treading the poetic path. vol.2
DESCRIPTION
ELT Online Reading Group: poems and short stories. 2012TRANSCRIPT
Volume II
The ELT Online Reading Group
Foreword: Alan Maley
Editor: Chris Lima
Treading the Poetic Path
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All the texts in this collection are copyright of their authors.
Cover. Photo: New Walk, Leicester, UK - Chris Lima © 2011
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List of contents
Page List of Contents 2
Acknowledgements 4
To the Reader 5
Foreword 6
The Poems 7
The Solitary Reader 8 If… 9 A Poet’s Journey 10 A Rainbow Of Stories 11 Love And Philosophy 12 Reading Poems 13 Waiting For The Train 14 I Apologise 15 We Want Peace 16 She Looks At The Sky 17 The Wrong Way 18 Time Never Dies 19 A Poem Without Any Name 20
The Short Stories 21 The Ogre on the Pavement 22 The Grandma’s Story 24
The ELT Online Reading Group 27
Contacts 30
Useful Links 30
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A poem begins as a lump in the throat.
Robert Frost
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Acknowledgements
To celebrate the fourth anniversary of the ELT e-Reading Group, we have invited English
Language teachers worldwide to use their imagination and become short story writers and
poets themselves. Participants were asked to submit short stories and poems inspired by one of
the texts read in the Group. This volume is the result of their imagination and writing skills.
This publication would have never been possible without the generosity of the authors of these
texts who agreed to contribute to this collection without any financial reward.
Heartfelt thanks to the British Council (BC) and to Rob Lewis, manager of the TeachingEnglish
website, for hosting the Group, providing technical support, and helping to spread the word
about this initiative through various BC channels.
Very special thanks to Alan Maley, who took his precious and highly demanded time to write the
foreword to this publication. Thanks a lot Alan!!
Thanks, above all, to the all our Group members who have been posting to the discussion
board and also following the exchanges there with interest.
Thanks to everybody who has submitted a piece, it was a hard task for the judges to select just
a few. Congratulations to the ones who have been chosen.
We hope you enjoy the stories and poems.
Chris Lima
Project Coordinator / Editor
Leicester, March 2012
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To the reader
At the touch of love everyone becomes a poet. Plato
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Foreword
First I must say how delighted I was to be invited to contribute the Foreword to this amazing
collection of work. My congratulations go to Chris Lima for her inspiration and support, and to
all of the teacher-writers who contributed their work. I have immensely enjoyed reading the
present selection. I should also congratulate the British Council for setting up and supporting
the ELT Online Reading Group.
I am particularly pleased because I am a staunch believer in the power of reading, both for
students and for teachers. I know from my own experience as a language learner how
motivating it can be when we realise that we can read a whole book in the new language. It is a
quantum leap. And I think it is particularly important that we read literary, not just professional
texts. Literature touches the places in the heart and mind that other texts cannot reach.
But the idea of creating new literary texts in the foreign language goes one step further. How
much more motivating it is to realise that we have it in us to make texts for ourselves, not simply
to consume them. What is more, the texts we write may be more accessible to our students
than those sometimes culturally and linguistically-remote texts we are asked to teach.. And how
inspiring for our students to know that these texts were written by their own teacher!
I have been working with a group very like yours in the Asia region for the past 10 years. The
only difference is that we actually meet from time to time in each other’s’ countries to write and
discuss our work. Like you, we also publish but in book form rather than on- line. It has been a
great stimulus to me in my own work as a writer and teacher trainer to watch our group
members grow, linguistically, professionally but above all personally. This is empowerment in a
very real sense. To conclude, here are two reflections from our group members. I think they
say it all.
Writing is to relive your life Writing is to share your emotions Writing is to sharpen your mind Writing is to release your tensions.
(Vishnu, Nepal)
‘I have learned that writing is a very important skill not only for study but also for life and that writing is not only for communication but also for creativity (to sharpen our creative senses). Writing creatively is not only for specialists (or famous creative writers) but for everybody. It is very empowering to know that I can write creatively (it was an amazing feeling when I finished writing my first short story in English). I have never written a story even in Burmese, although I have written lots of academic essays.’ (Tan Bee, Burma)
I wish you every success in future. Keep writing! Keep learning! Keep developing!
