semester system - sdeuoc.ac.in
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UNIVERSITY OF CALICUT
M.A. Malayalam Language and Literature
SEMESTER SYSTEM
(2008 Admission onwards)
Scheme of Examination, Syllabus & Textbooks
1. There will be four semesters in the two-year P.G course with 2 semesters in each year. Each
semester will have 90 instructional days with 5 hours in each day under 5 days week system. Thus
the total number of hours in a semester will be 450.
2. Semester end examinations will be held outside the 90 regular instructional days.
3. There will be four papers in each semester. In addition to this there will be a project/ dissertation
during the entire course and comprehensive viva-voce at the end of the last semester. Duration of the
examination (written papers) will be three hours (for each paper).
4. Scheme of evaluation will be as follows:
The entire course (4 semesters) will have a maximum of 1750 marks, the distribution of which is as
follows:
a. Semester papers (16Nos)
(80 marks for external evaluation and 20 marks for
internal assessment for each paper)
= 1600 (100 x 16)
b. Project/ Dissertation = 100
c. Viva-voce = 50
Total = 1750
5. Scheme of external evaluation of the theory papers, continuous internal evaluation, evaluation of the
Project/Dissertation and the conduct of the final comprehensive viva-voce will be as per the general
guidelines and regulations framed by the University of Calicut, with a minor modification suggested
by the Board of Studies as follows:
The final comprehensive viva-voce will be conducted by a team of external and internal examiners.
6. Pass minimum for each paper will be 40% with a separate minimum of 40% for external evaluation.
There will be no separate minimum and no provision for improvement for internal evaluation.
7. With regard to the pass-requirement, classification of results, ranking, promotion to higher semester
and supplementary examination for failed candidates, the general guidelines and regulations of the
University will be applicable (No. GAI/F2/6847/2001 dt 11th October 2002).
8. SYLLABUS AND SCHEME OF EXAMINATION
(1) First Year: First Semester
Paper I - Ancient and Medieval Literature {]mNo\ a[yIm-eo\ kmlnXyw
Paper II - Modern Literature – 1 B[p-\nIkmlnXyw
Paper III - Kerala Culture tIcfkwkvImcw
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Paper IV - Linguistics `mjm-imkv{Xw
(2) First Year: Second Semester, One optional subject from each of the four papers (Papers V to VIII)
Paper V - Any one of the following
(A) Pattu and Manipravala ]m«pw aWn-{]-hm-fhpw
(B) Ezhuthachan Fgp-¯-ѳ
(C) Kunchan Nambiar Ip©³ \¼ymÀ
(D) Attakkatha B«-¡Y
Paper VI – Any one of the following:
(A) Romantic poetry Imev]-\nI IhnX
(B) Historical novel Ncn-{Xm-Jym-bnI
(C) Influence of Nationalism in Malayalam Literature tZiob{]Øm-\-¯nsâ kzm[o\w ae-bmfkmln-Xy-¯nÂ
(D) Short story sNdp-IY
Paper VII – Any one of the following
(A) Kerala culture before the Kollam Era tIcf kwkvImcw sImÃ-hÀjm-cw-`-¯n\p ap³]v
(B) Scientific and Technical Tradition of Kerala tIc-f-¯nsâ sshÚm-\nI ]mc-¼cyw
(C) Traditional performing arts of Kerala tIc-f-¯nsâ cwK-I-em-]m-c-¼cyw
(D) Modernisation of Kerala tIc-f-¯nsâ B[p-\n-I-h-XvI-cWw
Paper VIII – Any one of the following
(A) Linguistics and Literary Studies `mjm-im-kv{Xhpw kmlnXyhnNm-chpw
(B) Lexicology \nL−phnÚm\w
(C) Translation -Theory and Practice hnhÀ¯\w -- kn²m-´hpw {]tbm-Khpw
(D) Comparative Dravidian {Zmhn-U-`m-jm-Xm-c-Xayw
3. Second Year: Third Semester
Paper IX - Modern Literature –2 B[p-\nI kmlnXyw þ 2
Paper X - Grammar hymI-cWw
Paper XI - Literary Theories kmlnXykn²m-´-§Ä
Paper XII - Subsidiary subject-Sanskrit A\p-_Ôhnjbw þ kwkvIrXw
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4. Second Year: Fourth Semester
Paper XIII - Any one of the following
(A) Literary Criticism in Malayalam ae-bmf kmlnXy hnaÀi\w
(B) Modern Poetry B[p-\nIIhnX
(C) Media and Literature am[y-a-§fpw kmln-Xyhpw
(D) Narratology BJym-\-imkv{Xw
Paper XIV – Any one of the following:
(A) Malayalam Grammatical Theories ae-bmfhymI-cWkn²m-´-§Ä
(B) History of Malayalam Language ae-bmf`mjm-N-cn{Xw
(C) Language Planning `mjm-kq-{XWw
(D) Manuscriptology lkvX-en-Jn-X-hn-Úm\w
Paper XV – Any one of the following:
(A) Comparative Literature Xmc-XaykmlnXyw
(B) Poetics in Malayalam kmln-Xy-imkv{Xw ae-bm-f-¯nÂ
(C) Aristotle’s Theory of Drama Acn-tÌm-«n-ensâ \mSI kn²m´w
Paper XVI – Subsidiary subject – Sanskrit A\p-_Ôhnjbw þ kwkvIrXw
9. PROJECT/ DISSERTATION: A candidate should submit a report of the project work/ dissertation
on any of the optional subjects he/ she selected, under the supervision of the teacher concerned.
Since it is a research – oriented work, the candidate has to acquire basic knowledge in the
methodology of research as well as presentation of papers and dissertations. Consult the following
works on research methodology.
1. Kth-jWwþ{]_ÔcN-\-bpsS X¯z-§Ä Nm¯-\m¯v ANyp-X-\p®n (h-Åt¯mÄ hnZym-]o-Tw, ipI-]p-cw, FS-¸mÄ, hnX-cWw: Idâv _pIvkv, tIm«-bw)
2. Kth-j-W-]-²Xn sI.-Fw. {]`m-I-c-hm-cn-bÀ (h-Å-t¯mÄ hnZym-]o-Tw, ipI-]p-cw, FS-¸mÄ)
3. Kth-jW{]th-inI Fw.-hn. hnjvWp \¼q-Xncn (tI-cf `mjm C³Ìn-äyq-«v, Xncp-h-\-´-]p-cw)
4. cP-X-tcJ FUn. Fw.-F³. Imc-tÈcn (c-P-X-Pq-_nen kvac-Wn-I, ae-bmfhn`m-Kw, Imen-¡äv kÀÆ-I-em-ime) Idâv _pIvkv, XrÈqÀ
5. ae-bm-f-K-th-jWw kÀÆ-I-em-im-e-I-fn IrjvW-Ip-amÀ
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Fw.-F. ae-bmfw ska-ÌÀ k{¼-Zmbw þ 2008 {]th-i\w apXÂ
tNmZy-¡-S-em-Ênsâ cq]-amXrI ]co£m kabw 3 aWn-¡qÀ. BsI amÀ¡v 80 ]mTy]²-Xn-bn Hmtcm t]¸dpw 5 bqWn-ämbn kwhn-[m\w sNbvXn-cn-¡p-¶p. Cu A©p bqWn-än\pw {]mXn\n[yw \ÂIn-bmWv tNmZy-¡-S-emÊv X¿m-dm-t¡-−-Xv. Xmsg sImSp-¡p¶ c−p Xcw tNmZy-§Ä D−m-h-Ww. 1. 6 amÀ¡v hoX-apÅ 5 F®w. Hmtcm-¶n\pw D¯cw c−p ]pd-¯n Ihn-b-cp-Xv. Hcp bqWn-änÂ
\n¶v H¶p hoXw D−m-h-Ww. Cu A©p tNmZy-§-fn Hmtcm-¶n\pw B`y-´-c-amb tNmZym-´cw
(Internal choice) AtX bqWn-än \n¶p Xs¶-bmWv \evtI-−-Xv. ]mTy-`m-K-§Ä \evIn hymJym-\-¯n\p {]k-àn-bp-tÅ-S¯v A¯cw tNmZy-§Ä Bhmw. As©-®-¯n ct−m aqt¶m F®w am{Xta C¯-c-¯nÂs¸Sp-¶Xv BIm-hq.
