romantic music. 19th century · composers want uniquely identifiable music expressive aims and...

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ROMANTIC and NATIONALIST MUSIC 19TH CENTURY

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Page 1: ROMANTIC MUSIC. 19TH CENTURY · Composers want uniquely identifiable music Expressive Aims and Subjects All approaches were explored: Flamboyance, intimacy, unpredictability, melancholy,

ROMANTIC and

NATIONALIST MUSIC

19TH CENTURY

Page 2: ROMANTIC MUSIC. 19TH CENTURY · Composers want uniquely identifiable music Expressive Aims and Subjects All approaches were explored: Flamboyance, intimacy, unpredictability, melancholy,

1.MAIN CHARACTERISTICS Composers embraced

their passionate side and attempted to use music to express deep emotions like love, grief and tragedy, and

found the rigid forms used in the Classical period too restrictive to communicate these ideas.

Symphony 40 in G minor Mozart

Page 4: ROMANTIC MUSIC. 19TH CENTURY · Composers want uniquely identifiable music Expressive Aims and Subjects All approaches were explored: Flamboyance, intimacy, unpredictability, melancholy,
Page 5: ROMANTIC MUSIC. 19TH CENTURY · Composers want uniquely identifiable music Expressive Aims and Subjects All approaches were explored: Flamboyance, intimacy, unpredictability, melancholy,

2.VOCAL MUSIC

2.1 THE LIED OR ROMANTIC SONG

LIED was an important vocal genre in the Romantic period.

It provided musicians with the ideal vehicle for expressing

their feelings

Page 6: ROMANTIC MUSIC. 19TH CENTURY · Composers want uniquely identifiable music Expressive Aims and Subjects All approaches were explored: Flamboyance, intimacy, unpredictability, melancholy,

C

2.1 .VOCAL MUSIC.THE LIED

Another example of lied, this one composed by Schubert

Page 8: ROMANTIC MUSIC. 19TH CENTURY · Composers want uniquely identifiable music Expressive Aims and Subjects All approaches were explored: Flamboyance, intimacy, unpredictability, melancholy,

2.2 .VOCAL MUSIC.ROMANTIC OPERA

IN DIFFERENT COUNTRIES

Page 13: ROMANTIC MUSIC. 19TH CENTURY · Composers want uniquely identifiable music Expressive Aims and Subjects All approaches were explored: Flamboyance, intimacy, unpredictability, melancholy,

3.3 NATIONALIST MUSIC. SECOND HALF OF

19TH CENTURY

Page 15: ROMANTIC MUSIC. 19TH CENTURY · Composers want uniquely identifiable music Expressive Aims and Subjects All approaches were explored: Flamboyance, intimacy, unpredictability, melancholy,

3.4 NEW GENRES IN ROMANTIC MUSIC:

Nocturne, programmatic symphony and ballet

Page 16: ROMANTIC MUSIC. 19TH CENTURY · Composers want uniquely identifiable music Expressive Aims and Subjects All approaches were explored: Flamboyance, intimacy, unpredictability, melancholy,

3.4 NEW GENRES IN ROMANTIC MUSIC:

Nocturne, programmatic symphony and ballet