continuing studies at emily carr: spring 2016
DESCRIPTION
Start 2016 growing your skills in art + design, from intensive certificate programs to courses and workshops in a range of subjects. Gift certificates allow you to give someone a new experience in the new year.TRANSCRIPT
Support Emily Carr!Receive exclusive benefits and invitations to special events throughout the year.
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EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES 1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs
SPRING2016january - april | continuing studies courses + programs
SPRING2016january - april | continuing studies courses + programs
CertificatesCourses
Studio SpaceTeen ProgramsWorkshops
continuing studies
teens.ecuad.caecuad.ca/theleeway follow us / join our mailing list / contact us@EmilyCarrCS [email protected] 604 844 3810
[email protected] 604 844 3810
Teen Programs
Open to students aged 15-18 with a range of experience, interests and talents, Emily Carr University of Art + Design’s teen programs include opportunities for portfolio development,improving skills and techniques and building an understanding of art and design as a contemporary practice.
We offer a range of responsive programs each year – from portfolio workshops to summer intensives – to prepare students to study at art and design universities and to help support the next generation of artists and designers on their path.
PAST AND CURRENT PROGRAMS
Summer Institute for TeensMonth-long program of focused studio practice in chosen subjects + cultural studies.
BC Summer Studios10-day creative intensives for portfolio and skill development in BC communities.(2015 Communities: Whistler and Prince George)
Teen Art GroupAfter-school program on art practice and visual culture with the Vancouver Art Gallery.
The Leeway is a membership-based community studio space where artists and designers can explore new techniques, work among peers and learn from experienced instructors through scheduled workshops.
Access to professional equipment, tools and materials as well as support from knowledgeable studio technicians allow Leeway members the freedom to experiment and create.
Become a member
STANDARD MEMBERSHIP
$200 month $635 term $1,750 year*
DISCOUNTED MEMBERSHIP For Alumni, Seniors (60+) and Staff
$150 month $465 term $1,250 year*
*Yearly and four-month term memberships start in January, May or September
WorkshopsOur three and six hour workshops are hands-on sessions that focus on a particular form or technique. These one-day sessions are listed throughout our course calendar and are hosted by The Leeway.
Demos + Open StudiosThe Leeway also hosts free events throughout the year. Demos are short sessions of instruction on different practices and processes. Open Studios are three-hour sessions that allow non-Leeway members to try working in a communal studio space.
X Learn more: page 37
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 1
SPRING2016
Table of Contents
COURSES + WORKSHOPS Communication Design 6 Core Skills 8Cultural Studies 9Digital Skills, Media + Technologies 10 Drawing 13Film/Video 18Graphic Novel 18Illustration 19Industrial Design 21Painting 22Photography 26Printmaking 28Professionalising Your Practice 30Sculpture + Installation 31Textile Arts 33
CERTIFICATE PROGRAMS Design Essentials Certificates 2 Part-Time Certificates 4 Part-Time Certificates: Fine Arts 5
STUDIO SPACEThe Leeway 37
TEEN PROGRAMSOverview inside back cover
GET STARTEDCourses at a Glance 34 How to Register 36
RESOURCESRegistration Policies + General Information 38 FAQs 40Contact Us 40
Registration Opens November 17, 2015
Cover: Continuing Studies student Nola Accilli, Dark Facade: Maison 2015, India + acrylic ink, 10×14˝
2 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
Delivered by BCIT and Emily Carr University of Art + Design, Communication Design Essentials is a one-year program that provides students with a solid foundation in design principles, combined with technical skills in the Adobe Creative Cloud. Graduates work in a variety of roles across design studios, marketing and advertising agencies and entrepreneurial endeavours.
How to ApplyApply through BCIT. Visit bcit.ca/admission.
X Start Dates: April 2016 + October 2016
Get ReadyNew to communication design? Start learning some basic skills and create work for your admissions portfolio with these CS courses.
CECD 110 Basics of Communication DesignCECD 160 Drawing For DesignCECS 133 Indesign: The Basics
DESIGN ESSENTIALS CERTIFICATES Intensive and career-focused programs
that combine conceptual design skills and technical knowledge.
COMMUNICATION DESIGN ESSENTIALS
3
INTERACTION DESIGN ESSENTIALS
Interaction Design Essentials is a six-month, full-time program that brings together user experience and design principles. Students develop skills in areas from web design to coding to motion graphics as they produce both web and mobile-based applications. Graduates exit the program with a professional-level portfolio and a range of in-demand skills.
Course content includes:X Design and prototyping for responsive design, including
mobile environments;X User interface (UI) and user experience (UX) skills;X Website development using HTML, XML, PHP, JavaScript,
jquery, CSS; X Mastery of Adobe Creative Cloud tools; andX How to lead effective projects and work in teams.
Term 1Design Fundamentals • User Centered Design • Design Research and Management • Programming for Interactivity • Designing For The Web • Interaction Design Studio I • Motion Graphics • Web Development I • Portfolio Development I
Term 2Mobile Web Development • Mobile Application Design • Mobile Application Production • Interaction Design Studio II • Web Development II • Portfolio Development II
X Start Dates: April 2016 + October 2016 Apply by February 1, 2016 for entry into our April 2016 program.
How to ApplySubmit your application online and include the following:X A portfolio of workX CV or resuméX Academic transcripts (high school and/or university)X One letter of recommendation
Get ReadyNew to interaction design? Start learning some basic skills and create work for your admissions portfolio with these CS courses.
CEDA 232 Introduction To Web DesignCEDA 250 Introduction To WordpressCECS 130 Adobe Illustrator: The Basics
essentials/ecuad.ca [email protected] 844 3810
4
Part-time Certificate students:X Set their own pace of study and areas of focusX Build a portfolio that showcases their personal style and abilitiesX Receive feedback and assessments from their instructorsX Join a community of like-minded artists and creative individualsX Have access to advance registration in CS courses
Part-time certificate programs run through our evening and weekend courses and are suitable for all levels of experience.
PART-TIME CERTIFICATES
ADVANCED J 1-4 years
Drawing Page 13Painting Page 22Illustration Page 19Sculpture Page 31
INTRODUCTORY J 1-3 years
Fine Arts Page 8Photography Page 262D Design Page 63D Design Page 21
Learn More:X Browse courses in our course calendar or online X Download our student handbooks from our website X Join us for an information session X Visit ecuad.ca/certificates
Flexible programs in fine arts and design focused on technique and portfolio development.
contact the cs office to register in person, by email
or over the phone. register now contact us: p. 40
ecuad.ca/certificates [email protected] 844 3810
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 5
Develop a broad foundation in fine art practice by learning to work in a range of media as well as understand the creative process. Hands-on studio time is supple-mented with discussions of art in a cultural, contemporary and historical context.
Get StartedCEFA 160 Basics of Composition and FormCEDR 160 Drawing Fundamentals I: Composition/ProcessCEPN 164 Using Colour
SPOTLIGHT
Part-time Certificate in DRAWINGStart or expand your creative practice in drawing and develop your skills in different mediums as you create a portfolio and examine drawing from a historical and contemporary standpoint.
Get StartedCEDR 160 Drawing Fundamentals I: Composition/ProcessDrawing courses - p. 13
Part-time Certificate in ILLUSTRATIONExperiment with a variety of techniques, tools, and media used in illustration as you explore illustration as an art form and business, focusing on either commercial or picture book work.
Get StartedCEIL 170 Introduction to IllustrationIllustration courses - p. 19
Part-time Certificate in PAINTINGPlay with colour, image, structure, surface and support as you work in different media and with an array of materials to produce a diverse portfolio that reflects your individual style and talents.
Get StartedCEFA 170 Materials and Media in Fine Art PracticePainting courses - p. 22
PART-TIME CERTIFICATE
FINE ART TECHNIQUES
Go FurtherOur advanced part-time certificates offer in-depth study of a specific subject area, for beginners who have a focus in mind or for students who have completed a certificate in fine arts techniques and want to go further.
6 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
FUNDAMENTALS
BASICS OF COMMUNICATION DESIGNLearn the fundamentals of communication design including process, ideation, research, analysis, concept development, problem definition, and creative problem solving. Through collaborative exercises, you will be introduced to design process – from development through to the creation of a mock-up and a short design presentation.
Prerequisite(s): None
THE ART OF FONTSThis course introduces you to the anatomy of letterforms and the principles of typographic usage. From the fundamentals of choosing and combining type to the terminology of typography, you will explore distinctions between typefaces, typographic usage and shaping the page with type. By the end of the course, you will be able to apply your typographic knowledge to a range of print and digital media projects.
Prerequisite(s): None
COPPERPLATE SCRIPT: THEN AND NOWIn this course, students examine the elegant and beautiful script of Copperplate, its uses and place in history. Students will be shown how to flourish their letters, layout text and create stroke variations. The course covers small lettering as well as larger drawn letters that can be used to duplicate old signage designs. After achieving skill with the pointed pen nib, students will be encouraged to try a freer, more contemporary look. Typographers, graphic designers, calligraphers and anyone interested in the beauty of hand lettering and font design will enjoy this course.
Prerequisite(s): None
DRAWING FOR DESIGNDrawing is an essential process in design. It is a necessary tool for concept development and is used to communicate with clients and other design professionals throughout the design and production process. This course introduces you to the basic principles of drawing with a specific focus on applications in design including: point; line; form; tone and value, the representation of mass and volume; and composition. Assignments incorporate exercises in drawing techniques combined with problem solving skills and basic design principles. Note: this course may include an undraped live model.
Prerequisite(s): None
COMMUNICATION DESIGN
Carolina Becerra
CECD 110 S001
Jan 20 - Feb 24
Wed 6:30 pm - 9:30 pm
6 sessions / 18 total hrs
$275
Register by Jan 15
Linda Coe
CECD 112 S001
Feb 16 - Mar 8
Tue 6:30 pm - 9:30 pm
4 sessions / 12 total hrs
$225
Register by Feb 11
Renée Alexander
CECD 140 S001
Feb 13 - Apr 9
Sat 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$295
Register by Feb 8
No class Mar 26
Vjeko Sager
CECD 160 S001
Mar 1 - Apr 19
Tue 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$325
Register by Feb 24
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 7
TYPOGRAPHYThis course is perfect for those ready to pursue a more in-depth study of typography. Building on your basic knowledge of fonts, you will further develop your understanding of letterform anatomy, typographic principles and classification systems. Influential typographers, both historical and contempo-rary, will be discussed. Through hands-on individual and group assignments, you will develop techniques to shape the page with type as a dominant element.
Prerequisite(s): Working knowledge of Adobe Illustrator, Photoshop or InDesign
Linda Coe
CECD 320 S001
Feb 21 - Apr 17
Sun 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$285
Register by Feb 16
No class Mar 27
Carolina Becerra
CECD 330 S001
Mar 15 - Apr 19
Tue 6:00 pm - 10:00 pm
6 sessions / 24 total hrs
$340
Register by Mar 10
Renée Alexander
CECD 902 S001
Feb 4
Thu 6:00 pm - 9:00 pm
1 session / 3 total hrs
$65
Register by Jan 30
PUBLICATION DESIGNThrough this course, you will design a publication while learning basic principles of design including layout strategies for multi-page documents and considerations for commercial and small-run printing. You must have prior knowledge of Adobe InDesign and Photoshop, and you are encouraged to bring in a project and all related materials for the first day of class. On completion of the course, you will have a draft multi-page publication, as well as a deeper understanding of publication design concerns.
Prerequisite(s): A working knowledge of Adobe Photoshop, and QuarkXPress or Adobe InDesign is required; expertise with Adobe Illustrator is recommended
ITALIC VARIATIONS IN HAND LETTERINGDevelop your hand lettering practice in this workshop dedicated to italics. Learn about the historical origins of the form as well as its contemporary variations with hands on exercises intended to fully explore the form.
SKILL BUILDING
take the next step
enrol in our
part-timecertificate in
2D designlearn more: p. 4
8 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
FUNDAMENTALS
BASICS OF COMPOSITION AND FORMThis foundational course introduces you to the relationship of concept and composition in 2D art practices. You will develop skills in composition by investigating how line, shape, colour, texture and surface treatment enhance and influence form. Experimentation with a variety of media allows you to explore aesthetics and meaning by applying the elements and principles of composition. You will learn to reference historical and contemporary theories and image sources as inspirations for art making.
Prerequisite(s): None
SKILL BUILDING
MATERIALS AND MEDIA IN FINE ART PRACTICEIn this course, you will explore the relationship between ideas, materials, media and context, and how these are used to create 3D objects. Both traditional and unconventional materials and processes will be employed in exercises and projects. Topics include: space, mass, volume, plane and texture, as well as how these elements can be manipulated, through your choice of materials.