2. 10 amÀ¡v hoX-apÅ 5 F®w. D¯-c-tam-tcm¶pw \mep-]p-d-¯n Ihn-b-cp-Xv. Hcp bqWn-än \n¶v H¶p hoXw D−m-h-Ww. Cu A©p tNmZy-§-fn Hmtcm-¶n\pw B`y-´-c-amb tNmZym-´cw
(Internal choice)- AtX bqWn-än \n¶p Xs¶ \evI-Ww. tNmZy-IÀ¯mhv taevs¡m-Sp¯ c−p hn`m-K-¯n-ep-ambn ]¯p hoXw BsI Ccp-]Xp tNmZy-§Ä X¿m-dm-¡-Ww. hnZymÀ°n-IÄ c−p hn`m-K-¯n-ep-ambn ]¯p tNmZy-§Ä¡v \nÀt±-im-\p-k-cWw D¯-c-sa-gp-Xn-bm aXn.
c−p hn`m-K-¯n-tebpw ]¯p-hoXw tNmZy-§-fn Hmtcm-¶n\pw ‘A’ F¶pw B`y-´-c-amb tNmZy-
¯n\v ‘B’ -F¶pw kqN\ \evI-Ww. A, B-hn-`m-K-§-fn GsX-¦nepw H¶n\v D¯-c-sa-gp-Xn-bm aXn. CXn-\m-bn, A, Bhn-`m-K-§Ä¡n-S-bv¡v, FÃm tNmZy-§Ä¡pw "AsÃ-¦nÂ' F¶p ImWn-¨n-cn-¡-Ww. tNmZy-¡-S-em-Ên sImSp-t¡-−-Xmb \nÀt±-i-§Ä \nÀt±iw : H¶p apX A©p-hsc tNmZy-§Ä¡v Cuc−p ]pd-¯n Ihn-bmsX D¯-c-sa-gp-Xp-I.
Hmtcm-¶n\pw 6 amÀ¡p hoXw (5 x 6 = 30) \nÀt±iw : Bdp-ap-X ]¯p-hsc tNmZy-§Ä¡v \¶mep ]pd-¯n Ihn-bmsX D¯-c-sa-gp-Xp-I.
Hmtcm-¶n\pw 10 amÀ¡p hoXw (5 x 10 = 50)
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UNIVERSITY OF CALICUT
M.A. Malayalam Language and Literature
(For Private/ S.D.E Study)
Scheme of Examination, Syllabus and Textbooks
2008 admission onwards
M.A. Previous Examination (at the end of the first year)
Hours Marks
Paper I - Ancient and medieval Literature ({]mNo-\-þ-a-[y-Im-eo\ kmln-Xyw)
3 100
Paper II - Modern Literature 1 (B[p-\nI kmlnXyw 1)
3 100
Paper III - Kerala Culture (tIcf kwkvImcw)
3 100
Paper IV - Linguistics (`mjm-imkv{Xw)
3 100
Paper V – Any one of the following: 3 100
(A) Pattu and Manipravala (]m«pw aWn-{]-hm-fhpw)
(B) Ezhuthachan (Fgp-¯-ѳ)
(C) Kunchan Nambiar (Ip©³ \¼ymÀ)
(D) Attakkatha (B«-¡Y)
Paper VI – Any one of the following 3 100
(A) Romantic Poetry (Imev]-\nI IhnX)
(B) Historical Novel (Ncn-{Xm-Jym-bnI)
(C) Influence of Nationalism in Malayalam Literature (tZio-b-{]-Øm-\-¯nsâ kzm[o\w ae-bmf kmln-Xy-¯nÂ)
(C) Short story (sNdp-IY)
Paper VII-Any one of the following 3 100
(A) Kerala Culture before the Kollam Era (tIcfkwkvImcw sImÃ-hÀjm-cw-`-¯n\p ap¼v)
(B) Scientific and Technical Tradition of Kerala (tIc-f-¯nsâ sshÚm-\nI ]mc-¼cyw)
(C) Traditional Performing arts of Kerala (tIc-f-¯nsâ cwK-I-em-]m-c-¼cyw)
(D) Modernisation of Kerala (tIc-f-¯nsâ B[p-\n-I-h¡-cWw)
Paper VIII-Any one of the following: 3 100
(A) Linguistics and Literary Studies (`mjm-im-kv{Xhpw kmln-Xy-hn-Nm-chpw)
(B) Lexicology (\nL−phnÚm\w)
(C) Translation – Theory and Practice (hnhÀ¯-\w-þ-kn-²m-´hpw {]tbm-Khpw)
(D) Comparative Dravidian ({Zmhn-U-`m-jm-Xm-c-Xayw)
[Total Marks for the M.A. Previous Exam 800]
M.A. Final Examination (at the end of the second year)
Hours Marks
Paper IX - Modern Literature 2 (B[p-\nI kmlnXyw 2)
3 100
Paper X - Grammar (hymI-cWw)
3 100
Paper XI - Literary Theories (kmlnXy kn²m-´-§Ä)
3 100
Paper XII - Subsidiary subject: Sanskrit (A\p-_-Ôhnjbw: kwkvIrXw)
3 100
Paper XIII – Any one of the following: 3 100
(A) Literary Criticism in Malayalam (ae-bmf kmlnXy hnaÀi\w)
(B) Modern Poetry (B[p-\nI IhnX)
(C) Media and Literature (am[y-a-§fpw kmln-Xyhpw)
(D) Narratology (BJym\imkv{Xw)
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Paper XIV – Any one of the following 3 100
(A) Malayalam grammatical Theories (ae-bmf hymI-cW kn²m-´-§Ä)
(B) History of Malayalam Language (ae-bmf `mjm Ncn{Xw)
(C) Language Planning (`mjm-kq-{XWw)
(D) Manuscriptology (lkvX-en-JnXhnÚm\w)
Paper XV – Any of the following: 3 100
(A) Comparative Literature (Xmc-XaykmlnXyw)
(B) Poetics in Malayalam (kmln-Xy-imkv{Xw ae-bm-f-¯nÂ)
(C) Aristotle’s Theory of Drama (Acn-tÌm-«n-ensâ \mSIkn²m´w)
Paper XVI – Subsidiary Subject – Sanskrit
(A\p-_-Ô-hn-j-bw-þ-kw-kvIrXw) 3 100
Paper XVII – Language, Literature and Culture 3 150
[Total marks for M.A. Final Exam. 950]
SYLLABUS AND TEXTBOOKS Fw.-F. ae-bmfw ska-ÌÀ knÌ-¯nsâ kne-_kv Xs¶-bmWv ss{]häv/ Fkv.-Un.-C. ]T-\-¯n\pw AwKo-I-cn-¨n-«p-Å-Xv.
