marnie newton cv reduced

R219 Clarke Street, Northcote

0401422376

[email protected]

new_milk11

marnie-newton-24bb1638

I am 25 years old and a recent Architecture graduate from RMIT University interested in gaining experience within the architectural field whilst I complete my masters in Architecture part-time. I have a keen interest for residential projects (houses & apartments) however I am also keen to work on larger civic ventures. I am a good team player with a happy disposition and a desire to give back to my community. I take orders well and pride myself of being able to produce work at a high level even under high levels of stress. I am highly self-motivated and enjoy the responsibility and creativity that comes with working of several projects at the same time.

I have limited experience within the field as I have spent the last three years whilst studying, working to pay off my loans and for my accommodation and bills. I understand what it is to be responsible for myself and others.

I would love the opportunity to work and learn more within a field I am highly passionate about and would jump at the opportunity to work with your company. If you have any more questions or require any references please dont hesitate to call or email me.

MARNIE NEWTON[ARCHITECTURE GRADUATE]

RMIT UNIVERSITY BACHELOR OF ARCHITECTURAL DESIGN

2014 - 2016

RMIT UNIVERSITY MASTERS OF ARCHITECTURAL DESIGN

(PART TIME)

2017 - NOW

RMIT UNIVERSITY BACHELOR OF COMMUNCATIONS

(ADVERTISING)

2010 - 2012

EDUCATION

MITRE 10 SALES :

PROBLEM SOVING CUSTOMER HOME PROJECTSCUSTOMER SERVICE

TEAM WORKUNDERSTANDING OF BASIC FIXTURES, TIMBER. GARDEN AND FASTNERS

ADMINISTRATION:DEALING WITH TRADE AND CONSTRUCTION COMPANIES

ACCOUNTING & BANKINGDEALING WITH SUPPLIERS

2012 - NOW

WORK EXPERIENCE

OLGA DE POLGAONLINE BRAND MANAGER:

ONLINE CONTENT CREATIONMANAGEMENT OF SOCIAL MEDIA PLATFORMS

PROMOTIONS & SALESCLIENT RELATIONS

2013 - 2014

PASSIONS STUDIO (MELBOURNE)DANCE INSTRUCTOR:

TEACHING & SHOWCASES CLASS MANAGMENT

2016 - NOW

BURN CITY WAACKCO-FOUNDER & TEACHER:

SMALL SOCIAL DANCE CLUB TARGETED AT TEACHING PEOPLE HOW TO DANCE AND INSTILL A LEVEL OF CREATIVE AND SOCIAL CONFIDENCE THROUGH THE MEDIUM OF

DANCE.

2013 - 2014

VOLUNTEER/SOCIAL

PROFICIENCY & SKILLSADOBE CREATIVE SUITE

PHOTOSHOP, ILLUSTRATOR, INDESIGN, PREMIER PRO, LIGHTROOM

3D MODELING & DRAWING SOFTWARE RHINO 3D, REVIT, MAYA, GRASSHOPER, AUTOCAD, SKETCH UP

RENDERINGVRAY FOR RHINO, OCTANE, KEYSHOT

PHYSICAL MODELINGBALSA, CARD, CASTING, TIMBER, LAZER CUTTING SOFTWARE

MICROSOFT OFFICEWORD, EXCEL, POWERPOINT

VIDEO EDITINGFINAL CUT PRO, PREMIER PRO

REFERENCESPROVIDED UPON REQUEST

LANGUAGESENGLISHFLUENT

CHINESECONVERSATION & READING

PROFILE

BEHIND THE MASKDESIGN STUDIOS

A RESIDENCE FOR AN OUTSIDER ARTIST

ENCAMPMENTA NEW CIVIC CENTRE FOR ROSEBUD

THE ARTIST IS PRESENTA RESIDENCE FOR A PERFORMANCE ARTIST IN BEEAC

HOUSES2 HOUSES THAT EXPLORE THE IDEA OF SPACIAL MEMORY WITH IN ARCHITECTURE

AFTER THE ELECTIONA PETER CORRIGAN STUDIO

MAN WITH A VAN

TECH DRAWINGS

A DESIGN FOR A NEW VAN STORAGE AND OFFICE

T-HOUSEA CLEAN CYCLING INSPIRED OFFICE TOWER

MAYA MODELLING

COMMUNICATIONS

MODELLING TABAKALERA BY HERNAN DIAZ ALONSO (XEFIROTARCH)

GRASSHOPPER A RE-IMAGINED ARTS SPIRE USING GRASSHOPPER

PHYSICAL MODELLINGEXAMPLES OF MODELLING WORK COMPLETED OVER THE PAST 3 YEARS

4-5

6-7

8-9

10-11

12-13

14-19

19-20

21-22

23

24

BEHIND THE MASK

A RESIDENCE FOR AN OUTSIDER

ARTIST

Street view

1. Entrance2. Garage3. Back entry Staircase4. Main Entry/ Stage

5. Kitchen6. Breakfast/Sunroom7. Lounge Room8. Interior Courtyard9. Guest Room10. Central Staircase

11. Sitting Room12. Costume/ Display Room13. Studio14. Master Bedroom15. Toilet

1

2

3

4

56

7

8

9

10

1112

1314

15

Site Axo 1:2000

Street view

Section 1:200

Site Axo 1:2000

Kitchen viewInternal Void view from first level

Entry View Internal Void view from entry

Myers House - Edmond & CorriganCasa Batllo - Antoni Gaudi

Behind the mask is a formal exploration for a residence for an outsider actor. The project is derived from the masking and layering of the plans of Antonio Gaudis Casa Ballto and Peter Corrigans Myer House as well as drawing on the nature of old Hollywood glamour think Norma Desmond in Sunset Boulevard I am big. Its the pictures that got small

The narrative journey of the house is derived from the process of the un-masking for the actor from the stage to the bedroom. Entering in through the gap between the walls, the space opens to reveal a stage, naturally lit by an open

void showing the main entry up the staircase at the far end of the stage, making the progress from the stage to the backstage.

The void works as a means to centre the focus of the house from the outside to the inside, which is further expressed by the nature of the materiality and the thickness of the walls at they morph from an ephemeral quality in the

centre of the void, to the thick, multi-layered white washed exterior brick walls. This is a house that celebrates the eccentric but allows itself to exist in the conventional, an eclectic oasis working as a terrace house in suburbia.

