the art of open data

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The Art of Open Data Merete Sanderhoff, Senior Advisor @msanderhoff Jonas Heide Smith, Head of Digital @jonassmith

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  1. 1. The Art of Open Data Merete Sanderhoff, Senior Advisor @msanderhoff Jonas Heide Smith, Head of Digital @jonassmith
  2. 2. The National Gallery of Denmark Western art from 1300 to the present Research-based work 450,000 visitors a year 260,000 artworks 66 % in the public domain 27 % digitised
  3. 3. We give you access to art and our knowledge no matter where you are
  4. 4. 2.000 artworks on display
  5. 5. 2.000 artworks on display Only 0.77 % of the collection is visible
  6. 6. 1 % 99 % Works in SMK Collection Works on display
  7. 7. Digitisation is a game-changer
  8. 8. There is not a single physical space where all our heritage can be shown, but on the Internet you can. Democratizing the Rijksmuseum, 2014 http://pro.europeana.eu/files/Europeana_Professional/Publications/Democratising%20the%20Rijksmuseum.pdf
  9. 9. Today, we can offer online services that are available from everywhere to anyone seeking "to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits. Article 27.1 of the Universal Declaration of Human Rights
  10. 10. We are all in the attention business, and we have to play to win. (...) To direct attention to the real knowledge that we produce, publishing our material online for free use and reuse is the first step. It is in keeping with our mission (...) that we have to fight back and infuse this new ecosystem with all the antibodies we have in hand, especially facts and knowledge. Peter B. Kaufmann, In the Post-Truth Era, 2017 http://www.chronicle.com/article/In-the-Post-Truth-Era/239628
  11. 11. New technologies help us move forward Mass digitisation OCR scanning/reading Crowdsourcing Citizen science
  12. 12. New technologies help us move forward Mass digitisation OCR scanning/reading Crowdsourcing Citizen science And people!
  13. 13. No matter who you are, most of the smartest people work for someone else. Joys Law Attributed to Bill Joy, co-founder of Sun Microsystems
  14. 14. Works that are in the Public Domain in analogue form continue to be in the Public Domain once they have been digitised. http://pro.europeana.eu/files/Europeana_Professional/Publications/ Public%20Domain%20Charter%20-%20EN.pdf
  15. 15. Bildung ~ Building http://www.andrewlipson.com/escher/relativity-1600.jpg
  16. 16. Bildung ~ Building http://www.andrewlipson.com/escher/relativity-1600.jpg Creating an understanding of the world and your own place in it becomes a product of active processing, adapting, rebuilding and repurposing. https://medium.com/code-words-technology-and-theory-in-the-museum/wanna- play-8f8e2e8cb2fe#.g41p8a4np
  17. 17. Open art can improve urban environments
  18. 18. Open art can improve social conditions
  19. 19. Clothes as an everyday canvas for art Harald Slott-Mller, Dansk landskab, 1891
  20. 20. Open art as raw materials for Makers
  21. 21. Its a giant toolbox with a fantastic amount of materials to work with. Feedback from a designer involved in the SMK remix challenge Mix it up! 2015
  22. 22. Open art can improve access to knowledge
  23. 23. Open art can build communities
  24. 24. Number of Wikipedia page views with SMK images in 2016 33 million
  25. 25. SMK OPEN a digital platform to make SMKs collection freely and flexibly accessible to everyone
  26. 26. SM Ks rstw ebsite 2001 2009 The FriBilleddelingproject 2012 SM K realeases 170 w orks in hi-res 2014 Public D om ain-policy 2015 collection.sm k.dk launches w ith 25k photos 2016 SM K O penlaunches D etVirtuelle Kunstm useum 2008 SM K on Facebook SM K on G oogle ArtProject H ighlights on W ikim edia 2013 Rejksmuseum reopens 2017 The MET releases 375k digital works SM K D igitallaunches N ew sm k.dk FullAPID AM 1999 Creative Commons launches Europeana launches
  27. 27. The collection database
  28. 28. 260.000 works 70.000 registered 30.000 digitized An ongoing investmentConstantin Hansen, Et selskab af danske kunstnere i Rom, 1837
  29. 29. Exhibition websites From 1999
  30. 30. Blog entries From 2008
  31. 31. News articles From 2010
  32. 32. Exhibition catalogues From 1912
  33. 33. Video
  34. 34. Photos
  35. 35. Hammershi SMKs historie SMK's history Symbolisme Symbolism SMK Shop Undervisning Education SMK Fridays Hammershi Eckersberg Guldalder Danish Golden Age SMK Kom Forskning Research Konservering Conservation SMKs historie SMK's history SMK Onsdage SMK Wednesdays Brnevrksteder Children's workshops Cafe Samtidskunst Contemporary art Lea Porsager Pske Easter Instawalk P.S. Krjer Fauvisme Fauvism SMK Fridays Eckersberg Guldalder Danish Golden Age SMK Open Cafe Brnevrksteder Children's workshops KMS3352
  36. 36. Organic Natural BehaviouralConnectors
  37. 37. Karel Dujardin, Boy Blowing Soap Bubbles, 1663. Organic Allegory Water Clam shell Natural Dominant color: Blue Year: 1663 Artist: Karel Dujardin Behavioural Often seen from Netherlands Often seen with Matisse Most shared in March 2017
  38. 38. APIApplication Programming Interface: An online service which holds all of SMKs data and can deliver it in any desired form to any system. E.g. Send hi-resolution photos of all German art created between 1880 and 1898
  39. 39. Second Canvas
  40. 40. Vizgu
  41. 41. API smk.dk Education services 3rd party app Europeana etc. Europeana etc. 3rd party website
  42. 42. blake.thornberry, Container Stack, https://ic.kr/p/gyXWaf
  43. 43. The Museum as Platform
  44. 44. But whats the impact?
  45. 45. But whats the impact? Does it improve the way our children are educated? Does it provide citizens with new useful skills? Does it enable creatives and innovators to make groundbreaking new works? Does it result in a stronger, more cohesive society?
  46. 46. IMPACT Measure what is important, don't make important what you can measure. - Robert McNamara
  47. 47. Sharing is Caring 2017 Digitisation and social impact? sharecare.nu #sharecare17
  48. 48. SMK OPEN @smkmuseum #smkmuseum smk.dk/smkopen medium.com/smk-open Facebook: SMK Open