R . J O S E P H S C O T T - C O N D U C T O R & M U S I C D I R E C T O R

T H E S E A S O N

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Welcome to the opening concert of the Sammamish Symphony’s 23rd season!

This season marks my 16th year with this gifted group of musicians. The Sammamish Symphony Orchestra continues to grow in artistic excellence, and the dedication of each member is evident in the quality of this fine musical ensemble.

The Sammamish Symphony’s 2014/2015 season is sure to be eventful, highlighted by orchestral masterworks and outstanding soloists. We will once again present each of our regular concerts at two locations. Our audiences can attend any of these concerts at the Theatre at Meydenbauer Center in Bellevue (Friday or Thursday evenings) or at Eastlake Performing Arts Center (Sunday afternoons).

The Cantaré Vocal Ensemble has again invited the Sammamish Symphony to take part in a special appearance at Benaroya Hall in Seattle. On Sunday,

Orchestra Management

Board of Directors

Founding DirectorJoyce Cunningham

Music Director & ConductorR. Joseph Scott

PresidentArmand Binkhuysen

Vice-PresidentMiranda Thorpe

TreasurersAndrea Adee

SecretaryCathy Grindle

Directors-at-LargeDennis Helppie

Andy HillRenee Kuehn

Donna MansfieldDaphne Robinson

Honorary Board MembersDon Gerend

Former Mayor, City of Sammamish

Skip RowleyChairman, Rowley Properties

Nancy WhittenSammamish City Council member

Personnel

LibrarianLoryn Lestz

Section LibrariansEric Daane, Shelby Eaton,

Jonathan Feil, Dennis Helppie, Libby Landy, Jayne Marquess

GrantsArmand Binkhuysen

PersonnelJonathan FeilRenee Kuehn

Concert ProgramJonathan Feil

Emaugo Creative

WebmasterMark Wiseman

Youth Concerto CompetitionRenee Kuehn

Lobby ManagersKathie JorgensenCindy Jorgensen

Concessions ManagerCherlyn Kozlak

Sound RecordingPhilip Chance

Music Director and Conductor, R. Joseph Scott has been a dynamic leader in the Northwest musical community for 47 years. He is currently celebrating his 16th

year with the Sammamish Symphony Orchestra.

Maestro Scott has conducted concerts featuring a diverse array of artists, including Metropolitan Opera star Roberta Peters; violinist Pamela Frank; cellist Julian Schwarz; the Seattle Opera Chorus; the Empire Brass Quintet; the Seattle Symphony Choral; and vocalists Anna Maria Alberghetti, Lou Rawls, Maureen McGovern and Marni Nixon. Mr. Scott has also featured members of the Seattle Symphony: Kimberly Russ, piano; Ben Hausman, oboe; Simon James, violin.

Maestro Scott founded the Bellevue Philharmonic Orchestra, serving as Music Director, Conductor and General Manager from 1967 – 1997 and served as Resident Conductor of Lyric Opera Northwest from 2005 - 2009. He has appeared with numerous musical ensembles, including the Bellevue Opera and has conducted world premieres of works by Alan Hovhaness, Vaclav Nelhybel and various regional composers.

Maestro Scott attended the University of Oregon, School of Music and studied conducting with Eugene Furst and Wolfgang Martin of the Portland Opera. After moving to Seattle, Mr. Scott continued his studies with Henry Holt of the Seattle Opera, Mikael Scheremetiew of the Thalia Conservatory, and Vilem Sokol of the Seattle Youth Symphony.

R. Joseph Scott

April 19, 2015, we will perform Carl Orff’s Carmina Burana, with 300 voices comprised of several Puget Sound choral groups, as well as a solo performance by the Symphony of selections from Jules Massenet’s Le Cid Ballet Suite. This will be our sixth collaboration at Benaroya with Cantaré.

Today’s season opener features Ferde Grofé’s Grand Canyon Suite, with its familiar “On the Trail” movement, and Elmer Bernstein’s themes from The Magnificent Seven. We also showcase the dazzling virtuosity of pianist Mark Salman in George Gershwin’s Rhapsody in Blue, a pioneering work in adding the colors of jazz to the orchestral palette.

