Art and Culture Committee

SHANGHAI

A DREAM JOURNEY TO EDO-UKI-YO-E ART EXHIBITION

The “A Dream Jounrney to Edo-Ukiyo-e Art Exhibition” co-sponsored by Shanghai Xinhua Publishing Group and Shanghai Tianxie Culture is about to be airborne to the Bund One Art Museum. This time the exhibits are more powerful, the layout is more innovative, and a lot of new Elements...Curriculously curated by the authoritative domestic ukiyo-e scholar Professor Pan Li, more than 140 original works of ukiyo-e classics, bringing together famous genres of various genres, reinterpreting Edo’s historical style across dimen-sions, making people truly understand the ukiyo-e exhibition .The unique and innovative exhibition and curation concept in the exhibition will make people more able to read these ukiyo-e fine arts that have been baptized by the years, and will have a more vivid understanding of the Japanese ukiyo-e culture, so as to truly understand the ukiyo-e. Even those who are ignorant of Ukiyo-e’s culture can grasp the essence of Ukiyo-e’s art from the long and complicated history of Uki-yo-e, the vivid works, and the smart writing.

July 03, 2020 - November 8, 2020Bund One Art Museum, 2nd Floor, No. 1, Zhongshan 1st Road 中山东一路1号2楼 Bund One Art Museum

A MISTY GAZE INTO INFINITY

Tang Yao will be the curator of this exhibition, presenting the important installation works of young artist Tang Jie in recent years. Tang Jie is very good at studying the visual relationship formed by the material relationship and the physical relation-ship, presenting a poetic sense of substancelessness, which uses water, wood, sand and stones as the medium to search for the natural laws of life and the universe. Miao, Miao that cannot be translated into English, to the vast, subtle, dazed. This time he will bring more than ten installation works.

July 04, 2020 - August 23, 2020 Shanghai Baolong Art Museum上海宝龙美术馆

SHANDANDAN FLOWERS BLOOMING AND GORGEOUS-PA-PER-CUT ART EXHIBITION IN NORTHERN SHAANXI

The traditional paper-cut in northern Shaanxi is mainly di-vided into three categories in terms of connotation and function. The first category is to ward off evil spirits and pray for blessing; the second category is to breed and thrive; the third category is folk customs. While contemporary paper-cut artists in northern Shaanxi are creating, they incorporate the characteristics of the new era and their personal artistic pur-suits, thus forming a new look.

From June 20th, the Chinese Art Palace excavated the re-sources of the collection and planned to launch the “Sandan Danhua Blossoming Red-Northern Shaanxi Paper-cut Art Ex-hibition”, which fully presented the unique cultural charm of Xifu paper-cutting.

June 20, 2020 - July 31, 2020Exhibition Hall 15, China Art Palace中华艺术宫 15号展厅

ALEX KATZ

Catch the works of consummate 93-year-old New York art-ist Alex Katz at Fosun Foundation. Known for his figurative landscapes and stylised portraits (particularly of his wife Ada, Katz’s muse and regular subject over the years), the exhibi-tion showcases a collection of 30 artworks from his seven-de-cade career.

May 29, 2020 - August 09, 2020Fosun Foundation Shanghai , 600 Zhongshan Dong’er Lu上海市黄浦区中山东二路600号，近人民路

PARTICIPATION MYSTIQUE

Located inside a former paper machine factory, Ming Con-temporary Art Museum’s new exhibition merges psychoanal-ysis with art. 14 participating artists imagined themselves in a situation of great loss – whether it’s imaginary limb pain in Kader Attia’s photography or to step into the unconscious-ness in Marianna Simnett’s installation work. The artists use various sensory perception to tease out our desire, allowing us to be in touch with the pain and excitement of loss, ac-cident, damage and violence, thereby recognising the pro-found spiritual ties between us and the world.

June 27, 2020 - September 06, 2020436 Yonghe Dong Lu, near Gonghe Xin Lu, Zhabei district闸北区永和东路436号, 近共和新路

THE WORLD OF ANNA SUI

In her nearly 40 years of design career, Anna seems to have been the original little girl who loves fashion, design and rock, and lived her naive and pure dreams. This large exhibition, which is warmly sought after by the capitals of the world, will fully present the exclusive Anna Sui’s fashion culture through design manuscripts, classic fashion, accessories, video imag-es and other works, taking you to appreciate her magic and diversity. Tell you about her true journey.

