may - august 2016 mrac triannual newsletter

MRAC TRIANNUAL | MAY - AUGUST 2016 1

MRAC TRIANNUAL NEWSLETTERMay 2016 - August 2016

Culture In Motion

Photo Credit: Stock Photo, Google


DIRECTOR’S LETTER

Hello,Minnesota enjoys robust, vibrant and diverse communities that represent people, cultures and customs from all around the world. At MRAC, we are proud to have served hundreds of arts organizations and arts projects over the years that celebrate, honor and build on unique artistic and cultural traditions. In this newsletter, we take a look at five groups doing just that.

Ananya is a professional contemporary Indian dance company, whose artists are women of color and self-described cultural activists. Ananya Dance created a unique movement called Yorchha that emerged from deep research on the aesthetic, history and philosophy of Indian dance and practices.

Byzantine Choral Festival of Minnesota presents an annual concert of church choirs bringing together people of different backgrounds inspired by the beauty and complexity of liturgical music. The concert celebrates a mix of traditional ethnic sacred music and original music, often performed in various languages, including Ukrainian, Old Slavonic, Aramaic, Arabic, Serbian and English.

Katha Dance Theatre creates, performs and educates through various arts forms, including dance, music, poetry and storytelling. Movement is rooted in Kathak, the classical dance style of North India. Founded in 1987 with the vision to preserve the tradition of Kathak dance, Katha Dance lays claim as Minnesota’s first Asian Indian dance company.

The Somali Museum of Minnesota houses a collection of over 700 traditional Somali art pieces and offers educational programs about Somali traditional culture. Their mission is to connect young Somalis who have grown up in the United States with their unique culture, as well as to introduce Somali art and traditions to Minnesotans of all backgrounds. Programs explore the changing role of traditional arts and culture as the Somali people move across borders and time.

Founded in 1982, Zorongo Flamenco Dance Theatre is one of the few American Spanish dance companies that present both traditional flamenco programs and original theater flamenco works that reflect and respond to our contemporary world. The essence of Zorongo Flamenco’s work combines the passionate soul of Spain with the lively innovative spirit of America.

Enjoy!

Julie Sand Interim Executive Director, MRAC


MissionThe Metropolitan Regional Arts Council increases access to the arts in seven county metropolitan area communities by providing information, organizational support and grants.

VisionWe believe that the arts strengthen communities, and stimulate diversity of expression, communication, and commemoration of communities and cultures, and that all people should have opportunities to engage in the arts.

Accordingly, MRAC’s vision for the region is that: Artists, arts organizations, and arts activities thrive. Art is integrated into the social fabric and identity of every community. Public value of the arts is understood and acted upon by community

members, leaders and policy makers.

GoalsMRAC will provide grant applicants and other constituents with clear, thorough, prompt and respectful service and assistance. MRAC will maintain transparent decision-making processes, and accessible public information. MRAC’s programs and services will reflect its Mission, and achieve its Vision.

ABOUT MRAC

ServiceThe Metropolitan Regional Arts Council serves nonprofit arts organizations, informal arts groups, community education, and non-arts nonprofit organizations with annual operating expenses under $400,000, and individual artists in Anoka, Carver, Dakota, Hennepin, Ramsey, Scott, and Washington counties. This region includes urban, suburban, and rural communities. While the region comprises only 4% of the state’s geography, its population is more than 50% of the state’s total.

As one of the 11 regional arts councils in Minnesota, MRAC’s funding is derived primarily from appropriations from the Minnesota State Legislature with money from the State’s general fund and Arts and Cultural Heritage Fund. MRAC also receives a generous grant from The McKnight Foundation. - See more at: mrac.org/about-us


http://mrac.org/about-us


MOVEMENTS OF COLOR Ananya Dance Theatre – telling stories of women of color one movement at a time

Dance is therapeutic. Dance is an expression of emotion – an expression of healing. It’s as healing as turmeric.

