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The work of a type designer is just like that of a dressmaker: clothing the constant, naked human form

Adrian Frutiger

Adrian Frutiger–Typefaces: The Complete WorksHeidrun Osterer & Philip StammBirkhauser Verlag AG. Basel 2009

Sastre is a typeface family for branding and editorial design. The large x-height and wide countershapes make it perform well in small sizes.* Sastre is the best example of a typeface in no man’s land. It plays at the limits of conventions in type design without crossing them.

▶ Regular

▶ Italic

▶ Bold

▶ Extrabold

▶ Greek

▶ Hebrew

▶ Color font

▶ Geometric shapes

T Text source…

Notes about the design

* Tips for the use of the font* Being readable even at sizes lower than 6 pt.

expressivefunctionaldynamicnew

MATD 2014–2015

Sastre is

new

4 5

a b c d e f g h i j k l m n o p q r s t u v w x y z

A B C D E F G H I J K L M N O P Q R S T U V W X Y ZRegular � � � � � � � � � � � � � � � � � � � �▷ Bold � � � � � � � � � � � � � � � � � � � � � � � � � � � �▷ Extrabold ��������������������������������▷

Design features

□ curved endings

� flared stems

▨ open strokes

▲ inktraps

▣ broken edges

■ constructive corners

▲

�□

▣ ■

▨

6 7

Your great grandfather’s house is one of the oldest in Bahrain.

It’s a complex of houses constructed in 1914. There’s the big house, Beit Al Od, the samaller one, Beit Al Saghir, and a mosque. It used to be one of the largest houses in the neighbourhood. Rumour has it that the minaret functioned as a lighthouse.

What stands out about it architecturally?

I think the liwan on Beit Al Od. It’s covered balcony made of teak from India, built by an architect –muhendis– from Basra. What I find most interesting about it is the number of places where the styles of architectures came from, not just the materials. There’s the teak from India, the Basrawi architect, limestone from Qatar. It reflects the routes that my grandfather took during his mercantile journeys, and it’s also an architectural

time and money into preserving everything as it was. The carved ceilings are intact. He still uses the ‘rosanah’, or inbuilt cupboards. He doesn’t throw things away. Each alcove is a memory of what an aspect of life was like in the house.

You must have some incredible childhood memories.

We used to spend Eid with my great aunt –Allah yerhama– in Beit Al Saghir. I remember my dad pointing out that the 12 gypsum windows in the room we used to sit in were all different. That’s how things used to be –stylistic elements were unique and not mass produced. That’s when I first noticed that this was something that no longer exists and that we should celebrate it.

Is that why you decided to focus your MA thesis on the house?

At first I wanted to focus on urban studies, but data is very hard to access in Bahrain. I became

T Brownbook. An urban guide to the Middle East 47, p. 236. Brownbook, Dubai, 2014

NADIA KHALAF

▽▲▽▲▽▲▽▲▽▲▽▲▽▲▽▲▽▲▽▲▽▲Why did Nadia Khalaf write a

thesis on her family’s century-old Bahrain home? She explains what

makes the house complex an archive of Manama’s history

▽▲▽▲▽▲▽▲▽▲▽▲▽▲▽▲▽▲▽▲▽▲

embodiment of a different kind of cosmopolitanism than the one we see in Bahrain today.

The Ministry of Culture renovated Beit Al Saghir into a museum. Why is it considered a part of the national heritage?

My great grandfather was a pearl merchant. At the start of the 20th century, economy and politics worked differently. Merchants had prominent positions within their small communities. Social work was a communal effort. I think the house celebrates something that doesn’t exist anymore –a public sphere that preceded the urban developtment of Manama. The ‘barza’ in front of the house, was a semi-public space where anyone could come hang out, share tea or spend the night.

What became of Beit Al Od?My great uncle inherited half of the house and has invested a lot of

interested in enviromental history and water, but the data problem came up again. Then, on April 14th 2010, I saw a huge headline in a Bahranini newspaper, announcing that the house would be handed over to the Ministry of Culture.

I realised that the house was a microcosm of the histories I was interested in telling about Manama and its evolution, and that I could explore them through its materiality.

Do you plan on continuing your research on the house and heritage in Bahrain?

I have nostalgia overload right now. I’ve been exposed to ‘heritage’ my whole life. I still want to engage with history, but I’m less interested in heritage preservation. A friend recently pointed out sound recordings in the British Library of Bahrain’s harbour in the 1930s and 1940s. I’m curious about hearing, reading and seeing things like that, items from the past that can give us an alternative way of understanding ‘now’.