ENCAMPMENTA CIVIC CENTER FOR ROSEBUD

AQUATIC CENTRE, LIBRARY & MEMORAL HALL

CANOPY

CANOPY STUCTURE

BRANCH STRUCTURE

TRUNKS

LIBRARY

LIBRARY

MEMORIALHALL

MEMORIALHALL

AQUATICCENTER

AQUATICCENTER

SEPERATION OF PROGRAM BASED ON USE

SWIMMING POOL

UNDERGROUND WATER TANK

CANOPY

TRUNKS

TEA TREE

WATER COLLECTION CANOPY TO SERVICE MAIN POOL HALL/25 METER POOL & WARM WATER POOL

LIBRARY

MEMORIALHALL

AQUATICCENTER

LINKING OF PROGRAM THROUGH CONNECTED ROOF / CANOPY

Rosebud was a town that was founded on this idea of holiday, it was a place of which people would visit to escape the city and its suburbs for a more natural romantic setting of the beach. Between 1930 to 1940 the rosebud campsite was a tranquil, family friendly community of holidaymakers which grew steadily each year. At the end of world war 1 the campsites popularity exploded with a camping committee and administration being set up and a waiting list implicated.

With the growth of the campsite, the town of Rosebud also saw a major growth in the 1960s with the desire of people to permanently move from the city for a more relaxed beach side life. However with the growth of the area the town of rosebud began to turn from a beach site retreat into an extension of Melbournes southern suburbs. The essence of the beach now hidden behind the roar of semi trailers along neapen highway and foreshore private apartments that block any view of the crystal waters.

The main idea for the aquatic centre, memorial and library is the re appropriation of the Rosebud campsite, in particular the romantic idea of the 1930-1940s rosebud to create not just the volumes but also an area that can be used and engaged with by the rosebud citizens. The programmatic make up of the three volumes; the aquatic centre, memorial hall and library exhibit very different uses of which minimal overlap.

A prominent feature in the campsite and along the peninsula coast is the native costal tea tree. Using this motif of a forest the idea of a canopy that draped the entire site was formed, connecting all three volumes together through a central inside/outside area, reminiscent of the campsite with separate identities within a larger scheme. The surface the canopy not only serves as a shelter and roof but also works as a water collection service for the aquatic centre and toilets throughout the site.

The canopy creeps out over the surrounding streets of rosebud pde and ninth ave inviting people inside. The existing wannanue place has been converted to foot and bike traffic only, creating a clear connection to point neapen through the laneway and pulling the public space of the highway footpath back into the site. The structure under the canopy works on the branching of the tea tree. The white painted steel an ode to the sporting works of Phillip Cox.

The designs of each of the programmatic volumes are appropriated from an Arthur Boyd print the swimmer which was produced in 1993. Between 1937-1939 Boyd spent three years of his adolescence living with his grandfather down in rosebud during which he painted a series of painting of his surroundings, a reflection of romantic rosebud. Though the swimmer was produced nearly 55 years later, it has been attributed to his time spent in rosebud and provides a more abstract reflection of the area.

The elements of the painting were extracted and the areas formed by the strokes of the paintings were then assessed and altered to fit in the specific program of the volumes. The painting was also translated onto the canopy, using the pattern created to provide openings and glass roofs. The pattern of the tea tree was then used to build a language for the large glass walls within the volumes as like a forest creating the lightness of the internal structure holding up a larger canopy. The pattern provides a framing system of the window that provides this idea of filtered light through a forest. The solid walls were applied with a rendered treatment, indicative of thick paint knife method in the rosebud paintings by Boyd to create a texture you can feel and play with.

Exterior Canopy

Entry from Wannaue Place

Main Memorial Hall

Memorial Hall Entry

Arthur Boyd

The Swimmer (1993) - Arthur Boyd

SWIMMING POOL

UNDERGROUND WATER TANK

CANOPY

TRUNKS WATER COLLECTION CANOPY TO SERVICE MAIN POOL HALL/25 METER POOL & WARM WATER POOL

LEARN TO SWIM POOL

BEACH ENTRY/FREE FORMPOOL

TODDLERPOOL

STORAGE

WET LOUNGEDRY

LOUNGE

FIRSTAID

25 METERPOOL

SEATING

FEMALECHANGE

MALE CHNAGE

KITCHEN

COOLROOM

CAFEAREA

OPENPLANSTAFF

OFFICES

MEETINGROOM

MEETINGROOM

MEETINGROOM

MEETINGROOM

SHOP

SHOP

MERCHANDISE

WORKSTATION

DESK

STAFFROOM

TOILET

TOILET

STORAGE

MULTIPURPOSEROOM 1

MULTIPURPOSEROOM 2

MULTIPURPOSEROOM 3

STORAGE

CRECHEOFFICE

TOLIETS

GYM

FITNESS ROOM

FITNESS ROOM MALE

TOILETFEMALETOILET

POOL OFFICE

WARM WATERPROGRAM

POOL

SPA

SPA

SAUNA

CLEANERS

ROOM

TREATMENT ROOMS

OFFICE

TO CARPARK

MAIN HALL

STAGE

STORAGE

STORAGE

MULTIPURPOSE

MULTIPURPOSE

MULTIPURPOS

E

MULTIPURPOSE

TOILET

KITCHEN

FEMALETOILET

MALETOILET

TICKETBOOTH

FOYER

STUDY ROOM

STUDY ROOM

STUDY ROOMSTUDY

ROOM

COMPUTERLABS

SPECIAL COLLECTION

AREA

CHILDRENS'AREA

EXHIBITIONSPACE

OFFICE

AUDIO/VISUALCOLLECTION

TOILETS

TOILETS

TOILETS

TOILETS

READINGSPACE

READINGSPACE

STUDYHALL

READING &COMMUNITY

SPACE

TO AQUATIC CENTRE

GROUND FLOOR PLAN

BASEMENT FLOOR PLAN(CARPARK)

FIRST FLOOR PLAN

SECTION A

SECTION A

SITESECTION

SITESECTION

SECTION B

SECTION C

SECTION C

SECTION B

Learn To Swim Pool

25 Meter Lap Pool Library Interior

Library Interior

to guest/student accomidation

to lake front

to beeac

toilet toilet

toilet

toilet

bridge

bridge

toilettoilet

peep hole

peep holes

bedroom

dining room

bathroom

study

kitchen

toilet

meeting point

towards lakebegining of bridge

towards football field

waste &water pipes

Entry plan @ 1:100

Entry section @ 1:100

Public Toilet Plan@ 1:100

PublicToiletSection @ 1:100

dining room

study

meeting point

Residence Plan @ 1:100

Residence section @ 1:100

Exit plan @ 1:100

Exit section @ 1:100

MARINA ABRAMOVIC

PERFORMANCE ARTIST

THE ARTIST IS PRESENT/ THE HOUSE WITH THE OCEAN VIEW/

IMPONDERABILA/ REST ENERGY/THE LOVERS

football field

publictoilet

theater

guest houses

exit

entry

pinic area

SITE PLAN 1:1000

residence

pinic area

lake beeac

mack st


to lake front

to beeac

toilet toilet

toilet

toilet

bridge

bridge

toilettoilet

peep hole

peep holes

bedroom

dining room

bathroom

study

kitchen

toilet

meeting point



waste &water pipes

Entry plan @ 1:100




dining room

study

meeting point



Exit plan @ 1:100


MARINA ABRAMOVIC

PERFORMANCE ARTIST



football field

publictoilet

theater

guest houses

exit

entry

pinic area

SITE PLAN 1:1000

residence

pinic area

lake beeac

mack st

The artist is present involves the design for an artist residence in Beeac (A small country town located just outside of Colac) with emphasis on the use of a specific material.