For Ananya Chatterjea, dance is a medium to bring about social change. Seventeen years ago the native of Kolkata, India made her way to the Twin Cities, and thanks to the dance company she founded in 2005 – Ananya Dance Theatre – she is working to bring about awareness and social change to conditionsaffecting women of color.

“With dance we can make deep meaningful statements about our current life,” said Chatterjea.

A grant recipient of MRAC, Ananya Dance Theatre has been presenting powerful, impactful performances that celebrate women of color. Chatterjea said the stories told through her company are stories of turmoil, but ultimately, they are stories of triumph. “They are the stories of a Sandra Bland (dead in a jail cell after a traffic stop for an improper lane change) and they are age old stories of women who struggle,” said Chatterjea. “But they (women of color) cope and they contribute. The stories we tell are about remembering.”

The story the Ananya Dance Theatre is currently working on is Horidraa: Golden Healing, set to debut Sept. 16 and Sept. 17 at The O’Shaughnessy, 2004 Randolph Ave. in St. Paul. Horidraa translates to mean yellow or golden. Chatterjea said that golden color of Horidraa takes her back to her time as a child in India.

“That golden color reminds me of turmeric,” said the maestro of movement. “Turmeric, a spice that is a golden yellow, was always a part of our kitchen – a part of our lives. It’s a natural antibiotic, kind of a home remedy for everything, so that’s where ‘Horidraa’ takes its name.”

Horidraa is made possible, in part, by a MRAC grant. “MRAC knows our field needs diversity and they have been a wonderful contributor,” said Chatterjea. “I don’t

know that we could move forward without MRAC.”

Ananya Dance TheatreP. O. Box 2427, Minneapolis, MN 55402Telephone: 612.486.2238ananyadancetheatre.org

Photo Credit: Anaya Dance

http://ananyadancetheatre.org


Minnesota is known for its rich choral concert life and many high-levelchoirs. One such group is the Byzantine Choral Festival, conceived andled by Dr. Yuri Ivan, D.M.A. Born in the Ukraine, Ivan moved to the UnitedStates in 2001, where he obtained a doctoral degree in conducting at theUniversity of Minnesota. He eventually became the Musical Director at St.Constantine Ukrainian Catholic Church in Minneapolis.

In 2010 the Byzantine Choral Festival was born. The mission of the group is two-fold:to feature choral music of the Byzantine Rite* and make it accessible to a wide rangeof audiences without particular ethnic or religious affiliation. The group strives tocreate a place where a number of diverse artists of all ages (from college/universitythrough mature adults) meet together on a common musical ground to collaborate,sharing the beauty of choral music with Twin Cities audiences.

FESTIVAL OF VOICESPhoto Credits: Byzantine Choral Festival


The festival has grown significantly. Now in its seventh year, and having secured two MRAC grants to date, they have gone from just two participating choirs to featuring seven choirs for a two-day event with over 350 audience members. What makes this festival unique is that it is not one choir that rehearses together all year, but rather a disparate group of musicians that come together for a six-hour workshop, learn new music and then perform together the next day. The musicians are not required to be formal choir performers to participate in the festival, and organizers actively recruit community members to be a part of it.

Ivan states that they would like to see the festival grow to a third day. It would then include a Friday night six hour workshop, and a Saturday event to give everyone an opportunity to get to know each other while mastering new musical scores for the performance on Sunday. Minnesota is fortunate to have the Byzantine Choral

Festival add to the rich cultural andartistic landscape that makes all of ourlives more meaningful.

This year’s festival will take place onOctober 8-9, 2016, at St. ConstantineUkrainian Catholic Church, in NEMinneapolis.