Prerequisite(s): None
CORE SKILLS
Frances Grafton
CEFA 160 S001
Jan 23 - Mar 19
Sat 9:30 am - 12:30 pm
8 sessions / 24 total hrs
$325
Register by Jan 18
No class Feb 6
Frances Grafton
CEFA 160 S002
Feb 21 - Apr 17
Sun 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$325
Register by Feb 16
No class Mar 27
Karen Kazmer
CEFA 170 S001
Jan 16 - Jan 30
Sat 9:30 am - 4:00 pm
3 sessions / 16 total hrs
$250
Register by Jan 11
Last class (Jan 30)
9:30 am - 3:30 pm
COMMUNICATION DESIGN (CONT’D)
KADENZE Online Course: Project Management for DesignersThis non-credit course guides students through the business side of design, including how to get organized and stay on track with timeline projections, cost estimates and workflow charts. From working in a small or mid-size design studio to more independent roles, students will learn the strategies behind administrative processes that support their design practices and help to ensure their success and profitability. Learn how to make a business run cleanly and efficiently, how to manage yourself and your workflow, and how to keep client relationships productive and clear.
Register Online: www.kadenze.com
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 9
ISSUES IN CONTEMPORARY DESIGNThis course examines a range of contemporary debates, themes and issues that affect designers including: ‘wicked problems’ in design; social responsibility; design thinking; architecture and urban planning; user-centered design; objects we think with; and many others. In addition to weekly readings and discussions, you will work in teams to address contemporary design challenges, moving from talking about design to the practical implications of developing design proposals. You will develop a greater awareness of ways in which design is connected to your everyday life.
Prerequisite(s): None
ISSUES IN CONTEMPORARY ARTThis course introduces you to a range of issues affecting contemporary art from the mid-20th century to today. You will examine a number of themes including: the changing role of the artist; the problem of the avant-garde and originality; the idea of discourse; postmodernism and beyond; the problem of ‘beauty’; nature as subject; pastoral tradition and nostalgia; ecological art; new feminism; radical art; cyber-culture and the post-human; and the new sublime. You will complete an exhibition review and a portfolio of research and writing exercises.
Prerequisite(s): None
A SURVEY AND HISTORY OF ARTThis course offers an introduction to the history of Western art, focusing on the cultures and individuals that shaped art and architecture over the last 1000 years. Linking historical precedents to contemporary artistic practices, this course will provide you with a general introduction to art history. This course is ideal if you want to be better informed when visiting museums or galleries, or who want to understand their own practice in the context of what went before.
Prerequisite(s): None
CONTEMPORARY CANADIAN ARTCurious about contemporary art in Canada? This course offers a broad survey of some of the significant artists and movements that have emerged since the 1980s. From British Columbia, the Prairies, Ontario and Quebec, to the Maritime Region and the breadth of Aboriginal communities across the country, this course is ideal for anyone who is culturally curious.
Prerequisite(s): CESE 160 Issues in Contemporary Art is recommended, but not required
CULTURAL STUDIES
Janet Jones
CESE 160 S001
Feb 14 - Apr 10
Sun 9:30 am - 12:30 pm
8 sessions / 24 total hrs
$295
Register by Feb 9
No class Mar 27
Rajdeep Gill
CESE 180 S001
Feb 15 - Apr 11
Mon 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$295
Register by Feb 10
No class Mar 28
Ramon Kubicek
CESE 260 S001
Feb 20 - Apr 16
Sat 2:30 pm - 5:30 pm
8 sessions / 24 total hrs
$295
Register by Feb 15
No class Mar 26
FUNDAMENTALS
Ramon Kubicek
CESE 110 S001
Feb 20 - Apr 16
Sat 10:30 am - 1:30 pm
8 sessions / 24 total hrs
$330
Register by Feb 15
No class Mar 26
take the next stepenrol in our part-time certificate infine artlearn more: p. 4
10 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
INTRODUCTION TO MAYADevelop your design and computer skills through an introduction to computer animation in this two-day intensive workshop offering an introduction to Autodesk Maya. Learn fundamentals of modeling, texturing, animation, lighting, and rendering in three-dimensional space. Create assets and environments and apply them to animation for broadcast, film, video games and visualization. Projects investigate the conceptual, aesthetic and expressive potential of the 3D environment, and demonstrate various design strategies for 3D imaging and animation. By the end of the course you will be comfortable using Autodesk Maya and able to create simple films or simulations.
Prerequisite(s): Basic computer skills
ADOBE ILLUSTRATOR: THE BASICSAdobe Illustrator is a powerful digital tool for many applications including illustration, drawing and design. Learn the key features of this program and become familiar with the basics of digital drawing and painting by creating and modifying geometric shapes, drawing with Bézier curves, utilizing gradients and patterns. Small weekly assignments and one larger illustration project will allow you to apply all the skills learned in class. Note: This course is taught in our Mac Labs using Creative Cloud.
Prerequisite(s): Experience with Macintosh Computer is highly recommended
Thomas Groppi
CEAN 152 S001
Feb 20 - Feb 21
Sat + Sun 10:00 am - 4:30 pm
2 sessions / 12 total hrs
$195
Register by Feb 15
Jaime Clay
CECS 130 S001
Jan 23 - Mar 19
Sat 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$395
Register by Jan 18
No class Feb 6
FUNDAMENTALS
DIGITAL SKILLS, MEDIA + TECHNOLOGIES
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 11
Jaime Clay
CECS 131 S001
Feb 13 - Apr 9
Sat 9:30 am - 12:30 pm
8 sessions / 24 total hrs
$425
Register by Feb 8
No class Mar 26
Jen Hiebert
CECS 133 S001
Feb 14 - Apr 10
Sun 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$395
Register by Feb 9
No class Mar 27
THE ADOBE SUITE FOR DESIGN AND PRODUCTIONThis course is a comprehensive introduction to the Adobe Suite including Illustrator, Photoshop and InDesign as an integrated software tool for the design and production of print and digital media. Focus is on gaining basic knowledge of each program, and a deeper understanding of how they work as part of an integrated toolkit. You will learn to use the Suite in document layout, typesetting and combining both vector art and raster art to design and producing work for print and digital outputs. Note: This course is taught in our Mac Labs using Creative Cloud.
Prerequisite(s): Strong computer skills are highly recommended
PHOTOSHOP FOR PHOTOGRAPHERSDesigned for photographers, this course explores the range of capabilities of Adobe Photoshop as a tool for image correction and manipulation including colour calibration, layers, dodging and burning, converting colour images to greyscale, toning and retouching. Time will be available for work on personal images. Using scanned and digital images, you will be introduced to topics including: RAW file format, colour management, basic selection techniques, a variety of techniques for tonal and colour correction, retouching and final image output. Note: This course is taught in our Mac Labs using Creative Cloud.
Prerequisite(s): Experience with a Macintosh computer or equivalent, as well as general experience in either digital or film photography
Kathryn Mussallem
CECS 140 S001
Jan 17 - Mar 13
Sun 9:30 am - 12:30 pm
8 sessions / 24 total hrs
$425
Register by Jan 12
No class Feb 7
FUNDAMENTALS (cont’d)
SKILL BUILDING
PHOTOSHOP: THE BASICSExplore the creative potential of Adobe Photoshop for digital image processing and photo editing. Learn the basics of image manipulation including simple retouching, applying filters, blending and combining image, and adding text to image. Other topics include: resolution; masks; channels; and paths. This course is an ideal introduction to the skills and techniques needed to work in this industry standard program, and will allow you to immediately apply your knowledge to practical projects. Note: This course is taught in our Mac Labs using Creative Cloud.
Prerequisite(s): Strong computer skills are recommended
INDESIGN: THE BASICSAdobe InDesign is a powerful tool for design, page-layout and production, and is the ideal platform to bring together work created in Photoshop, Illustrator and Acrobat. In this course, you will gain basic experience with the software as you work with page layout, creating and formating text, inputting and manipulating images, as well as gaining a basic understanding of colour as it relates to printing. Please note that this course is taught in our Mac Labs using Creative Cloud.
Prerequisite(s): Experience with Macintosh Computer is highly recommended; familiarity with Microsoft Word is strongly recommended; experience with Adobe Illustrator is an asset
Jen Hiebert
CECS 136 S001
Jan 30 - Apr 2
Sat 2:00 pm - 6:00 pm
8 sessions / 32 total hrs
$495
Register by Jan 25
No class Feb 6 and Mar 26
Eduardo Rodriguez
CECS 136 S002
Feb 22 - Apr 18
Mon 6:00 pm - 10:00 pm
8 sessions / 32 total hrs
$495
Register by Feb 17
No class Mar 28
12 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
INTRODUCTION TO WEB DESIGNThis course will give you an understanding of how web pages are made, plus the ability to create your very own. Content covers the technical and aesthetic issues of developing a web site including how to write code that works on any range of browsers, and how to create pages that work equally well on large desktop monitors and the more restricted displays of smart phones. If you currently use a Content Management System such as WordPress, knowing how to write HTML and CSS will allow you to take your projects to the next level. that promotes your own work or that of your clients.
Prerequisite(s): Basic computer skills
INTRODUCTION TO WORDPRESSAs an introduction to web design using the WordPress platform, this course offers an in-depth look at the technology and skills required to develop a content-managed web site. Through the production of your own site, you will learn how to install WordPress and make posts, pages and galleries. In addition, you will learn how to use WordPress themes, plugins, widgets, comment forms and more. The course will demonstrate a variety of the easiest and most effective ways of designing, managing and securing your personal WordPress site. Additional topics will include how to get a domain and web hosting, how to set up a WordPress testing environment, and auditioning plugins, themes and more before committing them to your live site.
Prerequisite(s): Basic computer skills
Kevin McMillan
CEDA 250 S001
Feb 28 - Mar 20
Sun 9:30 am - 4:30 pm
4 sessions / 24 total hrs
$385
Register by Feb 23
SKILL BUILDING (CONT’D)
DIGITAL SKILLS, MEDIA + TECHNOLOGIES (CONT’D)
INTRODUCTION TO MODOIn this two-day intensive workshop students learn to use 3D modeling, animation and rendering using Modo to visualize consumer product goods, scientific services, print illustration and architectural presentations. Model, render and animate 3D photo-realistic simulations, through a series of real-world production projects, to create images and movies or quickly work up alternative designs to render CAD data for marketing shots, animations or rapid prototyping (3D print). By the end of the course you will be comfortable using Foundry’s Modo.
Prerequisite(s): Basic computer skills
DIGITAL ANIMATIONThis introductory class will focus on how to use After Effects for animation. This course is aimed at working professionals looking to expand their skill set through animation. Topics will include motion graphics, animated text and digital cut-out animated characters. Through practical exercises, you will learn animation principles, key-frames, motion-paths, how to work with layers, nested compositions, rendering, adding sound to animation using Adobe Premiere and much more.
Prerequisite(s): Working knowledge of Adobe Photoshop and/or Illustrator is an asset
Jaime Clay
CEDA 140 S001
Feb 23 - Apr 12
Tue 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$390
Register by Feb 18
Kevin McMillan
CEDA 232 S001
Jan 24 - Feb 21
Sun 9:30 am - 4:30 pm
4 sessions / 24 total hrs
$385
Register by Jan 19
No class Feb 7
Thomas Groppi
CECS 154 S001
Jan 23 - Jan 24
Sat + Sun 10:00 am - 4:30 pm
2 sessions / 12 total hrs
$195
Register by Jan 18
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 13
FUNDAMENTALS
DRAWING FUNDAMENTALS I: COMPOSITION/PROCESSDrawing, observation, recording and compositional organization are foundational tools for any creative practice. In this course, you will explore studies in line, shape, value, perspective, proportion, positive and negative space and the human figure. Using a wide range of drawing materials and hands-on practice, you will be introduced to drawing as a means of intense visual investigation. This course is an ideal, supportive learning environment if you are new to the field of drawing, and are looking to gain skills that will be broadly applicable.
