collect, analyse, organise and critically evaluate information.
(5) Communicate effectively using visual, mathematical and/or language skills
in the modes of oral and/or written presentation.
(6) Use science and technology effectively and critically, showing
responsibility towards the environment and health of others.
(7) Demonstrate an understanding of the world as a set of related systems by
realising that problem-solving contexts do not exist in isolation.
(8) Reflecting on and exploring a variety of strategies to learn more
effectively.
(9) Participating as responsible citizens in the life of local, national and global
communities.
(10) Being culturally and aesthetically sensitive across a range of social
contexts.
(11) Exploring education and career opportunities.
(12) Developing entrepreneurial opportunities.
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The transferable skills identified in this module are as follows:
Taught Practised Assessed
Problem solving X X X
Working in teams X X
Self-management X
Information gathering/research
skills
X X X
Communication skills X X X
Analytical skills X X X
Learning strategies X X X
Responsible citizenship X X
Cultural sensitivity X X
Career development X
Entrepreneurship X
11. Assessment details
There are two assessments involved in terms of the Marketing Communications
2 module:
• Assignment: The assignment contributes 20% to the overall mark for the
module. Assignments will focus on selected chapters, and need to be
typed. Please ensure that you adhere to the general rules of the IMM
Graduate School of Marketing pertaining to the style and format of
assignments. You will be issued with a separate brief in this regard.
• Examination: The exam incorporates all content covered in the workbook
and constitutes 80% of the final mark for the Marketing Communications 2
module. The duration of the examination is three hours and the paper will
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count 100 marks. The examination paper will consist mainly of paragraph
and essay type answers and could be based on answering a relevant case
study.
Examination results are usually released within six weeks of writing the
examination and are released in the form of symbols only. The final mark,
consisting of an assignment mark and an examination mark, is released in the
form of a final percentage (mark out of 100). The grading system is as follows:
Percentage Scale Description
75% or more Pass with Distinction
50% - 74% Pass
0% - 49% Fail
A timetable of the assessment programme for the semester, including dates for
the assignment to be submitted during the course of the year, is available in the
Calendar of Events for that year. Please refer to the current issue of the IMM
GSM Prospectus. This document and the Student Yearbook provide details of
the IMM GSM assessment policy.
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SECTION B
Shimp (2010) contains a thorough description of each of the study units of this
module. These study units of the learner guide will therefore only highlight key
elements of the module. Carefully study the learning units from the textbook in
accordance with the learning outcomes described below. In order to emphasise
the practical relevance of this module, the textbooks’ concepts will be illustrated
with the use of an applied example. When you study the module, you should
also think beyond this example to understand the intricacies of integrated
marketing communication (IMC).
The example is based on the following scenario:
Imagine you are newly appointed to the marketing department of a prestigious
fashion house. Your role is to market the company’s new and latest product:
customised designer jeans. Where do you start? How will you let the world
know about this wonderful product? Let’s find out through the module of
Marketing Communication.
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Study Unit 1: The concept, practice, challenges and processes of
integrated marketing communication and marcom’s role in introducing new
brands
1.1 Introduction
This study unit consists of three main learning units, viz. an overview of
promotional management and integrated marketing mix; the process of marketing
communication; and marketing communication’s (marcom’s) role in the
introduction of new brands.
It is essential that you fully understand the first study unit in preparation for the
rest of the modules. Ensure that you have achieved the learning outcomes
outlined below, which will facilitate your learning over the following weeks that
you dedicate to this module.
Specific learning outcomes
After studying this unit, you should be able to:
• Identify and explain the fundamentals of Integrated Marketing Communications
(IMC).
• Explain the model of the ‘marcom’ process.
• Discuss the framework for comprehending strategic and tactical aspects of
marketing communications.
• Explain marcom’s role in enhancing brand equity and influencing consumer
behaviour.
• Explain the importance of achieving marcom accountability.
• Discuss the principle of ‘return on marketing investment’.
• Understand the methods used to measure marcom effectiveness.
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• Explain the role of marcom in facilitating the potential success of new brands.
• Explain the process of brand naming and developing packaging.
To summarise, your first task is to thoroughly familiarise yourself with what
marketing communication is, why it is important in the context of marketing, how
the whole process forms an integrated activity, how your marketing
communication mix decision and brand management could build brand equity,
and what the parameters are in which you can operate, in terms of marketing
communication.
1.2 Overview of integrated marketing communications
Study reference:
Study Shimp 2010: Chapter 1.
1.2.1 An introduction to marketing communications
Marketing communication is critical to the overall success of marketing and as
such of a successful brand. A good starting point is to understand the concepts
of brand equity and brand management. Once you understand these, you need
to understand what is meant by the marketing communication mix as a set of
methods that you need to learn to use. It is a special blend of means through
which you will be able to reach your target market, comprising advertising, sales
promotions, public relations, personal selling and direct marketing. Each of these
elements of the marketing mix has a number of associated tools. At this stage, it
is only important to gain a basic understanding of what these tools are, and also
to understand the 4Ps of the marketing mix for a brand. More emphasis will be
placed on the various tools during the latter modules.
The specific chapter discusses the nature of marcom, particularly at the brand
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level. Whereas the ‘4P’ characterisation has led to widespread use of the term
‘promotion’ for describing communications with prospects and customers, the
term marcom is preferred by most practitioners and educators, and it is used to
refer to the collection of advertising, sales promotion, public relations, event
marketing, and other communication devices; comparatively, the term promotions
is used to refer to sales promotions.
1.2.2 The tools of marketing communications
Your first step in this learning unit is to identify the six elements of
marcom. You will find more information on this in Chapter 1 of Shimp (2010: 7-8).
Make sure that you understand the meaning of each of these elements, and that
you can identify real world examples. When you look at advertising, for instance,
you will find a clear definition, a brief description, its purposes, the various types,
and its relation to the consumer. It is also a good idea to look at the South African
scenario pertaining to these elements and apply this to the theory at hand.
1.2.3 The integration of marketing communications
It is important to realise that the various components of marketing communication
are blended and integrated, and are rarely used separately. It is critical to
understand the concept of Integrated Marketing Communications (IMC) and why
this has become the latest trend in the marcom field. IMC is the philosophy and
practice of carefully coordinating a brand’s diverse marketing communication
elements. The payoff of implementing an IMC approach is that you can generate
synergy, that is, combine multiple methods to yield more positive communication
results than would be achieved by using the tools individually.
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1.2.4 The key IMC features
There are five key IMC features that need to be understood and applied
practically. These elements must work together to ensure that the consumer
doesn’t get conflicting messages regarding your company or brand. Advertisers,
web designers and sale people, for instance, need to work together to get one
message out to the market. The textbook provides an interesting example of
how one US company has used principles from IMC to focus its marketing
communication. Consider South African examples where the principles of IMC
have been applied.
When taking the example of WOW jeans into consideration, you need to take
each of the five features of IMC into account. For example:
Feature 1: The customer buying WOW jeans will be the starting point for all
marketing communication activities – thus considering the communication
methods that will best serve those customer’s needs – possibly considering
advertising in fashion magazines, sponsoring fashion shows where these
customers frequent, hosting special fashion events at venues like FashionTV etc.
Feature 2: Use any and all marcom tools that are up to the task, i.e. advertising
on fashion television shows or in fashion magazines, i.e. Glamour, special poster
advertising inside malls or in those stores that sell WOW jeans, online advertising
on popular websites, i.e. Facebook, sponsoring a fashion show at Sandton City,
hosting special events at popular venues.
Feature 3: Speak with a single voice – if you decide for example to focus your
positioning statement of WOW jeans as ‘sexy and stylish’ this message should
be carried across all possible media – from television advertising to magazine or
online advertising as well as at special events, sponsorships etc.
Feature 4: Building relationships – consider creatively crafted loyalty programmes
for customers buying WOW jeans, i.e. when buying your second pair of Wow
jeans you obtain a special ‘WOW jeans VIP customer card’ for free entrance at
the annual Jhb. international fashion show.
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Feature 5: Affecting behaviour – your ultimate goal is to get prospective WOW
jeans customers to move into action and buy their first WOW jeans and to
ultimately become WOW jeans brand custodians.
1.2.5 The marketing communications decision-making process
An understanding of IMC leads you to the next important
fundamental concept: the process of marcom. Familiarise yourself with the useful
model of the process of marketing communication as explained in the latter
portion of Chapter 1, namely the marcom decision-making process. See the
example below on WOW jeans and how the decision-making process has been
applied to WOW jeans.
This model involves having a proper understanding of the environment in which
the communication must take place. This environment must not only be
monitored, but it must also be managed. You need to go through a process of
making decisions about the brand, ranging from the target market, to messages
and selected media (for the messages), to evaluating your efforts. All these
activities, if appropriate, result in the enhancement of your brand equity. Shimp
(2010: 20-27) goes into detail regarding these four elements of the marketing
communication process. Make sure you fully understand the interrelations
between the target market, your objective, and your budget, as well as the
specific choices you need to make in terms of mixture of elements, the message,
the media, and maintaining momentum. An understanding of the evaluation
process is also critical in determining whether outcomes match objectives and
what corrective action is required.
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We can briefly look at how this applies to Wow jeans. Your first undertaking will
be to ask yourself how you could structure your organisation so that you meet the
needs of your customers and the consumers of the product, and do it better than
your competitors. What could be done to make a retail store stock your jeans as
opposed to those of your competitor or to also stock WOW jeans? What is it
about your jeans that people want? Is ‘WOW jeans’ considered to have more
trendy cuts with more modern styles or are WOW jeans even more glamorous
than competitive brand jeans as well as being competitively priced?
At this stage it should be clear that marketing communication is not an isolated
activity; it requires a full understanding of business and all the elements that
impact on it. So, with managing the environment, proactively deal with the
environment, rather than react to it. For instance, you may ask yourself
questions such as: “Are there any technological developments that will help me
to customise my product without compromising cost, quality or speed?’ Or ‘With
the increase in the size of the market of young black professionals, how could I
better promote my customised jeans?”
When you look at Wow jeans you may, for instance, decide that your target
market is the end consumer in South Africa, LSM 8-10, between the ages of 20-
26 years-old living in Gauteng and Western Cape, in a professional work
environment, where your objective is to successfully introduce your new brand,
within the first six months since launch date achieving a brand awareness level of
10% in the fashion garments market, making use of both bottom up and top down
processes of budgeting.
Your specific choice being made as per the above-mentioned example may then
be to employ a pull strategy due to the high level of customisation of your
product. Experts in marketing believe that there are basically two strategies
relevant to the promotional mix that can be followed in any industry (Kotler &
Armstrong 2005): through push strategies the marketer pushes the product
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through the channels of distribution to the final consumer. The product is
marketed to the members of the channel (for instance, retailers and wholesalers)
and not the end consumer; on the other hand, pull strategies may be used to
market to the final consumer directly. It is called a pull strategy as the demand or
need from the consumer draws the product through the distribution channel.
For further examples, page through a magazine and find an example of each of
these modes of marketing, and begin to gain tips on how to use them. Look at
the images used to persuade. Also look at the various terms of sale that are on
offer. Try to find different examples of how the consumer may be induced to buy
or act through the various offers.
1.3 The challenges faced by marcom: Enhancing brand equity,
influencing behaviour and being accountable
Study reference
Study Shimp 2010: Chapter 2.
1.3.1 Introduction
In studying Chapter 2 of Shimp (2010), we start to focus on the third component
of the marcom process, namely the desired outcomes of marcom efforts.
The basic issues addressed in this chapter include the following:
• What marketing communicators can do to enhance the equity of their brands
• How can marketing communicators justify their investments in advertising,
promotions and other marcom elements and demonstrate financial
accountability.
You will begin to realise what marketing communicators can do to enhance the
equity of their brands and, beyond this, to affect the behaviour of their current
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and prospective customers. You will also realise the important aspect of how to
justify investment in any marcom effort and how to demonstrate financial
accountability for planned marketing investments. You need to familiarise
yourself with the concept of brand equity and to explore this topic from both a
company and a customer perspective.
Each year, The Sunday Times Business Times, in association with TNS since
2009, conducts a survey to determine the top brands in South Africa. It is always
interesting to see how Coca-Cola has been consistently ranked at the top of the
list. According to Ian Sobal, commercial leadership director of Coca-Cola SA this
has been achieved because “we are always relentlessly focused on our
consumers and continuously looking for ways to better understand them and their
needs, desires and behaviours so we can effectively meet their needs”. 1
1.3.2 Brand equity
It is critical to understand brand equity from a customer
perspective – i.e., favourable, strong and unique brand associations are formed
when a customer is familiar with a brand. Understand the two forms of brand-
related knowledge, namely brand awareness and brand image and the impact
thereof on brand equity.
1 Sunday Times Business Times Top Brands in Association with TNS, August, 2009
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1.3.3 Brand image and personalities
When looking at the WOW jeans example, consider what brand personality could
be associated with this brand. Shimp (2010) covers five different brand
personalities – which one would you choose for WOW jeans? You also need to
pay further attention to how brand equity could be enhanced for your WOW jeans
brand.
1.3.4 Characteristics of world-class brands
Shimp (2010) identifies ten traits that are shared by the world’s strongest brands.
Select examples of brands that you are familiar with and rate them according to
these ten characteristics.
