the building blocks of play parties

13
1 The Building Blocks of Play Parties Friday, January 15, 2016 Sara Nussel [email protected] Historical Reasons: Communities dominated by a Calvinist ethic found in “English set dancing” to the fiddle the influence of the devil, and forbade their young people the ancient pleasures of rhythmic movement and playful partner- choosing. As an alternative entertainment young people developed “play-parties”, formation games that substituted the players’ singing for the fiddler’s music and “playing” for dancing, activities that preserved the spirit of set dancing while remaining within the bounds of propriety set by the ministers and the community elders. (Folksong Repository) Pedagogical Reasons: No fancy equipment. Children are instantly engaged and eventually become responsible for the music as well as the movement. There’s a wealth of play parties which help the teacher create a healthy culture in his or her classroom. These simple melodies are very adaptable for Orff accompaniment and ideal for inclusion in an Orff classroom. Many of the songs have historical as well as social significance. Early Childhood Movement Activities The Circle Moves: Having Fun Today, Ring Around the Rosie, Riding in a Buggy, Bridge of Avignon, Rain Rondo The Circle At Rest: Circle Round the Zero, In & Out the Window, Blue Bird Through My Window Floating Down the River, Old King Glory Partner Games: Jump Jim Joe If I Could Have a Windmill First & Second Grade Gypsy in the Moonlight- movement in a circle Wishy Washy Wee – swing your partner Riding in a Buggy – move in a circle and swing your partner Bow Wow Wow- moving around the circle Muffin Man – skater’s hold and promenade Shake Those Simmons Down- step, step, step, touch and putting it all together Third Grade Dances in a Circle Shake Those Simmons Down Sally Down the Alley – stealing game; new promenade Tidee-O – easy version Heel & Toe Polka – double circle Dances in a Longways Set Amasee - simplest of longways set Grand Old Duke of York – sashay up and down Alabama Gal – peel the orange Fourth & Fifth Grade John Kanaka – Do-si-do, Move to new partner Old Brass Wagon – grand right and left Way Down Yonder in the Brickyard – new version of old game. Closing Activity: I Am Love Namasté

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Page 1: The Building Blocks of Play Parties

1

The Building Blocks of Play Parties Friday, January 15, 2016

Sara Nussel [email protected] Historical Reasons: Communities dominated by a Calvinist ethic found in “English set dancing” to the fiddle the influence of the devil, and forbade their young people the ancient pleasures of rhythmic movement and playful partner-choosing. As an alternative entertainment young people developed “play-parties”, formation games that substituted the players’ singing for the fiddler’s music and “playing” for dancing, activities that preserved the spirit of set dancing while remaining within the bounds of propriety set by the ministers and the community elders. (Folksong Repository) Pedagogical Reasons: No fancy equipment. Children are instantly engaged and eventually become responsible for the music as well as the movement. There’s a wealth of play parties which help the teacher create a healthy culture in his or her classroom. These simple melodies are very adaptable for Orff accompaniment and ideal for inclusion in an Orff classroom. Many of the songs have historical as well as social significance. Early Childhood Movement Activities The Circle Moves: Having Fun Today, Ring Around the Rosie, Riding in a Buggy, Bridge of Avignon, Rain Rondo

The Circle At Rest: Circle Round the Zero, In & Out the Window, Blue Bird Through My Window Floating Down the River, Old King Glory Partner Games: Jump Jim Joe If I Could Have a Windmill First & Second Grade Gypsy in the Moonlight- movement in a circle

Wishy Washy Wee – swing your partner Riding in a Buggy – move in a circle and swing your partner Bow Wow Wow- moving around the circle Muffin Man – skater’s hold and promenade Shake Those Simmons Down- step, step, step, touch and putting it all together

Third Grade

Dances in a Circle Shake Those Simmons Down Sally Down the Alley – stealing game; new promenade Tidee-O – easy version Heel & Toe Polka – double circle

Dances in a Longways Set Amasee - simplest of longways set Grand Old Duke of York – sashay up and down Alabama Gal – peel the orange

