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Souun TakedaJapanese calligraphy artist
1 FIND Vol.30 No.1
S o u u d an T a k e
I N T E R V I E W
KIZUNA – The Human Bond Bonding and Bonded 1
No human can live alone.Every individual is supported by many other people and everyindividual supports many others. We are all intertwined by humanbonds and we live our lives laughing at times, and crying at times.What is it that is born out of these many human bonds that arenurtured by the people raising us?
Text:Akira YokotaPhotograph:Yukio Yoshinari
2FIND Vol.30 No.1
A style of calligraphy born out of the yearning to convey has gained popularity
There is a calligraphy school in
a residential area of Fujisawa city,
Kanagawa Prefecture, close to the
Enoshima coast. The classroom has a
capacity of 250 students and is almost
always packed to the brim with boys,
girls, men, and women of all ages, from
various walks of life, eager to learn the
art of Japanese calligraphy. The teaching
in these classes is conducted four times
a week and is very different from the
teaching in the usual calligraphy schools.
Here people put their happy or sad
experiences into words. They write those
words in calligraphy, or write the Kanji
characters almost like pictures so that
the meanings of those characters can
be understood even by foreigners. In
some classes they do ‘relay calligraphy'
in which a few people form a team and
each member of the team writes one
stroke of a letter. Several teams compete
against each other as to which team has
written the most beautiful letter. In other
classes the students leave the classroom
to feel the wind or sunshine, and then
express their emotions on the spot using
calligraphy.
The head master of that calligraphy
school is Mr. Souun Takeda, who is a
popular and well-known calligrapher.
He is known for many of his artistic
creations among which is the logo mark
“K”, of the supercomputer K, which
made headlines for achieving the world's
fastest computing speed.
His ingenious method of teaching
calligraphy completely discards the
traditional methods that train the
students to sit in front of the writing
paper with a quiet mind, write neat
letters according to a writing model, and
acquire titles. His original method has
been praised even on the TV program
“the most wanted lesson in the world”
which top personalities from different
fields give lectures that can be enjoyed
even by adults. These days, not a day
goes by without us seeing one of his
creations in the titles of movies or TV
dramas, on logos of products, or in
collaborative performances with rock
musicians, Kyogen performers, or the
like. Mr. Takeda explains his own driving
force as a calligraphy artist is this: “From
long ago, I have been far more easily
thrilled than other people. For example,
if I found a shop selling very tasty
ramen noodles I was so overwhelmingly
excited that I desperately wanted to go
around telling everybody that the ramen
noodles in that shop were great and that
they should certainly go there and try
them. I have found that the best way
of conveying my message to people is
Making somebody happy is also happiness itself.Being thanked for making somebody's heart move becomes a drivingforce for one's own growth. The happiness of communication with the hearts of the viewers iswhat supports the calligraphy of a popular calligraphy artist.
The Great Power of Just a Single Letter WrittenTriggered by the Thoughts of the Joy of MovingPeople's Hearts
through calligraphy.”
“Even the ‘K’logo was born out of my
eagerness to convey my feeling that a
large number of scientists and engineers
had worked very hard to become
number one in the world. Although I
do not understand anything technical
about computers, behind achieving the
number one performance in the world is
the culture and history of Japan as well
as the nature of the Japanese people. I
put my eagerness into conveying these
factors of greatness into my creation of
this logo.”
The cheerful words coming from
this husky man standing over 180
centimeters tall are full of what he
calls his easily thrilled nature and his
extraordinary eagerness to convey this
thrill to others. But he feels that his
calligraphy expresses his feelings more
It is very easy if one only wants to write neat letters and get a title. But the process of reaching there is in itself interesting, says Mr. Takeda. The happy lessons that do not necessarily follow the preset model are a means of conveying this fact to the students. There is never ending laughter in the classroom every day.
3 FIND Vol.30 No.1
strongly and more deeply than the words
themselves. Even his singularly unique
lessons at the calligraphy school are
mediums for conveying to the students his
feeling that calligraphy is for conveying
one's own feelings to others.