Fw.-F. ae-bmf`mjbpw kmln-Xyhpw (ss{]häv/ Fkv.-Un.-C. ]T\w)
2008 {]th-i\w apXÂ
Pattern of the Question Paper (tNm-Zy-¡-S-em-Ênsâ cq]-am-Xr-I) ]co-£m-k-abw : Hmtcm t]¸-dn\pw 3 aWn-¡qÀ BsI amÀ¡v : 1 apX 16 hsc-bpÅ t]¸-dp-IÄ¡v 100 amÀ¡p hoXw. 17þmw t]¸-dn\v 150
amÀ¡v ]mTy-]-²-Xn-bn Hmtcm t]¸dpw A©v bqWn-ämbn kwhn-[m\w sNbvXn-cn-¡p-¶p. Cu A©p bqWn-än\pw Xpey-{]m-[m\yw \evIn-bmWv tNmZy-¡-S-emÊv X¿m-dm-t¡-−-Xv. Xmsg sImSp-¡p¶ c−p Xcw tNmZy-§Ä 1 apX 16 hsc-bpÅ t]¸-dp-I-fn kwkvIrXw Hgn-sI-bpÅ Hmtcm t]¸-dn\pw D−m-h-Ww. tNmZy-§Ä: 1. 8 amÀ¡v hoX-apÅ 5 F®w. Hmtcm-¶n\pw D¯cw c−p ]pd-¯n Ihn-b-cp-Xv. Hcp bqWn-änÂ\n¶v
H¶v F¶ IW-¡n-emWv tNmZyw X¿m-dm-t¡-−-Xv. Cu A©p tNmZy-§-fn Hmtcm¶n\pw B`y-
´-c-amb tNmZym-´cw (Internal choice) -AtX bqWn-än \n¶p Xs¶-bmWv \evtI-−-Xv. ]mTy-`m-K-§Ä \evIn hymJym-\-¯n\p {]k-àn-bptÅS¯v A¯cw tNmZy-§Ä Bhmw. As©-®-¯n ct−m aqt¶m F®w am{Xta C¯-c-¯nÂs¸-Sp-¶Xv BIm-hq.
2. 12 amÀ¡v hoX-apÅ 5 F®w. D¯ctamtcm¶pw \mep-]p-d-¯n Ihn-b-cp-Xv. Hcp bqWn-änÂ\n¶v H¶p-hoXw D−m-hWw. Cu A©p tNmZy-§-fn Hmtcm-¶n\pw B`y-´-c-amb tNmZym-´cw
(Internal choice) AtX bqWn-än \n¶p Xs¶ \evI-Ww. tNmZy-IÀ¯mhv taevs¡m-Sp¯ c−p hn`m-K-¯n-ep-ambn ]¯p hoXw BsI Ccp-]Xp tNmZy-§Ä X¿m-dm-¡-Ww. hnZymÀ°n-IÄ c−p hn`m-K-¯n-ep-ambn A¿©p-hoXw ]¯p tNmZy-§Ä¡v \nÀt±-im-\p-k-cWw D¯-c-sa-gp-Xn-bm aXn.
c−p hn`m-K-¯n-sebpw ]¯p-hoXw tNmZy-§-fn A¿-s©-®-¯n\v ‘A’ F¶pw Ah-tbm-tcm-¶n-
sâbpw B`y-´-c-amb A©p tNmZym-´-c-§Ä¡v ‘B’ F¶pw kqN\ \evI-Ww. A, B hn-`m-K-§-fn GsX-¦nepw H¶n\v D¯-c-sa-gp-Xn-bm aXn. CXn-\mbn A, B hn-`m-K-§Ä¡nSbv¡v FÃm tNmZy-§Ä¡pw "AsÃ-¦nÂ' F¶p ImWn-¨n-cn-¡-Ww. tNmZy-¡-S-em-Ên sImSp-t¡-−-Xmb \nÀt±-i-§Ä \nÀt±iw : H¶p apX A©p-hsc tNmZy-§Ä¡v Cuc−p ]pd-¯n Ihn-bmsX D¯-c-sa-gp-Xp-
I. Hmtcm-¶n\pw 8 amÀ¡v hoXw
(5 x 8 = 40) \nÀt±iw : Bdp apX ]¯p-hsc tNmZy-§Ä¡v \¶m-ep-]p-d-¯n Ihn-bmsX D¯-c-sa-gp-Xp-I.
Hmtcm-¶n\pw 12 amÀ¡v hoXw
(5 x 12 = 60) t]¸À 17 `mj, kmln-Xyw, kwkvImcw
Paper XVII – Language, Literature and Culture Cu t]¸-dn\v {]tXy-I-amb ]mTy-]-²Xn CÃ. 1, 2, 3, 4, 9, 10, 11 F¶o Ggv t]¸-dp-I-fpsS (sF-On-
Ihpw kwkvIr-Xhpw Hgn-sI-bp-Å-h) ]mTy-]-²Xn ASn-Øm-\-s¸-Sp¯n hkvXp \njvT-co-Xn-bn-epÅ
(Objective type) tNm-Zy-§-fmWv CXn tNmZn-t¡-−-Xv. tNmZy-¡-S-em-ÊnÂXs¶ \nÀt±-im-\p-k-cWw D¯cw tcJ-s¸-Sp-¯-Ww. tNmZy-IÀ¯mhv D¯c kqNnI X¿m-dm¡n \evIn-bn-cn-¡-Ww. ]co-£m-k-abw : 3 aWn-¡qÀ BsI amÀ¡v: 150
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tNmZy-coXn Xmsg sImSp-¯n-cn-¡p¶ 5 Xcw tNmZy-§-fmWv Cu t]¸-dn D−m-th-−-Xv.
I. tNmZy-¯n-\p-t\sc icn-bp-¯cw he-b-¯n-\p-Ån sImSp-¯-h-bn \n¶pw FSp-s¯-gp-Xp-I. (25 F®w Hmtcm-¶n\pw 1 amÀ¡v)
(25 x 1 = 25 amÀ¡v)
II. tNcpw]Sn tNÀ¡pI (5 hn`m-K-¯n-embn Hmtcm-¶nepw 5 hoXw 25 F®w Hmtcm-¶n\pw 1 amÀ¡v) 1. {KÙ-Im-c-·m-cpsS t]cn\p t\sc AhÀ cNn¨ IrXn-bpsS t]cv Xmsg sImSp-¡p¶ ]«n-I-bnÂ
\n¶v FSp-s¯-gp-XpI
A, B, C, D, E 2. IrXn-I-fpsS t]cn\p t\tc Ah-tbm-tcm¶pw GtXXp kmln-Xy-hn-`m-K-¯n-Âs¸-Sp¶p F¶v
Xmsgs¡mSp-¯-h-bnÂ\n¶pw FSp-s¯-gp-Xp-I.
A, B, C, D, E 3. IrXn-IÄ¡pw {KÙ-Im-c-·mÀ¡pw t\tc AÀl-X-t\-Snb ]pc-kvIm-c-§Ä Xmsg-sIm-Sp-¯-h-bnÂ
\n¶pw FSp-s¯-gp-XpI
A, B, C, D, E 4. IYm-]m-{X-§Ä GtXXp IrXn-bn-te-Xm-sW¶v Hmtcm-¶n\pw t\tc Fgp-Xp-I.
