daniel pletinckx a sce 2012
TRANSCRIPT
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Intervento di Daniel Pletinckx
Al convegno
[co.06] Tecnologie della comunicazione e
beni culturali nella città intelligente
Di Martedì 30 ottobre 2012 Consulta il programma di SCE2012
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The SmartHistorical City
Daniel PletinckxVisual Dimension bvba
Belgium
V-MUST is funded by the European Commission under the Community's Seventh Framework Programme, contract no. GA 270404.
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• Civil engineer ICT
• Active in cultural heritage since 1997
• Coordinator European projects
– EPOCH (2004-2008)
– CARARE (2010-2013)
– V-MUST (2011-2015)
– 3D-ICONS (2012-2015)
• Golden Scarab 1998
• Best Monument Award 1998
• VGI ICT Innovation Award 2003
• Tartessos Award, Sevilla, 2009
Daniel Pletinckx
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• Innovation company
• 3D digitisation & virtual reconstruction
• Integration of ICT in museums, sites, monuments, tourism
• Coordination of CH projects
• Training and consulting
Visual Dimension
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The rich history of Bologna
• Bologna city museum (Palazzo Pepoli)– Opened Jan 2012
– Contains 3D film room
– Apa, the Etruscan
– 3D cartoon movie (7 minutes, 20.000 euro/min, CINECA)
– Scientifically correct but strong story
– All 3D models and animations in repository
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The rich history of Bologna
Bologna archaeological museum
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The rich history of Bologna
Apa depicted on the Certosa situla, Bologna archaeological museum
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The rich history of Bologna
Apa depicted on the Certosa situla, Bologna archaeological museum
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The rich history of Bologna
Image by CINECA from Apa film at Palazzo Pepoli (Bologna city museum)
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The rich history of Bologna
Images by CINECA from Apa film at Palazzo Pepoli (Bologna city museum)
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The rich history of Bologna
3D reconstruction of Roman Bologna (CINECA)
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The rich history of Bologna
Image by CINECA from Apa film at Palazzo Pepoli (Bologna city museum)
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The rich history of Bologna
Fresco of medieval Bologna, Vatican
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The rich history of Bologna
Reconstruction San Petronio (CINECA)
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Cologne, the first “colonia”
Ubier monument in basement of an appartment
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Cologne, the first “colonia”
Ubier monument in basement of an appartment
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Cologne, the first “colonia”
Ubier monument in basement of an appartment
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Cologne, the first “colonia”
Ubier monument in basement of an appartment
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Cologne, the first “colonia”
Ubier monument as a witness of a rich story
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Cologne, the first “colonia”
Ubier monument as part of a larger story
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Amsterdam, metro as museum
Rokin metro station (2017)
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Amsterdam, metro as museum
Historical Amsterdam (1560)
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Amsterdam, metro as museum
Rokin metro station (2017)
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Amsterdam, metro as museum
Archaeological objects to be displayed
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Ename, the lost city
• Archaeological park & Heritage Centre– Virtual reconstruction of 16 periods
(evolution through 1000 years of history)
– 70 years of research, 25 years of excavation
– Procedural 3D modelling of buildings (ArchiCAD)
– Animation & free form objects (Blender)
– Procedural landscape simulation (Vue)
– Interactive storytelling on onsite kiosk (TimeFrame)
• Story of the lost city – Creation of cities and economic activity around 1000 AD
– Major city in the making, 2 churches, capital of large area
– Taken by surprise, destroyed, never recovered
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Ename, the lost city
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Ename, the lost city
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Ename, the lost city
ArchiCADModellingof abbey in 1065
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Ename, the lost city
Vue landscape simulation of abbey in 1065
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Ename, the lost city
Vue landscape simulation of abbey in 1065
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Smart Historical City
• Today history and art are confined in museums– Preservation and research
– Objects and information out of context
• Technology creates major paradigm shift– Perception is detached from presence
– Ubiquitous information
– Location based services (GPS)
– Affordable!