Alan Maley
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The Poems
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The Solitary Reader
Mostafa Mouhibe
Morocco
Behold her single in the text,
Young solitary reading lady;
Reading and dreaming by herself,
Stopping here, or gently passing!
Alone she smiles but often cries,
And talks to the imaginary skies:
Oh! Look how beautiful
And charming…
When she turns the page,
With anxious and exciting rage.
Her face would blossom
Like an early spring bud,
But would faint when summer blows
its cruel breath.
For she is at the mercy
Of the magic but unsure rhymes.
Words are her yachts
Flirting with the fluid like world
Haunted by the tantalizing
And protean spectres of sense.
Yearning for a volatile meaning,
She could embrace or touch
With her mortal and lovely soft hands.
In vain she dreams
Of freezing up or catching
The fleeing notions of time and lands.
Reading is but a daydreaming,
Overstepping the limits
Of this indifferent earthly life.
Full of deceit and angelic lies.
Sacred is her fictive world,
When space and time
Are not real but as sweet
As my solitary sugary lime.
Inspired by Wordsworth’s The Solitary Reaper
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If… Marcos Nhapulo
Mozambique
if love is something lost somewhere we all don’t know,
then it is everywhere we go!
if love has something to do with feelings,
then you know my feelings,
if love is found somewhere we don't expect it to be,
then I have found it in your eyes!
if love can be felt twice,
then we will meet again…
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A Poet’s Journey Marcos Nhapulo
Mozambique
No false dear, no true fear…
No need to beg for nature,
Because it’s for good and bad
It’s for deaf and blind and for all the corners
It’s for animals and trees and clouds and the empty sky...
No need to bend the tail you don’t have
No need to cry where you can fly
No need to shout where you can smile
No need shame where there is no blame
No, no, no...
No human has twenty-one fingers,
No need to go back and forth
As humans will always drive you,
No, don’t listen when they shout
That’s not what this life is about.
And don’t listen again,
When they try to put you down
When it’s time to get up and stand for your life
No need to call God to humans,
No need to love or hate these words,
No need to know about all meanings,
No need to lie when it’s time to tell the truth;
No need to beg for your own life
No need to beg,
No need...
No.
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A Rainbow Of Stories
Maria do Céu Pires Costa
Portugal
A rainbow of stories
Unfolded with emotion,
Determination, great passion,
Even compassion, care,
And true love so rare!
Friendly people welcomed us
Gently offering their smile
We never doubted a while
It was genuine, sincere,
Causing joy, well-being near.
Legendary venues indeed
Captured our attention
For their colours, sweet flavours,
Hot fragrances all around
That atmosphere- a busy crowd.
Beyond strolls, stunning views
Invited us to a quiet reflection
Of a real thankfulness
For the experience lived
And divinely blessed!
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Love And Philosophy Maria do Céu Pires Costa
Portugal
The girl born to a father-Professor And a mother of noble virtues A couple truly industrious Who raised their daughter dear. They inculcated the girl With principles to succeed But she didn’t heed Her parents call. In the presence of a young Student Who fell in love passionately For her, she replied arrogantly Rather than being pleasant. “I might well trust you Only if you handed me A red rose in much glee Fully scented, too.” He got desperate, sorrowful Lying on the grass, weeping For no red rose was he finding But his heart beating painful. As the Nightingale saw him Devastated by his grief She quickly thought of his relief And pursued her noble dream. Her quest – a case of true love Was followed in music by moonlight And blood from her heart To flow into the Tree with love. Fainter and fainter grew The Nightingale’s sweet song She had joyfully sung for long To see the Tree red rose fresh like dew.
The girl challenged that young lad Who again approached her charmingly Offering the red rose romantically: “Please, accept it with my love – red…” Lured by jewels glittering The girl didn’t appreciate the rose Saying with unnatural pose: “I’d rather have a diamond ring.” “Oh, let me find a book Where I can learn lessons of love To feel more passionate than a dove And by both be eternally hooked!” Inspired by Wilde’s The Nightingale and the Rose
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Reading Poems
Francisco Langa (Tanguene)
Mozambique
When you believe
and suddenly they tell you
and you ask
and they tell you again
but why not believe then
you ask, right!