*Byzantine Rite: a system of liturgicalpractices and disciplines observed by achurch. The Eastern Orthodox churchesobserve the Byzantine Rite, countries whereEastern Orthodox rites are observed includebut not limited to are: Albania, Belarus,Bulgaria, Canada, Croatia, Egypt, Eritrea,Ethiopia, Greece, Hungary, Iraq, Iran, Italy,Jordan, Lebanon, Macedonia, Romania,Russia, Serbia, Montenegro, Slovakia, Syria,Turkey, Ukraine and the United States.

Byzantine Choral Festival of MinnesotaSt. Constantine Ukrainian Catholic Church515 University Ave NE, Minneapolisbyzantinechoralfestivalmn.webs.com

http://byzantinechoralfestivalmn.webs.com/


THE STORY OF DANCEThe Katha Dance Theatre was established in 1987 by Rita Mustaphi as Minnesota’s first Asian Indian dance company. Her vision was “to explore the past, preserve the tradition, and to create forward thinking new imaginative works.” With three locations in the Twin Cities offering classes, the Company performing a season, annual summer intensives with the in-house guru and visiting masters, three outreach programs and an active repertory of over 50

works, KDT has more than fulfilled the vision of Ms. Mustaphi.

Katha Dance Theatre is home to an award-winning school that guides more than 100 aspiring dancers during their classes based in the Kathak classical dance style of North India. Kathak style is characterized by the carriage of the precise rhythmic movements and detailed facial expressions to convey storytelling. Classes are held in locations in Minneapolis, Maple Grove and Edina year round with an annual spring concert showcasing the student’s efforts. Teachers are primarily drawn from the nine dancers and eleven interns that currently comprise the Company.

KDT has been a vital part of expanding the diversity of the Minnesota arts and cultural landscape. From their founding, they have partnered with other organizations who share their goal of creating forward thinking new imaginative works. A sample of the numerous collaborators includes Jawaahir Dance Company & Cassandra Shore, Native Pride Arts & Larry Yazzie, J.D. Steele and the Steeles and Suzana Di Palma of Zorongo Flamenco.

Ms. Mustaphi shared, “Katha Dance Theatre is dedicated to making dance accessible, inclusive and relevant. It enhances the community by bridging diverse cultures and audiences to contribute to life’s infinite artistic expressions.”

With this goal in mind, KDT has expanded their offerings to include classes for outreach audiences. They offer Lotus

Blossoms, a class focused on low-impact movements for aging populations; Humans and Movement, a class for children and adolescents with emotional, physical or other challenges; and Dance Connections, a weekly workshop focused on the therapeutic properties of dance and healing for self-awareness and interpersonal connections. These classes and workshops are in addition to the lecture demonstrations and performances presented by KDT.

The active repertory of KDT is principally choreographed by Ms. Mustaphi. The Company is preparing for their fall feature, Sufiana – The Sufi Ecstasy, which will premier September 16 – 18 at the Cowles Center in Minneapolis. Sufiana - The Sufi Ecstasy, is a tribute to the Twin Cities through Sufi poetry and music as a universal message of love, harmony and beauty among all peoples and religions. It will feature live music composed by Dr. Pooja Goswami.

Tickets may be purchased at the Cowles Center Box Off ce:(612.206.3600 or [email protected].)

Katha Dance Theater5444 Orchard Ave N. Crystal, MN 55429Telephone: (763) 533-0756kathadance.org

Photo Credits: Katha Dance Theater

http://www.kathadance.org/


MRAC ANNOUNCEMENTS

The Arts Activities Support program provides grants of up to $10,000 in project support for groups wishing to offer quality arts activities in any discipline to communities within the seven-county metropolitan area of Minnesota. Grant requests may include costs for artists and other personnel, facility and/or equipment rental, postage, supplies, printing and other expenses necessary to carry out the project.

JOB ANNOUNCEMENT Position: Program DirectorReports to: Executive DirectorStatus: Full-Time

ARTISTS COUNT!Be a part of Creative Minnesota’s Artists and Creative Workers Study.