You also need to understand why it is important to measure the effectiveness of
marketing communication efforts, and to influence behaviour. This will ultimately
equip you, as a future marketer, to gauge the financial accountability of any
marketing communication effort, and to assist you when requesting increased
budgets from your organisation’s financial department.
1.4 Facilitating the success of new brands
Study reference
Study Shimp 2010: Chapter 3.
1.4.1 Facilitating the success of new brands
This chapter in Module 1 deals with the role of marcom in successfully
introducing new products and the functions of brand names, packages, store
signage and point-of-purchase (POP) communication in introducing new products
and facilitating the growth of mature products.
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1.4.2 Marcom and brand adoption
Innovation is at the core of the survival of organisations. But this is only true
when these innovations are communicated to the market-place and adopted and
diffused. With this in mind, it is evident how critical it is to understand the
concepts and processes of adoptions and diffusion. Ensure that you make a
thorough study of this. Introducing new brands is critical for achieving continued
growth and long-term success, and this chapter examines general factors that
influence the likelihood of new brands being accepted in the market-place and
their successful economic lives.
Let’s explore these concepts in terms of an example. Imagine an innovation in
the form of a mobile phone that allows you to not only hear the voice of the
person you are speaking to, but to also see a projected image of the person in
front of you while you are speaking. Would you adopt the product? Keep in mind
that, in the adoption process model, you don’t only want someone to become
aware of your product through advertising, but you also want that person to try it
if the price is right, and to ensure that he/she is so satisfied as to come back for
more. You need to consider the four determinants of the awareness class, the
trier class and the repeater class.
1.4.3 Brand characteristics that facilitate adoption
In deciding whether you want to adopt the new product, you will probably (and
unknowingly) revise your attitude in terms of the following elements:
1. Is this new mobile better than my current mobile? (relative advantage)
2. Is it compatible with my way of doing things? (compatibility)
3. Is it difficult to use? (complexity)
4. Could I borrow and use it for a while before I buy it? (trialability)
5. Will I be seen with it? (observability)
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Diffusion deals with how the innovation is accepted by the broader market-place
(not only the individual). Make sure that you understand the various categories
of adopters, and how to manage the diffusion process.
1.4.4 Brand naming
The next session pays attention to two aspects that play a key role in influencing
new product success, namely, developing brand names, and logos and designing
packages. These initial elements are responsible for a brand’s image.
The requirements of a good brand name
You need to explore the requirements for a good brand name as good
brand names can create excitement, elegance, exclusiveness and
influence consumers’ perceptions and attitudes. The brand name is the
single most important element found on a package and plays an influential
role in determining whether new brands succeed. The brand name
identifies the product and differentiates it from others on the market. A
good brand name can evoke feelings of trust, confidence, security,
strength, durability, speed, status and many other desirable associations.
The brand-naming process
You further need to explore the steps involved in arriving at a good brand
name. A good brand name must satisfy several fundamental
requirements: it must describe the product’s benefits, be compatible with
the product’s image and be memorable and easy to pronounce.
The role of logos
Related to the brand name is a graphic design element called a brand
logo. Students need to understand the role logos play in identifying
brands.
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1.4.5 Packaging
Marcom specialists need to understand the crucial communications role
performed by brand packaging. The packaging is perhaps the most important
component of the product as a communications device. It reinforces associations
established in advertising, breaks through competitive clutter at the point of
purchase and justifies price and value to the consumer. Package design relies on
the use of symbolism to support a brand’s image and to convey desired
information to consumers.
Packaging structure
Students need to familiarise themselves with the components that form
part of the packaging structure and how these structural elements interact
harmoniously to evoke within buyers the set of meanings intended by the
brand marketer.
The VIEW model
Package designs can be evaluated by applying the VIEW model which
contains the elements of visibility, information, emotional appeal and
workability. You need to familiarise yourself with the VIEW model which is
a useful packaging development framework and which describes the
visual, informational, emotional and functional features that determine
packaging success. It will be useful to use an example of a new product,
such as a fruit juice, and apply the VIEW model in the development of the
packaging.
Designing a package
Take the VIEW model process one step further by considering the five-
step package design process described in Shimp (2010).
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1.5 Conclusion
Having completed this study unit, you should have a good understanding of
integrated marketing communication, the process of marketing communication
and the context in which it takes place as well as the role of marcom in
introducing new brands.
The following self-assessment questions are examples that may be used to
gauge your understanding of the module so far. Also refer to the discussion
questions found at the end of each chapter in Shimp (2010).
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Self-assessment exercise
1. Describe the philosophy and practice of integrated marketing communications
(IMC).
2. Present and explain the five key features of IMC by using a practical example
of a product of your choice that has, in your mind, applied the IMC key
features effectively.
3. Introduce a framework that illustrates the activities involved in developing an
IMC programme.
4. Present a model of brand equity from the customer’s perspective, using a
practical example to illustrate your understanding of the model.
5. Explain the innovation-related characteristics that influence adoption of new
products.
6. Explain efforts employed by marketing communicators to manage the
diffusion process.
7. Choose a grocery product category and analyse the various brands in this
category in terms of their packaging features designed to attract consumers’
attention. Identify the packaging features that make some brands in this
category more or less attention-getting than others.
8. Explain the activities involved in the brand-naming process of any new
product of your choice.
9. Explain marcom’s role in facilitating the introduction of new brands.
10. Describe the various elements underlying the creation of effective packages.
11. Explain the VIEW model for evaluating package effectiveness by applying a
practical example of a new packaging design you have come across recently.
12. Describe the five-step package design process.
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Study Unit 2: IMC and its fundamental decisions
2.1. Specific learning outcomes
This study unit builds a foundation for understanding the nature and function of
marcom by providing practical and theoretical overviews of four fundamental
marcom decisions: targeting, positioning, objective setting and budgeting. By
studying this unit you will be able to develop an understanding of how the nature
of people, where they live, and their behaviour, influence marcom.
Specific learning outcomes:
After studying this unit, you should be able to:
• Explain marcom targeting.
• Understand and explain the positioning process.
• Integrate the concept of positioning with the fundamentals of consumer
behaviour.
• Explain the concept of meaning creation.
• Set marketing objectives.
• Establish a marketing budget.
2.2. Marcom targeting
Study reference
Study Shimp 2010: Chapter 4.
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This chapter deals with the importance and methods of targeting as the key
element in effective marketing communications by exploring behaviourgraphic,
demographic, psychographic and geodemographic audience-defining
characteristics of market communication, buyer behaviour, persuasion, and the
adoption or diffusion of marcom. The chapter focuses on four sets of consumer
characteristics that singularly or in combination influence what people consume
and how they respond to marcom: behaviourgraphics, psychographics,
geodemographics, and demographics.
Because people differ in their understanding of communication, marketing
communication is not equally effective in different populations. This applies to
factors such as age, generation, or ethnic population (demographics). It also
applies to lifestyles, activities, interests and opinions (psychographics), the areas
in which people live (geographic), and geodemographics (based on demographic
characteristics of consumers who reside within geographic clusters, such as
postal code areas and neighbourhoods). Think for a moment how you would
change your communication if you wanted to sell a piece of furniture to a young
black professional living in Soweto, who spends his time mostly abroad, and to a
former army general living in the Karoo, who spends most of his time alone.
2.2.2 Behaviourgraphics
This section refers to information about the audience’s behaviour
– in terms of past purchase behaviour or online search activity in a particular
product category or related categories.
2.2.3 Demographics
Demographics reflect measurable population characteristics such as age, income
and ethnicity. Carefully read through the prescribed textbook sections dealing
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with demographic factors of marketing communication (some of this information
is predominantly applicable to the American society and should be read from the
perspective of having a broader understanding of the concept). One of the key
requirements for you, as a marketing communicator, is to source information
regarding your customer, specifically relevant to the South African market.
Generic information is available on the Internet. Try to find information on the
following modules:
1. Generation X and generation Y
2. Number of people living with HIV/Aids in South Africa and Africa
3. Age distributions of the South African population
4. Rural versus urban households in South Africa
5. The SAARF Living Standards Measures (LSM) 2and how this can be applied
in the targeting process
Statistics South Africa will be able to provide useful information in this regard.
2.2.4 Psychographics
Psychographics captures aspects of consumers’ psychological makeup and
lifestyles including their attitudes, values, motivations and lifestyles.
VALS segments
In terms of psychographic targeting, make sure that you understand both
Values and Lifestyles (VALS), and especially the VALS classification
2 The SAARF LSM (Living Standards Measure) has become the most widely used
marketing research tool in southern Africa. It divides the population into 10 LSM
groups, 10 (highest) to 1 (lowest). Previously eight groups were used but this
changed in 2001 when the new SAARF Universal LSM consisting of 10 groups was
introduced.
The SAARF LSM is a unique means of segmenting the South African market. It cuts
across race and other outmoded techniques of categorising people, and instead
groups people according to their living standards using criteria such as degree of
urbanisation and ownership of cars and major appliances. Source: http://www.saarf.co.za/LSM/lsms.htm
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model, which can be used in psychographic targeting.
It will be a useful exercise to apply the AIO components model to yourself.
This will give you an understanding of yourself as a consumer. In terms of
the VALS groupings, you may also want to tentatively ask yourself
whether principles, status or action play a more important role in your
buying decision. Notice how specific age groups tend to be oriented
towards different things. For instance, if you are oriented towards action,
you could be described as an experiencer because you have high levels of
energy and love social activities. We then expect that you will spend your
money on items such as music, iPods, gym membership, etc.
Yankelovich Mindbase segments
Shimp (2010) also introduces you to Yankelovich’s Mindbase
psychographic segmentation scheme which consists of eight general
segments and 32 specific segments. To truly appreciate the types of
questions used to identify individuals’ segment membership, read more on
the following website: http://www.yankelovich.com.
2.2.5 Geodemographics
Geodemographic targeting is a way of clustering consumers in terms of both
demographics and lifestyle indicators. The premise underlying geodemographic
targeting is that people who reside in similar areas, such as neighbourhoods,
also share demographic and lifestyle similarities. Read through this section in
Shimp (2010) and make sure that you understand its purpose and use.
2.3 Marcom positioning
Study reference
Study Shimp 2010: Chapter 5.
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In this study unit you will learn the importance of brand positioning from a
marcom practitioner’s point of view as well as examine positioning from a
customer’s point of view. A brand’s positioning represents the key feature,
benefit, or image that it stands for in the target audience’s collective mind. The
positioning statement is described as the central idea that encapsulates a brand’s
meaning and distinctiveness. A good positioning statement must reflect a brand’s
competitive advantage and motivate customers to action.
2.3.2 Positioning in theory: A matter of creating meaning
In the theoretical discussion, semiotics, signs, and meaning are covered with the
focus on how brands draw meaning from the culturally constituted world.
It is important to be able to determine if your communication is carrying the
correct message (semiotics), if it is persuasive, and if you are overcoming
barriers to the effective transmission of your message. In this regard, make sure
that you understand the terms ‘semiotics’, ‘sign’, ‘meaning’ and the uses of
meaning transfer, signal relations, sign relations and symbol relations, as defined
in Shimp (2010).
Koekemoer (2004) defines meaning as “the subjective perceptions (or thoughts)
and affective reactions (or feelings) evoked when a person is presented with a
sign or stimulus object.”3 This is easy to illustrate. Can you draw a symbol of
which you are proud (for example, a religious symbol)? Messages are carried in
signs, signals, symbols and figurative language. Find as many signs or symbols
that marketers use to enhance the understanding of their message as possible.
Page through magazines and try to decipher some of the ‘feeling’ messages and
some of the ‘knowledge’ messages that the advertisers are trying to convey.
Keep in mind that different images will evoke different feelings or thoughts in
3 Koekemoer, L. (Ed.) 2004. Marketing Communications. Lansdowne: Juta Academic.
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different subgroups of the population. Can you think of images that are used to
convey messages and that could offend some cultural groups in South Africa?
For instance, if you were to advertise ‘flesh-coloured stockings’ what exactly will
the colour be? When you consider the meaning of messages, you need to
consider your audience. Figurative language, especially, should be used with
caution as it may have different meanings in different cultures.
2.3.3 Positioning in practice: The nuts and bolts
In practice, brands can be positioned based on benefits (i.e.,
functional, symbolic, or experiential needs) or on attributes (i.e., product-related
and non-product-related).
You need to understand the important role of brand positioning and what this
positioning conveys to the customer. Firstly, the marketing communicator wishes
to create a specific meaning for the brand and to have that meaning clearly
lodged in the consumers’ memory. Secondly, the brand’s meaning in consumers’
memories stands in comparison to what they know and think about competitive
brands in the category.
As previously mentioned a good positioning statement must reflect a brand’s
competitive advantage and motivate customers to action.
You should familiarise yourself with the four possible outcomes identified from an
attempted brand positioning – as potential ‘loser’, ‘winner, ‘swimming up the river’
or a ‘promotes-competitors’ prospect.
You should be clear on how to apply the framework for brand positioning, and by
applying Figure 5.4 on p. 133 of Shimp (2010), in conjunction with keeping the
previous terminology in mind as per Study Unit 1, you will be able to pursue the
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options available for positioning brands. Use the WOW jeans example whilst
attempting to do this exercise.
You need to be clear about the various types of brand associations which include
brand attributes, benefits and an overall evaluation or attitude toward the brand.