Prerequisite(s): None
DRAWING
Frances Grafton
CEDR 160 S001
Jan 23 - Mar 19
Sat 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$285
Register by Jan 18
No class Feb 6
Janet Jones
CEDR 160 S002
Jan 26 - Mar 15
Tue 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$285
Register by Jan 21
Martin Guderna
CEDR 160 S003
Jan 30 - Apr 2
Sat 9:30 am - 12:30 pm
8 sessions / 24 total hrs
$285
Register by Jan 25
No class Feb 6 and Mar 26
Martin Guderna
CEDR 160 S004
Feb 15 - Apr 11
Mon 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$285
Register by Feb 10
No class Mar 28
Keith Langergraber
CEDR 160 S005
Feb 20 - Apr 16
Sat 9:30 am - 12:30 pm
8 sessions / 24 total hrs
$285
Register by Feb 15
No class Mar 26
take the next stepenrol in our part-time certificate indrawinglearn more: p. 4
note:The following courses may include an undraped live model: CEDR 160 Drawing Fundamentals I: Composition/Process, CEDR 164 Drawing Into Painting: An Introduction, CEDR 180 Line Drawing Techniques, CEDR 215 Life Drawing in Colour, CEDR 252 Drawing the Portrait, CEDR 261 Drawing the Figure and Face, CEDR 263 Introduction to Life Drawing, CEDR 400 Life Drawing: Open Studio.
14 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERSThis course is essential for artists, designers, illustrators and animators who wish to create convincing images of form, depth and space. Regardless of the form you work in, you will improve the impact of your work with an understanding of this powerful drawing technique. You will be guided through step-by-step exercises, moving from rough layout sketches to more carefully proportioned images of world architecture, vehicles and the human form.
Prerequisite(s): None
CREATIVE DRAWING AND ARCHITECTUREThis structured, high-energy course develops your basic to intermediate drawing and sketching skills, specifically related to space and spatial concerns. Exercises and projects focus on applying principles of perspective drawing, sketching concepts, and other compositional strategies. A variety of creative freehand techniques will allow you to develop your approach to architectural figurative drawing. Class work includes some drawing from a model. Prerequisite(s): None
DRAWING INTO PAINTING: AN INTRODUCTIONThis course provides an introduction to the fundamentals of drawing and painting, and the transition from black-and-white to colour in your creative practice. You will investigate line, form, value, colour and pictoral composition by using a variety of drawing materials and water-based paints. You will begin with drawing and move into painting using the still life, the model and the imagination.
Prerequisite(s): None
Lori Goldberg
CEDR 164 S001
Mar 16 - Apr 20
Wed 6:00 pm - 10:00 pm
6 sessions / 24 total hrs
$300
Register by Mar 11
DRAWING (CONT’D)FUNDAMENTALS (CONT’D)
Tony O’Regan
CEDR 162 S001
Feb 21 - Apr 17
Sun 9:30 am - 12:30 pm
8 sessions / 24 total hrs
$315
Register by Feb 16
No class Mar 27
Tony O’Regan
CEDR 163 S001
Feb 21 - Apr 17
Sun 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$300
Register by Feb 16
No class Mar 27
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 15
Aimee Brown
CEDR 165 S001
Feb 4 - Mar 31
Thu 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$295
Register by Jan 30
No class Mar 24
Stan Hunc
CEDR 167 S001
Jan 24 - Mar 20
Sun 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$300
Register by Jan 19
No class Feb 7
Vicki Israel
CEDR 180 S001
Feb 20 - Apr 16
Sat 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$300
Register by Feb 15
No class Mar 26
DRAWING AND COLLAGEThis course introduces you to various approaches of collage in drawing while exploring the process of combining varied two-dimensional materials with drawing media. The focus will be on how variations in shapes and textures alter the composition and mark-making of a drawing. Subject matter will include the model, still life, found imagery and imagination. A wide range of drawing and collage materials will be used.
Prerequisite(s): Any 100-level drawing course or equivalent
DRAWING WITH PEN AND INK: BLACK-AND-WHITETake a classic, black-and-white approach to the expressive medium of pen and ink drawing. Through exercises and step-by-step tutorials, you will learn to create a range of work, from photo-realism to abstraction and everything in between. Work with a range of pen points using bistre and sepia inks, as well as combinations of ink and watercolour. Experimentation with ink and wash will be introduced as you explore tone, texture, line and stroke, gesture and calligraphy, proportion and visual balance.
Prerequisite(s): Any 100-level drawing course or equivalent
Vjeko Sager
CEDR 215 S001
Feb 14 - Apr 10
Sun 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$345
Register by Feb 9
No class Mar 27
LINE DRAWING TECHNIQUESLine drawing is an expressive art form in itself as well as an important tool for documenting and expressing concepts or ideas. In this course, students explore line art - the creation of imagery without the use of shading - through a combination of practical exercises. Students will experiment with different tools as they develop their line drawing skills. This in-depth exploration of a variety of line art techniques will allow artists, designers and illustrators to further develop ideas or to produce a final piece of art that reflects their own personal visual language.
Prerequisite(s): None
LIFE DRAWING IN COLORThe world around us is full of colour, yet we often draw using only black and white. What makes drawing in colour so challenging? In this course, you will tackle this question head-on. The ability to use colour as a drawing tool is an excellent skill to inform further exploration into painting, but In this course, you will approach drawing in colour as an end to itself, creating and completing finished artworks. Through historical and contemporary examples you will learn about colour in theory and in practice, and using techniques ranging from the extremely expressive to the finely detailed you will explore a range of materials including coloured pencils, pastels, inks, markers and coloured conté in order to capture the human figure. An emphasis on visual experimentation will be encouraged and course work will include drawing from a live model.
Prerequisite(s): CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent
SKILL BUILDING
16 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
DRAWING THE PORTRAITThis course provides an in-depth study of the head for portraiture. Using a variety of media such as charcoal, ink, graphite and more you will explore proportion, resemblance, texture, shape and expression. Basic structural analysis of both the human head and figure will be covered. Class work includes drawing directly from a model.
Prerequisite(s): Any 100-level drawing course or equivalent; experience drawing from a model is recommended
DRAWING THE FIGURE AND FACEThis course will teach you how to construct the human form without relying on a model. By helping you develop an ‘internal model’ using basic anatomical proportions, gesture, contour and shading, you will have a stronger understanding of proportion and construction of the head and figure, the drawing and mapping of facial features, hands and feet, and understanding of typical standing, walking and seated poses. This course will be of special interest for anyone who needs to draw scale figures, whether to use in design, illustration, animation or any other artistic form.
Prerequisite(s): CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent is recommended, but not required
INTRODUCTION TO LIFE DRAWINGDevelop and expand your drawing and observation skills In this course, on drawing the human figure. Gesture, line and value, proportion, composition, form and volume will be explored through a variety of approaches to drawing the figure. There will be a brief introduction to the structural anatomy of the body and identification of superficial anatomical points. Drawing from the skeleton and the live model will be included.
Prerequisite(s): Any 100-level drawing course or equivalent
DRAWING WITH PEN AND INK: COLOURTake a colourful and unconventional approach to pen and ink drawing. In this class you will learn to create a range of unusual, colour-oriented pen and ink projects. Work with a range of extraordinary pens and colour inks, as well as combinations of ink, watercolour and other creative mediums. You will be encouraged to go beyond ‘classic’ pen techniques and experiment with various forms of line, shape, texture, value and colour-generating methods in a series of independent projects.
Prerequisite(s): CEDR 167 Drawing with Pen and Ink: Black-and-White or equivalent experience
DRAWING OPEN STUDIODrawing Open Studio is a self-directed course intended to provide support for work on your independent projects. You will benefit from individual guidance from the instructor as well as group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal style.
Prerequisite(s): Any 100-level drawing course or equivalent is required; 200-level drawing experience is strongly recommended.
APPLIED TECHNIQUES
DRAWING (CONT’D)
Stan Hunc
CEDR 267 S001
Feb 4 - Apr 14
Thu 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$300
Register by Jan 30
No class Feb 18 + Mar 31
Vjeko Sager
CEDR 310 S001
Feb 18 - Feb 25
Thu 6:00 pm - 10:00 pm
2 sessions / 8 total hrs
$125
Register by Feb 13
Vjeko Sager
CEDR 252 S001
Jan 23 - Mar 19
Sat 9:30 am - 12:30 pm
8 sessions / 24 total hrs
$315
Register by Jan 18
No class Feb 6
Keith Langergraber
CEDR 261 S001
Mar 8 - Apr 5
Tue 6:30 pm - 9:30 pm
5 sessions / 16 total hrs
$235
Register by Mar 3
Last class (Apr 5)
6:00 pm - 10:00 pm
Frances Grafton
CEDR 263 S001
Feb 21 - Apr 17
Sun 9:30 am - 12:30 pm
8 sessions / 24 total hrs
$345
Register by Feb 16
No class Mar 27
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 17
LIFE DRAWING OPEN STUDIOTake advantage of an open studio situation with a model. No instruction is provided. If you have fundamental drawing skills and wish for the opportunity to work on figure or life drawing, this series of weekly sessions is for you.
Prerequisite(s): Experience drawing or painting from the model is strongly recommended
EXPERIMENTAL MARK MAKING: INKWant to liven up your drawing practice? Challenge yourself to move away from more conventional mark making techniques (even if for a moment) and explore the various personalities of an essential building element of drawing using ink. Both novice and experienced artists will benefit from this hands-on workshop.
Stan Hunc
CEDR 901 S001
Apr 21
Thu 6:00 pm - 9:00 pm
1 session / 3 total hrs
$65
Register by Apr 16
Vicki Israel
CEDR 902 S001
Jan 28
Thu 6:00 pm - 9:00 pm
1 session / 3 total hrs
$65
Register by Jan 23
Uninstructed
CEDR 400 S001
Mar 5 - Apr 2
Sat 1:00 pm - 5:00 pm
4 sessions / 16 total hrs
$95
Register by Feb 28
No class Mar 26
USING THE GRID METHOD FOR DRAWING AND PAINTINGThe Grid Method is an effective way to manually reproduce or enlarge images. This drawing method has been used for centuries as a way of creating accuracy in proportion and layout. In this 3 hour workshop participants will improve drawing and observational skills by learning how to reproduce a black and white drawing or photograph using a grid system and graphite pencils.
18 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
FILM/VIDEO
Jaime Clay
CEFV 170 S001
Mar 2 - Apr 20
Wed 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$375
Register by Feb 25
GRAPHIC NOVELFUNDAMENTALS
THE CONTEMPORARY COMIC: AN INTRODUCTIONIn this course, you will learn the necessary tools to tell great stories in the medium of comics by bringing together storytelling with illustration. Topics include text and image relationships, dialogue and character development, narrative structures, body language, passage of time, flow, perspective, and composition. You will learn to develop your own ideas from concept to final product, and have a draft comic on completion of the course. Note: this course may include an undraped live model.
Prerequisite(s): None
Julian Lawrence
CEGN 160 S001
Feb 22 - Apr 18
Mon 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$235
Register by Feb 17
No class Mar 28
FUNDAMENTALS
ADOBE PREMIERE PRO: THE BASICSAdobe Premiere Pro is a comprehensive film-editing program used by professional filmmakers and beginners alike. In this course, you will to learn basic film editing and how to use the many tools available in this program. You will learn about transition effects, title screens and knockout backgrounds as well as how the addition of sounds, music and narration can add polish to your videos. From simple slideshows to full animation, you will leave the course with a new-found knowledge of film.
Prerequisite(s): Basic computer skills. Video cameras, cell phone cameras, or video footage accessibilty.
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 19
FUNDAMENTALS
INTRODUCTION TO ILLUSTRATIONIllustration is an effective form for linking images to text and communicating ideas, offering commentary, educating and catching the attention of an audience. In this course, you will be introduced to illustration and the many roles it can play. Hands-on projects, presentations, discussions and critiques will expose you to a variety of techniques, media and styles as you explore how content, design elements and materials are used in the translation of ideas into images.
Prerequisite(s): None
SKILL BUILDING
COMMERCIAL ILLUSTRATIONThis course explores illustration techniques with a focus on commercial marketing and branding. Learn to apply creative designing, drawing and colouring skills to the communication design field, and expand your art or design practice to commercial businesses. Practical exercises in logo design, poster design, narrative storyboards and advertising will be applied. You will learn the tools with which to evaluate your own work from the perspective of the commercial market.
Prerequisite(s): Any 100-level drawing course or equivalent
EDITORIAL ILLUSTRATIONEditorial Illustration describes the creation of images to accompany text in an effort to illuminate or point to a particular aspect. In this course, you will be introduced to the history of editorial work, and through instruction using a variety of traditional and non-traditional media you will create illustrations for magazine articles, opinion pieces, short fiction and essays. Discussions will address the working practices of editorial illustrators, working with art directors and clients, and the different types of illustration that lend themselves to editorial works.