A, B, C, D, E 5. Xmsg sImSp-¡p-¶h Fs´¶v Hmtcm-¶n\pw t\tc Fgp-XpI
A, B, C, D, E
III. tNmZy-¯n\p t\tc Hä-hm-¡n D¯-c-sa-gp-Xp-I.
25 F®w. Hmtcm-¶n\pw Hcp amÀ¡v (25 x 1 = 25)
IV. ct−m \mtem-hm-¡n D¯-c-sa-gp-Xp-I.
25 F®w. Hmtcm-¶n\pw Hcp amÀ¡v (25 x 1 = 25)
V. Hä-hm-Iy¯n D¯-c-sa-gp-Xp-I. D¯cw Imcn-Itbm ]Zytam kq{X-hm-Iytam \nÀh-N-\tam BsW-¦n AsX-gp-Xmw. kwkvIr-X-¯ntem Cw¥o-jntem DÅ-h-bpsS kmcw ae-bm-f-¯n Fgp-Xn-bmepw aXn.
25 F®w. Hmtcm-¶n\pw 2 amÀ¡v (25 x 2 = 50) Ipdn¸v: BsI tNmZy-§Ä 125 BsI amÀ¡v 150
[Pass minimum for each paper will be 40%. Paper XVII is substituted for the dissertation (100marks) and
Viva-voce (50 marks) of the M.A. Malayalam, Semester Scheme. Hence there will be no separate
minimum for paper XVII]
Total marks for M.A. Previous Examination 800
Total marks for M.A. Final Examination 950
Total marks for the M.A. Degree Examinations
M.A. Previous 800 + M.A. Final 950 = 1750
Note: With regard to the pass minimum for each paper, pass requirement of the course, classification of
results and ranking the existing guidelines and regulations of the University of Calicut will be applicable.
(No. GAI/F2/6847/2001 dt 11th October 2002). Candidates those who fail in one paper for M.A. Malayalam
degree course be permitted to re-appear for the failed paper only. They need not have to appear for all
papers of that semester/year.
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t]mÀ«pKo-kp-Im-cpsS BK-a-\-¯n\ptijw tIc-f-¡-c-bn cmjv{So-b-cw-K¯pw kaq-l-
¯neqw D−mb ]cn-hÀ¯-\-§Ä hym]m-cm-`n-hr-²n-bn-eqsS tIc-f-¯n-\p-−mb `uXnI ]ptcm-KXn þ kXyw, [À½w, \oXn F¶n-h-bnÂ\n-¶p-−mb hyXn-N-e\w þ ka-Im-e-km-ln-Xy-¯n-ep-−mb Ch-bpsS {]Xn-^-e-\-§Ä.
Fgp-¯-Ñ-\p-ap³]pw At±-l-¯nsâ Ime-L-«-¯nepw ae-bm-f-¯n-ep-−m-bn-cp¶ kmln-Xy-k-c-Wn-Ifpw Ah-bpsS khn-ti-j-X-Ifpw þ kmln-Xy-]p-tcm-K-Xn-¡mbn CXn-hr¯ kwkvI-c-W-¯nepw Imhy-`m-j-bnepw Fgp-¯-ѳ hcp-¯nb ]cn-jvIr-Xn-IÄ.
ae-bm-f-¯nse `àn {]Øm\w þ Fgp-¯-Ñsâ `àn þ `ànbpw Úm\-¯n\pw Infn-¸m-«n-epÅ Øm\w. Fgp-¯-Ñsâ BJym-\-Ie þ tI-cf-`m-jm-Km-\-§-fmb Xp©sâ Infn-¸m-«p-IÄ¡v ape-Ir-Xn-I-fp-am-bpÅ _Ôw þ {]k-à-amb `mK-§Ä aqe-Ir-Xn-I-fp-ambn Xmc-X-ay-s¸-Sp¯n Fgp-¯-Ñsâ BJym-\-kz-`mhw {Kln-¡Ww þ Xp©³Ir-Xn-I-fnse kaq-lw.
Xp©sâ Infn-¸m-«p-IÄ¡v ka-Im-en-Ihpw ]qÀh-Im-en-I-hp-amb IrXn-I-tfm-SpÅ IS-¸m-Sv... Fgp-¯-Ñsâ kzm[o\w ]nev¡m-e-`m-jm-km-ln-Xy-¯n þ -In-fn-¸m-«p-{]-Øm-\-¯n\v ]nev¡m-e-¯p-−mb A]-Nbw þ C¸-d-ª Imcy-§Äs¡Ãmw Øm\w \evIn-bn-«pÅ ]T-\-amWv e£y-am-¡p-¶-Xv. Xp©³Ir-Xn-I-fpsS A²y-b\w C¡m-cy-§-fp-ambn _Ô-s¸-Sp-¯n-bmWv \S-t¯-−-Xv. Xp©³ IrXn-I-fpsS C¶s¯ {]k-àn.
]mTy-`m-K-§Ä
bq\näv H¶v:
`àn þ kaq-l-¯nepw kmln-Xy-¯n-epw, cma-`àn þ ssih-ssh-jvWh `àn, iàyp-]m-k\ þ `àn-bpsS þ hym]\w þ `ànbpw Úm\hpw tam£-hpw.
bq\näv c−v:
IoÀ¯\ kmlnXyw þ lcn-\m-a-IoÀ¯\w
bq\näv aq¶v:
Infn-¸m-«p-km-lnXyw þ A²ym-ß-cm-am-bWw Infn-¸m«v þ InjvIn-Ôm-ImÞw
bq\näv \mev:
Infn-¸m-«-pkm-lnXyw þ alm-`m-cXw Infn-¸m«v auk-e-]ÀÆw þ IrjvW-Km-Y-bnse {]k-à-`m-K-hp-am-bpÅ Xmc-X-ay-]-T-\w.
bq\näv A©v:
Infn-¸m-«p-km-lnXyw þ alm-`m-cXw Infn-¸m«v þ im´n-]ÀÆw þ aqe-Ir-Xn-bp-am-bpÅ Xmc-X-ay-]-T-\w.
