master the accordion workshops ph book 3 ‐...

MastertheAccordionWorkshops PHBook3‐Session2

HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]

1

Palmer&HughesBook3–Session2

InstructionandCompanionMaterial

PresentersSheliaLee&MarkRopel

MastertheAccordionWorkshops

Sponsoredby

5013(c)NonProfit



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Session2ReviewofBK3SKILLS:Duringyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek. ReviewofDrills

o Full“AllWhite”block&Arpeggios(1+3+5+1)o Full“AllMAJOR”block&Arpeggioso C,G,F,D,A,&BbScale–FullOctaveso MajorthenMinorChords–AllWhite.Blocktheminrhythmicpattern.Rollthem

inrhythmicpatterno LeftHandMajorScale&BassSoloExercises

Song#2PHBook3–RidingontheRangeCompanionSongs:

1. HoundDog2. Don’tbeCruel3. WaltzingMatilda4. HereComesSantaClaus

IntrotoChordChardScalesin6thsBassStylesIntroMoreCountingExercises

Let’sGetStarted: Step1.PlayFirst

Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs

Step2.Theory–ReviewofChordStructures• LearntoReadandUseChordChart• PracticeMovingbetweenChords



3

Step2.ChordPracticeo PlayALLWHITEBlock&RollChords(CMScale)

SayNameofeachChordasyouplayito CM–Dm–Em–FM–GM–Am–B(halfDim)

NOWSAY–theNUMBERforeachChordo I–ii–iiietc(Seechartbelow)

o PlayALLWHITEBlock&RollChords(DMScale)

StartonDM(playchordsusingKeyofDScale) SayNameofeachChordasyouplayit

o DM–Em–F#m–GM–AM–Bm–C(halfDim) NOWSAY–theNUMBERforeachChord

o I–ii–iiietc(Seechartbelow)o NoticethattheMajorandMinorchordsfallinthesameposition

• ThiswillbetrueforALLKEYS!CHORDNUMERICNAMESLEARNBasicTriadsinMajorKeysThemostlikelychordstoshowupinakeyarethechordsthatarebuildontheFIRST,FOURTH,andFIFTHtonesofthescale.TheeasiestwaytoidentifythesetriadsisbynumberingthemusingRomanNumeralsfromItovii.Youcanfindallthebasictriadsthatareusuallyusedinakeybybuildingonetriad,inthekey,oneachnoteofthescale(eachscaledegree).

CapitalRomannumeralsareusedforMajorChords(I,IV,V) SmallRomannumeralsforMinorChords(ii,iii,vi) SmallRomannumeralswithasmallcircle(degreessign–o)usedfordiminishedchords

(viio)ManyfolksongsandothersimpletunescanbeaccompaniedusingonlytheI,IV,andV(orV7)chordsofakey,afactgreatlyappreciatedbymanybeginningmusicians.

I ii iii IV V

vi viio!""!



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5

Step3.NewSongTechniqueBlock/Absorb/Vertical

o Don’tBeCruel&HoundDog KeyofC Middle&LowerReedshift

Absorb• PlayCMajorScaleRHANDLH• PlayFMajorScaleRHandLH• PlayGMajorScaleRHandLH• RuntheBassSolos

Block

• PlayChordsONLY(Put5onC)• BlockoutHandpositions• Dynamics–youshouldcrescendointothephraseanddiminuendotowardtheend

Vertical• DoCountingExercise–One–TwoTe‐Three‐Four• Noticeall7thchordsalternatefirst

NowUseSightReadingRulesandPlay• Playslowlynostops• CreateaUniqueEnding



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44

Œ Œ Œ œYou

!

œ œ œ œknow I can be

œ œœ

œCM

.˙ œfound

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œœ œ œ œ œsit ting home all a

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.˙ œlone. If

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œ œ œ œyou can't come a

œ œ œ œFM

.˙ œround a

œ œ œ œ

œ œ œ œleast, please tel e

œ œœ

œCM

˙ œ œphone. Don't be

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œw

cruel,

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œœD m

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11

œ œ œ œ œto a heart that's

œœ œ œG 7

wtrue.

