ringling museum
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Ringling Museum. HUM 2230. Gallery 3: Renaissance Art in Northern Europe, 1350-1550. EXERCISE 1: Lucas Cranach the Elder, Cardinal Albrecht of Brandenburg as Saint Jerome , 1526. Lucas Cranach, 1526. Merode Altarpiece , 1425. - PowerPoint PPT PresentationTRANSCRIPT
Ringling MuseumHUM 2230
Gallery 3: Renaissance Art in Northern Europe, 1350-1550
Lucas Cranach, 1526 Merode Altarpiece, 1425
EXERCISE 1: Lucas Cranach the Elder, Cardinal Albrecht of Brandenburg as Saint Jerome, 1526
Gallery 4: Late Gothic & Renaissance Art in Italy, 1350-1550
Giovanni del Biondo Byzantine Mosaic (12th cent)
EXERCISE 2: Giovanni del Biondo, Madonna and Child with Saints and Angels, ca.1380-1390
Gallery 4: Late Gothic & Renaissance Art in Italy, 1350-1550
Ghirlandaio (?) Sandro Botticelli, 1481-1483 ca.
Gallery 4: Late Gothic & Renaissance Art in Italy, 1350-1550
Ghirlandaio (?) Sandro Botticelli, 1481-1483 ca.
Piero di Cosimo, Italian, 1462-1521, active in Florence, The Building of a Palace, c. 1515-20
Gallery 4: Late Gothic & Renaissance Art in Italy, 1350-1550
Antonio Palma, active in Venice, Esther before Ahasuerus, 1574
Gallery 6: The High Renaissance in Venice and Northern Italy, 1500-1600
EXERCISE 3: Antonio Palma, Esther before Ahasuerus
Antonio Palma, active in Venice, Esther before Ahasuerus, 1574
Compare
Tintoretto, Christ Washing the Feet of His Disciples, c. 1547
Antonio Palma, active in Venice, Esther before Ahasuerus, 1574
Veronica Franco, by Tintoretto?, ca. 1575
As sometimes from heaven to humble roofsJupiter, benign, descends to us here belowand, to prevent earthly eyes from being blindedby such a sublime sight, takes human form;So to my modest dwellingwithout the shine and dazzle of royal pompcame Henri, called to so vast a kingdomthat one world alone cannot contain it.Although he came disguised, he nonethelessso imprinted upon my heart his heavenly meritthat my natural strength abandoned me.So, being assured of my great affection,with a gracious and open spirit, he took my portrait,worked in colored enamel, away with him.
-Veronica Franco
Gallery 6: The High Renaissance in Venice and Northern Italy, 1500-1600
Gallery 8 and 10: Baroque Art in Italy, 1600-1700
EXERCISE 4: Judith with the Head of Holofernes
Francesco del Cairo, 1630 Caravaggio, 1598
Gallery 8 and 10: Baroque Art in Italy, 1600-1700
EXERCISE 4: Judith with the Head of Holofernes
Other renderings of the same theme
Fede Galizia, 1596,Ringling Museum
Gallery 8 and 10: Baroque Art in Italy, 1600-1700
EXERCISE 4: Judith with the Head of Holofernes
Other paintings by Francesco del Cairo
Gallery 8 and 10: Baroque Art in Italy, 1600-1700
The followers of Caravaggio (Caravaggisti)
Gerard van Kuijl, attributed to , active in Rome and Gorinchem, Narcissus, c. 1645
Caravaggio, Narcissus
Gallery 8 and 10: Baroque Art in Italy, 1600-1700
The followers of Caravaggio (Caravaggisti)
Nicolas Regnier, Flemish, active in Rome and Venice, Saint Matthew and the Angel, c. 1625
Caravaggio, The Inspiration of Saint Matthew, 1602
Galleries 11and 12: Dutch Realism and Representation, 1600-1700
Jan Davidsz. de Heem (1606-1684), Still Life With Parrots, late 1640s.
Frans Snyders, and studioFlemish, 1579-1657, active in AntwerpStill Life with Dead Game, c. 1625/30
Exercise 5: Still Lives
Frans Snyders, attributed toFlemish, 1579-1657, active in AntwerpStill Life with Fighting Monkeys, 1630s
Jacob Fopsen van EsFlemish, c. 1596-1666Still Life with Oysters
Galleries 11and 12: Dutch Realism and Representation, 1600-1700
Exercise 5: Still Lives