25
klm-b-I-{K-Ù-§Ä
1. Fgp-¯-Ñsâ A²ym-ß-cm-am-bWw Hcp ]T\w tUm.-sI.-F³.-Fgp-¯-ѳ
2. kmln-XyNcn{Xw {]Øm-\-§-fpsS þ FUn.-sI.-Fw.-tPmÀÖv
3. Xp©-s¯-gp-¯-ѳ þ kmln-Xy-]-©m-\³ ]n.-sI.-\m-cm-b-W-]nÅ
4. Fgp-¯-ѳ ]T-\-§Ä þ tUm.Fw.Ir-jvW³ \¼q-Xncn
5. Fgp-¯-Ñsâ Ie þ ]n.-sI.-_m-e-Ir-jvW³
6. tIc-f-km-ln-Xy-N-cn{Xw þ DÅqÀ
7. Fgp-¯Ñ³ (sX-c-sª-Sp¯ {]_-Ô-§Ä) þ F³.-Ir-jvW-]nÅ
8. Xp©³ {]_-Ô-§Ä þ tIc-f-km-lnXy A¡m-Zan
9. ae-bmf hnaÀiw e¡w 10 þ ae-bm-f-hn-`m-Kw, Imen-¡äv kÀÆ-I-em-ime
10. cma-N-cn-X-¯n \n¶p alm-`m-c-X-¯n-te¡v þ Fw.-Fw.-]p-cp-tjm-¯-a³ \mbÀ
11. Xp©-s¯-gp-¯-Ñsâ alm-`m-cXw kwtim-[nX kwkvI-cWw þ ]n.-Fw.-hn-P-b-¸³ Idâv
_pIvkv, XrÈqÀ
12. Infn-¸m«v þ tUm.-F³.-ap-Ip-µ³
13. Ezhuthachan and His Age - Chelanant Achuutha Menon
14. Fgp-¯-Ñ\pw Imehpw (]-cn-`m-j) þ tUm.-Fw.-eo-em-hXn
15. Fgp-¯-Ñsâ `ànbpw ZÀi-\hpw þ tUm.-]n.-Dj
26
ska-ÌÀ 2
t]¸À 5 sFÑn-I-hn-jbw (kn) Ip©³ \¼ymÀ
Paper V Optional Subject (C) Kunchan Nambiar
bqWnäv H¶v :
18þmw \qäm-−nse tIc-fob kaqlw þ cmjv{Sob kmaq-lnI kmwkvIm-cnI ØnXn KXn-IÄ. `cWkw-hn-[m\w þ \m«p-cm-Py-§-fpsS ]X-\w.
tIc-f¯nse ¢mknIv Ie-IÄ þ Iq¯v, IqSn-bm«w, IY-I-fn, \mS³ Ie-IÄ þ ]S-b-Wn, XpÅ þ tIc-fob kwKo-X-]m-c-¼cyw þ Ip©³ \¼ym-cpsS kwKo-X-t_m-[w. imkv{Xob kwKo-Xw, \mtSm-Sn-Km-\-coXn þ aq¶p-Xcw XpÅ-ep-IÄ, ]g-s©m-Ãp-IÄ, XpÅ kmln-Xy-¯nsâ hni-Z-]-T-\-¯n-\pÅ ]oTnI F¶ \ne-bn C¡m-cy-§Ä hnZymÀ°n-IÄ Adn-ªn-cn-¡-Ww.
bqWnäv c−v :
XpÅ IrXn-I-fnse {]ta-b-§Ä þ CXn-lm-km-´-co-£-¯n \n¶v ka-Im-em-´-co-£-¯n-te¡v CXn-lmk IYm-]m-{X-§-fpsS tIc-fo-b-h-XvI-c-Ww. \¼ym-cpsS BJym\Ie ae-bm-f-¯nse BJym\ ]mc-¼-cyw.
hni-Z-]-T-\-¯n\v:
ioe-h-Xo-N-cnXw Hm«³Xp-ÅÂ
bqWnäv aq¶v :
Iq©³ \¼ym-cpsS ^en-X-]-cn-lm-k-§Ä þ Ip¯v, IqSn-bm-«w,- a-[y-I-em-N-¼p-¡Ä F¶n-h-tbm-SpÅ IS-¸m-Sv, kmaq-ly-hn-aÀi-\w, \¼ymÀ IrXn-I-fnse tIc-fo-b-X.
lcn-Wo-kz-bw-hcw ioX-¦³ XpÅÂ
bqWnäv \mev :
Ip©³ \¼ym-cpsS e£yw, kmaq-lnI \ho-I-c-Ww, XpÅ IrXn-I-fn {]Xn-^en¡p¶ tIc-fo-b-k-aq-lw.
hni-Z-]-T-\-¯n\v
k`m-{]-thiw ]d-b³ XpÅÂ
bqWnäv A©v :
Ip©³ \¼ym-cpsS hyàn-Po-hnXw þ sFXo-ly-§Ä \¼ym-cpsS Ih-\-ssien cma ]mWn-hm-Z\pw Ip©³ \¼ym-cpw. -Xp-Å IrXn-IÄ¡p-]p-dta \¼ymÀ cNn¨ IrXn-IÄ.
hni-Z-]-T-\-¯n\v
1. {ioIrjvW NcnXw aWn-{]-hm-fw, kÀ¤w þ 2
{ioIr-jvWm-h-Xm-cw, 72 tÇmI-§Ä
2. \f-N-cnXw Infn-¸m«v 3þmw `mKw
klm-b-I-{K-Ù-§Ä
1. Ip©³ ¼ymÀ þ hm¡pw kaq-lhpw þ tUm.-sI.-F³.-K-tWiv
2. Ip©³ \¼ymcpw At±-l-¯nsâ XpÅ IrXn-Ifpw þ tUm.-hn.-F-kv.-iÀ½
3. XpÅ þ Hcp ]T\w þ tUm.-hn.-F-kv.-iÀ½
4. \¼ymcpw XpÅÂ kmln-Xyhpw þ GhqÀ ]c-ta-iz-c³
5. kmln-Xy-N-cn{Xw {]Øm-\-§-fpsS þ ( Ed.) tUm.-sI.-Fw. tPmÀÖv 6. Z£n-tW-´y³ kwKoXw þ F.-sI.-c-ho-{µ-\mYv
7. \¼ymcpw XpÅ-ep-Ifpw þ Ip¸-¡m«p \mcm-b-W-ta-t\m³
8. tIc-f-km-lnXy Ncn{Xw hmfyw 3 þ DÅqÀ
27
9. ssIc-fn-bpsS IY þ F³.-Ir-jvW-]nÅ
10. XpÅÂ{]-Øm-\w, kwkvIm-ctIZmcw þ Fkv.-sI.-\m-bÀ
11. kmln-Xyhpw lmky-c-khpw þ kmln-Xy-a-RvPp-jnI (c−mw `mKw) þ hS-¡pw-IqÀ cmPm cmP-hÀ½
12. ae-bmf Ihn-Xm-km-ln-Xy-N-cn{Xw þ Fw.-eo-em-hXn
13. hm¡pw kaq-lhpw þ C.-hn.-cm-a-Ir-jvW³
28
ska-ÌÀ 2
t]¸À 5 sFÑn-I-hn-jbw (Un) B«-¡Y
Paper V Optional Subject (D) Attakkatha
bqWnäv H¶v.
Zriy-I-em-{]-Øm-\-amb IY-Ifn þ Hcp \r¯-cq]w þ \mSyim-kv{X-¯nse NXpÀhn-[m-`n-\bw þ IqSn-bm«w
b£-Km-\w, sX¿w, IrjvW-\m-«w, ]pcm-X-\-amb \ng¡q¯v XpS-§nb Zriy-I-em-cq-]-§-fp-ambn IY-I-fn-¡pÅ _Ôw þ IY-I-fn-bpsS DÛ-h-]-Ým-¯ew IXIfnbpsS ]cn-jvIm-cw. sh«¯v þ IÃ-Sn-t¡m-S³ þ I¹o-t§m-S³ k{¼-Zm-b-§Ä Ch-sb-¸-än-bpÅ kmam\y ]T\w cma-\m-«w. B«-¡-Ybpw IY-I-fnbpw þ \mS-Ihpw IY-I-fn-bp-ambn Zriymhnjv¡m-c-¯n-epÅ hyXymkw þ IY-I-fn-bpsS/B«-¡-Y-bpsS C¶s¯ Ah-Ø.