June 06, 2020 - August 30, 2020No. 4777 Binjiang Avenue Yikang Art Museum滨江大道4777号 艺仓美术馆 本周新展

TEAMLAB UNBOUNDED ART MUSEUM

The large-scale art museum “EPSON teamLab Unbounded Art Museum: teamLab Borderless Shanghai” created by the art team teamLab was opened on November 5, 2019 in Huang-pu Binjiang, Shanghai, China. teamLab will display about 50 works of art in a complex three-dimensional space of 6,600 square meters, including works that were first published in the world. teamLab Unbounded is an “art gallery without maps” composed of art groups with no boundaries created by the art team teamLab.

November 05, 2019 - November 11, 2020Unit C-2, No. 100 Huayuangang Road, Huangpu DistrictteamLab Unbounded Art Museum 黄浦区花园港路100号C-2单元teamLab无界美术馆

FLOW WITH MATTER

Shanghai Minsheng Museum of Modern Art hosts the Finnish artists Tommy Grönlund and Petteri Nisunen’s exhibition this time a total of 21 components were exhibited in the exhibi-tion, including installation art, new media, photography, and painting.

May 31, 2020 - October 11, 2020 Building 3, Jingye Xinye Square, No. 210 Wenshui Road, Jing’an District, Shanghai Minsheng Art Museum静安区汶水路210号静安新业坊 3号楼上海民生现代美术馆

UNCONVENTIONAL

At the end of 2019, after the recommendation and confirma-tion of 44 senior industry nominees, we are honored to in-vite seven outstanding young Chinese media artists-they are Cheng Xinhao, Li Shuang, Lin Ke, Tang Chao, Tao Hui, Wang Tuo and Zheng Yuan ——Coming together to participate in the exhibition part of this project; KADIST Art Foundation will also inject more impetus into the follow-up of the project, provide artists with more diverse support from diverse resi-dent resources, and provide cross-cultural context exchange and the opportunity to explore.

May 16, 2020 - August 08, 2020Building 3, Jingye Xinye Square, No. 210 Wenshui Road, Jing’an District, Shanghai Minsheng Art Museum静安区汶水路210号静安新业坊 3号楼上海民生现代美术馆

“WHERE DID YOU GO”-CHILDHOOD TOY HUNTING EXHI-BITION

Jinqiao Biyun Art Museum will launch a self-curated collec-tion series exhibition “”Where did you go”-Childhood Toy Hunting Exhibition” from June 21, 2020 to August 2, 2020. Since the venue was opened to the public in early 2019, it has always insisted on continuous exploration in the academ-ic direction of the “New Shanghai School”, closely contacting artists in Shanghai, digging deep into the local cultural poten-tial and expanding new possibilities, and Shanghai’s collection industry has just witnessed the history of the development of culture and art on this hot spot, the annual collection series of Jinqiao Biyun Art Museum came into being

June 21, 2020 - August 02, 202035 Hongfeng Road, Pudong New DistrictGolden Bridge Biyun Art Museum浦东新区红枫路135号金桥碧云美术馆

MAGNIFICENT WORK

From June 20th to July 19th, “Large Article-Bao Xianlun Cal-ligraphy Exhibition” will meet with the audience at the China Art Palace. This exhibition exhibited 260 calligraphy works created by Mr. Bao Xianlun, most of which were newly creat-ed.

June 20, 2020 - August 19, 202035 Hongfeng Road, Pudong New DistrictChinese Art Palace, 0-meter middle hall, exhibition halls 20 and 21中华艺术宫 0米层中厅、20、21号展厅

CURIOSITY CABINET 3 MAGIC DOLL SPECIAL EXHIBITION

“Curious Cabinet 3 Magic City Doll Special Exhibition” is a unique exhibition about dolls, which continues the wonderful and quirky exhibition style of the first curiosity cabinet, cruis-ing between reality and conjecture, coexisting with abun-dance and surprise.