Fourth & Fifth Grade John Kanaka – Do-si-do, Move to new partner Old Brass Wagon – grand right and left Way Down Yonder in the Brickyard – new version of old game. Closing Activity: I Am Love

Namasté

Page 2: The Building Blocks of Play Parties

Having Fun TodayChurch Music for Children©1974 Graded Press Admin. By The Copyright Co. Nashville, TN

Words & Music by Liz WilliamsUsed by permission

Refrain:

™™

Ring Around the Rosey

Riding in a Buggy

44

44

44 44

44

&Let's

1.Let's2.Let's3.Let's

allallallall

holdtaketaketake

handstimetimetime

andtototo

walkpatclapsmile

inourourat

a

our

cirknees.hands.neigh

cle.

bor.

-

-

AllAllAllAll

holdtaketaketake

handstimetimetime

andtototo

walkpatclapsmile

inourourat

a

our

cirknees.hands.neigh

cle.

bor.

-

-

&AllAllAllAll

holdtaketaketake

handstimetimetime

andtototo

walkpatclapsmile

inourourat

a

our

cirknees.hands.neigh

cle.

bor.

-

-

HavHavHavHav

inginginging

----

funfunfunfun

totototo

day.day.day.day.

----

&Ring a round- the ro sey,- Pock et- full of po sies,- Ash es,- ash es- we all fall down.

&Rid ing- in

Cows in the meadow eating buttercups. A-tishoo, a-tishoo, we all stand up.

a bug gy- Miss Mar y- Jane, Miss Mar y- Jane, Miss Mar y- Jane.

&Rid ing- in a bug gy- Miss Mar y- Jane I'm a long way from home. Come ride with me;

&Come ride with me; Come ride with me, my dar ling;- Come ride with me.

œ œ œ œ œ œ œ œ œj œ ™ œ œ œ œ œ œ œ œj œ ™

œ œ œ œ œ œ œ œj œ ™ œ œ œ œ ˙ ™

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙

œ œ œ œ œ œ œ œ ™ œj œ œ œ ™ œj œ œ œ ™ œj ˙

œ œ œ œ œ œ œ œ ™ œj œ œ œ œj œ œj ˙ œj œ œj ˙

œJ œ œj ˙ œj œ œj œ ™ œ œ œ œj œ œj ˙

Page 3: The Building Blocks of Play Parties

Jump, jump, Jump Jim Joe. Shake your head & nod your head &

tap your toe. Round, round, round you go As you

choose a noth- er- part ner- and you Jump Jim Joe.

1.If2.I'd

3.And4.The

Ihavethen

ducks

coulditI'd

would

havepumphavemake

asome

atheir

windwa

duckwings

mill,ter,

pond,flap,

--

asome

atheir

windwa

duckwings

mill,ter,

pond,flap,

--

asome

atheir

windwaduckwings

-mill,ter,

pond,flap,

- IfI'd

AndThe

Ihavethen

ducks

coulditI'd

would

havepumphavemake

asome

atheir

windwa

duckwings

mill,ter,

pond,flap,

--

Oh,OhOh,Oh,

thisthatthatthat

isisisis

whatwhatwhatwhat

III

they

wouldwouldwouldwould

do.do.do.do.

44

68

&b

Jump Jim Joe

&b

&b

Act out the words of the song while holding hands with a partner.On last "Jump Jim Joe", turn around and find a new partner.

&b

If I Could Have a Windmill

&b

&b

Vs. 1 To make a windmill touch partner's hands up high and move arms from side to side.Vs. 2 Hold hands with arms at waist level and simulate pumping motion.Vs. 3 With arms still at waist level, spread them wide to form a duck pond.Vs. 4 Flap your wings independently.

˙ ˙ œ œ ˙ œ œ œ œ œ œ œ œ

œ œ ˙ ˙ ˙ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ ˙

œj œ œj œ œJ œ. œ œj œ. œ œj

œ œj œ œj œ œj œ œJ œ. œ œj

œ œ œ œ œj œ. œ.