• Why not have the city as museum?– Museums as knowledge institutions and reference/starting points
– Explore the city and experience history
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Smart Historical City
• Technology brings history outside museum walls– Augmented reality
– Creating believable virtual cityscapes & landscapes
– Creating believable virtual live
– Represent objects in an appealing way
– Large repositories & portals (e.g. Europeana)
• Storytelling– No better story than the real, historical story
– Authenticity of the story or storyline
– Authenticity of the place
– Non-linear storytelling (location & interest based) ~ Facebook
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Smart Historical City
• Value of a museum? – The unique selling point of a museum = its collection
– The unique asset of a museum = its knowledge
– The unique offering of a museum = its story
• Museums should be– Providing experiences (spatial, emotional, intellectual) in house
– Providing the larger context (web, mobile apps, publications)
– Link objects with the larger story
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Digital museum objects
• Other “instance” of the museum object– Not the real object
– But more added value than the real object
– Digital restoration
– Storytelling
• Recontextualisation– Put the object back in the city
– Tell the story on the spot
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Digital museum objects
Ivory object (real: left, 3D:right) from Ename museum, Belgium
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Digital museum objects
Virtex setup for digital museum objects
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Digital museum objects
The first (Our Lady) and second (Saint Saviour) abbey in Ename in 1065
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Etruscanning 3D
Museo Gregoriano Etrusco, Vatican Museums
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Etruscanning 3D
Excavated in 1836 by A. Regolini, financed by general V. Galassi, objects in Vatican MuseumsBlog with virtual reconstruction background : http://regolinigalassi.wordpress.com/
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Etruscanning 3D
Etruscanning setup at the Allard Pierson Museum, Amsterdam
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Etruscanning 3D
Etruscanning setup at the Allard Pierson Museum, Amsterdam
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Etruscanning 3D
Etruscanning setup at the Allard Pierson Museum, Amsterdam
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Digital museum objects
Patera from Regolini-Galassi tomb, Museo Gregoriano Etrusco, Vatican
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Digital museum objects
Patera from Regolini-Galassi tomb, Grifi, 1841
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Digital museum objects
Patera from Regolini-Galassi tomb, L. Di Blasi, 1999
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Digital museum objects
Patera from Regolini-Galassi tomb, digital restoration, 2011
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Digital museum objects
Patera from Regolini-Galassi tomb, digital restoration, depth map, 2011
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Digital museum objects
Patera from Regolini-Galassi tomb, digital restoration, render test with normal maps, 2011
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V-MusT.net
• Virtual Museum Transnational Network
• European Network of Excellenceon Digital and Virtual Museums(http://www.v-must.net/ , 2011 - 2015)
• In the domain of museum technology– bring together museums, research and companies
– apply the available knowledge and technology to the museum domain
– improve the way ICT is used in the museum domain
• Partners– 18 core partners
– 50+ associated partners
– Museum Advisory Board / Experts Advisory Board
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V-MusT.net Partners
• Research Centres– CNR (National Research Council of Italy)
– APRE (Italy)
– CINECA (Italy)
– INRIA (National Research Institute on ICT, France)
– STARC (Cyprus Institute)
– Foundation of the Hellenic World (Athens)
– CultNat (Egypt)
– Fraunhofer IGD (Darmstadt, Germany)
– Societad Espanola de Arqueologia Virtual (Sevilla)
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V-MusT.net Partners
• Museums– Allard Pierson Museum, Amsterdam
– Hellenic Cosmos, Athens
– Musea of the Imperial Fora, Rome
• Universities– King’s College London, UK
– University of Sarajevo, Bosnia-Herzegovina
– University of Brighton, UK
• Companies– VirtualWare
– Visual Dimension
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Focus and scope
• V-MusT is about– Affordable technology (Open Source, standard technology)
– Sustainable implementation (maintenance, updating, robustness)
– Portability, re-use & exchange, re-purpose
• Not only about technology but also about– Methodology & design guidelines (fitness for use)
– Change management
– Training museum and CH experts
• And about INTEGRATION in the museum domain– Link research with public presentation
– Provide insight in the workflow to obtain QUALITY
– Support the domain => Competence Centre
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Competence Centre
• Continues the V-MusT Network of Excellence activities– Permanently over Europe
– Self-sustaining
• through implementation of projects on European scale– Service brokerage
– Pool of experts, accredited companies and research centres
– One responsible non-profit party for the museums
• for the full project duration– Conception
– Funding or tendering
– Implementation
– Maintenance