Our Holiday Pops is a perennial audience pleaser. The Sunday concert includes the Beaver Lake Middle School Choir. February’s España theme features Maurice Ravel’s climactic showpiece Boléro and classical guitarist Michael Parthington in Joaquín Rodrigo’s Concierto de Aranjuez. Our season wraps up in June with Pyotr Ilyich Tchaikovsky’s Fourth Symphony – a masterpiece by turns somber, lyrical, colorful, and powerful. That concert also highlights our Youth Concerto Competition Winner.

Now, I invite you to sit back and enjoy the concert!

R. Joseph ScottR. Joseph Scott

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Program

R. Joseph Scott, Music Director and Conductor

Friday October 17, 2014 7:30 pmMeydenbauer Theatre, Bellevue WA

Sunday October 19, 2014 2:00 pmEastlake Performing Arts Center, Sammamish WA

Wild, Wild West! Mark Salman, piano

Aaron Copland Fanfare for the Common Man Elmer Bernstein Suite from The Magnificent Seven Arr. Calvin Custer The American Frontier George Gershwin Rhapsody in Blue Mark Salman, piano

Intermission

Ferde Grofé Grand Canyon Suite Sunrise Painted Desert On the Trail Sunset Cloudburst

Steinway Piano provided by Steinway Piano Gallery of Bellevue

Please turn off all cell phones and pagers.No audio/video recording or flash photography is allowed during the performance.

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PersonnelFirst ViolinDennis Helppie,

ConcertmasterTim Strait, Assistant

ConcertmasterSandy AnurasIan Backman

Jacky BosworthKristin Edlund

Karin Islip Donna MansfieldLynne MartinellHeather RaschkoHaley SchaeningDeborah Wade

Second ViolinShelby Eaton, Principal

Feather Asmussen, Assistant Principal

Barbara EthingtonCathy Grindle

Matthew GuentherJillian Kent-Dobias

Nancy JohnsonShravani Kulkarni

Paula LibesFran Pope

Setsuko ReevesMcKenna Roberts

ViolaLibby Landy, Principal

Jan Rider, Acting PrincipalBrian Jankanish, Acting

Assistant PrincipalArmand Binkhuysen

Kathryn Boudreau-StroudIrwin Chao

Heidi Fivash

Viola continuedJustins Holderness

Hans KleinDan Pope

Amanda SalmickLoraine Terpening

Barb ThorneMyrl Venter

CelloShiang-Yin Lee, PrincipalJoyce Sanford, Assistant

PrincipalKumiko Chita

Kristina CrothersMarina Fernandez Margaret Fivash

Andy HillLoryn Lestz

Michelle MillerJuha Niemisto

Gail RatleyJoan Selvig

Sandra SultanErin Verna

BassJarod Tanneberg, Principal

FluteMelissa Underhill, Principal

Tori BerntsenElana Sabovic-Matt

PiccoloElana Sabovic-Matt

OboeSusan Jacoby, Principal

Jim Kobe

English HornDennis Calvin

ClarinetJayne Marquess, Principal

Kathy Carr

Bass ClarinetLinda Thomas

BassoonShannon Nelson, Principal

Julia Kingrey

ContrabassoonGordon Brown

French HornEvelyn Zeller, Principal

Dan Chernin Craig Kowald

Nels Magelssen Bernie Olshausen

TrumpetJonathan Feil, Principal

Greg DuPenErik Reed

TromboneScott Sellevold, Principal

Gregg Hirakawa

Bass TromboneWilliam Ronneburg

TubaMark Wiseman, Principal

TimpaniEric Daane, Principal

PercussionBrian Yarkosky, Principal

Scott KetronFrank Ronneburg

Piano/KeyboardCatherine Lowell, Principal

HarpBethany Man, Principal

String sections listed in alphabetical order.

Are you interested in playing with us?

The Sammamish Symphony Orchestra is composed of adult volunteer musicians dedicated to performing concerts and

maintaining outreach programs serving Eastside communities.