Page 4: The Building Blocks of Play Parties

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Voice &Glock.

BassXylo

Rain rain go a way.- Come a gain- a no- ther- day.

V.

BX

Rain rain go a way.- Come a gain- a no- ther- day.

Pit ter- pat ter- rain drops, Pit ter- pat ter- rain drops,

Wind shield wi pers,- wind shield wi pers,- Swish, swish, swish.

V.

BX

Rain rain go a way.- Come a gain- a no- ther- day.

V.

BX

Rain rain go a way.- Come a gain- a no- ther- day.

Rain on the green grass, rain on the tree. Rain on the house tops- but not on me.

4444

&Rain Rain Go Away

&

&Fine

&Fine

&

&

&

&

D.C. al Fine

œ œ œ œ œ œ œ œ œ œ œ œ

˙̇ ˙̇ ˙̇ ˙̇

œ œ œ œ œ œ œ œ œ œ œ œ

˙̇ ˙̇ ˙̇ ˙̇œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ Œ

œ œ œ œ œ œ œ œ œ œ œ œ

˙̇ ˙̇ ˙̇ ˙̇

œ œ œ œ œ œ œ œ œ œ œ œ

˙̇ ˙̇ ˙̇ ˙̇

œ œ œ œ œ œ œ œ ˙ œ œ œ œ œ œ œ œ ˙

Page 5: The Building Blocks of Play Parties

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Bow Wow Wow

5Here We Go Zudee-O

Grand Old Duke of York

AltoGlo.

BassXylo

AltoGlo.

BassXylo

44

44 44

44

4444

&Bow

1. Stomp feet 3 times 2. Shake finger 3. Hold partner's hands & walk half circle 4. Stomp again, turn, face new partner

wow wow, Whose dog art thou? Lit tle- Tom my- Tin ker's- dog, Bow wow wow.

&Here we

2. Step back, Sally-O, Sally-O, Sally-O; Step back Sally-O, All night long.3.Here comes another one, Just like the other one, Here comes another one, All night long.

go Zu dee- O,- Zu dee- O,- Zu dee- O;- Here we go Zu dee- O- All night long.

#

&#

Oh the grand

U U

old Duke of York, He had ten thou sand- men. He

&#

&#

Off we go! Off we go!

&#

marched them up to the top of the hill and he marched them down a gain.-

&# ∑

&#

Let's go

2. And when you're up, you're up; And when you're down, you're down;And when you're only halfway up You're neither up nor down.

march ing,- Off we go!

œ œ ˙ œ œ œ ˙ œ œ œ œ œ œ œ œ œ ˙

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œj œ œj œŒ

œ œ œ œ œ œ œ ‰ œj œ œ œ œ œ ‰ œj

Œ Ó ‰ œjœ Ó ‰ œj

œ

Œ œ œ œ Œ œ œ œ Œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ

Ó ‰ œj œ

œ œ œ œ œ œ œ Œ

Page 6: The Building Blocks of Play Parties

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Shake Those 'Simmons DownSimmon is short for persimmon

Voice

RecorderSop. Glock.

AltoGlock.

AltoXylo

BassXylo

5

V

Rec.SG

AG

AX

BX

24

24

24

24

24

&‹ #

Cir cle- left, do oh,- do oh;- Cir cle- left, do oh,- do oh;-

&‹ # ∑ ∑

&# ∑ ∑

&#

&#

&‹ #

Cir cle- left, do oh,- do oh,- Shake those sim mons- down.

&‹ # ∑

&# ∑

&#

&#

Dance instructions are in the words. On "Boys to the center" and "Girls to the center" we keep it rhythmic.First we all practice step, step, step, touch. After we have the movement down then we change the words toIn, in, in, touch. Out, out, out, touch. Try hard for uniformity of steps. Keep the circle even.There are no prizes for racing into the circle.If you don't have an even distribution of the sexes, you may substitute moons for boys and stars for girls.

