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Eastman Kodak Confidential 1 Motion Picture film in the Digital World

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Page 1: Di workflow   thierry perronnet

Eastman Kodak Confidential 1

Motion Picture film in the “Digital World”

Page 2: Di workflow   thierry perronnet

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The Motion Imaging Chain

Tele- cine

Digital Postproduction

Digital Cinema

Lossy Compress

Copy and Duplicate

Theatre Film Capture

Film Path

Manipulate, Effects and Computer Graphics

Scan Record

V to D DDR

D to V DDR

Electronic and Video Path

Electronic Capture

Video Post- production

De-comp

•  DVD •  TV

Lossy Compress

Thin lines = image degraded by lossy compression

Page 3: Di workflow   thierry perronnet

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Three different types of image Film, Data, Video

Tele- cine

Digital Postproduction

Digital Cinema

Lossy Compress

Copy and Duplicate

Theatre Film Capture

Film Path

Manipulate, Effects and CG

Scan Record

V to D DDR

D to V DDR

Electronic and Video Path

Electronic Capture

Video Post- production

*De-comp

•  DVD •  TV

Lossy Compress

Copy and Duplicate

Theatre

Scan Record Tele- cine

Film Capture

Film

Manipulate, Effects and Computer Graphics

Digital Cinema

V to D DDR

D to V DDR

Lossy Compress

Data

Electronic Video Capture

Video Post- production

*De-comp

•  DVD •  TV

Lossy Compress

Video

Digital Video - DV

Digital Intermediate - DI

Page 4: Di workflow   thierry perronnet

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Input

FILM @ 6k, 4k,2k

| FILM @

1920 to 2k |

FILM > HD Video

| HD Video

| Dvcam

| Etc…

Resolutions & Color Spaces

Manipulate

10 Bit Logarithmic

| 14 Bit Linear

| HD 8:8:8

| HD 4:4:4

| HD 4:2:2

| SD 4:4:4

| SD 4:2:2

Etc… Output

FILM @ 4k |

FILM @ 2k |

HD Video |

SD Video |

DVD |

Etc…

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Manipulate Input Output

FILM @ 6k, 4k,2k

| FILM @ 1920 >2k

| FILM >

HD Video |

HD Video |

Dvcam |

Etc…

10 Bit Logarithmic

| 14 Bit Linear

| HD 8:8:8

| HD 4:4:4

| HD 4:2:2

| SD 4:4:4

| SD 4:2:2

Etc…

FILM @ 4k |

FILM @ 2k |

HD Video |

SD Video |

DVD |

Etc…

Video to Film

Video to Film is not Digital Intermediate

Page 6: Di workflow   thierry perronnet

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Manipulate Input Output

FILM @ 6k, 4k,2k

| FILM @ 1920 >2k

| FILM >

HD Video |

HD Video |

Dvcam |

Etc…

10 Bit Logarithmic

| 14 Bit Linear

| HD 8:8:8

| HD 4:4:4

| HD 4:2:2

| SD 4:4:4

| SD 4:2:2

Etc…

FILM @ 4k |

FILM @ 2k |

HD Video |

SD Video |

DVD |

Etc…

Digital Video

Digital Video is not Digital Intermediate

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This is Digital Intermediate

Manipulate Input Output

FILM @ 6k, 4k,2k

| FILM @ 1920 >2k

| FILM >

HD Video |

HD Video |

Dvcam |

Etc…

10 Bit Logarithmic

| 14 Bit Linear

| HD 8:8:8

| HD 4:4:4

| HD 4:2:2

| SD 4:4:4

| SD 4:2:2

Etc…

FILM @ 4k |

FILM @ 2k |

HD Video |

SD Video |

DVD |

Etc…

Digital Intermediate

Page 8: Di workflow   thierry perronnet

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Kodak’s Areas of research, development and products

Electronic and Video Path

Film Path

Copy and Duplicate

Theatre

Scan Record Tele- cine

Film Capture

Film

Manipulate, Effects and Computer Graphics

Digital Cinema

V to D DDR

D to V DDR

Lossy Compress

Data

Electronic Capture

Video Post- production

*De-comp

•  DVD •  TV

Lossy Compress

Video

Digital Postproduction

Page 9: Di workflow   thierry perronnet

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Film In the Digital World

•  At 24 fps…..4K resolution…12 bit (log) •  1000ft roll V2 camera neg is equal to

nearly 2 Terabytes of storage •  No compression…..world wide

standard…untethered on set •  Archiveable for 200 years •  Can match any display standard to day

and tomorrow….Futureproof