triptod dec 14

dec

'14

TR P DOnline magazine of

design network website: triptod.com

ARTICLES PROJECTS

NEWS eVENTS

TIME TO GET LOST

TriptoD is an independent social network, share point and source for designers architects design students and anybody who feels related to design.

Designers can build up their own portfolios, share their works, connect to each other, design lovers can fol-low their favorite designers, find out where they can buy their products. WHA

T ?TR P D

editorial International managing editor Ceylin Ulusel

local news & interview Editor Ceren Okumus junior editor Nihan Manav

GRAPHIC DESIGN Ceylin Ulusel

cover Photo by Sera Saçli

web design Mehmetali Batmaz Cemil Alpay Sunnetci

advertising

Account manager Tugse [email protected]

triptod publisher Neptun Ozis [email protected] Duatepe Mah. Cobanoglu sk. No:5 / 11 - ISTANBUL

dec

'14 TR P DOnline magazine of

design network website:

triptod.com

ARTICLES PROJECTS

NEWS eVENTS

TIME TO GET LOST

C O N T E N T

PROJECTS

08 Int Ig by INT2 Architecture

12 IST by JRKC Studio

18 kpop curve by Moon Hoon

26 fade out chair by Nendo

28 oxymoron maker by Andreu Carullo Studio

29 negative space by Daphne Zuilhof

32 WORLD HERITAGE City of Bath

36 research Wine Cellars

42 design hero Kengo Kuma

44 suggested point 25h Hotel Bikini Berlin

54 interview Inspirational 5 w/ Emir Uras

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EVENT SCHEDULE 56

ARTICLES

Citterio E Series

Citterio E Serieswww.hansgrohe.com

PROJECTSPROJECTS PROJECTSPROJECTSPROJECTS

PROJECTS / Interior Design

LOCATION: MINSK, BELARUS | SQ. M. : 69 m2YEAR: 2014

Text by Ceren Okumus Images by INT2 Architecture

INT IG

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INT IG by INT2 Architecture

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MORE INFORMATION ON: TRIPTOD.COM10

Designed by INT 2 architecture office, Planirovochnaja apartment is a place for young programmer who wants a permanent design in his apartment.

The main idea about organizing space is keeping the rooms as open as possible. As a result, only bedroom and bathrooms were covered by walls. This sollution not

only allowed maximum integration between the spaces but also let the sunshine in every point of the flat. Glass material usage on one wall of the

bedroom aims to continue the idea of having the daylight in.In every point of the house continuity has aimed. Industrial concept of the design

can be seen from metal profiles to furniture choice and also into small details like the lamp in the kitchen, pulley on the barn like door or graffiti on the wall.

Finally, the bright red colour usage brings contrast to this industrial space.


MORE INFORMATION ON: TRIPTOD.COM 11

ISTdesigned by Peter Jurkovic

LOCATION: SLOVAKIA | SQ. M. : 85 m2YEAR: 2013

Text by JRKV Studio Phography by Peter Jurkovic

MORE INFORMATION ON: TRIPTOD.COM

PROJECTS / Architecture

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“ I want to live in a small house on a small plot at a reasonable price. Budget was fixed at € 75.000. I am still remembering last summer on the countryside. Could we recycle the typology, morphology, even decor of Slovakian rural architecture? ”

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There are certain principles encoded in traditional folk architecture, verified by ages and still relevant. Especially in the context of the need to reduce our

ecological footprint and energy waste. Bigger is not always better! Simple buildings didn’t fight with the nature but has become part of it. They were built of local

materials that were readily available and did not need a long and difficult transport – wood, clay and straw to name a few. The windows did not perform as well as today, so they were kept rather small. An under–roof porch, called “gánok” was traditional

part of the house, ensuring the contact with outside environment even in winter or during bad weather.

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title ST—Family Housecompletion 2013 area 85 sqm place Cunovo, Slovakia studio JRKVC architects Peter Jurkovic, Lukáš Kordík, Števo Polakovicphotogrph. Peter Jurkovic budget € 85.000

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During the design process we looked back to these principles. We proposed a fusion of old contemporary architecture. The icon–shaped house has a small footprint, tiny pic-

turesque windows and a porch. Ground floor is organized by a traditional three–room scheme. There is central “service box” made of plywood – there is a bathroom, toilet,

stairs, storage and the kitchen integrated inside. Remaining “negative” space – around and above the box – are the rooms. Living room, main bedroom at the ground floor and a one

in the attic. Modest floor area of the living room is compensated by a huge curtain wall heading

north, literally extending the interior area into the garden. Thanks to the orientation there is no sun

shading system needed. The room and the study area on top of the wooden box is filled with a soft

northern sky light.



