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Page 1: Presentation

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ContentsWhat is Cubism? Paul Cézanne Pablo Picasso Georges Braque

Analytic Cubism Examples

Synthetic Cubism Examples Juan Gris Influences

Graphic Design Influences

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Cubism

In cubist painting, planes merge and

the distinctions between background

and foreground and between one form

and another become obliterated, as the

object or figure seems to be viewed

simultaneously from various angles.

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Orginated in Paris, 1907

Different form of artistic expression.

3-D object that was distorted with layers and planes.

Paintings by Paul Cézanne were influential to Cubist artists.

Events of this time 1905 - “Bloody Sunday” Russian Revolution 1908 - Ford Introduces the Model-T 1909 - Plastic is Invented 1914 - World War I begins

Cubism

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Paul Cézanne

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Rocky Landscape at Aix (1887)

InfluencedPablo PicassoGeorges Braque Juan Gris

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Pablo Picasso

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Influenced by Paul Cézanne, Henri de Toulouse-Lautrec, and Pierre Bonnard

Arrived in Paris in 1900

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He painted decorative, lively representations of Paris night life

Influenced by Paul Cézanne, Henri de Toulouse-Lautrec, and Pierre Bonnard

Arrived in Paris in 1900

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The Burial of Casagemas (1901)

He painted decorative, lively representations of Paris night life

Influenced by Paul Cézanne, Henri de Toulouse-Lautrec, and Pierre Bonnard

Arrived in Paris in 1900

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The Absinthe Drinker (1901)

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The portrait of Gertrude Stein (1905-1906) is considered one of the pieces that started Cubism for Picasso

Gertrude Stein was a writer and close friend of Picasso

Gertrude Stein (1905-1906)

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Influenced by:African Sculpture

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Les Demoiselles d'Avignon (1907)

Influenced by:African Sculpture

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Influenced by:African Sculpture

Georges Braque

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Born in Argenteuil, France and he was the son of a house-painting contractor who was an amateur artist

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1908 - discovered Cézanne

Arrived in Paris in 1900

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Houses at L’Estaque (1908)

1908 - discovered Cézanne

Arrived in Paris in 1900

The windows, doors, and any detail was eliminated

Houses at L’Estaque (1908)

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In 1914 Picasso and Braque were practically inseperable.

Together they discovered the Analytic Phase of Cubism

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Georges Braque

Analytic CubismViolin and Candlestick (1910)

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1908 - 1912Picasso and Braque’s became very similiar during this time.

Breaking down, analysis of form

Right-Angle and Straight-Line construction

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1908 - 1912

Picasso and Braque’s became very similiar during this time.

Breaking down, analysis of form

Right-Angle and Straight-Line construction

Sometimes Sculptural

Girl with a Mandolin (1910)Pablo Picasso

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1908 - 1912

Picasso and Braque’s became very similiar during this time.

Breaking down, analysis of form

Right-Angle and Straight-Line construction

Sometimes Sculptural Girl with a Mandolin

Common Hues: TanBrownGrayCreamGreenBlue

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1908 - 1912

Picasso and Braque’s became very similiar during this time.

Breaking down, analysis of form

Right-Angle and Straight-Line construction

Sometimes Sculptural Girl with a Mandolin

These colors were often used in order to not distract the viewer

Best suited for complex, multiple views of the object

Common Hues: TanBrownGrayCreamGreenBlue

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Planes appear to move beyond the surface rather than recede in depthForms are compact and dense, growing larger toward the edges

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Planes appear to move beyond the surface rather than recede in depthForms are compact and dense, growing larger toward the edges

Portrait of Ambroise Vollard (1909-1910)

Pablo Picasso

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Planes appear to move beyond the surface rather than recede in depthForms are compact and dense, growing larger toward the edges

Portrait of Ambroise Vollard (1909-1910)

Pablo PicassoThe Guitar Player (1910)

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Man with Guitar (1911)

Georges Braque

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Planes appear to move beyond the surface rather than recede in depthForms are compact and dense, growing larger toward the edges

Portrait of Ambroise Vollard (1909-1910)

Man with Guitar (1911)

Braque’s work tended to be more elegant, less emotional, and less expressive

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In this style, three-dimensional objects are represented on the canvas as two-dimensional abstractions called facets

Analyzes solid forms and then transfers then to canvas through flat facets that represent the subject from multiple views

Ma Jolie

Pablo Picasso

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Analytic Cubist paintings are rife with references to music, which was widely considered by painters to serve as an aesthetic model for abstract painting.

Graphic designers later used Analytic Cubism, they had to make adjustments that would allow for the commercial message to be easily grasped by the viewer.

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Synthetic Cubism

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1912-1919

Juan Gris was also highly influential

Emphasize the combination, or synthesis, of forms in the picture

Color has a strong role

Newspapers or tobacco wrappers were used with painted areas.

Often used a brighter color palette than Analytic

Collage What is reality and what is illusion?