Prerequisite(s): CEIL 170 Introduction to Illustration or equivalent
ILLUSTRATION
Robin Thompson
CEIL 170 S001
Jan 23 - Mar 19
Sat 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$295
Register by Jan 18
No class Feb 6
Robin Thompson
CEIL 230 S001
Feb 10 - Mar 30
Wed 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$295
Register by Feb 5
Robin Thompson
CEIL 235 S001
Jan 24 - Mar 20
Sun 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$295
Register by Jan 19
No class Feb 7
take the next step
enrol in our
part-time certificate inillustration
learn more: p. 4
20 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
ILLUSTRATION FOR PICTURE BOOKSThis creative and practical course explores illustration for picture books. While being introduced to key classic and contemporary works in this art form, you will be shown how to create an effective illustration and main character, as well as how to develop your own unique style. Topics include: storyboarding and composition exercises, as well as experimenting with ink, pen, brush-work and collage. You will also learn to digitize your illustrations using Photoshop, and how to share them with publishers.
Prerequisite(s): Any 100-level drawing course or equivalent; basic Macintosh skills recommended
FASHION ILLUSTRATION IIn this course, you will develop your drawing skills and begin to produce basic fashion illustrations. Working from imagination, photographs and the model, you will create fashion figures through the study of proportion, line and silhouette as you work on communicating your fashion direction. Note: this course may include an undraped live model.
Prerequisite(s): Any 100-level drawing course or equivalent
Lisa Cinar
CEIL 440 S001
Jan 24 - Apr 17
Sun 1:30 pm - 4:30 pm
11 sessions / 32 total hrs
$350
Register by Jan 19
No class Feb 7 + Mar 27
First class (Jan 24) ends
at 3:30 pm
Lisa Cinar
CEIL 240 S001
Jan 26 - Mar 15
Tue 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$295
Register by Jan 21
Jean Okada
CEIL 250 S001
Mar 13 - Apr 17
Sun 1:30 pm - 4:30 pm
5 sessions / 16 total hrs
$215
Register by Mar 8
No class Mar 27
Last class (Apr 17)
1:00 pm - 5:00 pm
Stan Hunc
CEIL 260 S001
Feb 21 - Apr 17
Sun 9:30 am - 12:30 pm
8 sessions / 24 total hrs
$300
Register by Feb 16
No class Mar 27
ILLUSTRATION (CONT’D)
PEN AND INK BOOK ILLUSTRATIONThis course focuses on the exploration of pen and ink illustration, visual interpretation, and personal style in ink drawing. You will be guided through line drawing exercises and will explore gesture, texture and innovative approaches to pen and ink illustration. In examining traditional and contemporary book art illustrations, you will develop your drawing skills and create personal visual interpretations from literary samples.
Prerequisite(s): Any 100-level drawing course or equivalent
ILLUSTRATION FOR PICTURE BOOKS IIIThis advanced-level course focuses on in-depth character development and the creation of sequential art for picture books. You will produce sketches for finished illustrations and learn different painting techniques and approaches. Throughout the course, an emphasis is placed on developingstyle and personal voice through guided assignments, allowing for multiple interpre-tations. You will be introduced to working sequentially and in series, and will produce final projects that are ready for publishing.
Prerequisite(s): CEIL 240 Illustration for Picture Books or equivalent
APPLIED TECHNIQUES
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 21
FUNDAMENTALS
BASICS OF INDUSTRIAL DESIGNThis course introduces you to the fundemen-tals of Industrial Design. In it, you will gain an awareness of the design process with an emphasis on design criteria. This will be followed by formulation of the design brief, development of creative concepts, user testing and quick model making. You will work on a design project through to completion of a full-scale model and a short design presentation.
Prerequisite(s): None
EXPLORATION OF 3D DESIGNThis course familiarizes you with the principles of three-dimensional design, as well as a variety of materials and processes related to art and design. Technical and conceptual skills in applying the concepts of space, mass, contrast, balance, scale and surface will be developed. You will create both functional and sculptural objects through projects that explore 3D concepts, forms and materials. The emphasis will be on problem solving and imaginative and experimental responses to proposed projects.
Prerequisite(s): None
BASICS OF ARCHITECTURAL DESIGNThis studio course introduces you to the design process as it applies to architecture and architectural space. Through idea generation, sketch models, proposal research and presentation and modeling techniques, you will interpret your ideas architecturally as you also explore the locational, contextual and structural aspects of architectural design. You will work on a site-specific design project individually and in teams.
Prerequisite(s): None
INDUSTRIAL DESIGN
Ying-chiu Chan
CEID 120 S001
Jan 23 - Mar 5
Sat 1:30 pm - 4:30 pm
6 sessions / 18 total hrs
$295
Register by Jan 18
No class Feb 6
Laura Kozak
CEID 121 S001
Feb 18 - Apr 21
Thu 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$295
Register by Feb 13
No class Mar 24 and Apr 7
INTRODUCTION TO RHINOLearn how to model, edit and analyze organic 3D surfaces using the industry’s powerful, standard software, Rhinoceros. In this two-day intensive weekend workshop you will acquire hands-on 3D prototyping skills by working from real-life scenarios and problem solving with professional and personal projects as examples. This course is ideal for industrial designers, jewelry makers, product designers and anyone who needs to model or prototype products for manufacturing.
Prerequisite(s): None
APPLIED TECHNIQUES
3D DESIGN STUDIOIn this advanced-level studio course you will work on product design processes and methods as they relate to the development of functional or experimental objects or environments. The emphasis is on research, problem solving and creative experimental responses to projects, discussions and critiques of ideas and form. Topics include: analysis, concept development and communicating 3D concepts for products or environments as models or prototypes.
Prerequisite(s): Previous 3D Design experience is required
INTRODUCTION TO SCALE DRAWINGThis workshop introduces the principles and technique of drawing to scale. Basic drafting techniques will allow participants to create accurate plans and sections of architecture, furniture, textiles and objects.Rebecca Bayer
CEID 122 S001
Feb 24 - Apr 13
Wed 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$315
Register by Feb 19
Thomas Groppi
CEID 235 S001
Apr 2 - Apr 3
Sat + Sun 10:00 am - 4:30 pm
2 sessions / 12 total hrs
$195
Register by Mar 28
Scott Staniland
CEID 420 S001
Mar 5 - Apr 16
Sat 1:30 pm - 5:30 pm
6 sessions / 24 total hrs
$335
Register by Feb 28
No class Mar 26
Laura Kozak
CEID 902 S001
Mar 24
Thu 6:00 pm - 9:00 pm
1 session / 3 total hrs
$65
Register by Mar 19
take the next stepenrol in our part-time certificate in3D designlearn more: p. 4
22 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
PAINTING FUNDAMENTALS I: COMPOSITION/PROCESSThis course is an introduction to core principles in painting. Various painting techniques are introduced as you explore basic composition, line, contrast, colour, texture, and the use of tools and materials. Formal elements of composition are explored as you experiment with a variety of techniques and approaches. Through hands-on exercises, you will explore techniques and methods artists have used through the ages.
Prerequisite(s): None
FUNDAMENTALS OF ACRYLIC PAINTINGThis course provides a step-by-step introduction to painting with acrylics. You will gain an understanding of colour, space and composition while being introduced to technical and conceptual concerns. Thinning, thickening and texturing techniques and their applications will be explored.
Prerequisite(s): None
PAINTING
Martin Guderna
CEPN 160 S001
Jan 19 - Mar 8
Tue 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$355
Register by Jan 14
Martin Guderna
CEPN 160 S002
Jan 30 - Apr 2
Sat 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$355
Register by Jan 25
No class Feb 6 + Mar 26
Lori Goldberg
CEPN 161 S001
Jan 19 - Mar 8
Tue 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$310
Register by Jan 14
Elizabeth Barnes
CEPN 161 S002
Mar 6 - Apr 17
Sun 9:00 am - 1:00 pm
6 sessions / 24 total hrs
$310
Register by Mar 1
No class Mar 27
Helena Wadsley
CEPN 162 S001
Jan 17 - Mar 13
Sun 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$310
Register by Jan 12
No class Feb 7
Elena Underhill
CEPN 163 S001
Jan 25 - Mar 21
Mon 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$310
Register by Jan 20
No class Feb 8
Martin Guderna
CEPN 164 S001
Jan 21 - Feb 11
Thu 6:00 pm - 10:00 pm
4 sessions / 16 total hrs
$275
Register by Jan 16
Lori Goldberg
CEPN 164 S002
Feb 27 - Mar 19
Sat 1:30 pm - 5:30 pm
4 sessions / 16 total hrs
$275
Register by Feb 22
FUNDAMENTALS OF OIL PAINTINGExperience the beauty and texture of oil painting. Explore the tools, skills, terminology and imagery of this luminous medium through projects and experimentation. Use and preparation of various surface materials, colour mixing, composition and texture are examined.
Prerequisite(s): None
FUNDAMENTALS OF WATERCOLOURThis course introduces you to the essential techniques of painting with watercolour. Through projects and discussion you will gain familiarity with the properties of watercolour as you explore various approaches to traditional and contemporary concepts. Graded wash, building light and dark values, building perspective and understanding the relation of values to colour will be introduced.
Prerequisite(s): None
USING COLOURThe use of colour is one of the most important considerations you will make in your practice. This introductory course is ideal for anyone who wants to understand the principles of colour theory, and how to work effectively with it. You will investigate the creative use of colour in a variety of mediums, and explore its use in developing observational and painting skills as well as creating compositional structure.
Prerequisite(s): None
FUNDAMENTALS
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 23
THE BUILT SURFACE: PAINT AND COLLAGEExplore non-traditional art materials and ways of working in this introductory course on collage and the built surface. Projects introduce you to image-transfer techniques, collage, spackle and mixed composites. You will experiment with various painting techniques such as frottage, grattage, staining and separation effects. Themes, symbols and concepts related to the object or the place it was found will be developed through discussion and critiques.
Prerequisite(s): None
MIXED MEDIA PAINTING TECHNIQUESFor both beginner and experienced painters, this course introduces the process of image-making on a variety of surfaces. Working with a range of materials such as gesso, plaster, paint, ink, charcoal, and various papers, you will explore expression and emotion through layering, drawing and brushwork.
Prerequisite(s): None
Jeanne Krabbendam
CEPN 165 S001
Feb 18 - Apr 14
Thu 6:00 pm - 10:00 pm
6 sessions / 24 total hrs
$315
Register by Feb 13
No class Mar 3, Mar 24
+ Apr 7
Lori Goldberg
CEPN 169 S001
Jan 24 - Mar 20
Sat 9:30 am - 12:30 pm
8 sessions / 24 total hrs
$285
Register by Jan 19
No class Feb 7
Jeanne Krabbendam
CEPN 190 S001
Mar 12 - Apr 23
Sat 9:00 am - 1:00 pm
6 sessions / 24 total hrs
$310
Register by Mar 7
No class Mar 26
APPLIED TECHNIQUES
ANYTHING BUT THE BRUSHThis course will challenge you to expand your approach to paint application by introducing you to a broad range of usual and less usual art tools, from knives and rollers to tile-cutters, brooms, sticks and trowels. In this course, you will step outside of your usual methods and set aside your most comfortable ways of working with paint. Assignments will focus on larger projects and on creating paint-based mixed media art in non-conventional ways.
Prerequisite(s): None
take the next stepenrol in our part-time certificate inpaintinglearn more: p. 4
24 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
OIL PAINTING IIThis intermediate course expands your exploration with oil paint, and focuses on your development, exploration and analysis of colour, composition, use of scale, subject matter and technical processes. Partly directed through exercise, and partly self-directed studio, throughout the course you will consider examples from contemporary and historical painting and how they inform your work.
Prerequisite(s): CEPN 162 Fundamentals of Oil Painting or equivalent
WATERCOLOUR PAINTING IIThis intermediate course expands your fundamental skills in watercolour. You will continue to explore traditional, alternative and experimental approaches to creating imagery that is lively, vibrant and authentic. Experimentation and improvisation will help you open up the more expressive and communicative qualities of this fluid and flexible medium. Inspiration will come from working with the still life, the human figure and more imaginative exercises.
Prerequisite(s): CEPN 163 Fundamentals of Watercolour or equivalent
EXPLORING THE BUILT SURFACE: GELS AND WAXExpanding on techniques introduced in CEPN 165, you will explore more challenging projects including experimenting with the juxtaposition of objects and materials for meaningful configurations. Painting techniques explored will include image alteration, and the use of various gels and cold wax. Personal imagery, themes and symbols will continue to be developed through discussion and critiques, with an emphasis on design and creating one-of-a- kind surface styles.