Rehearsals: Thursdays 7:15-9:45 p.m. at Eastlake High SchoolPlease call 206-517-7777

or go to www.sammamishsymphony.org

The Sammamish Symphony Orchestra would like to thank

the City of Sammamishfor their support

Hailed as a “heroic virtuoso,” and “dazzling performer,” Mark Salman’s performances have been described as “powerful,” “astonishing,

exacting, and evocative,” “dramatic,” “wildly imaginative.” and “touchingly lyrical.” Of his performance of Beethoven’s Hammerklavier sonata one critic wrote, “there are probably only five or six pianists in the world who can play it as perfectly.” His performance of Liszt’s transcription of the Beethoven Seventh Symphony was named one of three “Performances of the Year” by the Seattle Weekly.

Mr. Salman’s performances have taken him to Europe, Asia, and Canada, as well as throughout the United States. He has performed in Carnegie and Alice Tully Halls in New York City, has been the subject of profiles in The New York Times, and has been featured in numerous radio and television broadcasts. Mr. Salman regularly performs as a concerto soloist with northwest orchestras, including Orchestra Seattle, Auburn Symphony, Federal Way Symphony, and the Northwest Sinfonietta. As a chamber musician, he appears regularly with Simple Measures.

Along with a wide-ranging repertoire, Mr. Salman is known for his expertise on Beethoven, having performed the complete cycle of the thirty-two piano sonatas on both coasts as well as in 18 broadcasts on Seattle’s

KING-FM. “Beethoven and his 32 Piano Sonatas – A Musical Universe,” a 16-part video series featuring Mr. Salman’s performances of the complete sonata cycle, is in production. DVD volumes one and two have been released on the Great Composers label.

Mr. Salman’s recordings include his newest release, Schubert Late Sonatas, two all-Chopin CDs, Mozart’s Piano Concertos K. 488 and K. 503 with the Northwest Sinfonietta, the Transcendental Piano, featuring works by Alkan, Beethoven and Liszt, and American Interweave, featuring contemporary American works for cello and piano.

A native of Connecticut, Mr. Salman began piano studies at age eight and made his recital debut at eleven. A graduate of The Juilliard School, he studied piano with Josef Raieff and Richard Fabre, and previously studied composition with John Harbison. Mr. Salman is on the faculty of the Seattle Conservatory of Music and is a Steinway artist.

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Featured Guest

The Sammamish Symphony Orchestra is grateful for the generous support of the

Garneau-Nicon Family Foundation.

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The Sammamish Symphony would like to thank

Gordon Brown and the

Gordon Brown Foundation

for the generous contribution for music to build the Symphony’s library. Gordon has been an active

member and contra-bassoon player with the symphony for many years.

Program Notes“Go West, young man, and grow up with the country.” (Horace Greeley, July 13, 1865 editorial in the New York Tribune)

In the 1920s and 1930s, the United States transformed its classical music from emulation of mainstream European trends to idioms unmistakably its own. The three major elements were the revolutionary and uniquely American idiom of jazz (exemplified by George Gershwin), a style associated with the expanses of the American West (exemplified by Aaron Copland), and the intermixture into experimental music of American traditional tonal imagery such as fiddle tunes, hymn singing, and patriotic songs (exemplified by Charles Ives). These three indigenous strands formed the basis for the emergence of the United States as a major force in contemporary composition, with its own developments to offer European composers.

The composers of the American West in today’s concert share another heritage – all were born and raised in New York City. (Arranger Calvin Custer, the lone exception, came from Atlantic City, New Jersey.) Though ironic to us today, it reflects New York’s status as a seedbed for artists from all nations and cultures.

Aaron Copland – Fanfare for the Common Man

The Great Depression prompted Aaron Copland (1900-90) to step up the aesthetic makeover that was in progress in his music. Already turning away from a “modernist” style, Copland shifted to a deliberately accessible style which he labeled “vernacular.”

Fanfare for the Common Man was one of two patriotic works (the other being Lincoln Portrait) that Copland composed in 1942. “The challenge,” Copland later wrote, “was to compose a traditional fanfare, direct and powerful, yet with a contemporary sound.” For the title, Copland found inspiration from a speech where vice president Henry Wallace proclaimed the dawning of the “Century of the Common Man.”

