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    The word literature was derived from the

    Latin word Litera which means letter

    It is both written and oral traditioncomposed in a certain artistic style.

    It is mans love, grief, thoughts, dreams,

    and aspirations coached in beautifullanguage (Bascara et al. 2003)

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    CULTURAL MODEL- for understanding

    and appreciating cultures and

    ideologies LANGUAGE MODEL- to promote

    language development, teaching ofvocabulary and language structure

    PERSONAL MODEL- to develop a lasting

    pleasure and continuing growth ofunderstanding

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    Literature empowers the leader to

    overcome the limitations of sex, race

    and culture. (Rosenblatt) Literature enables the reader to

    experience even vicariously theworthwhile experiences of others.

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    Hippolyte Taines concepts of:

    1. Race- a particular race has a distinctcultural trait. Example: JapansChrysanthemum ( love for beauty) andSword (tendency for violence)

    2. Moment- period in the history of a nationthat has shaped the thinking; thecondition of the times.

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    Example: Renaissance late 1400s to 1500s,

    renewal of the classic arts

    3. Milieu- individual forces other than the

    setting that contribute to the artisticproduction

    Example: Geographical environment ,

    ambience

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    POETRY

    ETYMOLOGY: From the Greek word poiesiswhich means making or creating

    Aform of art in which language is used for itsaesthetic and evocative qualities in addition to its

    ostensible meaning.

    A branch of humanities that renders artistically andimaginatively the best of mans thoughts and

    feeling Metaphorical

    communication/metaphoric use oflanguage

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    It is an art form that predates literacy

    Ancient literature are in poetic form to

    aid memorization and oral transmission The Epic of Gilgamesh is the oldest

    surviving poem (3rd Millennium B.C.)

    In 350 B.C., Aristotle wrote Poetics, a

    study of the aesthetics of poetry which isstill applicable today

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    FORMAL STRUCTURE:

    Rhythm- actual sound from a line of

    poetry Timing- accents, syllable and moras

    Metrical Rhythm- precise arrangement ofstresses or syllables into repeated

    patterns ( feet) Parallelism- successive lines reflect each

    other in grammatical structure, soundstructure and notional content

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    In Chinese poetry, tones and stresses

    create rhythm (4 tones: level, rising,falling and entering)

    RHYME- IDENTICAL ( hard-rhyme) orSIMILAR (soft-rhyme) sounds place at the

    ends of lines or at predictable locationswith in lines (internal rhyme)

    Entered European poetry in High MiddleAges (AD 400-1300)

    Alliteration- repetition of initial consonantsounds

    Assonance- repetition of internal vowelsounds

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    Uses every resource of language fromsimplicity to eloquence

    Compression, expansion, omission andrepetition

    Connotative, employs words for their flavor

    or feel Tone-atmosphere, feeling attitude, stance,

    or the poets way of looking at his subject orat the world.

    Ex: serious, ironic, bitter, joyful, resigned Imagery- a total sensory suggestion of

    poetry and should be a part of the plannedsymbolic significance or an organizedsystem. Ex. May suggest symbol myth or

    archetype

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    POETIC DICTION- rhetorical devices,

    manner in which a language is used,underlying meaning and its interaction withsound and form

    Allegory and symbolic allusions- using a

    character to represent a complex messageor idea

    Vivid imagery and symbolism, juxtaposition

    of unexpected or impossible images (insurrealistic poetry and in haiku)

    Figures of Speech- using other words tomean something.

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    SIMILE- direct comparison between twounlike objects using the words like or as.Ex. Like a gull swimming in the air.

    And like the thunderbolt he falls.

    METAPHOR- implied/ unexpressedcomparison between two unlike objects.

    Ex. Good books are food and drink to anavid reader.

    ONOMATOPOEIA- Imitation of in words ofnatural sounds. Ex. Hiss, buzz, meow

    PERSONIFICATION- giving human

    qualities to inanimate objects.

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    Ex. At last the wind sighed itself to sleep. A

    POSTR

    OPH

    E-A

    nd address to an absent or dead personor to an inanimate object. Ex. Mountains and hills comeand fall on me.

    METONYMY- the name of one thing is used in place ofanother which is associated to it. Ex. The pen is mightierthan the sword.

    ANTITH

    ESIS- contrast or opposition of thoughts, words orideas.

    Ex. His body is active, but his mind sluggish.Easy writing makes hard reading.

    HYPERBOLE- exaggeration for effect and not to deceive orto be taken literally.

    Ex. She cried a river, I climbed mountain just to be here. IRONY- method of humorous or subtly sarcastic

    expressions in which the intended meaning is the directopposite of what is meant.

    Ex. It was very kind of you to remind me of my humiliation.