Prerequisite(s): CEPN 165 The Built Surface: Paint and Collage or equivalent
Jeanne Krabbendam
CEPN 265 S001
Mar 16 - Apr 20
Wed 6:00 pm - 10:00 pm
6 sessions / 24 total hrs
$275
Register by Mar 11
Elizabeth Barnes
CEPN 270 S001
Mar 6 - Apr 17
Sun 2:00 pm - 6:00 pm
6 sessions / 24 total hrs
$295
Register by Mar 1
No class Mar 27
FORMS AND CONCEPTS IN CONTEMPORARY PAINTINGThis unique course combines studio work and contemporary art history with a focus on the practice of painting. This course is ideal for students who are interested in locating their own practice within the contemporary art market and gallery system. You will be equipped with, and encouraged to locate, your own practice within broader themes and trends. Through field trips, critiques and presentations you will further your studio work, while being encouraged to develop ways of talking about your painting practice in new and contemporary ways.
Prerequisite(s): This course is geared towards those with a current painting practice
PAINTING TECHNIQUESMove beyond technical deficiencies keeping you from reaching your full painting potential as you work through this intensive circuit of exercises designed to explore the full muscle power of your brush and palette. Great for the beginner just starting out, as well as for advanced artists wanting to refine skills and gain greater confidence in paint application. Course work will be done using acrylic paints.
Prerequisite(s): Any 100-level painting course or equivalent
FROM NATURALISM TO ABSTRACTIONThis course will guide students in the experience of working through observation of natural objects and the land, towards an understanding of how observed patterns in nature can inform both structures and process in creating abstraction. Work will begin with drawing and will move to large-scale paintings, introducing non-traditional techniques in paint application and mixed media.
Prerequisite(s): None
Ian Forbes
CEPN 271 S001
Feb 13 - Apr 9
Sat 9:30 am - 12:30 pm
8 sessions / 24 total hrs
$325
Register by Feb 8
No class Mar 26
Elizabeth Barnes
CEPN 277 S001
Mar 7 - Apr 18
Mon 6:00 pm - 10:00 pm
6 sessions / 24 total hrs
$295
Register by Mar 2
No class Mar 28
Helena Wadsley
CEPN 262 S001
Mar 20 - Apr 17
Sun 2:00 pm - 6:00 pm
4 sessions / 16 total hrs
$245
Register by Mar 15
Elena Underhill
CEPN 263 S001
Feb 10 - Mar 2
Wed 6:00 pm - 10:00 pm
4 sessions / 16 total hrs
$245
Register by Feb 5
PAINTING (CONT’D)SKILL BUILDING
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 25
Andrea Taylor
CEPN 352 S001
Feb 3 - Mar 9
Wed 6:00 pm - 10:00 pm
6 sessions / 24 total hrs
$300
Register by Jan 29
Elena Underhill
CEPN 371 S001
Feb 21 - Mar 13
Sun 9:00 am - 1:00 pm
4 sessions / 16 total hrs
$235
Register by Feb 16
Elena Underhill
CEPN 372 S001
Mar 20 - Apr 17
Sun 9:00 am - 1:00 pm
4 sessions / 16 total hrs
$275
Register by Mar 15
Lori Goldberg
CEPN 902 S001
Mar 3
Thu 6:00 pm - 9:00 pm
1 session / 3 total hrs
$65
Register by Feb 26
LANDSCAPE AND NATURAL ELEMENTS EN PLEIN AIRThis course is an intensive, exercise-structured environment with a focus on approaches to painting natural elements, creating landscapes and narrative paintings. It will introduce the element of plein air, working out-of-doors, in nature.
Prerequisite(s): CEPN 271 Painting Techniques or equivalent
PAINTING SURFACES: THICK, TEXTURED, GLOSSY AND TRANSPARENTThis workshop will look at ways to achieve dynamic multi-layered affects using different applications of acrylic mediums, gesso and paint. Through hands-on exploration, students will gather knowledge about the different types of mediums that can be used with acrylic paint.
PAINTING THE PORTRAITLearn accurate and expressive portrait painting through working from the live model, supplemented with understanding of the proportions and forms of the human head and skull. In addition, you will learn analysis and depiction of features and how to mix a range of warm and cool skin colours. Use of materials, mediums, brushes, finishes and approaches will also be discussed. Reference to contemporary and historical portraiture, demonstrations and feedback will be provided throughout.
Prerequisite(s): Any 100-level painting course or equivalent; Some prior experience in drawing or painting the face is recom-mended, but not mandatory
COMPOSITION AND THE PICTURE PLANELearn to draw and paint a portrait working from a live model, supplemented with an understanding of the proportions and forms of the human head and skull. In addition, you will learn analysis and depiction of features and how to mix a range of warm and cool skin colours. Use of materials, mediums, brushes, finishes and approaches will also be discussed. Reference to contemporary and historical portraiture, demonstrations and feedback will be provided throughout.
Prerequisite(s): CEPN 271 Painting Techniques or equivalent
26 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
BLACK-AND-WHITE FILM PHOTOGRAPHY I AND IIThis course is for students seeking a robust introduction to the manual operation of a 35mm camera and black-and-white darkroom techniques. Topics include: principles of exposure, use of natural light in photographic imagery, film processing, enlargement techniques and the machine processing of prints. You will be encour-aged to expand your understanding of the technical and aesthetic possibilities of photography while developing an aware-ness of your own approach and interests. More importantly, you will have the opportunity to work in Emily Carr’s photography studios under the guidance of expert instructors. Students must supply their own 35mm camera.
Prerequisite(s): None
PHOTOGRAPHY
Diane Evans
CEPH 148 S001
Feb 14 - Apr 17
Sun 1:00 pm - 5:00 pm
9 sessions / 36 total hrs
$425
Register by Feb 9
No class Mar 27
Josh Hite
CEPH 230 S001
Mar 10 - Apr 21
Thu 6:00 pm - 10:00 pm
6 sessions / 24 total hrs
$285
Register by Mar 5
No class Mar 24
THE MAGIC OF STREET PHOTOGRAPHYThe street has been a subject of interest since the birth of photography. From Eugene Atget and Henri Cartier-Bresson, to Robert Frank and Diane Arbus, the camera became the lens through which photographers began to observe and document everyday life. In this course, you will walk the streets to discover ever-changing inspiration, while learning important considerations for composition, lighting and subject matter. Through lectures and hands-on assignments the course will feature in-depth critiques, feed-back and discussions. Note: This course does not include darkroom access.
Prerequisite(s): Foundation in photographic principles and practical knowledge of your own camera
INTRODUCTION TO DIGITAL PHOTOGRAPHYThis course is designed for those beginning to explore photography using a digital, as well as for those wanting to add digital techniques to their current photographic practice. While focusing on the specific nature of digital photography, you will also be exposed to larger considerations of composition, lighting and framing. In addition you will learn basic image editing and printing techniques. The course is organized on a series of projects, but also offers you the opportunity to work on your independent projects. Note: This course does not provide robust Photoshop skills, but introductory techniques as applied to the projects in the course.
Prerequisite(s): Proficient Macintosh skills or equivalent; students are required to bring their own digital camera with USB connectivity
Josh Hite
CEPH 250 S001
Mar 2 - Apr 20
Wed 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$300
Register by Feb 25
warning:Pregnant or breast-feeding women are prohibited from taking photography courses with darkroom access due to the chemicals involved.
FUNDAMENTALS
take the next step
enrol in our
part-time certificate inphotography
learn more: p. 4
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 27
Kathryn Mussallem
CEPH 340 S001
Mar 30 - Apr 20
Wed 6:00 pm - 10:00 pm
4 sessions / 16 total hrs
$225
Register by Mar 25
THE ART OF ARCHITECTURAL PHOTOGRAPHYIn this course, you will learn introductory techniques for architectural photography for both interior and exterior condition. From lighting and framing, to preparing and setting up for the shoot, this course will balance demonstrations with hands-on assignments and location shoots. This course is ideal for someone who may want to consider commercial photography options such as real-estate or interior design, or someone who wants to better expand their creative vocabulary towards their own independent work.
Prerequisite(s): CEPH 148 Black-and-White Film Photography I + II, CEPH 250 Introduction to Digital Photography, or equivalent experience
Kathryn Mussallem
CEPH 441 S001
Feb 13 - Mar 5
Sat 9:00 am - 1:00 pm
4 sessions / 16 total hrs
$250
Register by Feb 8
SKILL BUILDING
CONTEMPORARY PORTRAITUREThe ability to create a compelling portrait is an important skill for any photographer. This practical and theoretical introduction to photographic portraiture is an opportunity for any student wanting to expand their photographic portrait style and techniques. Exploring the history and evolution of photographic portraiture and the practical techniques used for producing a contempo-rary portrait, this course will include the use of natural and studio lighting and working with live models, as well as photographing your own subjects. This course is for both analog and digital photographers. Note: This course does not include darkroom access.
Prerequisite(s): Foundation in photographic principles and practical knowledge of your own camera
28 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
FUNDAMENTALS
LETTERPRESS ICome and learn to hand set metal and wood type, mix ink, use letterpress printing presses, determine paper grain, pull proofs, print, and distribute type. You can print cards or broad-sides, short poems or other short text of your choice using the selection of wood and metal type and ornaments available in Emily Carr’s Letterpress room. This course focuses on the traditional methods of hand typesetting using the school’s collection of metal and wood type. The class also includes an opportunity for students to do linocut printmaking, and hot foil stamping. Our rich printing history comes to life as you discover the origins of design methods and language we all use in the digital world today.
Prerequisite(s): None
TEXTILE PRINTING ITextile printing is the application of colour in definite patterns or designs to fabrics. You will practice a number of methods for printing on fabrics, including block printing and screenprinting. Lessons in concepts and creative approaches, as well as technical practices such as basic dyeing and fabric painting, will lead towards establishing a home practice set-up for fabric printing. You will learn about various types of dyes and fabric pigments. Paint techniques and cloth types appropriate to each method used will be demonstrated.
Prerequisite(s): None
Andrea Taylor
CEPR 112 S001
Jan 23 - Feb 20
Sat 10:00 am - 5:00 pm
4 sessions / 24 total hrs
$395
Register by Jan 18
No class Feb 6
Eleanor Hannan
CEPR 164 S001
Feb 13 - Mar 19
Sat 1:30 pm - 5:30 pm
6 sessions / 24 total hrs
$420
Register by Feb 8
PRINTMAKING
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 29
PRINTMAKING TECHNIQUESThis course introduces you to the basics of printmaking through three different techniques: intaglio, lithography, and Japanese wood-block. You will start with intaglio as you learn to work with drypoint on plexiglass. In the lithography section, you will draw on polymer sheets, then print your image using a litho press. You will complete your introduction with Japanese style woodblock using hand rubbing as you explore relief printing. On completion, you will have a broad knowledge of printmaking and three sets of prints.
Prerequisite(s): None
SCREEN PRINTING WITH CUT STENCILSThis workshop introduces the basics of screen printing using hand-cut stencils. Through demos and hands-on experimentation, participants will learn basic techniques in screen and surface preparation, mixing inks, registration and printing. Participants will leave the workshop with a small edition of multi-layered prints. Note: Tuition includes the costs of supplies.
Shin Minegishi
CEPR 165 S001
Feb 27 - Mar 19
Sat 10:00 am - 4:00 pm
4 sessions / 24 total hrs
$245
Register by Feb 22
Vanessa Hall-Patch
CEPR 902 S001
Mar 20
Sun 10:00 am - 4:00 pm
1 session / 6 total hrs
$130
Register by Mar 15
Aimée Brown
CEPR 903 S001
Jan 21
Thu 6:00 pm - 9:00 pm
1 session / 3 total hrs
$65
Register by Jan 16
Marlene Yuen
CEPR 904 S001
Feb 11
Thu 6:00 pm - 9:00 pm
1 session / 3 total hrs
$65
Register by Feb 6
BOOK BINDING BASICSDiscover the potential of book arts with two easy hand-made bookbinding techniques. Learn how to fold, cut and cover an accordion book and how to assemble, fold and sew a softcover journal. Explore the possibilities for making your own notebooks, notepads and self-published printed matter. Equipment, materials, and creative alternatives will be discussed.
LETTERPRESS BASICSLearn to set movable wood type and print on a table top sign press. Students will learn basic letterpress terminology and leave the workshop with a few hand printed greeting/Valentine’s cards. This workshop is geared towards anyone with an interest in letterpress printing; students wishing to explore beyond the workshop are encouraged to sign up for CEPR 112 Letterpress I.
30 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
THE BUSINESS OF ART PRACTICEThis practical course introduces you to basic professional skills that will be integral in your pursuit of a career in the visual arts. This course is focused on the business of art practice: record keeping; seeking representation and exhibition; pricing; marketing; publicity and legal considerations. You will work on creating a basic business plan, as well as core portfolio materials and will learn the basics of sourcing financial, space, equipment and other professional resources.