Picasso and Braque adopted this style as well as analytic

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Braque became less dependent on physical reality and started to break down objects

Pieces of several objects and arranged them in a new combination

Georges BraqueThe Clarinet and Bottle of Rum (1911)

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Braque became less dependent on physical reality and started to break down objects

Pieces of several objects and arranged them in a new combination

Georges Braque

Glass, Carafe and Newspapers (1914)

Simulated the look of texture Wood Marble

Used different material Cloth Wood

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Braque became less dependent on physical reality and started to break down objects

Pieces of several objects and arranged them in a new combination

Glass, Carafe and Newspapers (1914)Fruit Dish and Glass (1916)

Simulated the look of texture Wood Marble

Used different material Cloth Wood

Georges Braque

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Pablo Picasso

Picasso uses flat planes in order to reconstuct the impression of a visible world

Color was much greater and widely used

Three Musicians (1921)

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Pablo Picasso

Picasso uses flat planes in order to reconstuct the impression of a visible world

Color was much greater and widely used

Glass Bottle of Suze (1912)

Three Musicians (1921)

Picasso has pasted an actual label on to his synthesized abstract bottle

The new medium of collage later used by Graphic Designers

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Pablo Picasso

Papier collé means pasted paper

Bottle of Vieux Marc, Glass, Guitar and Newspaper (1913)

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Bottle of Vieux Marc, Glass, Guitar and Newspaper (1913)

Pablo Picasso Guitar (1913)

Papier collé means pasted paper

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Juan Gris

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Arrived in Paris in 1906

Bateau Lavoir, a tenement that housed many painters, critics, and poets, and there he met Pablo Picasso, Georges Braque, and many other artists.

Gris produced his first cubist paintings in 1911-1912; they were influenced by the analytic works of Braque and Picasso

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Arrived in Paris in 1906

Bateau Lavoir, a tenement that housed many painters, critics, and poets, and there he met Pablo Picasso, Georges Braque, and many other artists.

Gris produced his first cubist paintings in 1911-1912; they were influenced by the analytic works of Braque and Picasso

Guitar and Flowers (1912)Juan Gris

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Juan Gris

Portrait of Picasso (1912)

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Juan Gris

The Sunblind (1914)

After 1913, he completely converted to Synthetic cubism

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Juan GrisGuitar, Glasses, and Bottle (1914)

Gris’s early collages are frequently richer in detail and bolder in color than contemporary collages of Picasso and Braque,

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Synthetic Cubism Influence on American Artists

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Lucky Strike (1921)

Stuart Davis American Cubist

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Lucky Strike (1921)

Man Ray American Artist

The Rope Dancer Accompanies Herself with Her Shadows (1916)

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“Synthetic Cubism created a second alternative for artists and designers looking for a structured abstract language with which they could experiment.”

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Analytic CubismSynthetic Cubism and Graphic Design

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Graphic Designers were never integrated into the Cubist movement itself, in later years its formal innovations would open up several exciting new stylistic avenues.

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Pablo Lobato

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Analytic and Synthetic Cubism influenced graphic design through the use of collaging and the use of a grid.

The idea of taking an object and distorting it, adjustments were often made for commercial use so the viewer would understand the message clearly.

The fundamental stylistic elements derived for abstract painting by Cubists and others would have a substantial impact on graphic design.

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Carlson, Victor. “Cubism.” Dictionary of American History. Ed. Stanley I. Kutler. 3rd ed. Vol. 2. New York: Charles Scribner’s Sons, 2003. 475-476. Gale Virtual Reference Library. Web. 17 Oct. 2010.

“Cubism.” Encyclopædia Britannica. 2010. Encyclopædia Britannica Online. 13 Oct. 2010 <http://www.britannica.com/EBchecked/topic/145744/Cubism>. http://www.britannica.com/bps/citations

Eskilson, Stephen. Graphic Design: a New History. New Haven: Yale UP, 2007. Print.

“Georges Braque.” Encyclopedia of World Biography. 2nd ed. Vol. 2. Detroit: Gale, 2004. 504-505. Gale Virtual Reference Library. Web. 16 Oct. 2010.

“Juan Gris.” Encyclopedia of World Biography. 2nd ed. Vol. 7. Detroit: Gale, 2004. 5-6. Gale Virtual Reference Library. Web. 16 Oct. 2010.

“Man Ray.” Encyclopedia of World Biography. 2nd ed. Vol. 13. Detroit: Gale, 2004. 59-60. Gale Virtual Reference Library. Web. 16 Oct. 2010.

Norton, Sydney Jane. "Picasso, Pablo (1881–1973)." Encyclopedia of Leadership. Ed. George R. Goethals, Georgia J. Sorenson, and James MacGregor Burns. Vol. 3. Thousand Oaks, CA: Sage Reference, 2004. 1199-1202. Gale Virtual Reference Library. Web. 11 Oct. 2010.

“Picasso, Pablo (1881–1973).” Encyclopedia of Activism and Social Justice. Ed. Gary L. Anderson and Kathryn G. Herr. Vol. 3. Thousand Oaks, CA: Sage Reference, 2007. 1121-1122. Gale Virtual Reference Library. Web. 16 Oct. 2010.

“Pablo Picasso.” Encyclopedia of World Biography. 2nd ed. Vol. 12. Detroit: Gale, 2004. 292-295. Gale Virtual Reference Library. Web. 17 Oct. 2010.

Rosenberg, By Jennifer. “1910s Timeline - History Timeline of the 1910s.” 20th Century History. Web. 17 Oct. 2010. <http://history1900s.about.com/od/timelines/tp/1910timeline.htm>.