The scheme of the site is grounded heavily in the landscape by using the architecture as a series of "pavilions" that capture the site and the greater context of Beeac. With each pavilion focusing on an existing artefact with in the current landscape; a milking shed, a water tower, a bridge and a dam. Interpreting the works of performance artist, Marina Abramovi, the architecture works to emulate the role of artist by evoking of a specific emotion or action from the visitor;

The Entry: Inspired by "Imponderabilia"(1977), presents a thin sunken passageway in which one must turn to the side to pass through. The direction of which one turns dictates the way that they experience the site.

The House: Inspired by "The House with the Ocean View" (2002), deals with the existence of two separate identities within an intimate space like a house. The milk shed is split into two halves, with a central external corridor that is lined with the plumbing pipes of the house. The two halves are connected in the centre of the corridor, creating a meting point for the two circulations and the secondary point of awareness for the visitor and the first for the artist.

The Public Toilet: Inspired by "Rest Energy" (1980), works on using the typology of the toilet and the idea of tension present in her work. The point of fragility is presented by the presence of a small window in each of the toilet cubicles which opens up to the bridge walkway above. The user of the toilet is aware of the people on the bridge; however the walkers are not immediately aware of those in the toilet. The moment of tension is experienced by the people of the toilet wishing that those above do not look down through the window to see them.

The Bridge: Inspired by "The Great Wall Walk" (1988), embodies the notion of experiencing and understanding something then having to say goodbye. The bridge operates as a vehicle for this experience, twisting over the lake and back through , giving the visitor a good look at the site and what they may have missed. However, like the separation of the Marina and her partner at the end of the walk, the visitor is pushed out of the site, unable to return back on the bridge despite their new found understanding.

The overarching theme of the plan draws on Marina's most famous work, "The Artist is Present" (2010), but through the use of the existing architecture of the area, pulls her work into a Beeac context. Causing the Artist to truly be present in Beeac.


to lake front

to beeac

toilet toilet

toilet

toilet

bridge

bridge

toilettoilet

peep hole

peep holes

bedroom

dining room

bathroom

study

kitchen

toilet

meeting point



waste &water pipes

Entry plan @ 1:100




dining room

study

meeting point



Exit plan @ 1:100


MARINA ABRAMOVIC

PERFORMANCE ARTIST



football field

publictoilet

theater

guest houses

exit

entry

pinic area

SITE PLAN 1:1000

residence

pinic area

lake beeac

mack st


to lake front

to beeac

toilet toilet

toilet

toilet

bridge

bridge

toilettoilet

peep hole

peep holes

bedroom

dining room

bathroom

study

kitchen

toilet

meeting point



waste &water pipes

Entry plan @ 1:100




dining room

study

meeting point



Exit plan @ 1:100


MARINA ABRAMOVIC

PERFORMANCE ARTIST



football field

publictoilet

theater

guest houses

exit

entry

pinic area

SITE PLAN 1:1000

residence

pinic area

lake beeac

mack st

THE HOUSE OF SCENES

STANDARD LINE OF SIGHT

VISUAL LIMIT RIGHT EYE

VISUAL LIMIT LEFT EYE

BINOCULAR VISION

SYMBOLRECOGNITION

5-305-30

62 62

0

THE HOUSE OF SCENES FOCUSES ON THE IDEA OF THE ONE PERFECT IMAGE OF A SPACE IN

REGARDS TO OUR SPACIAL MEMORY.

The area and space of the set in affected by the size of the lense

GALLERY

ENTRANCE HALL

LOUNGE

BATHROOMGARAGE

KITCHEN

DINING ROOM

BEDROOM

BATHROOM

BEDROOM

BEDROOM

BALCONY

THE HOUSE OF SCENES

STANDARD LINE OF SIGHT

VISUAL LIMIT RIGHT EYE

VISUAL LIMIT LEFT EYE

BINOCULAR VISION

SYMBOLRECOGNITION

5-305-30

62 62

0

THE HOUSE OF SCENES FOCUSES ON THE IDEA OF THE ONE PERFECT IMAGE OF A SPACE IN

REGARDS TO OUR SPACIAL MEMORY.

The area and space of the set in affected by the size of the lense

The house of scene explores the idea of memory within architecture and the

nature in which we in the digital age consume architecture. Often we view

architecture through an iconic singular image, and that becomes the part of

the building that we remember.

The big idea of this house was the focus on the one perfect image of a

space in regards to our spatial memory and the hyperbole of design, in only

designing the view that would be seen within a specific space.

Using the standard angle of site and pre-existing model, the two

typologies of the house were divided. One presented as the resolved

"photographed" design and the other serving merely as a structural support

for the ideal image.

THE HOUSEOF

SCENES

THE HOUSE OF MONUMENT

THE HOUSE OF MONUMENT FOCUSES ON THE IDEA OF MEMORY COLLECTION, DRAWING STRONG CORRILATIONS

TO THE EXHIBITING OF WORK IN A GALLERY.

"GROUND FLOOR"

"FIRST FLOOR"

The house of monument looks at the way non-architectural educated people look at a domestic space. I asked a couple to draw a designed space for each other in plan then I asked them to re-draw the same space every two days without looking at the drawings before it.

The research lead me to two major conclusions:

Elements like walls, doors and simple windows, were of low priority as the location, size and even presence of them changed drastically drawing to drawing. The only constant was if the person had drawn a specific type of window, such as a bay window, which was attached to an action, such as a couch looking out a window.

Elements like stairs, couches, fireplaces and specific windows were remember accurately. Items that were attached with meaning and action; a writing nook, a tv couch, were constantly redrawn, often with more emphasis than the previous drawing.

This idea of memory of specific things, or monuments inspired the design of this hypothetical house, the house of monument. This project looks at the home as a gallery of items and artefacts that have meaning attached to them individually as a means of documenting what is really important and memorable to people within a space.

THE HOUSE OF MONUMENT

THE HOUSE OF MONUMENT FOCUSES ON THE IDEA OF MEMORY COLLECTION, DRAWING STRONG CORRILATIONS

TO THE EXHIBITING OF WORK IN A GALLERY.