I'm curious about (...) items from the past that can give us an alternative way

of understanding �now'

I've been exposed to � heritage' my whole life▼▼▼

8 9

Moon River & The CatAuthor: AaronCapenBanner from North America11 November 2013 **********

Romance between Holly and Paul is appealing, both actors fine, but it is the combination of the beautiful song “Moon River” and the climax with the cat that make this film work so well; emotionally wrenching yet ultimately satisfying, and quite moving, though can only bear to watch this once in a great while!

Breakfast at Tiffany,s1961 | 115 min. | Romance. Drama. ComedyCountry: United StatesDirector: Blake EdwardsScreenwriter: George Axelrod (based on a novel of Truman Capote)

Music: Henry ManciniCast: Audrey Hepburn, George Peppard, Patricia Neal, Buddy Ebsen, Martin Balsam, Mickey Rooney, José Luis de Vilallonga, John McGiver

T User Reviews & Ratings - IMDb (www.imdb.com)

A sad film...Author: mkczup from United States2 June 2012 **********

If one looks past the glamor, the characters become reminiscent of Fitzgerald. But a typical Hollywood ending scrapes away the depth and leaves us with an empty blue box.

A modern fairy tale.Author: Bob Pr. from Topeka, KS17 May 2011 **********

A thoroughly delightful fairy tale loosely drawn from the novella of the same name by Truman Capote but with many differences (including the ending). The 60s was a time of increased sexual freedom but the movies were still bound by earlier codes that limited showing sexual behaviors.

This movie is watchable because of Audrey Hepburn.Author: tammyaphillips from United States24 January 2010 **********

Breakfast at Tiffany, has been lovingly regarded for years because of the wonderful Audrey Hepburn and the talented Henry Mancini. But there is, surprisingly, not much to say overall about this movie. Breakfast at Tiffany's is the best example I've seen of a lovely cake with a big hole in the middle.

◁ The best example of a lovely cake with a big hole in the middle▷

◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷ Breakfast at Tiffany's

PARAMOUNT presents Audrey Hepburn in

Also starring

George Peppard Patricia NealBuddy Ebsen

Martin Balsam & Mickey Rooney

NOTSUITABLE FOR

CHILDREN

Directed by Blake Edwards · Produced by Martin Jurow and Richard Shepherd

Breakfast at Tiffany's

Color

arrow shape corners

pingExtrabold

* Minimum size recommended, 21pt.For using the Color font, create two text frames with the exact same content and place them exactly one on top of each other. Each text frame must use one of the two styles, Bright and Dark.

Sastre Color Dark

p p the most exciting match ever !

Sastre Color Bright

Sastre Color Dark & Bright

the most exciting match ever pp

JAN

17

JUNY

20UZT

29

FRENCH

Puces Typo 2015 Samedi 30 mai à 10:00Campus Fonderie de l'Image

Pour la cinquième année consécutive, Les Rencontres internationales de Lure vous invitent à découvrir la nouvelle édition des Puces typo.

BASQUE

Dantza Emanaldia Uztailak 29 20:00–22:00Zumaia, Alondegi parean eta kofradian

WILKEMA SENDOU4 emakume, bihotz batEmakumearen alderdi desberdinak adieraziko diren konposizioa: sexualitatea, indarra, laguntasuna,

elkartasuna... Lau emakume garbileku batean aurkitzen dira eta han beraien istorioa kontatzen dute, kantu eta dantzaren bitartez. Istorioaren alderdi garrantzitsu bat zuzeneko musikak emango digu.

HEBREW

Wine week || שבוע הייןחמישי 9 אפריל

Beer Bazaar -Tel Aviv, Israel

שמחה רבה שמחה רבה אביב הגיע פסח בא! האביב כבר פה: הטמפרטורות עולות, האלרגיות פורחות וכולם באטרף

של נקיונות. גם אנחנו לא נשארים אדישים למצב וכמו בכל שנה הבירבזאר מתחפש לבאסטה של יין וסיידר לשבוע בלבד. השנה יקב פלטר משתלט לנו על המדפים עם נבחרת מנצחת של שישה

יינות, ובאסטרס מתחברים לברזים עם סיידר ולימונדה אלכוהוליים. החל

מיום ראשון ועד ערב חג שני אתם מוזמנים לבוא לגוון, להתעניין ולהנות

מהתפריט שלנו לפסח. חג שמח!