Brand attributes could be product-related or non-product related.
Benefit positioning
You should be able to understand how a brand can be positioned in terms
of its benefits, where a brand is positioned in terms of functional, symbolic
and experiential needs.
Attribute positioning
You should also be able to understand how a brand can be positioned in
terms of its attributes, where a brand is positioned based on product-
related features or in terms of usage or user imagery.
Repositioning of a brand
Brand sometimes must be repositioned in order to grow and prosper.
2.3.4 Implementing positioning: Know thy consumer
With the above-mentioned understanding of positioning, you are
now ready to explore the fundamentals of consumer choice behaviour. Simply
put, why does someone choose to buy something and actively or passively
choose not to buy something else? To intelligently answer this question, you will
need to compare two distinct views on the way the consumer processes
information in choice behaviour, namely:
1. The consumer processing model (which sees the consumer as a logical
and analytical decision maker)
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2. The hedonic experiential model (which sees the consumer as having a
desire for fun, fantasy and feelings).
Most of your time in this study unit should be spent on understanding these two
models. You should also know the similarities and differences between the two.
The Consumer Processing Model (CPM)
The stages of the CPM that are relevant to marcom are: (1) exposure, (2)
attention, (3) comprehension, (4) agreement, and (5) and (6) retention and
search/retrieval of stored information.
The Hedonic Experiential Model (HEM)
While the CPM perspective views consumers from a rational perspective,
the HEM perspective concentrates more on the emotional aspect of
consumer processing. From this perspective, products are more than
mere objective entities and are, instead, subjective symbols that
precipitate feelings and promise fun and the possible realisation of
fantasies.
Think of your WOW jeans example – product related attributes would refer to the
colours, sizes, and specific design features of the jeans. Non-product related
attributes would refer to the pricing of the jeans, the packaging, etc.
Benefits could be functional, symbolic or experiential. Again, let us consider the
WOW jeans example. The functional benefit would refer to the fact that it is a
clothing item that is worn to cover your bare body, protect you from the cold, etc.
The symbolic benefit could be the association with a certain elite group of
consumers who all wear WOW jeans. The experiential benefit could be how the
WOW jeans make you feel, i.e. elegant, sexy, etc.
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2.4 Marcom objective setting and budgeting
Study reference
Study Shimp 2010: Chapter 6.
Returning to the model of the marcom process provided in Chapter 1, you will
recall that the framework describes various forms of fundamental and
implementation decisions. We continue with this theme as related specifically to
advertising objective setting and budgeting. Intelligent objective setting and an
adequate budget are critical for success. It is therefore important that, in studying
Chapter 6 of Shimp (2010), you equip yourself with the processes of setting
marcom objectives and budgeting.
2.4.2 Setting marcom objectives
For a full appreciation of marcom objective setting you are required to firstly
consider the process of communications from a customer’s perspective.
Objectives provide the foundation for all remaining decisions. The objectives that
marketing communications in its various forms must accomplish are varied, but
regardless of the objective, there are three major reasons why it is essential that
objectives be established prior to making the all-important implementation
decisions regarding message selection, media determination and how the
various marcom elements should be mixed and managed. Students should be
familiar with these three reasons (Shimp 2010).
The hierarchy of marcom effects
A framework called the hierarchy of effects is appropriate for
accomplishing the above-mentioned understanding and you should
familiarise yourself with this process. This framework takes into
consideration the target audience’s degree of experience with the
particular brand before commencing with a marcom campaign.
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Let us pause for a moment to question: “How does advertising work?”
The answer lies in an understanding of the hierarchy of effects. As an
advertiser, you want to move prospective consumers from being unaware
of your product on the one side of the continuum, to at least believing in,
or having a positive attitude to your product so that eventually they will
become loyal to your brand, on the other side of the continuum.
Spend some time considering brands you know and try to find brands of
which you are aware, some of which you were unaware (ask yourself
why), your expectations of brands that you have not used, brands that you
have tried but did not like, brands you believe in or have a positive attitude
towards, and brands to which you are totally loyal to the extent that you
won’t use the competing brand. In the last instance, ask yourself why you
have chosen this brand.
To use the example of our Wow jeans again, imagine your task is to apply the
hierarchy of effects metaphor to move your friends through the entire process
from being totally unaware of WOW jeans to becoming brand loyal to WOW
jeans. By studying the learning unit on objectives in Shimp (2010), you will
develop a comprehensive understanding of how to go about setting the most
appropriate marcom objectives based on your friend’s degree of experience with
WOW jeans.
The objective for a brand’s marcom campaign at any point in time will
depend on where in the hierarchy consumers are located. Different
consumers may be at different levels, you should however focus on the
level where the most consumers are located as the main focus area.
Requirements for setting suitable marcom objectives
In addition, you will have to ensure that your objectives meet a number of
specific requirements as set out in Shimp (2010: 162-163).
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Sales versus pre-sales objectives
Once you have a clear understanding of the above-mentioned
requirements, read the final learning unit of the chapter and explore
whether you believe it is good to use sales volume in setting advertising
objectives by comparing the traditional view with the heretical view and the
accountability perspective.
2.4.3 Marcom budgeting
An understanding of marcom objective setting will ultimately let you move to the
next level of the decision-making process, i.e. proper budgeting, and you will be
exposed to the various practical budgeting methods at your disposal.
Budgeting in theory
Ensure that you understand the following:
• How to budget in order to ensure profit maximisation by making
sure that marginal revenue (MR) is exactly equal to, and not lower
or higher than, marginal cost (MC).
• How to consider advertising objectives, competition and available
funds when making budgeting decisions.
Budgeting in practice
Consider the various budgeting methods available. Familiarise yourself
with each method and start thinking which method you would use to
determine an optimal marcom budget for WOW jeans.
Percentage of sales budgeting
Criticism towards this specific budgeting method
Objective-and task budgeting
The steps involved when applying this specific method
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Competitive parity method
It is necessary to understand the concepts of share of market (SOM) and
share of voice (SOV) and their relationship.
• Four general SOM/SOV situations – consider Figure 6.5 in
Shimp (2010) when studying the four SOM/SOV
situations.
• The role of competitive interference.
Budgeting via the affordability method
2.5 Conclusion
This concludes the study unit that deals with the nature and function of marcom
by providing practical and theoretical overviews of four fundamental marcom
decisions: targeting, positioning, objective setting and budgeting. These activities
are the bedrock of all subsequent marcom decisions. Marcom strategy built on a
weak foundation is virtually guaranteed to fail. Let us not forget the mantra
introduced in Chapter 1: All marcom should be (1) directed at a particular target
market, (2) clearly positioned, (3) created to achieve a specific objective and, (4)
undertaken to accomplish the objective within budget constraints.
The following self-assessment questions are examples that may be used to
gauge your understanding of the module so far. Also refer to the discussion
questions found at the end of each chapter in Shimp (2010).
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Self-assessment exercise
1. Discuss the importance of targeting marcom to specific consumer groups
and realise that the targeting decision is the initial and most fundamental of
all marcom decisions.
2. Explain the role of behaviourgraphics in targeting consumer groups by
using a practical example of a brand of your choice that could use
behaviourgraphics as the most appropriate targeting method.
3. Describe the nature of psychographic targeting and the VALS system by
choosing eight magazine advertisements that reflect each of the VALS
groupings and explaining why you chose that specific magazine
advertisement for each VALS grouping.
4. If you were to design a geodemographic study for a new range of upmarket
golfing equipment, what would you consider to be part of this specific
study?
5. Explain the concept of positioning and the role it plays in directing the
implementation of marcom decisions
6. Explain how you could use the SAARF LSMs as a targeting tool within the
South African context.
7. Describe how brands are positioned in terms of various types of benefits
and attributes.
8. How would you say is your favourite brand of non-alcoholic beverage being
positioned and why would you say that?
9. Explain each of the following concepts: perceptual encoding; feature
analysis and active synthesis. Using a consumer packaged good of your
choice, explain how package designers have used concepts of feature
analysis in designing the package.
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10. Explicate two perspectives that characterise how consumers process
information and describe the relevance of each perspective for brand
positioning.
11. Understand the process of marcom objective setting.
12. Describe what constitutes a good marcom objective and provide at least
three examples of such objectives.
13. Apply the hierarchy-of-effects model and its relevance for setting marcom
objectives to a relatively unknown consumer packaged good of your choice.
14. Understand the nature and importance of marcom budgeting.
15. Some critics contend that the use of the percentage-of-sales budgeting
technique is illogical. Explain.
16. Explain the relation between a brand’s share of market (SOM) and share of
voice (SOV).
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Study Unit 3: IMC and its fundamental decisions
3.1 Specific learning outcomes
Specific learning outcomes
After studying this unit, you should be able to:
• Discuss the role of messages, media and measurement.
• Recognise the various functions that advertising performs.
• Explain the advertising management process.
• Present an argument for investing or disinvesting in advertising.
• Understand the functions advertising agencies perform and how they are
compensated.
• Explain and apply the fundamentals of advertising creativity and its
importance.
• Understand the specific forms of creative messages and be able to apply these
concepts.
• Understand the various measures of advertising effectiveness.
• Explain media planning and analysis.
• Develop a media plan.
• Explain the concepts, terms and metrics for each specific media type.
• Analyse traditional media (newspapers, magazines, radio and TV).
• Analyse Internet advertising.
• Explain other forms of media including direct mail and database marketing,
videogame advertising, brand placement, cinema advertising.
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3.2 Overview of advertising management
Study reference
Study Shimp 2010: Chapter 7.
3.2.1 Introduction
Do you know how advertising works? It is critical to understand the fundamentals
of the role and importance of advertising. This chapter describes the functions
that advertising performs and provides an overview of the advertising
management process as well as the financial aspects of advertising.
In devising your advertising strategy, you need to align it to the overall marketing
strategy. This results in strategy implementation and should follow an
assessment of the effectiveness of the advertising. As part of the advertising
strategy itself though, you need to first set your objectives, budget and determine
your message and media strategies. We have already covered objective setting
and budgeting in Study Unit 2. It is now important to start focusing on the
message itself, the media and advertising measurement.
The magnitude of advertising
Before we start considering the theory behind advertising management, let
us first consider the magnitude of advertising and what companies are
spending on their annual advertising budgets. An extremely insightful
document to familiarise yourself with is the annual OMD South Africa
MediaFacts which is published annually as part of Tony Koenderman’s
AdReview. The OMD MediaFacts 2009 indicated that a total of R24 426.1
million was spend on above-the-line only Adspend during 2009 in South
Africa, with TV accounting for R10 487.6 million of the total Adspend.4 You
may want to read the full document to gain further insight into the latest
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media spends. Visit
http://www.omdmedia.co.za/samediafacts2010.pdf for more information.
Advertising functions
You need to fully comprehend the five critical communications functions of
advertising. This will enable you to understand how to manage the
advertising process and will form the basis of any advertising strategy.
Advertising management process
It is critical that you fully understand the overall advertising management
process from a client perspective. Figure 7.2. in Shimp (2010: 191) may
assist you in this regard.
The role of advertising agencies
You also need to familiarise yourself with the role of advertising agencies
and the various functions they perform.
Agency compensation
Also understand the various options available in terms of agency
compensation.
3.2.2 Ad-investment considerations
When considering ad-investment, there are various theories that need to be
considered. You should understand the reasoning behind each of these and be
able to put an argument on the table as to why you would consider advertising
expenditure for your specific brand.
In the next study unit, the notion of creative advertising strategy will be examined.
4 OMD Media facts 2010
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Self-assessment exercise
1. Explain the magnitude of advertising and the percentage of sales revenue
companies invest in this marcom tool.
2. Describe circumstances when each of the five advertising functions
described in Chapter 7 of Shimp (2010) might be more important than the
others and provide reasons why you would say that.
3. Explore the advertising management process from the perspective of clients
and their agencies.
4. Present arguments for and against using advertising agencies.
5. Explore the issue of when investing in advertising is warranted and when
disinvesting is justified.
6. Examine advertising elasticity as a means for understanding the contention
that “strong advertising is an investment in the brand-equity bank.”
3.3 Creating effective and creative advertising messages
Study reference
Study Shimp 2010: Chapter 8.
3.3.1 Introduction
Before you consider what creativity is all about, ask yourself what is required for
advertising to be effective. Shimp (2010) provides at least five indicators of
effective advertising. These may be translated into the following questions that
could help you determine whether your advertising is effective.
1. Is this in line with our marketing strategy to raise awareness of the brand?
2. Is this portrayal meeting my needs, or my potential customers’ needs?
3. Will it persuade?
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4. Is it unique and will it draw attention?
5. Is it promising more than it can deliver?
6. Will people remember the product, or only the message?
Going back to Wow jeans, let’s pretend that you aim to advertise the jeans
through posters placed on university campuses. You opt to portray your favourite
movie star wearing the jeans, customised with his name imprinted on the left leg.
Use the above-mentioned questions to determine whether your choice of
advertising message is effective:
1. Is this in line with WOW jeans marketing strategy to raise awareness of WOW
jeans?
2. Is this portrayal meeting the needs as set out in WOW jeans’ marketing
strategy, or is it portraying meeting the potential customers’ of WOW jeans
needs?