“ Thanks to the orientation there is no sun shading system needed. The room and the study area on top of the wooden box is filled with a soft northern sky light. ”

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House is constructed with structural insulated

panels (SIP) made of OSB panels sandwiched

around a foam core made of polystyrene.

A massive concrete floor is used for heating

and storing thermal energy. To keep the price

down, there are no sophisticated systems inte-

grated in the house.

Ing. Arch. Peter Jurkovič+ 421 903 461 380

[email protected]

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LOCATION: S. KOREA | AREA.: 130 m2 YEAR: 2014

K POP CURVE

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K POP CURVEBY MOON HOON

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“ Baekhyeon-dong is divided in almost equal parts by its main café street. The buildings in the surrounding areas are similarly subdivided by their function; the lower and ground levels are commercial, and the first and second levels are typically residential. Amidst this sea of homogeneity, these structures engage in a quiet struggle for distinction, through the variation of form and materials, Of these, the building at street address num-

ber 582 is a music agency owned by an IT company. Sitting at a fortuitous corner, it serves as a rare contrast to the numerous other constructions in Baekhyeon-dong that fail to make the most of their locations. ”

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“ The project was pretty much unrestricted, apart from the two requests: to create the most outstanding building in the entire region, and to make the rooftop spacious enough

to accommodate parties. My biggest concerns for the project were to maximize of its character, corner, in the most impressive manner possible, and to create a natural flow of circulation leading up to the structure’s rooftop. Amongst a variety of options, I chose to go with curved walls, which created the illusion of two-side walls forming a continual whole, as well as two different roads appearing as one. The resulting scene played out have a unique design, as well as linking the building to its context. A stage was inserted into the curved surface, next to the stairs climbing up to and above it, here moulding the

streets into seats for the audience and the staircase as alcoves. ”

Text by Moon Hoon

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klassis.com

FADE OUT CHAIR


PROJECTS / Funiture Design

“ The fadeout chair’s legs seem to gently disappear, as though the chair

stands in a pool of mist or fog. The chair’s back and seat are wooden,

and the clear acrylic legs are specially painted by craftsmen so that the

wood grain appears to gradually fade away. Usually, our perception of furni-ture is strongly affected by the space

around it. The fade-out chair turns this relationship on its head: we can change the look and feel

of a space simply by placing the chair in it. This was our attempt to design

space itself through furniture. ”

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PROJECTS / Furniture Design

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andreucarulla.com spaın

OXYMORON MAKER designed by

Andreu Carulla Studio

“We have upgraded the first Oxymoron Maker. We improved the cooling system, the LED lights among other things. Hot ice cream maker, designed for Rocambolesc (El Celler de Can Roca’s ice cream shop). It warms up

and seals an ice cream filled brioche in a few seconds, so we get a chilly treat inside a warm,

melt-in-your mouth bun, and the contrast is awesone. It is made with the finest materials, such as stainless steel and bamboo plywood,

among others, and all of its elements are brand new and have been specially created. The result: a very warm brioche filled with ice

cream, the contrast of which is quite an experi-ence. It is worth tasting it! “

Rocambolesc 2013

PROJECTS / Furniture Design


PROJECTS / Product Design


“Spin is a foldable stool that flexibly transforms from a simple compact shape into an open and complex one. The transformation emphasizes the frictional relationship between the

space that is created and the space that is occupied. In its unfolding movement Spin’s geometrical lines frame the created negative space, the sole additional element to form

the structure. Spin is about the transform-

ability of perceived space, and a tool for actively and tangibly

exploring the abstract notion of negative

space.”

[email protected] +31615533100

NEGATIVE SPACEdesigned by

Daphne Zuilhof

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ARTICLESARTICLESARTICLESARTICLESARTICLES

ARTICLES / World Heritage

City of BathCity of Bath is an outstanding example of harmony between landscape and architecture, founded by the Romans in the 1st century AD, located in South West England, 150 kilometers west of London.