Prerequisite(s): None
THE BUSINESS OF DESIGN PRACTICEHow you present yourself to the public can make or break your design practice. Through lecture and discussion, this practical workshop will introduce strategies and techniques for the profitable marketing of your creative design services. Determining who your clients are, identifying your distinctive qualities as a creative professional, crafting your communications to connect effectively with your potential clients, discovering professional resources, developing a marketing plan and making a winning presentation will be covered. This course is ideal for those involved in design practice or for students just discovering design.
Prerequisite(s): None
PHOTO DOCUMENTATION FOR PORTFOLIOPrepare to document your artwork for portfolio by learning about the fundamental techniques for photo-documentation, including proper lighting, camera function, basic post-production and file management. Students must bring a camera and either USB or link to previous documentation of work for discussion.
WRITING FOR ARTIST RESIDENCIES AND GRANT APPLICATIONSAre you a visual artist or an arts organization seeking funding for a project or residency? This workshop introduces principles and strategies for writing a successful application for a project grant or residency. Criteria for the BC Arts Council Assistance Program and Canada Council Project Grants for Artists will be discussed.
PROFESSIONALISING YOUR PRACTICE
Annie Briard
CEPD 190 S001
Jan 19 - Feb 11
Tue + Thu 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$245
Register by Jan 14
Tony O’Regan
CEPD 210 S001
Feb 20 - Apr 16
Sat 1:30 pm - 4:30 pm
8 sessions / 24 total hrs
$245
Register by Feb 15
No class Mar 26
Josh Hite
CEPD 902 S001
Feb 7
Sun 10:00 am - 4:00 pm
1 session / 6 total hrs
$130
Register by Feb 2
April Liu
CEPD 903 S001
Apr 7
Thu 6:00 pm - 9:00 pm
1 session / 3 total hrs
$65
Register by Apr 2
FUNDAMENTALS
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 31
FUNDAMENTALS
INTRODUCTION TO MOLD DESIGN AND CASTINGMolds, and the production of multiples, are a fundamental component of many sculptural processes and require a specific sequence of steps and attention to particular details for the creation of professional final results. This intensive, hands-on course explores the essential processes of plasterwork, mold making and casting with an emphasis on the subtleties of mold design and material tips and tricks. You will develop an in-depth knowledge of plaster and related materials, their working characteristics and their appropriateness for casting particular types of shapes in various types of material (synthetic, organic or ceramic).
Prerequisite(s): None
SCULPTURE + INSTALLATION
Phillip Robbins
CESC 178 S001
Feb 22 - Apr 18
Mon 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$300
Register by Feb 17
No class Mar 28
32 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
INTRODUCTION TO METAL SCULPTUREThis hands-on introductory course explores the fundamental concepts, materials, processes and techniques of contemporary metal sculpture. You will examine a broad spectrum of metal fabrication techniques and technology, and through creative interpretation be encouraged to combine, refine and evaluate these materials, processes and techniques, using them effectively in the creation of a modestly sized metal sculpture. Topics include: variety of techniques for material cutting, shaping and joining, general shop and equipment safety, work flow and planning and material characteristics. Hand tools, stationary equipment and MIG/oxyacetylene welding will also be examined. Note: All consumables (gasses, welding/brazing rod, and fabrication materials) will be supplied for in-class assignments. Most materials for personal projects will be purchased by students. All projects must be vetted and approved by the instructor.
Prerequisite(s): Prior art-making experience is required, experience in three-dimensional art is recommended
INTRODUCTION TO METAL CASTING: THE MOLDThis intensive, hands-on course explores initial workflows in the lead-up to metal casting. You will design, model, mold and cast in wax a moderately sized object in preparation for metal casting. This course explores many of the fundamental creative, material and technical processes needed in the creation of successful wax objects for metal casting.
Prerequisite(s): This course is labour-intensive; students must be physically capable and must be able to lift 15 kg
APPLIED TECHNIQUES
METAL CASTING: THE POURThis intensive, hands-on course - the extension of Intro to Metal Casting: the Mold - explores the dynamics of the foundry process, from the wax object to the finished bronze, centering around Emily Carr University’s induction furnace. You will explore ways of correctly preparing a moderately sized mold, its investment, casting, clean up and patination. Note: Bronze costs for the production of individual projects are not included in the tuition and will be dependent on the size and weight of the finished cast.
Prerequisite(s): CESC 190 Introduction to Metal Casting: the Mold, or permission from the Continuing Studies office. This course is labour-intensive; students must be physically capable and must be able to lift 15 kg
Ian Rhodes + Phillip Robbins
CESC 200 S001
Mar 31 - Apr 21
Thu 6:00 pm - 10:00 pm
4 sessions / 16 total hrs
$280
Register by Mar 26
SCULPTURE + INSTALLATION (CONT’D)
Ian Rhodes
CESC 180 S001
Jan 19 - Mar 29
Tue 6:30 pm - 9:30 pm
11 sessions / 32 total hrs
$455
Register by Jan 14
Last class (Mar 29)
6:30pm - 8:30pm
Ian Rhodes + Phillip Robbins
CESC 190 S001
Jan 21 - Mar 10
Thu 6:30 pm - 9:30 pm
8 sessions / 24 total hrs
$420
Register by Jan 16
FUNDAMENTALS (cont’d)
take the next step
enrol in our
part-time certificate in
sculpturelearn more: p. 4
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 33
SMALL SCALE TAPESTRYLearn how to hand-weave your own tapestry. Using simple, portable frame looms, you will weave a small sampler showing basic tapestry weaving techniques, including shape-building and colour-blending with yarn. Looms and yarn will be provided.
TEXTILE ARTSJen Hiebert
CETA 901 S001
Jan 31
Sun 10:00 am - 4:00 pm
1 session / 6 total hrs
$130
Register by Jan 26
Heather Martin
CETA 902 S001
Apr 17
Sun 10:00 am - 4:00 pm
1 session / 6 total hrs
$130
Register by Apr 12
PATTERN MAKING FUNDAMENTALSThis workshop will give a brief introduction to the fundamentals of pattern making for apparel and soft product design. Through a series of demonstrations balanced with theory and practical knowledge, the principles behind pattern making processes will be revealed. Students will learn about the tools and processes involved in the basic prototype lifecycle, flat pattern anatomy and the methods of transforming the 2D template into a 3D form.
34 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
T 604 844 3810 F 604 630 4535 ECUAD.CA/CS
COMMUNICATION DESIGN – PAGE 6CECD 110 S001 BASICS OF COMMUNICATION DESIGN JAN 20 - FEB 24 W 6:30 pm - 9:30 pm BECERRA $275CECD 112 S001 THE ART OF FONTS FEB 16 - MAR 8 T 6:30 pm - 9:30 pm COE $225CECD 140 S001 COPPERPLATE SCRIPT: THEN AND NOW FEB 13 - APR 9 S 1:30 pm - 4:30 pm ALEXANDER $295CECD 160 S001 DRAWING FOR DESIGN MAR 1 - APR 19 T 6:30 pm - 9:30 pm SAGER $325CECD 320 S001 TYPOGRAPHY FEB 21 - APR 17 SU 1:30 pm - 4:30 pm COE $285CECD 330 S001 PUBLICATION DESIGN MAR 15 - APR 19 T 6:00 pm - 10:00 pm BECERRA $340CECD 902 S001 ITALIC VARIATIONS IN HAND LETTERING FEB 4 - FEB 4 TH 6:00 pm - 9:00 pm ALEXANDER $65
CORE SKILLS – PAGE 8CEFA 160 S001 BASICS OF COMPOSITION AND FORM JAN 23 - MAR 19 S 9:30 am - 12:30 pm GRAFTON $325CEFA 160 S002 BASICS OF COMPOSITION AND FORM FEB 21 - APR 17 SU 1:30 PM - 4:30 pm GRAFTON $325CEFA 170 S001 MATERIALS AND MEDIA IN FINE ART PRACTICE JAN 16 - JAN 30 S 9:30 am - 4:00 pm KAZMER $250
CULTURAL STUDIES – PAGE 9CESE 110 S001 ISSUES IN CONTEMPORARY DESIGN FEB 20 - APR 16 S 10:30 am - 1:30 pm KUBICEK $330CESE 160 S001 ISSUES IN CONTEMPORARY ART FEB 14 - APR 10 SU 9:30 am - 12:30 pm JONES $295CESE 180 S001 A SURVEY AND HISTORY OF ART FEB 15 - APR 11 M 6:30 PM - 9:30 pm GILL $295CESE 260 S001 CONTEMPORARY CANADIAN ART FEB 20 - APR 16 S 2:30 PM - 5:30 pm KUBICEK $295
DIGITAL SKILLS, MEDIA AND TECHNOLOGIES – PAGE 10CEAN 152 S001 INTRODUCTION TO MAYA FEB 20 - FEB 21 S + SU 10:00 am - 4:30 pm GROPPI $195CECS 130 S001 ADOBE ILLUSTRATOR: THE BASICS JAN 23 - MAR 19 S 1:30 PM - 4:30 pm CLAY $395CECS 131 S001 PHOTOSHOP: THE BASICS FEB 13 - APR 9 S 9:30 am - 12:30 pm CLAY $425CECS 133 S001 INDESIGN: THE BASICS FEB 14 - APR 10 SU 1:30 PM - 4:30 pm HIEBERT $395CECS 136 S001 THE ADOBE SUITE FOR DESIGN AND PRODUCTION JAN 30 - APR 2 S 2:00 PM - 6:00 pm HIEBERT $495CECS 136 S002 THE ADOBE SUITE FOR DESIGN AND PRODUCTION FEB 22 - APR 18 M 6:00 PM - 10:00 pm RODRIGUEZ $495CECS 140 S001 PHOTOSHOP FOR PHOTOGRAPHERS JAN 17 - MAR 13 SU 9:30 am - 12:30 pm MUSSALLEM $425CECS 154 S001 INTRODUCTION TO MODO JAN 23 - JAN 24 S + SU 10:00 am - 4:30 pm GROPPI $195CEDA 140 S001 DIGITAL ANIMATION FEB 23 - APR 12 T 6:30 PM - 9:30 pm CLAY $390CEDA 232 S001 INTRODUCTION TO WEB DESIGN JAN 24 - FEB 21 SU 9:30 am - 4:30 pm MCMILLAN $385CEDA 250 S001 INTRODUCTION TO WORDPRESS FEB 28 - MAR 20 SU 9:30 am - 4:30 pm MCMILLAN $385
