tonehammer francesca readme

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8/12/2019 Tonehammer Francesca Readme http://slidepdf.com/reader/full/tonehammer-francesca-readme 1/22 1 FORGOTTEN VOICES: “FRANCESCA” EMOTIONAL SINGING Created by Troels Folmann and Mike Peaslee. Singer: Francesca Genco. Ambient Vocal Designer: Steven Tavaglione. TONEHAMMERFRANCESCA Thanks for choosing the first library in our Forgotten Voices Series: “Francesca”. The singer, Francesca Genco, is a highly gifted female alto singer covering a variety of vocal textures from soft to powerful, crying and evocative type of vocals. Francesca has been singing and chanting for over 20 years and is one of the most respected shamanistic sound healers in the world. Her repertoire of singing styles ranging from classical western to balkan and middle- eastern song traditions. The vocal library is made from over 10 hours of phrases divided into logical categories (ex. Chanting, Flute-Singing, Lullaby, Powerful, Slow Dark Evocative etc) and by sophisticated editing and programming. The programming allows user to sculpt- and morph phrases by adjusting the mod-wheel and pitch bender. The mod-wheel controls the sample starting point, so users can trigger off-set anywhere they want in the phrases. The pitch bender allows you to time-stretch/compress the phrase. The combination between sample off-set control and time-stretch/compression allows users to seamlessly morph different phrases together, which brings endless possibilities for creating new phrases. In addition Francesca contains a bonus set of vocal ambiences (Kontakt 3 only ) made by Steven Tavaglione (Wall-E, American Beauty, CSI, Supernatural and 100s other movies/shows/games). Troels Folmann      T      O      N      E      H      A      M      M      E      R      F      R      A      N      C      E      S      C      A

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FORGOTTEN VOICES: “FRANCESCA”EMOTIONAL SINGINGCreated by Troels Folmann and Mike Peaslee. Singer: Francesca Genco. Ambient Vocal Designer: Steven Tavaglione.

TONEHAMMERFRANCESCA

Thanks for choosing the first library in our Forgotten Voices Series: “Francesca”.

The singer, Francesca Genco, is a highly gifted female alto singer covering a variety of vocaltextures from soft to powerful, crying and evocative type of vocals. Francesca has been singingand chanting for over 20 years and is one of the most respected shamanistic sound healers inthe world. Her repertoire of singing styles ranging from classical western to balkan and middle-

eastern song traditions. The vocal library is made from over 10 hours of phrases divided intological categories (ex. Chanting, Flute-Singing, Lullaby, Powerful, Slow Dark Evocative etc) and bysophisticated editing and programming. The programming allows user to sculpt- and morphphrases by adjusting the mod-wheel and pitch bender. The mod-wheel controls the samplestarting point, so users can trigger off-set anywhere they want in the phrases. The pitch benderallows you to time-stretch/compress the phrase. The combination between sample off-setcontrol and time-stretch/compression allows users to seamlessly morph different phrasestogether, which brings endless possibilities for creating new phrases. In addition Francescacontains a bonus set of vocal ambiences (Kontakt 3 only ) made by Steven Tavaglione (Wall-E,

American Beauty, CSI, Supernatural and 100s other movies/shows/games).

Troels Folmann

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INSTALLATION

We Use Winrar (version 3.80 or later) or other compatible program

to un-compress the “Tonehammer_Francesca.rar” file into its own

folder in your sample library directory. Make sure to preserve the

included folder structure. This is usually done by selecting the “extract

to'...” option in Winrar or UnrarX.

Here’s a link to winrar for PC:http://www.win-rar.com/download.htmlHere’s a link to UnRarX for OSX:http://www.unrarx.com/ 

You should now be able to open and play the .nki files. Be aware thatall of our .nki files are compatible with full retail versions of Kontakt 2(version 2.2.4 or later) or Kontakt 3 (version 3.0 or later) only.

Note: Free Kompakt Players and Kontakt Players that come bundledwith DAW software, hardware or other sample libraries won't beable to load ours or any other instrument library that didn't originallycome bundled with it. We're sorry, but it's the way Kontakt andKompakt Players work by design. However, since our wave directoriesare open, you can translate the patches into whatever format youlike. There are a few conversion utilities available that can make thetranslation process much easier, such as as CDXtract. Just make sure

you don't share them with others without asking. Each user mustpurchase their own copy of this instrument from Tonehammer.

TONEHAMMER.COM

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ABOUT FRANCESCA GENCO

Francesca Genco is a singer, sound healer, interdisciplinary artist and teacher. She has been singing and playing

music since she was a wee tot. From the age of 6, her parents would often find her writing songs at the pianoon little pieces of paper with a red pencil. Being quite prolific, she would sometimes write up to 7 songs aday!

It is her great pleasure to create music with both professional musicians and those who simply love singing andplaying with the cosmos and all beings in it. She has been leading improvisational chanting and sound healingcircles and embodied singing workshops for 10 years. Francesca is the founder of Song of the Body, whichoffers classes, workshops and retreats in sound healing, yoga and creative expression through voice, rhythm andmovement.