However, he says that this success has
not been achieved by his strength alone.
He says, “I did not become what I
am by thinking I want to be this or that.
While I was struggling hard to find out
what I can do and what only I can do, the
present Souun Takeda is what he is now
thanks to a large number of people.”
His original style of calligraphy was pursued because he wanted to see the people surrounding him happy
During his childhood Mr. Takeda
had been trained thoroughly in the
fundamentals of Japanese calligraphy by
his mother. But he did not actually think
of a life as a calligrapher right from the
beginning. After learning information
science in the university he joined a large
telecommunications company.
“When I was very young I had taken
various individual enhancement lessons
including calligraphy. I did not even select
my first job with any serious intentions,
but just happened to join that job by
chance,” he says. But in that place of
work one day he met with a very fateful
incident that led to the blossoming of his
own latent talent.
“By chance my boss happened to
see my calligraphic writing and liked it
so much that he asked me to write his
name because he wanted to use it on
his personal business card. Saying that it
is an easy thing to do, I wrote it and gave
it to him. Very much to my surprise he
was extremely happy and immediately
my calligraphy became so popular that
one by one all the people there started
asking me to write their names.”
At that point, Mr. Takeda took a bold
step. After working there for three years,
he suddenly left his job and started a
shop on the internet making business
cards. People around him were shocked
at the boldness of throwing away his
stable and secure life in a big company.
Some of his colleagues and superiors
tried to stop him from making such a
risky decision.
Yet he smilingly looks back, “I was
happy because everybody else was
happy to see my calligraphy, and I
wanted more and more people to feel
that same happiness. At that time, I
imagined in my head all people in the
world feeling happy about the business
cards I had written.” That was just what
an easily thrilled person would do.
Not that he had any big grouse against
his life in that job at the large company.
He did not even have any confidence that
I N T E R V I E W
4FIND Vol.30 No.1
he could make a living as a calligrapher.
But he says once the thought came to
him, he could not help acting accordingly.
“Looking back, perhaps at that time
I had selected my own way of life for
the first time in my life. It was possible
because I was young. While I had gone
to many individual development classes
long ago, I had been making selections
according to what my mother and other
people surrounding me said. When there
was something that I was interested in I
could not see anything else once I made
up my mind.”
As other people had worried, the
internet shop selling business cards did not
take off for some time. He then started a
calligraphy school at home and distributed
pamphlets about it, but it was not possible
for an unknown young man to attract any
students.
On one of those days, Mr. Takeda had a
chance meeting that would later prove to
be another turning point in his life. He was
enchanted by a street musician playing
his music in the street, and he thought
of writing calligraphy on the street and
wanted to make people happy.
“In the beginning I was very shy, and
would pack up and run away when
people walked past while I was spreading
my tools on the footpath. I may appear
different but I am extremely timid and
full of various complexes.”
While being resolute in definitely doing
things that he has decided to do, being
shy and afraid when actually doing it is
perhaps common to all young people.
However, that timidity was also one of Mr.
Takeda's weapons.
“Actually, even my present method of
teaching calligraphy classes was born out
of the apprehension that I would not be
able to compete with other calligraphy
schools if I followed the conventional
methods of teaching, and the result of
my thinking was to search for something
that only I could do. I had this strange
conviction that I would definitely not
succeed if I followed the method of
teaching that everybody else was using.
My decision to go ahead with a teaching
method that only I can do is the another
side of my complexes.”
Anyway, the street performance of
calligraphy that he courageously started
made him rediscover the great power
that calligraphy can have.
“A young boy who was looking from
afar came forward to buy a calligraphic
rendering of “Hitamuki' (meaning
‘dedicated’ or “single-minded’) clasping
a tiny coin in his hand. A young lady who
asked me to write “Ai” (meaning ‘Love’),
burst into tears when I finished writing
it. Through such experiences I realized
that my calligraphy could move people's
hearts, and that in turn made me happy.
I was struck to know what great power
calligraphy had.”
