morse recital hall

November 14, 2012 • Wednesday at 8 pm

Robert Blocker, Dean

Yale Brass Trio with

Mihae Leepiano

faculty artist series

Magister Ser Ghriandelus de Florentinia

Nicola Vicentino

Bartolomeo Brolofl. 1430–1440

Cesaro Todinoca. 1530–1590

Anonymous

Joseph Jongen1873–1953

Pierre Gabayeb. 1930

Ivo Bene

Solo e Pensoso

O, Celestial Lume

Menando gli anni/Tristo che gionge

Ogn’ Hor Diro

Aria et Polonaise, Op. 128

RecréationI. AllegrettoII. Largo III. Presto

As a courtesy to the performers and audience, turn off cell phones and pagers.

yale brass trio

William Purvis, horn • Allan Dean, trumpet • Scott Hartman, trombonewith Mihae Lee, piano

{ Music from the Early Italian Renaissance

Faculty Artist Series

November 14, 2012 • Sprague Memorial Hall

Anthony Plogb. 1941

Jean Françaix1912–1997

Anthony Plog

intermission

Nocturne

Divertimento AllegroAndantinoAllegro gusto

Music for Brass OctetwithJohn Allen, John Ehrenburg, and Jay Villella, trumpetsHana Belgolavec, Timothy Hilgert, and Christopher Brown, trombones

Please do not leave the hall during selections. Photography or recording of any kind is prohibited.

Allan Dean is Professor of Trumpet (Adjunct) at the Yale University School of Music and is currently performing with Summit Brass, St. Louis Brass and the Yale Brass Trio. In the early music field he was a founding member of Calliope: A Renaissance Band and the New York Cornet and Sacbut Ensemble. Dean was a member of the New York Brass Quintet for eighteen years and freelanced in the New York City concert and recording field for over twenty years before joining the faculty of Indiana University in 1982. Upon retirement of the New York Brass Quintet in 1984, Dean joined the St. Louis Brass. In 1989 he moved back to the Northeast to join the Yale faculty. At Yale, Dean coaches brass chamber music and directs the Yale Cornet and Sacbut Ensemble in addition to teaching trumpet.

Dean performs and teaches each summer at the Mendez Brass Institute and the Norfolk Chamber Music Festival in Norfolk, Connecticut. He is a frequent soloist with Keith Brion’s New Sousa Band. Dean has also appeared at the Speleto and Casals Festivals, the Banff Centre (Canada), the Orford Arts Centre (Canada), Musiki Blekinge (Sweden), the Curitiba Music Festival (Brazil) and the Morella Festival (Spain). He can be heard playing both modern trumpet and early brass on over 80 recordings on most major labels including RCA, Columbia, Nonesuch, Summit and others. On early instruments he has recorded with Calliope, The New York Cornets and Sacbuts, The Waverly Consort, The Ensemble for Early Music, and The Smithsonian Chamber Players.

Dean joined the Yale faculty in 1988. He previously served on the faculties of Indiana University, the Manhattan School of Music, the Hartt School, and the Eastman School.

About the Artists

Scott Hartman, trombone, received his B.M. and M.M. degrees from the Eastman School of Music and began his career by joining the Empire Brass Quintet and the Boston University faculty in 1984.

As a trombone soloist and with his various chamber groups, Mr. Hartman has taught and played concerts throughout the world and in all fifty states. He has been featured with the Boston Esplanade Pops, Philadelphia Orchestra, Chicago Symphony, Minnesota Orchestra, BBC Radio Orchestra, Dallas Symphony, St. Louis Symphony, and the National Symphony.

Mr. Hartman now performs and records with Proteus 7, the Millennium Brass, the Brass Band of Battle Creek, the Hollywood Brass, and the trombone quartet Four of a Kind. He has recorded for the Angel EMI, Sony, Telarc, Summit, and Dorian labels.

He has served as a member of the faculties of Indiana University and the New England Conservatory. He joined the Yale faculty in 2001.

About the Artists

A native of Western Pennsylvania, William Purvis pursues a multifaceted career both in the U.S. and abroad as horn soloist, chamber musician, conductor, and educator.

A passionate advocate of new music, Mr. Purvis has participated in numerous premieres as hornist and conductor, including horn concerti by Peter Lieberson, Bayan Northcott, and Penderecki (New York premiere); trios for violin, horn, and piano by Poul Ruders and Paul Lansky; and Steven Stucky’s Sonate en Forme de Préludes with Emanuel Ax in Carnegie Hall. Recent world premieres include Paul Lansky’s Day Trips for horn and wind ensemble in Carnegie Hall, Elliott Carter’s Retracing II for solo horn, and Carter’s Nine for Five with the New York Woodwind Quintet.