3. Will the message persuade potential customers to buy WOW jeans?
4. Is the message unique and will it draw attention?
5. Is the message promising more than it can deliver?
6. Will people remember the product or brand, i.e. WOW jeans, or only the
message?
3.3.2 Creating effective advertising
You need to understand the meaning of effective advertising and be able to apply
the general characteristics5 being associated with effective advertising to various
advertising messages.
Shimp (2010) provides good practical examples of creative advertising that could
assist you in better understanding the concept of creativity.
5 These characteristics are a mixture of Shimp, T.A.’s (2010) views and perspectives presented
by Jewler, A.J. 1985. Creative Strategy in Advertising. Belmont, Calif: Wadsworth. pp. 7-8; and Schultz, D.E., and Tannenbaum, S.I. 1998. Essentials of Advertising Strategy. Lincolnwood, Ill.: NTC Business Books. pp. 9-10.
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Creativity – the CAN elements
Shimp (2010) also covers three common features of creative ads – the
CAN elements – thus explaining that creative advertisements share three
common features. To test this theory, browse through magazines or listen
to your favourite radio station or watch some television programmes and
judge the advertisements you are exposed to on these three elements.
Getting messages to ‘stick’
Students also need to be able to explain what is meant with sticky ads –
thus having a lasting impact. Consider the six features that are applicable
to any type of message that will make those messages be more ‘sticky’.
There are some good examples of creative and sticky ads in Shimp (2010:
213-217). Spend some time going through magazines or watching
television to find even more creative executions that you consider being
sticky.
Advertising successes and mistakes
The foregoing section of this study unit focuses on the general features of
creativity and ‘sticky’ advertising. It is however useful to also consider a
conceptual framework that identifies the conditions under which
advertising campaigns are likely to succeed or fail. Study Figure 8.2 in
Shimp (2010: 218) to fully understand the importance of an appropriate
value proposition. Having a convincing message is a necessary condition
for creating effective advertising. However, the advertisement must also
be effectively executed.
Think of what the value proposition is for your WOW jeans brand and what
possible creative executions could fall under a successful campaign or a
complete disaster.
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3.3.3 Constructing a creative brief
With the above-mentioned considerations in mind, study the format
to use in formulating a creative brief – which is a document designed to channel
copywriters’ and other creatives’ efforts toward a solution that will serve the
interest of the client6. It will be useful to choose an example and try to implement
the proposed minimum questions that need to be answered in a creative brief.
Choose any product for this activity. The textbook also provides a practical tool
or framework that will assist you in constructing a creative brief.
You may consider using the WOW jeans example that you are now so familiar
with. Take your chosen practical example and construct a creative brief to be
able to fully understand the concept.
3.3.4 Alternative styles of creative advertising
Table 8.1 in Shimp (2010: 223) provides a short summary of the six different
styles and groups divided into three categories. It will be useful to page through
magazines or watch television and select six different advertisements that you
could link to each of the six different styles and compare them with each other.
These alternative styles provide a useful aid to understanding the different
approaches available to advertisers and the factors influencing the choice of
creative style. It would, however, be incorrect to think of these approaches as
pure and mutually exclusive as sometimes advertisers may consciously or
unconsciously use two or more styles simultaneously.
Finally, it is important to recognise that, whatever creative style is chosen, it must
be clearly positioned in the customer’s mind. Effective advertising must establish
6 Shimp (2010)
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a clear meaning of what the brand is and how it compares to competitive
offerings.
3.3.5 Mean-end chaining and the method of laddering as guides to creative
advertising formulation
Another exciting topic that you will find in Chapter 8 is the concept of
mean-end chaining and the method of laddering as guides to creative advertising
formulation.
The nature of values
Understand the ten basic values that adequately represent the important
human values people in a wide variety of culturally diverse countries
share.
Which values are most relevant to advertising?
You further need to understand how the attributes of a product bring
certain consequences for the consumer and reinforce his/her personal
values.
Advertising applications of means-end chains: The MECCAS model
In this sense, also examine the difference between terminal values and
instrumental values. Mobile phones, for instance, are sold, based not only
on their performance, but also on their appearance. A consumer may
choose a certain phone because it allows him/her to be noticed
(consequence) which supports the terminal value of social recognition.
Study how this chaining method is used in advertising. Table 8.3 in Shimp
(2010) may assist you in this regard.
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Identifying means-end chains: The method of laddering
Students need to be familiar with the concept of laddering and the
linkages between attributes, consequences and values and why the
concept of laddering is important from a marketer’s point of view.
Laddering forces advertisers to identify how consumers relate product
attributes to more abstract states such as benefits and values. This will
ensure the advertiser places emphasis on communicating benefits and
implying value’s end states rather than focusing on attributes per se.
3.3.6 Corporate image and issue advertising
A final requirement from this study unit is for you to be able to explain the
differences between image advertising and issue advertising in corporate
advertising.
Self-assessment exercise
1. Describe the factors that promote creative and effective advertising.
2. Apply the features of a creative brief to a practical example of your choice.
3. Explain alternative creative styles that play a role in the development of
advertising messages by using practical examples of magazine
advertisements to illustrate each of the different styles.
4. Explain the concept of means-ends chains and their role in advertising
strategy.
5. Explain the MECCAS model and its role in guiding message formulation by
selecting a newspaper advertisement and applying the MECCAS model to the
advertisement.
6. Using the laddering procedure, select a product category of your choice,
interview one individual, and construct that person’s hierarchical map or
ladder for two product attributes that are important to that person.
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7. Explain the role of corporate image and issue advertising by using practical
examples to illustrate each concept.
8. Select two advertising campaigns that have been on television for some time.
Describe in detail what you think their creative message styles are.
3.4 Selecting message appeals and picking endorses
Study reference
Study Shimp 2010: Chapter 9, pp. 240-278.
3.4.1 Introduction
This unit surveys some of the common approaches that are used in creating
advertising messages. In line with creativity and creative messages in
advertising, the advertiser may use methods such as the endorsement of a
celebrity, or emotional and other appeals, to elicit action from his/her audience.
Enhancing consumers’ motivation, opportunity and
ability to process advertisements
Familiarise yourself with the issue of how advertisers increase consumers’
motivation, opportunity and ability (MOA) to process advertising
messages. Figure 9.1 in Shimp (2010) provides you with a framework on
how marketing communicators can enhance the MOA factors. You need to
be able to discuss and illustrate each of the six strategies using practical
examples.
Motivation to attend to messages
As illustrated in Figure 9.1, one of the communicator’s objectives is to
increase the consumer’s motivation to attend to the message and to
process brand information. You need to firstly fully comprehend the
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attention component – thus voluntary attention and involuntary attention
and be able to provide examples of both forms of attention.
Motivation to process messages
You need to be familiar with the concept of enhanced processing
motivation and how to enhance consumer’s motivation to process brand
information.
Opportunity to encode information
You need to be familiar with the concept of how to get consumers to
encode information.
Opportunity to reduce processing time
You need to be familiar with the concept of how to take extra measures to
reduce processing time required of the consumer to read, listen to, and
ultimately discern the meaning of a marcom message.
Ability to access knowledge structures
You need to be familiar with the concept of a brand based knowledge
structure and how to facilitate consumer accessing of knowledge
structures.
Ability to create knowledge structures
You need to be familiar with the concept of a brand based knowledge
structures and how to create knowledge structures for information that
marketers want consumers to have about their brand and the use of
concretisations, demonstrations or analogies to facilitate learning by
appealing to exemplars. Find practical examples of magazine
advertisements and newspaper advertisements that illustrate how
concretising, demonstration or analogy was used.
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3.4.2 The role of celebrity endorsers in advertising
Why do you think advertisers use celebrities to endorse their products? Why do
golfers wear branded shirts? By having a celebrity endorse your product, you
associate your product with attractiveness and credibility. But this is only true in
certain circumstances. Find at least six requirements for advertising
endorsements to be successful. Also establish when regular people can be used
effectively in advertising endorsements. Pay special attention to the TEARS
model as well as the ‘no tears’ approach of endorsement models.
Endorser attributes: The TEARS model
You need to be familiar with the five components in the TEARS model of
endorser attributes and be able to judge various celebrity endorsement
advertisements based on these five attributes to determine the
effectiveness of the specific endorsement.
Endorser selection considerations: The ‘no tears’ approach
You also need to be familiar with the factors being used by marketers in
selecting celebrity endorsers, thus the ‘no tears’ approach.
Consider the WOW jeans example. Identify two possible celebrities that you
would like to approach to endorse WOW jeans. Follow the ‘no tears’ approach to
compare the two celebrities of your choice and to help you determine which of
the two celebrities would be the most appropriate to approach.
Consider the WOW jeans example again. You have now determined which
celebrity you would like to approach, using the ‘no tears’ approach and she/he
has agreed to become a celebrity endorser for WOW jeans. Using the TEARS
model, determine the effectiveness of this person as an endorser of WOW jeans.
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3.4.3 The role of humour in advertising
You need to familiarise yourself with humour in advertising and
how humour can be used effectively and under the correct circumstances. Find
examples of advertisements where humour was used and explain the
effectiveness or ineffectiveness of the usage of humour in those advertisements.
3.4.4 Appeals to consumer fears
You need to familiarise yourself with how appeals to consumer fears are used in
advertising, especially as a means of enhancing motivation. Find examples of
advertisements where humour was used and explain the effectiveness or
ineffectiveness of the usage of humour in those advertisements.
Fear appeal logic
Understand why fear appeal is used in advertisements and provide
examples of where fear appeal was used effectively.
Appropriate intensity
Understand the appropriate use of fear appeal and find advertisements
where it was used appropriately and where it was used inappropriately.
The related case of appeals to scarcity
Understand the theory behind using appeals to scarcity as a persuasion
method and the theory behind psychological reactance. Explain where in
the world scarcity is more used as an influence tactic than anywhere else
and why.
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3.4.5 Appeals to consumer guilt
Understand why guilt appeal is used in advertisements and provide
examples of where guilt appeal was used effectively and where it was used
ineffectively.
3.4.6 The use of sex appeal
The use of sex appeal in advertising
Understand why sex appeal is used in advertisements and provide
examples of where sex was used effectively and where it was used
ineffectively.
What role does sex appeal play in advertising?
Understand the potential roles that sex appeal may play in advertising and
provide examples of where it was used appropriately.
The potential downside of sex appeal in advertising
Understand the potential hazards of using sex appeal inappropriately and
provide examples where it was used inappropriately.
3.4.7 Subliminal messages and symbolic embeds
Understand the possible use of subliminal messages and symbolic embeds in
advertising.
Why it is unlikely that subliminal advertising works?
Students need to understand the argument why subliminal advertising may not
work as well as be able to provide a unique situation where subliminal stimuli
may influence brand choice. Be prepared to express your opinion (with
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motivation) on the effectiveness of both subliminal messages and the embedding
of hidden symbols.
3.4.8 The functions of music in advertising
Understand the role that music plays in advertising and provide
examples of the effective and ineffective use of music in advertising.
3.4.9 The role of comparative advertising
Understand the role of comparative advertising and whether it is more effective
than other message appeals or not. You need to be able to discuss the suitable
use of comparative advertising.
3.4.10 Conclusion towards message appeals
When studying the various methods of appeals used in advertising, try to
establish, for yourself, when these appeals will be effective (for instance,
endorsement, fear, humour, sexual undertones, consumer guilt and music) and
when you believe these attempts would fail.
The following self-assessment questions are examples that can be used as a
gauge of your understanding of this learning unit. Also refer to the discussion
questions found at the end of the relevant chapters in Shimp (2010).
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Self-assessment exercise
1. Using the concepts of attractiveness, expertise and trustworthiness, explain
what makes Natalie du Toit an effective endorser. Do the same for Wayne
Rooney.
2. Find examples of magazine advertisements that illustrate each of the
following: (a) an effort to increase consumers’ motivation to process brand
information, and (b) an attempt to enhance consumers’ opportunity to
encode information. Justify why your chosen examples are good
illustrations.
3. Attractiveness as an attribute of endorsers includes but is not restricted to
physical attractiveness. Many would regard Rafael Nadal as attractive. In
what ways other than physical attractiveness might he be considered
attractive?
4. Explain the requirements for an effective endorser using examples of well-
known endorsers to illustrate each requirement.
5. Discuss the factors that enter into the endorser-selection decision.
6. Discuss the role of Q-ratings in selecting celebrity endorsers.
7. Describe the role of humour in advertising and select three advertisements
where humour was used effectively.
8. Explain the logic underlying the use of appeals to fear in advertising.
9. Explain the nature of appeals to guilt in advertising and provide three
examples of guilt appeal advertisements.
10. Discuss the role of sex appeal in advertising, including the downside of such
usage. Provide one magazine advertisement where sex appeal was used
inappropriately.
11. Explain the meaning of subliminal messages and symbolic embeds.
12. Apply the role of music in advertising by using a practical example to
illustrate the concept.
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13. Explain the role of comparative advertising and the considerations that
influence the use of this advertising.
3.5 Measuring advertising message effectiveness
Study reference
Study Shimp 2010: Chapter 10.
3.5.1 Introduction to advertising research
The way in which marketers decide if research programmes are effective is
through research. The findings of the research can assist in further strategic
planning to ensure that advertising reaches its objectives. There are two main
streams of advertising research. Media research measures the effectiveness of
media, and message research measures the effectiveness of the message.