hnti-j-]-T-\-¯n-\pÅ ]mTy-`mKw
]p{X-Im-tajvSn þ sIm«m-c-¡c X¼p-cm³
bqWnäv c−v:
tIm«bw IY-I-sf-¸än kmam-\y-amb ]T\w þ kmln-Xy-`w-Kn, ck-k-¶n-th-iw, ]m{XkrjvSn, `mj, A`n-\-b-tbm-Ky-X, HuNn-Xy-t_m[w F¶n-h-bn Du¶n-s¡m−v tIm«bw IY-I-fpsS kmam-\y-]-T-\w.
hnti-j-]-T-\-¯n-\pÅ ]mTy-`mKw
InÀ½o-c-h[w þ tIm«-b¯p X¼p-cm³
bqWnäv aq¶v:
D®m-bn-hm-cycpw B«-¡-Ym-km-ln-Xyhpw. CXc B«-¡-Y-I-fnÂ\n¶p \f-N-cn-X-¯n-\pÅ ta· þ kmln-Xy-`w-Kn, ck-k-¶n-th-iw, `mj-bnepw ssien-bn-ep-apÅ khn-ti-j-X. \mS-Io-bX F¶n-hbv¡v Du¶Â \ÂIn-sIm-−pÅ hnaÀi-\m-ßI ]T\w þ \f-N-cnXw B«-¡-Y-bqsS kmam\y ]T-\w.
hnti-j-]-T-\-¯n-\pÅ ]mTy-`mKw
\f-N-cnXw \memw-Zn-hwkw þ D®m-bn-hm-cyÀ
bqWnäv \mev:
]nev¡me B«-¡-Ym-Im-c³amÀ þ Infn-am-\qÀ tImbn-¯-¼p-cm\pw Cc-bn-½³ X¼nbpw Ico-{µ³ X¼p-cm-tâbpw Cc-bn-½³ X¼n-bp-sSbpw B«-¡-Y-I-fpsS kmam-\y-]-T-\w.
hnti-j-]-T-\-¯n-\pÅ ]mTy-`mKw
1. cmh-W-hnPbw þ Infn-am-\qÀ henb tImbn-¯-¼p-cm³
2. Z£-bmKw þ Cc-bn-½³ X¼n
bqWnäv A©v : B[p-\nI Imes¯ B«-¡-Y-IÄ
hn. IrjvW³X-¼n, amen, Xpf-ko-h-\w, Hf-¸-a® XpS-§nb B«-¡-Ym-Im-c-·mÀ þ ]gb B«-¡-Y-I-fn ]pXnb B«-¡-Y-IÄ¡pÅ hyXymkw þ `mjm, CXn-hr-¯w, IYm-L-S-\, kmt¦-XnI hnj-b-§Ä F¶n-h-bn h¶ hyXym-kw. CS-¡m-e¯v IY-Ifn {]Øm-\-¯n-\p-−mb A]-N-bw. hÅ-t¯mfpw IY-I-fn-bpsS \thm-°m-\hpw F¶n-h-sb-¡p-dn¨v kam-\y-]-T\w:
hnti-j-]-T-\-¯n-\pÅ ]mTy-`mKw
1. XmS-Im-h[w þ IrjvW³ X¼n
2. IÀ®-i-]Yw þ am[-h³ \mbÀ hn. (am-en)
(hn-ti-j-]-T-\-¯n\v \nÀt±-in¨ IrXn-I-fn \n¶p am{Xta hymJym-\n-¡m-\pÅ tNmZy-§-fp-−m-Im-hq) hnZymÀ°n-IÄ aäv B«-¡-Y-Ifpw Ah-bpsS kmln-Xy-k-hn-ti-j-X-I-fp-ambn ]cn-Nbw t\Snbn-cn-¡-Ww.
1. tIc-f-km-ln-Xy-N-cn{Xw þ aq¶mw hmeyw þ DÅqÀ
29
2. kmlnXy Ncn{Xw {]Øm-\-§-fneqsS þ P\. FUn. tUm. sI.Fw. tPmÀÖv
3. IY-Ifn þ Pn. cma-Ir-jvW-]nÅ
4. IY-I-fn-cwKw þ sI.-]n.-F-kv.-ta-t\m³
5. tIm«bw IY-Ifn þ BäqÀ
6. IY-I-fn-hnÚm\-tImiw þ Abva\w IrjvW-s¡-bvaÄ
7. tIc-f-I-em-a-Þe Ncn{Xw þ eoem-\-¼q-Xn-cn-¸mSv
8. IY-Ifn \ncq-]Ww þ A¼-e-¸pg cma-hÀ½
9. IemaÞew IrjvW³ \mbÀ k]vXXn D]-lm-c-{KÙw
10.IemaÞew cma³Ip«n \mbÀ k]vXXn D]-lm-c-{KÙw
11. Xnc-t\m«w þ Iem-a-Þew cma³Ip-«n-\m-bÀ
12.-\-f-N-cnXw B«-¡Y þ teJ\w þ Ip«n-Ir-jvW-am-cmcv (Ie PohnXw Xs¶)
13. \f-N-cn-X-k-tµiw þ Abva\w IrjvW-s¡-bvaÄ
30
ska-ÌÀ 2
t]¸À 6 sFÑn-I-hn-jbw (F) Imev]-\nI IhnX
Paper VI Optional Subject (A) Romantic Poetry
a[y-bp-K-§-fn-sebpw \thm-°m-\-Z-i-bn-sebpw \ntbm-¢m-ÊnIv Ime-L-«-¯n-sebpw ]mÝm-Xy-km-ln-Xy-¯nsâ kmam-\y-kz-cq]w {Kln-¨-Xn-\p-tijw Imev]-\n-I-Im-hy-kn-²m-´-¯n\v {]m[m\yw \ÂIn ]Tn-¡-Ww. Imhy-`m-j, Imhy-hn-j-bw, Imhy-kz-cq]w Ch-sb-¸än thUvkvhÀ¯v Ah-X-cn-¸n¨ kn²m-´-¯n\pw AwKmw-Kn-s¸mcp¯w, `mh-\, Iev]\ F¶n-h-sb-¸än tImÄdnUvPv Ah-X-cn-¸n¨ kn²m-´-¯n\pw hnti-jn¨v {]m[m\yw \ÂI-Ww.
bqWnäv H¶v: {]Øm-\-e-£-W-§Ä
Imev]-\n-IX F¶ at\m-`m-hw, Imev]-\n-I-X-IÄ (Romanticisms). -¢mkn-khpw sdmamân-kn-k-hpw, sdmamânIv LS-I-§Ä, {]h-W-X-IÄ, sdmamân-knkw Hcp {]Øm\sa¶ \ne-bnÂ
bqWnäv c−v: Imev]-\nI hnj-b-§Ä
Imev]-\n-I-kv]Àiw, t{]aw þ {]Ir-Xn, Imev]-\n-I-Xbpw kaq-l-hpw, Imev]-\n-I-\-c-Iw, Ch-sb-¸än hi-Z-]-T-\w.
bqWnäv aq¶v : thÀUvkvhÀ¯v, tImÄdnUvPv
Imev]-\n-I-hn-¹-h-¯nsâ ]Ým-¯-ew, thUvkvhÀ¯nsâ Imhy-ti-en, {Kmao-W-`m-jbqw Imhy-`m-jbpw thUvkvhÀ¯nsâ ZÀi-\w, tImÄdnUvPpw Acn-tÌm-«n-ensâ kwtÇ-j-X-Xzhpw
Iev]\ (Fancy) bpw `mh\ (Imagination) bpw Imhy-{]-Xn- -̀bpsS e£-W-§Ä Imhy-`m-jbpw KZy-`m-j-bpw. thÀUvkv hÀ¯nsâ hmZ-¯n\v tImÄdn-UvPnsâ adp-]-Sn.