ITALIAN

Inaugurazione Sabato 21 marzo alle ore 19.00Via Panfilo Castaldi 16, Roma

Studio Pilar apre finalmente i battenti! E che battenti! Aperitivo di inaugurazione del nuovo studio in zona Trastevere/Testaccio.

SWEDISH

Noel GallagherDen 2 julikl 20:00Lilla Allmänna Gränd 9, Stockholm

Inte sedan The Beatles har väl något band erövrat musikvärlden som Oasis gjorde på 90-talet.

GERMAN

Film im ParkDonnerstag 23 Julium 19:30Stadion Hohe Warte

Das Naturstadion bietet geeignete Infrastruktur für Wiens neues Freiluft Filmfestival, sondern liegt auch noch 2 Minuten von der Station.

PORTUGUESE

Black Balloon XXII Sexta-feira às 22:00–6:00Av. Infante Dom Henrique, Lisboa

No poster desta Black Balloon há gelados derretidos e aí encontramos o manifesto. Será um festão de Verão para abater calorias.

CATALAN

Design Week Talks: ToormixDijous 20 juny de 19:00 a les 20:00Apple Store. Passeig de Gràcia 1, Barcelona

Toormix, un estudi de disseny sense por. No et perdis l’oportunitat de conèixer a Toormix, un estudi de disseny ubicat a Barcelona i especialitzat en branding, direcció

d’art, creativitat i disseny gràfic creat el 2000 per Ferran Mitjans i Oriol Armengou. Durant aquesta xerrada coneixerem els seus últims projectes i el seu estil de treball a Barcelona. Entrada lliure, 1er pis.

DUTCH

Book Fair17 januari 12:00–18:00Stedelijk Museum, Amsterdam

Van 17 en 18 januari vindt in het Stedelijk de eerste boekenbeurs van dit jaar plaats, in de grootste tentoonstellingszaal.

POLISH

Juwenalia Politechniki Warszawskiej15 majao godzinie 16:00Stadion SyrenkiBatorego 10A, 02-591 Warszawa

Jedna z najlepszych imprez studenckich w Polsce nadchodzi! Ruszamy z kolejną edycją Juwenaliów Politechniki Warszawskiej! W tym roku na Stadionie Syrenki bawimy się 15 i 16 maja. Za wstęp nie zapłacicie ani złotówki! Juwenalia to jedyne takie święto studentów, dlatego przygotowaliśmy wyjątkowe atrakcje.

GALICIAN

Niño y PistolaConcerto de despedida8 de maio ás 21:30Sala CapitolSantiago de Compostela

É difícil poñer fin a unha aventura que ocupou un terzo das nosas vidas. Pero os tempos cambian e os nosos copromisos vitais marcan unha serie de camiños que non podemos atallar. Poñemos fin a esta aventura pero queremos facelo a modo de celebración e agradecemento a todos os que algunha vez sentiron algo ao escoitar as nosas cancións. O venres 8 estaremos en Compostela.

GREEK

Jazz Sessions featΣτέλιος ΧατζηκαλέαςΤρίτη 16 Ιουνίουστις 9:00Λούης καφενείο.Λεωνιδου 87 & Mυκαλης, 10435 Αθήνα

Το Jazz Sessions είναι μια αφορμή για συνάντηση μουσικών, με αφετηρία τη τζάζ και τη σύγχρονη αυτοσχεδιαστική μουσική. Με καλεσμένο μας τον Στέλιο Χατζηκαλέα στην τρομπέτα, θα κάνουμε ένα ταξίδι στην εποχή του Hard Bop και γενικότερα στην Τζάζ των δεκαετιών 50-60, σε μια βραδιά γεμάτη δυνατές Blues και λυρικές μελωδίες.

DANISH

God Stil Tøjmarked 14 juni klokken 12:00–18:00Copenhagen Street Food, Trangravsvej 1

Veras Market er et nyt tøjmarked som afholdes over sommeren på Copenhagen Street Food. Veras Market fokuserer på den gode stil.

SLOVENIAN

Wrong Moose21 marecat 21:00Klub Gromka, Ljubljana

Jarški kvartet Wrong Moose s promocijskim koncertom po dobrih štirih letih delovanja predstavlja svoj prvenec Silence that roars.