Understand the difference between these two streams. For example, it is readily
accepted that the evening news has high ratings and is a very effective media
vehicle of advertising (read through the example of media research measures in
Shimp (2010)). On the other hand, message-based measures assess the
message itself to see how effective it has been. There are many types of
message based measures, depending on the function of the message. They
may include measuring recollection or recognition of the message or a part
thereof, emotional reaction to it, physiological reactions, or buying behaviour.
Work towards understanding these techniques and their functions. Remember
too that the choice of technique depends mostly on the objective of the
advertising campaign, and that more than one method is normally preferable.
Industry standards for message research and what brand managers
and ad agencies want to learn from message research
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Be familiar with the nine message-testing principles (Positioning
Advertising Copy Testing (PACT) that represent useful guides to how
advertising research should be conducted.
3.5.2 Two general forms of message research
Message research comes in two general forms: qualitative and
quantitative.
Qualitative message research
You also need to fully understand the various measures that are used in
qualitative message research with specific reference to the Zaltman
Metaphor Elicitation Technique (ZMET).
Qualitative message research
You also need to fully understand the various measures that are used in
quantitative message research.
3.5.3 Measures of recognition and recall
Measures of recognition and recall are equally important and should be fully
understood.
Starch readership service
Understand the Starch readership service and what it offers.
Bruzzone tests
Understand the Bruzzone test and how it works.
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Day-after recall testing
Understand the various day-after recall testing methods available and how
these methods work.
3.5.4 Measures of emotional reactions
It is also important to understand the emotional reaction
measurements via physiological arousal and ensure you have a full
comprehension of (1) brain imaging, (2) self-report measures and (3)
physiological measures. Make sure you have a comprehensive understanding
of the two testing devices used for physiological testing and for what specific use
each of these devices is applied.
3.5.5 Measures of persuasion
Also pay attention to measures of persuasion and the methods being used in this
type of research.
3.5.6 Measures of sales response
Also pay attention to measures of sales response and the methods being used in
this type of research.
3.5.7 Other measures of sales response
Also pay attention to other major conclusions about television advertising that
can be drawn from RSC’s research that has used the ARS Persuasion method.
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3.5.8 Conclusion
Remember, no single technique for measuring advertising effectiveness is ideal,
nor is any particular technique appropriate for all occasions. The choice of
technique depends on the specific objective an advertising campaign is intended
to accomplish.
Self-assessment exercise
1. Explain the rationale and importance of advertising research.
2. Describe the various research techniques used to measure consumers’
recognition and recall of advertising messages.
3. Illustrate measures of physiological arousal to advertisements.
4. Explicate the role of persuasion measurement, including pre- and post-
testing of consumer preference.
5. Explain the meaning and operation of single-source measures of
advertising effectiveness.
3.6 Planning for and analysing advertising media
Study reference
Study Shimp 2010: Chapter 11.
3.6.1 Introduction
The creative messages explained earlier are of little use unless advertising media
are selected that will effectively reach the intended target audience. The
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following few chapters are devoted to various media considerations. Chapter 10
explores the media planning process and the various factors that go into
selecting media.
3.6.2 Media terminology
Firstly, you need to familiarise yourself with some useful media
terminology, i.e. media versus vehicles and the difference between these
terminologies.
3.6.3 Messages and media: A hand-in-glove relation
Secondly, you need to understand that advertising messages and
media considerations are inextricably related. The choice of media and vehicles
is, in many respects, the most complicated of all marketing communications
decisions due to the variety of decisions that must be made. It is thus critical to
understand the interrelation between media and messages.
3.6.4 Selecting and buying media and vehicles
It is furthermore useful to examine how the advertising industry makes buying
decisions related to media and vehicles. There are various media planning
models and the student should be aware of these.
3.6.5 The media-planning process
You need to familiarise yourself with the media planning process and the various
factors that go into making media-selection decisions. Figure 11.1 in Shimp
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(2010: 321) provides a good summary of the model of the media-planning
process.
By studying this study unit you will be able to answer the question about how you
can motivate your choice in marketing media and vehicles. Firstly, it is important
to understand how the media strategy relates to the marketing strategy. The
media strategy is one of a series of decisions. Even before you define your
media strategy you will have decided on your advertising objectives, your budget,
and your message. The four components of the media strategy include:
1. The target audience selection
2. Objective specification
3. Media and vehicle selection
4. Buying the media.
3.6.6 Selecting the target audience
Effective media strategy requires first that the target audience be pinpointed.
Refer back to Chapter 4 when target audience selection characteristics were
explained.
3.6.7 Specifying media objectives
Having pinpointed the target audience, the next media-planning
consideration involves specifying the objectives that an advertising schedule is
designed to accomplish during the planned campaign period. Specific media
technical terms need to be fully comprehended:
Reach
Students need to understand exactly what reach means and what the
determinants of reach are.
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Frequency
Students need to understand exactly what frequency means and what the
concept of frequency distribution is.
Weight
Students need to understand exactly what weight means. Furthermore,
the following terminology and concepts related to weight need to be fully
understood:
• Ratings
• Gross Rating Points (GRPs)
• Target Rating Points (TRPs)
and
• How to determine GRPs in practice
• The concept of effective reach
• How many exposures are needed
• Effective reach planning in advertising practice
• An alternative approach: Frequency value planning.
Continuity
Students need to understand exactly what continuity means. Furthermore,
the following terminology and concepts related to continuity need to be
fully understood:
• Continuous scheduling
• Pulsing
• Flighting.
Recency planning
Students need to understand exactly what recency planning (a.k.a the
shelf-space model) means. Furthermore, the following terminology and
concepts related to recency planning need to be fully understood:
• The powerful first exposure
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• Influencing brand choice
• Optimising weekly reach
• Toward reconciliation.
Cost considerations
Students need to understand exactly what cost considerations mean in
terms of media planning. Furthermore, the following terminology and
concepts related to cost considerations need to be fully understood:
• Cost per thousand (CPM)
• CPM-TM.
The necessity of making trade-offs
Trade-offs are necessary because media planners operate under the
constraint of tight media budgets. Hence optimising one objective requires
the sacrifice of other objectives. Students need to be aware of this and be
able to understand the importance thereof.
3.6.8 Media-scheduling software
Various media-scheduling software is available to assist media
planners during the process. Students need to be aware of this and be able to
follow a step-by-step process to select the ‘best’ vehicles from a large set of
media options available. Follow the example being illustrated and explained in
Shimp (2010: 341-346).
3.6.9 Review of media plans
It is useful to consider various media plans to appreciate the various components
that form part of the entire media planning process. The textbook provides
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excellent practical examples that will assist you in understanding how to develop
a media strategy and review a media plan – see The Diet Dr Pepper Plan, the
Saab 9-5’s Media Plan, and the Olympus Camera Media Plan for further
reference. It would be useful to read through these and understand each plan.
(Shimp 2010: 346-354).
3.6.10 Media strategy
You also need to be able to devise a media strategy. Select a practical example
(possibly WOW jeans) and apply this to the development of such a media
strategy. Special consideration should be applied to the six media objectives and
their interdependence.
Self-assessment exercise
1. Describe the major factors used in segmenting target audiences for media
planning purposes.
2. Explain the meaning of reach, frequency, gross rating points, target rating
points, effective reach, and other media concepts.
3. Discuss the logic of the three-exposure hypothesis and its role in media and
vehicle selection.
4. Describe the use of the efficiency index procedure for media selection.
5. Distinguish the differences among three forms of advertising allocation:
continuous, pulsed, and flighted schedules.
6. Explain the principle of recency and its implications for allocating advertising
expenditures over time.
7. Perform cost-per-thousand calculations.
8. Interpret the output from a computerised media model.
9. Review actual media plans.
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3.7 Using traditional advertising media
Study reference
Study Shimp 2010: Chapter 12, pp. 358-391.
3.7.1 Introduction
When planning your media campaign, there are at least four types of traditional
media that you may consider using: television, radio, magazines and
newspapers. Within each medium there are also various vehicles that may carry
your message. Each medium has unique qualities with strengths and
weaknesses. This study unit focus on these four types of traditional media.
It is important to recognise that the choice of which medium is ‘best’ to use
depends entirely on the advertiser’s objectives, the creative needs, the
competitive challenge and the budget available. The ‘best’ medium or
combination of media is determined by conducting a careful examination of the
advertised brand’s needs and resources.
3.7.2 Newspapers
Newspapers as a medium offer various vehicles that may carry your message.
Newspapers also have unique qualities with strengths and weaknesses. You
should be familiar with all these aspects of newspapers as a medium.
3.7.3 Magazines
Magazines as a medium offer various vehicles that may carry your message.
Magazines also have unique qualities with strengths and weaknesses. You
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should be familiar with all these aspects of magazines as a medium.
Furthermore, ensure you are familiar with magazine audience measurement and
the importance of customised magazines.
3.7.4 Radio
Radio as a medium offers various vehicles that may carry your message. Radio
also has unique qualities with strengths and weaknesses. You should be familiar
with all these aspects of radio as a medium. Furthermore, ensure you are familiar
with radio audience measurement
3.7.5 Television
Television as a medium offers various vehicles that may carry your message.
Consider the specific strengths and weaknesses of dayparts i.e. daytime; fringe
time and prime time. Understand the difference between network television
advertising, spot television advertising, syndicated advertising, cable advertising
and local television advertising. Television also has unique qualities with
strengths and weaknesses. You should be familiar with all these aspects of
television as a medium.
Infomercial
Understand the role infomercials play as an alternative to the
conventional, short form of television advertising.
Brand placement in television programmes
Understand the role (as well as advantages of) brand placement plays as
an alternative to the conventional, short form of television advertising.
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Television audience measurement
Furthermore, ensure you are familiar with television audience
measurement and the various measurement techniques and options
available, i.e. Nielsen’s People Meter; Nielsen’s Diary Panels; Nielsen’s
local people meters; away from home viewer measurements and the new
challenger to Nielsen.
Self-assessment exercise
1. Describe the four major traditional advertising media.
2. Discuss newspaper advertising and its strengths and limitations.
3. Evaluate magazine advertising and its strengths and limitations.
4. Discuss radio advertising and its strengths and limitations.
5. Discuss television advertising and its strengths and limitations.
6. Assume you are brand manager for a new product line of ladies’ cosmetics
focusing on the teenage youth market. Assume you have R500 000 to invest
in a two-month magazine advertising campaign. Which magazines would you
choose for this campaign? Justify your choices.
7. Assume you are the manufacturer of costume jewellery items. Your most
important time to sell these jewellery items is during February just before
Valentine’s Day. You are in the process of developing media strategy aimed
at specifically university students and young professionals straight out of
university or technikon. With an annual budget of R3 million, what media and
specific vehicles would you use for this campaign? How would you schedule
the advertising over time?
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3.8 Employing the Internet for advertising
Study reference
Study Shimp 2010: Chapter 13.
3.8.1 Introduction
Various electronically driven media may now also be used, such as the Internet.
These forms of advertising have one major advantage over other media – they
can be interactive. To how many of these forms of advertising media have you
been exposed in the last seven days? Can you think of any one that has made a
conscious impact on you?
It is important to realise that the Internet’s exact role as an advertising medium is
in a state of flux – new technologies are continually emerging and marketers are
experimenting with various uses of online advertising. Upon completion of this
chapter you will have developed an appreciation of the scope and potential of the
Internet as a viable advertising medium – a medium that will undoubtedly
continue to steal advertising spend from the traditional ad media.
Internet: Individualisation and interactivity
Individualisation and interactivity are key features of the Internet and
should be fully understood.
The Internet compared to other ad media
The Internet as an advertising medium offers various vehicles (advertising
formats) that may carry your message on the Internet (see table 13.1 on
p. 396 of Shimp (2010) for a quick reference to these advertising formats).
The Internet also has unique qualities with strengths and weaknesses
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compared to other ad media. You should be familiar with all these aspects
of the Internet as a medium.
3.8.2 Websites
You should be familiar with all aspects related to websites as a possible Internet
advertising format.
3.8.3 Display or banner ads
You should be familiar with all aspects related to display or
banner-ads as a possible Internet advertising format. Ensure you can explain
click-through rates as well as standardisation of banner-ad sizes.
3.8.4 Rich media: Pop-ups, interstitials, superstitials and video ads
You should be familiar with all aspects related of the various forms of rich media
available as possible Internet advertising formats.
3.8.5 Blogs, podcasts and social networks
You should be familiar with all aspects related of the various forms of blogs,
podcasts and social networks available as possible Internet advertising formats.
3.8.6 Email advertising
You should be familiar with all aspects related of the various forms
of email advertising as possible Internet advertising formats.
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Opt-in emailing versus spam
Understand the difference between opt-in emailing versus spam and
consider the illegal practice of phishing.
Email magazines (E-zines)
Understand e-zines (sponsored email) and try and find examples of
e-zines on the Internet.
Wireless email advertising
Understand wireless email advertising and the role of Wi-Fi in making this
format possible. Consider the challenge for Internet users in locating
hotspots where wireless Internet connection is possible.
The special case of mobile phones
Understand mobile phones as an advertising format and be familiar with
the reasons why mobile phones offer a potentially attractive advertising
medium.
Search Engine Advertising (SEA)
Understand SEA.