bqWnäv \mev : ae-bm-f-¯nse Imev]-\nI {]Øm\w
ae-bm-f-¯n Imev]-en-I-X-bpsS {]mcw- -̀Zi þ sh×Wn {]Øm-\w, ]¨-a-e-bm-f-{]-Øm-\w, \ntbm-¢m-Ên-k-¯n \n¶p Imev]-\n-I-X-bn-te-¡v, Imev]-\n-I-X-bpsS kaq-lnI {]Xn-^-e-\w, \thm-°m-\-{]-Øm-\-§Ä, cmjv{So-b-{]-Øm-\-§Ä
hni-Z-]-T-\-¯n\v
1. ae-b-hn-emkw þ G.-BÀ.-cm-P-cm-P-hÀ½
Bim³, hÅ-t¯mÄ, DÅqÀ F¶n-h-cpsS Ihn-X-I-fn Imev]-\n-I-X-bpsS hfÀ¨.
hni-Z-]-T-\-¯n\v
2. \fn\n þ Ipam-c-\m-im³
3. Infn-s¡m-©Â þ hÅ-t¯mÄ
4. A¶pw C¶pw þ DÅqÀ
Imev]-\n-I-X-bpsS ]pjvI-e-Zi N§-¼p-g, CS-¸-Ån, Ipªn-cm-a³\m-bÀ XpS-§nb Ihn-IÄ
hni-Z-]-T-\-¯n\v
5. aWn-\mZw þ CS-¸Ån cmL-h³]nÅ
6. B ]qame þ N§-¼pg
bqWnäv A©v: \ho-\-I-hn-X-bn Imev]-\n-I-X-tbm-SpÅ kao-]\w
hni-Z-]-T-\-¯n\v
1. kqcy-Im´n þ Pn.-i-¦-c-¸nÅ
2. Aar-X-Ie þ ]mem \mcm-b-W³ \mbÀ
3. ASÀ¡-f-¯n þ Fw.-]n.-A-¸³
4. cm{Xn-ag þ kqK-X-Ip-amcn
5. HmÀ¡pI hÃ-t¸mgpw þ ]n. `mkvI-c³
31
klm-b-{K-Ù-§Ä
1. Preface Lyrical Balladas - William Wordsworth
* 2. Biographia Literaria Chaps IV, XIII, XIV -S.T.Coleridge
* 3. A.Defence of Poetry - P.B.Shelly
4. English Literary Criticism - The Medieval phase - JWH Atkins
5. English Literary Criticism - The Renisassance
6. English Literary Criticism - 17th & 18th Centuris
7. Princeton Encyclopaedia of Poetry & Poetics - Ed.Alex Preminger
(Medieval Poetics, Renaissance Poetrics, Neo-classical Poetics)
* 8. The Mirror and the Lamp - M.H.Abrams
9. The Romatic Imagination - C.M.Bowra
11. Speculation - T.E. Hulme
12. Literary Criticism, A Short History - Wimsatt & Brooks
13. Imagination - Mary Warnock
14. The Decline and Fall of the Romantic Ideal - F.L.Lucas
*15. Romanticism (The Critical Idiom Series) - Lilian R Furst
16. The Romantic Agony - Mario Praz
17. On the Discrimination of Romanticisms - Arthur O.Lovejoy
(See Abram’s ‘English Romantic Poets’)
*18. Imev]-\n-IX þ _n. lrZ-b-Ip-am-cn, DCB
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
ska-ÌÀ 3
t]¸À 9 B[p-\n-I-km-lnXyw þ 2
(Paper IX Modern Literature - 2)
Ccp-]Xmw \qäm-−nsâ D¯-cmÀ²w Bcw-`n-¨-tXmsS ae-bm-f-km-ln-Xy-¯n Bi-b-¯n-sâbpw Bhn-jvIm-c-¯n-sâbpw `mhp-I-Xz-¯n-sâbpw Xe-§Ä ]cn-hÀ¯-\-hn-t[-b-am-bn. Imev]-\n-IX ]ns¶bpw X§n-\n-s¶-¦nepw AXn\p hncp-²-amb {]h-W-X-Ifpw hfÀ¶p h¶p. Bi-b-]-chpw inev]-c-N-\m-]-c-hp-amb \ho-\-X-IÄ kmln-Xy-¯n {]Xy-£-s¸-«p. ]pXnb ]co-£-W-§fpw A]cn-Nn-X-amb cq]-in-ev]-§fpw hn{`m-a-I-amb {]ta-b-L-S-\-Ifpw ]mc-¼-cy-`-RvP-I-amb `mjm-ssi-en-Ifpw Ah-X-cn-¨p. \mtSm-Sn-¡-e-Ifpw Nn{X-I-e, kn\na XpS-§n-b-e-bpsS kt¦-X-§fpw cmjv{So-b-km-aq-ln-I-{]-Xy-b-im-kv{X-§fpw kmln-Xy-¯n kzm[o\w sNep-¯n. cN-\m-co-Xn-I-fnepw kwth-Z-\-¯nepw `mhp-I-Xz-¯nepw kw`-hn¨ ]cn-hÀ¯-\-§Ä Xncn-¨-dn-bm\pw hnaÀi-\-_p-²n-tbmsS ]Tn-¡m-\p-ap-X-Ipw-h®w kne-_kv {Iao-I-cn-¨n-cn-¡p-¶p. ae-bm-f-km-ln-X-¯n {]Xy-£-s¸« C¯cw {]h-W-X-Isf kw_-Ôn-¨pÅ cN\IÄ hmbn¨v hnZymÀ°n-I-Ä NÀ¨-Ifpw kwhm-Z-§fpw \S-¯n-bn-cn-¡-Ww. 1,2,9 t]¸-dp-IÄ ]c-kv]-c-]q-c-I-§-fm-Wv. ae-bm-f-`m-j-bp-tSbpw kmln-Xy-¯n-sâbpw DZv`hw apX C¶p-h-sc-bpÅ hnIm-k-]-cn-Wm-a-§Ä \nco-£n-¡p-Ibpw hnaÀi-\-_p²ym ]Tn-¡p-Ibpw sN¿pI F¶-XmWv Cu t]¸-dp-IÄ sIm−p-t±-in-¡p-¶-Xv.