Imagine a book with its cover
then the book lost the cover
how can you read it?
If it’s a poetry book,
poems don’t come on covers
look inside the poem
find on the pages inside
and believe you found them
and their meaning.
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Waiting For The Train Francisco Langa (Tanguene)
Mozambique
raising eyes
looked at those sitting there
across the road
when they stood up
one by one
it was coming
thought it was coming
the whistle, oh! Heard it
looked at the horizon
saw nothing but the empty
motionless blue sky
it’s coming
really it’s coming
the train is coming.
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I Apologise Francisco Langa (Tanguene)
Mozambique
I apologise for being the road
Where carts, cars and people tread on my backs
And go about their business
I apologise for being the day
…
I apologise for being the night
All people masked
And all become worst
I apologise for being the sun
The sunrays heating the air
Making rain comes
I apologise for being the rain
The crops grow by my strength
And I have no mouth to eat a single grain
I apologise for being the rain
Watering people who have no blame
In the streets where live makers
I apologise for being the maker
Of these lines that will tell you nothing
Even if they were all but a poem
I apologise for being poems
That you read and found out
they have lost sense.
I apologise for being this poem
Reading me,
Exploring me
For your pleasure
Then guess I mean nothing!
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We Want Peace
Heba Abdel Azim
Egypt
It is our duty to struggle for the return of our land
It is our duty to cooperate and be one hand
It is our duty to spread peace in our nation
And stop the violence and avoid the separation
It is our duty to fight our enemy
And beat the arrogance and the hegemony
We should prove that we are not a scapegoat
And that we have a great cultural thought
It is our duty to prove our existence
Even if it is by defence and resistance
It is our duty to return the civilians` rights
Even if it requires entering in wars or fights
We seek peace and security
But defending our land is a priority
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She Looks At The Sky Heba Abdel Azim
Egypt
She looks at the sky
To see the moon
Then she remembers
That her lover is returning soon.
She looks at the sky
To see the sun
Then cries
“My lover is gone”
She looks at the sky
To see the stars
Then shout out loudly
“My lover is far”
She looks at the sky
Hoping that her lover might come back
But then she realises
That what goes will never return
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The Wrong Way Dírio Rodrigues Dambile
Mozambique
A single day
I saw her in my way
So beautiful in tidy smiles
She walked carefully
In the red and white striped skirt
That matched with her shirt.
She got into my heart
Nothing I had to start
Unless just to say
I like you in my way.
It was all the same
She found no fun in the game
That was a wrong aim
Because like me
She had her own aim.
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Time Never Dies Dírio Rodrigues Dambile
Mozambique
Like fools
Chasing the wind
Aimlessly to no direction - we chase
The watch never stops
Tick, tick, tick, tick
Time runs
But we chase
I chase
You chase
He, she, it chases
We, you, they chase
Humans chase
Animals chase
Every creature chases
We live in dreams
In unfulfilled goals
Chasing hopefully
The Time never found
We find alive, it lives?
We survive and die
We are passers-by
Life time goes
Tock, tock, tock, tock
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A Poem Without Any Name Sanghita Sen
India
Breaking the bleak beaks of barrenness
life unleashes itself.
Sun still shined
Earth spinned
Water flowed
Birds chirped.
But moon marooned
And stars stopped shivering from afar.
I waited for a glimpse of the known world
of the imagined world
of the world to be.
Existence passes away
Words remain.
The ownership of my words
I bestow upon you.
If they remain
They'll tell you
Once upon a time there was a woman
Who day-dreamt...
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The Short Stories
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The Ogre on the Pavement Bartolome Tscharner
Switzerland
It happens from time to time that I’m strolling along the streets as if they didn’t exist or
if they had even been built only a moment ago. Something of this sort happened to me
the other day. As I went daydreaming through the streets of Norwich with all those
marvellously crammed shop windows, my strolling view was attracted here by an
Indian Buddha and there by a pierced British belly. It was like walking through
paradise, slumbered by this drowning lullaby coming up from the streets. My thoughts
hopped from the flavour of Australian wine to the smell of English cookies. They ran
past cars, overtook pedestrians and barked silently at dogs.