The town itself, with population over 80,000 people features two universities, theatres, museums and many other cultural values which enhances the reputation which comes with cultural heritages back then. Most buildings of the city dates back to 18th century and were built out of a honey-colored local material, Bath Stone. Overall design style of Bath is Georgian, most of it designed by commissioned architects during the development process of the city. Queen Square, The Circus and Royal Cres-cent can be defined as the monuments with huge proportions, contrasting with the Neoclassical structures which dates to recent periods. Throughout the central part of the town, there are various archaeological sites left from Romans and preserved until today; however the bath complex is 6 meters below the city’s street level of today; therefore stonework on the above levels of baths are unfortunately not dating back to first centuries, except the pillar bases and similar foundations.

'' Most buildings of the city dates back to

18th century and were built out of a honey-colored

local material, Bath Stone.''



Another noticeable attribution of the city is ‘The Circus’ designed by John Wood, aiming to form a circular complex for social events and games by joining three, curved terraces and building up a huge structure, inspired by Colosseum. Each façade has different styles on every floor, just as it is in Colosseum, Doric style on the ground level, transforming into Corinthian style on the top floors.

The town was regarded as a world heritage site in 1987.


karredesign.net

Wine CellarsWine differs from other liquors with its unique multisensory taste and production and storage techniques. It has been serving humans palates since thousands years.

ARTICLES / Issue: Wine

Archeologists claim that earliest evidence of wine from rice, honey and fruits found in Neolithic Chine in 7th millennium BC. Then it followed as 5th millennium BC in Neolithic Greece and 3rd Millennium BC in Mesopotamia. Throughout history, besides its complicated production process, storage has also been another important issue for wine. For that reason, humankind found a proper way to storage wine; the cellar structures. This article will be focused on wine cellars through the history of wine.

Due to the fermentation process and after, wine needs to be aged in proper heat (7–18 °C) and humidity (85 – 95%) conditions to protect alcoholic beverage and achieve perfect delight. Wine cellars were constructed for that reason and they still continue their existence as a system. Until the last excavation in Israel, it is thought that the oldest wine cellar was in Egypt and belonged to Scorpion King which dates back 3rd millennium BC. But in 2014, archeologists found a 3,700-year-old Canaanite royal wine cellar at the archaeological site of Tel-Kabri. Although those ancient cellars are different from today’s cellars, the main idea is common; keeping wine out from external conditions.

'' Until the last excavation in Israel, it is thought that the oldest wine cellar was in Egypt

and belonged to Scorpion King which dates

back 3rd millennium BC ''




Today, there are two types of wine cellar which are active or passive cooled. Active wine cellars are generally preferred in dry climate and should be designed and constructed properly. They have specialized cooling system to keep ultimate heat and humidity. As might be expected, passive wine cellars do not need any mechanical system; they are located in naturally cool and damp areas and constructed in the basements of buildings. World’s big-gest wine cellar (200 km) is also a passive cellar which was found in 1969 in Milestii Mici and holds nearly 2 million bottles of wine.

Although, passive wine cellars look more natural and mystic, active wine cellars are more preferred for both commercial and residential purposes in contemporary world. It is even a profession for architects. Many restaurants design their wine house in the basement together with cellars. Besides that, many people prefer to keep and collect their wines at their homes. If you are interested in wine innerly, here are some basic design principles for active wine cellars in residential units.


ARTICLES / Design Heroes


Kenzo Tange (4 September 1913 – 22 March 2005)

Kenzo Tange, born in Osaka in 1913, is a Pritzker Prize winner famous Modernist architect. He designed very important and influential buildings in all around the world, integrating 20th century modernism to traditional Japanese style. Graduating from University of Tokyo, Tange practiced his major in several different architecture offices, focusing around urban studies which he could make use of later in his career, especially during post war reconstruction works. Influencing many international designers in his time, he con-tinued his works until his death which the funeral was held in the Tokyo Cathedral, a signifi-cant masterpiece designed by himself.

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Design Heroes / ARTICLES


In early age, Kenzo Tange was influenced from the Swiss modernist, Le Corbusier. He earned recognition with his use of Beton brut concrete, being a pio-neer of Brutalist architecture and Metabolist movement. Tange won many internation-al competitions and the most significant one was the Hiroshima Peace Memorial Park which he built in 1949. Though brutalist architecture was negatively criticized of being

soulless, Tange never liked postmodernism of 80s and did not change his simple, reduced design style even on his latest works. He received AIA Gold Medal at the

age of 53. Kenzo Tange influenced many important architects of today, including Kengo Kuma, whom explained that he was inspired by Tange’s Olympic arena at the

age of ten.