March 14, 2020 - August 30, 20203rd Floor, Duoyunxuan Art Center, 1188 Tianyaoqiao Road天钥桥路1188号 朵云轩艺术中心三楼

A THOUSAND MILES OF SPRING BREEZE-JIANGNAN CULTURE AND ART EXHIBITION

Jiangnan’s poems, Jiangnan’s scenery, Jiangnan’s things, Ji-angnan’s people, Jiangnan has the charm that enchants the soul of the entire nation. The Shanghai Museum explores the advantages of cultural relics in the collection, serves Shang-hai’s urban development and even the national strategy, and holds this special exhibition that has been upgraded to the level of “Jiangnan Culture”. More than 190 pieces (groups) of representative artworks selected in this exhibition are de-signed to present Jiangnan art and tell the history of Jiang-nan. Based on cultural relics, the deep cultural features of Jiangnan are extracted.

May 26, 2020 - August 23, 2020Shanghai Museum上海博物馆

INFINITE MEANING-ZHAO PUCHU CALLIGRAPHY ART EXHIBITION

The name of this exhibition is taken from Mr. Zhao Puchu’s Zhai number-Endless Yizhai. “Infinite meaning” not only comes from Mr. Zhao Puchu’s cognition and aspirations, but also the original intention and portrayal of this exhibition. This exhibition will select 93 pieces (groups) of precious cal-ligraphy provided by relatives of Mr. Zhao Puchu from various periods. The book covers rich content such as poems and song Haiku.

May 21, 2020 - July 19, 2020Calligraphy Hall on the third floor of Shanghai Museum上海博物馆三楼书法馆

THE SHAPE OF TIME

The shape of time THE SHAPE OF TIME, jointly curated by the Chinese and French curatorial team, selected Pompidou Cen-ter collection, 2 large exhibition halls, 11 chapters, from 1910 to 2013, spanning the 20th and 21st centuries, hundreds Masterpieces of contemporary art masters, an art shuttle journey spanning a century.

November 08, 2019 - May 09, 20212600 Longteng Avenue, Xuhui District, ShanghaiWest Bund Art Gallery Exhibition Hall 2&3上海市徐汇区龙腾大道2600号西岸美术馆 展厅2&3

HIGHLY RECOMMENDED

OBSERVATIONS

The first special exhibition “Observations”, in the 900 square meters exhibition space of the West Bund Art Museum, showcases new media art works from the Pompidou Center collection, and enters contemporary art from an interdisci-plinary perspective, focusing on art and The blend of technol-ogy.

November 08, 2019 - August 08, 2020West Bund Art Museum, 2600 Longteng Avenue, Xuhui Dis-trict, Shanghai上海市徐汇区龙腾大道2600号西岸美术馆

MOVE ON CHINA

The exhibition is a joint exhibition of three artists Zhang Peili, Wang Jianwei and Feng Mengbo. In practice, the new forms of media endow the artist with internal reasons, and also bear in mind the social transformation and changes of the times.

December 12, 2019 - October 01, 2020First Floor, Hao Art Museum (Shanghai)昊美术馆（上海）一楼

I X BEUYS

This project invites an artist to talk with the collection of Boyce’s works in the form of works every 4 months, and in the Boyes exhibition area Exhibit in the form of “Zhanzhong-zhan”. The project is hosted by curator Du Xiyun, and invites artists who have continued expression in “intervention in society” and other aspects. Through the implementation pro-cess of the specific project, the rich relationship with Boyce is touched to reactivate each other’s cultural energy in seeking common ground while reserving differences.

December 12, 2019 - August 02, 2020The second floor of Hao Art Museum昊美术馆（上海）二楼

THE IMPRESSION OF HAISU

As one of the most representative art educators in China in the 20th century, Liu Haisu is both good at Chinese and Western paintings. He has witnessed the transformation of modern China and the century of the world with his nearly one century of personal experience and personal experience of art! Hai Weng, who has become a veteran of the maritime art world, has a lot of contacts with the seniors, juniors and juniors of the seal cutting circle. The quantity and quality of the seals can be regarded as one of the few people at sea. Hailao’s name, Zhaiguan’s nickname, the collection seal and the chapters that bear witness to the artistic interest of life are all gathered here happily-in the past hundred years, there are many styles of Zhu Zhubaibai imprinted by famous genres of the Indian world!