Creative Minnesota has launched a new economic impact study of individual artists and creative workers. Over 170 nonprofit and foundation partners, including MRAC have joined together with this project to prove the economic power of artists. This study will be used to generate public and private support, and to advocate for more services for artists and creative workers.

RFP for recruitment of City artists-in-residence and cross-sector training services

The City of Minneapolis has issued a Request for Proposals (RFP) for artist recruitment and cross-sector training services for Creative CityMaking Minneapolis.

Creative CityMaking Minneapolis is a City of Minneapolis arts based innovation initiative designed to advance City priorities through collaborations between City departments and community artists. Creative CityMaking Minneapolis (CCM) pairs staff in City of Minneapolis departments with experienced

Application Deadline 4:30 P.M. July 11, 2016

Panel ReviewWeek of September 19, 2016

Earliest Project Start DateSeptember 28, 2016

Program Director(s)Bob Burns 651.523.6386 Greg Nielsen 651.523.6381

Position Description

The overarching goal of this Program Director position is to develop, deliver and evaluate programs and services designed to strengthen the management or administration of constituent arts organizations in the 7-county metropolitan area.

Make sure that YOU are counted.

Just complete the online survey about your expenses and income as an artist at: creativemn.org

community artists to advance the City’s One Minneapolis goal: disparities are eliminated so all Minneapolis residents can participate and prosper.

View the full RFP here: intermediaarts.org/Call-for-Artists

Informational webinar (optional): 2:00 p.m., May 2, 2016

Deadline: 4:00 p.m., May 19, 2016

http://creativemn.org/


As powerful we are as individuals, we become even more so when our skills and passions are combined. This energy is manifested through those who come in contact with our initiatives, stretching its impact and deepening its vitality. The question becomes, how can we change the world? And the answer? By taking the first step.

Born in Somalia, Mr. Ali grew up in the United Arab

Emirates, residing and working in Yemen and Dubai.

His hobby was learning about his culture, as he was

disconnected from it through the tragedies of tribal

war. He began collecting items like the Hadhuub Gori

ah, an ornate wooden milk vessel; and the Qarbed, a

water container that looks to be constructed of animal

skin. These artifacts are integral to the nomadic

traditions of many Somali tribes. Living in Minnesota

for the past 20 years, he has continued with his hobby

to leverage his knowledge of the largest population of

Somali people in the United States and educate others

who are also disconnected.

In 2009, a trip to Somalia and conversations with

nomadic Somali elders advanced Mr. Ali to expand

his collection of artifacts from his home country and

share them with the various cultural communities

within the Twin Cities. With very limited space in the

Museum, there are currently over 700 artifacts in

Minneapolis. There are an additional 114 items on

their way here from Somalia to add to the collection.

A major goal for Mr. Ali is to purchase the building

currently housing the museum in order to create more

space for such beautiful, carefully weaved, shelled,

skinned and constructed pieces. With staff members

such as an outreach director and project organizer, the

SOMALIA: “A CULTURE WITHOUT BORDERS”

Photo Credits:The Somali Artifact and Cultural Museum


Museum has held several successful cultural

showcases outside of the museum, reaching capacity

in each venue for the past two years. Organizations

such as MRAC have been instrumental and are invited

to take part in future accomplishments.

“I believe the impact can

be measured in the many

positive signs,” said Mr.

Ali when speaking on the

importance of educating

the Somali community;

paying special attention

to the “young generations

born in the United States”

who may not be in tune

with their traditions

and language. Education is the tool of choice in

encouraging young Somali men and women to learn

more about their ancestors. Mr. Ali saw the need to

create understanding between communities here in

the Twin Cities.

Through the showcase of art, language, and dance

from Somalia, the Museum is taking a series of steps

to change the world. Interns from the University of

Minnesota and Augsburg College catalog inventory

and lead tours at the museum. Classes have been held

on the intricate weaving that can be viewed on many

of the containers and jars, along with Somali language

lessons, and an innovative Mobile Culture Show.