The fundamentals of SEA
Ensure you fully comprehend the fundamentals of SEA.
Purchasing keywords and selecting content-orientated websites
Ensure you fully appreciate the various forms of SEA and how they are
used. You also need to be aware of the pitfalls of using SEA.
Advertising via behavioural targeting
Understand the essence of online behavioural targeting.
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Measuring Internet ad effectiveness
Ensure you understand the various measurement techniques being used
to measure the effectiveness of Internet ad performance.
Self-assessment exercise
1. Appreciate the magnitude, nature and potential for Internet advertising.
2. Explain the two key features of Internet advertising: individualisation and
interactivity.
3. Explain how Internet advertising differs from advertising in conventional mass-
oriented advertising media, as well as how the same fundamentals apply to
both general categories of ad media.
4. Explain the various forms of Internet advertising: display ads, rich media,
email advertising, web logs, search engine advertising, and advertising via
behavioural targeting – try and find practical examples of each form.
5. Explain the importance of measuring Internet advertising effectiveness and
the various metrics used for this purpose.
3.9 Using other advertising media
Study reference
Study Shimp 2010: Chapter 14.
3.9.1 Introduction
This chapter deals with the general topic of ‘other’ advertising media which were
not previously covered. These ‘other’ advertising media generally are insufficient
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for performing the full marketing communications tasks that are necessary to
build a brand’s equity and to generate sales volume to achieve a reasonable
return on investment. They do however fulfil a valuable supplementary role to
support a complete IMC programme.
Refer to table 14.1 in Shimp (2010: 422) for a framework for various forms of
other advertising being discussed in this section.
Word-of-mouth advertising and buzz generation are outside the scope of the
present chapter and will be covered in Chapter 18. Out-of-home advertising,
external store signage and point-of-purchase advertising will be covered in
Chapter 20.
3.9.2 Direct advertising via postal mail
Consider some of the alternative advertising media such as direct
advertising and, in particular, postal mail advertising (p-mail).
Illustrations of successful p-mail campaigns
Consider some of the alternative advertising media such as direct
advertising and, in particular, postal mail advertising.
The distinctive features of p-mail
Ensure you fully comprehend the distinctive features of p-mail compared
to mass forms of advertising.
The users of p-mail and the functions p-mail accomplishes
Ensure you are aware of examples of companies that use p-mail as an
advertising medium and that you understand the functions that can be
achieved through the implementation of a p-mail campaign.
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The special case of catalogs and audiovisual media
You should understand the two rather unique forms of p-mail, i.e. catalogs
and audiovisual media.
The use of databases, lifetime-value analysis and the practice of data
mining
You should appreciate the role of database marketing, data mining and
lifetime-value analysis.
3.9.3 Brand placements in movies and television programmes
You should appreciate the importance of branded entertainment and brand
placements in various venues, i.e. movies, television, etc.
3.9.4 Yellow-pages advertising
Understand the value of yellow-pages advertising.
3.9.5 Video-game advertising (a.k.a. advergaming)
Recognise the growth and role of video-game advertising (advergaming).
3.9.6 Cinema advertising
Understand the role of cinema advertising.
3.9.7 Potpourri of alternative advertising media
Appreciate the potential value of various ‘alternative’ ad media.
Can you think of another medium of advertising that is not described in your
prescribed or recommended textbook?
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3.10 Conclusion
For you to be able to manage the choice of advertising media, you will need to
understand all the strengths and weaknesses associated with each medium. A
useful technique is to draw a table in which you can capture the characteristics,
strengths and weakness of each of these media. From your analysis, you will
see just how many media are used in advertising.
Self-assessment exercise
1. Explain why postal mail advertising is an efficient and effective ad medium.
2. Discuss p-mail’s five distinctive features compared to mass forms of
advertising.
3. Explain the role of database marketing, data mining, and lifetime-value
analysis.
4. Describe the role of audio-video advertising.
5. Explain the value of yellow-pages advertising.
6. Discuss the growth and role of videogame advertising (advergaming).
7. Apply branded entertainment and brand placements in various venues
through the use of practical examples (movies, TV, etc.).
8. Can you recall any prominent brand placements in movies you have seen
recently? What were these placements? Were the products ‘positioned’ in
positive or negative contexts? How successful, in your opinion, were these
placements?
9. Describe the role of cinema advertising and web films.
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10. What are your views on both the appropriateness and the effectiveness of
placing advertisements in restrooms?
11. Identify two ‘spaces’ advertisers are not currently using that could be used for
placing ad messages. What kind of brands would appropriately advertise on
each of your suggested spaces, and what would be an appropriate target
audience for messages placed on each space.
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Study Unit 4: Sales promotion management
4.1 Specific learning outcomes
This study unit deals with an overview of sales promotion, with emphasis on
trade-related sales promotions and customer-related sales promotion.
Specific learning outcomes
After studying this unit, you should be able to:
• Discuss the characteristics of trade-orientated promotions.
• Understand the concept of sales promotions.
• Explain the generalisations regarding trade-promotion effectiveness.
• Describe consumer-orientated forms of sales promotions.
4.2 Sales promotion management
Study reference
Study Shimp 2010: Chapter 15.
Sales promotions, in essence, are incentives to buy. The incentive is targeted
either at (a) trade (wholesalers and retailers), directly at (b) the consumer, or
even at (c) the company’s own sales force.
This study unit overviews sales promotions by explaining the targets of
promotional efforts and the reasons underlying the rapid growth of promotions. It
also provides an outline of sales promotion’s capabilities and limitations.
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4.2.1 Introduction
Make sure that you have a thorough grasp of the definition and nature of sales
promotions as well as the three groups of targets for sales promotions.
4.2.2 Increased budgetary allocations to promotions
Formulate an informed opinion as to why sales promotion is growing in
importance compared to advertising. There is much evidence of the positive
effect that sales promotions may have. Price-oriented promotions have been
shown to achieve short-term results such as increasing market share, and
encouraging customers to switch brands and to start using products on trial. Non-
price promotions again can meet longer-term goals such as improving the brand
image, resulting in more positive brand associations and even increasing loyalty
to a brand.7
Make sure you can explain the importance of sales promotions in terms of pull
and push theories, the balance of power that is beginning to lie with the retailer,
increased brand parity, increase in price sensitivity, reduced brand loyalty, the
fragmentation of the mass market, short-term consumerism, and simply the way
consumer’s love sales promotions.
4.2.3 Sales promotion’s capabilities and limitations
With the above-mentioned understanding of the role and usefulness of sales
promotions, make sure that you also equip yourself with an understanding of why
sales promotions are not always the right choice, on the one hand, and when
they would be really profitable, on the other hand. Be sure that you can explain
7 Lee, C. W. 2002. “Sales promotion as strategic communication: The case of Singapore”. Journal
of Product and Brand Management 11(2).
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the nature of the market that supports profitable sales promotions. Make sure
you understand the capabilities and limitations of sales promotions.
4.2.4 The role of trade promotions
The next section focuses primarily on the role of trade promotions. Ensure you
understand what trade promotions are as well as the scope and objectives of
trade promotions. They are incentives to buy, aimed at retailers, wholesalers and
other intermediaries.
There are nine objectives of trade promotions listed in Shimp (2020). This is of
the essence in the understanding of trade promotions and should be studied.
It may be worthwhile, at this stage, to identify exactly what is meant by
wholesalers and retailers. Kotler and Armstrong (2005) describe them as follows:
retailers sell directly to their customers, but the wholesalers’ customer is buying
for business purposes – either to sell it or use it in the business process.8 There
are a number of wholesale functions that you may be able to think of, such as
selling and promoting, buying to build a range of products, bulk-breaking,
warehousing, transporting, financing, risk bearing, supplying market information,
and providing management services and advice.
Ingredients for a successful trade promotion programme
Ensure that you can describe the elements of a successful trade-promotion
programme.
4.2.5 Trade allowances
A more detailed discussion is required for the various forms of trade allowances.
8 Kotler, P., and Armstrong, G. 2005. Principles of Marketing. 7
th edn. New Jersey: Pearson/
Prentice Hall.
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It will be useful to make a summary for yourself of the key qualities of the types of
trade allowances described in Shimp (2010) as well as to be able to explain the
undesirable consequences of off-invoice allowances: forward buying and
diverting. In your summary, focus on the definition of the type of trade deal,
subcategories and definitions, when it is used, or its function.
Undesirable consequences of off-invoice allowances: Forward
buying and diverting
You also need to fully understand the notable developments that hold
important implications for trade allowances. Two of these represent major
changes in the interrelations between manufacturers and retailers.
Effects to rectify trade allowance problems
The final three reflect more specific practices on the part of manufacturers.
4.2.6 Generalisations about promotions
Researchers have vigorously studied the functioning and effectiveness of sales
promotions during the past two decades and empirical efforts have enabled
researchers to draw some tentative conclusions. These nine conclusions
represent consistent evidence regarding different facets of promotion
performances and need to be fully understood.
4.3 Consumer-oriented sales promotions – sampling and couponing as
well as premiums and other promotions
Study reference
Study Shimp 2010: Chapters 16 and 17.
4.3.1 Introduction
At the heart of understanding customer-oriented sales promotion is what
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marketers want to achieve through this type of promotion and what reward the
consumer reaps. The three objectives for marketers are trial impact, customer
holding/loading and image reinforcement. Consumers again receive either an
immediate reward or a delayed reward. Make sure that you thoroughly
understand this rationale that underpins sales promotions, that is, why consumer
promotions are used, as well as the objectives that brand managers hope to
accomplish by using consumer oriented promotions and why consumers are
receptive to promotional efforts.
Various techniques and tools are associated with the above-mentioned
objectives and rewards. Ensure that you can link these techniques to, on the one
hand, one of the three objectives the marketer may have and, on the other hand,
the immediate or delayed reward they hold for the consumer. Refer to Table 16.1
in Shimp (2010) for a summary of this. It is, however, important to emphasise that
the classification of promotional tools in Table 16.1 is necessarily simplified.
Promotions are capable of accomplishing more than a single objective. You also
need to understand that manufacturers use consumer-orientated sales
promotions to leverage trade support. You also need to realise that coupons and
premiums are found in more than one cell of the table because these techniques
achieve different objectives, depending on the specific form of delivery vehicle.
Your next step would be to summarise the various sales promotion methods with
specific reference to sampling, couponing, premiums and other promotions in
more depth. Drawing up a table to summarise these methods may be a useful
tool in helping you prepare for your final assessment.
4.3.2 Sampling
Read through this section and make sure you identify the
definition, techniques, assessment methods, functions and limitations of
sampling.
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Major sampling practices
Read through this section ensure you understand the three prudent
practices associated with sampling.
When sampling should be used
Read through this section ensure you understand the ideal circumstances
when sampling should be used.
Sampling problems
Read through this section ensure you understand the problems associated
with sampling.
4.3.3 Couponing
Read through this section and make sure you identify the
definition, techniques, assessment methods, functions and limitations of
couponing.
Point-of-purchase couponing
Read through this section and make sure you understand the three forms
of point-of-purchase couponing.
Online couponing
Read through this section and make sure you understand online
couponing.
The coupon redemption process and misredemption
Read through this section and make sure you understand couponing
redemption and misredemption.
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4.3.4 The role of promotion agencies
Read through this section and make sure you understand the role of promotion
agencies and the rise of the online promotion agency.
4.3.5 Premiums
Read through this section and make sure you identify the
definition, techniques, assessment methods, functions and limitations of
premiums.
Free-with-purchase premiums
Read through this section and make sure you understand free-with-
purchase premiums.
Mail-in offers
Read through this section and make sure you understand mail-in offers.
In-, on-, and near-pack premiums
Read through this section and make sure you understand in-, on- and
near-pack premiums as well as the special case of ‘Buy X, Get 1 Free’
offers.
Self-liquidating offers
Read through this section and make sure you understand self-liquidating
offers.
Phone cards
Read through this section and make sure you understand phone cards.
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4.3.6 Price-offs
Read through this section and make sure you identify the definition, techniques,
regulations and limitations of price-offs.
4.3.7 Bonus packs
Read through this section and make sure you understand bonus packs as a
sales promotional tool.
4.3.8 Games
Read through this section and make sure you understand games as a sales
promotional tool.
4.3.9 Rebates and refunds
Read through this section and make sure you understand rebates and refunds as
a sales promotional tool.
4.3.10 Sweepstakes and contests
Read through this section and make sure you understand sweepstakes and
contests as sales promotional tools.
4.3.11 Continuity promotions
Read through this section and make sure you understand continuity promotions
as a sales promotional tool.
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4.3.12 Overlay and tie-in promotions
Read through this section and make sure you understand overlay and tie-in
promotions as a sales promotional tool.
4.3.13 Retailer promotions
Read through this section and make sure you understand retailer promotions as
a sales promotional tool.
4.3.14 Evaluating sales promotion ideas
The next section deals with the evaluation of sales promotions
and you need to familiarise yourself with the procedure to follow for the
evaluation of promotion ideas as well as the characteristics of a post-mortem
analysis.
Although this learning unit takes up little space in your prescribed textbook, it is
still essential. You need to be able to explain and apply the three-step method
that may be used to determine if your sales promotion is going to be successful.
These steps embody the identification of objectives and the reaching of
agreement, as well as a five-point system to evaluate the sales promotion idea.