2. Circle right, do-oh, do-oh, . . . .3. Boys to the center . . .4. Girls to the center . . .5. Swing your partner . . .6. Promenade home . . .7. Grand right and left . . .

œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ œ œ

œ œ œ œ Œ œ œ œ œ Œ

˙̇ ˙̇ ˙̇ ˙̇

œ œ œ œ œ œ œ œ œ œ œ ˙

œ œ œ œ œ œ œ ˙

œ œ œ œ œ œ œ ˙

œ œ œ œ Œ œ œ œ œ Œ

˙̇ ˙̇ ˙̇ ˙̇

Page 7: The Building Blocks of Play Parties

Sally Down the Alley

Voice

BassXylo

V.

BX

V.

BX

Alabama Gal

Old Brass Wagon

44

44

44

44

&#

Here comes Sal ly- down the al ley,- Here comes Sal ly- down the al ley,-

&#

&#

Here comes Sal ly- down the al ley,- Down in North Car' li- na.- Hands on shoul ders- prom e- nade-

&#

&#

Hands on shoul ders- prom e- nade- Hands on shoul ders,- prom e- nade;- Down in North Car' li- na.-

n

&# n

&1.You

Verse One: Head Couple sashay down the set and back.Verse Two: Head Couple Swing to right 4 beats then to the left 4 beats.Verse Three: Head Couple leads their lines forward and around to peel the orange.Head Couple forms arch at bottom. All couples pass through on Vs. 4.Verse Four: Come through in a hurry. When all are through there is a new head couple. Game starts over.

2. I'll show you how, how . . . 3. Ain't I rock candy . . . 4. Come thru in a hurry. . .

don't know how, how, You don't know how, how, You don't know how, how, Al a- ba- ma- Gal.

&Cir cle- to the left, old brass wa gon,- Cir cle- to the left, old brass wa gon,-

&Cir cle- to the left, old brass

2. Circle to the right . . . 3. Swing oh swing . . . 4. Grand right and left. . .4. Promenade home . . .

wa gon,- You're the one, my dar lin'.-

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ Œ œ œ œ Œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ Œ œ œ œ œ œ œ œ œ œ Œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ Œ œ œ œ Œ œ œ œ œ œ œ

œj œ œj œ œ œj œ œj œ œ œj œ œj œ œ œ œ œ œ ˙

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Page 8: The Building Blocks of Play Parties

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¢

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Way Down Yonder in the BrickyardVoice

Glock.

AltoXylo

Claves

Bass XyloC.B. Bar

V.

Glo.

AX

Cl.

BXCB

V.

Glo.

AX

Cl.

BXCB

44

44

444444

&Way down yon der- in the brick yard,- Re mem- ber- me.

& ∑

& ∑

/ ∑

&

&Way down yon der- in the brick yard,- Re mem- ber- me. Step it, step it, step it down,

&

& ∑

/ ∑

&

&Re mem- ber- me. Step it, step it, step it down, Re mem- ber- me.

&

& ∑ ∑

/ ∑ ∑

&

œ œ œ œ œ œ œj œ ™ œj œ œj ˙

Ó œ œ œ œ

œ œ œ œ

œj œ œj œ Œ

˙̇w˙̇

˙̇w˙̇

œ œ œ œ œ œ œj œ ™ œj œ œj ˙ œ œ œ œ œ œ œ œ˙ Ó Ó œ œ œ œ ˙ Ó

œ œ œ œ œ œ œ œ

œj œ œj œ Œ œj œ œj œ Œ

˙̇w˙̇

˙̇w˙̇

˙̇w˙̇

œj œ œj ˙ œ œ œ œ œ œ œ œ œj œ œj ˙

Ó œ œ œ œ ˙ Ó Ó œ œ œ œ

œ œ œ œ

œj œ œj œ Œ

˙̇w˙̇

˙̇w˙̇

˙̇w˙̇

Page 9: The Building Blocks of Play Parties

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V.

Glo.

AX

Cl.

BXCB

V.

Glo.

