referencias sobre música

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References[edit] Anon. (n.d.). "Rook",ChalkHills.org. Analysis and guitar tab.

Archibald, Bruce (1969). "Variations for Cello and Orchestra (1966) by Walter Piston; Concerto for Clarinet and Orchestra (1967) by Walter Piston;Ricercare for Orchestra(1967) by Walter Piston".Notes, second series 25, no. 4 (June): 82426.

Benward, Bruce, and Nadine Saker (2009).Music in Theory and Practice, Vol. II.ISBN 978-0-07-310188-0.[full citation needed] Bick, Sally (2005). "Of Mice and Men: Copland, Hollywood, and American Musical Modernism".American Music23, no. 4 (Winter): 42672.

Boyd, Bill (1997).Jazz Chord Progressions.[full citation needed]ISBN 0-7935-7038-7.

Cardew-Fanning, Neil (n.d.). "Sonatina for flute & piano, Op. 76",AllMusic.com.

Carpenter, Alexander (n.d.). "Le fils des toiles, Chaldean pastoral, 3 preludes for piano",AllMusic.com.

Carr, Cassandra I. (1989). "Charles Ivess Humor as Reflected in His Songs".American Music7, no. 2 (Summer): 12339.

Corozine, Vince (2002).Arranging Music for the Real World: Classical and Commercial Aspects. Pacific, MO: Mel Bay.ISBN0-7866-4961-5.OCLC50470629.

Corson, Langdon, and Roy Christensen (1984).Arnold Schoenberg's Woodwind Quintet, op. 26: Background and Analysis. Nashville: Gasparo Co.

Cowell, Henry(1956). "Current Chronicle: United States: New York"The Musical Quarterly42, no. 2 (April): 24044.

Dickinson, Peter (1963). "Suite for Piano No 3 by Nikos Skalkottas".The Musical Times104, no. 1443 (May): 357.

Domek, Richard C. (1979). "Some Aspects of Organization in Schoenberg's Book of the Hanging Gardens, opus 15".College Music Symposium19, no. 2 (Fall): 11128.

Erickson, Robert(1975).Sound Structure in Music. Oakland, California: University of California Press.ISBN 0-520-02376-5.

Floyd, Tom (2004).Quartal Harmony & Voicings for Guitar.[full citation needed]ISBN 0-7866-6811-3.

Herder, Ronald (1987).1000 Keyboard Ideas.[full citation needed]ISBN 0-943748-48-8.

Hindemith, Paul (1937).Unterweisung im Tonsatz1.[full citation needed] Hester, Karlton E. (2000).From Africa to Afrocentric Innovations Some Call "Jazz": The Creation of Free, Fusion and Reconstructive Modern Styles (19502000)[full citation needed].ISBN 1-58684-054-1.

Josh (2010) "4th Chords and Quartal Harmony".FretterVerse.com(30 June, accessed 6 September 2014).

Kasilag, Lucrecia R. (2001). "Pajaro, Eliseo (Morales)".The New Grove Dictionary of Music and Musicians, second edition, edited byStanley SadieandJohn Tyrrell. London: Macmillan Publishers.

Kostka, Stefan, Dorothy Payne, and Byron Almn (2013).Tonal Harmony with an Introduction to Twentieth-Century Music(seventh ed.). New York: McGraw-Hill. pp.3853.ISBN978-0-07-131828-0.

Kroeger, Karl (1969). "Caspar Diethelm: Klaviersonate VII".Notes, second series 26, no. 2 (December): 363.

Kulp, Jonathan (2006). "Carlos Guastavino: A Re-Evaluation of His Harmonic Language".Latin American Music Review/Revista de Msica Latinoamericana27, no. 2 (Autumn-Winter): 196219.

Lambert, J. Philip (1990). "Interval Cycles as Compositional Resources in the Music of Charles Ives".Music Theory Spectrum12, no. 1 (Spring): 4382.

Lambert, J. Phillip (1996). "Ives and Berg: 'Normative' Procedures and Post-Tonal Alternatives". InCharles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 10530. New Haven: Yale University Press.

Levine, Mark (1989).The Jazz Piano Book. Petaluma, CA: Sher Music Co.ISBN0-9614701-5-1.