JUL

23

JUL

02

MAR

21MAIO

08MAJ

15ΙΟΥΝ

15

MAR

21

MAI

30JUN

14JUN

19

אפר

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α β γ δ ε ζ η θ ι κ λ μ ν ξ ο π ρ ς σ τ υ φ χ ψ ω

ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩ

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Latin Regular

oLatin Italic

oGreek

ο

Design features… The skeleton of the letters changes

trough the typeface family, from the most complex in Latin to the simplest in Greek, where the inside and outside paths have the same number of corners.

Latin Regular

nLatin Italic

nGreek

η

ΠΥΘΑΓΌΡΑΣ

Πυθαγόρας δέντρο

▼▼▼▼▼▼▼▼▼▼▼▼Ο Πυθαγόρας ο Σάμιος, υπήρξε

σημαντικός Έλληνας φιλόσοφος, μαθηματικός, γεωμέτρης και

θεωρητικός της μουσικής. Είναι ο κατεξοχήν θεμελιωτής των ελληνικών μαθηματικών,

δημιούργησε ένα άρτιο σύστημα για την επιστήμη των ουρανίων σωμάτων που κατοχύρωσε με όλες τις σχετικές αριθμητικές

και γεωμετρικές αποδείξεις και ήταν ιδρυτής ενός μυητικού

φιλοσοφικού κινήματος που λέγεται Πυθαγορισμός

(Pythagorism ή Pythagoreanism).

▲▲▲▲▲▲▲▲▲▲▲▲

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ץ

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18 19

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Design features… Both Greek and Hebrew were designed

to match in colour with Latin. The three of them share some design features, but every script has its own personality.

א ב ג ד ה ו ז ח ט י ך כ ל ם מ ן נ ס ע ף פ ץ צ ק ר ש ת

כ ח

Small cutsLatin–Hebrew

▽

Tailored punctuation marks

Curved endingsGreek–Hebrew

▽

λbLatin

oGreek

οHebrew

ס

n: -nב: ב־colon hyphen sof passuk maqaf

n. ,nב. ב,period comma period comma

n! ?nב! ב?exclamation question exclamation question

�������������������������� ��������������������������LATIN HEBREW

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LIRON LAVI

לירון לביאOCTAVIO PARDO

SPANISH HEBREW

�▥�▥�▥�▥�▥�▥�▥�▥�▥�▥�Diseñador gráfico y tipógrafo, comenzó su carrera trabajando en varios estudios de diseño gráfico para clientes como La Caixa, la Generalitat de Catalunya y el FC Barcelona. 14/17 pt

�▥�▥�▥�▥�▥�▥�▥�▥�▥�▥�En 2010 se gradua en el Máster de diseño de tipografías de la Universidad de Reading (UK) y desde entonces ejerce como diseñador freelance. Ha trabajado en el diseño de fuentes custom y comerciales para varios clientes incluyendo la Typofonderie y TypeTogether. Su trabajo ha sido reconocido internacionalmente por el Type Directors Club, Communication Arts o el Type Directors Club de Tokyo. Ha impartido cursos de tipografía en el Media Lab del MIT, la escuela de comunicación de Kiev o en el Lasalle School de Singapur.10/12 pt

�▤�▤�▤�▤�▤�▤�▤�▤�▤�▤�▤� לירון לביא טורקניץ', מעצבת אותיות ומעצבת גרפית לאחר שסיימה תואר ראשון בתקשורת

חזותית ממכללת שנקר, נסעה לאנגליה ושם 14/17 pt .למדה תואר שני בעיצוב פונטים

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באוניברסיטת רדינג. פרויקט 'ערברית', אשר שילב בין עברית וערבית במערכת

אותיות אחת, קיבל ביקורות טובות ופרסום רב. עוסקת כיום בעיצוב אותיות עבור חברות בינלאומיות, תוך מיקוד על

עיצוב רב-שפתי: עברית, לטינית, ערבית ואמהרית. נוסף על עיצוב האותיות, לירון עוסקת במחקר וכותבת עבור

תערוכות עיצוב ואותיות, מלמדת טיפוגרפיה ועובדת על פרויקטים עצמאיים

נוספים. נוסף על כך, היא משתתפת בתערוכות שונות, מרצה בכנסים

ומעבירה סדנאות בינלאומיות וכותבת. אוהבת לטייל מסביב לעולם, למצוא

אוצרות קולינריים וקפה מעולה ולחפשמציאות טיפוגרפיות בארכיונים מאובקים.