DRAWING – PAGE 13CEDR 160 S001 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS JAN 23 - MAR 19 S 1:30 PM - 4:30 pm GRAFTON $285CEDR 160 S002 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS JAN 26 - MAR 15 T 6:30 PM - 9:30 pm JONES $285CEDR 160 S003 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS JAN 30 - APR 2 S 9:30 AM - 12:30 pm GUDERNA $285CEDR 160 S004 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS FEB 15 - APR 11 M 6:30 PM - 9:30 pm GUDERNA $285CEDR 160 S005 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS FEB 20 - APR 16 S 9:30 am - 12:30 pm LANGERGRABER $285CEDR 162 S001 PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS FEB 21 - APR 17 SU 9:30 am - 12:30 pm O’REGAN $315CEDR 163 S001 CREATIVE DRAWING AND ARCHITECTURE FEB 21 - APR 17 SU 1:30 PM - 4:30 pm O’REGAN $300CEDR 164 S001 DRAWING INTO PAINTING: AN INTRODUCTION MAR 16 - APR 20 W 6:00 PM - 10:00 pm GOLDBERG $300CEDR 165 S001 DRAWING AND COLLAGE FEB 4 - MAR 31 TH 6:30 PM - 9:30 pm BROWN $295CEDR 167 S001 DRAWING WITH PEN AND INK: BLACK-AND-WHITE JAN 24 - MAR 20 SU 1:30 PM - 4:30 pm HUNC $300CEDR 180 S001 LINE DRAWING TECHNIQUES FEB 20 - APR 16 S 1:30 PM - 4:30 pm ISRAEL $300CEDR 215 S001 LIFE DRAWING IN COLOR FEB 14 - APR 10 SU 1:30 PM - 4:30 pm SAGER $345CEDR 252 S001 DRAWING THE PORTRAIT JAN 23 - MAR 19 S 9:30 am - 12:30 pm SAGER $315CEDR 261 S001 DRAWING THE FIGURE AND FACE MAR 8 - APR 5 T 6:30 PM - 9:30 pm LANGERGRABER $235CEDR 263 S001 INTRODUCTION TO LIFE DRAWING FEB 21 - APR 17 SU 9:30 am - 12:30 pm GRAFTON $345CEDR 267 S001 DRAWING WITH PEN AND INK: COLOUR FEB 4 - APR 14 TH 6:30 PM - 9:30 pm HUNC $300CEDR 310 S001 DRAWING OPEN STUDIO FEB 18 - FEB 25 TH 6:00 PM - 10:00 pm SAGER $125CEDR 400 S001 LIFE DRAWING OPEN STUDIO MAR 5 - APR 2 S 1:00 PM - 5:00 pm UNINSTRUCTED $95CEDR 901 S001 EXPERIMENTAL MARK MAKING: INK APR 21 - APR 21 TH 6:00 PM - 9:00 pm HUNC $65CEDR 902 S001 USING THE GRID METHOD FOR DRAWING AND PAINTING JAN 28 - JAN 28 TH 6:00 PM - 9:00 pm ISRAEL $65
FILM/VIDEO – PAGE 18CEFV 170 S001 ADOBE PREMIERE PRO: THE BASICS MAR 2 - APR 20 W 6:30 PM - 9:30 pm CLAY $375
COURSES AT A GLANCE
35
GRAPHIC NOVEL – PAGE 18CEGN 160 S001 THE CONTEMPORARY COMIC: AN INTRODUCTION FEB 22 - APR 18 M 6:30 PM - 9:30 pm LAWRENCE $235
ILLUSTRATION – PAGE 19CEIL 170 S001 INTRODUCTION TO ILLUSTRATION JAN 23 - MAR 19 S 1:30 PM - 4:30 pm THOMPSON $295CEIL 230 S001 COMMERCIAL ILLUSTRATION FEB 10 - MAR 30 W 6:30 PM - 9:30 pm THOMPSON $295CEIL 235 S001 EDITORIAL ILLUSTRATION JAN 24 - MAR 20 SU 1:30 PM - 4:30 pm THOMPSON $295CEIL 240 S001 ILLUSTRATION FOR PICTURE BOOKS JAN 26 - MAR 15 T 6:30 PM - 9:30 pm CINAR $295CEIL 250 S001 FASHION ILLUSTRATION I MAR 13 - APR 17 SU 1:30 PM - 4:30 pm OKADA $215CEIL 260 S001 PEN AND INK BOOK ILLUSTRATION FEB 21 - APR 17 SU 9:30 am - 12:30 pm HUNC $300CEIL 440 S001 ILLUSTRATION FOR PICTURE BOOKS III JAN 24 - APR 17 SU 1:30 PM - 4:30 pm CINAR $350
INDUSTRIAL DESIGN – PAGE 21CEID 120 S001 BASICS OF INDUSTRIAL DESIGN JAN 23 - MAR 5 S 1:30 PM - 4:30 pm CHAN $295CEID 121 S001 EXPLORATION OF 3D DESIGN FEB 18 - APR 21 TH 6:30 PM - 9:30 pm KOZAK $295CEID 122 S001 BASICS OF ARCHITECTURAL DESIGN FEB 24 - APR 13 W 6:30 PM - 9:30 pm BAYER $315CEID 235 S001 INTRODUCTION TO RHINO APR 2 - APR 3 S + SU 10:00 am - 4:30 pm GROPPI $195CEID 420 S001 3D DESIGN STUDIO MAR 5 - APR 16 S 1:30 PM - 5:30 pm STANILAND $335CEID 902 S001 INTRODUCTION TO SCALE DRAWING MAR 24 - MAR 24 TH 6:00 PM - 9:00 pm KOZAK $65
PAINTING - PAGE 22CEPN 160 S001 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS JAN 19 - MAR 8 T 6:30 PM - 9:30 pm GUDERNA $355CEPN 160 S002 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS JAN 30 - APR 2 S 1:30 PM - 4:30 pm GUDERNA $355CEPN 161 S001 FUNDAMENTALS OF ACRYLIC PAINTING JAN 19 - MAR 8 T 6:30 PM - 9:30 pm GOLDBERG $310CEPN 161 S002 FUNDAMENTALS OF ACRYLIC PAINTING MAR 6 - APR 17 SU 9:00 am - 1:00 pm BARNES $310CEPN 162 S001 FUNDAMENTALS OF OIL PAINTING JAN 17 - MAR 13 SU 1:30 PM - 4:30 pm WADSLEY $310CEPN 163 S001 FUNDAMENTALS OF WATERCOLOUR JAN 25 - MAR 21 M 6:30 PM - 9:30 pm UNDERHILL $310CEPN 164 S001 USING COLOUR JAN 21 - FEB 11 TH 6:00 PM - 10:00 pm GUDERNA $275CEPN 164 S002 USING COLOUR FEB 27 - MAR 19 S 1:30 PM - 5:30 pm GOLDBERG $275CEPN 165 S001 THE BUILT SURFACE: PAINT AND COLLAGE FEB 18 - APR 14 TH 6:00 PM - 10:00 pm KRABBENDAM $315CEPN 169 S001 MIXED MEDIA PAINTING TECHNIQUES JAN 24 - MAR 20 S 9:30 am - 12:30 pm GOLDBERG $285CEPN 190 S001 ANYTHING BUT THE BRUSH MAR 12 - APR 23 S 9:00 am - 1:00 pm KRABBENDAM $310CEPN 262 S001 OIL PAINTING II MAR 20 - APR 17 SU 2:00 PM - 6:00 pm WADSLEY $245CEPN 263 S001 WATERCOLOUR PAINTING II FEB 10 - MAR 2 W 6:00 PM - 10:00 pm UNDERHILL $245CEPN 265 S001 EXPLORING THE BUILT SURFACE: GELS AND WAX MAR 16 - APR 20 W 6:00 PM - 10:00 pm KRABBENDAM $275CEPN 270 S001 FORMS AND CONCEPTS IN CONTEMPORARY PAINTING MAR 6 - APR 17 SU 2:00 PM - 6:00 pm BARNES $295CEPN 271 S001 PAINTING TECHNIQUES FEB 13 - APR 9 S 9:30 am - 12:30 pm FORBES $325CEPN 277 S001 FROM NATURALISM TO ABSTRACTION MAR 7 - APR 18 M 6:00 PM - 10:00 pm BARNES $295CEPN 352 S001 PAINTING THE PORTRAIT FEB 3 - MAR 9 W 6:00 PM - 10:00 pm TAYLOR $300CEPN 371 S001 COMPOSITION AND THE PICTURE PLANE FEB 21 - MAR 13 SU 9:00 am - 1:00 pm UNDERHILL $235CEPN 372 S001 LANDSCAPE AND NATURAL ELEMENTS EN PLEIN AIR MAR 20 - APR 17 SU 9:00 am - 1:00 pm UNDERHILL $275CEPN 902 S001 PAINTING SURFACES: THICK, TEXTURED, GLOSSY AND TRANSPARENT MAR 3 - MAR 3 TH 6:00 PM - 9:00 pm GOLDBERG $65
PHOTOGRAPHY – PAGE 26CEPH 148 S001 BLACK-AND-WHITE FILM PHOTOGRAPHY I AND II FEB 14 - APR 17 SU 1:00 PM - 5:00 pm EVANS $425CEPH 230 S001 THE MAGIC OF STREET PHOTOGRAPHY MAR 10 - APR 21 TH 6:00 pm - 10:00 pm HITE $285CEPH 250 S001 INTRODUCTION TO DIGITAL PHOTOGRAPHY MAR 2 - APR 20 W 6:30 pm - 9:30 pm HITE $300CEPH 340 S001 CONTEMPORARY PORTRAITURE MAR 30 - APR 20 W 6:00 PM - 10:00 pm MUSSALLEM $225CEPH 441 S001 THE ART OF ARCHITECTURAL PHOTOGRAPHY FEB 13 - MAR 5 S 9:00 am - 1:00 pm MUSSALLEM $250
PRINTMAKING – PAGE 28CEPR 112 S001 LETTERPRESS I JAN 23 - FEB 20 S 10:00 am - 5:00 pm TAYLOR $395CEPR 164 S001 TEXTILE PRINTING I FEB 13 - MAR 19 S 1:30 PM - 5:30 pm HANNAN $420CEPR 165 S001 PRINTMAKING TECHNIQUES FEB 27 - MAR 19 S 10:00 am - 4:00 pm MINEGISHI $245CEPR 902 S001 SCREEN PRINTING WITH CUT STENCILS MAR 20 - MAR 20 SU 10:00 am - 4:00 pm HALL-PATCH $130CEPR 903 S001 BOOK BINDING BASICS JAN 21 - JAN 21 TH 6:00 PM - 9:00 pm BROWN $65CEPR 904 S001 LETTERPRESS CARDS FEB 11 - FEB 11 TH 6:00 PM - 9:00 pm YUEN $65
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Register Onlineecuad.ca/csSecure your spot in the courses you want through our online registration system. Registering online is easy, fast and secure and you can do it at any time and from anywhere in the world. For instructions on how to use our online registration system, insideEC, visit our website: connect.ecuad.ca/register
Register by PhoneGive us a call at 604 844 3810.
Register in PersonDrop by the Continuing Studies office at 1399 Johnston Street on Granville Island in Vancouver.
CONTINUING STUDIES OFFICE HOURS Monday, Wednesday + Thursday 8:30 am – 4:30 pm Tuesday 9:30 am – 4:30 pm Friday 8:30 am – 12:30 pm
Note: Cash and Interac payments accepted during Accounting Office hours only: Monday to Thursday 8:30 am – 4:00 pmFriday 10:00 am – 4:00 pm
HolidaysEmily Carr Continuing Studies will not run any courses on February 8 (Family Day), March 25 (Good Friday), or March 28 (Easter Monday).
Registration opens at 9:00 am on November 17, 2015.
Gift Certificates GIVE THE GIFT OF A NEW EXPERIENCE
Continuing Studies allows you to give the gift of a course, Leeway membership or credit of any amount towards our general programming.
PURCHASE BY PHONE (604 844 3810) OR IN PERSON AT THE CS OFFICE.
HOW TO REGISTER
PROFESSIONALISING YOUR PRACTICE – PAGE 30CEPD 190 S001 THE BUSINESS OF ART PRACTICE JAN 19 - FEB 11 T + TH 6:30 PM - 9:30 pm BRIARD $245CEPD 210 S001 THE BUSINESS OF DESIGN PRACTICE FEB 20 - APR 16 S 1:30 PM - 4:30 pm O’REGAN $245CEPD 902 S001 PHOTO DOCUMENTATION FOR PORTFOLIO FEB 7 - FEB 7 SU 10:00 am - 4:00 pm HITE $130CEPD 903 S001 WRITING FOR ARTIST RESIDENCIES AND GRANT APPLICATIONS APR 7 - APR 7 TH 6:00 PM - 9:00 pm LIU $65
SCULPTURE + INSTALLATION – PAGE 31CESC 178 S001 INTRODUCTION TO MOLD DESIGN AND CASTING FEB 22 - APR 18 M 6:30 PM - 9:30 pm ROBBINS $300CESC 180 S001 INTRODUCTION TO METAL SCULPTURE JAN 19 - MAR 29 T 6:30 PM - 9:30 pm RHODES $455CESC 190 S001 INTRODUCTION TO METAL CASTING: THE MOLD JAN 21 - MAR 10 TH 6:30 PM - 9:30 pm RHODES + ROBBINS $420CESC 200 S001 METAL CASTING: THE POUR MAR 31 - APR 21 TH 6:00pm - 10:00pm RHODES + ROBBINS $280
TEXTILE ARTS – PAGE 33CETA 901 S001 SMALL SCALE TAPESTRY JAN 31 - JAN 31 SU 10:00 am - 4:00 pm HIEBERT $130CETA 902 S001 PATTERN MAKING FUNDAMENTALS APR 17 - APR 17 SU 10:00 am - 4:00 pm MARTIN $130
connect.ecuad.ca/register [email protected] 844 3810
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 37
Leeway Membership - Join our StudioThe Leeway is a membership-based community studio space where artists and designers can
explore new techniques, work among peers and learn from experienced instructors through
scheduled workshops. Access to professional equipment, tools and materials as well as support
from knowledgeable studio technicians allow Leeway members the freedom to experiment
and create.
MEMBERSHIP BENEFITSX Unlimited access to The Leeway during regular University
hours (except during scheduled demos + workshops)X Technical support and resources for a wide range of
disciplinesX Access to professional equipment, small tools and basic
art materialsX Storage for artwork and materialsX Up to 30% discount at Opus Framing and Art SuppliesX Community borrowers’ Library access
EQUIPMENTA multi-disciplinary studio, The Leeway is equipped with 4 ft by 8 ft worktables (incl. one dedicated cutting surface), flat files, light table, easels, portable drafting tables, drawing boards, small tools and more.