P H Y S I C A L

MODEL-L I N G

B

A

A

B

SITE PLAN 1:7500

HOLE123456789101112131415161718

METERS330370210240190375515320640400605230230270330315420270

PAR43333453545334444467TOTAL PAR

N

CLUB HOUSE

CARPARK

CARPARK

HOTEL/SANITORIUM

CARPARK

15 16

17

18

14

13

1211

10

9

8

7

6

5

4

3

2

1SAND BUNKERS

TREES

TEE GREEN

FAIRWAY

ROUGH

SITE BOUNDRY

LENGEND

PHOEBE WONG | MARNIE NEWTON

Wellness Center - Guest HouseMr. Matthew Liu & Ms Marnie Newton

SECTION A-A @ 1:200

SOUTH ELEVATION @ 1:200

Site Plan 1:250Mr Matthew Liu & Ms Marnie Newton

Guest Accomodation

Lecture Theatre

Morning Lounge

Breakfast Hall

Kitchen

Garden

MultipurposeRoom

Lake

Gardeners & Handymen

LibraryChapel

Dining Hall

Afternoon Lounge

Kitchen

Bakery & Convenience Store

Admin & Office

Doctors Offices

Treatment Facilities

Garden

Doctors Accomodation

Medical Staff Lounge

EntryCarpark

Nurses Accomodation

Intensive Ward

1149.37

919.50

1149.37

919.50

1149.37

919.50

1149.37

919.50

1149.37

919.50

1149.37

919.50

1149.37

919.50

919.50

1149.37

1149.37

GROUND FLOOR PLAN 1:250FIRST FLOOR PLAN @ 1:250

B

A

A

B

SITE PLAN 1:7500

HOLE123456789101112131415161718

METERS330370210240190375515320640400605230230270330315420270

PAR43333453545334444467TOTAL PAR

N

CLUB HOUSE

CARPARK

CARPARK

HOTEL/SANITORIUM

CARPARK

15 16

17

18

14

13

1211

10

9

8

7

6

5

4

3

2

1SAND BUNKERS

TREES

TEE GREEN

FAIRWAY

ROUGH

SITE BOUNDRY

LENGEND

PHOEBE WONG | MARNIE NEWTON

Will You Walk into my Parlour?

Said the Spider to the Fly

- Hole 7

Will You Walk into my Parlour?

Said the Spider to the Fly

- Hole 7

Viewing Platform

If Everything Could be Done Twice,

Everything would be done better

- Hole 8

If Everything Could be Done Twice,

Everything would be done better

- Hole 8

GROUND FLOOR PLAN 1:250

WELLNESS CENTRE

CLUB HOUSE

PERFORMANCEGARDEN

ANGELSEAWETLANDS

MINE

POWERSTATION

ANGLESEA

ANGLESEA

FAIRWAY

ROUGH 1

ROUGH 2

TREES

GREENS

WATER

BUNKERS

LEGEND

SITE PLAN @1:5000

ROYAL BRENDA GOLF COURSE

MR. Z RAHAMAN & MS. M NEWTON

Mr Matthew Liu & Ms Marnie NewtonMr Matthew Liu & Ms Marnie NewtonHampson Gang Golf Course Site PlanHampson Gang Golf Course Site Plan

1:50001:5000

AFTER THE ELECTION

10x GOLF COURSES6x WELLNESS CENTRES5x CLUB HOUSES

1. RECEPTION2. PATIENT ACCOMIDATION3. SAUNA4. POOL5. STEAM ROOM6. MALE CHANGE7. FEMALE CHANGE8. LOUNGE9. KITCHEN10. BREAKFAST ROOM11. DINING ROOM12. DANCE SPACE

13. LIBRARY/ READING ROOM14. STUDIO/MULTIPURPOSE SPACE15. ICU16. OPERATING THEATER17. TREATMENT FACILITIES18. DOCTORS FACILITIES19. NURSES FACILITIES20. GARDENERS FACILITIES21. HANDYMAN FACILITIES22. DELIVERIES/GARBAGE COLLECTION23. ADMINISTRATION OFFICES

1

1

1

2

3

56

7

8

8

8

9

10

11

12

1314

15 16

17

18 19

20

21

22

WELLNESS CENTREGROUND FLOOR PLAN

@ 1:7005 10 20 50

CLOCK TOWER

2

23

WELLNESS CENTREFIRST FLOOR PLAN

@ 1:700

WELLNESS CENTREBASEMENT PLAN

@ 1:700

5 10 20 50

5 10 20 50

BREAKFASTROOM

DININGHALL

AFTERNOONLOUNGE READING

ROOM

ADMINSTRATIONOFFICES

PUBLICCARPARK

WELLNESS CENTRELONG SECTION

@ 1:500

BREAKFASTROOM

KITCHENSEVRVICE

CORRIDOOR

DININGHALL

READINGROOM

AFTERNOON LOUNGE

ADMINSTRATIONOFFICES

PUBLICCARKPARK

LONG TERMPATIENT CARPARK

STAFF PARKING

CONSULTATIONROOMS

This Sanatorium/Wellness centre was designed alongside a Club House and hotel and dealt with the relationship between an immature god and a wise Lucifer. The Sanatorium operated using the troupe of Lucifer as a self-contained and resourceful being, who didn't need to rely on anyone else.

The relationships between the two buildings were focused on the idea of transition; where the Club house (God) was the point of creation, the Sanatorium worked on the subtraction. The removal from the sanatorium was what allowed the Club house to create.

The main motif for this was the idea of water, more the absence of it as a means of symbolising loss. Taking typical water holding architecture such as a pool, a gutter, a bridge and voiding them of water works in creating this idea of absence and loss. These spaces are then reappropriated in useable spaces such as a reading room ect.

The design also deals with a realistic approach to planning, ensuring that despite the large floor plate of the design there is no extremely long circulation. The plate is then further broken up by the placement of gardens which not only allows plenty of natural light in to the building but also work as a connection point for the "water" circulation.

My ColourMy City

My IdentityMy Work

My DesireMy Joy

My Search

Thanks for giving me a good slap

Vale Peter Corrigan

DN

DD

3

3

D

D

3

A2021A202 2

B D

1

3

2

A C G H

1

A301

1

A300

2

A302

1

A302

53035 2000

D15

D18

D19

D20

D16

D17

D14

D13

D12

D5

D10D11

1234

W1

W2 W3

3

A400

4

A400

D21

D6

D22

Driver Common Room (04)+ 4600

Locker Room (05)+ 4600

WC 08+ 4610

WC (06)+ 4610Bath (21)