She has received several grants for her projects and performances, including a grant from the San FranciscoFoundation in 1996 to create and lead GIRLS RULE!, an arts-based empowerment group for teenaged girls. She

was also a co-founder of the Philadelphia Contact Improvisation Dance Festival, which she co-directed withLeah Stein for 3 years.

Her private practice is in Berkeley, CA. She also facilitates workshops and private sessions on the East Coastand in Europe.

You can read more about Francesca at:

http://cdbaby.com/cd/francescagenco or http://www.songofthebody.com/

ABOUT PROGRAMMING

The Forgotten Voices: “Francesca” library contains two sophisticated ways of manipulating the phrases. Allpatches have specific mod-wheel and pitch-bender control, which is marked by the MW and TS names in thefiles. The Modwheel (MW) controls the sample off-set, so the user can start playing anywhere in the phrasebased on position of the modwheel. This feature is important, since many of the phrases are 15-20 secondslong and often you will want to “cut” into the phrase to sculpt it properly. The Pitch-Bender is associated totime-stretching (TS), which allows the user to decrease/increase the time of the phrase. The combinationbetween sample off-set and time-stretching gives great command over the phrase and users will literally beallowed to sculpt millions of combinations from the +850 phrases in the library. It can take a little getting

used to for new users, but once you get a feel for it - its an incredibly powerful combination for phrasecontrol.

The library also contains additional Bonus of Vocal Ambiences (Kontakt 3 only ), which were specificallydesigned for Kontakt 3 functionalities. The ambiences were designed by Steven Tavaglione - who is one of themost sought after studio musicians and ambient music designer in LA. He worked with Thomas Newman onWall-E, American Beauty, Shawshank Redemption and has done ambient music on CSI, Supernatural and over100 other shows/games.

TONEHAMMER ABOUT FRANCESCA AND PROGRAMMING

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CHANTING_MW_TS_1.NKIThis patch contains a variety of singular note phrases with a Gregorian quality to them. The phrasescontains no variation in tone/pitch, but do contain a variation in dynamics, so they are ideal for slowtype of scoring. Please note that mod-wheel controls sample off-set and pitch-bender controls time-stretching allowing for total phrase control.

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This patch contains another set of singular note phrases. The phrases contains no variation in tone/pitch, but do contain a variation in dynamics, so they are ideal for slow type of scoring. Please notethat mod-wheel controls sample off-set and pitch-bender controls time-stretching allowing for totalphrase control.

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CHANTING_MW_TS_2.NKI

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FLUTE_SINGING_MW_TS.NKIFlute Singing is a specific way of whistling and singing at the same time. The voice becomes somewherebetween a flute and a human vocal with a very airy quality to it. It is pure otherworld and somewhere betweenextremely pleasing and with an underlying tone of haunting memories.

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FRANCESCA_ALL.NKMThis multi-patch contains all the phrase banks in the Francesca Core Library.

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FX_AND_ATONAL_MW_TS.NKIThis patch contains a variety of vocal warm-up sounds (predominantly: Brrrrrr) and a set of haunting,atonal drony type of looped vocals. The atonal sets were made by the singing softly changing pitchslightly to get off-note and generate a haunting, 2001ish, eerie mini-choir feel.

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LONELY_LULLABY_MW_TS.NKIThe lonely lullaby patch is in the gray area between beauty and disturbia. Imagine a mother who haslost her child. Gently sitting, waving back and forth softly singing for a plastic doll in her hands. Thepatch has multiple applications, but there is a sense of dark beauty to it.

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PLAYFUL_CHANTING_MW_TS_1.NKIThis patch contains a variety of phrases with a lively, playful quality to them. They are not necessarilyhappy, but have enough tonal variation to project some optimism, but always with a tad of darknessand sadness to them. Please note that mod-wheel controls sample off-set and pitch-bender controlstime-stretching allowing for total phrase control.

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This patch contains another variety of phrases with a lively, playful quality to them. They are notnecessarily happy, but have enough tonal variation to project some optimism, but always with a tad ofdarkness and sadness to them. Please note that mod-wheel controls sample off-set and pitch-bendercontrols time-stretching allowing for total phrase control.

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PLAYFUL_CHANTING_MW_TS_2.NKI

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PLAYFUL_CHANTING_SLOWER_MW_TS_3.NKI

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This patch contains variety of slower phrases with a somehow lively, playful quality to them. They arenot as light as the other Playful_Chanting patches, but still retain some light and hope.

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POWERFUL_1_MW_TS.NKIThis patch contains the most powerful (forte) vocals in the library. Francesca is literally singing at hermaximum volume. The sounds have a highly ethnic, atonal nature, crying, burning nature and great for“break-through” type of scoring - marking of a significant event.

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POWERFUL_2_MW_TS.NKIThis patch (together with POWERFUL_1) contains the most powerful (forte) vocals in the library.Francesca is literally singing at her maximum volume. The sounds have a highly ethnic, atonal nature,crying, burning nature and great for “break-through” type of scoring - marking of a significant event.

