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DETRITUS

For Traverso, Cornetto and Violada Gamba

By

BLAS GONZLEZ

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DETRITUS- PROGRAMME NOTES

Detrits !as "ollo#ed a $redi%table $at!, &iven t!einstrmentation' T!e t!ree $ie%es are im$re&nated #it! re"eren%es to

Baro(e and )enaissan%e *si%' +arody does not intend to beirreverent, bt rat!er an e$eriment on &ivin& ne# $ossibilities tomsi%al &estres belon&in& to one %ontet by retili-in& t!em as as$$ort o" a totally di.erent !armoni%/melodi% lan&a&e' 0n Detrits,as in #it! many t!in&s 0 !ave #ritten, 0 re%on%ile mysel" #it! t!e ideat!at #e are brdened inevitably #it! a lon& msi%al $ast, a very lon&one1

*ost o" t!e re"eren%es are not dire%t (otations' T!e be&innin&o" Bri%/2 3bra% is resemblant o" t!e 4Laaton Cantata5 by Gerardo*asana, #!i%! is in itsel" a $arody o" Ba%!6s Cantatas' *any o" t!eot!er $assa&es o" t!e $ie%e #ill remind t!e listener o" msi% !e or s!e

!as !eard be"ore, s$e%ially t!e one s$ot #!i%! is a little bit too similarto a too "amos moment o" an o$era by +r%ell1Bt t!e only dire%t(otation is "rom a nineteent!/%entry %om$oser7 it is "romS%!mann6s $ie%e Erinnern&, o$' 89 no' :9, and it a$$ears in t!e%ornetto, almost at t!e end o" t!e $ie%e'

+er"ormers %old ta;e advanta&e o" t!eir e$ertise by ma;in&s$e%i

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