The Mobile Culture Show offers a small collection

of objects that are available for travel to schools,

businesses or other organizations. There is even a

dance troupe available for various events.

Through education, The Somali Museum of Minnesota

is generating interest in Somali history and building

stronger communities here in the Twin Cities. “We are

like a growing baby,” said Mr. Ali, excited for the

future of his small museum. “In order to make the

Somali image strong, we must let it stand.”

The Somali Museum of Minnesota1516 East Lake St., Suite 011 Minneapolis, MN 55407612-234-1625somalimuseum.com

Photo Credits:The Somali Artifact and Cultural Museum

http://somalimuseum.com


The rhythmic clicks of steps, the elegant expansions of limbs beneath

flowing garments, the strums of guitar playing and singing of poetry

are only a sliver of the allure to the centuries old art of Flamenco

dance. The frostbitten rigidity of Minnesota doesn’t come to mind in

conjuring images of red glowing passion blurred in arresting cyclic

movements across the floor but has nonetheless been the home of

a virtual oasis of the rich cultural dance style for more than three

decades. Zorongo Flamenco Dance Theatre is an open artery of

Flamenco soul pumping straight from the broad river valleys of

Andalucia for all of Minnesota. At least Minnesota is best positioned

to take advantage of this unique cultural delicacy located in the

heart of Minneapolis on bustling Minnehaha Avenue. Zorongo has

maintained a delicate balance of theatre and tradition gallantly driven

by Artistic Director and master teacher, Susana di Palma.

THE DANCE OF FLAMENCO

Photo Credits: Zorongo Flamenco Dance Theatre


Zorongo has consistently presented at least one major work per year that largely encapsulates the rich Spanish history of poetry and dance. La Virtud Negra, a flamenco presentation shrouded in murderous mystery was commissioned by the Walker Art Center in 1999. The institution collaborated with award winning gospel talent, J.D. Steele for Encuentros, a gospel and flamenco conversation piece highlighting the role of Paul Robeson in the Spanish Civil War in 2003. The most recent production of Lorca’s Women is a myriad motion picture inspired by the works of polarizing Spanish poet and dramatist, Federico Garcia Lorca. It opened to critical acclaim in April 2016 at The Cowles Center in Minneapolis.

The undeniably Spanish influence is deeply interwoven with the spirit of North America and a twist of modernity. “I’m in America and I love being here. It’s sort of how I make the best of both worlds. I love literature and I love being creative,” echoes di Palma. The theatre holds a strong history of presenting provocative and cultural relevant works that have propelled the legacy of flamenco in America. Since founding the school in the mid-80s with reknowned flamenco guitarist Michael Hauser, di Palma, a 25-year teaching veteran, has helped maintain the goal to incorporate the soul of Spaniard traditions with American culture through what she calls ‘a celebration of life.’ In addition to her widely proclaimed choreography and performance, the school hosts a dynamic repetoire of internationally acclaimed artists from gypsy flamenco guitar master Jose Vallé “Chuscales” to Omayra Amaya, the grand-neice of Carmen Amaya, the premiere flamenco dancer known as the greatest who ever lived.

Omayra is a principal dancer in Lorca’s Women and chiefly responsible for the ‘duende’ or ‘the hidden spirit of suffering Spain’ as Lorca describes it, that is prevalent throughout this theatrical delicacy. “I actually produced some of his total works.” says di Palma. “These women

stayed in my psyche. I’m making a fantasy of getting inside the soul of the poet. It’s a collage, not necessarily a narrative.” Lorca, often depicted as a tragic historic figure, is reinvigorated in this work as Zorongo dancers breathe life into the female characters in his work.