10/12 pt

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22 23

Adiós ríos, adiós fontesadiós, regatos pequenos;adiós, vista dos meus ollos,non sei cándo nos veremos.

Miña terra, miña terra,terra donde m’eu criei,hortiña que quero tanto,figueiriñas que prantei.

Prados, ríos, arboredas,pinares que move o vento,paxariños piadores,casiña d’o meu contento.

Muiño dos castañares,noites craras do luar,campaniñas timbradoirasda igrexiña do lugar.

Amoriñas das silveirasque eu lle daba ó meu amor,camiñiños antre o millo,¡adiós para sempre adiós!

¡Adiós, gloria! ¡Adiós, contento!¡Deixo a casa onde nacín,deixo a aldea que conoso,por un mundo que non vin!

Deixo amigos por extraños,deixo a veiga polo mar;deixo, en fin, canto ben quero…¡quén puidera non deixar!

Adiós ríos, adiós fontes

T Rosalía de Castro (Cantares gallegos, 1863)

å æ ć ď ę ğ ī ł ñ ő œ ø ŕ ş ť ù ŵ ÿ ź

Å Æ Ć Ď Ę Ğ Ī Ł Ñ Ő Œ Ø Ŕ Ş Ť Ù Ŵ Ÿ Ź

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Design features

* Language support: Albanian, Afrikaans, Catalan, Czech, Danish, Dutch, Estonian, Finnish, French, Hungarian, Italian, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish & Turkish.

ogonek

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GALICIAN

24 25T www.fotografiamagazine.com/jesus-madrinan

but the fact that he is actually shooting on location makes a great difference. The backdrop becomes particularly important: despite almost completely dark, there are clear signs that the fun keeps going behind the subject’s back, adding a layer to the image that is absent in studio portraiture. The sitter is temporarily removed from the flux of events he/she was participating in just moments before, giving the fascinating impression that time is passing at a reduced speed and everyone behind is moving more slowly.

In these works, Jesús adopts a classic approach to studio portraiture,

JESÚS MADRIÑANSantiago de Compostela 1984

�▨�▨�▨�▨�▨�▨�▨�▨�▨�▨�Jesús Madriñán is a

young, talented Spanish photographer specialized in

portraiture. His two latest series, Boas Noites and Good Night London, focus on the

young crowds of London and the Spanish region of Galicia

while busy enjoying the night in clubs and at parties.

�▨�▨�▨�▨�▨�▨�▨�▨�▨�▨�

▨ www.jesusmadrinan.com

His two latest series

focus on the young crowds of London and the Spanish region of Galicia while busy enjoying the night in clubs and at parties

Stunning Portraits of Spanish and British Youngsters

J

26

▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨

A ■■■ B □�□ C ▣�▣

D ▤▤▤ E ▥▥▥ F ▧▧▧

G ▨▨▨ H ▲▲▲ I △△△

J ▶▶▶ K ▷▷▷ L ▼▼▼

M ▽▽▽ N ◀◀◀ O ◁◁◁

Basic Stitch Patterns

STICH NAME UNICODE

A ■ Black square ��A�

B □ White square ��A�

C ▣ White square containing black small square ��A�

D ▤ Square with horizontal fill ��A�

E ▥ Square with vertical fill ��A�

F ▧ Square with upper left to lower right fill ��A�

G ▨ Square with upper right to lower left fill ��A�

H ▲ Black up-pointing triangle ��B�

I △ White up-pointing triangle ��B�

J ▶ Black right-pointing triangle ��B�

K ▷ White right-pointing triangle ��B�

L ▼ Black down-pointing triangle ��BC

M ▽ White down-pointing triangle ��BD

N ◀ Black left-pointing triangle ��C�

O ◁ White left-pointing triangle ��C�

�������������������������������������������������������

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… The geometric shapes have been properly spaced in order to create borders and patterns.