Lewis, Robert Hall (1985). "New Music Festival 1985: Bowling Green State University".Perspectives of New Music24, no. 1 (FallWinter): 44043.

Leyva, Jesse (2010). "Carlos Chvez: An Examination of His Compositional Style with a Conductors Analysis ofSinfona Indiaas Arranged for Concert Band by Frank Erickson". DMA diss. Tempe: Arizona State University.

Macon, Edward L (1997).Rocking the Classics: English Progressive Rock and the Counterculture. Oxford and New York: Oxford University Press.ISBN0-19-509887-0..

Mermikides, Milton (2014). "Extreme Guitar".Guitar Techniques magazine, Issue 230.[pageneeded] Moe, Orin (198182). "The Songs of Howard Swanson".Black Music Research Journal2:5771.

Morrison, S. (1998). "Skryabin and the Impossible".Journal of the American Musicological Society51, no. 2.[pageneeded] Mulhern, Tom (1986). "On the Discipline of Craft and Art: An Interview with Robert Fripp".Guitar Player20 (January): 88103 (accessed 8 January 2013).

Murphy, Scott (2008). "A Composite Approach to Ivess 'Cage'".Twentieth-Century Music5:17993.

Murphy, Howard Ansley, Robert A. Melcher, and Willard F. Warch, eds. (1973).Music for Study: A Source Book of Excerpts, second edition. Englewood Cliffs, NJ: Prentice-Hall.ISBN 0-13-607515-0.

Nattiez, Jean-Jacques(1990).Music and Discourse: Toward a Semiology of Music, translated by Carolyn Abbate. Princeton, N.J.: Princeton University Press.ISBN 0-691-02714-5.

Orbn, Julin(1987). "Las sinfonas de Carlos Chvez." (part 2).Pauta: Cuadernos de teora y crtica musical6, no. 22 (AprilJune): 8191.

Perone, James E. (1993).Howard Hanson: A Bio-Bibliography. Westport and London: Greenwood Press.

Reisberg, Horace (1975). "The Vertical Dimension in Twentieth-Century Music". InAspects of 20th Century Music, Gary E. Wittlich, coordinating editor, 32287. Englewood Cliffs, NJ: Prentice-Hall.ISBN 0-13-049346-5.

Rubin, Justin Henry (2005). "Quartal Harmony". University of Minnesota Duluth websited.umn.edu(accessed 26 April 2012).

Sanderson, Blair (n.d.). "Arnold Schoenberg: Verklrte Nacht; Chamber Symphony; Variations; 5 Pieces; 6 Songs; Erwartung",AllMusic.com.

Schoenberg, Arnold(1922).Harmonielehre(third ed.). Vienna: universal edition.

Schoenberg, Arnold (1978).Theory of Harmony. translated by Roy E. Carter, based on the third edition (1922). Berkeley and Los Angeles: University of California Press.ISBN 0-520-04945-4(cloth);ISBN 0-520-04944-6(pbk).

Scivales, Ricardo (2005).Jazz PianoThe Left Hand.ISBN1-929009-54-2..[full citation needed] Scott, Ann Besser (1994). "Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?"The Musical Quarterly78, no. 3 (Autumn): 44878.

Sjoerdsma, Richard Dale (1972). "King Midas; A Cantata for Voices and Piano on 10 Poems of Howard Mossby Ned Rorem".Notes, second series 28, no. 4 (June): 782.

Spieth, Donald (1978). "Bacchanalia for Bandby Walter S. Hartley".Notes, second series 34, no. 4 (June): 974.

Stein, Leon(1979).Structure & Style: The Study and Analysis of Musical Forms, second expanded edition. Princeton, N.J.: Summy-Birchard Music.ISBN 978-0-87487-164-7.

Swayne, Steve (2002). "Sondheim's Piano Sonata".Journal of the Royal Musical Association127, no. 2:258304.

Vogel, Martin (1962).Der Tristan-Akkord und die Krise der modernen Harmonielehre[full citation needed] Webern, Anton (1963).The Path to the New Music,. edited by Willi Reich, translated by Leo Black. Bryn Mawr: Theodore Presser, in association with Universal Edition.

Whitesell, Lloyd (2008).The Music of Joni Mitchell. Oxford and New York: Oxford University Press.ISBN978-0-19-530757-3.

Further reading[edit]