Fanfare has enjoyed great popularity, on the concert stage, at public occasions in the United States and abroad, and in films and on television. Copland also used it to begin the final movement of his Third Symphony. On May 15, 2014, it was played by the New York Philharmonic at the dedication of the 9/11 Museum in lower Manhattan.

Elmer Bernstein – Suite from The Magnificent Seven

For over 50 years and in more than

200 major film and television scores, Elmer Bernstein (1922-2004) was known for his creativity, versatility, and longevity. His original film scores range over an enormous variety of styles, of which his score for the western The Magnificent Seven (1960) is perhaps his most familiar and iconic.

The Magnificent Seven is a western-style remake of Akira Kurosawa’s 1954 classic Seven Samurai. The film stars Yul Brynner, Steve McQueen, Charles Bronson, Robert Vaughn, James Coburn, Brad Dexter, and Horst Buchholz as a group of American gunmen hired to protect a small village in Mexico from a group of marauders led by Calvera, portrayed by Eli Wallach. In 2013 the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”

Calvin Custer (arranger) – The American Frontier

Calvin Custer (1939-1998) was prolific in the creation of arrangements for orchestra, many of which have been performed across the country. For the majority of his musical career, Custer was associated with the Syracuse Symphony, serving in the keyboard, horn and bass sections, holding

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various conducting positions, and serving as staff arranger. In 2006, the Syracuse Symphony released a CD of Custer’s arrangements on the disc Big Band Bash.

The American Frontier features a medley of songs associated with the American West, yet each with origins elsewhere. The Girl I Left Behind dates to Ireland in the early 1800s and was adopted by the US Army during the War of 1812. Chester was a patriotic anthem sung during the Revolutionary War. Oh! Susanna

started as a minstrel song by Stephen Foster (1826–1864) and migrated west as an unofficial theme of the “Forty-Niners.” Shenandoah is a traditional American folk song of uncertain provenance, with lyrics added by rivermen and frontier settlers. The lyrics of America the Beautiful were written by Wellesley College English professor, Katharine Lee Bates, inspired by the sights during a train trip to Colorado. The words were fitted to a hymn tune by New York church choirmaster Samuel A. Ward and published in 1910.

George Gershwin – Rhapsody in Blue

By the time he wrote Rhapsody in Blue, George Gershwin (1898-1937) was a highly-paid composer of popular Tin Pan Alley songs and musical theater. Beginning work with only five weeks left until its February 12, 1924 premiere, the ideas of the composition formed during a train ride to Boston. As Gershwin later recounted it, “On the train, with its steely rhythms … I suddenly heard, and even saw on

In MemoriamRuth & Preben

Hoegh-Christensen

We mourn the losses of Ruth and Preben Hoegh-Christensen. Married for over 71 years, Preben died on March 4 at the age of 95 and Ruth on May 30 at 92. Preben

and Ruth were steadfast and generous supporters of the Sammamish Symphony since its founding, volunteering their

time and energy as well.

We will miss them greatly.

FeaturingSleigh RideThe Christmas SongFantasia on We Three KingsHallelujah Chorus

and more...

Special guest Sunday only –The Beaver Lake Middle School ChoirTina Worthington, Music Director

R. Joseph ScottConductor & Music Director

(206) 517-7777www.SammamishSymphony.org

FridayDecember 5, 2014

Meydenbauer Theatre7:30 PM

SundayDecember 7, 2014

Eastlake Performing Arts Center2:00 PM

TicketsAdult - $20

Senior/Student - $15Children 10 or under - $10

Available at the door oronline at Ticketweb.com

May 16, 2015

Save the date!

Annual AuctionPlateau Club

See our website for details.

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paper – the complete construction of the Rhapsody, from beginning to end.… I heard it as a sort of musical kaleidoscope of America, of our vast melting pot, of our unduplicated national pep, of our metropolitan madness. By the time I reached Boston I had a definite plot of the piece.”

In 1924, Gershwin did not have sufficient knowledge of orchestration and agreed that Ferde Grofé, band leader Paul Whiteman’s pianist and chief arranger, would prepare it for performance. The original version was tailored for Whiteman’s jazz band of 23 musicians. Grofé later set the piece for full orchestra.