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SINGING_BEATS_MW_TS.NKIFrancesca had an extremely good sense for rhythm, so we added a specific patch with singing beats.These are mainly non-tune based whispering beats, which can provide awesome rhythmic backgroundmaterial with other vocals on top.

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SLOW_DARK_EVOCATIVE_MW_TS_1.NKIThis patch contains some of the darkest samples in the library. All the phrases are slow and tend tobe minor based. There is a variety of quarter and half note bends, which gives a sad, dark, yetemotional and powerful texture.

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SLOW_DARK_EVOCATIVE_MW_TS_2.NKIThis patch contains some of the darkest samples in the library. All the phrases are slow and tend tobe minor based. There is a variety of quarter and half note bends, which gives a sad, dark, yetemotional and powerful texture.

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WHISPERS_MW_TS.NKIThis patch contains a variety of non-tune based vocal whispers. The lower keys contain longerwhispers and the upper keys contain shorter whispers. It is possible to create vocal beats out of thewhispers by using modwheel and pitch-bender properly.

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This (Kontakt 3 only) multi-patch contains a variety of vocal ambiences created by masterful ambientmusic designer, Steven Tavaglione. Steven are using of advanced features to generate the ambiences,including convolution reverbs, granular synthesis, time-freezing/river-run techniques to create theseamazing ambiences. All the ambiences were made from Francesca Flute Singing samples.

Note: You need Kontakt 3 to use this patch. Solo/mute function is activated for this patch. So you can

stay on midi-channel 1 and mute/unmute the patches you like.

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FRANCESCA_FLUTE_SPINS.NKM

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TONEHAMMER_SPIRIT_VOICES_BY_TAV.NKM

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This (Kontakt 3 only) multi-patch contains a variety of vocal ambiences created by masterful ambientmusic designer, Steven Tavaglione. Steven are using of advanced features to generate the ambiences,including convolution reverbs, granular synthesis, time-freezing/river-run techniques to create theseamazing ambiences. All the ambiences were made from a variety of Francesca samples.

Note: You need Kontakt 3 to use this patch. Solo/mute function is activated for this patch. So you can

stay on midi-channel 1 and mute/unmute the patches you like.

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LICENSE AGREEMENT

By installing the product you accept the following

product license agreement:

LICENSE GRANT

The license for this product is granted only to asingle user. All sounds and samples in this productare licensed, but not sold, to you by Tonehammer,Inc. for commercial and non-commercial use inmusic, sound-effect, audio/video post-production,performance, broadcast or similar finished content-creation and production use.

Tonehammer allows you to use any of the soundsand samples in the library(s) you've purchased forcommercial recordings without paying anyadditional license fees or providing sourceattribution to Tonehammer, Inc. This licenseexpressly forbids any unauthorized inclusion ofcontent contained within this library, or any anyTonehammer library, into any other sampleinstrument or library of any kind, without ourexpress written consent.

This license also forbids any re-distribution methodof this product, or its sounds, through any means,including but not limited to, re-sampling, mixing,processing, isolating, or embedding into software orhardware of any kind, for the purpose of re-recording or reproduction as part of any free orcommercial library of musical and/or sound effectsamples and/or articulations, or any form of musicalsample or sound effect sample playback system ordevice. Licenses cannot be transferred to anotherentity, without written consent of Tonehammer, Inc.

RIGHTS

Tonehammer retains full copyright privileges andcomplete ownership of all recorded sounds,instrument programming, documentation andmusical performances included in this product.

REFUNDS

Downloaded libraries can't be returned, so we can't

provide refunds. We may choose do so at our owndiscretion,but please be aware that as soon asyou've downloaded it, you can't return it.

RESPONSIBILITY

Using this product and any supplied software is atthe licensee’s own risk. Tonehammer holds noresponsibility for any direct or indirect loss arisingfrom any form of use of this product.

TERMS

This license agreement is effective from themoment the product is installed by any means. Thelicense will remain in full effect until termination.The license is terminated if you break any of theterms or conditions of this agreement, or request arefund for any reason. Upon termination you agreeto destroy all copies and contents of the product atyour own expense.

VIOLATION

We don't use any form of DRM software,registration, license keys or other anti-piracytechnology. We do this because we love you. That'salso one of the reasons our prices are so low, eventhough it takes a long time to make these libraries.The other reason is because we love music almostas much as we love you. If you've done any “deepsampling” and the labor-intensive programming thatcomes with it, you know that it is very hard work.Remember, the more you support us, the moreawesome libraries we can afford to make for you.

TONEHAMMER GENERAL LICENSING AGREEMENT

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THANK YOU.

Special thanks to Francesca Genco and Steven

Tavaglione.

If you have any questions, concerns, love-letters or

hate mail for free to send it to:

[email protected]

Love,

Mike Peaslee and Troels Folmann

TONEHAMMER.COM

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