Then they were suddenly attracted by this two and half year-old boy hopping and
pouncing in front of me, some steps behind a long-haired lady, obviously his mother,
although very young herself. She prodded a pram in front of her. I kept paying attention
to the boy because he apparently didn’t want to obey his mother. That’s why she
shrieked out orders to behave, to follow her, to sit in the pram, to …and to … and to …
But all these orders bounced like sparkles bouncing out of a chimney to splash on the
pavement and fizzle out. The boy ran here and there and everywhere. His mother was
trying in vain to tame her whirlwind.
‘Come here, naughty boy, come here sweetheart’, she squeaked again and again.
‘Otherwise you’ll be caught by this ogre that follows us. You see him? There he is!’
And the boy’s lovely mother pointed at me if I were an antlered or fire-spitting monster
intending to devour all misbehaving children. The boy was puzzled, maybe by my
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friendliness or by his mother’s warning. He sometimes ran towards her; sometimes
waited for me to approach him. I enjoyed the game and wrinkled my forehead making
squeaking noises too, just for fun. But then, at a certain moment the boy couldn’t laugh
at my frowns anymore. He seemed to be scared – I don’t know, either of the dreadful
story his mother had told him before or of my grimaces. He began to flee, but staggered
and tripped over his feet. He fell over the kerb into the busy street. I needn’t tell you that
my legs and my heart turned to jelly.
The boy cried, the mother in despair yelled and let go of the pram. There was the
rumbling of approaching cars. The baby was creeping in the road; the pram was rolling
there too. Then the squealing of brakes suffocated the shouts of the mother and the cries
of her child. The first car to pass skidded. The driver was about to lose control. It
crossed the central line and finished up in the bonnet of an on-coming van. A terrible
bang blared through the street and echoed from the nearby churchyard walls.
The baby was safe. The cars were wrecks. The pram smashed in between. The outraged
mother was banging on me with her shopping bag full of jars of marmalade. The furious
drivers were blaming the thoughtless mother. The mother was still hitting me with a
now torn bag and the pavement became unnecessarily sticky with lumps of marmalade
and pieces of shattered glass, whereas the boy was saved and comforted by a passing
old man.
‘It was just for fun’, I chipped between the incoming whips.
And I will give you a piece of advice – never make fun with an unruly boy on a foreign
pavement if his mother is carrying jars of marmalade in her shopping bag.
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The Grandma’s Story
Francisco Langa (Tanguene)
Mozambique
The young priest stood up, opened the book and quickly closed without reading it, then
said, ‘There’s time for everything.’ He scrutinised the old book and held one end of the
red string that was tied at one end of the book - the red silk thread cutting through the
pages. He kept looking at the open page as he was to decipher the letters on and then
closed the book, whispered some unintelligible words sounds of a prayer and carefully
put the book on the table in front of him. ‘A time to weep, a time to laugh’, he said
looking at the crowd that gathered around. He looked away, pulled the red string and
went back to the same page he had opened before, looked without reading, then read in
a loud voice, ‘Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity.’ He
clasped his hands. “For the living knows that they shall die, but the dead know not…”
Before silence came, a chant broke out. Women at the top of their voices brought about
harmonious sounds mingled with tears which engulfed the scene, some voices were
chirping like cold sparrows twittering on the ground early in a misty morning, waiting
for the sunbeam to dry their feathers, waiting for their time to fly.
This is the grandma’s story.