Although it is one of the most recognizable and popular pieces in American music, Rhapsody in Blue eludes convenient classification. Its “jazz” qualities are syncopation and inflection, not the spontaneous improvised music that Louis Armstrong and Bix Biederbecke were creating. Notwithstanding his great love for the piece, Leonard Bernstein described Rhapsody as “not a composition at all [but] a string of … terrific tunes … stuck together with a thin paste of flour and water.” Composer-pianist and writer John Struble probably hit the mark when he observed that Gershwin approached all music as a songwriter. The result is a natural, sincere expression, with the confidence and nervous energy of the Roaring Twenties, by one of the greatest instinctive melodists of all time.

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Please note a correction in our season brochure. We will be joined at the Carmina Burana concert at Benaroya by the Choir of the Sound. This group was listed as the Choir of Puget Sound. We regret the error.

Shorecrest Performing Arts CenterSaturday, December 6 at 3PM & 7PMSunday, December 7 at 3PM

Tickets Available at

BrownPaperTickets.com

Deck the halls with Choir of the Sound as they spread holiday cheer with some of their favorite music.

Choir of the Soundpresents

Cold Winter, Warm Memories

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425-369-93334532 Klahanie Dr SEIssaquah, WA 98029

Lessons - Supplies - Rentals

plateaumusic

425-369-93334532 Klahanie Dr SEIssaquah, WA 98029www.plateaumusic.org

In-home lessons available for slightly more ▪ Open 7 days a weekLessons for all instruments and voice $30 each

Ferde Grofé – Grand Canyon Suite

During his lifetime starting in his teens, Ferdinand “Ferde” Grofé’s (1892-1972) abilities were in great demand in jazz, classical, and popular music circles. From 1920 to 1932, he was the pianist and arranger for the Paul Whiteman Orchestra, during that time the most successful band in America.

Grofé is sometimes referred to as America’s tone poem composer. His most popular body of composition was a series of suites: Mississippi Suite (1925), scenes along a journey down the Mississippi River; Metropolis Suite (1928), a portrayal of New York in the Jazz Age; and Grand Canyon Suite (1931) – by far the most well-known

of the three – a series of vignettes based on his trip to the Grand Canyon as an itinerant 24 year old pianist in 1916.

The trip left indelible impressions on the composer, which he described in a radio interview more than 40 years later: “I first saw the dawn because we got there the night before and camped. I was spellbound in the silence, you know, because as it got lighter and brighter then you could hear the birds chirping and nature coming to life. All of a sudden, bingo! There it was, the sun. I could hardly describe it in words because words would be inadequate.”

FOR INFO CALL 206-517-7777

ADD A TOUCH OF CLASS TO YOUR PARTY OR EVENT. The Sammamish Symphony Orchestra offers small chamber groups for private functions.

Cascade Woman’s Club Living the Volunteer Spirit

The GFWC Cascade Woman's Club is a non-profit charitable organization bringing together women from surrounding areas to promote community service and welfare locally, regionally and internationally. Anyone interested in learning more and contacting us visit our website at: gfwccascadeclub.weebly.com

The Sammamish Symphony offers volunteer opportunities from lobby assistance and marketing support to board positions. We welcome the public to bring their talents to our growing organization

Become a part of our organization!

Please contact us at

206-517-7777if you are interested© 2014 Sammamish Symphony Association

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2014-2015 SeaSon at a Glance