Even now he says he feels great
happiness when he receives letters or
emails from fans saying his calligraphy gave
them courage, or that a person decided
against suicide because of one of his
writings. It means more than a creation
of his getting a prize or being praised in
the mass media. It is a great feeling of
happiness for him to know that he has
contributed to someone through his
thinking or actions.
And finally, the young man who pursued
his own way was in the limelight.
It would be great if calligraphybrings world peace
5 FIND Vol.30 No.1
“One day a magazine reporter wrote
an article saying that there is a unique
internet shop selling calligraphic business
cards produced by a young ex-employee
of a large telecommunications company.
That triggered a number of media people
to come and write articles about me.”
As desired, something only he could do
had attracted people to him. His unique
calligraphy lessons were shown on TV
programs and his popularity soared,
putting him in a permanent position as a
calligraphy artist. The overflowing energy
he was born with touched the hearts of
people through his calligraphy.
The power of feelings embedded in calligraphy now spreads ‘the human bond’ throughout the world
Mr. Takeda who has become a popular
calligrapher of the times insists that he is
still a pack of complexes.
“Even now when I appear on a TV
program, I feel dejected because I feel that
I can never beat the talents or speaking
skills of the TV artists on the program. After
all, my thought processes are negative.
I can never equal these people. Then
again I feel that they let me make them
happy through the calligraphy that only I
can do.”
His words are strongly forward-looking,
but he says that they are the result of
his conscious effort to push himself
away from his natural tendency to look
backwards.
“Because I am a person who tends to
think negatively, I am always trying to
correct myself into living positively.”
However, that is probably why he can
understand the feelings of people who
have lost hope or who are in the depths of
darkness. Surely, that is why his calligraphy
can give courage to people, can save
them, and can soothe them.
He is able today to wield his brush only
because of his ex-colleagues who made
him aware of that power, because of the
support he received from the people he
met on the streets and from the fans that
send him letters or emails. He says, “That
is why I am what I am now is thanks to
the feelings of a large number of people
and the human bond with them.”
Even the plan for “World thankfulness
day 69” being promoted by him now
is a project that started rolling because
of chance meetings with a number of
people and their support.
“Peace and thankfulness are things
that do not create a mental image when
merely said with words. Therefore, I feel
things may change if one day the world
celebrates a thankfulness festival even if
it not real. I wish to make June 9th 2020 a
thankfulness day. Even wars should stop
for at least that day. Initially I was talking
about this jokingly with my friends, and
one day this reached the ears of people
in the government, and now this concept
is being taken to the United Nations.”
Many a truth said in humor.
“To realize such a day, the harmonic
force uniquely present in the Japanese
people is necessary and is something
I think that only Japanese can do.
Calligraphy is also one of those forces.
I think it can be a tool for conveying a
strong message of harmony.”
In this context, it appears that
talk is under way to have his solo
exhibitions abroad. The bond that has
spread through his calligraphy, is now
attempting to cross borders. It would
be a wonderful thing if Mr. Takeda's
calligraphy of “Thankfulness” is hung in
the UN Headquarters on June 9, 2020.
P R O F I L E
He has published more than 20 books including collections of his art, and guidelines on the way of life that makes one's heart lighter. There are many fans of the contents that make people happy by just looking at them.
Mr. Takeda wrote this year's theme “Kizuna” (the human bond) during his lecture in the head office of FUJITSU SEMICONDUCTORS. When he faced the writing paper with a quiet heart, he wrote it with a sudden burst of energy.
Souun Takeda was born in Kumamoto city in 1975. He was trained in calligraphy by his mother, Souyou Takeda, from the age 3. He worked at NTT after graduating from the faculty of science and engineering of the Tokyo University of Science, and left his job in 2001 and started his activities as a calligraphy artist. He received the Longhuacui Art Award from the Shanghai Museum of Art and the Costanza Medicci Family Art Award in Florence, Italy. He has written the titles of TV dramas and movies such as the NHK serial drama “Tenchijin”, the movie “Kita no reinen”, and the logos of many products. He writes regular essays and columns in many magazines about living every day in a forward looking manner.
I N T E R V I E W
KIZUNA – The Human Bond Bonding and Bonded 1