AX

Cl.

BXCB

V.

Glo.

AX

Cl.

BXCB

&Swing your part ner- round and round, Re mem- ber- me. Swing your part ner- round and round,

&

& ∑

/ ∑&

&Re mem- ber- me. Way down yon der- in the brick yard,-

&

& ∑

/ ∑

&

&Re mem- ber- me. Way down yon der- in the brick yard,- Re mem- ber- me.

&

& ∑ ∑

/ ∑ ∑

&

Singing Game Way: Everyone stands in a circle.One person (It) walks around during refrain.On "Step it down", find a partner to do step with.Swing partner 8 beats to the right then 8 beats to the left.Partners switch place. New "It" walks around inside the circle.

Play Party Version: Partners promenade around in a circle during refrain.On "Step it down", partners face each other, still holding hands and do step.Swing partner 8 beats to right then 8 beats to left.Repeat as often as desired.

œ œ œ œ œ œ œ œ œj œ œj ˙ œ œ œ œ œ œ œ œ˙ Ó Ó œ œ œ œ ˙ Ó

œ œ œ œ œ œ œ œ

œj œ œj œ Œ œj œ œj œ Œ

˙̇w˙̇

˙̇w˙̇

˙̇w˙̇

œj œ œj ˙ œ œ œ œ œ œ œj œ ™Ó œ œ œ œ ˙ Ó

œ œ œ œ

œj œ œj œ Œ

˙̇w˙̇

˙̇w˙̇

œj œ œj ˙ œ œ œ œ œ œ œj œ ™ œj œ œj ˙

Ó œ œ œ œ ˙ Ó Ó ‰ œj œ

œ œ œ œ

œj œ œj œ Œ

˙̇w˙̇

˙̇w˙̇

˙̇w˙̇

2

Page 10: The Building Blocks of Play Parties

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Copyright © 2014 SR Nussel

Voice

BassMetal.

I am love, I am love, I am a moun tain- of love, I am a

q = 70

q = 70

Voice

A.G.

B.M.

foun tain- of love, I am love. You are love, You are love, You are a

6

Voice

A.G.

B.M.

moun tain- of love, You are a foun tain- of love, You are love. You are

11

44

44

&

Q4

∑ 3

I Am LoveSara R. Nussel

&

&3

& ∑ ∑ ∑

&

&3 3

&

&

Orff Accompaniment is cumulative:1. Bass Metalophone2. Add Alto Glockenspiel3. Add Alto Metalophone4. Add Soprano Metalophone5. Add Soprano Glockenspiel6. Add a few Soprano Glocks playing melody

Ó Œœ œ ˙ ™ œ œ ˙ œ œ œ œ œ œ œ œ œ

œ œ œ

œ œ œ œ œ œ ˙ ˙̇ ˙˙

˙̇ ˙̇ ˙̇ ˙̇

œ œ œ œ œ œ œ ˙ ™ Œ Ó Œœ œ ˙ ™ œ œ ˙ œ œ œ œ

Œ œ ˙ Œ œ ˙

˙̇ ˙̇ œ œ œ œ œ œ ˙ ˙̇ ˙˙

˙̇ ˙̇

œ œ œ œ œœ œ œ œ œ œ œ œ œ œ ˙ ™ Œ Ó Œ

œ œ

Œ ‰ œj ˙ Œ ‰ œj ˙ œ œ œ œ œ œ œ œ œ œ œ œ ˙

˙̇ ˙̇ ˙̇ ˙̇ œ œ œ œ œ œ ˙

Page 11: The Building Blocks of Play Parties

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Voice

S.G.

A.G.

S.M.

A.M.

B.M.

love, You are love, You are a foun tain- of love, You are a

15

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™™™™™™™™™™

Voice

S.G.

A.G.

S.M.

A.M.

B.M.

foun tain- of love, You are love. You are

1.18

1.