long-term exhibitionHall 5, Liu Haisu Art Museum刘海粟美术馆 5号展厅

WRITING AS THE FOUNTAINHEAD OF ALL ARTS

Liu Haisu, who wants to create a new era of Chinese art in harmony with China and the West, has a broad vision of traditional Chinese art and Western art. With the gradual sublimation of calligraphy, his art gradually shows a bold and magnificent style. In the early 1920s, Liu Haisu, as the young principal of the art college, chose Kang Youwei to learn callig-raphy to match the art of calligraphy of the times. . He uses Chinese as the body, draws in the paintings, and combines Chinese and Western paintings. He integrates the aesthetic understanding of Chinese calligraphy with the creative prac-tice of Chinese and Western paintings and the expanding social practice of modern art schools! Liu’s vision and book talents in his youth can be entered from his early years in Kang’s real life, and in his later years, he was wrapped up like a seal, scattered like grass, like a dragon, grabbed, like old The line quality of Fujipanqu changed, and eventually he con-trolled his oil paintings and Chinese paintings with his own unique calligraphic linearity, which obviously became the biggest background of the “Liu Haisu” Chinese and Western art blending!

long-term exhibition Hall 6, Liu Haisu Art Museum刘海粟美术馆 6号展厅

MY ART BELONGS TO THE PEO-PLE

Mr. Wu Guanzhong is an outstanding artist with great influ-ence in the 20th century and an important banner for the development of Chinese modern art. The Chinese Art Palace is one of the institutions that collect most of Mr. Wu Guan-zhong’s works at home and abroad. This year coincides with the 100th birthday of Mr. Wu Guanzhong, this exhibition will display more than 100 collections of works. On the occasion of commemorating the 70th anniversary of the founding of New China, the works and exhibitions will highlight Mr. Wu Guanzhong’s famous saying “Artists belong to the people, and art works should belong people”.

September 09, 2019 - March 03, 2021Chinese Art Palace中华艺术宫

SHUCANG’S COLLECTION

As part of the museum’s permanent exhibition “Book Collec-tion Building Collection Exhibition-Baichuan Confluence”, this exhibition featured some of the collections in the collection building, and for the first time exhibited Qi Baishi’s “A Closer to the End of the World-Landscape”, Wu Hufan’s “Wan Song Jinque”, Zhang Daqian’s “Juran Qingfeng Map”, Huang Zhou’s “Jubilant Grassland”, Fu Baoshi’s “Butterfly Flower” and more than 100 pieces of modern masterpieces, systematically dis-playing the collection of representative artists from all re-gions and genres in China since the century the work.

October 01, 2019 - September 13, 2021Shanghai Baolong Art Museum上海宝龙美术馆

BEYOUND FASHION

Originally one of a series of exhibitions produced for the Foundation for the Exhibition of Photography curated by Nathalie Herschdorfer, Beyond Fashion showcases nearly a hundred works from the world of fashion photographers, from the industry’s big names (Nick Knight, Peter Lindbergh and Mario Testino) to figures of the new generation.

April 11, 2020-July 25, 2020 2555-1 Longteng Avenue, Xuhui District, Shanghai Photo Art Center徐汇区龙腾大道 2555-1 上海摄影艺术中心

HIGHLY RECOMMENDED

IN PRODUCTION: ART AND THE STUDIO SYSTEM

This exhibition emphasizes the history of the intersection of visual art and film, focusing on how the studio space of visual art and film production has undergone fundamental changes in the past 20 years. The 24 contemporary artists participat-ing in the exhibition criticized, embezzled and integrated into the Hollywood and film studio system. The exhibition also highlights outstanding gifts and acquisitions related to mov-ies and videos that have entered the permanent collection of the Los Angeles County Museum of Art in recent years.

November 07, 2019-August 30, 2020Yuz Museum余德耀美术馆

RESISTANCE OF THE SLEEPERS

The UCCA Sand Dunes Art Museum presents the exhibition “Resistance of Sleepers” from April 30 to September 6, 2020. Starting from the conflict between contemporary social de-velopment and human sleep mechanisms, through Chang Yuchen, Fei Yining, Li Shuang, Anna · Montere, Katie Patter-son, Shen Linghao, Ye Zhaofeng, Zhang Kerui, Zhang Ruyi and Zetuo, a total of 10 artists’ multi-angle thinking and multi-me-dia expression, derived and touched on and discussed time, consciousness, dreams, death, energy, Rich topics such as capital and labor.