+ 4610

Show

er (19

)+

4610

Call Centre (09)+ 4600

Admin Office (12)+ 4600

Storage (14)+ 4600

Foyer (13)+ 4600

WC (10)+ 4610

WC (11)+ 4610

Balcony (22)+ 4600

400

D23Storage (27)+4600

D24 D25

TV

DN

Hallway(28)+ 4600

D9

Hallway (24)+ 4600

DRIVEWAYBELOW

LIFT

Fall

Fall

Fall

Fall

Show

er (20

)+

4610

CTCT

CT

LILI

Fall

Fall

CT

CT

LI

LI

LI CACA

LI

TOILETBELOW

LI

LI

BR

BR

BR

BR

PB02

PB02

PB02

PB02

PB02 PB02

PC2B02

DA01

AX

DA01

B02

B02B02

B02

DA01

DA01

DA01

BR

PB02

PB02

PB02

DA01

DA01

B02

AX

AXAX

AX

38534

5338 4220 9500 9593 9600

5203 291 13410 289 2153 5589 1336 10100

3651 110 1390 110 1864 110 6215 90 1690 90 1500 90 3210 90 4265 90 7723 90

2410

9

1173

4

270

1380

200

2810

110

2200

110

2200

110

2344

5492 4303 200 1760 200 1063 110 5795 270103 1690 90 1500 90 3210 90 12078 86120

1500

1950

100

100 1950 2250 1550 1750

100

2000

126

9044

4318

75

6259

035

0

1750 1550 2250 2050

STRUCTURAL WALL SETOUT

GRID SETOUT

LENGTH

STRU

CTUR

AL W

ALL

SETO

UT

GRID S

ETOU

T

LENG

TH

1216

656

4959

51

DS

DS

DS

DS

DS

TL

TL

VN

VN

DS

DSTL

VN

TL

VN

BN

BN

BN

DS1

SO

SO

CB

SK

Brick 110Double Brick 270ConcreteLightweight Structures

Ultralux N29688

Ultralux petite N29687

Luxspace BB5480

Deco LED Emergency DECOLEDMS-BK

Lux Aib 218 LED 2x18W Led Industrial Batten Evolution

50 mm Asterix Cladding Panels (900 x 2100 mm) with fire rated Sicaflex caulk at all joints.AX

BR

DA

MA

PC

CA

LI

CT

FPB

PB

WPB

VA

AS

Danpalon DP30 Honeycomb (900 x 1800 mm) with specific joins following manufacturer's specification.

Megaclad steel roof sheets (800 x 1200 mm) installed following manufacturer's specification.

Polished poured concrete slab

Studio selections satalite dyed nylon cut plush pile carpet

Existing Brick wall

Classic Mystique PUR Nocturne 1380 Linoleum

Wickes White Gloss Cermaic Floor Tiles (150 x 150mm) applied with black grout andsealant - Sellys Wet Area Silicone (black)

Painted 16mm Gyprock Standard Plasterboard (1200 x 2400 mm) for all fire-rated wall

Painted 10 mm Gyprock Standard Plasterboard (1200 x 2400mm)

10 mm mpoisture resistant plasterboard substratefor all wet areas

Polished Victorian Ash

Anti-slip Carborundum Hazard #60 over edge of stair tread

Reve wall-mount bathroom sinkVN

DS

BN

CB

SK

DS1

S0

TL

Bench to be specified by MVB

Kitchen cabinet

Vault under mount kitchen sink

Dining table to be specified by MVB

Working desk to be specified by MVB

Sofa to be specified by MVB

Caravell Smart one piece easy height elongated #9899000

- All dimension s to be verified on site prior to construction and discrepencies to be clarified with architect.- Do not scale drawings. refer to figured dimensions only.- Architectural drawings are to be read in conjunction with specification and other consultants documentation.- GF is the benchmark level taken from the floor level of the existing building.- Dimensions are in mm.- This drawing is copyright.

CONSTRUCTION TYPE FINISHES FIXTURES ELECTRICAL GENERAL NOTES

10 A 1 gang standard size switch

10 A 3 Gang standard size switch

10 A 1 dimable standard size switch

Electresafe triple powerpoint with 10A and 15A outlets

Electresafe double powerpoint with 10A and 15A outlets

26 Henry StreetAbbotsfordMelbourne

Scale

Checked by

Drawn by

Date

Project Number

DESCRIPTIONNO DATE

Zul Rahaman1, Queen Street

Melbourne0430 020 811

[email protected]

Marnie Newton1, Queen Street


[email protected]

Tul Srisompun1, Queen Street


[email protected]

MV01

Tul Srisompun

Zul Rahaman

A100A101A102A103A104A105A106A200A201A202A300A301A302A400A500A501A502A600A700A701A702

DEMOLITION PLANSITE PLANPROPOSED GROUND FLOOR PLANPROPOSED FIRST FLOOR PLANGROUND FLOOR REFECTIVE CEILING PLANFIRST FLOOR REFLECTIVE CEILING PLANPROPOSED ROOF PLANNORTH ELEVATIONSOUTH ELEVATIONEAST AND WEST ELEVATIONLONG SECTIONSHORT SECTIONSTORAGE AND DRIVEWAY AREAPLAN DETAILSTAIRS SECTION DETAILROOF SECTION DETAILROOF CONNECTION SECTION DETAILWET AREAWINDOW SCHEDULEDOOR SCHEDULESTRUCTURAL SCHEDULE

13/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/2015

1 : 100

A10310/06/15

A103 1 : 100

1 PROPOSED FIRST FLOOR PLAN

LEGEND

UP

2

3

3

D

3

A200

1

A2021A202 2

A201

1

B D

1

3

2

A C G H

1

A301

38578

5338 4220 9500 9593 9600

1915 1920 5259 2435 800

2408

0

3954

1243

4326

7202

2400

2435

3020

1292 1

494

1121

1

A300

1

A400

2

A4002

A302

1

A302

5

1216

656

4959

51

D4

D3

D2

D1

D7

D8

D5

2032

5300

3049 2000 4761 2160

Driveway (02)+0.00

Service Area (17)+0.00

Loading Area (03)+0.00

System (18)+10.0

WC (16)+10.0

Storage (15)+10.0

1

2

3

4

5

1

2

3

4

5

UP

Customer Storage (01)+0.00

Reception (28)+0.00

SETOUTSTRUCTURAL WALL SETOUTGRID SETOUTLENGTH

5040 299 13400 324 2184 5497 1342 10184

200

1840

200

2580

200

1400

STRU

CTUR

AL W

ALL

&OP

ENING

SETO

UT

GRID S

ETOU

TLE

NGTH

4810

4000

4245

2180

8205

LIFT

Fall

PC1

PC1

PC1

PC1PC1

PC1

PC2

PC2

PC2

PC2

PC2

AX

BR

PC2

PC1

PC2

PC1

AX

AX

PC3

CT

PC3

PC3

PC3

PC3

PC3

Yellow painted border

Yellow painted border

PC3

TL

VN

DS

SOSO

SO


Ultralux N29688


Luxspace BB5480




BR

DA

MA

PC

CA

LI

CT

FPB

PB

WPB

VA

AS





Existing Brick wall









DS

BN

CB

SK

DS1

S0

TL


Kitchen cabinet














Scale

Checked by

Drawn by

Date

Project Number

DESCRIPTIONNO DATE



[email protected]



[email protected]



[email protected]

MV01

Tul Srisompun

Zul Rahaman



13/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/2015

1 : 100

A10210/06/15

A102 1 : 100

1 PROPOSED GROUND FLOOR PLAN

LEGEND

D

3

GF+0

FCL 1+4360

CL 1+7600

BL 3+10000

B DA C G H

CW+1700

BL 1+7905

FFL 1+4600

1

A3012

A301

1

A302

1

A500

W12

W6W8

W2 W3

2

A5003

A500

Balcony (22)Linoleum+ 4600

Driveway (02)Concrete flooring+0.00

Loading Area (03)Concrete flooring withyellow painted boundary+0.00

Reception (28)Concrete flooring+0.00

.

