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Master the Accordion Workshops PH Book 3 ‐ Session 7 HAPi * 1547 S. Richey Rd., Pasadena, TX 77550 * 281‐780‐8656 *[email protected] 1 Palmer & Hughes Book 3 – Session 7 Instruction and Companion Material Presenters Shelia Lee & Mark Ropel Master the Accordion Workshops Sponsored by 501 3(c) Non-Profit

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Page 1: Master the Accordion Workshops PH Book 3 ‐ Session 7 Palmer & …api.ning.com/.../PHBk3KeyboardSession7.pdf · 2017-05-28 · Master the Accordion Workshops PH Book 3 ‐ Session

MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

1

Palmer&HughesBook3–Session7

InstructionandCompanionMaterial

PresentersSheliaLee&MarkRopel

MastertheAccordionWorkshops

Sponsoredby

5013(c)Non­Profit

Page 2: Master the Accordion Workshops PH Book 3 ‐ Session 7 Palmer & …api.ning.com/.../PHBk3KeyboardSession7.pdf · 2017-05-28 · Master the Accordion Workshops PH Book 3 ‐ Session

MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

2

Session7ReviewofBK3SKILLS:Duringyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek. ReviewofDrills

o Full“AllWhite”block&Arpeggios(1+3+5+1) SayMajororSayMinorwhenyouhiteach

o Full“AllMAJOR”block&Arpeggioso C,G,F,D,A,Bb&EbScale–FullOctaveso MajorthenMinorChords–AllWhite.Blocktheminrhythmicpattern.Rollthem

inrhythmicpatterno LeftHandMajorScale&BassSoloExerciseso PracticeMovingbetweentheI­IV­V7chordinthekeyofC­G­F

Song#7­PHBook3–Alouette&VolgaBoatmanCompanionSongs:

1. HeyJude(Duet)2. GalwayBay(Duet)3. YellowBird4. M.A.S.H.Theme(Duet)

MoreChordChartWorkKeyofC&F–Rolling&RockingChordsRhythmExercises(writingassignment!)LOWERledgerlines&BassSoloWork

Let’sGetStarted: Step1.PlayFirst

Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs

Step2.Theory–BassExercise&BassScales• 2OctaveScales–LearnLowerLedgerLines• BassCScale–ThiswillbefingeringforALLBassScales!

o Note–thechangedfingeringo 2(C)‐4‐2‐3shiftupthe2(G)‐4‐2‐3

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MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

3

Step2.Theory–BassSOLO–Alouetteo ReviewCBassScalewithnewfingeringo Scanbothpartsoftheduetandnotenewfingeringo Havefunwiththenotedsoundeffects!

TurnDuetintoSolo

o Theduetislaidoutin4measureblocks• Part1–hassoloforfirst2measures• Part2–hassoloinlast4measures

o Thesoundeffectsislaidoutin4countblocks• Part1–hassoloforfirst2counts• Part2–hassoloinlast4counts

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MastertheAccordionWorkshops PHBook3‐Session7

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Page 6: Master the Accordion Workshops PH Book 3 ‐ Session 7 Palmer & …api.ning.com/.../PHBk3KeyboardSession7.pdf · 2017-05-28 · Master the Accordion Workshops PH Book 3 ‐ Session

MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

6

Step2.Theory–ChordExercise(KeyofF)

o (IChord)PlayFScale2octaves–doArpeggio&Chord FingeringRule–1234­1224

o (IVChord)PlayBbMScale–2octaves–doArpeggio&Chord

o AllFlatScales–4thonBb

o (V7Chord)PlayCMajor2octaves–doArpeggio&Chord Locate7thtoneandflatitfor7thChord

o AdditionalChords–Gm,G7,(Gm7),andD7

o GalwayBay–ChordPractice PracticeChangingthroughtheseChords NOW–practiceGalwayBay Chordsonly RollingChords­PracticeRuns–Accompaniment

o HeyJude–ChordPractice

PracticeChangingthroughtheseChords NOW–practiceHeyJude Chordsonly “Rocking”Chords­PracticeRuns–Accompaniment

o YellowBird–BassStylePractice PracticeChangingthroughtheseChords NOW–practiceYellowBird BassStyleonly(lookfortwostyles) AddSimpleChordstoRHmelody

Page 7: Master the Accordion Workshops PH Book 3 ‐ Session 7 Palmer & …api.ning.com/.../PHBk3KeyboardSession7.pdf · 2017-05-28 · Master the Accordion Workshops PH Book 3 ‐ Session

MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

7

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Galway Bay - Key of F Chords

© 2012 So Good Productions

arr. by Shelia Lee

Key of F

I Chord (FM) IV Chord (BbM) V7 Chord (C7)

ii Chord (Gm)II7 Chord (G7) ii7 Chord (Gm7) VI7 Chord (D7)

ii7 Chord (Gm7)

Galway Bay Chord Sample

I Chord (FM)

I Chord (FM)

I Chord (FM)

ii7 Chord (Gm7) V7 Chord (C7) V7 Chord (C7)

I Chord (FM) VI7 Chord (D7) II7 Chord (G7)

V7 Chord (C7)

Page 8: Master the Accordion Workshops PH Book 3 ‐ Session 7 Palmer & …api.ning.com/.../PHBk3KeyboardSession7.pdf · 2017-05-28 · Master the Accordion Workshops PH Book 3 ‐ Session

MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

8

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Page 9: Master the Accordion Workshops PH Book 3 ‐ Session 7 Palmer & …api.ning.com/.../PHBk3KeyboardSession7.pdf · 2017-05-28 · Master the Accordion Workshops PH Book 3 ‐ Session

MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

9

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Page 10: Master the Accordion Workshops PH Book 3 ‐ Session 7 Palmer & …api.ning.com/.../PHBk3KeyboardSession7.pdf · 2017-05-28 · Master the Accordion Workshops PH Book 3 ‐ Session

MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

10

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Hey JudeLennon & McCartney

© 2012 So Good Productions

arr. by Shelia Lee

Accompaniment (2nd Accordion)

Page 11: Master the Accordion Workshops PH Book 3 ‐ Session 7 Palmer & …api.ning.com/.../PHBk3KeyboardSession7.pdf · 2017-05-28 · Master the Accordion Workshops PH Book 3 ‐ Session

MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

11

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Page 12: Master the Accordion Workshops PH Book 3 ‐ Session 7 Palmer & …api.ning.com/.../PHBk3KeyboardSession7.pdf · 2017-05-28 · Master the Accordion Workshops PH Book 3 ‐ Session

MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

12

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Yellow BirdMarilyn Keith, Alan Bergman

Norman Luboff

© 2012 So Good Productions

arr. by Shelia Lee

Page 13: Master the Accordion Workshops PH Book 3 ‐ Session 7 Palmer & …api.ning.com/.../PHBk3KeyboardSession7.pdf · 2017-05-28 · Master the Accordion Workshops PH Book 3 ‐ Session

MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

13

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MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

14

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Yellow Bird - Bass Exercise

© 2012 So Good Productions

arr. by Shelia Lee

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MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

15

Step2.Theory–ChordExercise(KeyofC)

o (IChord)PlayCScale2octaves–doArpeggio&Chord FingeringRule–123­1224

o (IVChord)PlayFMScale–2octaves–doArpeggio&Chord

o BOTHHANDS(4thfingeronBb)

o (V7Chord)PlayGMajor2octaves–doArpeggio&Chord Locate7thtoneandflatitfor7thChord

o LocateDm,Gm,C7,D7o PracticeChangingthroughtheseChordso NOW–practiceM.A.S.H

Chordsonly Block&RollingChords­PracticeRuns–Accompaniment Readandfillintheblanks!!!! ChordCOUNTINGmatchesbassstyle

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MastertheAccordionWorkshops PHBook3‐Session7

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

16

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M.A.S.HJohnny Mandel &

Mike Altman

© 2012 So Good Productions

arr. by Shelia Lee

Suicide is PainlessAccompaniment (2nd Accordion)

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HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

17

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2 M.A.S.H.

Suddenly Slower

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M.A.S.HJohnny Mandel &

Mike Altman

© 2012 So Good Productions

arr. by Shelia Lee

Suicide is PainlessAccompaniment (2nd Accordion)

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2 M.A.S.H.

Suddenly Slower

3. The game of life is hard to play

I'm gonna lose it anyway

The losing card I'll someday lay

so this is all I have to say.

4. The only way to win is cheat

And lay it down before I'm beat

and to another give my seat

for that's theonly painless feat.

5. The sword of time will pierce our skins

It donesn't hurt when it begins

But as it works its way on in

The pain grows stronger atch it grin, but

6. A brave man once requested me

to answer questions that are key

is it to be or not to be

and I replied 'oh why ask me?'

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Step3.NewSong

o ReviewLowerLedgerLines SightreadingRules

• ScanKey–Bass‐Counting• Triplets–count1‐la‐le

Playevenly&DON’TSTOP

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Step5.CoolDownSection

o Play3EasyTones–canbesame3youstartedwitho Endeachsongwithauniqueendingo AddabasssoloatphraseendingortheendwithaArpeggioo Startaddingchordsonlongernotes

CONGRATULATIONS!LookatwhatyouhaveLEARNED!

Remembertofollowthesestepsforeachofyourpracticesessions:1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs2. TechniqueBuilder–doadrillor23. WorkonNewSongs–practiceassignedsongs4. SightReadingreadanewsongor2(sight‐read)5. CoolDown–withyourfavorite3songs

MusicNotebookYouwillhaveover40SongsinyourEASYTUNEsectionofyourRingBinderandyoushouldbepracticingthemALLforyourFUTUREWARMUPorCOOLDOWNTUNES.GermanFrauleinHappyWandererTheWaltzingCuckooInternationalAnnieLaurieCielitoLindoIt’saLongWaytoTipperaryYellowBirdGalwayBayChristmasHereComesSantaClausGrandmaGotRunOverbyaReindeerIHeardtheBellsonChristmasDayJingleBellRockLetItSnow!OChristmasTreeRudolphtheRed‐NosedReindeerSilentNightSacredWilltheCirclebeUnbroken

CountryBlueEyesCryingintheRainRidingontheRangePopRockAllAloneAmIAllMyLovingDon’tBeCruelHoundDogRockin’RobinWalkLikeAManHeyJudeM.A.S.H.ThemeStandard/FolkLittleBrownJugPolkaHome,Sweet,HomeOhSusannaWaltzingMatildaWilliamTellOvertureVolgaBoatmanAlouette

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