April 30, 2020 - September 6, 2020 9:30-17:00May 1st opening hours: 9: 30-19: 00 daily (stop admission at 18:30)Beidaihe Anaya Gold Coast五一假期开放时间：每天9:30-19:00（18:30停止入场）北戴河阿那亚黄金海岸

RESONANCE – THE SEVENTH SHANGHAI DUOLUN YOUTH ART EXHIBITION

Selecting from 800 submissions, the exhibition shows vid-eos, installations, paintings and sculptures from 19 artists under the theme of resonance. Borrowing from the concept of physics that describes a phenomenon in which vibrating system forces another system around it to vibrate with great-er amplitude, the exhibition wants to use these artworks as ‘vibrating systems’ to connect the physical world with artists and viewers, creating a resonance that’s bigger than the art-works themselves. Reservation is necessary

Sun 10 May - Sun 13 Sep (Every day except Monday) Shanghai Duolun Museum of Modern Art27 Duolun Lu, near Sichuan Bei Lu, Hongkou district虹口区多伦路27号, 近四川北路

TRACES OF ACTIONS

In an era when relations of production are over-virtualized , the close connection between human beings and existing things is gradually weakened, replaced by the symbolized and standardized appeal to the explanation of production. It is a surrender to speed and time in an environment of ultra-effi-cient construction, and the result is ultimately the separation of the human body from the material. People thus forget how to “poetically inhabit”.

May 21, 2020 - July 26, 2020Long Museum West Bund3398 Longteng Avenue, near Ruining Lu, Xuhui district徐汇区龙腾大道3398号, 近瑞宁路

FOR THE CHILDREN

On the occasion of the National Children’s Day of 2020, Long Museum (West Bund) launched a special exhibition ‘For the Children’. The exhibition showed a batch of works provided by Long Museum together with works from artists invited Yu Ji (b.1985) and ZUZHI(founded by artists Jun-Y Ciao, Tao Yi, Xu Zhe and Li Mu in 2009) with the aim of imparting vitality to children’s art activities and deepen their appreciation of art.

May 16, 2020 - July 26, 2020Long Museum West Bund3398 Longteng Avenue, near Ruining Lu, Xuhui district徐汇区龙腾大道3398号, 近瑞宁路

A LITTLE CHANCE ENCOUNTER

Recently, the whole world is under the shadow of the sudden outbreak of the epidemic disease. Although social distancing is separating people from each other for the moment, we still need to keep it in mind that the warm and hope we could gain from a little chance encounter.

May 01, 2020 - July 31, 2020Long Museum West Bund3398 Longteng Avenue, near Ruining Lu, Xuhui district徐汇区龙腾大道3398号, 近瑞宁路

BEIJING

15 ARTISTS X 15 YEARS IN CHINA

As a sculptor with a high reputation in the contemporary art world, Li Chen’s sculptures solved many factors of contradic-tions and unification. Li Chen has a signature sculptural style that is unbound by the western modeling language; instead, he seeks to construct the discourse power of oriental sculp-ture through his practice. Discarding the complexity of artistic symbols, The Ethereal Cloud series endows the solid (sculp-ture) with clouds of smoke, and displays the energy and spirit of oriental philosophical thinking. The latest Ethereal Cloud painting series uses dense ink lines to create a native lan-guage, where the lines are transformed into images of rocks, characters and so on. It makes the works having a sponta-neous and natural form, which is unique, eccentric and in-finitely reproducing.

25 Oct 2019 - 30 Aug 2020Dashanzi Art District 798 #8503, 2 Jiuxianqiao Road, Chaoy-ang Dst.朝阳区酒仙桥路2号798大山子艺术区

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SHEN CHEN III: UNTITLED / THE WORKS SINCE THE 2000S

“ Shen Chen : I. Calligraphy / Abstract Ink Paintings from the 1980s” and “Shen Chen : II. Diaries / Experimental Acrylic Paintings from the 1990s ” have given the viewers a compre-hensive and thorough idea of Shen Chen’s practice during the 1980s when he had been experimenting with the mate-rial, the methodology and the concept of his works. In the 1980s, he focused on abstract ink paintings with calligraphic brushworks and lyrical expression; in the 1990s, he searched for minimal expression of the deeper and the more spiritual, taking on water-based acrylic on canvas. Shen Chen’s practice situates between Eastern and Western culture. He explores brushstrokes, materials, lines, structure and order, construct-ing a rational ground in his works with a Western point of view. He investigates the idea of time, space, overlap and revelation, in all the spiritual aspect of the work with a specif-ically Eastern sentiment.