In addition to the above amenities, Leeway members have access to the following equipment:X iMac with Adobe CS 6X Epson Perfection V600 Photo ScannerX Epson Stylus Pro Wide Format Printers (up to 17” wide)X Canon EOS Rebel T3i 18mp Digital cameraX Copy stand for 2D photo-documentationX 500W Hensel Integra 500 kit with softbox and umbrellaX Pfaff 1040 Sewing MachineX Showcard Table Top Proofing Press with wood and lead typeX Aaxa P300 Pico ProjectorX Charles Brand Etching Press (20”x40” bed)
STANDARD MEMBERSHIP$200 / month $635 / term *$1,750 / year*
DISCOUNTED MEMBERSHIP for Alumni, Seniors (60+) and Staff $150 / month $465 / term *$1,250 / year **Yearly and four-month term memberships start in January,
May or September
BECOME A MEMBERRegister online: ecuad.ca/cs
CONTACT USEmail: [email protected]: 604 844 3810In person: Continuing Studies, Rm 103Emily Carr University of Art + Design1399 Johnston Street, Vancouver, BC V6H 3R9
ecuad.ca/theleeway
38 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
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REGISTRATION POLICIES +GENERAL INFORMATION
Admission to individual courses is on a first-come, first- served basis. Early registration is strongly recommended as class sizes are limited. Unless otherwise indicated, students in Continuing Studies (CS) courses must be at least 18 years old by the course start date.
Registration Deadlines You are encouraged to register at least five days before a course’s start date to ensure your seat. If seats are available, registrations may be accepted up to one day prior to the first day of the course. Students who do not appear on the instructor’s course list will not be permitted to attend. Please note that no registrations are accepted after a course has started.
Fees Your tuition fees cover the cost of the course and, in some cases, materials provided by the instructor. However, most courses require students to purchase additional materials. Fees are payable at the time of registration. Payment can be made through cash, debit and credit. Failure to make payment within 24 hours of registration will result in being removed from your course(s).
Course MaterialsMost Continuing Studies courses require that you purchase supplies. A list of required and recommended items is included in your registration statement and available online at connect.ecuad.ca/courses. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies in North Vancouver. You must present your course registration confirmation/receipt to receive your discount.
Prerequisites Most Continuing Studies courses are open to everyone, regardless of their experience level. However, we also offer advanced courses for more experienced students. If a course requires a prerequisite course or its equivalent, we highly recommend that you take the prerequisite course prior to taking the advanced course. Please note: If you are not at the level required for the course, the instructor reserves the right to recommend you be transferred into a course that is more suited to your skill level.
Language Requirements All courses are taught in English. Students whose first language is not English should note that they are required to be proficient in written and spoken English and be able to participate in group discussions and presentations in English. As a guideline, we would expect you to have an IELTS score of 4.5 for studio courses and 6.0 for lecture courses. Please note: If you are not at an appropriate language level, Continuing Studies reserves the right to move you to a course more suitable to your skill level.
Registration Statement When you register online, you will automatically receive a “Class/Payment Acknowledgement” email with links to your course timetable, room location and materials list online. If you do not receive an email, please make sure your current email address is listed on your account and then contact the CS office. If you register in person, by phone or by fax, you will receive an email with your registration statement within 24 hours. Please note: We no longer send registration statements by mail.
Wait Lists If a course is full, contact the CS office to be added to a wait list. If a seat opens up in the course, you will be contacted by the CS office to be enrolled in the course. There is no cost to be added to the wait list and you are under no obligation to register if a space becomes available. Students on wait lists cannot attend classes.
Withdrawal and Refund Policy No refund will be given if notification of withdrawal is received less than seven full calendar days before the start of the course. Exceptions are only considered as they pertain to extenuating circumstances on an individual basis. In such cases, a written request for refund, accompanied by appropriate documentation from a third party (e.g. subpeona), must be submitted. A refund or a tuition voucher, minus an administrative charge of $35 per course, will be issued if notification of withdrawal is received more than seven full calendar days prior to the course start date. Students may withdraw from a course by phone, fax, or email. Under no circumstances will refunds be granted for requests received after the end of a course or workshop. Course transfers or special requests can also not be accommodated after a course finishes. Please note that the policies listed in this
REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36
FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 39
calendar apply to individual courses and workshops only. For policies on our other programs, please see our website.
Course Transfer Policy No transfers of fees will be granted if notification of transfer is received less than seven full calendar days before the start of the course. A transfer of fees, minus an administrative charge of $35, will be issued if the request for transfer is received more than seven full calendar days prior to the start date of the course you wish to transfer out of. You must pay any additional fees at the time of transfer. You may transfer from one course to another by phone, fax or email.
Cancellations We reserve the right to cancel a course up to five days prior to the course start date if there is not sufficient registration in a course. If a course is cancelled by Emily Carr Continuing Studies for any reason, a full refund will be processed and sent automatically to all registrants. In the event of a cancellation, CS can transfer you into a different course or provide a tuition voucher in lieu of a refund upon request. Course cancellations will be announced to each student by email. Please ensure that your email is on file and up to date.
Emergency Closures In the event of an emergency closure due to poor weather conditions, information will be posted on the Emily Carr website as soon as a decision is made to close.
Postponement of Courses In the event that a course needs to be cancelled or postponed due to instructor illness, unscheduled school closure or other unexpected event, you will be notified by email.
Waiver Emily Carr accepts no responsibility in the event any class, course of instruction, seminar, or workshop is either cancelled or not completed as a result of strikes, lockouts, fire, natural disasters or any other cause beyond the control of the University. Emily Carr reserves the right to change or amend its programs, instructors, fee structure, schedule and regulations at any time from those published in this catalogue.
Studio Access Unless otherwise indicated, there is no additional access to studio resources outside of class time. If you require additional studio access, please consider membership at the Leeway. For more information, please visit ecuad.ca/cs/theleeway.
Student Code of Conduct A University community depends on the good judgment and considerate behaviour of its members. Emily Carr expects the members of its community to conduct themselves with
respect for the rights of others and to behave responsibly at all times. You are responsible for knowing and observing student-related Emily Carr policies and procedures. For more information on the Emily Carr Code of Conduct, please visit connect.ecuad.ca/studentservices/policies. Emily Carr University reserves the right to remove students from courses if it is felt that their behaviour is disruptive or dangerous.
Emily Carr Library The library is located on the ground floor of the South Building, Granville Island campus. The library collection is composed of print resources including books, journals, and exhibition catalogues; a broad range of electronic resources; slide and digital images; films, videos and DVDs; sound effects; artists’ books; the University’s archives; and a menu collection. Some items may be ‘On Reserve’ for specific courses. Library collections are accessible in-house to all students, faculty and the public. Students registered in Continuing Studies courses and programs are entitled to a free Community Borrower card, which means that they can borrow up to 15 books, graphic novels, or Exhibition Catalogues. For information regarding library services and hours, please call 604 844 3840 or check the library website ecuad.ca/library.
The Concourse Gallery The Concourse Gallery is the main showcase for work done within the curriculum at Emily Carr. It has featured shows by degree students, CS students, faculty, staff and visitors involved in generating new ways of learning. CS organizes many shows that pertain to our programming in the summer semester, and we invite you to visit and be inspired.
The Charles H. Scott Gallery The Charles H. Scott Gallery is an integral part of Emily Carr. Since it opened in 1980, the Gallery has played a significant role locally and provincially. The Gallery regularly presents exciting and varied exhibitions of art, design, and architecture by acclaimed regional, national, and international artists and designers. For more information, visit chscott.ecuad.ca.
READ at the Charles H. Scott Gallery READ is an ongoing project of the Charles H. Scott Gallery developed to promote the continued availability of artist monographs, artist books, multiples, exhibition catalogues, and critical theory. The focus is primarily on contemporary artists and contemporary art discourse. READ also carries books on film, design, and architecture and has a select collection of magazines and journals. READ sells all Emily Carr’s course textbooks.
40 EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016
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DO YOU OFFER COURSES FOR TEENS?Yes! We offer many different programs specifically for teens. Visit teens.ecuad.ca for more information.
WHERE ARE THE COURSES HELD?Currently, all Continuing Studies courses are held at Emily Carr’s Granville Island campus. Our new campus on Great Northern Way will be open in 2017.
WHERE CAN I BUY SUPPLIES, AND HOW MUCH WILL THEY COST?Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration in each course. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island and Petrov Arts & Crafts in North Vancouver. You must present your course registra-tion confirmation/ receipt to receive your discount. In general, students should expect to spend between $50-$150 on supplies for each course.
AM I ELIGIBLE FOR A DISCOUNT ON COURSES?Seniors: A discount of 10% is available to all seniors aged 60 or older at the time of registration, with identification.Alumni: A discount of 10% is available for those who have completed an Emily Carr diploma or degree, the Communication Design Essentials Program, or the Interaction Design Essentials Program. Part-time certificate students who are registered in an advanced certificate and have already completed an introductory certificate will also receive a 10% discount. Note: only one discount will apply.
HOW WILL I KNOW IF A COURSE IS CANCELLED OR CHANGED? In the event of a course cancellation or a change of instructor, room, date or time, all students registered in the course will be notified by email. Please check connect.ecuad.ca/courses for the most up-to-date information.
DO I RECEIVE A TUITION TAX CREDIT FOR CONTINUING STUDIES COURSES? Yes. T2202A Tax Receipts are available to download through InsideEC from the end of February through to March each year. Please email [email protected] or call 604 844 3810 if you have any further questions.
DO CONTINUING STUDIES COURSES COUNT TOWARD UNIVERSITY DEGREES AT EMILY CARR? Continuing Studies general program courses do not ladder into the University’s credit programs. Communication Design Essentials graduates can now receive transfer credits. See essentials.ecuad.ca for more information.
CAN I GO ON A TOUR OF THE CAMPUS AND FACILITIES? You will need to plan ahead a little bit and register for a free tour of the University. Most Fridays from September through April, the Admissions Department will take you on an hour-long tour through the various departments and will answer any questions that you may have. To sign up, please email [email protected].
STILL HAVE QUESTIONS? CONTACT US.
GENERAL INFO
[email protected] T: 604 844 3810 F: 604 630 4535
PART-TIME CERTIFICATES
DESIGN CERTIFICATES
TEEN PROGRAMS
Emily Carr University of Art + Design Continuing Studies Room 103 – North Building 1399 Johnson Street Vancouver BC V6H 3R9
Continuing Studies Office Hours Monday, Wednesday, Thursday: 8:30 am – 4:30 pmTuesday: 9:30 am – 4:30 pmFriday: 8:30 am – 12:30 pm
ecuad.ca/cs @EmilyCarrCS
FREQUENTLY ASKED QUESTIONS
continuing studies
teens.ecuad.caecuad.ca/theleeway follow us / join our mailing list / contact us@EmilyCarrCS [email protected] 604 844 3810
[email protected] 604 844 3810
Teen Programs
Open to students aged 15-18 with a range of experience, interests and talents, Emily Carr University of Art + Design’s teen programs include opportunities for portfolio development, improving skills and techniques and building an understanding of art and design as a contemporary practice.
We offer a range of responsive programs each year – from portfolio workshops to summer intensives – to prepare students to study at art and design universities and to help support the next generation of artists and designers on their path.
PAST AND CURRENT PROGRAMS
Summer Institute for TeensMonth-long program of focused studio practice in chosen subjects + cultural studies.
BC Summer Studios10-day creative intensives for portfolio and skill development in BC communities.(2015 Communities: Whistler and Prince George)
Teen Art GroupAfter-school program on art practice and visual culture with the Vancouver Art Gallery.
The Leeway is a membership-based community studio space where artists and designers can explore new techniques, work among peers and learn from experienced instructors through scheduled workshops.
Access to professional equipment, tools and materials as well as support from knowledgeable studio technicians allow Leeway members the freedom to experiment and create.
Become a member
STANDARD MEMBERSHIP
$200 month $635 term $1,750 year*
DISCOUNTED MEMBERSHIP For Alumni, Seniors (60+) and Staff
$150 month $465 term $1,250 year*
*Yearly and four-month term memberships start in January, May or September
WorkshopsOur three and six hour workshops are hands-on sessions that focus on a particular form or technique. These one-day sessions are listed throughout our course calendar and are hosted by The Leeway.
Demos + Open StudiosThe Leeway also hosts free events throughout the year. Demos are short sessions of instruction on different practices and processes. Open Studios are three-hour sessions that allow non-Leeway members to try working in a communal studio space.
X Learn more: page 37
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EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES 1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs
SPRING2016january - april | continuing studies courses + programs
SPRING2016january - april | continuing studies courses + programs
CertificatesCourses
Studio SpaceTeen ProgramsWorkshops