.

900

700

1481

1840

1238

BL 2+9017

LATE

RAL

STRU

CTUR

E

STAIRS

206

983

1112

305

3000

240

2660

1700

300


Ultralux N29688


Luxspace BB5480




BR

DA

MA

PC

CA

LI

CT

FPB

PB

WPB

VA

AS





Existing Brick wall









DS

BN

CB

SK

DS1

S0

TL


Kitchen cabinet














Scale

Checked by

Drawn by

Date

Project Number

DESCRIPTIONNO DATE



[email protected]



[email protected]



[email protected]

MV01

Tul Srisompun

Zul Rahaman



13/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/2015

1 : 100

A30010/06/15

A300 1 : 100

1 LONG SECTION

LEGEND

Marnie Newton

Marnie Newton

D

3

1 32

1

A3002

A3022

A501

3

A502

5

D15D16

D8

W7

W11

AS01

C01

D6

B01

B01 B02 B01


ServiceArea (17)Concrete flooring+0.00

CustomerStorage (01)Concrete flooring+0.00

Call Centre (09)Carpet+ 4600

Balcony (22)Linoleum+ 4600

300

4056

303

241

3012

293

300

3824

3778

303

1104

991

208L

ATER

AL S

TRUC

TURE

(EXIST

ING

BUILDING

)

LATE

RAL

STRU

CTUR

E(EXT

ENSION

)

PB01

GF +0

FCL 1 +4360

CL 1 +7600

BL 3 +10000

13 2

CW +1700

BL 1 +7905

FFL 1 +4600

1

A300

2

A3021

A502

1

A501

5

W7

W18

BL 2 +9017

D5

D22Balcony (22)Linoleum+ 4600

Locker Room (05)Linoleum+ 4600


DriverCommon Room (04)Linoleum+ 4600

AS01

C01

AS01

PB01

PB01 PB01

AS01

C01

300

1700

5900

305

1112

983

208

LATE

RAL

STRU

CTUR

E(EXT

ENSION

)

300

4125

23424

130

0030

5LA

TERA

L ST

RUCT

URE

(EXIST

ING

BUILDING

)


Ultralux N29688


Luxspace BB5480




BR

DA

MA

PC

CA

LI

CT

FPB

PB

WPB

VA

AS





Existing Brick wall









DS

BN

CB

SK

DS1

S0

TL


Kitchen cabinet














Scale

Checked by

Drawn by

Date

Project Number

DESCRIPTIONNO DATE



[email protected]



[email protected]



[email protected]

MV01

Tul Srisompun

Zul Rahaman



13/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/2015

1 : 100

A30110/06/15

A301 1 : 100

1 CROSS SECTION 1

A301 1 : 100

2 CROSS SECTION 2

LEGEND

2

W13

W18

5

300

45 72 45

300

3910

9

5


Scale

Checked by

Drawn by

Date

Project Number

DESCRIPTIONNO DATE



[email protected]



[email protected]



[email protected]

MV01

Tul Srisompun

Zul Rahaman



13/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/201513/10/2015

1 : 10

A50210/10/15

A502 1 : 10

1 GUTTER DETAIL

A502 1 : 10

2 ROOF TO WALL CONNECTION 1

A502 1 : 10

3 ROOF TO WALL CONNECTION 2

Timhber Packing

SteelPlate

Flashing

Danpalon Cladding 30 mm

Steel Purlin 150X50 mm

Insulation Batts

Timber Packing

Flashing

Boxspan AluminiumRafter 100X50 mm

Aluminium Framing

Double Glazing grass

Flashing

Boxspan AluminiumRafter 100X50 mm

Aluminium Roof Sheet

Boxed Gutter 300X300

U Beam 305X165X9.5

Astrix Cladding 50mm Thickness

Flashing

Astrix Cladding 50mm Thickness

Purlins 150X50 mm

Insulation Batts

Plaster board9mm Thickness

Purlins 150X50 mm

Insulation Batts

Marnie Newton

Marnie Newton

DRAWING NUMBER DRAWING STATUS

DRAWN BY CHECKED BY

SCALE (@A1)