May 22, 2020 - July 18, 2020GINKGO SPACE 65, 798 Art District, No.4 Jiuxianqiao Rd., Chaoyang Dst., 100015, Beijing, China北京市朝阳区 酒仙桥路4号院 798艺术区65幢

MUTE, ZHU YU’S THIRD SOLO EX-HIBITION

“Mute” is a principle of action followed by the artist. The choice to remain completely silent implies a practice that re-jects all systemic support and conceptual validation. “Mute” is also the artist’s operational mode in the real world. Like a submarine lurking quietly beneath the sea, turning itself into a “void” to human detection technology, which is the only way it can achieve the ideal state under which to carry out its mission. For this reason, Mute is also an exhibition that eschews text and speech. It does not provide any artist state-ment, critical interpretation, artwork labels or any other form of guidance to the exhibition.

May 21, 2020 - July 12, 2020Long March Space4 Jiuxianqiao Road, Chaoyang District, Beijing, P.R. China北京市朝阳区酒仙桥路4号798艺术区798中一街

MEDITATIONS IN AN EMERGENCY

From May 21 to August 30, 2020, UCCA Center for Contem-porary Art presents the group exhibition “Meditations in an Emergency.” The exhibition emerges in the wake of the pan-demic which has created the first truly global moment of the twenty-first century. As it marks UCCA’s reopening after the longest closure in its history, since late January, the exhibition looks to art as a source of solace, reflection, and solidarity. Structured in five sections—focused on everyday life, the body and biopolitics, the human/animal dichotomy, migration and borders, and the information landscape—the exhibition includes works by 26 artists. These engage with the currents that have led to our present circumstances, and what futures we might find in the aftermath. The exhibition takes its title from an anthology of poetry by Frank O’Hara (1926-1966), better known during his short life as a curator at New York’s Museum of Modern Art. As O’Hara wrote in one of the in-cluded poems, “In times of crisis, we must all decide again and again whom we love.”

May 21, 2020 - August 30, 2020Ullens Center for Contemporary Art798 Art District No. 4 Jiuxianqiao Road Chaoyang District, Beijing 100015UCCA尤伦斯当代艺术中心北京市朝阳区酒仙桥路4号798艺术区

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WE WILL MEET AGAIN: TOKYO GALLERY + BTAP 70TH ANNIVER-SARY SPECIAL EXHIBITION

We’re proud to announce that from 18 May through 8 Au-gust 2020, TOKYO GALLERY + BTAP will host its 70th anni-versary special exhibition entitled We Will Meet Again in its Beijing locations. Seventy years have passed since the found-ing in 1950 of TOKYO GALLERY, the first gallery in Japan and Asia to devote itself to contemporary art. Hence, the year 2020 will see a series of exhibitions held in TOKYO GALLERY + BTAP’s Tokyo and Beijing locations, aimed at commemorat-ing the gallery’s 70-year existence. TOKYO GALLERY + BTAP’s Beijing locations will kick off this highly meaningful year with the 70th anniversary special exhibition entitled We Will Meet Again. Artists who’ve previously collaborated with TOKYO GALLERY since the time of its founding, including Xu Bing, Cai Guoqiang, Huang Rui, Sui Jianguo, Song Dong, Ding Yi, Liu Xia-odong, He Yunchang, Wang Shuye, Ye Jianqing, Zhu Jianzhong and Zeng Jianyong will be invited to take part in this exhi-bition, resulting in a total of over 80 artworks ranging from painting and sculpture to installation and video works.

May 18, 2020 - August 08, 2020Tokyo Gallery+BTAPCeramics Third Street, 798 Art zone E02, 4Jiu Xian Qiao Rd., Chao Yang District, Beijing中国北京市朝陽区酒仙橋路4號，798藝術區内陶瓷三街E02，郵政編碼100015