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Self-assessment exercise
1. Assume that you are working in the marketing department of Bakers
Biscuits. The company is developing a new cracker. You are convinced that
promotion is the best way to launch this new product. Explain what the term
‘promotion’ means, discuss how it differs from advertising, and list the types
of promotions appropriate for each of the potential targets of sales promotion
for this type of product.
2. Discuss three things sales promotion can accomplish and three things sales
promotion cannot accomplish.
3. Explain how retailers can charge manufacturers slotting allowances when
many people feel that these allowances are a form of bribery.
4. Explain forward buying and diverting. Who benefits or loses from these
practices?
5. Describe the fundamentals of a pay-for-performance program. Why could
this program be better for the retail system than the traditional system of
trade allowances?
6. Name and describe the types of rewards consumers receive when using
sales promotions.
7. Assume that you work in the marketing department for a manufacturer of
gum. They have recently developed a brand of sugarless gum that keeps its
flavour for hours. The target market is teens. Discuss the various distribution
methods used to deliver samples. Which do you recommend for this?
8. Assume that you work in the marketing department for a company that
manufactures dog food. Explain why you think the use of coupons would be
effective and what can be done to maximise the redemption rate.
9. Describe the coupon redemption process and how misredemption can
occur.
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10. Define what a premium is, and name and describe the four types of
premiums.
11. Assume that you are the marketing director for a computer parts
manufacturer that wants to use rebates as a promotional tool. Explain what
rebate fraud is and how you would possibly control this problem.
12. Compare and contrast price-off promotions and bonus packs.
13. Compare and contrast overlay and tie-in promotions and give an example of
each.
14. One strength of promotions is that results can be measured to assess the
success of a promotional programme. Name and describe the five
characteristics by which completed promotion programs can be judged.
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Study Unit 5: Other marcom tools
5.1 Specific learning outcomes
The post-modern world of work offers several ‘new’ marketing communication
tools, such as public relations, word-of-mouth management, and sponsorship
marketing and signage and point-of-purchase communications. This study unit
provides an overview of these supportive marketing communication tools.
Specific learning outcomes:
After studying this unit, you should be able to:
• Understand marketing-orientated public relations.
• Explain the importance of word-of-mouth and the management thereof.
• Discuss events sponsorships and cause-related marketing.
• Understand on-premise business signage.
• Understand out-of-home (off-premise) advertising.
• Explain in-store point-of-purchase advertising.
5.2 Marketing-orientated public relations and word-of-mouth
management
Study reference
Study Shimp 2010: Chapter 18, pp. 534-559.
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5.2.1 Introduction
Public relations (PR) deals with exactly that – building good relations with the
public. ‘Public’ does not only include customers but also employees,
shareholders, the government, environmental officials, etc. When PR is focused
on overcoming bad images and problems with stakeholders of the company, we
refer to it as ‘general public relations’. It is important that you understand the
difference between marketing PR and advertising.
Marketing-orientated public relations (MPR)
However, marketing PR deals specifically with the relationship between
the company and consumers.
Proactive MPR
It can take on the form of a proactive tool where, as a PR person, you
actively build the company’s product and brands, through editorials, for
example. You should be fully aware of the role of proactive MPR and the
difference between proactive and reactive MPR.
Reactive MPR
When rumours and negative publication emerge against your company,
you have to resort to reactive PR to prevent negative outcomes for the
company. Understand the most dramatic factors underlying the need for
reactive MPR.
To support your learning of the theory relating to PR, page through various
newspapers and magazines to identify examples of both proactive and
reactive PR. The prescribed and recommended textbooks also give
examples of PR and the rumours that may drive them.
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Crisis management
Understand the importance of crisis management when dealing with
reactive MPR.
Rumours and urban legends
Ensure you fully comprehend the types of commercial rumours and how to
control them.
Once you feel comfortable with your understanding of MPR as a marketing tool,
you may proceed to study the marketing communication tool of word-of-mouth
influence.
5.2.2 Word-of-Mouth (WOM) influence
It is important to realise the role that word-of-mouth can play in the
adoption process.
Strong and weak ties
Familiarise yourself with the themes of strong and weak ties.
The role of opinion leaders in WOM dissemination
Familiarise yourself with the role opinion leaders play in terms of WOM
influence.
The prevention of negative WOM
Understand the devastating effect of unfavourable WOM on a brand’s
image.
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5.2.3 Creating buzz
The following two concepts must be studied:
Creating an epidemic
It is important to understand the concept of creating an epidemic and the
specific rules associated with this, namely, the law of the few, the
stickiness factor and the power of the context. All these play an important
role in the ultimate adoption process.
Igniting explosive self-generating demand (ESGD)
When further investigating Buzz creation, you also need to familiarise
yourself with the concept of ESGD and the key principles associated with
ESGD. Think of how you can apply these principles to the mobile phone
example in this learning unit, and also pay special attention to how you
could use the Internet to create buzz for this new product.
5.3 Event and cause sponsorships
Study reference
Study Shimp 2010: Chapter 19, pp. 560-573.
5.3.1 Introduction
We are all familiar with sponsorship of sports events. Have you ever stopped to
think why certain companies have their brands splashed all over a sports
stadium, or why companies would sponsor a superstar to wear their products? As
part of marketing, companies sponsor events and people to achieve the
companies’ own objectives which could be, for instance, to support brand
building.
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Sponsorships per se are one of the fastest growing tools to reach one’s target
audience. Companies spend billions of US dollars every year on sponsorships.
An important advantage of sponsorships to remember is that they allow you to
reach audiences with similar demographics and lifestyles – all at the same time.
When the company brand is linked to the sponsored event, the consumers’
attention is immediately obtained. With a clear link between the sponsor and the
event, there is evidence that the consumer will develop positive attitudes towards
the sponsor too.9
5.3.2 Event sponsorship
You must be able to discuss the differences between cause-
related marketing and event marketing. Event sponsorship allows for the linking
of your brand to something that people respect and love, such as cultural, athletic
or entertainment events.
Selecting sponsorship events
Ensure you understand the factors to consider when selecting an event to
sponsor.
Creation of customised events
Ensure you understand the development of own events and the reasons
why marketers choose to customise their own events rather than
sponsoring events another organisation conducts.
Ambushing events
Ensure you understand ambush marketing and the reasons why it takes
9 Roy, D.P., and Cornwell, B. 2003. “Brand equity’s influence on responses to event sponsorship”.
Journal of Product and Brand Management 12(6).
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place. You can consider the recent 2010 FIFA World Cup™ as a perfect
example of how ambush marketing was not allowed at all.
Measuring the success of events
Appreciate the importance of measuring sponsorship performance.
5.3.3 Cause sponsorship
A company may be serving, through cause-related sponsorship, a specific cause
of helping a group in order to produce revenue for itself. Find examples to
illustrate your understanding of how cause-related marketing operates. There
are a few examples in Shimp (2010); however, it is necessary to consider more
local examples also.
The benefits of Cause-Related Marketing (CRM)
Ensure you fully understand the benefits associated with CRM.
The importance of fit
Ensure you fully understand the importance of finding the most
appropriate fit between the cause and your organisation.
Accountability
Understand that accountability is a key consideration for cause-orientated
as well as event orientated sponsorships
5.4 Signage and point-of-purchase communications
Study reference
Study Shimp 2010: Chapter 20, pp. 574-601.
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5.4.1 Introduction
This section examines communicating with consumers at the POP or close to it.
Three general forms of marcom are covered: out-of-home advertisements (e.g.
billboards), on-premise signage, and in-store POP messages. Two general
forms of ‘outside’ marcom messages are delineated: (1) out-of-home
advertisings or off-premise ads, and (2) on-premise business signage, with the
difference being that on-premise signage communicates information about
products and services in close proximity to the store, and off-premise signage
provides information about goods and services that are available elsewhere.
These important aspects typically receive little coverage in marcom texts
although they are growing in importance as part of the overall marcom mix.
5.4.2 On-premise business signage
You need to familiarise yourself with on-premise business signage
and the important role this can play in the overall marcom mix. Just think of
something like a financial institution and how important in-branch signage is to
direct clients to the right areas. Or consider your nearest fast-food outlet, e.g.
McDonalds and/or KFC: walk into the outlet and look at the effective or ineffective
use of their on-premise signage.
Out-of-Home (OOH) (off-premise) business signage
Appreciate the role and importance of OOH or off-premise advertising.
It is important to familiarise yourself with the various types of out-of-home
advertising, their strengths and limitations, and how to measure audience
size and characteristics.
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Billboard ads’ forms, strengths and limitations
Ensure you are fully aware of the various forms of billboard advertising.
You also need to understand the strengths and limitations associated with
billboard advertising.
Measuring the effectiveness of billboard advertising
Appreciate the importance of measuring billboard audience size and
characteristics. Shimp (2010) has a wonderful example of a case study on
billboard effectiveness.
5.4.3 Other forms of OOH advertising
Understand that there are many other forms of OOH advertising that can be
considered.
5.4.4 Point-of-Purchase (POP) advertising
Appreciate the role and importance of point-of-purchase advertising. Refer to the
following aspects:
The spectrum of POP materials
Understand the categories associated with POP materials. When you
read through the various tools that may be used to communicate at the
POP, strive to understand why these techniques are useful. Think, for
instance, of interactive displays and how they can give the consumer
greater confidence in his/her decision. Also find out why displays are
effective. Keep in mind that the POP moment is one of the best to
communicate with the potential customer, and that the decision to buy in a
specific shop may very well be due to the displays and other POP
materials that are available to assist the customer to make the decision.
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What does POP accomplish?
Understand what POP can accomplish. There are four key functions of
POP tools. Prepare yourself to be able to describe how these materials
can inform the consumer, remind the consumer through the encoding
specificity principle, encourage the consumer to buy, and boost retail sales
through the principles of merchandising or the arrangement of the
merchandise in a specific way.
POP’s influence on consumer behaviour
Understand the various ways in which POP can influence consumer
behaviour.
Shimp (2010) indicates that there is clear evidence that POP materials can
increase sale volumes. A POP occurs when the consumer, with his/her money,
meets the product at the same time in the same place. If you think back to our
example of WOW designer jeans, a POP moment would be when you walk into a
group of young wealthy consumers who love your jeans and have money on
them to buy. We have all experienced the sales frenzy that can result! The
motives for this include excitement and the deep need for us to explore. Keep in
mind that you do not have to be physically present, but you can communicate the
quality of your product through materials such as displays, signs and coupons at
the place and time of purchase.
Evidence of in-store decision making
Review evidence of POP’s role in influencing consumer’s in-store
decision making.
Evidence of display effectiveness
Examine empirical evidence revealing the effectiveness of POP displays.
Think of the last time you were inside a Pick n Pay or Shoprite Checkers
and how a specific POP display for a well-known brand caught your
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attention. You may need to explain the effectiveness of POP displays to
your financial director one day and need to consider the scientific evidence
available to substantiate your argument.
The use and non-use of POP materials
Understand why POP materials are often never used or used incorrectly
by retailers.
Measuring in-store advertising’s effectiveness
Appreciate the importance of measuring audience size and demographic
characteristics for out-of-home as well as in-store advertising messages.
5.5 Conclusion
This concludes the study unit that deals with public relations, the role of WOM,
buzz creation, event and cause sponsorships, and signage and point-of-purchase
communications.
The following self-assessment questions are examples that can be used as a
gauge of your understanding of the study unit. Also refer to the discussion
questions found at the end of each chapter in Shimp (2010).
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Self-assessment exercise
1. Explain the nature and role of marketing public relations (MPR).
2. Explain the differences between proactive and reactive MPR.
3. Describe the types of commercial rumours and how to control them.
4. Describe the role of ‘buzz’ in facilitating product adoption.
5. Be aware of event sponsorships and how to select appropriate events. Use
practical examples to illustrate the concept.
6. Explain the nature and role of cause-oriented marketing sponsorship.
7. Explain the role and importance of out-of-home, or off-premise, advertising.
8. Explain billboard advertising’s strengths and limitations.
9. Describe the role and importance of on-premise business signage.
10. Illustrate the various forms and functions of on-premise signage.
11. Describe the role and importance of POP advertising.
12. Describe the tasks that POP advertising accomplishes.
13. Review evidence of POP’s role in influencing consumers’ in-store decision
making.
14. Examine empirical evidence revealing the effectiveness of POP displays.
15. Explain the importance of measuring audience size and demographic
characteristics for out-of-home as well as in-store advertising messages.
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Study Unit 6: Marcom constraints
6.1 Environmental, regulatory and ethical issues in marketing
communication
Study reference
Study Shimp 2010: Chapter 21, pp. 604-638.
6.1.1 Introduction
This section examines three major topics: (1) ethical issues in marketing
communications, (2) the regulation of marcom practices, and (3) environmental
matters and their implications for marketing communications.
Specific learning outcomes:
After studying this unit, you should be able to:
• Understand and discuss ethical issues in marketing communications.
• Identify marcom related regulatory and environmental issues.
6.1.2 Ethical issues in marketing communications
The issue of ethics must not be overlooked in any business module. Take some
time to think about what your values are, and what you would find offensive in
marketing communication. These values should guide your decisions in
marketing communication. By thinking about your values, and answering the
following questions, you should gain a sense of the type of ethical decision that
the marketing communicator needs to consider.