Grandma always told stories and when she was telling stories we all kept quiet and
listened, for she had wisdom and knew almost everything about life. And the things she
did not know she did not tell, she only told what she knew about and would not accept
objections at all. She said, ‘For educated people to disagree with the elderly means lack
of respect for people who brought you in the world.’ She felt sad about the youngsters
who do not respect anymore the old who know almost everything and lived when
family education was at the core of all societies. Before the twist of morals seen today,
there were good times, before all societies of the world grew sick in a social
miscarriage. She told of the time sanity was all over the world, not today that all the
people sound maladjusted. This story has to be believed and to object it was to risk not
hearing a word from her mouth anymore until her death, she promised. She swore that,
at any sign of disbelief, all the told stories of the world would become untold. She read
our faces and asked, ‘Do you believe it?’ All in unison, ‘Yes!’ ‘If you don’t believe it,
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so don’t believe all that I told you before, and I’m no longer your grandma, is it that you
want?’ ‘No grandma, we believe in all you say, grandma.’ She nodded, waited for a
while, and as she kept silent. The voices in unison came again before the worst ‘Yes,
Grandma, you’ve always told us the truth, tell us this story.’ She adjusted her headscarf.
Her vemba1’s knot was a bit loose and she tightened it with both her hands. When she
stood up the voices in unison came again, ‘Please grandma, tell us the story. We believe
it.’ She got ready to speak again.
The young priest asked, ‘Is there anyone who wants to say a word?’ A gentleman in a
white shirt with red small dots raised his hand and stood up. ‘What we know is that our
daughter has left something that would break our hearts if not cared for. She leaves
behind two children in your hands. We ask our son-in-law to pay due respect to that and
not do what he has done to our daughter.’ The gentleman sat down as people looked at
one another and whispered about the meaning of the gentleman’s words. We did not
understand, confessed Grandma, what he meant or what he was trying to tell. His
daughter left the world of the living and he only knew about it the very day of the
funeral. He was divorced and left the children with his ex-wife, went to live with
another wife, and did not know his daughter was ill. He only knew she was dead, when
from work he received a call on his cell phone. ‘What?’, he asked. ‘That is true,’ said
the caller. And Grandma looked at our faces and searched for any sign of disbelief. She
looked at her snuff tin, but as she saw we all agreed, she gave up from taking some
tobacco to her nose. She kept silent for some seconds - her eyes smiling - and showed
she was ready to continue telling the story.
‘I have left my daughter with her mother and now you tell me she was living with a man
and has got children, things I don’t know about. How did that happen?’ The gentleman
with a white shirt with red small dots raised his voice from where he sat without
standing now. A small delegation was asked to advise him to go aside and have a brief
private talk with his ex-wife as they saw he was nervous, said Grandma. Some
whispered that the man was very annoyed at this, for he did not wear the suit that a
father should rightfully wear at the lobola2 of his daughter. He was heard asking his ex-
wife, ‘If you have put on such mukume3 for my child to go and live with her husband,
who did put on the jacket that was rightfully for her father?’ Silence. ‘Who?’ Silence.
The priest approached them, raised his hand and asked for silence. ‘This is not the time
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to argue. ‘The sun rises and sets. We should be happy and enjoy life for the living
knows they shall pass away, but… We’re told here your daughter fell ill and we should
not look for witches. If we’ll be digging a pit, we’ll soon fall in it.’
Grandma stopped and read on our faces to find out if there was any sign of disbelief.
We all nodded. By looking at her smile we knew she would continue. Whatever it was,
it was a hard story to tell. Grandma did not say so, but we knew it. We read her wrinkles
and they told us a lot without telling. We knew this was not a pleasant story for
Grandma to tell. She did not show us but her heart was bleeding for we saw the red
stains on the right side of her blouse. They were really red.
The in-laws said the girl’s father-in-law had once visited the deceased years before she
had children, but it was just once. She was living with her partner who told the father-
in-law they were young but wanted to build a family. They wanted to own a house and
they wanted to live like husband and wife. They wanted to get a proper lobola and live
the way the grown-ups live but it was just too difficult. There was no work like it used
to be before. What is the value of ceremony in poor livelihoods when you only get by
pushing a cart along the streets? As for lobola, he would pay if he had money. ‘Not
easy, everything difficult’, the young widower said. They needed a house, clothes and
food for themselves and the children. The lobola would come one day. ‘Time for
everything,’ Grandmother took a deep breath.
The gentleman in the white shirt, the father of the late girl, was given time for final
remarks before the funeral preceded as it was right. He asked his relatives and
companions to stand up and then, to the surprise of all, dismissed them, ‘We will come
for the funeral after we get her lobola; otherwise it will be a curse on us and our
descendents - we will never be forgiven.’ They left the graveyard, and a loud cry broke
out. Grandma read the expressions on our faces and didn’t find any sign of disbelief.