œ œœ

œCM

.˙ œ œI don't

œ œ œ- œ-CM

œ œ œ œwant no oth er

œ œ œ œFM

wlove

œœ œ œG 7

-

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16

œ œ œ œba bay its just

œ œ œ œFM

œ ˙œ œ

you I'm think ing

œœ œ œG 7

wof.

œ œ- œ- œCM

.˙ Œ

œ œœœ Œ

- -

Don't Be Cruel

Otis Blackwood

(c) 2012 So Good Productions

arr. by Shelia Lee



7

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20

œ œ œ œDon't stop think ing

œ œœ

œCM

œ ˙ œof me don't

œ œœ

œœ œ œ œ

make me feel this

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.˙ œway come

œ œ œ- œ-C 7

-

&

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24

œ œ œ œ œon o ver here and

œ œ œ œFM

œ ˙ œlove me you

œ œ œ œ

œ œ œ œ œ œknow what I want you to

œ œœ

œCM

˙ œ œsay don't be

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œ-

&

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28

wcruel

œœ

œœD m

œ œ œ œ œto a heart that's

œœ œ œG 7

œ .˙true

œ œœ

œCM

.˙ œwhy

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32

œ œ œ œshould we be a

œ œ œ œFM

.˙ œpart? I

œœ œ œG 7

œ œ œ œreal ly love you

œ œ œ œFM

- -

&

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35

œ œœ œ

ba bay cross my

œœ œ œG 7

wheart.

œ œ- œ- œCM

.˙ Œ

œ œœœ Œ

-

Don't be Cruel 2



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‰ Jœb œ œ œ œ œYou ain't noth in but a

!

˙ ˙hound dog

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œCM

˙ œb œ œ œcry in all the

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œ

wtime

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&

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‰ Jœb œ œ œ œ œYou aint noth in but a

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˙ ˙hound dog

œ œ œ œFM

˙ œb œ œ œcry in all the

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Œ œb œ œ œwell you ain't

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œœ œ œG 7

œb œ œ œ œain't no friend of

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‰ Jœb œ œ œ œ œWhen they said you was highœœ Œ Ó

œb .˙classed

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14

Œ œb œ œ œ œwell that was just a

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Hound DogJerry Leiber & Mike Stoller


arr. by Shelia Lee



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œŒ œb œ œ œ œ

When they said you was

œ œ œ- œ-

œb .˙high classed

œ œ œ œFM

Œ œb œ œ œ œwell that was just a

œ œ œ œFM

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œœ œ œG 7

œb œ œ œ œain't no friend of

œ œ œ œFM

&

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24 1.wmine.

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‰ Jœb œ œ œ œ œYou ain't noth in but aœœ Œ Ó

2.wmine.

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Hound Dog 2



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Step2.TheoryExercise

o Scalesin6ths PlaySlowly–watchoptionsforfingering Repeatandplay8thnotesforeachtone

& 44 ˙̇ ˙̇ ˙̇ ˙̇

&3 ˙̇ ˙̇ ˙̇ ˙̇

& ˙̇ ˙̇ ˙̇ ˙̇

& ˙̇ ˙̇ ˙̇ ˙̇

C Major Scale In 6ths

© 2010 So Good Productions

3

14

1

5

1

3

1

4

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5

1

3

1

4

1

2

13

1

4

1

5

2

4

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4

15

1

C on Bottom

C on Top



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o RidingtheRange KeyofC Middle&LowerReedshift

Absorb• PlayCMajorScaleRHANDLH• PlayFMajorScaleRHandLH• PlayGMajorScaleRHandLH• RuntheBassSolos

Block

• PlayChordsONLY(Put5onC)• BlockoutHandpositions• Dynamics–youshouldcrescendointothephraseanddiminuendotowardtheend

Vertical• DoCountingExercise–One–TwoTe‐Three‐Four• Noticeall7thchordsalternatefirst

Buildthesongbackwards• Playslowlynostops• CreateaUniqueEnding



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o WaltzingMatilda KeyofG Middle&LowerReedshift

o HereComesSantaClaus KeyofF Middle&LowerReedshift

Absorb• PlayGMajorScaleRHANDLH• PlayDMajorScaleRHandLH• PlayCMajorScaleRHandLH

Block

• PlayChordsONLY(Put5onG)• BlockoutHandpositions• Dynamics–youshouldcrescendointothephraseanddiminuendotowardtheend