The Wild, Wild West! Friday, October 17, 2014, 7:30 pm ● Meydenbauer Theatre

Sunday, October 19, 2014, 2:00 pm ● Eastlake Performing Arts Theater

Holiday Pops Friday, December 5, 2014, 7:30 pm ● Meydenbauer Theatre

Sunday, December 7, 2014, 2:00 pm ● Eastlake Performing Arts Theater

EspañaFriday, February 20, 2015, 7:30 pm ● Meydenbauer Theatre

Sunday, February 22, 2015, 2:00 pm ● Eastlake Performing Arts Theater

Sammamish Symphony at Benaroya Hall Performing Carl Orff, Carmina Burana

with combined area chorusesSunday, April 19, 2015, 2:00pm ● Benaroya Hall

Tchaikovsky Symphony No. 4Thursday, June 4, 2015, 7:30 pm ● Meydenbauer Theatre

Sunday, June 7, 2015, 2:00 pm ● Eastlake Performing Arts Theater

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Acknowledgements

FacilitiesMeydenbauer CenterEastlake High School

Program Design & LayoutEmaugo Creative

Program Notes Jonathan Feil

Rehearsal Space Bellevue Christian School

Lobby ServicesThe City of Sammamish Volunteer Network

Refreshments Safeway/Costco

Klahanie QFC/Pine Lake QFC

Percussion EquipmentMarianna Vale

Beaver Lake Middle School

Recording EngineerPhillip Chance

Many people have worked together to make our community orchestra possible. They have given of their time, talent, and energy. Thank you!

The Sammamish Symphony Orchestra Association (SSOA) is a Non-Profit Corporation under Section 501(c)(3) of the Internal Revenue Service. For further information, contact the SSOA:

P.O. Box 1173, Issaquah, WA 98027www.sammamishsymphony.org (206) 517-7777

We are seeking donations from supporters like you to help us sustain and expand our programs. Please join the generous individuals and organizations who have provided support to enable us to make the music our audiences love to hear. All contributions are tax-deductible. Please

contact one of our representatives about how you can help.To the Many Supporters of the Sammamish Symphony Orchestra, THANK YOU!

YOU CAN NOW DONATE ONLINE VIA PAYPAL ON OUR WEBSITE AT www.sammamishsymphony.org

Scott Hamilton & Gail TwelvesAndy & Lori Hill

Heather HolmbackJudith Johnson

Nancy & Paul JohnsonJoel & Catherine LaPlantif

Jessica LorantNels H. Magelssen & Evelyn M. Zeller

Donna MansfieldTed & Lenore Martinell

Dave Van MoorhemKenneth MorsePauline MillerLeslie Nielson

Tom & Ruth OdellJanis Orrico

Fran & Dan PopeR. Joseph Scott

N. Jayne Marquess & Peter SeftonRobert Schneble

Harry & Claradell SheddStamen & Denitsa Stoychev

Sandra SultanRon & Cheryl Tanneberg

Linda M S ThomasMelissa Underhill

Dan & Marianna VailDave Van Moorhem

Dorothy Wendler

ContributorsIn addition to the following donors we gratefully acknowledge those

individuals and families who purchased donated goods and services at our Sammamish Symphony Auctions.

BENEFACTORS ($500-999)

Anonymous (King County Employee)David Campbell

Shelby EatonBob & Cathy Grindle

King County Employee Giving ProgramFlorian LaPlantif

Kevin & Lynne MartinellKenneth Morse

Estate of Eleanor NeinHerman & Myrl Venter

SPONSORS ($100-499)

Arthur & Lora Lee AllanAnn & John Backman

Alethia BarnesArmand & Claudia Binkhuysen

Bischofberger ViolinsDebbie & Keith Brownfield

David BrooksDennis Calvin

Kristen Edlund & Ken RosenowJonathan FeilHeidi Fivash

Margaret & Scott FivashBob & Cathy Grindle

SUPPORTERS ($25-99)

Feather & David Asmussen Lisa BergmanVerna BorupRena BradyKathy Carr

Maury CorbinPete & Tara Cummings

CeCilio Di GinoAnnie & Ed Evans

Bill FerensenJohn Ferensen

Don & Sue GerendDr. Martin Hanson

Iris KingJayne MarquessMichelle MillerJuha Niemisto

Jose PantojaJudy PetersonIssam Rashid

David & Penny ShortCarol StewartLinda Thomas

Miranda ThorpeTom & Mary Lynn VanceMark & Linda Wiseman

PATRONS ($1,000+)

Sandy AnurasThe Boeing Company

The Charles Maxfield and Gloria F. Parrish Foundation

Garneau-Nicon Family FoundationAllyn & Pat Hebner

Ruth & Preben Hoegh-ChristensenAndrew Coldham

ExpediaGordon Brown Foundation

King County 4CultureMicrosoft Corporation

Skip RowleyRowley Properties

City of SammamishSwedish Hospital

Mark & Linda Wiseman

SPONSORS ($100-499)Continued

HolidayPops!

Tchaikovsky’s

SymphonyNo. 4 in f minor

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