We all nodded, ‘Yes.’ ‘The girl’, said Grandma, ‘not buried yet, is still waiting for
lobola.’
Glossary
1. Vemba – Capulana 2. Lobola – (traditional) marriage, it traditionally legitimates marriage 3. Mukume –bigger cloth made of 4 capulanas that women dress or take to ceremonies and special events
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The ELT Online Reading Group
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The ELT Online Reading Group The Group was created by a collective of English language educators from all over the world
with the technical support of the British Council. It aims at encouraging ELT professionals to
read literature in English, helping to build bridges between cultures and contributing to build
tolerance and intercultural competence through the discussion of works literature.
The group meets online and participants post their comments to a discussion board, sharing
their points of view on short stories and poems written in English.
The ELT Online Reading Group was launched in August 2007, being originally hosted at the
British Council enCompass website and moved into TeachingEnglish in August 2010. It was
created having especially in mind those English language professionals who work in special
conditions; teachers who have little access to libraries and books in English; who work in
remote areas or conflict zones where it is almost impossible to guarantee safety and the right to
public gatherings and/or who count on little support to start a reading group in their workplaces.
About the project
Over the past few years the popularity of Reading Groups has dramatically increased in the UK
and around the world, becoming a place to cultivate dialogue and discussion along distinct
themes. The enCompass website, the British Council worldwide reading group, provided the
main inspiration for this project; however, the difficult access to reading material faced by some
English language teachers and educators working in different countries prompted us to create
an online reading group instead of a group meeting in a specific place or time.
The group for is open to all ELT professionals who want to join it. A text, usually a short story or
poem, is chosen each month and participants are invited to post their comments to the group
discussion board.
Our objectives
• To encourage English language teachers to read literature in English, creating opportunities to
get in contact with texts from different countries, periods and authors;
• To promote debate and an in-depth engagement with relevant issues through the discussion
of works literature;
• To provide opportunities for teachers to talk to each other online underpinning the reading
habit and building an ELT community of readers;
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• To help English language educators to see other points of view connecting them to a wider
world, other philosophies and new ideas building bridges between, and insight into, other
cultures thus contributing to build tolerance and intercultural competence;
• To create opportunities for English Language teachers to develop their own language skills,
increasing vocabulary, improving pronunciation and increasing their understanding of idiom and
expressions as well as their command of the language as a whole.
Our resources
To make the reading material widely accessible, the texts are chosen from free online sources.
A link to the text of the month is posted to the group discussion board and participants can
download it. Texts are chosen based on their accessibility, interest and potential to raise debate
on complex and relevant issues.
Join the debate
To become a member of the ELT Online Reading Group, you first need to register or log in on
TeachingEnglish. You can then join in and talk to other readers around the world. It's easy to
do. Read the postings, then choose which to post to and click on reply.
BBC/ British Council TeachingEnglish
http://www.teachingenglish.org.uk/
The ELT Online Reading Group http://www.teachingenglish.org.uk/group/elt-online-reading-group
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Contacts
Bartolome Tscharner [email protected]
Dirio Rodrigues Bambile [email protected]
Francisco Daniel Langa [email protected]
Heba Adbel Azim [email protected]
Marcos Nhapulo [email protected]
Maria do Céu Pires Costa [email protected]
Mostafa Mouhibe [email protected]
Sanghita Sen [email protected]
Chris Lima, editor [email protected]
Useful Links
BritLit http://www.teachingenglish.org.uk/try/britlit
WordPowered
http://www.wordpowered.org/
British Council. Arts – Literature
http://www.britishcouncil.org/arts-literature
IATEFL Literature Media and Cultural Studies Special Interest Group
http://lmcs.iatefl.org/
The Extensive Reading Foundation
http://www.erfoundation.org/erf/
For further links on literature, online reading sources, and literary criticism also visit
http://thebookworms.wordpress.com/
The ELT Online Reading Group © 2012 http://www.teachingenglish.org.uk/group/elt-online-reading-group
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