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Ringling Museum HUM 2230

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Ringling Museum. HUM 2230. Gallery 3: Renaissance Art in Northern Europe, 1350-1550. EXERCISE 1: Lucas Cranach the Elder, Cardinal Albrecht of Brandenburg as Saint Jerome , 1526. Lucas Cranach, 1526. Merode Altarpiece , 1425. - PowerPoint PPT Presentation

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Page 1: Ringling Museum

Ringling MuseumHUM 2230

Page 2: Ringling Museum

Gallery 3: Renaissance Art in Northern Europe, 1350-1550

Lucas Cranach, 1526 Merode Altarpiece, 1425

EXERCISE 1: Lucas Cranach the Elder, Cardinal Albrecht of Brandenburg as Saint Jerome, 1526

Page 3: Ringling Museum

Gallery 4: Late Gothic & Renaissance Art in Italy, 1350-1550

Giovanni del Biondo Byzantine Mosaic (12th cent)

EXERCISE 2: Giovanni del Biondo, Madonna and Child with Saints and Angels, ca.1380-1390

Page 4: Ringling Museum

Gallery 4: Late Gothic & Renaissance Art in Italy, 1350-1550

Ghirlandaio (?) Sandro Botticelli, 1481-1483 ca.

Page 5: Ringling Museum

Gallery 4: Late Gothic & Renaissance Art in Italy, 1350-1550

Ghirlandaio (?) Sandro Botticelli, 1481-1483 ca.

Page 6: Ringling Museum

Piero di Cosimo, Italian, 1462-1521, active in Florence, The Building of a Palace, c. 1515-20

Gallery 4: Late Gothic & Renaissance Art in Italy, 1350-1550

Page 7: Ringling Museum

Antonio Palma, active in Venice, Esther before Ahasuerus, 1574

Gallery 6: The High Renaissance in Venice and Northern Italy, 1500-1600

EXERCISE 3: Antonio Palma, Esther before Ahasuerus

Page 8: Ringling Museum

Antonio Palma, active in Venice, Esther before Ahasuerus, 1574

Compare

Tintoretto, Christ Washing the Feet of His Disciples, c. 1547

Antonio Palma, active in Venice, Esther before Ahasuerus, 1574

Page 9: Ringling Museum

Veronica Franco, by Tintoretto?, ca. 1575

As sometimes from heaven to humble roofsJupiter, benign, descends to us here belowand, to prevent earthly eyes from being blindedby such a sublime sight, takes human form;So to my modest dwellingwithout the shine and dazzle of royal pompcame Henri, called to so vast a kingdomthat one world alone cannot contain it.Although he came disguised, he nonethelessso imprinted upon my heart his heavenly meritthat my natural strength abandoned me.So, being assured of my great affection,with a gracious and open spirit, he took my portrait,worked in colored enamel, away with him.

-Veronica Franco

Gallery 6: The High Renaissance in Venice and Northern Italy, 1500-1600

Page 10: Ringling Museum

Gallery 8 and 10: Baroque Art in Italy, 1600-1700

EXERCISE 4: Judith with the Head of Holofernes

Francesco del Cairo, 1630 Caravaggio, 1598

Page 11: Ringling Museum

Gallery 8 and 10: Baroque Art in Italy, 1600-1700

EXERCISE 4: Judith with the Head of Holofernes

Other renderings of the same theme

Fede Galizia, 1596,Ringling Museum

Page 12: Ringling Museum

Gallery 8 and 10: Baroque Art in Italy, 1600-1700

EXERCISE 4: Judith with the Head of Holofernes

Other paintings by Francesco del Cairo

Page 13: Ringling Museum

Gallery 8 and 10: Baroque Art in Italy, 1600-1700

The followers of Caravaggio (Caravaggisti)

Gerard van Kuijl, attributed to , active in Rome and Gorinchem, Narcissus, c. 1645

Caravaggio, Narcissus

Page 14: Ringling Museum

Gallery 8 and 10: Baroque Art in Italy, 1600-1700

The followers of Caravaggio (Caravaggisti)

Nicolas Regnier, Flemish, active in Rome and Venice, Saint Matthew and the Angel, c. 1625 

Caravaggio, The Inspiration of Saint Matthew, 1602

Page 15: Ringling Museum

Galleries 11and 12: Dutch Realism and Representation, 1600-1700

Jan Davidsz. de Heem (1606-1684), Still Life With Parrots, late 1640s.

Frans Snyders, and studioFlemish, 1579-1657, active in AntwerpStill Life with Dead Game, c. 1625/30

Exercise 5: Still Lives

Page 16: Ringling Museum

Frans Snyders, attributed toFlemish, 1579-1657, active in AntwerpStill Life with Fighting Monkeys, 1630s

Jacob Fopsen van EsFlemish, c. 1596-1666Still Life with Oysters

Galleries 11and 12: Dutch Realism and Representation, 1600-1700

Exercise 5: Still Lives