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SUGGESTED DESIGN P INTSO

ARTICLES / Suggested Design Points

Name: 25hours Hotel Bikini BerlinDesigner: Werner AisslingerPrice: $$Location: Budapester Str. 40, 10787, Berlin, Germany

For Booking: [email protected]

25H HOTEL BIKINI BERLIN

25hours Hotel Bikini Berlin is a part of the hotel chain of 25hours Hotel Company which holds seven perfectly designed hotels in different cities such as Frankfurt, Vienna, Zurich and so on.

25hours Berlin offers an authentic and joyful atmosphere, with its made-to-measure design and plenty of facilities that would satisfy the visitors both in the sense of comfort and joy. Located in

the center of Berlin’s West district, between Berlin Zoo and Breitscheidplatz, the Bikini-Haus building is a pretty valuable example of 1950s architectural style, which is well-preserved in time and carefully transformed into a contemporary hotel form without interfering the original details,

by famous German designer, Werner Aisslinger.

As each 25hours hotel has a particular story and tailor-made interior design, based upon their location and surroundings, design team has chosen the city-meets-jungle concept, which is a

cool, inventive way of reflecting the contrasts of nature and culture, mainly arising from the fact that the building is right beside the Berlin Zoo. Rooms that are overlooking to the ape and

elephant areas of the zoo are called Jungle rooms, while the big city viewed ones are called Urban rooms, both furnished with modern and eclectic approach, offering an amusing, comfy

accommodation.





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The hotel includes 149 rooms, a meeting up space for 100 people and many other genu-ine zones such as the Work Lab featuring imacs or the Newscorner with latest magazines, all designed to encourage guests to sit back and focus whatever they wish to do in a relaxing environment. If one cannot feel the peace with the smell of fresh-baked bread, flowing from the woodfire bakery, the jungle sauna on top floor offers a luxurious scenic experience for the tired travelers.

Receiving a lot recognition with the 360-degree panoramic rooftop bar, the hotel also houses Monkey Bar, Burger de Ville and NENI Berlin restaurant, serving international flavors, offering guests a fulfilling appetite with its dining room, settled within a greenhouse.

Eclectic mix of sofas and seating elements generates a soothing harmony with the struc-ture itself. Some parts specifically left wild and brutal, reference to a jungle, oriental car-pets, wooden cabinets, potted plants all over the space and modern hammocks presents a mixture of wild-city life, interacting spontaneously with urban city inhabitants.


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www.duravit.com


INTERVIEW / Inspirational 5

This time on Inspirational 5, we've had a chance to ask five questions to the well-known Turkish architect, Emir Uras!

Studied architecture at the Architectural Association (AA), London, Kingston Polytechnic, Surrey and received his Masters Degree in Architecture from Southern California Institute of Architecture

(SCiARC) Los Angeles. After graduated in 1995 he turned the spare room of his house in Los Angeles into an office and started URAStudio with his friend. The first project was a garage converted into

a doctors guesthouse. In 1998, he moved his practice to Istanbul. After practicing for five years, he teamed up with Durmuş Dilekci in 2003 to form Uras×Dilekci Architects, 2003–2014. Uras×Dilekci was nominated for and received several awards for excellence in architecture and collaborated with

International offices on projects and competitions. Now he is currently the principal at URAStudio in Bebek, Istanbul.

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INTERVIEW / Inspirational 5

The place that inspired and impressed you the most? Why?

Design is...

The must see design attractions in your country? Why?

The project that makes you say “I wish I’d been in it”? Why?

Designer’s Magazine...

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4

5

Casa Malaparte, Capri. Poetic, raw architecture.

Design is an apparatus between what you are and what you do that determines the quality of how you experience it.

Cappadocia. Magical design of nature.

Designing the spacecraft and its terminal for Virgin. I enjoy designing fort he future.

Dezeen

Emir Uras also works as a proffessor in university. He taught first year design studio at Yildiz Technical University faculty of architecture between 2002–2005. He participated as visiting design critic at the Die Angevandte, Wolf Prix studio. He currently teaches final year design studio as part of the faculty of interior Architecture at Bilgi University, Istanbul. Except archi-tecture Emir Uras also interested in product+furniture design and art. He works as an artist represented by C.A.M Gallery Istanbul and is one of the product designers for the Turkish design company Gaia&Gino. Some of his arts can be viewed from emirurasart.com

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EVENTS

DECEMBER EVENT CALENDER

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EVENTS

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BIO 50 LJUBLJANA

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10 -13 DEC

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