It’s surprising to note that the school began in Susana di Palma’s basement in the early 80s. Neighbors would complain about the noise from her house in southeast Minneapolis for years until finally relocating to the space next to Patrick’s Caberet in 1991. Ironically, the building that houses the school is being sold and they are looking to relocate for the first time in over 20 years. Wherever the location, di Palma maintains Minnesota as fervent ground to express her infinite gratitude for the advantage of family and a connection to her cultural heritage. “This is the reason I love this state, because of the artistic support. Especially the Metropolitan Regional Arts Council because we are so fortunate to have project

support grants,” she notes. “I’m going to make myself cry.... I received a Next Step Grant that allowed me to spend a month in Seville to get my batteries recharged and learned some things that I forgot that I could bring back to my audience and students.”

Minnesotans wishing to learn flamenco dance can access one of North America’s premiere training programs at Zorongo. The students at Zorongo range from age 4 to 70, all culminating to celebrate life in the tradition of flamenco. Susana di Palma even started an apprenticeship program to seal the fate of flamenco for future generations. “As you get older you start thinking towards the next generation and the vision gets bigger,” says di Palma. “I’ve always had some kind of apprenticeships. Some go on to study in Spain and they come back and start their own companies. I have 8 dancers now who are really coming along and I’m really proud that Zorongo is nurturing young talent. That is my priority.” It would appear the limitations of flamenco for di Palma are completely non-existent. As far as she is concerned the singing (cante), dance (baile) and guitar playing (toque) are only base ingredients to her hot dish. “I have a puppet show I will be teaching and doing in Twin Cities’ public schools,” says di Palma.

Zorongo Flamenco Dance

Theatre and School

3012 Minnehaha Avenue South

Minneapolis, MN 55406-1932

zorongo.org

http://zorongo.org


MembersJulie Andersen

Jill Anfang

Bethany Brunsell

Marisol Chiclana-Ayala

Jamil Jude

Tricia Khutoretsky

Colleen McLaughlin

OfficersPETER LEGGETT - President

SHELLY CHAMBERLAIN - Vice PresidentDAYNA MARTINEZ - Treasurer

STAFF

BOARD OF DIRECTORS

KATIE KAUFMANNGrants and Operations Coordinator

KELLY AFFELDT Program Director

BOB BURNSProgram Director

GREG NIELSENProgram Director

RAEISHA WILLIAMSCommunications and Events Coordinator

JULIE SANDInterim Executive Director

Contributing WritersANANYA DANCE THEATRE - Harry Tolbert

BYZANTINE CHORAL FESTIVAL - Andrea Jenkins

FLAMENCO DANCE THEATRE - Angela Alley

KATHA DANCE THEATRE - Kendra Pierson

THE SOMALI MUSEUM OF MINNESOTA - Shaunte Douglas

Tom Moffatt

Kathy Mouacheupao

Adam Napoli-Rangel

Heather Rutledge

Andrea Sjogren

Melissa Wright

Photo Credits: Katha Dance Theatre

CONTRIBUTORSGRAPHIC DESIGNER - Genesia Williams

CREATIVE DIRECTOR - Raeisha Williams


ARTS AND CULTURE FUNDER DEADLINE CALENDAR

The Metropolitan Regional Arts Council’s Arts, Culture, and History Funder Deadline Calendar is a free 24/7 calendar of funder deadlines during the next three months.

Funders—both resident and non-resident funders—included in this calendar award grants to Minnesota Metro Area arts, culture, and history organizations.

The database associated with this calendar provides detailed information on 400+ funders, including financial data, contacts, giving priorities, sample grants, application procedures and giving history.

MAY 2016

May 13Minnesota State Arts Board

May 15Alliant Energy Foundation, American Academy of Poets’ James Laughlin Award, American Academy of Poetry’s Lenore Marshall Poetry Prize, Ameriprise Financial Community Relations Program, CarMax Foundation

Questions?

Steve Paprocki at Access Philanthropy ([email protected]).

Grants opportunities not profiled in the Arts & Culture Database are linked to their related websites.