DATE

BOUVERIE STCARLTON, MELBOURNE

REV DESCRIPTION DATE

LARS ERIK ELSETHE [email protected] +61 449 603 993

MARNIE NEWTONE [email protected] +61 401 422 376

5, DESIGN HUB, CARLTON VIC 3000

SHEET

CLIENT

PROJECT

1601

RMIT ARCHITECTUREDEPARTMENT

TENDER ISSUENOT FOR

GROUND FLOOR PLAN

LE MN

A101

26/05/2016

1 : 50

COMPLETE

1

1

A302

A303

A301

1

GF+150

GF+450

GF+150

GF+150

GF+150

GF+150

GF+150

GF+150

GF+0

GF+0

GF+150

GF+150

GF+0

GF+150

GF+0

GF+150

GF+150

GF+450

GF+450

GF+150

GF+150

GF+150

98

1087

75

373

200

200

380

185

200

600

200196 373

352

200

200373 373 200 373 2280 373 200 1136200

200

382

380

375

200

17198

1046

336

1673 830500

200

1990 503200

3412 914200

160

373

2977 7151100 600

200

300

1001001070503

1690100

865 516

830200

373 200 200 373

1673

373 373 200 600 2000 373 200 372373 200 758 90200441

481

200

200

464

5550

6464

1070

103 7992

112656

373

9595

551070

373

1070

730

1228101

919 100200

7301200

9182173

2913

200

920

100

4002

500

300

915

100

200

1086

325

1200

2418

1015

1659

465

586

382

1004

933

600

1748

501

545

200

3390

100

919

200

1100 1100

2684

600

1450

103

1008663

500

466

2683

300

200

7282

170

278

481

100

373

373

100 4480

272

449

200 300

373 200 373 200 200 373

200

1379 1730 67259 200 200 373

3846

170

1598200 373 373

3301

98

728 100

29342

3450

500

302

325

500

200

200

6524

5322

9046

432

9109

645

300

2200

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382

100

5736

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538

200

373

200

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2921

5997

200

373

200

373

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100

200

373

200

4121

240

580

3638

2932100 503

200

477

2300

1690

200

373

200

477

200

2692

200

735

1969

835

64

1200

300

2683

200

500

1510

275

1255

5350

2547

170

100

200

2236

200

979

100

1536

1965

500

184

300

165100

462

200

5786

200

1714

50

1284

100

162

828

100

100

600

100

759

1504

200

1536

200

373

200

325

200

200

373

1938

200

10876

1537

2239

100

960

200

3436

48

518

325

300

373

200

1419

3570

103

2241

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2468

1461

4849

100

1678

699

324

325

300

2871

200186

726

148100163

200

1521

410

200

1810

100

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373

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2185

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333

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TL

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QUEENSBERRY ST

COMMS CUPBOARD

BOUVERIE ST

SHOWER SHOWER

CHANGEROOM

SHOWER SHOWER

REFUSE STORAGE

CAFESEATING

BIKE PARKING

KITCHEN

LOBBYRETAIL SPACE

RETAIL STORAGECLEANERSSTORAGE

FIRE CONTROLROOM

FIRE ESCAPESTAIRS

6 m

LOADING BAY

MALETOILET

FEMALETOILET

AIRLOCK

ACESS.TOILET

11 mBIKE PARKING

7 m

MECHANICAL RISER

34 m

2 m2 m2 m

12 m

13 m

4 m

2 m 2 m

8 m

4 m

53 m

14 m 6 m10 m

88 m

12 m

22 m

13 m

81 m

BIKE PARKING

BIKE PARKING

BIKE PARKING

FIRE STAIRS

CHANGEROOM

SHOWER

DN

UP

UP

UP

5

4

3

2

1

A B C D

You created this PDF from an application that is not licensed to print to novaPDF printer (http://www.novapdf.com)

BKLUX AIB 218 LED 2x18W LED INDUSTRIAL BATTEN EVOLUTION50 SUSPENDED

TR

TH

DOOR INT DBL_FLUSH 115X2110MM

MR

CURTAIN WALL EXTERIOR GLAZING FIRE RATED 120MIN TPG PILKINGTON PYROSTOPW02

HAND RAIL 1

D11

D01

WB

PC

CONCRETE

STEEL GRATE

D03

MIRROR

DOOR EXT DBL_FLUSH 115X2110MM

CUPBOARD DOORS

SHOWER CUBICAL DOOR

WASH BASIN

DOOR INTSGL 810X2110MM

ELECTRICAL SERVICE TRACKS

D12

D02

FIXED SINGLE GLAZED WINDOW

POLISHED CONCRETE

CONCRETE

TRANSLUCENT POLARISED FACADE

GS

TOILET CUBICAL DOOR RAISED

GLAZING TYPES

SG

D09

CONSTRUCTION TYPES

URINAL

D05

STEEL

ALUMINIUM

BATHROOM FIXTURES

DOOR TYPES

TOILET BOWL

FIRE DOOR INTSGL 810X2110MM

FINISHES

PAINTED PLASTER BOARD

HAND DRYER


SMARTFORM LED BPS460-462-464 SUSPENDED PANNEL

TERRICOTTA TILES

FOUR PANNEL ENTRY SLIDING DOOR

W01

D04

CERAMIC TILES

CO

S

TP

W03

TL

D06

D08

D07

CURTAIN WALL EXTERIOR GLAZING

PP

CT

FIRE DOOR EXT DBL_FLUSH 115X2110MM

TT

GALVANISED STEEL PLATE

D10

HAND RAIL 2

TOILET PAPER ROLL HOLDER

TIMBER LAMINATE

THERMISTAT

TB


1 GANG SWITCH



HDHR1

UR

ELECTRICAL FIXTURES

HR2


DRAWN BY CHECKED BY

SCALE (@A1)

DATE






SHEET

CLIENT

PROJECT

1601


TENDER ISSUENOT FOR TYPICAL FLOOR PLAN

MN LE

A102

26/05/2016

1 : 50

COMPLETE

D02

D11

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D01

D08

D05

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FFL

FFL

FFL

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FFL

FFL

FFL

FFLFFL

FFL

FFL

FFL

FFLFFL

FFL

FFLFEMALETOILET

1m

COMMS CUPBOARD

KITCHEN

9 m

WORKSTATIONS

35 m

9 m

CENTER WING12 m 51 m

65 m24 m

5m

9 m

8 m

EASTWING

MEETING SPACE

WEST WING

RECEPTION

25 m

MAIN STAIRS

AIRLOCK

LOBBY

ACCESS.TOILET

MEETING SPACE

12 m

4 m

COMMS CUPBOARD

14 m

AIR-LOCK

41 m

FIREESCAPESTAIRS

COMMS CUPBOARD

MALETOILET

DN

UP

DN

DN

PRINT STATION

PRINT STATIONPRINT STATION

CENTRAL HIVE

5

4

3

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A B C

1

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SHOWER CUBICAL DOOR

WASH BASIN



D12

D02


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CONCRETE


GS


GLAZING TYPES

SG

D09

CONSTRUCTION TYPES

URINAL

D05

STEEL

ALUMINIUM

BATHROOM FIXTURES

DOOR TYPES

TOILET BOWL


FINISHES


HAND DRYER



TERRICOTTA TILES


W01

D04

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CO

S

TP

W03

TL

D06

D08

D07


PP

CT


TT


D10

HAND RAIL 2


TIMBER LAMINATE

THERMISTAT

TB


1 GANG SWITCH



HDHR1

UR

ELECTRICAL FIXTURES

HR2


DRAWN BY CHECKED BY

SCALE (@A1)

DATE






SHEET

CLIENT

PROJECT

1601


TENDER ISSUENOT FOR

TYPICAL FACADE CONSTRUCTION DETAILS

LE MN

A401

26/05/2016

1 : 10

COMPLETE

2

ROOF DETAIL2

A401 1:10

3

1

4

1 FIXED WINDOW, SINGLE GLAZED 5 MM2 STEEL WEATHERBOARD 3 MM3 COTTO TILES 330 x 330 MM4 ALUMINIUM BAR GRATING

900

1

2

TYPICAL SLAB DETAIL

4

1

1 FACADE SPRINKLER2 FRESH AIR INTAKE, STAINLESS STEEL MICRO WOWEN WIRE3 PERFORATED PLASTIC PANEL4 DOUBLE GLAZED CURTAIN WALL; 3/7 MM, AIR GAP 20 MM5 BEAM: 305 x 165 UB6 COLUMN: 200UC

