deren and picasso- ways of seeing

10
Maya Deren’s Vision Pablo Picasso’s Art

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Page 1: Deren and Picasso- Ways of Seeing

Maya Deren’s Vision

Pablo Picasso’s Art

Page 2: Deren and Picasso- Ways of Seeing

“He can compare similar portions of events widely disparate in time and place, and so recognize both the constancy of elements and their variable functions in one context or another, and he is able to perceive that a natural, chronological whole is not immutable, but that it is a dynamic relationship of functioning parts” (Deren 11).

Page 3: Deren and Picasso- Ways of Seeing

Las Meninas by Diego Velázquez

Page 4: Deren and Picasso- Ways of Seeing

Picasso’s Las Meninas

Page 5: Deren and Picasso- Ways of Seeing

“He has dedicated himself to the effort to intervene upon it, to dissemble the ostensibly inviolate whole, to emancipate the element from the context in which it ‘naturally’ occurs, and to manipulate it in the creation of a new contextual whole-a new, original state of matter and reality-which is specifically the product of his intervention” (Deren 12).

Page 6: Deren and Picasso- Ways of Seeing

Bombing of Guernica April 26, 1937

Page 7: Deren and Picasso- Ways of Seeing

Bombing of Guernica April 26, 1937

Page 8: Deren and Picasso- Ways of Seeing

Picasso’s Guernica

Page 9: Deren and Picasso- Ways of Seeing

“A man so reduced to immediate perception only, has lost, in losing experience, all which makes him

human” (Deren 11).

Page 10: Deren and Picasso- Ways of Seeing

As Deren’s vision narrates and Picasso’s art illustrates, everyone sees events, people and objects in the context of their personal experience. In essence, we see with everything we have already seen.