A list of funders for May 2016 is displayed here. For the Full calendar with details and links please visit:

funders.accessphilanthropy.com/clients/mrac

May 16Pohlad Family Foundation

May 27Minnesota Historial Society

May 29Aaron Sisking Foundation

May 31Metropolitan Regional Arts Council


http://funders.accessphilanthropy.com/clients/mrac/


FY17 GRANT DEADLINES

MRAC FY17 Deadlines

Applications must be received by 4:30 p.m. on the deadline date.Dates are subject to change. Guidelines and link to the application may be found at www.mrac.org

Program Name Program Type Application

Deadline Panel

Review

Earliest Project

Start Date Program

Director(s)

Arts Activities Support Round I

Project support up to $10,000 for artsactivities in all disciplines

4:30 P.M. July 11, 2016

Week of Sept. 19,

2016 Sept. 28,

2016

Bob Burns 651.523.6386 Greg Nielsen 651.523.6381

Arts Activities Support Round II

Project support up to $10,000 for artsactivities in all disciplines

4:30 P.M. April 3, 2017

Week of June 5, 2017

June 14, 2017

Bob Burns651.523.6386 Greg Nielsen 651.523.6381

Community Arts

Round I

Project support up to $5,000targeting first time applicants, volunteer & community-based efforts

4:30 P.M. Oct. 3, 2016

Week of Dec. 5, 2016

Dec. 14, 2016


Community Arts

Round II

Project support up to $5,000targeting first time applicants, volunteer & community-based efforts

4:30 P.M. Jan. 9, 2017

Week of March 20,

2017 March 29,

2017


Organizational Development

Organizational support up to$10,000 designed to strengthen management or administration of nonprofit arts groups

4:30 P.M. Sept. 12,

2016

Week of Nov. 14,

2016 Nov. 23,

2016 Julie Sand

651.523.6390

Capital Organizational support up to$10,000 to purchase equipment, supplies, or make capital improvements

4:30 P.M. Sept. 12,

2016

Week of Nov. 14,

2016 Nov. 23,

2016 Julie Sand

651.523.6390

Arts Learning Round I

Arts Learning support up to$10,000 for arts education in all disciplines

4:30 P.M. Nov. 7, 2016

Week of Jan. 16,

2017 Jan. 25,

2017 Kelly Affeldt 651.523.6391

Arts Learning Round II

Arts Learning support up to$10,000 for arts education in all disciplines

4:30 P.M. March 6,

2017

Week of May 15,

2017 May 24,

2017 Kelly Affeldt 651.523.6391

Management Consulting

Fund

Consulting support up to $1,500for focused and targeted management projects

4:30 P.M. Last business

day of the month

Reviewed monthly

One complete month after submission

Bob Burns 651.523.6386

Management Training Fund

Training support up to $600annually May be split among group members

Minimum 2 weeks before

proposed training

Reviewed weekly

Reimburse-ment

program

Katie Kaufmann

651.523.6389

Emergency Accessibility

Access support up to $600 annuallyfor unforeseen project costs to facilitate access for persons with disabilities

Minimum 10 days before proposed

project

Reviewed weekly

Reimburse-ment

program

Katie Kaufmann

651.523.6389

Next Step Fund Individual Artist supportup to $5,000 for career advancement

11:59 P.M. March 20, 2017

Kelly Affeldt 651.523.6391

Arts Achievement

Award

Excellence $5,000 award for 2arts organizations that exemplify MRAC’s mission, vision, and values

Nominations due

4:30 P.M. April 10,

2017

Awardees selected by the MRAC Board of Directors

Awards presented at the MRAC

annual meeting in July 2017

Raiesha Williams

651.523.6384

The application process for all grant programs is nowONLINE ONLY

Week of June 12,

2017

Week of June 28,

2017


Metropolitan Regional Arts Council | 2324 University Ave W St. Paul, MN 55114 | mrac.org

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may - august 2016 mrac triannual newsletter

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