2-4-1

EVERY TUESDAY

BURGERS ALL DAY

Ruby Jean's Dinner

eat–tweet–sleep–repeat

28

A ■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥■▥ E

A ■△■△■△■△■△■△■△■△■△■△■△■△■△■△■△■△■△■△■△■△■△■△■ I

A ■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷■▷ K

B □�□�□�□�□�□�□�□�□�□�□�□�□�□�□�□�□�□�□�□�□�□�□�□�□ C

B □▤□▤□▤□▤□▤□▤□▤□▤□▤□▤□▤□▤□▤□▤□▤□▤□▤□▤□▤□▤□ D

B □▽□▽□▽□▽□▽□▽□▽□▽□▽□▽□▽□▽□▽□▽□▽□▽□▽□▽□▽ M

C ▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣▧▣ F D ▤▥▤▥▤▥▤▥▤▥▤▥▤▥▤▥▤▥▤▥▤▥▤▥▤▥▤▥▤▥▤▥▤▥▤▥▤▥ E F ▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧▨▧ G

H ▲△▲△▲△▲△▲△▲△▲△▲△▲△▲△▲△▲△▲△▲△▲△▲△▲△▲△▲ I H ▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶▲▶ J

I △▽△▽△▽△▽△▽△▽△▽△▽△▽△▽△▽△▽△▽△▽△▽△▽△ M

N ◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶◀▶ J

J ▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷▶▷ K

K ▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁▷◁ O

CombinedStitch Patterns�������������������������������������������������������

�������������������������������������������������������

* You can create your own patterns, multiple combinations are possible. In InDesign open the glyphs palette and find the shapes you want to use. Once you have the combination you like, copy and paste the string until you get the desired length and height.

▥▤▥▤▥▤▥▤ ▨▧▧▨▧▧▧▧

▥▤ ▨▥▤ ▤▨▨▨▨▨▨ ▤▥▨▥▤▨▧▧▧▥▨ ▥▥▤▧▨▨▧▤▨▨▨ ▤▥ ▧▨▧▧▨▧▤▥▨▧▥ ▧▤▤▧▧▨▧▧▧▥▨▧▨▤▥ ▧▤▥▧▨▧▧▨▧▨▨▨▥▤▤▨▧▧▥▨▧▧▨▨▨▨▨▨▨▨▥▤▧▨▧▨▨▨

TetrisTetris

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����������������� ����������������� �����������������

SCORE

MATD

LEVEL

��

LINES

����

Developer Alexey Pajitnov • Designers Alexey Pajitnov & Vladimir Pokhilko • Release 1984

▧▧▧▧

30 31

Punctuation

*\:.,…¡!¿?$£"[{(«•»)}]&“—–-”|‹#›

Geometry

■□▣▤▥▧▨▲▶▼◀△▷▽◁

Ligatures

fb fh fk fl ft fv fw fy

Diacritics

ÃÉÎÖÙÁĖĪŐŮĂĆĎÑÇĽŢĘĄØŁÆŒáěîöùăėīőåęąøæœçďłñś

HEBREW

כךיטחזוהדגבאצץפףעסנןמםל־?.!,:; תשרק

CONTRIBUTORSMATD 2014–2015

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CHARACTER SETSastre Regular

Uppercase

ABCDEFGHIJKLMNOPQRSTUVWXYZ

Lowercase

abcdefghijklmnopqrstuvwxyz

Figures

0123456789���������9

LATIN

Uppercase

ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩ

Lowercase

αβγδεζηθικλμνξοπρςστυφχψω

Diacritics

ΆΈΉΊΌΎΏΪΫίϊΐύϋΰόώάέή

GREEK

&USA

Becca HirsbrunnerExtrabold &

BIRAN

Borna IzadpanahRegular B

QURUGUAY

Fermín GuerreroItalic Q

JIRELAND

John HarringtonBold J

ΥCHILE

Juan BruceGreek Υ

zSPAIN

María RamosBold z

aEGYPT

Najla BadranRegular a

nSWEDEN

Noel PretoriusColor n

öGERMANY

Norbert KrauszRegular ö

טIRAN

Sahar AfsharHebrew ט

6COLOMBIA

Sebastián CastellanosItalic 6

ζMEXICO

Sergio TrujilloGreek ζ

אPERU

Thalia EchevarriaHebrew א

gSWITZERLAND Ueli Kaufmann

Regular g

kITALY

Vincenzo VuonoItalic k

n

… The diacritics group includes only a small sample of the actual character set.

This specimen was submitted in partial fulfilment of the requirements for the MA in Typeface Design of the University of Reading (UK)

Thanks to

��������������������������Gerry Leonidas, Gerard Unger, Fiona Ross, Victor Gaultney, Michael Twyman, James Mosley, the visiting lecturers, the MATD graduates, my classmates, family, and friends for their support.

María Ramos ▶ maria@marsidesino.com