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1. Is it appropriate to advertise the use of alcohol to teenagers?
2. Does advertising manipulate people to buy products they would normally not
buy?
3. Are naked bodies offensive in advertising?
4. Does advertising sometimes make you feel unattractive or ‘not good enough’?
5. Can you think of examples of companies marketing unsafe products?
6. Do companies oversell the value of the product on its packaging?
Some people may perceive advertising as intrusive or pervasive. Some
advertising may be seen as offensive, false, misleading or even unfair. Countries
such as Australia, New Zealand, the UK and the USA, may regulate themselves
in terms of advertising.10 What is the situation in South Africa? Refer to
information on the Industry Complaints Commission.
Carefully study the specific section in this study unit dealing with ethical issues in
Shimp (2010). At the end of this study unit, write down guidelines that you will
use as a marketing communicator to guide the ethical considerations of your
communication.
6.1.3 Regulation of marketing communications
The specific regulation of marketing communication described in
Shimp (2010) is not applicable in the South African context, but gives a general
perspective. Your task is to search relevant South African websites to determine
environmental regulations that could affect your marketing communication.
6.1.4 Environmental marketing communications
10
Harker, D. 1998. “Achieving acceptable advertising: An analysis of advertising regulations in
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To understand environmental issues in marketing communication, it is essential
to understand what is meant by green marketing, and how marketers can help
overcome environmental problems. Think, for instance, how, through
advertising, you can sponsor a cause for environmental conservation; think of
logos that are used on products to indicate environmental friendliness. After
reading this learning unit in your textbook, assemble examples of green
marketing from magazines or product packaging in your home.
five countries”. International Marketing Review 15(2).
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Study Unit 7: Formulating a marcom plan
7.1 Specific learning outcome
Specific learning outcome
After studying this unit, you should be able to:
• Develop a detailed marketing communications plan for a selected product
(new or established).
The following framework will provide you with a thorough background to the
development of a marcom plan and is applicable to help you formulate a detailed
plan for either an established brand or a new brand.
For clarity of expression, keep in mind that a brand represents a specific
organisation’s entry into a particular product category. The brand may be a
product, a service, a not-for-profit programme, or any other type of offering to a
market-place. Whatever the nature of the brand, a marcom planner formulates a
plan in an effort to gain, maintain, or build his or her brand’s share of market in a
competitive product category. Marcom planning entails the activities described in
the following learning units.11
7.2 Framework for the formulation of a marcom plan
7.2.1 Situation and SWOT analyses
Initial aspects of a marcom plan involve performing a situation analysis and
conducting a SWOT analysis. A SWOT analysis is versatile and can be applied
11
Shimp, T.A. 2007. Advertising, Promotion, and Other Aspects of Integrated Marketing Communications. 7th edn. Thomson, South Western.
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throughout the planning and control process, but is particularly helpful at this
early audit stage when trying to get a balanced picture across a number of
variables.
To get maximum value from any SWOT analysis:
• Be systematic, work through your checklist to ensure all aspects have been
considered.
• Question assumptions – particularly about what is a strength and why.
• Quantify and benchmark to ensure your analysis is as objective as possible.
• Prioritise so that you can see which the critical factors are.
• Set quantified objectives and specific action plans to tackle identified
weaknesses.
Situation analysis – a situation analysis involves detailed examinations of (1)
competitive brands in the product category in which the marcom planner’s brand
competes, (2) the customers that purchase brands within the category, and (3)
environmental factors (the economy, social-cultural developments, pressing
regulatory issues, etc.) relevant to the category and to the brand’s growth
prospects within the category.
In conducting a situation analysis, you would want to know everything possible
about competitive brands and their marcom programmes and marketing
practices. For example, how are competitive brands priced? What advertising
messages are they using? How are they scheduling media? How are the brands
packaged? What forms of sales promotions are they using? How extensively are
they using the Internet as a marcom medium? In addition to providing answers to
these and other pertinent questions, it would be important to determine each
brand’s market share and growth trends and to identify their competitive
advantages and disadvantages. With growing global competition, it is
increasingly important that the situation analysis investigates competitive
alternatives other than just domestic brands.
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A study of customers would include their reasons for buying or not buying in the
category; the size of the customer base for your brand and competitive brands;
characteristics of the customer base for your brand and competitive brands (in
terms of demographics, psychographics, etc.); changes, if any, in customer
behaviour, and anticipated developments that might affect customer behaviour
over the foreseeable future.
An environmental analysis would inspect all factors external to a company and its
brands that influence the product category and its constituent brands. This would
include a study of economic trends; investigation of social-cultural developments
pertinent to the category; and, perhaps, an analysis of regulatory matters that
impinge on the brand’s success potential.
SWOT analysis – a SWOT analysis is a natural extension of the situation
analysis and involves studying the opportunities and threats facing the product
category and your brand, along with an objective analysis of your brand’s
strengths and weaknesses compared to competitive brands.
7.2.2 Marcom strategy: The fundamental decisions
As detailed in learning unit 1, a brand manager must make four
fundamental marcom decisions: targeting, positioning, objective setting, and
budgeting. These decisions provide the strategic foundation for the brand and
guide subsequent decisions in implementing the marcom programme.
Targeting
The initial fundamental decision is the choice of primary, and perhaps
secondary, groups of customers to whom the brand will appeal. The
targeting decision provides a clear-cut picture of the type of customer to
whom the brand is most likely to appeal and who is most likely to purchase
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it. As described in learning unit 2, targeting can be based on any
combination of buyographic, demographic, geographic, and psychographic
characteristics. Research is generally needed to identify appropriate bases
for targeting a brand’s marcom efforts. Based on this analysis, the brand
manager ultimately should estimate the number of consumers that
comprises the target market. It is important not to be too general in
targeting (e.g. claiming that all women represent the target market rather
than just those women who fall in a restricted age group and a particular
socio-economic stratum). At the same time, it is critical that the targeting
decision not be exclusionary. That is, do not eliminate any particular
group(s) from your market specification unless you have compelling
reasons for doing so.
It is important to note that the size of your target market as specified here
will undoubtedly be smaller than the size of the market you will specify in
your subsequent media analysis. This is because market-size
specification for media purposes is typically very broad as defined by, for
example, ‘all adults aged 18-49’. A well-defined target market (including
psychographic and demographic features) is critical for message-
development purposes, whereas the market specification for media-
analysis purposes is more encompassing and, thus, larger. Please realise
that this seeming conflict is because (1) media vehicle data are typically
restricted to demographics and, (2) by specifying large target markets, the
‘numbers’ (GRPs, reach, etc.) are more impressive. In sum, in this
learning unit you should keep in mind the distinction between the target
market for message-development purposes and that for media- and
vehicle-selection determination. For further details, see learning unit 2 or
Chapter 4 of Shimp (2010).
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Positioning
Having identified the target market, a brand manager now can specify how
a brand is to be positioned. In other words, in this learning unit of the
marcom plan, the challenge is to create a specific meaning for the brand
vis-à-vis the positioning strategies used by competitive brands. A
positioning strategy should be based on a brand’s competitive advantage
with respect to specific product attributes or benefits. Because brand
sometimes has no functional or utilitarian superiority over competitive
offerings, oftentimes it is necessary to position brands in terms of
psychological imagery. For further details, see learning unit 2 or Chapter 5
of Shimp (2010).
Objective setting
A marcom programme is created for a specified time period which may be
as short as a 13-week business quarter or, more typically, for an entire
year. As such, a marcom programme can be conceptualised as a
campaign or, in other words, as an integrated set of marketing
communication activities that has planned starting and ending dates. The
campaign for a brand is undertaken to achieve a particular objective or set
of interrelated objectives. Hence, a brand manager must initiate a
campaign by identifying what objective(s) the marcom programme is
intended to accomplish during the campaign period. As covered in
learning unit 2, these objectives can be conceptualised in terms of
achieving different levels in a hierarchy of effects. The specific objective(s)
to be established for the marcom campaign depend on a research-based
determination of where a brand is presently situated on the hierarchy and
where it can realistically be expected to ‘climb’ during the campaign
period and in light of the amount of investment, or budget, which is to be
spent on the brand. For further details, see learning unit 2 or Chapter 6 of
Shimp (2010).
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Budgeting
The budgeting and objective-setting decisions are inextricably linked, as
described in learning unit 2. The budget amount imposes a constraint on
how lofty the marcom accomplishments for a brand might be during the
campaign. At the same time, more ambitious objectives require larger
budgets. It thus follows that budgeting and objective-setting are entirely
interactive decisions. Because companies often set budgets using
relatively straightforward procedures (e.g. investing a set percentage of
anticipated revenue in the marcom programme), the budgeting decision
can be a rather simple determination or, when more analytical budgeting
processes are employed (e.g. the objective-and-task method), may require
considerable research and deliberation. For further details, see learning
unit 2 or Chapter 6 of Shimp (2010).
The budgeting decision should be based on considerations such as
product category revenue prospects, competitive spending levels,
SOV/SOM considerations, financial practicalities, etc. Budget formulation
should consider the interplay between marketing imperatives and financial
obligations. In setting a budget, a brand manager can be very aggressive,
very conservative, or somewhere in-between. Whatever strategy is
chosen, one must fully rationalise the chosen budget level and realise that
the overall marcom budget is a critical determination inasmuch as all other
decisions will be influenced by the amount of available budget resources.
7.2.3 Marcom implementation
Moving from strategy formulation – that is, the previous set of
targeting, positioning, objective-setting, and budgeting determinations – the
challenge now is one of moving from the level of strategy to implementation, or
tactic specification. Implementation consists of the following decisions:
determining the mixture of marcom tools, creating messages, selecting media
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and vehicles, and determining what must be done to maintain momentum behind
the marcom programme. (Parenthetically, for new brands, the brand
management team along with the marketing department or product category
group must first determine an appropriate brand name and, for many products,
develop appropriate packaging. See learning unit 2 for details.)
Determining the mixture of marcom tools
Advertising, sales promotions, marketing-oriented public relations, and
event and cause sponsorships, are the major marcom tools that can be
mixed to achieve campaign objectives. Determining an appropriate
mixture is a complex decision that requires a combination of art and
science. The mixture decision is influenced by budgetary resources,
competitive activity, and the type of objectives that must be achieved
during the campaign and, frankly, managerial faith in what works best.
Whatever the determining factors, the mixture of marcom tools should be
continually evaluated to best accommodate current market-place
dynamics. For further details, see learning unit 3 or Chapters 7-9 of Shimp
(2010).
Creating messages
The positioning strategy previously created for the brand must be
implemented in the form of a specific message execution for each marcom
tool. For example, a brand of bottled water may be positioned in terms of
a brand imagery that suggests that users of this brand are sexy. To
implement this positioning, a humorous message might be designed to
convey this notion. Alternatively, a subtle emotional message could be
devised, showing users of your brand consuming the product and while
meeting a romantic interest. As covered in Shimp (2010: Chapters 10 and
11) brand managers have a variety of message execution formats at their
disposal. Importantly, and in line with the IMC imperatives specified in
Chapter 1, it is critical that all marcom tools “speak with a single voice” by
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employing the same consistent message in a seamless fashion. For
further details, see learning unit 2 or Chapters 10-11 of Shimp (2010).
Selecting media and vehicles
For each marcom tool (advertising, sales promotions, etc.), brand
managers must select the general media for delivering messages and pick
specific vehicles within each medium for reaching the target market. For
example, with advertising as the marcom tool, managers have available
media categories such as online, television, radio, newspapers, and
magazines. With the television medium, vehicle options include the
numerous programmes that are broadcast on network and cable TV. In
the area of sales promotions, media and vehicles can be thought of as the
types of promotions selected to accomplish specific objectives during the
campaign. Coupons, rebate programmes, sweepstakes, contexts, games,
and premiums are just some of the available options. As always, media
and vehicles must be selected that are best capable of reaching the target
market and delivering the brand positioning message in view of available
budgetary resources.
Maintaining momentum
Marketing communicators sometimes invest heavily in advertising and
promoting a brand over a brief time period. During this period impressive
gains in brand awareness and market share are often realised. However,
when the programme is suspended, the gains often erode rapidly and
return to baseline levels. It is critical, therefore, that brand managers
determine, in advance, how momentum is to be maintained. This often
means investing in cheaper media and vehicles over an extended period
rather than blowing out the budget in a short span of time. The availability
of Internet advertising is an extremely valuable medium for maintaining
momentum. Regular event sponsorship also serves well to maintain
momentum.
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7.2.4 Marcom programme evaluation
Given the objectives established, formal efforts are needed to track a brand’s
performance against these objectives, determine whether the objectives are
being accomplished and, if not, what changes in the marcom programme are
needed in order to accomplish the specified objectives within budget constraint.
Chapters 12 and 14 in Shimp (2010) provide in-depth coverage of measurement
methods that are used for assessing advertising effectiveness. Methods for
assessing sales promotion and event marketing effectiveness are presented in
Chapters 19 and 20 in Shimp (2010).
The final set of self-assessment questions are once again examples that can be
used as a gauge of your understanding of the last study unit in this module. Also
refer to the discussion questions found at the end of the relevant chapters in
Shimp (2010).
Self-assessment exercise
Select a product or brand of your choice. Formulate a detailed marcom plan for
this product/brand.
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