&3

&

&

&

&

&

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&

&

&

&

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˙ ™ œ œ ˙ œ œ œ œ œ œ œ œ œœ œ œ

Œ œ ˙ Œ œ ˙ Œ ‰ œj ˙

Œ œ ˙ Œ œ ˙ Œ ‰ œj ˙

˙ ˙ ˙ ˙ ˙ ˙

˙ ˙ ˙ ˙ ˙ ˙

˙̇ ˙˙

˙̇ ˙̇ ˙̇ ˙̇

œ œ œ œ œ œ œ ˙ ™ Œ Ó Œœ œ

Œ ‰ œJ ˙ œ œ œ œ œ œ ˙

Œ ‰ œj ˙ œ œ œ œ œ œ œ œ œ œ œ œ ˙

˙ ˙ œ œ œ œ œ œ ˙

˙ ˙ œ œ œ œ œ œ œ œ œ œ œ œ ˙

˙̇ ˙̇ œ œ œ œ œ œ ˙

2

Page 12: The Building Blocks of Play Parties

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Voice

S.G.

A.G.

S.M.

A.M.

B.M.

love. We are love, We are love, We are a foun tain- of love, We are a

2.21

2.

Voice

S.G.

A.G.

S.M.

A.M.

B.M.

foun tain- of love, We are love.

26

&3

&3

&

&

&

&

& ∑ ∑3

&3

&

&

&

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˙ ™ Œ Ó Œœ œ ˙ ™ œ œ ˙ œ œ œ œ œ œ œ œ œ

œ œ œ

œ œ œ œ œ œ œ œ œ ˙ ™ œ œ ˙ œ œ œ œ œ œ œ œ œœ œ œ

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ ˙

Œ œœ ˙̇ Œ œœ ˙̇ Œ ‰ œœj˙̇

œ œ œ œ œ œ ˙ w ˙ ˙ w

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ ˙ w ˙ ˙ w

œ œ œ œ œ œ ˙ ˙̇ ˙˙

˙̇ ˙̇ ˙̇ ˙̇

œ œ œ œ œ œ œ ˙ ™ Œ

œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ w

Œ ‰ œœJ ˙̇ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ ˙ w

˙ ˙ œ œ œ œ œ œ ˙ w

˙ ˙ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ ˙ w

˙̇ ˙̇ œ œ œ œ œ œ ˙ w

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Page 13: The Building Blocks of Play Parties

Bibliography for The Building Blocks of Play Parties

Aaron, Tossi. Punchinella 47. Philadelphia, PA: Coda Publishing Co. © 1978

Aaron, Tossi and Jos Wuytack. Joy Play Dance Sing. Paris: Alphonse LeDuc, © 1972

Amidon, Peter and Mary Alice Amidon and Andy Davis. Jump Jim Joe. Battleboro, VT: New England Dancing Masters Prod. © 1991

Amidon, Peter, Mary Alice Amidon and Andy Davis. Down in the Valley. Battleboro, VT: New England Dancing Masters Prod. © 2000

Amidon, Peter, Mary Cay Brass and Andy Davis. Listen to the Mockingbird. Battleboro, VT: New England Dancing Masters Prod. © 1997

Choksy, Lois. The Kodaly Method. Englewood Cliffs, NJ: Prentice Hall

Choksy, Lois. The Kodaly Context. Englewood Cliffs, NJ: Prentice Hall © 1981

Choksy, Lois and David Brummitt: 120 Singing Games and Dances for Elementary Schools. Prentice-Hall, Inc. © 1987

Feierabend, John M. Conversational Solfege Level I. GIA Publications ©2001

Feierabend, John M. Music for Little People. Boosey and Hawkes © 1989

Feierabend, John M. The Book of Beginning Circle Games. GIA Publications

Gomme, Alice B. Children’s Singing Games. New York: Dover Pub. ©1967

Jones, Bessie, and Bess Lomax Hawes. Step It Down. University of Georgia Press, © 1987

Newell, William Wells. Games and Songs of American Children. Toronto: Dover Press © 1963

Weikart, Phyllis S. Teaching Movement and Dance. The High/Scope Press © 1982