hni-Z-]-T-\-¯n-\pÅ IrXn-IÄ:
bq\näv H¶v: IhnX
1. shÅnÂ]-d-h-IÄ þ Pn. i¦-c-¡p-dp¸v 2. Imhnse ]m«v þ CS-tÈcn 3. Xoh-−n-bnse ]m«v þ F³. hn. IrjvW-hm-cn-bÀ 4. kv{Xo þ kpK-X-Ip-amcn 5. _en-ap-lqÀ¯w þ k¨n-Zm-\-µ³ 6. taL-cq-]³ þ BäqÀ chn-hÀ½
bq\näv c−v: t\mhÂ
1. Jkm-¡nsâ CXn-lmkw þ H. hn. hnP-b³ 2. Bem-l-bpsS s]¬a-¡Ä þ kmdm tPmk^v
bq\näv aq¶v: \mS-Iw, Xnc-¡Y
1. ssZh-¯mÀ þ Imhmew \mcm-b-W-¸-Wn-¡À 2. IpSp¡ þ ]n.-Fw. XmPv 3. s]cp-h-gn-b-¼ew þ ]ß-cm-P³
bq\näv \mev: sNdp-IY
1. hm\-{]Øw þ Fw.-Sn. hmkp-tZ-h³ \mbÀ 2. aJ³kn-§nsâ acWw þ Sn. ]ß-\m-`³ 3. tamcnsâ ]cymbw þ hn.-sI.-F³
bq\näv A©v: \ncq-]Ww
1. {]`m-j-W-¯nsâ Nnd-Ip-I-fn þ kpIp-amÀ Ago-t¡mSv (hm-b-\-bpsS kzÀ¤-¯n þ kpIp-amÀ Ago-t¡mSv 2. Bimsâ koX þ Xmbm«p i¦-c³ (ko-Xbpw \ncq-]-I-·mcpw þ Xmbm«p i¦-c³ 3. CXn hmgvhnsâ cm{Xn-`mKw þ hn. cmP-Ir-jvW³
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(a-dp-Xnc Im¯p-\n-¶-t¸mÄ þ hn. cmP-Ir-jvW³) 4. \ncm-\-µ-¯n-sâ-Nncn þ sI. ]n. A¸³ (sI.-]n. A¸sâ sXc-sª-Sp¯ IrXn-IÄ þ hmeyw c−v)
klm-b-I-{K-Ù-§Ä
1. ae-bm-f-I-hn-Xm-km-ln-Xy-N-cn{Xw þ Fw. eoem-hXn 2. Ihn-Xbpw ]mc-¼-cyhpw þ F³. F³. I¡mSv 3. Ihn-X-bnse {]Xn-kÔn þ H. F³.-hn. Ipdp¸v 4. ]pXnb IrXn, ]gb s]mcpÄ (F-Un) þ tZi-aw-Kew cma-IrjvW³ 5. Ipcp-t£-{X-]-T-\-§Ä (F-Un) þ Fw.-Fw. _joÀ 6. Imhy-`m-j-bnse {]iv\-§Ä (F-Un) þ tZi-aw-Kew cma-IrjvW³ 7. tIc-f-I-hn-X-bpsS e¡-§Ä þ (F-Un) A¿-¸-¸-Wn-¡À 8. ka-Im-eo-\-I-hn-X-bpsS e¡-§Ä þ (F-Un) sI.-Pn. i¦-c-¸nÅ 9. kmln-Xy-temIw þ kv{Xohm-Z-¸-Xn¸v 10. kmln-Xy-temIw þ ]cn-ØnXn-¸-Xn¸v 11. amdp¶ ae-bm-f-t\m-h þ sI. ]n. A¸³ 12. ae-bm-f-t\m-h kmln-Xy-N-cn{Xw þ sI.-Fw. Xc-I³ 13. t\mh-en-te-bvs¡mcp Infn-hm-Xn þ hnem-kn\n 14. t\mhÂ: t_m[hpw {]Xn-t_m-[hpw þ ]n.-sI. cmP-ti-J-c³ BkmZv 15. CXn-lm-k-¯nsâ CXn-lmkw þ H.-hn. hnP-b³ 16. t\mh ]T-\-§Ä þ ae-bm-fn-¢-ºv, aZn-cmin 17. {KÙ-]qP þ Fw.-BÀ. N{µ-ti-J-c³ 18. H.-hn. hnP-bsâ Iebpw ZÀi-\hpw þ ]n.-sI. cmP-ti-J-c³ 19. Jkm¡v ]T-\-§Ä þ (F-Un) sIPn. ImÀ¯n-tI-b³,
Fw. IrjvW³ \¼q-Xncn 20. ImYn-Isâ Ie þ Fw.Sn 21. IY Imew t]mse þ F³ iin-[-c³ 22. kz]v\hpw Ncn-{Xhpw þ C.-]n. cmP-tKm-]m-e³ 23. Alw-t_m-[-¯nsâ kÀ¤m-ß-IX þ Fw.-sI. lcn-Ip-amÀ 24. Xcn-ip-\n-e-¯nsâ IY-IÄ þ IfÀtImSv hmkp-tZ-h³ \mbÀ 25. kv{Xoþ-kz-Xzw-þ-k-aqlw þ (F-Un) C.-hn. cma-Ir-jvW³ 26. ae-bm-f-\m-SIkmln-Xy-N-cn{Xw þ Pn. i¦-c-¸nÅ 27. kq{X-[m-cm, CXnte CXnte þ hb-emÀhmkp-tZ-h³]nÅ 28. Pn. i¦-c³¸n-Å-bpsS teJ-\-§Ä þ tIc-f-km-lnXy A¡m-Zan 29. \mSIw thtWm \mSIw þ F³. F³. ]nÅ 30. Ac§v þ {]km-[\ enän Xntb-äÀkv 31. kn\n-a-bpsS temIw þ ASqÀ tKm]m-e-Ir-jvW³ 32. kn\n-a, Zriyhpw ]T-\hpw þ the-¸³ Be-¸mSv 33. Ne-¨n{X ka£ þ hnP-b-Ir-jvW³ 34. bmYmÀ°y-¯nsâ \mep-ap-J-§Ä þ (F-Un) \nkmÀ Al-½Zv 35. kn\na þ kXyhpw anYyhpw þ tXm«w cmP-ti-J-c³ 36. hnaÀi\wþkn-²m-´hpw {]tbm-Khpw þ sI.-Fw. Um\n-b 37. \ncq-]Ww ]pXnb apJw þ (F-Un.) BÀ. cma-N-{µ³, tPmÀÖv Ccp-¼-bw, Fw. KwKm-[-c³ 38. B[p-\n-I-X-bpsS a[ymÓw þ BÀ. \tc-{µ-{]-kmZv 39. ka-Im-e-\n-cq-]-W-¯nsâ hyXy-kvX-ap-§Ä þ k¼m. ]n.-sI. ]c-ta-iz-c³ \mbÀ
kvamcI {SÌv (I-dâv _pIvkv, tIm«-bw) 40. D¯-cm-[p-\n-IXþhÀ¯-am-\hpw hwim-h-enbpwþ sI.-]n. A¸³
41. I¡m-Snsâ IhnX þ tIc-f-km-ln-Xy-k-anXn
42. sNdp-IYmkm-ln-Xy-N-cn{Xw þ tUm. Fw.-Fw. _joÀ
43. adp-Xnc Im¯p-\n-¶-t¸mÄ þ hn. cmP-Ir-jvW³
44. IYbpw Xnc-¡-Ybpw þ BÀ. hn. Fw. Znhm-I-c³
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45. sI. ]n. A¸sâ sXc-sª-Sp¯ IrXn-IÄ. hmfyw c−v
46. "koXbpw \ncq-]-I-·mcpw' þ Xmbm«v i¦-c³
47. Understanding Poetry - James Reeves
48. Modern Poets on Modern Poetry (Ed.) James Smilly
49. Poetry - Elezabath Drew
50. The Novel Today - (Ed.) Malcolm Bradbury
51. The Rhetoric of Novel - Wayan Booth
52. Perspectives of Fiction - (Ed.) James L. Colderwood
53. Short story (Critical Idiom Series)
54. The Living Art - An Introduction to theatre and Drama –
Philip G. Hill
55. Narration in the Fiction Film - Dabid Board well
56. Modernisation/Post modernism (B) Peter Brooks
57. The Political Unconscious - Frederic Jameson
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