Mr. Purvis is a member of the New York Woodwind Quintet, the Orchestra of St. Luke’s, the Yale Brass Trio, and the Triton Horn Trio, and is an emeritus member of Orpheus. A frequent guest artist with the Chamber Music Society of Lincoln Center, he has also collaborated with the Tokyo, Juilliard, Orion, Brentano, Mendelssohn, Sibelius, Daedalus, and Fine Arts string quartets.

His extensive list of recordings spans an unusually broad range from original instrument performance to standard solo and chamber music repertoire to contem-porary solo and chamber music works as well as numerous recordings of contemporary music as conductor. Recent recordings include the Horn Concerto of Peter Lieberson on Bridge (which received a Grammy and a WQXR Gramophone Award), works of Schumann, Paul Lansky, and Schoenberg with the New York Woodwind Quintet, the Quintet for Horn and Strings by Richard Wernick with the Juilliard Quartet, and Retracing II for Solo Horn by Elliott Carter. Most recently he recorded the quintets for piano and winds of Mozart and Beethoven on historical instruments with the Smithsonian Chamber Players.

Mr. Purvis is Professor in the Practice of Horn at the Yale School of Music, where he is also coordinator of winds and brasses and director of the Yale Collection of Musical Instruments.

About the Artists

Praised by the Boston Globe as “simply dazzling,” pianist Mihae Lee captivates audiences throughout North America, Europe, and Asia in solo recitals and chamber music concerts with her lyricism and virtu- osity. She has performed in such venues as Lincoln Center, the Kennedy Center, Jordan Hall, Berlin Philharmonie, Academia Nationale de Santa Cecilia, Warsaw National Philhar-monic Hall, and Taipei National Hall.

An active chamber musician, Ms. Lee is an artist member of the Boston Chamber Music Society and is a founding member of the Triton Horn Trio. Her recordings of Brahms, Bartók, Shostakovich, and Stravinsky with members of BCMS were critically acclaimed by High Fidelity, CD Review, and Fanfare magazines. Ms. Lee

appears frequently at numerous festivals including Dubrovnik, Amsterdam, Groningen, Seattle, OK Mozart, Music from Angel Fire, Bard, Chamber Music Northwest, Norfolk, and Music Mountain. A regular performer at Bargemusic, she has also been a guest artist with the Chamber Music Society of Lincoln Center, St. Paul Chamber Orchestra, and Speculum Musicae; has collaborated with the Tokyo, Muir, Cassatt, and Manhattan string quartets; and has premiered and recorded works by such composers as Gunther Schuller, Ned Rorem, Paul Lansky, Henri Lazarof, Michael Daugherty, and Ezra Laderman.

Born in Seoul, Korea, Ms. Lee made her professional debut at the age of fourteen with the Korean National Orchestra after becoming the youngest grand prizewinner at the prestigious National Competition. The same year, she came to the United States on a scholarship from the Juilliard School pre-college division, and subsequently won awards including first prize at the Kosciuszko Foundation Chopin Competition and the Juilliard and New England Conservatory concerto competitions. Ms. Lee received her bachelor’s and master’s degrees from Juilliard and her artist diploma from the New England Conservatory. She has released compact discs on the Bridge, Etcetera, EDI, Northeastern, and BCM labels and is the artistic director of the Essex (Conn.) Winter Series.

About the Artists

New Music New Haven

november 15

Morse Recital Hall | Thursday | 8 pm New Music New Haven

George Crumb, guest composer: Vox Balaenae; selections from American

Songbook III, with Janna Baty, soprano. Plus new music by graduate composers.

Free Admission

Lunchtime Chamber Music

november 28

Center for British Art | Wednesday | 12:30 pm Music for a colorful variety of ensembles.

Free Admission

Hung-Kuan Chen, piano

november 28

Morse Recital Hall | Wednesday | 8 pm Horowitz Piano Series

Music by Mozart and Brahms, plus Schumann’s Fantasie in C major and

Stravinsky’s Three Movements from Petrushka.Tickets $12–22, Students $6–9

Laura Usiskin, cello

november 29

Morse Recital Hall | Thursday | 8 pm Doctor of Musical Arts Recital

Music of Bach, Debussy, Stravinsky, and more. Free Admission

Charles Neidich, clarinet & Robert Levin, piano

december 2 & 3

15 Hillhouse AvenueSunday, 3 pm | Monday, 8 pm Collection of Musical Instruments

Music of Schumann and Brahms, played on historical instruments including a Viennese

piano made by Streicher in 1869.Tickets $20, Students $10

Liederabend

december 4

Morse Recital Hall | Tuesday | 8 pm Yale Opera

An evening of Russian songs. Free Admission

Robert Blocker, Dean

Concert Programs: Krista Johnson, Carol Jackson, Julie Blindauer

Communications: Dana Astmann, Monica Ong Reed, Austin Kase

Operations: Tara Deming, Chris MelilloPiano Curators: Brian Daley, William Harold

Recording Studio: Eugene Kimball

P.O. Box 208246, New Haven, CT · 203 432-4158 music.yale.edu

Upcoming Events