5

6

A401

3

1:10

3

1:10

1

1 MECHANICAL ARM, FACADE ACTUATOR2 DOUBLE GLAZED CURTAIN WALL; 3/7 MM, AIR GAP 20 MM3 FACDE BREAK, H: 1500, W: 6004 SUPPORT BEAM TO SLAB-EDGE, 2 x (15 MM THICK, 30 MM HEIGH) 5 COLUMN: 200UC6 INTERNAL GRATER ABOVE SERVICES

4

5

2

3

6

A401CORNER DETAIL (PLAN)


TR

TH


MR


HAND RAIL 1

D11

D01

WB

PC

CONCRETE

STEEL GRATE

D03

MIRROR


CUPBOARD DOORS

SHOWER CUBICAL DOOR

WASH BASIN



D12

D02


POLISHED CONCRETE

CONCRETE


GS


GLAZING TYPES

SG

D09

CONSTRUCTION TYPES

URINAL

D05

STEEL

ALUMINIUM

BATHROOM FIXTURES

DOOR TYPES

TOILET BOWL


FINISHES


HAND DRYER



TERRICOTTA TILES


W01

D04

CERAMIC TILES

CO

S

TP

W03

TL

D06

D08

D07


PP

CT


TT


D10

HAND RAIL 2


TIMBER LAMINATE

THERMISTAT

TB


1 GANG SWITCH



HDHR1

UR

ELECTRICAL FIXTURES

HR2


DRAWN BY CHECKED BY

SCALE (@A1)

DATE






SHEET

CLIENT

PROJECT

1601


TENDER ISSUENOT FOR SECTION A-A

MN LE

A301

26/05/2016

1 : 100

COMPLETE

CO

D08

CO

CO

D01

CT

WB

WB

CT

WB

D01 D01

HR2

CT

CO

D07

CO

HR2

CT

MR

CO

HR2

TB

D01

D01

CO

CT

TB

CO

MR

CO

CO

D07

D01

D07

D07

MR

TB

WB

CT

WB

TB

CT

CO

MR

TB

HR2

HR2CT

D01

CT

CTHR2

WB

TB

MR

CT

CT

WB

CO

WB

TB

CO

CO

CO

COCO

D01D08D08

D07

D07

D07

D07

CO

TB

CT

CT

WB

CO

TB

CT

MR

HR2

CO

WB

HR2

CT

TB WB

WB

TB

CT

CT

CO

TB

CO

WB

MR

CT

MR

WB

WB

TB

FSL

+30800FFL

+30300FSL

+26950FFL

FSL +26450

+23100FFL

FSL +22600

+19250FFL

FSL +18750

+15400FFL

FSL +14900

+11550FFL

FSL +11050

+7700FFL

FSL +7200

+3850FFL

FSL +3350

GF+0-310 FSL

FFL-3000

-3305 SLAB

-4000 FFL

SLAB-4305

D07

D07

D07

D07

WB

D07

CO

D07

CT

HR2

CT

501

CO

6599

TB

9646

MR

5750

CT

11284

TB

9109

CT

5550

CO

9046

TB

TB

CO

WBTB

CT

HR2

MR

CT

+45350

WB

FCL

CT

FSL

CT

+42350

WB

FFL

CT

+42850

CO

+38500

CO

FFL

WB

+38000

CT

FSL

TB

+34650

TB

FFL

CO

+34150

CT

D01D08D08D01

D01 D08 D08 D01

D01 D08 D08 D01

D01 D08 D08 D01

D01 D08 D08 D01

D01 D08 D08 D01

D01 D08 D08 D01

D01 D08 D08 D01

D01 D08

LIFT OVERRUN

FIRE ESCAPESTAIRS

FIRE ESCAPESTAIRS

FIRE ESCAPESTAIRS

FIRE ESCAPESTAIRS

FIRE ESCAPESTAIRS

FIRE ESCAPESTAIRS

FIRE ESCAPESTAIRS

FIRE ESCAPESTAIRS

FIRE ESCAPESTAIRS

FIRE ESCAPESTAIRS

FIRE ESCAPESTAIRS

FIRE ESCAPESTAIRS

STORAGE

CLEANERSSTORAGE

ELEVATORSHAFT

PUMPROOM

FIRE CONTROLROOM RETAIL STORAGE

MALETOILET

AIRLOCK

FEMALETOILET

AIRLOCK

MALETOILET

FEMALETOILET

DISABLEDTOILET

DISABLEDTOILET

AIRLOCK

MALETOILET

FEMALETOILET

DISABLEDTOILET

DISABLEDTOILET

FEMALETOILET

AIRLOCK

MALETOILET

DISABLEDTOILET

FEMALETOILET

AIRLOCK

MALETOILET

MALETOILET

AIRLOCK

FEMALETOILET

DISABLEDTOILET

DISABLEDTOILET

DISABLEDTOILET

DISABLEDTOILET

DISABLEDTOILET

FEMALETOILET

FEMALETOILET

FEMALETOILET

LIFT PIT

AIRLOCK

AIRLOCK

AIRLOCK

MALETOILET

MALETOILET

MALETOILET

FEMALETOILET

AIRLOCK

MALETOILET

FIRE ESCAPESTAIRS

A B DC

A3031


TR

TH


MR


HAND RAIL 1

D11

D01

WB

PC

CONCRETE

STEEL GRATE

D03

MIRROR


CUPBOARD DOORS

SHOWER CUBICAL DOOR

WASH BASIN



D12

D02


POLISHED CONCRETE

CONCRETE


GS


GLAZING TYPES

SG

D09

CONSTRUCTION TYPES

URINAL

D05

STEEL

ALUMINIUM

BATHROOM FIXTURES

DOOR TYPES

TOILET BOWL


FINISHES


HAND DRYER



TERRICOTTA TILES


W01

D04

CERAMIC TILES

CO

S

TP

W03

TL

D06

D08

D07


PP

CT


TT


D10

HAND RAIL 2


TIMBER LAMINATE

THERMISTAT

TB


1 GANG SWITCH



HDHR1

UR

ELECTRICAL FIXTURES

HR2

GENERATIVE MODELING

Through the use of Anemone the recursive pattern was overlayed over the Arts Centre, combining with previous

itteration tools like attractor points and points on mesh.

Basic use of points over mesh

Basic use of points over mesh with increased number of points

Increased points and increted size of input geometry

Increased points and increted size of input geometry with use of attractor points placed at

the top of spire

Increased points and increted size of input geometry with use of attractor points placed at

front of spire

Basic use of parallel plans with one 3D input curve and one 2d imput curve

Basic use of parallel plans with one 3D input curve and one 2d imput curve and changed scale

Basic use of parallel plans with one 3D input curve and one 2d imput curve and changed factor

Basic use of parallel plans with one 3D input curve and one 2d imput curve and changed repeat

factor

Basic use of parallel plans with one 3D input curve and one 2d imput curve and changed points

on curve for parallel plans

THE ARTS CENTRE

MARNIE NEWTON - S3285859

marnie newton cv reduced

Documents