Vertical• DoCountingExercise–One–TwoTe‐Three‐Four• Noticethebasspattern

NowUseSightReadingRulesandPlay• Playslowlynostops• CreateaUniqueEnding• Youcan“lilt”the8thnotes–(longshort)

ShotgunBass

• Spotit–willusuallyalwaysbe½stepupfromthecurrentbassnoted

• UseyourknowledgeofCHROMATICBasslocation• LocatetheCOUNTERBASSfirst• THENcurl2ndfingeralongthe3rdfingerandhitthediminishedchordnoted.



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acame

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lyjum

swagbuck

manto

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byat

athe

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bonghole

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andhim

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aed

waytilin

hishis

biltuck

lyer

boiledbag

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- - - -- -

&?

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œ œ œ œ œ œYou'll come a walt ing Ma

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œ œ œ œ Œtil da with me.

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D 7 GM

œ œ œ œ œWaltz ing Ma til da

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œ œ œ œCM

œ œ œ œ œ œtil da with me and he

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œ œ œ œ œsang as he watched and

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- - -

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14

œ œ œ œ œ œ œwait ed till his bil ly boiled

œ œ œ œEmCM

œ œ œ œ œ œyou'll come a waltz ing Ma

œ œœ

œGM

œ œ œ œ Œtil da with me.

œœ œœ Œ

D 7 GM

- - - - -

Waltzing MatildaA.B. Paterson, Marie Cowan


arr. by Shelia Lee



14

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..

..

œ œ œ œ œHere comes San taClaus!

œ œ œ œFM

A

œ œ œ œ œHerecomesSantaClaus!

œ œ œ œœ œ œ œ œ

RightdownSan taClaus

œœ œ œC 7

wLane!

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œ œ œ œ œ œVix en and Blit zen and

œœ œ œC 7

œ œ œ œ œall his rein deer are

œœ œ œ

œ œ œ œnpull ing on the

œ œ œ œFM

wreins.

œ œ œ œF 7

- - - -

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œ œ œ œBellsareringing,

œ œ œn - œBbM F dim/B

B œ œ œ œchil drensinging,

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œFMD 7

œ œ œ œ œall ismerryand

œ œ œ œC 7G m

wbright.

œ œ œ œFM

œ œ œ œ œHangyourstockingsand

œ œ œn - œBbM F dim/B

- - -

&

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14 œ œ œ œsay your prayrs.'cause

œ œœ

œFMD 7

1.œ œ œ œ œSan ta Clauscomesto

œ œ œ œC 7G m

wnight.

œœ œ œ- œ-FM

2.

œ œ œ œ œSan taClauscomes to

œ œ œ œC 7G m

.˙ Œnight.

œœ œ œœFM

- - - -

Here Comes Santa ClausGene Autry and

Oakley Haleman

© 2010 So Good Productions

arr. by Shelia Lee

*

*

*"Shotgun" Bass position: Locate F dim chord

with 2nd finger and then take 3rd finger

directly across to B - counterbass of G

2

4 2

1 4 4

5 5-2

3

13 2

31

1 4



15

Step5.CoolDownSection

o Play3EasyTones–canbesame3youstartedwitho Endeachsongwithauniqueendingo AddabasssoloatphraseendingortheendwithaArpeggio

CONGRATULATIONS!LookatwhatyouhaveLEARNED!

Remembertofollowthesestepsforeachofyourpracticesessions:1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs2. TechniqueBuilder–doadrillor23. WorkonNewSongs–practiceassignedsongs4. SightReadingreadanewsongor2(sight‐read)5. CoolDown–withyourfavorite3songs

MusicNotebookYouwillhaveover40SongsinyourEASYTUNEsectionofyourRingBinderandyoushouldbepracticingthemALLforyourFUTUREWARMUPorCOOLDOWNTUNES.NewSelectionsFromPH3WilliamTellOvertureHappyWandererJingleBellRockWalkLikeAManHoundDogDon’tBeCruelRidingontheRangeHereComesSantaClausWaltzingMatilda

master the accordion workshops ph book 3 ‐...

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